Professional Documents
Culture Documents
To cite this article: Atsuko Hashimoto & David J. Telfer (2018): Contested geopolitical
messages for tourists at the Okinawa Peace Park and memorials, Japan Forum, DOI:
10.1080/09555803.2018.1451354
Introduction
Okinawa has a surging number of tourists heading to tropical resorts, yet the
islands are inexorably linked to conflict and war. Historically known as the
Ryukyu Islands, they had close economic ties to China before being annexed by
Japan. The islands were deemed expendable by mainland Japan in one of the
bloodiest battles of the Second World War and remain at the centre of the debate
over the continued presence of American military bases. The concepts of war,
peace and tourism have become deeply entwined in Okinawa since the ending of
the Second World War (Figal 2012). It is this turbulent past that is at the heart
of the contested geopolitical messages educational dark tourists receive while vis-
iting Okinawa. The Battle of Okinawa is recognised in numerous war memorial
sites, particularly in the southern end of mainland Okinawa. Visitors come to pay
their respects at the war memorials at Mabuni Hill in Itoman City, which con-
tains the Okinawa Peace Park, the Okinawa Senseki (Battle Site) National Park,
the Konpaku-no-Tou1 memorial and the Himeyuri Memorial complex,2 which
are all in close proximity. Peace Parks in Japan present memorials and peace
museums as part of ‘educational’ dark tourism, and while the focus here is pri-
marily on the Okinawa Peace Park, nearby memorial sites cannot be completely
divorced when examining the geopolitics of dark tourism in Okinawa. While all
of these memorial sites have different meanings to visitors, visitation to these
dark tourism sites, especially by school excursionists, is influenced not only by
museum displays but also by the messages of the aging Peace Park Storytellers or
kataribe, who experienced war first hand. Some tourists may not be prepared for
the anti-Japan (mainland) narrative presented, which contrasts with the formal
memorials for fallen soldiers. The Flame of Peace at the Okinawa Peace Park
stands over the names of those who died in Okinawa in the Second World War
including not only soldiers, but also local civilians. It is argued that these conflict-
ing geopolitical issues present significant challenges in terms of the messages for
dark tourists visiting the Okinawa Peace Park and Memorials.
This article begins by investigating dark tourism with a focus on educational
dark tourism and presents visitor numbers to Okinawa. To set the stage for
examining the Okinawa Peace Park, the article briefly traces the geographical
and historical background of Okinawa with an emphasis on the Battle of Oki-
nawa. It is paramount to understand Okinawa’s history and its relationship to
Japan, to explain why the Okinawa Peace Park is distinctively different from the
Peace Parks in Hiroshima and Nagasaki. The Okinawa Peace Park and war
memorials are then presented as educational dark tourism attractions highlight-
ing the tourist experience, and the messages they receive. The historical evolution
of the sites of atrocity reveals how the memorials became dark tourism attractions
as well as geopolitical symbols. Further complicating the narrative for visitors, the
paper examines how the interpretations of the Battle of Okinawa, especially as
told through the Peace Park Storytellers (kataribe) present conflicting messages
for educational dark tourists.
While the number of research publications on Okinawa in English has
increased considerably in recent years, part of the purpose of this research is to
bring Japanese documents to an English-speaking audience. Therefore, applying
an interpretive research method, this research relies heavily on secondary data
published in Japanese and English, including academic and non-academic docu-
ments, comprising brochures, and online information. The researchers have
Atsuko Hashimoto and David J. Telfer 3
Figure 1 Visitors gather at Peace Park Memorial at the seventieth anniversary of the Battle of
Okinawa (photo by authors)
made multiple visits to the Peace Park and nearby monuments, including visiting
the site on the day of the seventieth anniversary of end of the Battle of Okinawa,
in 2015. Families of those lost during the Battle came to pay their respects, as
seen in Figure 1. In addition, through non-obtrusive participatory observation,
the researchers observed volunteer guides’ telling stories, and noted visitors’
reactions and comments, and listened to the recorded kataribe’s testimonies at
the Peace Museum, later used to confirm the findings of visitor comments from
secondary data. The article now turns to examine dark tourism.
questions of politics, ethics and violence.’ Dark tourism however can be heavily influ-
enced by geopolitics (Lisle 2000; Gillen 2014) as seen through the example of the
War Remnants Museum in Ho Chi Minh City. Gillen (2014) argues the Communist
Party of Vietnam is using the museum to legitimise its existence.
