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Derivative Modes of C Melodic Minor

In the 3rd and 2nd Position with Associated Chord Forms


Cm69
C Melodic Minor

- 3 12 4 -
1 2 3

R 2 b3 4 5 6 7 R 7 6 5 4 b3 2 R
3
2 4 5 4 2 2
3 5 5 3 1
3 5 6 6 5 3 3

Dsus4 9
D Phrygian Natural 6 5

- 1 - 34 1
4 5 6

R b2 b3 4 5 6 b7 R b7 6 5 4 b3 b2 R
5
3 8
2 4 5 5 4 2 8
3 5 5 3
5 6 6 5 5

Emaj7(#5)
Eb Lydian Augmented 3

- 4321 -
7 8 9

R 2 3 #4 #5 6 7 R 7 6 #5 #4 3 2 R
3 4 3 3
2 4 5 5 4 2 4
3 5 5 3 5
6 6 6

F13( 11)
F Lydian Dominant

1 - 1431
10 11 12

R 2 3 #4 5 6 b7 R b7 6 5 #4 3 2 R
1
3 4 6 4 3 3
2 4 5 5 4 2 4
3 5 5 3 1
1

Copyright © Rick Stone Music/Jazzand 2014 1/2


For more lessons visit www.JazzGuitarLessons.com
Derivative Modes of C Melodic Minor - In the 3rd and 2nd Position with Associated Chord Forms
G7( 5)
Mixolydian b6

1 - 234 -
13 14 15

R 2 3 4 5 b6 b7 R b7 b6 5 4 3 2 R
3
3 4 6 6 4 3 4
2 4 5 5 4 2 4
5 5 3
3

Am7 5
Locrian Natural 2

2 - 34 1 -
16 17 18

R 2 b3 4 b5 b6 b7 R b7 b6 b5 4 b3 2 R
3 5 3
3 4 6 6 4 3 4
2 4 5 5 4 2 5
5
5

B7alt
B Altered Scale (aka Super-Locrian or Diminished-Whole-Tone)

- 2 1 344
19 20 21

R b9 #9 3 b5 b6 b7 R b7 b6 b5 3 #9 b9 R
3 5 7 5 3 3
3 4 6 6 4 3 3
4 5 5 4 2
1
2

Copyright © Rick Stone Music/Jazzand 2014 2/2


For more lessons visit www.JazzGuitarLessons.com

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