Percuss10,, • Percussion
LEVEL 2 GRADE 7
CUMBERLAND. A. Study No 2 from 20 graduated studies for
timpani (Somhem Percussion)
DELECLUSE, J. Study No l l !rom Thirty studies for timpani Book 2
(Leduc) - preparatory e xercise not required
DELECLUSE, J . Study No 12 from Thirty studies for timpani Book 2
(Leduc) - preparatory exercise not required
DELECLUSE, J. Study No 13 from Thirty studies for h·mpani Book 2
(Leduc) - preparatory exercise not required
DELECLUSE, J . Study No 14 lrom Thirty studies for timpani Book 2
(Leduc) - preparatory exercise not required
DELECLUSE, J. Study No 15 from Thirty studits[or timpani Book 2
(Leduc) - preparatory exercise not required
DELECLUSE, J. Study No 16 from Thirtystudiesfortimpani Book 2
(Leduc) - preparatory exercise not required
DEl.ECLUSE, J. Study No 17 from Thirty sn,diesfor timpani Book 2
(Leduc) - preparatory exercise not required
DELECLUSE. J . Study No 18 from Thirty studies for timpani Book 2
(Leduc) - preparatory exercise not- required
DELECLUSE, J. Study No 19 from 1'1irty studies for timpani Book 2
{Leduc) - preparatory exercise not required
DELECLUSE, J. Study No 20 from Thirty studies for timpani Book 2
(Leduc) - preparatory exercise not required
DELECLUSE, J. Study Noll from ThirtystudiesfortimpaniBook 3
(Leduc) . BACH, J.S. arr. JOHNSON. Prelude in C major (Solos and erudes for
DELECLUSE, J . Srudy No 22 from Thirty studies for timpani Book 3
(Leduc)
FINK, S. Rockin ' timpani No 8 horn So/obook for timpani Volume l
(N. Simrock) · (B3renreiter) to be performed on marimba as EITRER a List B.
FINK. S. Rea'tativ No 9 from Solobook fortimpani Volume. l (N.
Simrock)
FINK, S. Andame No l from Studies for timpani Volume 3 (N.
Simrock)
FINK. S. Andantino No 2 from Studies for timpani Volume 3 (N.
Simrock)
FINK, S. Moderato No 3 from Studies for rimpani Volume 3 (N.
Simrock)
FrNK. S. Any two of Gagliarde 2nd movement, Bour!e 3rd
movemem. Gavotte 4th movement. Sarabande 5th movement,
and Gi'gue 6th movement from Timpani.suite (Zimmermann)
FROCK, G. Opening toccata No I from Seven solo dan«s for rhe
adYanced timpanist (Southern music}
FROCK, G. Minuet No 2 from S!Ven solo dances for the advanad
timpanist (Southern music)
FROCK. G. Rock stock No 7 from Seven solo dances for tl,e advanad
timpanist (Southern music)
WOUD, N. Vivace No 11 from Symphonic studies for timpani (De
w~:Ji~~.Lento ma non troppo No 12 from Symphonic studies for
timpani (De Haske) . . . (Ludwig Music)
WOUO, N. Sa/tare/lo No 13 from Symphonic studies for timpani (De
Haske)
Extra List: 1WO works required.
SecUon Ill. Aural tests, Sight-reading, General knowledge
GRADE 7 4137
Please refer to the Syllabus objectives at the beginning ol this level.
Section I. Technical work
All Technical Work r<:quircments are set out in the AMEB publica -
tion Percussion Technical work l.Lwl 2 (2013).
Section II. Studies and pieces
'I
I 432
~-
Candidates must prepare four works, one from each o( us WILCOXON. C._ Wilcoxon '.s 142nd from The All-American drummer
B C and D, as well as two Extra List works !or presenia . Is A., (Ludwig M usic)
'..
exarntnauon.
W!LCOXON, C._ Wila,xon 's 143rd from The All-Amrrican drummer
List A. - untuned (Ludwig Music)
ALEO. K. Ehide 4 from Advanced etud,s for snare drum WILCOXON, C._ Wilcoxon 's 144t/1 from 11,e All-American drummer
(Ludwig Music)
(HoneyRock)
ALEO. K. Etude 5 from Advanced etudesfor snar, drum WILCOXON, C. Wilcoxon ·, 145th from The All-American drummer
(Ludwig Music)
(HoneyRock)
ALEO. K. Elude JO from Advanced etudes for snare drum WILCOXON. C. Wilcoxon', 146th from The All-hourican drummer
(Ludwig Music)
(HoneyRock)
ALEO, K . Etude JJ from Advanced etudesfor snare drum WILCOXON. C. Wila,xon 's 147th from The AII-America11 drummer
(Ludwig Music)
(HoncyRock)
ALEO. K. Elude 12 from Advanced eludes for snare drum W!LCOXON, C. Wilcoxon'., 148th from The All-Amen·can drummer
(Ludwig Music)
(HoneyRock)
ALEO. K. Etude /5 from Advanced etudesfor snan drum WILCOXON, C. Wi/clJxon 's 149th from The AII-America11 drummer
(Ludwig Music)
(l!oneyRock)
BECKER, B. New-Thaan (Nexus portfolio for snare drum WILCOXON. C. Wilcoxon 's 150th from The All-American drummer
(Ludwig Music)
- HoneyRock) .
BOMHOF, G. Multissimo No 8 from IO solos for pem1ss1on (De flVI<OVIC, N. Elude No 5 from JOttudesfor snare drum (Studio 4
Music)
l!aske) .
OELECLUSE. J. No I. No 2 and No 4 from Cmq pieces br~t, List B - t wo-ma!Jet
(Leduc)
ALFORD, K. Sparks (Boosey & Hawkes)
DELECLUSE, J. Etude No 17 from Mlthode de caisse-claire (Leduc)
DELECLUSE, J. Etude No 18 from Mithode de caisse-claire (Leduc) man.,nba - HoneyRock)
DELECLUSE. J. Etude No 19 from Mlthode de caisse-claire (Leduc)
BACH, J. S. Any movement except the Sarabande from Suitt
ENGELMAN, R. Clean it up ••• please (Nexus portfolio for snare drum in El, major BWV 1010 No 4 from Six Suirtsfor Violonctllo Solo
- HoneyRock)
FTh'K, S. Allegro 1st movement from Sonata for snare drum (N. TWO-mallet work OR a List C. Four-mallet work.
