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53 Beethoo<n
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Dedicated to a patron, Count von Waldstein, and often identified by his name, this sonata opens
with a tumultuous allegro of great scope. How has Beethoven here modified the traditional procedures
of Classical sonata form? Where is the movement's chief climax? I 5
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.s Roger Kamien analyzes portions of this movement in "Aspects of the Recapitulation in Beethoven Piano Sonatas," The Music Forum, vol.
IV (New York: Columbia University Press, 1976, p. 205ff). See also Charles Rosen, Sonata Forms (op. cit., pp. 79-80 and 289-290).
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