Cohen (2011, p. 194) notes that the distinction between dark tourism sites
where sites of disasters are referred to as in situ, and memorials and museums
being set up at other locations as secondary or created sites, is too simplistic. He
calls for the term in populo to describe sites, ‘which embody and emphasize the
story of the population to whom the tragedy befell.’ This creates a person-based
category focusing on authenticity, as the sites can be located at population and/or
spiritual centres of the people who were victimized, irrespective of the geographi-
cal distance to where the events occurred and are commemorated. Winter
(2009) notes the dichotomy between pilgrims and tourists in those visiting battle-
field sites may be not of much use as it may be better to consider motivations for
visitation along a continuum. She also raises the issue of the passage of time since
the dark event occurred. Over time there is a shift towards creating new memori-
als focusing on education and new forms of commemoration as growing numbers
of tourists are finding it difficult to relate to the memories of previous generations
who were more focused on pilgrimage (Winter 2009).
Suzuki (2016) examined ‘peace education’ tours of Japanese students from
mainland Japan to Okinawa. He revealed the importance of the narratives of local
‘peace guides’ in mediating the spatiotemporal dilemma for students. The stu-
dents must bridge the gap between their everyday home life routines and what
happened in the past in the destination in order to have a meaningful educational
experience. Suzuki (2016) argues that engaging and provocative pedagogical per-
formances by local actors in situ, can help students overcome this dilemma.
In Okinawa, some peace guides belong to The Okinawa Peace Network, an
NGO that promotes education based on the residents’ experiences of the Battle
of Okinawa (Tanji 2006). An itinerary for a peace tour for high-school students
to Okinawa involves visiting caves where civilians and soldiers hid from the
American attack, as well as the Peace Park and related memorials, and viewing
American military bases from beyond the fence (Tanji 2006).
Tourism in Okinawa continues to grow, with 8,769,200 people visiting the
islands in 2016, which represents a 19.5 per cent increase from 2015. Of those
arrivals, 2,212,100 were from overseas, a 27.5 per cent increase, while domestic
tourism numbers were 6,640,100, a 6 per cent increase from the previous year.
The growth in numbers can be attributed to expanding foreign and domestic air-
lines and an increasing number of cruise ship arrivals (Japan Update 2017).
A large number of international tourists are from other Asian countries and in
2016 increases in these growth rates include Taiwan C29 per cent (652,000),
Korea C35.8 per cent (452,000), and Mainland China C22.7 per cent (435,400)
(Japan Update 2017). Total tourism revenue in 2016 was 660,294 million Yen
(approximately US$6.1 billion; €5142 million), which was a 9.6 per cent increase
Atsuko Hashimoto and David J. Telfer 5
from the previous year (Department of Culture, Tourism and Sports 2017).
A survey (multiple answers allowed) in 2014 revealed that the main purpose
of trips to Okinawa was 60 per cent for sightseeing, 41 per cent for enjoying
Okinawan cuisine, however, only 10 per cent was for visitation to war memorials
(Okinawa Prefecture 2014a, Department of Culture, Tourism and Sports
2014a). As a reflection of this low 10 per cent figure, Figal (2012) notes
Okinawa’s tourism is dependent on its history of war and occupation, yet both
are increasingly absent in tourism promotion. Eighty-one per cent of tourists
were repeat visitors (Okinawa Prefecture 2013) indicating the popularity of desti-
nation and the potential for future growth.
Okinawa Prefecture has been successful in attracting school trips (or shugaku
ryoko) from outside Prefectures. On average, 2500 schools with between
400,000 and 450,000 students visit Okinawa a year. Seventy-six per cent of the
student numbers is in the age group 16 to 18; with Tokyo and Osaka being the
top two Prefectures in terms of numbers of school children sent (Department
of Culture, Tourism and Sports 2014b). Although the Okinawan Prefectural
Government indicates concern about the declining number of school trip visitors
to the Peace Park Museum (Okinawa Prefecture n.d.), recent school visitor
numbers to Okinawa in general are showing a healthy growth rate (Okinawa Pre-
fecture 2017).
As part of pre-trip preparations, students learn about the geography, history
and culture of Okinawa. Once in the destination, trips are divided into a peace
studies component, visiting battle memorials, museums and US military facilities
while the second component centres on cultural and natural studies with visits to
nature parks, art museums and participation in Okinawa crafts (Suzuki 2016).
