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Context/Setting/Grade Level(s)
7th Grade (full string orchestra) 7:52 - 8:40 Period 1
“Little Russian March” from Symphony No. 2 by P. Tchaikovsky (arr. Robert Longfield)
“Dance of the Tumblers” from Snow Maiden by N. Rimsky-Korsakoff (arr. Sandra Dackow)
“Intermezzo” from String Quartet No. 2, Op 13 by F. Mendelssohn (arr. Deborah Baker Monday)
New Jersey State Standards
1.3.8.B.2 Perform independently and in groups with expressive qualities appropriately aligned with the
stylistic characteristics of the genre.
1.3.8.B.3 Apply theoretical understanding of expressive and dynamic music terminology to the
performance of written scores in the grand staff.
Objectives
By the end of the marking period:
Students will be able to demonstrate the difference of staccato, spiccato, and legato bowing in “Dance of
the Tumblers” with a success rate of 80%.
Students will demonstrate their ability to analyze, critique, and evaluate their personal and group
performances.
Students will be able to perform alone and in a group, a variety of music utilizing different elements of
music (Tone, Tempo, Dynamics, Melody, Harmony, Rhythm).
Materials
instruments, music stands, music binders, tuners, rosin
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Minutes Instructional Strategies and Learning Tasks Informal Assessments
Tuning:
Students will use tuners to tune their instrument. During this time,
they will be responsible for setting their materials on their stand in
the order displayed on the board.
Bowing Warmup:
Teacher will conduct students in their daily open string exercise.
Teacher will point to the board and choose a variety of dynamics to
switch back and forth from. Halfway through their bowing warmup
a chosen student will take over and lead the dynamics.
Scales:
G Major Scale
I play and students follow my dynamics
Choose 2 students to lead the dynamics, in addition to
selecting a new articulation and tempo
C Major Scale
Scale is played with spiccato 8th note bowing, arpeggio is
played with accented quarter notes
Scale:
A Major Scale
Have students play and hold a G# and C#
Play the scale in the rhythm of the first measure of the main
melody
Intermezzo
Begin at measure 35 and play to measure 59
Clean up notes in this section
Jump to measure 80 and instruct students to pluck as loudly
as they can, and then as softly as they can
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When students have mastered pizzicato at a pp level, return
to the beginning and have them focus on the dynamics from
1-35
Recap:
What did we do today?
Formative Assessment
Class observation during rehearsal:
I will look for correct posture, specifically of the right and left hand.
I will listen and look at students’ fingering.
I will stop conducting to assess if students are counting and listening to each other to stay
together as an ensemble.
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Commentary:
Reflection on Teaching
In what ways did the lesson succeed in accomplishing the learning objectives?
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