Composition ___________________x000D_Composer _____________________x000D_

Measure # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Form Sax Solo Main Melody Solo Sax and Clarinet

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality B Dorian B Dorian B Dorian

Harmonic
i v i
Motion

Orchestration Solo Sax Solo Sax and Clarinet Solo Sax and Clarinet

General
Somber/longing Yearning Somber/Longing
Character

Means for
Deep rich tone (Dark warm air) Clarinet Solo Counter melody Clarinet Solo Counter melody
Expression

Conducting Who needs more attention in shaping phrases?

Start conducting: give over to sax solo? Cueing Clarinet,
Concerns Do they need my help?

Rehearsal Balance between Sax and Clarinet, Musical

Sax musical expression, first note Balance between Sax and Clarinet, Musical expression
Consideration expression

Page 1
 Composition ___________________x000D_Composer _____________________x000D_

Measure # 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

Clarinet Form Restatement of Main Melody and Countermelody Restatement of Co

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

TonalityB Dorian B Dorian B Dorian A Minor

Harmonic
i i v i
Motion

Melody: CL1, AS1, Tpt1 Melody: CL1, AS1, Tpt1 Melody: Ob1-2, CL1, AS1
Orchestration
Solo Sax and Clarinet Counter Melody: TS, TBN1 Counter Melody: TS, TBN1 Counter Melody: Cl2, TS, Tbn1, AS2
Background: Bsn1-2, LCL, BS,Tpt2, Hn1, Tuba Background: Bsn1-2, LCL, BS,Tpt2, Hn1, Tuba Background: LCL, BS, FH1, Tuba

General
Somber/Longing Somber/ Longing Yearning/ Hopeful Hopeful, Desire
Character

Means for
Clarinet Solo Counter melody Clarinet, Trumpet, Sax Trio Melody Clarinet, Trumpet, Sax Trio Melody Oboe, Clarinet, Sax Trio Melody
Expression

Conducting
Who needs more attention in shaping phrases? Color Shift, Oboe entrance, meter
Dynamic Swells in different groups Dynamic Swells, Making main melody musical
Do they need my help?
Concerns change

BalanceRehearsal
between Sax and Clarinet, Musical Making sure trio is heard over accompaniment, Making sure trio is heard over accompaniment, Color Shift, tonal center shift, Vertical
expression
Consideration Vertical Alignment in Half note line, Tuning Vertical Alignment in Half note line, Tuning alignment, Tuning

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Composition ___________________x000D_Composer _____________________x000D_

Measure # 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48

Form Restatement of Countermelody Transitional Material/ Fragmented Melody

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality A Minor B Dorian A Minor D Dorian

Harmonic
i i i
Motion
Melody: Fl 1-2
Melody: Ob1-2, CL1, AS1 Melody: Cl1, Sax 1, Tpt1
Halfnotes: LCL,Saxes, Tpt1, FH1, Melody: Fl1-2, AS1
Orchestration
Counter Melody: Cl2, TS, Tbn1, AS2 Counter: LCL. LS, Tbn1, FH1
Tbn1,Tuba Counter: CL1-3
Background: LCL, BS, FH1, Tuba Background: Bsn, Tuba
Counter: Cl1-2

General
Hopeful, Desire Somber/Longing Hopeful/Desire Hope/ Love
Character

Means for
Oboe, Clarinet, Sax Trio Melody Clarinet, Trumpet Sax Trio Flute Melody Flute/Sax Melody
Expression

Conducting
Color Shift, Oboe entrance, meter Color shift, Dynamic Swells, Main Meter Changes, Color Shift, Sax
Flute Entrance, Color Shift
Concerns change melody musical Entrance,Dynamic Swells

Rehearsal
Color Shift, tonal center shift, Vertical Color Shift, tonal center shift, Vertical Flute Tuning, Tuning of decresendo, Cut Intonation, Vertical Alignment, Musical
alignment, Tuning
Consideration alignment, Tuning offs Expression

