Professional Documents
Culture Documents
New Zealand Curriculum: Key Competencies Big Idea (Why am I teaching this?)
Thinking Literacy in English gives students access to the understanding, knowledge, and skills they need to participate fully
Using creative, critical, and metacognitive processes to in the social, cultural, political, and economic life of New Zealand and the wider world. To be successful participants,
make sense of information, experiences, and ideas. they need to be effective oral, written, and visual communicators who are able to think critically and in depth.
By understanding how language works, students are equipped to make appropriate language choices and apply
Using language, symbols and text
them in a range of contexts. Students learn to deconstruct and critically interrogate texts in order to understand the
Working with, and making meaning of, the codes in power of language to enrich and shape their own and others’ lives.
which knowledge is expressed.
Students appreciate and enjoy texts in all their forms. The study of New Zealand and world literature contributes to
Managing Self students’ developing sense of identity, their awareness of New Zealand’s bicultural heritage, and their
This competency is associated with self-motivation, a understanding of the world.
“can-do” attitude, and with students seeing themselves
Success in English is fundamental to success across the curriculum. All learning areas (with the possible exception
as capable learners. It is integral to self-assessment. of languages) require students to receive, process, and present ideas or information using the English language as
a medium. English can be studied both as a heritage language and as an additional language.
Relating to Others
Interacting effectively with a diverse range of people in a English presents students with opportunities to engage with and develop the key competencies in diverse contexts.
variety of contexts. This competency includes the ability
to listen actively, recognise different points of view,
Assessment (What is informing my teaching?) Differentiated Learning
negotiate, and share ideas.
Participating and contributing Formative Assessment one to one discussion with Interest and level-based groups, in response to
Having a sense of belonging and the confidence to students regarding work especially poems written assessment. Specific interventions and support for
participate within new contexts. Ongoing assessment, including formal and informal identified students (ESOL etc.). Ongoing discussions
observations. Conferencing with small groups and with students, and peer support.
individuals.
Indicators: Indicators:
● selects and reads texts for enjoyment and personal fulfilment ● selects and reads texts for enjoyment and personal fulfilment
● recognises, understands, and considers the connections between oral, ● recognises, understands, and considers the connections between oral,
written, and visual language written, and visual language
● integrates sources of information and prior knowledge purposefully and ● integrates sources of information and prior knowledge purposefully and
confidently to make sense of increasingly varied and complex texts confidently to make sense of increasingly varied and complex texts
● selects and uses appropriate processing and comprehension strategies with ● selects and uses appropriate processing and comprehension strategies with
confidence confidence
● thinks critically about texts with understanding and confidence ● thinks critically about texts with understanding and confidence
● monitors, self-evaluates, and describes progress, articulating learning with ● monitors, self-evaluates, and describes progress, articulating learning with
confidence. confidence.
By using these processes and strategies when listening, reading, or viewing, students By using these processes and strategies when listening, reading, or viewing, students
will: will:
Structure Structure
Show an understanding of a range of structures. Show a developed understanding of a range of structures.
Indicator: Indicator:
● identifies and understands the characteristics and conventions of a range of ● identifies and understands the characteristics and conventions of a range of
text forms and considers how they contribute to and affect text meaning. text forms and considers how they contribute to and affect text meaning.
Poetry
24TH OCTOBER
Blackout Poetry Personification Powerpoint to model examples and what to do?
Model instructions step by step from powerpoint.
Give students a double sided page from a novel (The Half men of O) to work with
should they finish in time.
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25TH OCTOBER
Define personification as giving a non-human object, human qualities
Use Personification Powerpoint to discuss ways of writing personification.
Analysis together the examples.
Find the personification in Sunrise by Frank Asch.
Explain a poem doesn’t have to be long to have meaning
Give the following as an example of personification, or make up your own: The rain hit
my face angrily. Children then make up their own short poem for the following: snake,
cheetah, rainbow, candle, waves, sunshine, frost, grass,
Assessment:
1. Read your personification poem to a partner, without revealing what the object
is. Try and guess what a partner’s poem is about.
2. Award them a level and comment on what was done well and what could be
improved:
29TH OCTOBER
Students are to read I'm in the zone
Discuss in groups: meaning, poetic devices etc
Ask students to find meanings for the following slang words:
Getting owned / Chores / roam
Ask students why they think these words are in capitals
CORD / I'M ABOUT TO WIN THIS
Assessment time:
Work with someone who you haven’t worked with todate
Read out each other’s poems, awarding them a level and comment on what was done
well and what could be improved
Personification poem to a partner, without revealing what the object is. Try and guess
what a partner’s poem is about.
I’m in the zone verse
Chores verse
31ST OCTOBER
Read Rules by Karla Kuskin and discuss.
This poem is just a list of crazy rules.
Write your own poem which is a simple list of nonsense rules.
Start each line with “Do not.”
Finish with the same three lines:
“And whatever else you do
it is better you
do not.
1ST NOVEMBER
Limericks
Opening explanation limerick video
Emphasize the fun in writing these poems. Students are to write about anything
however of course keep it above board. No writing about fellow students.