ANTIČKI / ANCIENT

RISAN
SADRŽAJ / CONTENTS

Istorijski izvori 5 Historical sources 5

Arheološka istraživanja 7 Archaeological research 7

Arhitektura antičkog 10 Architecture of the ancient 10

naselja i grada settlement and the town

Pokretni arheološki 16 Moveable archeological 16

nalazi keramika artefacts ceramics

Umjetnički predmeti 18 Artistic objects 18

Novac 20 Coins 20

Teatar 20 Theatre 20

Kult 23 Cult 23

Specifikacija artefakata 24 Specification of artifacts 24

Ipresium 50 Impressium 50

Fotografije 51 Photography 51

Legenda 52 Legend 52
4
VILMA KOVAČEVIĆ,
arheolog-savjetnik, autror teksta
archaeologist advisor, author of the text
ISTORIJSKI IZVORI
Gradić Risan je smješten u unutrašnjem dijelu
Bokokotorskog zaliva. Okružen visokim planinama,
oduvijek je predstavljao strateški dobro mjesto
za razvitak naselja. Ovome su pogodovali i obilje
slatke vode, kao i pogodnost mjesta za pristajanje
brodova.
Risan se pominje već kod antičkih pisaca u vezi
sa mitom o legendarnom osnivaču beotske Tebe
Kadmosu, i njegovoj ženi Harmoniji, koji su došli u
oblast ilirskog plemena Enheleja. Tako se u Pseudo-
Skilaksovom „Periplusu“ iz IV v. p. n. e. pominje
Risan i ilirsko pleme Enheleji, nastanjeno u Iliriji
kod „Rizona i rizinske rijeke“, gdje su se nalazile
stijene Kadmosa i Harmonije.1Boka kotorska se kod
Strabona naziva „Sinus risonicus“, i to ime zalivu
ostaje sve do srednjeg vijeka.2
I Polibije daje značajan podatak o ovome gradu
u svom djelu „Istorija“. On govori kako se Teuta
sklonila u Risan, gradić zgodan zbog neosvojivosti,
povučen od mora, a leži na samoj Rizinskoj rijeci.3
U rimskom periodu Risan se spominje kod Plinija
kao „oppida civium Romanorum“, što bi značilo da
je taj grad imao najmanje municipalni status.
1 Pseudo-Skilaks, Periplus, cap. 24, pod imenom Rhizinium.
2 Strabon, Geografija, VII, 5, 7.
3 Polibije, Istorija, II, 16.
RISAN
ANTIČKI
ANCIENT
HISTORICAL SOURCES
The Town of Risan, situated in the inner section of Boka
Kotorska Bay and surrounded by high mountains always
constituted a strategically well positioned place for urban
development. The abundance of fresh water and good
spot for the docking of ships had also been particularly
conducive to this.
Already Classical authors mention Risan as related to
the myth on the legendary founders of Boeotian Thebes,
Cadmos and his wife Harmonia, who had come to the area
inhabited by the Illyrian tribe of the Enchele. Thus, in
Pseudo-Scylax’s “Periplus” from the 4th century BC, Risan
is mentioned together with the Enchele tribe that inhabited
the Illyria around “Rhizon and the Rhizon River“ where
there were the rocks of Cadmus and Harmonia.1 Strabo
calls Boka Kotorska Bay “Sinus Risonicus” which name
had been retained until the Middle ages.2
Polybius gives important information about this town
in his work “The Histories”. He talks about the Queen
Teuta taking shelter in Risan, a small town suitable for its
invincibility, located away from the sea and lying on the
very Rhizon River.3 In Roman times Risan is mentioned
by Pliny as “oppida civium Romanorum”, which would
mean that the town had at least enjoyed the status of a
municipium.
1 Pseudo- Scylax, Periplus, cap. 24, entitled “Rhizinium”.
2 Strabo, Geography, VII, 5, 7.
3 Polybius, The Histories II, 16.
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 ANTIČKI RISAN