Simrock)
CLEMENTI, M. arr. JOHNSON. Rondo from sonata Op. 26 No J
FINK. s. Avenia No I from Solobookfor snare drum Volume 2 (N. (Solos and eludes for marimba - HoneyRock)
Simrock) ;; CORELLI. A. arr. JOHNSON. Giga from Sonata Op. 5 No 3 (Solos
FINK, s. Exrurba No 5 from Solobook for snare drum Volume l (N.
and etudes for marimba - HoneyRock)
Simrock) CORELLI, A. arr. JOHNSON. Vivace from Sonata Op. 5 No 2 (Solos
FINK, s. Gatutia No 7 from Solobook for snare drum Volume 2 (N. and etudes ftJr man'mba - HoneyRock)
Simrock) DUPIN, F. Etudt thimatique - Btrliaz- Course a l'abime (Damnation
GRAHAM. B. Polaris (Studies in rhythm: a collection of snare drum
de Faust) from Rapid turor for the xylophone Book 2 (Leduc)
solos and duets- HoneyRock) DUPIN, P. Srudy No 2 from Seventeen studies for xylophone (Leduc)
GRAHAM, B. Snapfinger (Studies in rhythm: a a,1/ertion of sna"
DUP!N, P. Study No 4 from Sevmurn studies for xylophone (Leduc)
drum solos and duets - HoneyRock) DUPIN, P. Study No 5 lrom Sev,n1w1studies for xylophone (Leduc)
JOUVET, A . A11igrement 4th movement from Conctrto pour
EDWARDS, R. Isl movement from Marimba dances (AMC)
percussion (Salaben) EDWARDS, R. 2nd movement from Marimba dances (AMC)
LEFEVRE. G. Erude No IO from 20 ltudes pour caisse-clair, ou
ELUNGTON, D. arr. UPNER. Don 't get around mucli anymore TWo-
rambour (Leduc) mallet version (The vibes real book - MalletWorks)
LEFEVRE, G. Etude No J5 from 20 itudts pour caisse·c/A.ire ou.
GREEN. G. Cross Comers (Xylophonuagso[Geor9e Hamilton Green
tambour (Leduc) . ,, - Meredith Music)
WILCOXON. C. Wilcoxon ·s 132nd from The AII-Amencan drlll/fffltT GREEN, G. u,9 Cabin Blues (Xylopiion, rags ofGeorge Hamilton
(Ludwig Music)
WILCOXON, C. Wi/a,xon's 133rd from Th, All-American dru'l'1""
~- Grun - Meredith Music)
• GREEN, G. Ragtime flobin (Xylophone rags o[Geor9e Hamilton
..,
'! . Green - Meredith Music)
WILCOXON, C. Wilcoxon 's 134th from Th, .All-American d""l"'"
(Ludwig Music) ·, r
f llA.NDEL, G. arr. JOHNSON. Allegro from Sonata in F major (in 6/8)
. . (Solos and etud,s for marimba - HoneyRock)
WILCOXON. C. Wi/roxon ·s J35th from The All-American dru!J!"''
(Ludwig Music) ''. ,
J JOLIVlrr, A. Rapidement 3rd movement from Concerto pour
i perrussiOn (Salabert)
WILCOXON, C. Wilcoxon 's 136th from The A/1-Ammcan drum,"'' J KREUTZER, R. arr. JOHNSON. Etud, No 42 (Solos and eludes for
(Ludwig Music) " marimba - HoneyRock)
WILCOXON. C. W1/roxon 's 137th from The All-American dru"!"' MOZART. W. arr. JOHNSON. Rondo (Solos and eludes for marimba
(Ludwig Music) " r - f!oneyRock)
WILCOXON. C. Wtlcoxon 's 138rh from The All-American druig"" RAMEAU, J.-P. arr. JOHNSON. Giguem rondeau (Solosandetudes
(Ludwig Music) . ·1 er for marimba - HoneyRock)
WILCOXON, C. Wilcoxon '.r 139th from The AII-Amencan drur RODE, P. arr. J OHNSON. Caprice No2 (Solosandetudesfor
(Ludwig Music) ;,,,,,, marimba - HoneyRock)
WILCOXON, C. Wilcoxon ', 140th from Th, All-American dru RODE. P. arr. JOHNSON. Caprio, No 24 (Solos a,id etudes for
(Ludwig Music) ,#mer ~arimba - Honc:yRock)
WILCOXON, C. Wi/coxon's 141st from The All-American dru . KO VIC. N. Dee - Diddle. Doo No 9 from Funny xylophone Book
{Ludwig Mmic) · 1 (Gretel)
Percussion • Percussion
LEVEL 2 GRADE 7
trvJ<OVIC. N. Glissando • po/lei! No l O from Funny xylophone Book
I (Gretel)
List C - four-mallet
ANONYMOUS arr. ZELTSMAN. Allegrtlto No 3 from Three fifteenth
century songs (Four-mallet marimba playing -H.:iJ Leonar~)
BACH, J. S. Any movemen t excep1 lhe Sarabandr from Suttt
in El, majorBWV 1010 No4 from Six Suites for Violonal/oSo/Q
(Biirenreiter) to be performed on m arimba as EITT!ER a List B.
1\vo-mallet work OR a List C. Four-malJet work.
FORD, M. Tueker (Marimba: technique through music - Innovative
Percussfon)
FORD, M. Montecristo (Marimba: technlque thrcm9lt music-
Innovative Percussion)
FORD, M. Birchbrook (Man·m ba: technique through mu:;ic -
Innovative Percussion)
FORD, M, Stoneman (Marimba: Jechnique throu9h music -
Innovative PerC1.1ssion)
GOMEZ, A. and RIFE, M. Mbira song for marimba solo (Southern
Music)
KEMP, D. Mallet Derby for vibraphone and Piano (davekemp.
sessionmusidansonline.com)
SEJOURNE, E. Sprinr No 18 from 19 musical studies for vibraphon,
(Leduc)
SEJOURNE, E. Chamade No 19 from 19 musia,Jstuditsfor
vibraphone (Leduc)
SPIEWAK, T. Prelude No l from Preludes (Reed Music)
SPIEWAK, T. Prelude No 2 from Preludes (Reed Music)
SPIEWAK, T. Prelude No 3 from Preludes (Reed Music)
SPIEWAK, T. Prelude No 4 from Preludes (Reed Music)
SPIEWAK, T. Pr,/ude No 5 from Preludes (Reed Music)
TANNER. P. Her Majesty (www.paultannerpercussion.com)
WKOVIC, N. Ein Liebeslied? No 7 from Fu11ny Marimba Book I
(Gretel)
llVKOVIC. N_Tropical Fu/ from Funny Man'mba II (Gretel)
:llVKOVIC, N . Bulgarian etude Crom Funny Man'mba II (Gretel)
List D - timpani
BOMHOF, G. Performing timpani No 18 from Solo pie~s for timpani
(De Haske)
CUMBERLAND, A.. Study No 3 from 20 graduated studies for
timpani (Southern Percussion)
CUMBERLAND. A. Study No 4 from 20 graduated studies for
timpani {Southern Percussion)
DELECLUSE, J. Study No 23 from Thirty studies for timpani Book 3
(Leduc)
DELECLUSB, J. Study No :u from Thirty studies for timpan i Book 3
(Leduc)
FINK, S. LarghettoNo 4 from Studies for timpani Volume 3 (N.