A recent trend involves Okinawa Prefecture and a private company providing
pre-trip learning materials, i.e. worksheets, DVDs, as well as sending Peace
Study advisors to mainland schools (Okinawa Convention and Visitors Bureau
2017, Gachiyun 2017). During the peace component, students are led by
Okinawan peace guides and these guides and their narrative performances have a
critical task in getting the students to understand past events in relation to their
own lives (Suzuki 2012, 2016). Students guided by the kataribe through the
Peace museum also have a chance to hear their stories in a separate room at the
end of the tour. However, there is a risk that ‘educational tours to in populo sites
could also end up turning the participants into dispassionate observers, if not
voyeuristic consumers, of the past tragedies and the people who suffered in them
as Otherized objects’ (Suzuki 2016, p. 117). The goal of the peace guides narra-
tives is to encourage students to ‘not merely mourn the battle victims but also
to question the spatiotemporal rupture between the violence and deaths in
the Okinawan battlefields in the past and the ostensibly “peaceful” lives in their
Naichi (mainland) home today’ (Suzuki 2016, p. 118). Historically, the teachers
and peace guides viewed the shugaku ryoko trips to Okinawa as an act of anti-war
pacifism against the authoritarian government where there was a possibility of a
6 Contested geopolitical messages
return to militaristic nationalism and student trips were a medium to spread the
message of peace to a wider range of Japanese youth (Suzuki 2012). More recent
debates continue today over the role of the National Defence Force in Japan rais-
ing new types of issues for these tours.
In the sixteenth century, the Kingdom was absorbed into the Satsuma feudal
domain of mainland Japan (Okinawa Convention and Visitors Bureau 2015b).
During the eighteenth century, French, British and Americans were planning to
take over the Ryukyu archipelago if trade negotiations with the Japanese govern-
ment failed (Okinawa Prefecture 2014b). The Meiji government created the
Ryukyu feudal domain in 1871, and changed it to Okinawa Prefecture in 1879.
The purpose of this annexation was to prevent Europe and China from claiming
the territory (Fumi no Yakata n.d.). Okinawa only agreed to be a Prefecture of
Japan if it could remain as a Kingdom; however, this was denied, and the Japa-
nese government took Okinawa by force (Okinawa Prefecture 2014b). Due to
differences in political systems and traditions between Okinawa and mainland
Japan, the assimilation was not a smooth transition (Okinawa Prefecture 2014a).
During the Meiji era, mainland Japanese were assigned to represent Okinawa
Prefecture and Okinawans were not allowed to participate in national politics
8 Contested geopolitical messages
The victory of Operation Iceberg was paramount for the American military
in the Far East. The US military strategy was to build the largest base in the
Western Pacific region, for what would be the centre of the Cold War structure
in East Asia, and Okinawa was strategically the most important location (Antill
2003; Okinawa City Office & Gender Equality Section 2008, 2012).
Okinawa endured the bloodiest battle of the Asia–Pacific War: 77,166 main-
land Japanese soldiers and 150,000 local civilians were either killed or committed
suicide. Of the local civilians that died, 100,000 lost their lives in the fiercest
battle in the south of Okinawa while the Allies suffered 14,009 deaths. The air
bombing started on 23 March 1945 over the Ryukyu archipelago. The first land-
ing of American soldiers was on the Kerama Islands, across from Naha city on
Atsuko Hashimoto and David J. Telfer 9
reported, but no one was charged (NHK 2007; see also McLauchlan 2015).
After the civilians were released from the camps in October 1945, their lives
were little better than during wartime, without their own farmland
or ancestral land. Claiming extra-territoriality, any crimes by US Military
personnel were excused. As a result, there were many riots and actions
against the Americans (Peace Museum 2012; awakm3 2013). Human rights
violation by US soldiers against Okinawans became so notorious that Roger
Baldwin of the American Civil Liberties Union issued a report in 1959, rec-
ommending reforms to the accountable US government agencies (Peace
Museum 2012).
It was clear that the US Military ruled Okinawa directly. In April 1946, at the
143rd Military personnel–Civilian Meeting, Major Watkins made it clear that
the ‘Military Government is a cat and Okinawa is a mouse. The mouse can play
as much as the cat permits’ (Okinawa Prefectural Archives 2008). The Price
Report in 1955 justified the permanent presence of the US Military on Okinawa,
including the possession of nuclear weapons, the governance of Okinawa, and
therefore the further acquisition of land (NHK 2007; Peace Museum 2012).
