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In the charts on the following pages, the instruments are of two types.
Nontransposing instruments produce a pitch that is the same as the written pitch. In the
Nontransposing chart, the nontransposing instruments are those whose actual sound is “as written.”
Instruments
Transposing instruments produce a pitch other than the written pitch. In the following
Transposing chart, the actual transposition is given for instruments of this type. Most transposing in-
Instruments struments developed from traditions of the past, and to convert these instruments to non-
transposing instruments would not be feasible since it would require rewriting a large part
of the literature of music and retraining performers on the transposing instruments.
w
Written Range Actual Pitch Written Range Actual Pitch
Woodwinds √w ¤
w
Woodwinds
w
w &
& w English
w
Piccolo
w
Horn
octave higher
P5 lower
√w √w √w √
bw
& &
w w in B b
Clarinet
Flute
as written w w M2 lower
w w √w √w
& Clarinet
&
bw bw
Oboe
w
in A
as written # w m3 lower
385
w w w
Written Range Actual Pitch Written Range Actual Pitch
Woodwinds Brass
? w ? B ? B
Bass
& &
w w
bw
Trombone
bw
Clarinet
M9 lower as written
bw bw bw bw
? B ? B ?
bw bw w w
Bassoon Euphonium
as written
as written
bw w
? bw
B ?
&
?
& bw
w
Contra- Baritone
bw bw #w
bassoon (treble clef)
◊ M9 lower
octave lower
#w w w
? bw
w ?
Alto
& &
bw w w
Tuba
Saxophone
M6 lower ◊ ◊
as written
#w Percussion √w ¤
w
? w
Tenor
& bw & & w
bw
Xylophone
w
Saxophone
M9 lower octave higher
#w √w √w
? w ? ?
Baritone
& & w & w &
bw bw
Marimba
Saxophone
octave + as written
M6 lower
w w ¤
w
w
Brass
? ? w
Horn
#w & & Orchestra
&
w w
in F Bells
two octaves higher
P5 lower
w w w w
in B b
Trumpet
& Vibraphone &
#w w w w
M2 lower as written
386 Appendix F
√w √w
Written Range Actual Pitch Written Range Actual Pitch
as written as written
√w ¤
w w w
? w B & B &
&
w w w
Celesta Viola
? ? ? &
?
&
& &
bw bw w w
Harp Cello
w w
? w ? w ?
Guitar & w & Double
w &
w
w ◊
Bass
octave lower
octave lower
In earlier periods, before the mid-nineteenth century, the trumpet and horn had not yet
been fitted with valves and only a few notes (those in the natural harmonic series) were
available. For this reason, it was necessary to pitch these instruments in different keys
depending on the key of the composition. The changes were accomplished by adding short
lengths of tubing (called crooks) to the instrument. An illustration of the common trans-
positions for the natural horn and trumpet follows. This information becomes important
when studying classical period orchestral scores.
Horn
Sounding notes on horn in:
B b –alto Ab Eb B b –basso
Written
& w
note A G F E D C
bw w bw w w w bw w w bw
Trumpet
Sounding notes on trumpet in:
Eb Bb
Written
w w w bw w w
note F E D C B A
& w bw w
Brass:
Horn Corno Cor Horn
Trumpet Tromba Trompette Trompete
Trombone Trombone Trombone Posaune
Euphonium Eufonio Basse à Pistons Baryton
Tuba Tuba Tuba Basstuba
Percussion:
Timpani Timpani Timbales Pauken
Xylophone Silofono (Xilofono) Xylophonc Xylophon
Marimba Marimba Marimba Marimba
Orchestra Bells Campanelli Jeu de Timbres Glockenspiel
Vibraphone Vibrafono Vibraphone Vibraphon
Tubular Chimes Campane Cloches Glocken
Celesta Celesta Celesta Celesta
Snare Drum Tamburo Tambour Kleine Trommel
Bass Drum Gran Cassa Grosse Caisse Grosse Trommel
Cymbals Piatti Cymbales Becken
Triangle Triangolo Triangle Triangel
Tam-tam Tam-tam Tam-tam Tam-tam
Bowed Strings:
Violin Violino Violon Violine
Viola Viola Alto Bratsche
Cello Violoncello Violoncelle Violoncell
Bass Contrabasso Contre Basse Kontrabass
Plucked Strings:
Harp Arpa Harpe Harfe
Guitar Chitarra Guitare Gitarre
388 Appendix F