Mental Health Issues in College

Students

Written by:
Nestor Arrieta
Paola Correa
Aydee Daniela Carrillo
Mark Winslett

RWS 1301
Dr. Vierra
The University of Texas at El Paso
December 10, 2018
Final DRAFT
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SHOT VIDEO/IMAGES AUDIO/NARRATION

1 VIDEO OF COLLEGE STUDENTS WALKING MUSIC IN THE BACKGROUND
0:06
“Mental Health Issues in College
Students is a Silent Epidemic”

2 VIDEO OF GIRL READING MUSIC IN THE BACKGROUND

0:12
“On average, 15% of college students
suffer from mental health
issues”(Kumaraswamy 2013).

3 VIDEO OF EMPTY CLASSROOM MUSIC IN THE BACKGROUND

0:18
“Mental Health Issues are the Leading
cause of Drop-outs in College
Students.” (Garlow 2008)”

4 VIDEO OF MAN SLEEPING MUSIC IN THE BACKGROUND

0:24
“Mental Health issues can be caused
by lack of sleep, stress, and other
factors”.

5 VIDEO OF SAD/ANXIOUS GIRL MUSIC IN THE BACKGROUND

0:30
”Symptoms may include Anxiety,
Depression, Insomnia and others
(NAMI 2018)”.

6 VIDEO OF A PERSON W ALKING AWAY MUSIC IN THE BACKGROUND

0:36
“Sadly, 40% of suffering students don’t
seek help (NIH 2018).”

7 PICTURE OF UTEP COUNSELING CENTER MUSIC IN THE BACKGROUND

0:42
“Here at UTEP, we have a dedicated
counseling center”.
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8 VIDEO OF A PERSON ALONE LOOKING MUSIC IN THE BACKGROUND
0:48 AROUND AT THE DISTANCE.

“You might think you’re alone but there

is always help”.

9 IMAGE OF THE SUICIDE PREVENTION MUSIC IN THE BACKGROUND

0:54 PHONE NUMBER

10 BLACK BACKGROUND MUSIC IN THE BACKGROUND

1:00
"Seek help at your local counseling
center at your university.”

“... AND REMEMBER, YOU’RE NOT

ALONE.”

11 CREDITS MUSIC IN THE BACKGROUND.

1:06
12 TEXT OF THE CREDITS THAT WERE USED MUSIC IN THE BACKGROUND.
1:12 FOR THIS PSA.

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Film Nomenclature
Here are some scriptwriting terms you can use. You need to use at least one term in every
scene.

ANGLE: Directs the camera to focus on a person or thing.

AD LIB: Instructs actors to make up and fill in dialogue in the scene.
CUT TO: To go from one scene, or element in a scene, to another very quickly.
DISSOLVE: A film editing technique where one scene "melts" or fades into another scene.
ESTABLISHING SHOT: Use to be used to give an overall perspective of a scene.
EXT. Short for exterior, or outside.
FADE IN: This is the start of the screenplay.
FADE OUT: This is the end.
Fg: Stands for Foreground. Used to place an object or person in front of the scene.
FREEZE FRAME: The image freezes on the screen and becomes a still shot.
INT.: Short for interior, or indoors.
INTERCUT: To go back and forth between to locations, scenes, or elements in a scene.
INSERT: An item that is inserted into the camera view. Usually a note, or picture is inserted so
the audience can either read what is on the note, or see the picture.
Master scene heading: Begins each new scene. It consists of three parts: The LOCATION,
PLACE, and TIME of the scene. For example:
* EXT. PLAYGROUND - NIGHT or
* INT. BEDROOM - DAY
MONTAGE or SERIES OF SHOTS: A number of different scenes shown one after the other.
Used to show a number of events passing in a short period of time.
OS or OC: OFF SCREEN or OFF CAMERA. A character talks, or something happens out of
view of the camera.
OVER THE SHOULDER: A camera shot over the shoulder of a character.
PAN: A camera shot that pivots up and down, or side to side.
PLOT POINT: A turning point, or transition in the screenplay that propels the screenplay forward.
POV: POINT OF VIEW. The perspective view of one character as they look at another character
or thing in the scene.
REVERSE SHOT: When two characters are talking to each other and the camera shifts for one
character to the other.
SLOW MOTION: Self-explanatory.
SPLIT SCREEN: The location of the scene is divided in to two, or more sections.
SUBLIM: A shot lasting less than a second. (The brief flashbacks scenes usually done when a
character is dying and their live flash before their eyes)
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SUPER: A SUPERIMPOSITION. One image merged into another image.

VO: VOICE OVER. Usually used by a narrator of a scene. The character doing the VO is usually
not in the same location as the scene.
ZOOM: A camera focus upon something in the scene.