This report led to the Island-wide Struggle movement (Peace Museum 2012;
Okinawa Prefectural Archives 2012). The reversion movement (calls for
Okinawa to be returned to Japan) started in 1946 on the Japanese mainland, led
by Okinawans in Tokyo. After the San Francisco Peace Treaty in 1951/52, more
than twenty organisations joined the movement (Peace Museum 2012). Despite
Okinawa’s petition, the Japanese government signed the San Francisco Peace
Treaty permitting Japan’s (mainland) independence only if Japan disclaimed
the southern islands (NHK 2007; Peace Museum 2012). The US Military
governance, and presence, continued in Okinawa. The US Military government
unlawfully discharged the then-Naha Mayor, Senaga, the leader of the
Okinawa Reversion campaign. Mainland media took this up, and a petition was
sent to US President Eisenhower. In 1960, The Okinawa Prefecture Reversion
Council was formed. US major involvement in the Vietnam War started in the
mid-1960s, and the need for US Bases in Okinawa became even greater. Japa-
nese Prime Minister Sato and US President Nixon agreed to revert Okinawa to
Japanese sovereignty in 1969, under the condition that the US Bases would
remain. The Okinawans were against this, wanting the bases withdrawn. Yet
this agreement went ahead and, in May 1972, Okinawa was returned to Japan
(NHK 2007; Peace Museum 2012). Today, seventy-five per cent of all US
military bases in Japan are concentrated in Okinawa (Asato 2003; NHK 2007).
More radical organisations such as the ‘Ryukyu Independence Movement’
(Ryukyu Dokuritsu Undou 2015) emerged and are still fighting for Okinawa’s
independence.
Atsuko Hashimoto and David J. Telfer 11
Figure 3 Sign commemorating the seventieth anniversary of the end of the Battle of Okinawa
(photo by authors)
the visitor to contemplate that the deaths of the war victims are beyond a single
logic of assailant and victim by nationality. The first Museum was built in 1975
(Okinawa Heiwa Kinen Zaidan n.d.) and this aging Museum was replaced by the
new Peace Memorial Museum completed in 2000 (Peace Museum 2015). The
architect Fukumura and his team designed this building with over 100 roofs cov-
ered in red tiles representing an old Okinawan community, lost in the war (team
DREAM 2010, Mabuchi 2014). It is arranged circumferentially so that wherever
in the Museum building people are (see Figure 10), they can see the Flame of
Peace and The Cornerstone of Peace (team DREAM 2010).
14 Contested geopolitical messages
Figure 5 Crowds gathering for the seventieth anniversary ceremony (photo by authors)
Atsuko Hashimoto and David J. Telfer 15
Figure 6 Centre stage for the seventieth anniversary commemorations (photo by authors)
Figure 8 Media behind the Flame of Peace during the seventieth anniversary (photo by authors)
Figure 9 Visitors gathering among the Name Stones at the seventieth anniversary (photo by
authors)
Atsuko Hashimoto and David J. Telfer 17
Inside the Peace Museum, the design takes visitors upstairs to ‘A Place for
Experiencing History’. The first section ‘The Road to the Battle of Okinawa’
includes displays of photos, facsimiles of old documents, maps, and interactive
information displays between the Meiji era up to the point of the actual land bat-
tle of Okinawa. This section explains world issues and events, the influence of
Japanese Imperialism on Okinawans and the colonies in Asia, the mistreatment
of Okinawa under the Japanese government and the beginning of the Okinawa
assault. The second and the third sections are entitled ‘The Battle of Okinawa as
witnessed by local residents’. The second room is ‘The Typhoon of Steel’ dis-
playing the attack by American battleships and bomber planes. Maps, graphic
photos, video screens showing old footage, and artefacts collected while the
remains of the dead were being gathered show the severity of the catastrophic
attacks. Towards the end of this room, the explanations turn to the cruelty of
Japanese soldiers, the maltreatment of civilians, massacres by Japanese soldiers,
mistreatment of Korean forced labourers, the suicide order from Japanese sol-
diers/commanders and other related topics. This shift in focus leads to the third
section entitled ‘Hell on Earth’, with a diorama of life size mannequins inside an
underground cave. Although the graphic photos and artefacts displayed include
the Japanese soldiers as victims of war, the diorama’s depiction focuses on victim-
isation of Okinawans under the Japanese military. Figal describes the focus of
these Battle of Okinawa displays as disproportionate in terms of the scale of civil-
ian loss, ‘in particular, on the issue of discrimination and outright violence
against Okinawans by ”friendly" forces during the war, even as many Okinawans
were striving mightily to prove themselves loyal Imperial subjects’ (Figal 2001, p.
