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An Uncommon Reconstruction
Seth Gottlieb
Seth Gottlieb is a mechanical
engineer with a keen interest in
the history of technology, who
researches and collects
nineteenth-century American
machinists' tools. He
previously worked as a student
employee at the Cary Graphic
Arts Collection at RIT, where he
assisted with maintaining the
Cary’s collection of printing
presses.
design to improve it wherever appropriate, but will use historically accurate New England Hand Press
materials wherever possible. Crawl by Seth Gottlieb. “This is
the third in a series of posts that
We aren’t scholars of printing history, but we’re prepared to learn as much as we will appear throughout the year.
The process of researching
can. We’ve already collected a lot of information in the weeks since starting the
wooden common presses for the
project, and have a much better idea of what we’re doing. Wooden presses changed sake…”
slowly in the time between Johannes Gutenberg’s development of his press and the
birth of iron handpresses in the late eighteenth century. In his Mechanick Putting the “Wood” in
“Wooden Common
Exercises, Joseph Moxon described two styles of press, the “old fashion’d” (the Press” by Seth Gottlieb. “This is
English common press) and Blaeu styles. the fourth in a series of posts
that will appear throughout the
The main di erence between these styles exists in the hose of the press, a year. The term “wooden
common press” is fairly self-
component that works in conjunction with the spindle of the press to actuate the explanatory. It is…”
platen without rotating it, analogous to the toggle mechanism in later iron
handpresses. The hose sits around the spindle of the press, and in the case of the An Uncommon
Conclusion by Seth
English common press is a hollow wooden box. On the Blaeu style, the hose is an Gottlieb. “This is the sixth and
open iron frame that is mounted to the spindle with a collar. These styles existed nal post in a series that began
concurrently, with the Blaeu style never supplanting the former. In England and last year. Building a wooden
https://printinghistory.org/uncommon-reconstruction/ 1/3
9/7/2018 An Uncommon Reconstruction - American Printing History Association
co cu e t y, w t t e aeu sty e eve supp a t g t e o e . g a da d y g
the American Colonies, the English common press remained dominant, and most printing press takes more than
physical means. It…”
surviving examples in North America are of this style.
Our team plans on visiting surviving presses from this period held around the U.S.
and Canada, and hopes to photograph and measure these presses to collect a set of
data from which to create our design (I’ll also be writing here about the trips we
take). Because most presses available to us are built in the style of the English
common press, we will be building one as well. However, our press will not be a
hodge-podge of design elements from presses made spanning a period of many
years. Instead, we will build a press representative of a narrow window of time, say
the 1740s for example. We will determine this window as the project progresses.
Several presses have already been thoroughly studied, such as the purported
Benjamin Franklin Press held in the Smithsonian Institution detailed by
Elizabeth Harris and Clinton Sisson in their 1978 work, The Common Press. Our
studies of other presses will likely not be so thorough.
We’re only just embarking on this journey, and I invite you to join us. Come
December, we will have a full operable press on public display in the Cary
Collection. Additionally, we’ll be publishing the full details of our design, along
with a structural analysis of it, so that anyone could construct a press based upon
ours. Soon we’ll have an Instagram account to share photos, which I’ll be
announcing in a future post. If you would like a more technical view than the
narrative I’m o ering here, check out our project website:
http://edge.rit.edu/edge/P16510/public/Home. Eventually the page will contain all
the documentation relating to our project. Our contact information is available
there, and I welcome anyone to drop me a line at sjg6582@rit.edu. In a future post,
I’ll be writing about an upcoming trip to the Mackenzie Printery and Newspaper
Museum in ueenston, Ontario, so stay tuned!
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