Simrock)
FINK. S. unto No 12 from Studies for timpani Volume 3 (N.
Simrock)
PINI<. S. Adagio No 17 from Studies for timpani Volume 3 (N.
Simcock)
FROCK, G. Beguine and Samba No 3 from Seven solo danas for tire
advanced timpanist {Southern Music)
FROCK, G. Polka No 4 from Seven solo danas for /ht ad\'anced
timpanist (Southern Music)
FROCK, G. Ballad, No 5 from Seven solo dances for the advanced
h'mpanist (Southern Music)
PROCK, G. 518 Dana: No 6 from Seven solo dances forth, advanced
timpanisr (Southern Music)
HlNGER, F. Btude for three tympani l from T~cltni"qut for the virtuoso
tympanist (Jerona Music)
HINGER, F. Ctude for three tympani 2 from T«hnique for the Yirt.uoso
tympanist (Jerona Music)
433
 Percussion • Percussion
- - ~2_
LEVEL : _8 _
GRADE ___________________ ~ • Petcus91on
LEVEL 2 C£A1~0,e o, P£Rr~E
HlNGER, F. Erud, for three tympani J from Ttchniqu, for tht virtuoso ALEO, K. Etudr No 20 from Advanad rtwks for SIUlrt dno,,
lympams1 (Jerona Music) DUPIN, F. Study No 7 from S<vmt,rn studies fer xy/ophonr (Leduc)
(HoneyRock)
HlNGER, F. Erud, for thrt, tympani 4 from Ttthniqut for the virtuoso OELECLUSE, J. Study No I from Twtlw studic for snar,"""' DUPIN, F. Study No 8 from S<vmi,m SIIUiin f11r xyt,,phont (Leduc) CUM8ERI.AND, A. SIUdy No 5 from 10 9rad1U1t,d ttud,a for
tympanist (Jt.rona Music) GREEN, G. Whut/,r (Xylophont ra!fS ofGtorg, Hamilton Gmn - timpani (Southern Perrussion)
(Leduc)
HINGER, P. Erud, for three tympani 5 from Ttchniqu, for tht virtuoso Meredith Music) CUMBERLAND. A Study No 6 /rom 20 graduar,d ttud,,, Jc,
DELECLUSE, J. Study No 2 from Twtlvt studits forsnar,"""' hmpani /Southrm Prrcus1ion)
tympanist (Jerona Music) GREEN, G. Jovial }Qjptr (Xy/oplwnt ragsofGrol'!lt Hami/1an Grttn-
(Leduc)
HINGER, P. Erud, for thre, tympani 6 from Ttchniqut for tht virtuoso Mercdith Music) • CUMBERLAND, A . Study No 7 from JO 9radua1Ld S1ud1e, for
DELECLUSE, J. Study No 3 from Twtlvt slUdia for snare"""' timpam (Southern rercu,sion)
tympanist (Jerona Music) (Leduc) JACKSON. M . arr. LIPNER. &,9',91""\'tl'wo-malkt version (Tl1t
JOLIVET, A . &buste 1st Movement from Conal'IO pour ptrrussion vibts real book - MaUetWorks) CUMBERLAND, A . Study No 8 from 20 9radua1td ,rudirs for
(Salaben) DELECLUSE, J . Study No 4 from Twtlw studies forsnarrdno,, N'mpani (Southern P,rcimlon)
(Leduc) LACERDA, 0. Arrasta-p/ 1st movement from Suit, for xylophont
WOUD, N, Modtralo No 14 Crom Symphonicstuditsfor timpani (De and piano {Zimmermann) DElECLUSP., J. Study No 9 from 1wtnry ,1ud1ts for nmpan1 (Wuc)
Haske) OELECLUSE, J. Study No 5 from Twtlvt studmformartdno,, DELECLUSE, J. SllldyNo JO from 'lwmtystudttsfar timpani
(Leduc) LACBRDA, 0 . Ponto 2nd movement from Suitt for xylophon, and
piano (Zimmennann) (Ledue)
WOUD, N. Modtralo No 15 from Symphonic studits for timpani (De DELECLUSE, J. Study No 6 from Twtlvt inuJic for mart tinu,, Ol!lECLUSE. J. Sllldy No I I from 7wtnty slUd,a for ti,npant
Haske) LACERDA, 0 . To«Ata 3rd movemem from Suitt for xylqphontond
(Leduc) piano (Zimmermann) (Leduc)
WOUD, N. Marcia /untbrt No 16 from Symphonic studits for timpani OELECLUSE, J. Study No 7 from Twtlvt studin for snort dna,, DElECLUSE, J. Study No I 2 from 7\wn,y ,rud,a for tmlpam
(De Haske) (Leduc) 11!:TZER, 0 . Taksim (lnt,rmtdillt, mastrrwor/a for marimba Volume (Leduc)
WOUD, N. Alltgro ma non lroppo No I 7 from Symplwnic studttsfor I - Peters)
DELECLUSE, J . Study No 8 lrom Twtlvt stud;,sformartd- OGDON, W. Night Song l 5t movement ond Morning btlls Jrd Dl!LECLUSE, J. Study No I l from 'lwml)' studin for flmpan;
timpani (De Haske) (1..<duc) (Ledue)
WOUD, N. PrtsliJ No 18 from Symphonic studits for timpani (De movement from A filth suiu and an tncttrt tango (Smith
DELECLUSE, J. Study No 9 lrom T'wt/v, studits for I114rt dnu,, publications) 081F.CLUSE, J. Study No 25 from 71,irty srudla fi,r timpani Boole l
Haske) (Leduc) (Leduc)
WOUD, N. Andani, mo/Ii) No I 9 from Symphonic studies for rimpani POI.LARD, M. Just a Momml (AMC)
DELECLUSE, J. S111dyNo 10 from Twtlvtsttuiitsforsnandnun RODE, P. arr, JOHNSON. Ctlpriu No J (Solos •nd m,dt1 for marimba OELECLUSE, J. S111dy No 26 lrom Thirt)I studus for t1mpan; Book 3
(De Haske) (Leduc) (Leduc)
- HoneyRock)
WOUD, N. All,gro No 20 from Symphonic studits for timpani (De FINK, s. &ossais, No 8 from Soloboak for mart drum Volume J (N. DELECLUSE, J. Study No 27 from 71,;rlJI 1tud1ts for n'mpani Book l
Haske) Simrock) U..t C - four-mallet (Leduc)
WOUD, N . Alle9r0No 21 from Symphonicstuditsforlimpani (De FJNK. s. Sonatint No 9 from Solobookfor mart drum Volume I (II. ABE, K. Fross (Studio 4 Music) Dl!LECLtrSE, J. S/lldy No 28 !rom 71,irt)I stud.in for timpani Book 3
Haske) Simrock) (L,duc)
BACH, J.S. Any movement txc,pt Prtlwk from Suit< In C minor
WOUD, N . Alltgro No 22 from Symphonic studi,sforrimpani (De FINK, S. &go/a No 2 from So/obookforsnartdrum Volume2 (N. DEU!CLUSE, J. Study No 29 from Thirty studln for 1i,,,,,.,ni Book 3
Haske) · BWV IOI I No 5 from Six 1ui1t1 for violonallo solo (B~renrcltrr)
Simcock) 10 be perfonned on marimba as EmfllR a list A. 'lwo-mallet
(Leduc)
WOUD , N. Alltgro No 23 from Symphonic studies for timpani (De FINK. S. Contiga No 3 !rom So/obook for mare drum Volume 2 (N. worle OR a List C. Pour-mallet work. DELECLUSE, J. Sludy No 30 !rom 71,fr'l)I stud1,r far rimpam Book 3
Haske) Simrock) EDWARDS, R. 3rd Movement Jrom Marimb!J danas (AMC) (Leduc)
WOUD, N. Largo No 24 from Symphonic studies for timpani (De FINI(, S. Tarani,//a No 25 from Studier for nmpmri Volume 3 (N.