39). The fourth room is named ‘Testimony’, where original writings are trans-
lated into other languages (see Figure 11). There is a section where people can
watch videotaped testimonies. The fifth room is presented as a historic document
18 Contested geopolitical messages
covering issues of the American occupation of Okinawa, the return to normal life,
facilities and infrastructure built by Americans from which Okinawans benefited
(schools, hospitals, etc.), human rights oppression by the American governing
agency, the reversion movement to Japanese sovereignty, and changes to Oki-
nawa after reversion. This section concludes with a ‘Building Peace for the
Future’ display, which leads visitors to the Ground Floor exhibits and special
events.
Hiroshima and Nagasaki Peace Parks on mainland Japan include a focus on
anti-nuclearism and on sending messages of ‘World Peace’ from the victims of
the horrific atomic bombs (for further discussion see Yoneyama 1999; Fujitani
et al. 2001). Non-Japanese critics argue that Hiroshima and Nagasaki Peace dis-
course emphasises the Japanese sense of victimisation with less focus on Japan’s
role as ‘aggressor’ in the Asia–Pacific War (e.g. Figal 2001, Cooper 2006, Eades
and Cooper 2013). The Okinawa Peace Park, on the other hand, has a different
story to tell. All Peace Parks in Japan employ Storytellers or ‘kataribe’ to relay
their stories to visitors. Many kataribe are war survivors. Although the aging of
war survivors threatens the kataribe, some measures are being taken to train
younger people to be the next generation of kataribe (NHK 2011, Itoman City
2014). These kataribe deal with numerous school trip students, as many as 5000
a day (Izumatsu 2003), and most are of high-school age from mainland Japan.
The use of kataribe is not without controversy. Although the number of negative
reviews of kataribe stories has decreased in recent years, visitors from mainland
Japan have experienced an unwelcoming atmosphere of open hostility from the
Atsuko Hashimoto and David J. Telfer 19
war victims towards the Japanese soldiers and the Japanese government as told by
the kataribe. The tragedy of the Battle of Okinawa was strongly attributed to the
cruelty of the Japanese soldiers and military commanders. As a variety of media
(newspapers, blogs, social media, Q&A sites, etc.) examined in this research
demonstrate, the messages of the kataribe to high school students were about the
war between Okinawa and mainland Japan or about Okinawans suffering under
the Japanese military. Some of the contributors to these social media posts were
very offended and rejected the truth of the story of the kataribe rather than learn-
ing this part of history. One commentator even suggested that these kataribe
should be prepared to deal with the generation who knows nothing about the war
(Tokyo FM 2014).
Having kataribe as peace guides at the Peace Memorial Park has two main fac-
ets. The first is war survivors can tell their stories that textbooks cannot convey.
They can relate their own personal perspectives and memories, frozen at one
point in their life history. Each kataribe’s life story gives a voice to the voiceless
people in war. Some kataribe have even volunteered digging in caves in search of
the Okinawan war dead, however, this is becoming increasingly difficult as they
age (NHK News 2017). The second facet is the matter of accuracy of the memo-
ries and the teller–audience relationship (Kumamoto 2007). A large number of
survivors remained silent for 30 years after the War out of respect for the dead
(Himeyuri Peace Museum 2004). Although academic disciplines treat oral his-
tory or life stories differently, there is general agreement that the story is con-
structed between the teller and the audience. Kumamoto (2007) observed that it
could not be denied that the story told between the Okinawan kataribe and
an audience from mainland Japan, and the story told between the kataribe and
Okinawan visitors is inevitably different in content and tone. The main objective
of Okinawa Peace Volunteers is to ‘correctly/truthfully pass the lessons from the
Battle of Okinawa down to the next generations’ (Tonoike 2014). Figal however
notes the objectives of setting ‘the historical record straight’, especially the issue
of ‘past Japanese discrimination and violence against Okinawans, which is bound
up with contemporary discrimination and violence resulting from an overwhelm-
ing U.S. military presence on Okinawa’ (Figal 2001, p. 39). When Peace Guides
include both war survivors and post-war generations, there seems to be unspoken
intimidation from war survivors that post-war generation volunteers cannot tell
the true horror of the war and cannot convey anti-war messages (Fukunishi
2012). As of 2014, Tonoike summarised that the volunteers are mostly in their
fifties and sixties, the generation who heard their parents’ and grandparents’ sto-
ries of war. Many had a job related to education, and only about twenty-eight
certified volunteers are currently active, of which only three are war survivors.
