Professional Documents
Culture Documents
Mued 380
Dr. Rathgeber
12/02/18
Understanding Statements: When doing this activity the students will begin to understand how
they can sing and play instruments at the same time. Students will also be able to understand why
the instrument is playing the given specific part of the song. This song is played by five different
instruments and each of them has a specific part they play. The different parts are a sung melody,
bordun, melodic ostinato, and rhythmic ostinato. Before I show them the arrangement students
can identify what instruments connect with the different given parts. The students will also be
able to understand how the song should sound.
- I can Identify written melodic patterns that move upwards and downwards for the melody
of the song (2.2.1) (WF)
- I can identify if a melody is going up or down (WB)
- I can sing melodic patterns that go upwards or downwards and or that stay the same
(2.2.2) (WF)
- I can hum notice a tune that has a melody that goes up or down.
- I can accompany songs and chants with ostinatos and single chords (2.2.3) (WF)
- I can realize that there is other parts besides the melody in songs (WB)
- I can collaborate with other students in music performance and analyze what was
successful and what could be improved. (2.2.12) (WF)
- I can watch other students collaborate in a music performance and identify what
sounded good and what could be fixed. (WB)
Materials
- Glockenspiel
- Xylophone
- Piano
- Snare drum
- Synth Brass
- Mallets for the glockenspiel and xylophone
- Drum stick
- Copies of the arrangement
- Our singing voices
- Small music stands
Detailed Process: (let’s say this was a morning second grade class starting at 8:55 for an hour)
Assessments:
- Did the student Identify written melodic patterns that moved upwards and downwards for
the melody of the song (2.2.1) (WF)
- Did the student notice if a melody went up or down (WB)
- Did the student sing the melodic pattern that went up and down (2.2.2) (WF)
- Did the student hum the tune as it went up and down.
- Did the student properly accompany the song with the ostinatos and single chords (2.2.3)
(WF)
- Did the student realize that there is other parts besides the melody in song (WB)
- Did the student properly corporate and collaborate with other students while performing
the song and analyze what went well and what could have been improved. (2.2.12) (WF)
- Did the students watch other students during the group performance and identify
what sounded good and what could be fixed. (WB)
Adaptation: How will you open this experience up for learners with different ways of engaging
and knowing? Consider adaptations to:
- Color
- Having a variety of colors for the mallets will help them figure out which mallet
sounds better on each instrument. I think it will also be helpful to have different
color drum sticks that way they can make sure that whatever color sticks they are
using goes back with the same drum. In a way it this will also teach them how to
be organized.
- Shape/Size
- If the size of the group is small it will give me a chance to explain myself better,
If it is big I would have to move faster in doing the activity to keep their attention.
However, With fewer people, more time can be spent on each individual
interpretation, more learners will be able to focus on understanding why these
instruments make sense. Another factor of having fewer learners is that they can
spend more time on learning in a casual environment. If there happens to be a
larger group of learners, the activity will go as planned with less explanation and
more “follow the leader” form of instruction.
- Pacing
- Younger children love to listen to things repeatedly. This is for 2nd graders so
maybe repetition won’t be that necessary however this could be a small adaptation
to wind it back if I need to. If repetition is needed, then I could expand on why the
instrumentation is what it is said to be from the arrangement. This will make
playing the song more interesting.
- Modality
- For this activity I could refrain from using a lot of musical term that don’t have
anything to do with the instruments. If I want them to sustain the glockenspiel
sound, I will say make the sound of the glockenspiel longer by bouncing off the
instrument. And I can do that for every other instrument. In doing the first run of
the song, after it is done and I have assessed everyone, I can play it alone and
show them how it should look like. I could also play the arrangement so that they
may hear how the instruments to should all together.
Extension: To extend this experience, I could focus on each instrument individually. In essence,
I could split the experience into 2 halves. For example, the students can learn the first 3
instruments on day one and then learn the other 3 instruments on another day. One of these
instruments being the voice. This process will even out the time they have with each instrument.
Doing this extension will allow the students to grasp a better knowledge of the Orff instruments.
Furthermore, in having this extension it will be good for the students to work on their
remembering skills. Once this process is done, the students will be able to put the instruments
together.