FINK, S. Fergida No 6 from So/obook forsnart drum Volume 2 (N. PINK, 5. Btudes d~ lux (7 sti/cu fur marimba - Zimmermann)
Simrock)
Haske) Simrock) PORO, M . Wtst Oak (Marimba: IKhniqu, lhrouah music-
WOUD, N. Anda111t No 25 from Symphonic studies for timpani (De PINK, s . lmpera111 No 9 from So/obook for mart drum Volume 2 (N. Innovative Percussion) IDNGER, .F. f/fudt far four drums I from T«hmqut for tht vi11114$4
Haske) tympanist (Jerona Music)
Simrock) GOMEZ, A. and RIFE, M . Rain dona (Southern Music)
WOUD, N. PrtSlo No 26 from Symphonicstudi,sfortimpani (De POLACHOWSKI, A . Point Butttrcup No I Crom SM!7I tpis«la far GOMEZ, A. tst movement from Gitmw (Southern Musk) RINGER, P. Bl~ for four drums 2 from T,chn1q1U for tht virtuMo
Hask,) tympanist (Jerona Music)
mart drum and ptdal bass drum (Leduc) GOMEZ, A. 2nd Movement from GiJaJw (Southern Mwic)
WOUD, N. Andante con moto No 27 from Symphonic sru.di~sfor H!LLBORG, A. 1wo pitas for solo mariml,a (lnrm,u,Jiat, mmltrwt1rla HINGBR, F. Etudr for four drums J from Ttdrniq1U for tht trirruosc
POLACHOWSKI, A. Cab,rus No 2 from Sewn tpisodtt for mart tympanin (Jerona Mwic)
timpani (D, Haske) . . . . drum and ptdal bass drum (Leduc) for marimba Volume I - Peters)
WOUD. N. Mo/to animato No 28 from Symphomc stud1rs for llmpam HINGER, f. Erwt, fi,r four drum, 4 lrom T«hniqu, fer th, virtuou,
TAGAWA. R. Introduction ! st movement and Dana 2nd KEMP, 0. /tty bitty ditty \llbrapbone and Piano version (davcl<nop. tympanist (J<rona M usicJ
(De Haske) , . . movc:ment from Inspirations diaboliqut (W~tem Iotematio~l scssionmusidansonline.com)
wouo, N. Ttmpo diva/st Vitnnest No 29 Crom Symphomcstud,tsfor HINGER, F. Etuu for four drums 5 from TtchmqUI for IN virllllMo
M~ . PARKER. C, arr. LIPNER. My lillh n«dr ,hots Pour-m.alkt vmion tympanist (Jerona Music)
timpani (De Haske) . . . . TAGAWA. R. Ptrpttual Motion No 5 from [nspirationJ diabolsqut (Tht vibes real book- MalktWotks)
WOUD, N. Adagio No 30 from Symphonic stud1,sfor nmpam (De HINGER, F. Etudr for four drums 6 from Ttt:/rn111u, fi,r tht vinu,,,,,
(Western International Music) . U'll.OPF, B. Ann, melody f7 slilclafiir marimJJa - Zimmermann) tywrpanin (Jerona Music)
Haske) tlvKOl'lC, N. Ellldt No 7 from Ten ltudes for snart dfU111 (Studio 4 MUSSER, C. EIUdt in B major Op. 6, No 9 (Studio 4 Productions) HINGER. F. f!tudt for four drums 1 from Ttduriqlll fi,r w vimi.w
Extra List: lwo works required. Music) MUSSER, C. Btude io C major Op. 6, No 10 (Studio 4 Productions) tympa11is1 (Jnoa., Music)
M.USSE.R. C. Btudt in C major Op. 11, No 4 (Srudio 4 Productions) ll!NGl!R, F. EtudL for four drums 8 from Ttdini,fu, for tht wm,DSO
Section Ill, Aural tests, Sight-reading, General knowledge Ust B - two-mallet OGDON, W. A quitt midnight 2nd movement and An"""" ll1ngD tympanist (Jeron.a Music)
BAC!L J.S. Any movement except Prtludt from Suite iD-~~)rto 4th movement Crom A lilt/, suilL and an mam 1111190 (Sm,th LEAK, G. Just tnting (www.graemeleak.com)
GRADES 4138 BWV 1011 No 5 from Six suites for vio/ona/lo.sow (B/ircwu,erorl< Publications)
be performed on marimba as EITHER a List B. 'Jwo-mallol w SCHMm, M . 1/Jve curiLUx (Zimmmuan) s.cllllll.Aasa1-,S1p,1...-..,.....,...,,.,...
Please refer 10 the Syllabus objectives at the beginning of this levcl. OR a Lisi C. Four-mallet work. "·;~fior SE.IOURNE, B. G,n,ralift No 4 from 5 piLas for marimJH1 solo
BAER.MANN, C. arr. JOHNSON. Tyro/es, Waltz (Solos and,_. (Leduc) '~ f -:::.,..,~ ~•·Tf _; P[; r- ,R '.' /, ~.".E ;1· J
Section I. Technical wor1t marimba - HoneyRock) SKIO!JRNE, E. Kalllmiya ( 7 m2ck, fur mtJrimba - Zimmem,ann)
All Tt"chnical Work requirements are SC'I out in the AMEB publica- BECK. J. Rmziniscmasof/PCL (7stiickeformarimba i· T!Noco, L Nro train approachfna 2nd movement from Mind tht ~ refer to the Syllabus objectives at the begiruung of this level.
tion Percussion Ttchnical work Uvtl 2 (2013). - Zimmermann) , ;, ..!."!' (University of York Music Press) . le
DELECLUSE, J. Study No I Crom Twentysllldi,sforxywphonl i '-'•t<OVJC, N. Srpika ignz No 9 from Frmnymarimba Boo 1 S.-LSlllllllalllllpleca
·1 r (Gretel)
Section II. Studies and pieces (Leduc)
Candidates must prepare four works. one from each of Lists A. B, C DELECLUSE, J. Srudy No 2 from Twenty studits for xylophont I
(Leduc)
I
t
I,
~OYJC, N. Ballatkft;r Petra No 10 from Flamy IIWrimba Boole
I (Gretel)
Candidates should prepare • bal,m~ and varied programme of
not less than 25 minutes and not more lhon 35 minu1e,. induding
and D for presentation at t"xamination.