The Okinawa Peace Museum’s archive project of Life Stories hired volunteers of
different backgrounds (Okinawan soldiers, student volunteers, civilians, atomic
bomb radiation victims, malaria survivors, Siberian POWs, etc.) in addition to
kataribe’s life stories, yet in reality most of their stories focus on ‘personal war
20 Contested geopolitical messages
experiences in Okinawa’. The kataribe have autonomy of what to tell visitors, but
the Museum requests they include ‘war experiences’ and a ‘hope for peace’ in
their stories (Tonoike 2014). The accuracy of memories over time can be a con-
cern; yet, oral history must be understood from the perspective of the ‘meaning’
of the story, i.e. why the story was told in such a way or why such a particular
story was selected (Kumamoto 2007).
The Okinawan peace philosophy of ‘no military base, no weapons’ is apparent
in peace demonstrations, the Henoko Fund campaign (fund established to sup-
port activities to stop new US bases), and in pop culture. There are critics calling
this position as ‘na€ıve’ or it ‘lacks a reality check’ as China’s territorial dispute
over the Ryukyu archipelago will be more imminent if the US military leaves
Okinawa (Conway and Maher 2012; Meguro 2012; Megumi 2014; Japan Times
2015). Miyagishima (1971) considers Okinawans as placing themselves as
‘Asian’, and Meguro (2012) attributes the Okinawans’ optimistic views about
China from the relatively amicable trade relationship they had with China before
Japanese annexation, while not considering the Chinese military might of today.
The US bases are also receiving more attention as North Korea increased its mis-
sile testing in 2017. The continued existence of US bases in Okinawa is an
important negotiation card for the Okinawa government in dealing with the
Japanese government (Figal 2001, 2007; Conway and Maher 2012; see also
Hook 2015). With such a multifaceted geopolitical background reaching from
the past to the present, the role of the Okinawa Peace Park in educational dark
tourism is rather daunting.
Anonymous online opinions and reviews are often unreliable; yet they can help
formulate people’s preconceptions or misconceptions about a place. The authors
examined blog sites, where hundreds of Japanese visitors to the Okinawa Peace
Park left positive messages. For instance, on TripAdvisor (185 Japanese mes-
sages, fifty English and five other languages), only one Japanese message ques-
tioned the contents of the exhibit; and six English messages mentioned the
strained relationship between Japan and Okinawa. Other comments are positive
in the sense that the authors loved the beautiful park, were moved by the Corner
Stones, and they learned about the tragedy of war in general. A few of the visitors
were guided by kataribe but only one non-Japanese tourist used an audio-guide
and commented on the Japan–Okinawa issue. Other Japanese blog sites reveal
similar messages, with comments on the park itself and prayers for not repeating
war. It seems the written messages on display in the Museum, even if the content
of these messages is to ‘set the historical record straight’, do not seem to sink in
to the visitors’ minds as strongly as the spoken messages from the kataribe.
To illustrate this, Yahoo Chiebukuro Q&A websites (in Japanese) were examined
for message content and it was found. between 2005 and 2017, there were quite
a few negative opinions posted about the Okinawa Peace Museum exhibits and
the messages from the kataribe, which describe mainland Japanese as being cruel-
ler than Japan’s enemies. For example one comment from 2011 asked ‘Is it true
Atsuko Hashimoto and David J. Telfer 21
what the kataribe are saying?’ while another commented on the bias of the
museum. In response to the questions posted online about the Peace Park and
museum, answers from other participants were posted with some criticising the
museum for bias while others responded in support of the museum and, in turn,
criticised the critics. Some of the negative comments and concerns were posted
by students who had already visited the Peace Park and had unpleasant experien-
ces listening to the kataribe; or by parents of the students who would visit the
Okinawa Peace Park in the near future and heard about the kataribe.
also contentious. Another controversial issue is the group suicide orders from
Japanese soldiers, which is also debated (e.g. publications of Kenzaburo Oe
1970, Ayako Sono 2006, Shonen Uehara 2013, etc.). Some argue that such is
the allegation of the suicide order, that it was for the surviving Okinawans
to receive war victims’ compensation money (e.g. Sunday Sekai Nippo,
15 December 2013). Although the accused soldiers have passed away without
being exonerated, Shonen Uehara’s documentary article ‘Pandora’s Box’, which
claimed there was no suicide order, won a lawsuit against the Ryukyu Shinpo
newspaper’s refusal to publish it in 2013. Nonetheless, while there has not been
open revolt in Okinawa against the Japanese government, to be an independent
sovereign nation after annexation in 1609, there have been protest movements.