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 Composition ___________________x000D_Composer _____________________x000D_

Measure # 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65

Form
Fragmented Melody Final Statement of Melody, New material

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality
D Dorian Dorian

Harmonic
i i
Motion

Melody: Ob2, Cl2, AS2, TS, Tpt2, FH2, Tbn1, Euph

Melody: Fl1-2, AS1 Full Orchestration. N
Orchestration
Counter: CL1-3
Counter: Fl1-2, Ob1, Cl1, Tpt1
Melody
Background: Bsn, LCL. AS2, BS, Tpt3, FH1, Tbn2-3, Tuba

General
Hope/ Love Despair Heartbrea
Character

Means for
Flute/Sax Melody New Counter Melody in Upper voices New Material in Upper voic
Expression

Conducting
Meter Changes, Color Shift, Sax
New Counter Melody, Meter Change, Musicality Syncopated gesture in new m
Entrance,Dynamic
Concerns Swells

Rehearsal
Intonation, Vertical Alignment, Musical
Intonation, Vertical Alignment, New Counter Melody, Balance Dynamics, Balance, Vertical Alignment in syn
Expression
Consideration

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 Composition ___________________x000D_Composer _____________________x000D_

Measure # 66 67 68 69 70 71 72 73 74 1 2 3 4 5 6 7 8

Form Coda Introduction A

Phrase
Structure

Tempo Rit…

Dynamics

Meter/Rhythm

Tonality Dorian F Major F Major

Harmonic
i I I
Motion

Trumpet Solo Melody

Full Orchestration. New material in Upper voices Ostinato: Sandblock, Ob1, AS1
Orchestration Melody same as before Sustained: Bsn, Cl1, TS
Sandblock Ostinato
Sustained: Ob, Cl2, AS, Tbn1

General
Heartbreak/Longing/ Grief Dancelike Dancelike
Character

Means for
New Material in Upper voices, Melody mainly in second parts Articulation in rhythmic ostinato Ostinato and Trumpet Solo
Expression

Conducting Mixed Meter Conducting vs. 5/4

Syncopated gesture in new melody, Meter change, Dynamic shifts Mixed Meter Conducting, Entrances, Cut off
Concerns conducting

Rehearsal Establishing style used Vertical Alignment Sandblock and tumpet, Intona
Dynamics, Balance, Vertical Alignment in syncopation, Intonation in extremes of dynamic range
Consideration throughout whole piece Held notes, Cut offs, Matching style

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 Composition ___________________x000D_Composer _____________________x000D_

Measure # 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25

Form A B A

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality F Major F Major F Major

Harmonic
I I I
Motion

Trumpet Solo Melody Melody: Fl1, Ob1-2, Cl1 Melody: Fl1-2, Picc, Ob1-2, AS1-2
Orchestration
Sandblock Ostinato Perc 2 Perc2 Upper Winds
Sustained: Ob, Cl2, AS, Tbn1 Sustain: Cl3, TS (M15) m20 add Cl3, TS

General
Dancelike Lilting, Light, flowing Dancelike, light
Character

Means for
Ostinato and Trumpet Solo B Theme stated twice in upper voices Upperwinds restate A theme in entirety
Expression

Conducting Staying light and in the same style in all

Mixed Meter Conducting, Entrances, Cut offs Meter Change, entrances, Style
Concerns dynamics

Rehearsal
Vertical Alignment Sandblock and tumpet, Intonation of Color Shift, Entrances, New Percussion ostinato, Intonation, playing like chamber Matching style set earlier, keeping pulse without
Held notes, Cut offs, Matching style
Consideration ensemble percussion, intonation in upper range

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 Composition ___________________x000D_Composer _____________________x000D_

Measure # 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42

Form A B Theme A Deve

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality F Major F Major E-flat Major F Major