List A - untuned
DELECLUSE. J . Study No 3 from Twenty studits for xy!ophonl
(Leduc)
l . UYl(OVJC, N. I/ sognio di Padoa:Jrino from l'IUury mariMINI II
(Gretel)
gaps brtwttn t h e ~- Candida.la m\15l sdttt at ~ast Ont" work
from each oJ Lists >.. B, C, D and E. Additional works n«dcd to
lulli) the time miuimncnts may b<- selca.ed !rom any of the lists.
ALEO, K. Eludt No I 8 from Advanad ttudts for mart drum DELECLUSE, J. Study No 4 Crom Twenty slUd~s for xy!opho~t .- ~Yi(OYJC, N. Johnny1 shu.fflr from Pwmy "'4rimba n fGtttd)
/HoneyRock) (Leduc) Copies of worts presented iD the Cenifiat, of hrlorouno,,
ALEO, K. Etudt No 19 lrom Advanad tlud,sforsnartdrum . U,1 I) - tbnpanl . A$$ociate and Llcentiate eurnlmtions must b, prov;drd /or usr by
DELECLUSE, J. Study No 5 from Twenty studit:S for xyloplwnt t b t ~-
(lfoneyRock) (Leduc) CAi(tER, B. Salta No I and Moto perpew No 2 from Bi9ht p,tt:ts
DUPIN, F. Study No 6 from Stmlltmstuditsfor xywphont( for four timpa,u (Associated Music Publishers)

434
 Percussion• Percussion
LEVEL 2 CERTIFICATE OF PERFORMANCE Percussion • Percussion
LEVEL 3 ASSOCIATE

List A - untuned MOOTZ, P. zu Arel op der Knippdrw ('Variatio11s on a L 1,IST E - multi-percussion

~~~~~· 1;c;:7'fJ":'1e.for snar, drum (RoneyRock)
DELECLUSE. / ' n stick (Rh)'thmscape) . PIAZZOLLA. A. a rr. MORLEO. Dernier lamento (Fivt miniar,,
(Leduc) ' · Study No 11 from '/w,/ve studies for snare drum
DE(LELdCLUSE. J · Study No 12 from 1welvt studi,s for snare drum
e uc)
PINK, S. Sona.ta for snare drum (N. Simrock)
FINK, S. Salut de Gen,ve (N. Simrock)
FINK. S. Labyrinth from Solobookfor snar, drum Volume 2 (N.
S1.mrock)
GREENBAUM, S. Clockwork lemon for solo snare drum and hi-hat
(Rhytlunscape)
MASSON, A. Kim (Editions Bim)
POLACHOWSIQ A. Lady La No 3 from Seven Episod,s for snare
drum and pedal bass drum (Leduc)
POLACHOWSKI. A. Catapult No 4 from Seven Episodes for snar,
drum and pedal bass drum (Leduc) ·
List B - two-mallet
BACH. J. S. Any movement except the Allmtande from Suitt in D
major BWV IO 12 from Six Suite< for Violonallo Solo (Barenreiter)
to be performed on marimba as EmfER a List B. l\vo·mallet
work OR a List C . Four-mallet work.
DELECLUSE. J. Study No 6 from Twmtystudiesforthtxylophone
(Leduc)
DELECLUSE, J. Study No 7 from Twmty studil!S for the xylophone
(Leduc) · SEJOURNE, E. Prettxte No 5 from 5 pieas for marimba sclo (Ltduc)
DELECLUSE. J . Study No 8 from Twmry studits for the xylophone
(Leduc)
DELECLUSE, J. Study No 9 from Twmry studies for the xylophone
(Leduc)
DELECLUSE, J . Study No IO from Twmrystudiesforthexylophone
(Leduc)
1' DUPIN. F. Study No 9 from Seventeen studies for xylophone (Leduc)
DUPIN. F. Study No l O lrom Seventeen studies for xylophone (Leduc)
\ti DUPIN, F. Study No I I lrom Seventeen studies for xylophone (Leduc)
DUPIN, F. Study No 12 from Sevenuen studies for xylophone (Leduc)
I; GREEN, G. Rainbaw Ripples (Xylophone rags ofG<orge Hamilton
Green - Meredith Musk) r (Gretel)
GREEN, G. Triplets (Xylophone rags of Geor9e Hamilton Green -
Meredith Music)
MAYUZUML T. Allegro 1st movement a nd Cadenza from
Concertino for xylophone and orchestra (Peters)
MAYUZUMI, T. Adagietto 2nd movement and Presto 3rd
movement from Concertino for xy/ophont. and orchestra (Peters)
List C - four-mallet
BACH. J . S. Any movement except the Allemande from Suitt in D
major BWV IO 12 lrom Six Suites for Violona/lo Solo (Barenrciter)
to be performed on 1narirnl>a a) EITHER a List B. 1\rvo-mallet
work OR a List C. Four-mallet work.
EDWARDS, R. 1st movement, 2nd movement and 3rd m ovement
folk song') (7 stuckefUr marimba- Zimmermann) IIXernbou,9 FORD, A . Composition in blue. grey and pink (AMC)
j(ANEKO, H. Lt temps tordu Ill (Zen-on music)
- HoneyRock) rer J(JTAZUME. M. Side by side (Zen-on music)
PIAZZOLLA. A. arr. MORLEO. Se termino (Five miniature, • MEALOR, P. Echo (University of York Music Press)
- HoncyRock) WILLIAMS, B.M. Tinba Kan -djtmbe solo (HoneyRock)
PIAZZOLLA. A. arr. MORLEO. Dltresse (Five miniatures
5ecilon II. General knowf8dge
- HoneyRock)
PIAZZOLLA. A. arr. MORLEO. Romantic,, idilio (Five miniar,,
- RoncyRock) "'
PIAZZOLLA. A. arr. MORLEO. Fime (Five miniatures
- HoneyRock)
ADVANCED DEVELOPMENT
ROSAURO, N. Saudafdo (Greeting) ! st movement from OJn
AMUSA AND LMUSA
marimba (Pr6 Pcrcussao) ctrto for
ROSAURO, N. Lamento (Lament) 2nd Movement from °'nartor, Objectives
marimba (Pr6 Percussao) or
ROSAURO. N. !_)an,a 3rd Movement from Ccna:rto for marin,J,a rhe candidate must d~monstrate musicality, maturity, convic-
(Pro Percussao) tion, and confidence m I.he performance of a well-balan ced
ROSAURO. N. O,spedida (Famwll) 4th Movement from c,,"Ctrto programme that covers a variety of technical skills and musical
for marimba (Pr6 Percussao) emphases.
