Guitar 1

Paisaje Marino
(2007)

Al Cuarteto Dionisiaco
A María Esther Uribe
Horacio Uribe
 Todas las guitarras con sexta cuerda en D
Guitar 1

2
Paisaje Marino
Para cuarteto de guitarras
q=158 Al Cuarteto Dionisiaco
A María Esther Uribe

solo
by Horacio Uribe


Muy teatral aunque


gélido y preciso
  referencia (no tocar)

I                
     

  
1
  3 3  3
f
4 4 3 1 4

13

justo

G.P.

       
 solo
   
  
       

  
   

ff
3 1

interrumpiendo
a las guitarras II y III
 pont.
  
a

19
  
a a
  
a
   I

 







2 4 2
I 4 1
3
ff

35 tambora

        I       

             
ff possibile
 Guitar 1

3
dolce
e molto espress.

 II 
ma sempre gusto
G.P.
       

42
     I       
 
3 3

             
1 1 3 1 1 3 4 3 4 1


f
mf

 II
             
47 1 2 4 2 4 3 1 3 1 1 4 3 4 1 3

           
1 1 4

p mf f 3 4 3 4


51

 
             
42

   
 I
2

 1 4 2  4 4 2 2 1 4
3
3
1

     
 
     
    
2 3 1 3 1

61   
  
3_ 1 4 1
1 2 3 1 1 3 1 3 1

          
I
mf

     
     
2 4 3 4 3 2 3 1 3 1

     
2 4 3 1 2 3 1

65
   
       I  
juntos

  
1

  

4 2 4 2

   
4

        
2
2
 
     
68

2 1 2 4 2 4 2 4 2 4

     
f

     
cantabile
1 3 2 4 2
G.P. siempre

 
72

   
 
ritmico

mp

   
        
__
2 __ 2

   
4 1 2 1 3 2 1 1 2 2 1 2 4
89


f mp
 Guitar 1


                   
 
95

  
p mf mp f

                
   
 
101

     
mf f

mf
XII VII
 
  
 
   

  
108 1

        
      
 
      
mp
p mf

        
    
116

poco a poco más vibr.

 

    

 
  
  
3
mf
p

        
                 
122

  

p f
f

                  

 
130

    

p mf

rasgueo de todas las cuerdas

tapandolas preparando
   
próxima posición
               
137

      







 Guitar 1

          
145
                 
      
    
f possibile p

                    
 
156

           
    
mf p mf mf

              mp 

        
164

  
    
mf

       
     
171

          
  
      

 
175

       
    
 Plica hacia arriba= MD Guitar 1
Plicas hacia abajo=MI
6
MD= En la tapa tapando las cuerdas mano extendida.
MI= tapa superior mano extendida

                       
   
179
    
              
f

           
                                
185

           

        
                             
   
191

        

4 4

                
197
                    
p
 Guitar 1

        
7
4 4

                             
204

f
        

        
                                  
210

        
p f p

con escobillas
boca abajo


simile
             
217
           
p
f possibile

                   
235

                    

                        
243

                    
V.S.
ppp
pp
 Guitar 1

251
                      

                  
mp

                       
259

                

   
cantabile

  
1 3 2 4 2

               

267

   
 mp

    
               
__
4 1 2 1 3 2 2 __ 2 1 1 2 2 1 2 4
275

 
I 
 f mp mf

  
           

        
 
284

   
 f

         
 
   
291

       
 f p
 Guitar 1

    

 
          
300

            
p            
    

mf subito

para los 7 últimos acordes

experimentar con figuraciones
pequeñitas para poder llenar
de detallitos sonoros

                 
309








             
                     
 
   f   

mf p

                 
319

  
      
      
      
      
 
   

sempre dim.

Tambora
         
328

    

             
          

mp