Matsushima (1971) and Miyagishima (1971) argue that Okinawa’s history of
subjugation has shaped the Okinawans’ mentality in that they must conform to
the acceptable identity of their oppressors. The Japanese government treated
the Okinawans as if they were the lowest social caste or even foreigners, and
therefore the Okinawans have had to work harder to be recognised and accepted
as Japanese (Matsushima 1971; Miyagishima 1971; Meguro 2012). Matsushima
(1971) compared the Okinawan’s inexplicable obedience to their oppressors to a
‘desperate loyalty of an animal to a harsh master’, and suggested that this expla-
nation was the only way the Okinawans had to survive the oppression. After the
Second World War, some Okinawans thought the Americans had freed them
from Japanese military oppression, but such delusion quickly disappeared under
the more oppressive US military occupation. Thus, the signing of the San Fran-
cisco ‘Peace’ Treaty made the Japanese government more suitable than the US
military government (Miyagishima 1971), even though many Okinawans
believed that Emperor Hirohito sold Okinawa to the US through this Treaty
(Miyagishima 1971; Meguro 2012). At the time of the Reversion Movement, voi-
ces to revert Okinawa to the US were rarely heard (NHK 2004). The Okinawa
Peace Park reflects complex emotions towards the Japanese government. Oki-
nawa was not given any choice but was forcibly annexed by Japan or ruled by the
US military. Meguro (2012) argues that the discourses of anger and humiliation,
acquiescence and mistrust are the bases of a ‘twisted’ relationship between the
Okinawan government and the Japanese government. One student visitor com-
mented on the Himeyuri memorial that she was appalled by the Himeyuri Peace
Park and that it was haunted by the grudge and malice of the deceased and sur-
viving Okinawans (Tokyo FM 2014, Izumatsu 2003). The Okinawa Peace Park
on Mabuni Hill and the nearby memorials represent the tragedy of the Battle of
Okinawa. Yet, to many Okinawans, the entirety of Okinawa is a tomb of war vic-
tims. An Okinawa Tour Guide commented in 1962:
Okinawa is now putting a lot of effort into the tourism industry… What are we
showing these tourist groups? Mostly battle sites. And when we say battle sites,
it’s only the places where monuments are standing… . Even when I myself give
Atsuko Hashimoto and David J. Telfer 23
tours of the southern battle sites, my skin crawls at the thought of stepping on
the soil that’s the flesh and blood… . It is difficult to get this feeling across to
tourists from the mainland. (Cited in Figal 2007, p. 91)
The kataribe who survived the war are aging. Soon the kataribe will only be com-
prised of post-war generations. Their stories are learned stories and their empha-
sis on ‘setting the historical record straight’ may be influenced by the politics of
the time. The aging kataribe have a dilemma that their stories of agonizing memo-
ries are very personal and should not be told by other people, while the post-war
generation kataribe are unsure of their ability to tell the heart-wrenching stories
of older generations (Izumatsu 2003). As seen in blogs and online reviews, those
tourists who visit the Peace Park without joining a tour guided by kataribe, or
those who just visit the Corner Stone and other memorials in the park remember
Mabuni Hill for its peacefulness, its quietness, as a beautiful park, and the stag-
gering number of names inscribed on the Corner Stones, i.e. the Peace Park as a
nice place to meditate on the importance of peace. Beyond the Museum, the Oki-
nawa Peace Park is not telling the story from the Okinawan perspective.
Izumatsu’s (2003) documentary film revealed that it is not only the younger gen-
erations from mainland Japan, but also the young generation of Okinawans,
including post-war generation school teachers, who have no memories of the war
and therefore have much lower levels of interest in peacekeeping compared with
older generations. Figal (2008, p. 14) argues that despite the historical signifi-
cance of the Battle of Okinawa and its consequences, it is not promoted within
heritage tourism and is recognised even less in pure beach-resort tourism.