SAMMl.IT, E. Rotation 2 No 2 from 4 rotations (Keyboard
Percussion) SectiOn I. Studies and pieces
SAMMl.IT, E. Rotarion 3 No 3 from 4 rotations (Keyboard The candidate is required to demonstrate:
Percussion)
1 • A concept or the works as a whole, perfonned with an under-
SAMMl.IT, E. Rotario11 4 No 4 from 4 rotations (Keyboasd standing of the structure and the musical content of each,
Percussion)
together with those elements that give them a panicular unity
SAMUELS. D. uanscr. FREEMAN. Footpath (Orient Point Music) or character
, Mastery of the technical and stylistic elements resulting in a
SIMON, P. Amulet (lntenntdiatt mast.erworks for marimba Volume
flu ent. expressive. and coherent perfonnance
I -Peters) . , The maintenance o{ unity and continuity in multi-movement
STOUT, G. Dana No I from 'Two Mexican danasfor marimba
works, including appropriate timing between and linking of
(Studio 4 Productions) movements
TAN, A. Dansons? (Intmntdiau mastuworks for man'mba Volume • Fammarity with the accompanying pan in items requiring
I - Peters) accompaniment, with a consistent and integrated sense of
TYWONilJK, D. For Dean Primmer (Intermediate masterworks for ensemble between soloist and assodate anise
marimba Volume l - Peters) • Command of special effects and extended techniques appropri·
YI, C. Jing marimba (Intermediate masterworks for marimba Volume ate to the instrument and required for particular musical and
2 - Peters)
:m'KOVIC, N. Bayerischer Liindler lrom Funny marimba Book 2
stylistic reasons
• Understanding of perfom1ance conventions relevant to the
, works being performed, and an ability to difrercntiate between a
· range of musical styles
List D - timpani t • A sense of professional presentation, with attention to posture,
CARTER. E. Recitative No 4 and Improvisation No 5 from Bight appearance and oonnal performance conventions
pieces for four rimpani (Associated Music Publishers) ·; • Performance! from memory according co the requiremenrs of the
CUMBERLAND. A. Study No 9 from 20 9raduaud studies for ' · specific syllabus
timpani (Southern Percussion) ·t • The ability to set up and make any adjusonents to ~nstrumenrs
CUMBERLAND, A. Study No IO from 20 graduated studies for It ; (i.e. h eight or angle} quickly and move between instruments
timpani (Southern Percussion) 1 promptly and confidently
CUMBERLAND, A. Study No 1 I fro m 20 graduated studies for ~
timpani (Southern Percussion) ·: ·- ' Section II. Gen«al knowledge
CUMBERLAND, A. Study No 12 from 209raduared studitS/or • · The cand1date must demonstrate:
timpani (Southern Percussion) . ~. ~ • The ability to answer questions according to the guidelines set
DELECLUSE, J . Study No 14 from 1\vtnty studies for timpani out in the General Knowledge TeSIS in 'Test requirements /or
ASSOCIATE 41 40
Please refer to the Syllabus objutives at the beginning of this level.
Section 1. Studies and pfoces
Candidates shouJd pICpare a balanced and varied programme of
nor less than 30 minutes and not more than 40 minutes, including
gaps between the pieces. Candidates must select al least one work
from each of Llsts A, B, C, D and E. Additional works needed to
fulfil the time requirements may be selected from any of the lists.
Copies of works presented in the Cenificate of Performance.
Associate a nd Llccntiale examinations must be provided tor use by
the examiners.
List A - untuned
CLE WORTH. J. For Rtbeaa No l from Three pieces for snare drum
(Rhythmscape)
CLEWORTH, T. For Colin No 2 from Tlrrte pieas for snare drum
(Rhythmscape)
FINK, S. Any three movements from Snare Drum Suite
(Zimmermann)
MACAREZ, F. Study No l from Snare system - 20 studies for snare-
drum Volume 1 (Leduc)
MACAREZ, F. Study No 2 from Snare system - 20 studi.fi for snare-
drum Volume I (Leduc)
MACAREZ, P. Study No 3 from Snare system -20 studies for snare-
drum Volume I (Leduc)
MACAREZ, F. Study No 4 from Snare system -20 studies for mart·
drum Volume I (Leduc)
MACARBZ, F. Study No 5 from Snare system - 20 studies for snare-
drum Volume I (Leduc)
MASSON, A . Prim (Editions Bim)
MASSON, A. Konwtst(ick (Editions Bim)
POLACHOWSKL A . Villa Carmdla No 5 from Seven episodes for
snare drum and ptdal bass drum (Leduc)
POLACHOWSKJ, A. Husky No 6 from Sevtrr episodes for snare drum
and pedal bass drum (Leduc)
UGHETIL E. Frenetic fantasy etude (AMC)
Ust B - two•mallet
BAClL J . S. Suittin G major BWV 1007 No l from Six suites/or
violoncello solo (Bclrenreitcr) to be performed on marimba as
EITHER a Llst B. Two-maJJet work OR a List C. Four-mallet
work.
BEKKU, S. Any 5 movements fro m KIJ/tidosa,pe No 2 (Zen-on
Music)
COS SOM. R. Study No i lrom 'lwtlw studies for the xylophone
(Rhythmscape)
GOSSOM, R. Study No 2 from 'lwtlve studies for the xylophone
(Rhythmscape)
GOSSOM, R. Scudy No 3 from 1\velve studies for tire xylophone
(Rhythmscape)
COSSOM, R. Study No 4 from Twe/~ studies for the xylophone
(Rhythmscape)
COSSOM, R. Study No 5 from 1\wlvt studits for the xylophone

from Mort marimba dances (AMC)
ELLINGTON, D. arr. LIPNER. Don 't get around much anymore Pour-
maJlel version (The vibes real book - Mallet Works)
PRIBDMAN, D. arr. ZELTSMAN. Quincy No 15 (Pour-mallet
marimba playing - Hal Leonard)
GLENTWORTH. M . Blues for Gilbert (Zimmerman)
JN'NS, L Robbin · Harry (Booscy & Hawkes)
:,
(Leduc) candidates in practical examinations - ~neral Knowledge Tests'
DELECLUSE, J. S1udy No 15 from 1wentysrudiesfortimpani in the front section of the Manual ofsyllabuses. (Rhyrhmscape)
(Leduc) . . • Knowledge of other works by composers of . the exami~tion COSSOM, R. Study No 6 from 7wrlvt studies for the xylophone
DELECLUSE, J . Study No 16 from 1wentystudiesfortimpanr
(Leduc) · . ·
4
DELECLUSE, J. Study No J 7 from 1\vtnry studies for timpani <Ii',
(Leduc) .,:
• pieces with particular emphasis on t11e Percussion repeno1rc.