Harmonic
I I IV ii
Motion

Ostinato: Fl1-2, Tpt1-2

Melody: Fl, Ob, Cl1-alto, AS, TS, Tpt, Perc1
Orchestration
Upper Winds Upper Winds/Perc2 Ostinato2: Ob1-2, Cl1-3
Background: Picc, Bsn, BCL, CBCL, BS, LB
Melody: FH1-2, Tbn1-3, Euph

General
Dancelike, light Lilting, light, flowing Building Decaying, Saddens
Character

Means for Upperwinds state B

Upperwinds restate A theme in entirety Transition, Melody in new voices(FH, Tbn Euph) Full Melody different character/tone center
Expression theme

Conducting
Staying light and in the same style in all Meter Changes, in 3? Or 4? What works best for
Meter Changes, Meter Changes, Style Change
Concerns dynamics ensemble

Matching Rehearsal
style set earlier, keeping pulse without
percussion, intonation in upper range
Consideration
Switching seemlessly
Balance, Intonation with M2 intervals Balance/Intonation at ff, New mood,
between themes

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 Composition ___________________x000D_Composer _____________________x000D_

Measure # 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59

Form Theme A Develops B

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

FTonality
Major E Minor F Major B-Flat Majo

Harmonic
ii i V IV
Motion

Melody: Upper winds Melody: Fl, OB, Picc

dy: Fl, Ob, Cl1-alto, AS, TS, Tpt, Perc1 Full Band throughout: Melody Passed around
ground: Picc, Orchestration
AS Ostinato Background: Bsn, BCL, CBCL, A
Bsn, BCL, CBCL, BS, LB Upper Voices-Low Voices
LB, BS, LCL Sustain Tbn

General
Decaying, Saddens Tension rising, Conflict Tension and Conflict Rising Heavy
Character

Means for Melody Fragmented More: Matching Upper voices Upper Voices Melody with Low
Melody different character/tone center Fragmented melody in upper winds, Hard hits for sustained notes
Expression to lower voices interruptio

Conducting
Meter Changes, Style Change Meter Changes, increase resistance in conducting Conducting different groups Meter Chang
Concerns

Rehearsal Articulation of sustained notes, vertical alignment of sustained, Entrances, Matching style, Tone, Full Value Full Value notes, Confident e
alance/Intonation at ff, New mood,
Consideration Balance, Full length quarter notes and sustains notes, Confidence dynamics, style, and

Page 8
Composition ___________________x000D_Composer _____________________x000D_

Measure # 60 61 62 62 63 64 65 66 67 68 69 70 71 72 73 74 75

Form B A Theme Fragmented Theme B Fragmented Theme A D

Phrase
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality B-Flat Major G-Flat Major F Minor A Ma

Harmonic
IV I i I
Motion

Melody: Fl, OB, Picc, Cl3-alto Melody: AS, TS, FH

Melody: Tpt1, Picc, Fl, Xylo
Orchestration
Background: Bsn, BCL, CBCL, AS, TS, BS, Tpt1-2, FH, Counter: CL1-3
Background: AS, TS, CL1-3
Full Band Melody in Upper win
Tbn Interruption: Bsn, LCL, Tbn, Euph, Tuba

General
Heavy Confusion Soft, longing Full, Buildin
Character

Means for
Upper Voices Melody with Low Voice Quarter note
Melodic Interruptions Melody Stated in Uper parts Dynamics: Hu
Expression interruption

Conducting
Meter Changes Heavy Style, Entrances, Meter Changes, Style consistency Measured ou
Concerns

Rehearsal
Full Value notes, Confident entrances, Matching Full Value, Matching style of different Run at 81, Matching melody pass
Vertical Alignment/intonation in melody
Consideration dynamics, style, and articulation groups offs, entrances, inton

Page 9
Composition ___________________x000D_Composer _____________________x000D_

Measure # 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92

Form Theme A Developed Transition Theme A extended

Phrase c c c
Structure

Tempo Rit.....

