Professional Documents
Culture Documents
Emily Nightingale
Mrs. Balka
IB English Year 1
13 November 2018
Within the setting of the novel Chronicle of a Death Foretold, the culture of Colombia is
shown to value many aspects of life. However, one of the most important is of the pride in
religion and the symbols placed on their society. Catholicism and religion in general is highly
valued as shown by the symbolic names of characters that represent religious figures and the
standards placed upon women to be pure as the Virgin Mary. Therefor, the attitude of religion is
represented as a very significant driving force in the novels society and the author, Gabriel
Marquez, uses this to represent the corruption of society and how each member disowns this idea
The character Santiago Nassar is a prime example of the corrupt view of religion in
society due to the way he is represented. Not only does the character’s name mean “saint” but he
is found several times throughout the novel wearing clothes made of, “white linen…” which is a
symbol of purity (5). By giving this character certain attributes that contribute to a supposed
“holiness”, Marquez showcases the main character as a symbol of christlike qualities. It is later
nearly directly inferred that Santiago is a christlike figure at the end when he is stabbed and,
“there wasn’t a drop of blood”(118). Various symbols in the last few pages of the novel nearly
replicate the actions taken during Jesus’ crucifixion which then again represents Santiago as
innocent of the crime he was accused for. However, the blunt corruption within the town’s
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depiction of religion comes in the many machismo based aspects of Nassar. For one, he is known
to have, “grabbed [Divina Flor’s] whole pussy” making him a sexual abuser. Any person known
to have christ like qualities would never commit such heinous actions and still think of
themselves as pure. This is just one example of the many actions that men were permitted to no
consequences for due to the great importance of a man’s “macho” features and reputation.
Marquez directly alludes to these biblical references to represent how apart from the horrible acts
the main character seemed to have commit, he was still shown as a symbol of purity due to the
Another devalued aspect of religion was the standards of purity women were upheld to
and how they were falsely represented. Women were meant to represent the purity of the Virgin
Mary in by abiding rules such as no sex before marriage. Not to mention, the women’s names for
one were also symbolic of purity symbols such as Divina Flor meaning “divine flower”; this
parallels her innocence and fragility that was expected from a woman due to marianismo values.
This motif of flowers were often used to showcase a women’s purity when in fact they were also
slyly used to represent the fake purity they upheld as a community. Marquez chooses to develop
this through the idea of artificial flowers. As an example, the first time Bayardo San Roman
seemed to have laid eyes on Angela Vicario, he had seen that her and her mother had, “crossed
the square carrying two baskets of artificial flowers” and immediately loved her (28). Bayardo
had obviously fallen in love with her looks without any sort of inclination as to whether or not
she was pure as hoped. Furthermore, the flower’s Angela was holding gave off a sense of
innocence that was convincing enough for him relish in and fully believe. The inclusion of these
artificial flowers represent the women’s false purity within the town and Marquez uses it to
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develop the idea of the town’s double-standard of what purity truly is when connected with
religion.
Overall, by alluding to these biblical references and using religious symbols throughout
the text, Marquez represents societies backward view of purity in their religion and how it is
warped to fit societal standards. The novel as a whole is based off of the critiques of society, so
by adding this sense of religious outlook into the plotline, the author succeeds in showing the
town’s corruption in even the purest of areas in life which only adds to their wrong-doings as a
whole.