• In the Licentiate exami.Dation, candldarcs may Uc asked qu_cs-
tions on the general literature and repertoire of the Percuss1~n
and the meaning of any terms and signs commonly used m
(Rhythmscape)
DBLECLUSB. J. Study No 11 from 1wenty stud,esfor the xylophone
(Leduc)
DBLECLUSB, J. Study No 12 from 'Jwenty srudies for the xylophone
PINK. S. So11ati11e No 41 from Studies for timpani Volume 3 (N·J (Leduc)

-
JONES, D. 1wo little movem,nts (Intermediate masterworks for Percussion music.
Sim rock) "l DELECLUSE, J. Study No 13 from 1wt11ty studies for the xylopho11e
marimba volume l - Peter;)
KEMP. o. Etude for Andre (davekemp.scssionmusiciansonHnc. SARCICH, P. Gigue from Concert pieces for timpani (AMC) . (Leduc )
com)
KO!'PEL. A. P.S. to a concerto (7 sti/cke fiir marimba - Zimmerma nn)
LIPNER, A. a nd WENDELBOE, J . Finale 41h movement from
Maller fanta,ia (MaUetWorks)
SARCICH, P. Lammt from Concert pieces for timpani (A.MC)
SARCJCH. P. Fandan90 from Concert pieces for timpani (AMC) .• 1.

'14
(
DEIBCLUSB, J. Study No 14 from 'lwtnty studies for tht xylophon,
(Leduc)

437

438

Percussion• Percussion
LEVEL 3 LICENnATE
DELECLUSE, J . sn,dy No 15 from 1\venty studier for the xyrophone
(Leduc)
DUPIN, F. Study No 13 from Seventeen studies for xylophone (Leduc)
DUl'lN, F. Study No l 4 from Seventeen studi,s for xylophone (Leduc)
EYLES, R. and WERLE, F. (arr.) The golden age of the xylophone
(Meredith Music)
NISHlMURA, A. Prelude w Nataraja (Zen-on Music)
LIST C - fou r-mallet
ABE, K. Memories of the seashore from Works for marimba (Schott)
ABE, K. Wind in the bamboo grove from Works for marimba (Schott)
ALDRIDGE, R. The zebra (Intermediate masterworks for marimba
Volume l - Peters)
BACH. J. S. Suitein G major BWV l 007 No l from Six suites for
violoncello solo (B3.renreitcr} to be performed on marimba as
EITHER a List B. 1\vo-mallet work OR a List C. Four-mallet
work,
BLEY, C. Over there (lnttnnediate masterworks for marimba Volume
I - Peters)
CARLTON, J. Tune for Nep (Intermediate masterworks for marimba
Volume 2 -Peters)
CHUECA, F. arr. ZELTSMAN. ws Paraguas (Four-mallet marimba
playing - Hal Leonard)
HADDAD, B. Have you met fydia? (lntmnediate masterworks for
man·mba Volume I - Peters)
HESLINK. D. Variations on Amazing Grace (HoneyRock)
JACKSON, M. arr. LIPNER. Bag ·s groove Pous-mallct version (The
vib,s real book - MalletWorks) · LICENTIATE
LESNIK, I. First toy No I from Midnight pieas (Zimmerman)
LESNIK. I. The look of the year No 2 from Midnight pieces
(Zimmerman)
LESNIK, I. Waltz for midnight No 3 from Midnight piew
(Zimmerman)
MILHAUD, D. Animi 1st Movement from Concerto for marimba
and vibraphone (Enoch & Cie)
MILHAUD, D. Vi/3rd Movement from Concerto for man·mba and
vibraphone (Enoch & Cie)
MOR.LEO, L. Peri profughi di guerra 7 (HoneyRock)
PER.TOUT, A. An honourable silence (Rhythmscape)
PYE, D. Their kind of moon (www.novaensembte.eom.au/
davidpye/)
ROLLINS, S. arr. LIPNER. St Thomas Four-mallet version (The vibes
real book - MalletWorks)
SAMMUT, E. Stroboscope (Keyboard Percussion)
SAMMUT, E. Rotation No 1 from 4 roiations for marimba (Keyboard
Percussion}
SCHULLER, G. Three small adventures (lnttrmediate masltrworks for
marimba Volume I - Peters}
STOUT, G. Dance No 2 from 1wo Mexican dances for marimba
(Studio 4 Productions)
TINOCO, L Keep left 1st movement from Mind the gap for marimba
solo (University of York Music Press)
TINOCO, L. Currently out oforder 3rd movomeot from Mind the
gap for marimba solo (University of York Music Press}
'ITNOCO, L. Keep right 4th movement from Mind the gap for
man·mba solo (Uni,•c::-rsity of York Music Press}
irVKOVlC, N. !I Canto dei gondolien· from Funny marimba II
(Gretel)
1IVKOVIC. N. Prok/en' koreni from Funny marimba II (Gretel)
List D - t in1pani
CARTER, E. Adagio No 3 and March No 8 from Eight pieces for four
timpani (Associated Music)
CUMBERLAND, A. Study No 13 from 20 graduated studies for
timpani (Sou1hcrn Percussion)
438
CUMBERLAND, A. Study No_ 14 from 20 graduated studies for
,;,npani (SouLhern Percussion)
CUMBERLAND, A. Study No_15 from 20 graduated stua;., for
timpani (Southern Percussion)
CUMBERLAND, A. Sn,dy No_ 16 from 20 graduated studies for
n'mpani (Southern PercusSton)
DUPIN, P. Prelude et rud, (Leduc)
DELECLUSE, J. Study No 18 from Twenty studies for timpani
(Leduc) . (R hytllmscape)
FINK, s. Divertimento No 8 from Solohook for timpani Volllll)c 2 (N
Simrock)
FINK, s. L11di a timpano No 57 from Studies for n·mpani Volume
3 COSSOM, R. Study 12 from Twdve studies for the xyluphone
(N. Simrock)
U ST E - multi-p ercussion
DAMM, R. Ritmos de congas- solo for three congas (HoneyRock)
DAVIES, T. WhackLded Version with recorded accompaniment
(AMC)
FINLEY, B. Blade (Tap Space}
FORD, A. The armed man (AMC)
HARTENBERGER, R. Raghavan (Nexus portfolio for snare drum
- HoneyRock)
LEAK. G. And now for the news... (www.gracmeleak.com)
MCNAMARA, P. Voltage (Wirripang)
Section I!. General knowledge
4141
Please refer to the Syllabus objectives at the beginning of this lev<I.
Section I. Studles and pieces
Candidates should prepare a balanced and varied programme of
not less than 40 minutes and not more than 50 minutes, including
gaps between the pieces. Candjdates must select at least one piece
from each of lists A. B, C, D and E. Additional works needed to
fulfil the time requirement may be selected from any of these lists.