The Okinawa Peace Park now faces the difficult task of continuing to tell its
war and peace stories from the Okinawan perspective. Stone (2012, p. 1565)
argues ‘dark tourism is a modern mediating institution, which not only provides
physical place to link the living with the dead, but also allows a cognitive space
for the Self to construct contemporary ontological meanings of mortality.’ Given
this perspective, if the knowledge presented to tourists on the nature of the atroc-
ity in question is somehow in conflict with the tourist’s existing knowledge and
beliefs, tourists would then have difficulties processing and accepting this new
information, creating ontological insecurity. Setsuko Thurlow, a Hiroshima sur-
vivor and an advocator for abolishing nuclear weapons, remarked that war
survivors’ personal accounts must acknowledge Japan as an aggressor as well as
an atomic bomb victim, and their appeals for World Peace must be acceptable to
a global audience from various backgrounds and experiences; beseeching World
Peace is to protect the planet and its people, not to argue who was right and who
was wrong (NHK 2017).
The multitude of competing geopolitical perspectives incorporating Okinawa’s
tumultuous past are evident in the competing messages spoken and presented at
the Okinawa Peace Park, including through the design of the museum and the
Park itself. All of these perspectives influence the dark tourist’s experience. The
24 Contested geopolitical messages
Okinawa Peace Park distinguishes itself from the other major Peace Parks in
Japan, as stories are told from the Okinawan perspective, exposing the Japanese
as a war aggressor and the Americans as a saviour as well as an oppressor. The
task for the post-war generation of kataribe to relate the wartime experiences of
Okinawans is one of the most difficult challenges. Visiting the Park without a
kataribe guide does not reveal the full story from the Okinawan perspective and
this needs to be addressed. These messages from the past are also juxtaposed
with messages of peace for the future and caught up in the current debate over
military bases. This deeply conflicted history also contrasts with the recent image
of Okinawa evolving into a tropical resort destination, which often highlights
classical Okinawa culture while ignoring past tensions (Tada 2015; Tanaka 2003
cited in K€ uhne 2012). Lisle (2000) notes that the modern tourist gaze makes it
difficult to hear ‘other’ stories of warfare that disagree with national narratives.
The geopolitical landscape and the nature of competing narratives that tourists
receive illustrate the complexity of the Okinawa Peace Park as an educational
dark tourism site.
Disclosure statement
The authors have no financial interest or benefit arising from the direct applica-
tion of this research.
Funding
No funding was received for this research.
Notes
1. ‘Konpaku-no-Tou’ literally means Monument of Floating Spirits (Allen and Sakamoto 2014;
Naha City n.d.). The villagers relocated to Komesu-ward, Itoman city after the war to grow
food, were hindered by scattered remains of the war dead (Naha City n.d.). People collected
bones and remains, and used a natural bowl-shaped cave as an ossuary (NHK 2009). After
it was named Konpaku-no-Tou in 1946, more bones were gathered from the southern end of
Okinawa island and 35,000 deceased (counted by skulls) were interred. However, the Japanese
government disregarded Okinawan mortuary rituals and transferred the bones to National
Cemetery in the Okinawa Peace Park in 1979.
2. The Himeyuri Memorial complex comprises a memorial, mausoleum, peace museum, and the
remains of natural caves used for field hospitals where students worked as nurses. During the
war, high-school aged boys and girls were conscripted. The ‘Himeyuri’ troop represents teach-
ers and students from only two girls’ schools. The other seven girls’ school troops have their
own memorials but they are not as well known as Himeyuri, owing to the large numbers of casu-
alties (123 Himeyuri students died out of 222 recruited).
3. Figal (2001) cited Arasaki’s book ‘Kanko kosu de nai Okinawa’, however, excerpts from 1982
Okinawa-ken Izoku Rengokai (Okinawa association of families of deceased), indicate a few
bones were left in the Konpaku-no-Tou (Umisedo 2003). Unlike the deceased from other
Atsuko Hashimoto and David J. Telfer 25
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Atsuko Hashimoto an Associate Professor in the Department of Geography and Tourism Studies
at Brock University, Canada. Her areas of research include Green Tourism in rural Japan, socio-
cultural issues in tourism, culinary tourism, heritage tourism and social justice in tourism. She may
be contacted at ahashimoto@brocku.ca.
David J. Telfer is an Associate Professor in the Department of Geography and Tourism Studies at
Brock University, Canada. His areas of research include the relationship between development the-
ory and tourism, tourism planning, heritage tourism and rural tourism. He has been conducting
ongoing research on Green Tourism in rural Japan. He may be contacted at dtelfer@brocku.ca.