Dynamics

Meter/Rhythm

Tonality A Major F Major F Major

Harmonic
I V I
Motion

Melody in TS, FH, Euph Melo

Orchestration
Full Band Melody in Upper winds, passed from upper brass Full Band: Mainly sustain/trill
Trill in upper winds

General
Full, Building, Tension Mournful/despair Longing/ Missing
Character

Means for
Dynamics: Huge Cresendo Dynamics: Full Decresendo Extended melody in mid range Melo
Expression

Conducting
Measured out cresendo Ritardando New style Return
Concerns

Rehearsal
Run at 81, Matching melody passed around, full length notes, cut Rit, intonation, Vertical alignment, cut Intonation, Color/Mood Shift, New
Vertical Alignment:Me
Considerationoffs, entrances, intonation as cresendoing offs tempo, Transition

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Composition ___________________x000D_Composer _____________________x000D_

Measure # 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109

Form Theme A Theme B Theme A and

Phrase c c c c
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality B-Flat major-F Major F Major A-flat Major

Harmonic
I-I I I
Motion
Melody Tpt, Fl, AS
Melody: Oicc, Fl, Ob, Melody: AS, TS, FH2, Tbn1
Melody Outline: Bsn, Euph, Tuba
Orchestration Sustain: LCL, TS
Cl1-2 Background: Fl, Ob, Bsn, LCL, BS, Tpt, Tbn2-3,
Tpt Ostinato Euph, Tuba
Percussion Ostinato

General
New Beginnings Transitional/ Moving on Dancing/Flowing
Character

Means for Tpt part keeps tempo

Melody passed from Tpt to Fl/AS Melody in 3
Expression moving

Conducting
Return to Mixed Meter conducting style Steady Tempo Changing Meters, Cues, Cut offs
Concerns

Rehearsal Intonation of upper

Vertical Alignment:Melody-Outline, Intonation of sustained, cut offs Melody written in 3, Syncopated Rhythms
Consideration winds

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Composition ___________________x000D_Composer _____________________x000D_

Measure # 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126

Form Theme A and B together Coda

Phrase c c c c
Structure

Tempo

Dynamics

Meter/Rhythm

Tonality F Major F Major F Major

Harmonic
I V I I IV
Motion

Upper Winds Melody Melody in all Upper Voices

Ostinato: FH
Orchestration AS,TS Ostinato
Quarter Notes: Bsn, TS, BS, Tbn2-3, Euph, Tuba
LB Sustained
LB/Bsn Sustained Full Orchestration

General
Dancelike/Flowing Transitional/Moving On Dancelike Building
Character

Means for
Upper Voice Melody Moving Quarter Notes Moving Eighth Notes in Melody and building chord
Expression

Conducting
Changing Meters Changing Meter, Style, 2vs3 Keep energy up all the way to end, Entrances
Concerns

Rehearsal
Intonation, Syncopation, Style Full Value, Vert Alignment Vertical Alignment, Entrances, Energy, Full Value,
Consideration

Page 12
 Composition ___________________x000D_Composer _____________________x000D_

Measure # 127 128 129 130 131 132

Form Coda

Phrase c c
Structure

Tempo

Dynamics

Meter/Rhythm
Grand
Pause

Tonality
F Major N/A F Major

Harmonic
IV N/A I
Motion
Fl, Ob,
Melody in all Upper Voices Cl1-2, AS,
Orchestration
LB Sustained none TS. All
Full Orchestration Tpt1,3,
FH, Perc1

General
Building Intense Intense, Big
Character

Means for Tension in

ng Eighth Notes in Melody and building chord FFF Full Band
Expression space

Conducting
eep energy up all the way to end, Entrances Prep Energy, Prep
Concerns

Intonation, Vertical
Rehearsal
cal Alignment, Entrances, Energy, Full Value, Transition Alignment, Note
Consideration Length

Page 13