Canctidates for the Licentiate examination must present one work
from their programme (rom memory; presentation from memory
beyond th.is requirement in lhe Licentiate examination is at the
discretion of the candidate.
Copies of works presented in the Certificate of Performance,
Associate and Licentiate examinations must be provided for use by
the examiners.
List A - untuned
CLEWORTI!, I. For Ric No 3 from Three pieces for snare drum
(Rhyt!unscape)
MACAREZ, F. Study No 6 from Snare system - 20 Studies for snare-
drum Volume I (Leduc)
MACAREZ, F. Study No 7 from Snare system -20 Studies for ,nArt·
drum Volume I (Leduc)
MACAREZ, F. Study No 8 from Snare system - 20 Studies for mart·
drum Volume I (Leduc)
MACAREZ, F. Study No 9 from Snare systt m - 20 Studies for snare·
drum Volume I (Leduc)
MACAREZ, F. Study No IO Crom Snare system - 20 Studi,s for snare·
drum Volusne I (Leduc)
MARTYNCIOW, N. Impressions for caisse c/aire et deux toms
(Lemoine)
POLACHOWSKI, A. Mincem,at No 7 from Seven ,pisodts for snatt
drum and pedal bass dntm (Leduc)
RIEDHAMMER, A. The challenge (Zimmermann)
List B - two-mallet
cOSSOM, R. Study 7 from Twtlve studi,s for the xylophone
(Rhythmscape)
COSSOM, R. Study 8 from Twelvt studi,s for the xylophon,
(Rhyrhmscape)
COSSOM, R. Study 9 from Twelve studies for the xylophone
(Rhythmscape)
COSS OM, R. Study 10 from 1\ve/v,studies for the xylophone
COSSOM, R. Study// from 'fv:1elvestudiesforth,xylophon,
. (Rhythm.scape)
(Rhyrhmscape)
DELECLUSE, J. Study No 16 from Twenty studies for tht xylophone
(Leduc)
DELECLUSE. J. Study No 17 from 1\wnty studi,sfor the xylophone
(Leduc)
oELECLUSE, J. Study No 18 from Twenty studi,s for the xylophone
(Leduc)
DELECLUSE, J. Study No 19 lrom Twenty studies for th, xylophone
(Leduc)
DELECLUSE. J . Study No 20 from Twenty studies for the xylophon,
(Leduc)
DUPIN, F. Study No 15 from Seventeen studi,s for xylophone (Leduc)
DUPIN, F. Study No 16 from Stventeen studits for xylophone (Leduc)
GREEN. G. Va/st brillanr, (Meredith Music)
List C - four-mallet
ABE, K. Variations ofJapanese chi/drm 's songs from Works for
marimba (Schott)
AEB, K. Dream ofthecher,y blossoms (Zimmermann)
AEE, K. Michi (Colla Voce)
BACH, J. S . Suitt No 2 in D minor BWV 1008 from Six suit,sfor
violoncello solo (Biireoreiter)
BURRJTI, M. Mystic 1st movement and Solemn 2nd movement
from Can·tas {Keyboard Percussion)
BURR.ITT, M. Solemn 2nd movement and Majestk 3rd movement
from Carit,,s (Keyboard Percussion)
BURRITJ', M. Caritas [Entire Work] ( Keyboard Percussion)
EVANS, B. arr. IJPNER. Waltz for Debby Four-maller version (Th,
vibes real book - MalletWorks)
FALK, S. A long way home (stevelalkmusic.com)
HENZE, H. Five scenes from the snow counlTy (Schott)
HERSCH, F. Chorinho picanll: (Intermediate mast,rworks for marimba
Volume 2 - Pe ters)
JOLAS, B. Morning thoughts (Intmntdiale mastrrworks for marimba
Volume 2 -Peters)
LANSKY, P. Hop(2) No I and Tum No 2 from Thret moves for
marimba (Shawnee Press)
LANSKY, F. 1ltrn No 2 and Slid, No 3 from Three moves for
marimba (Shawnee Press)
. .,,
¥au don't need a powdered wig to gef started.writing great music.
0
· tnpose now on the Manuscript and Manglescript Pads!
\raiJable from www.-eb.eda.au
,._-,
__.:,__,
Percussion• Percussion
LEVEL 3 LICENTIATE
LANSKY, P. Thru moves for marimba (Shawnee Press}
MACKEY, S. s,, ya Thursday (Boosey & Hawkes)
MACKEY, S. &as/ (lntemudiate masterworks far marimba Volume
I - P<ters)
MAYS, L. Mindwalk (lnttrmediattmatterworks/ormarimba VoJume-
2- Peters)
MIYAKE, K. Chain (Beurskens Muziekuitgeverij)
NORTON, C. November Evening (Innovative Percussion)
PAL!BV. D. Lale und Haro {7 stuck, fiir man'mba - Zimmennann)
ROLPE, J . Slicky (lnterm,diatt 11tasterworks for marimba Volume 2
- Peters)
SAMMUT, E. Came/ton (Keyboard Music)
SCHWANTNBR. J . Vtiodn'es (Helicon Music)
SUESSDORF. Karr. LIPNER. Moonlight in Vmnont Four-mailer
arrangemenr (The vibts rtal book- MalletWorks)
THOMAS, A. Mtrlin (Margun Music)
UNG, C. Cinnabar htart (lnterm~diatt masterworks for marimba
Volume 2 -Peters)
WESLEY-SMITH, M. For marimba and tapt (AMC)
WESTLAKE, N. Fabian thtory (AMC)
List D - tim pani
CARTER. E. Canto No 6 and Canaries No 7 from Eight pitas for four
limpani (Associated Music}
CUMBERLAND, A. Study No 17 from 209raduattd studits for
timpani (Southern Percussion)
CUMBERLAND, A. Study No 18 from 20 graduattd studies for
timpani (Southern Percussion)
CUMBERLAND, A. Study No 19 from 20 graduat,:d studies for
timpani {Southern Percussion)
CUMBERLAND, A. Study No 20 from 20 graduattd srudits for
timpani (Southern Percussion)
DELECLUSE, J. Study No 19 from 1\wnty studies for n'mpani
(Leduc)
DELECLUSE, J. Study No 20 from Twenty studies for timpani
(Leduc)
PALIEY, D. Folk/or, Suitt (N. Simrock)
List E - muJti-percussion
GLOBOKAR, V. Touchtr (Peters)
lSHII, M. Thirteen drums (Moeck Verlag and
Musi.kinstrumentenwerk)
LAWRENCE, A. Kattrin :S Drum {AMC)
MIRANDA, A. Lan'na pequena (HoneyRock)
VOLANS, K. She who sleeps with a small blank,t (Chester Music)
XENAKIS, I. a 1st movement from &bonds (Salabert)
XENAKIS, I. b 2nd movement Crom Rtbonds (Salaben)
Section II. General knowledge
.,
i
-