Fotografija 1 – Risan
Photography 1 – Risan

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 ANCIENT RISAN
ARHEOLOŠKA ISTRAŽIVANJA
Risan spada u najbogatija, ali istovremeno i najmanje
istražena nalazišta u Crnoj Gori. Interesovanje za
ovaj lokalitet počelo je veoma rano. Jedan od prvih
istraživača bio je ser A. Evans, koji je, obilazeći
ove krajeve kao dopisnik „Mančester Gardijana“
(Manchester Guardian) u vrijeme bosansko-
hercegovačkog ustanka, istraživao u Risnu i napisao
nekoliko rasprava o rezultatima tog istraživanja.
U njima svoje nalaze datuje u helenistički period.
Nalazi potiču s istraživanja lokaliteta Carine, gdje
je u jednom grobu pronašao grnčariju helenističkog
karaktera.4
Sljedeći istraživač bio je H. Ričli (Richly), a u
članku „Arheološki materijal iz Boke kotorske“
1898. g. govorio je o nalazima sa Carina, prema
priloženom planu, koji dijeli lokalitet na devet
sektora. Naveo je nalaze: dva zlatna novčića,
fragmenti zemljanih posuda, mramorne polirane
pločice, fragmenti stakla i kiklopski zidovi dugi 12
metara.5 U vremenu između dva svjetska rata, prva
organizovana istraživanja u Risnu vodio je Dušan
Vuksan, tadašnji direktor Državnog muzeja na
Cetinju. On je u južnom dijelu grada otkrio temelje
pet prostorija rimske „vile urbane“ (villa urbana),
od kojih su podovi tri sobe bili pokriveni mozaicima
sa geometrijskim i vegetabilnim ornamentima, dok
se u četvrtoj u sredini mreže vegetabilnih motiva
nalazio okrugli medaljon sa prikazom grčkog
božanstva sna Hipnosa (Hypnos), u liku usnulog
dječaka sklopljenih krila. Kompleks vile je građen
po rimskom principu, prostorije su poređane oko
kvadratnog unutrašnjeg dvorišta – atrijuma.
4 J. A. Evans, Antiquarian researches in Illiricum, Westminster, 1883. g.
5 H. Richly, Archaeologische Funde aus dem Bocce di Cattaro, Mitt. der. Centr.
Comm. fur Erforschung u. Erhaltung der Kunst und historischen Denkmale, N. F. XXIV,
Wien, 1898.
ARCHAEOLOGICAL RESEARCH
Risan is one of the richest, but concurrently one of the least
explored finding sites in Montenegro. The interest for this
site appeared very early. One of the first explorers was Sir
A. Evans who, while touring this region as a “Manchester
Guardian“ correspondent during the uprising in Bosnia
and Herzegovina, was doing exploration activites in Risan
and wrote several treatises on the results of the research in
which his findings were dated back to the Hellenist period.
The findings originate from the site called “Carine”, where
in one tomb he found pottery of Hellenist character.4
Another explorer, H. Richly in 1898 speaks in his article
“Archaeological material from Boka Kotorska Bay” about
the findings from “Carine” site according to the layout
dividing this site into nine (9) sections. He lists two
golden coins, fragments of pottery, polished marble tiles,
glass fragments, as well as 12 m long Cyclopean walls.5 In
between two world wars, Dušan Vuksan, former director
of the National Museum in Cetinje was carrying out the
first organized research activities in Risan. In the southern
part of the town he uncovered the foundations of five
rooms belonging to a Roman “villa urbana.” The floors in
three rooms were covered in mosaics with geometric and
vegetal ornaments, while in the centre of the vegetal motifs
of the fourth room there is a circular medallion with the
image of Hypnos, a Greek god, a personified daemon of
sleep, depicted as a sleeping boy with the folded wings.
The complex of the villa was built according to the Roman
principle, with the rooms arranged around the inner
square courtyard – atrium.
4 J.A.Evans, Antiquarian researches in Illiricum, Westminster, 1883.
5 H.Richly, Archaeologische Funde aus dem Bocce di Cattaro, Mitt.der.Centr.
Comm.fur Erforschung u. Erhaltung der Kunst und historischen Denkmale, N.F.XXIV,
Wien,1898.
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 ANTIČKI RISAN
Poslije Drugog svjetskog rata, 1950. g., iskopavanja
na Carinama izvodili su učenici Umjetničke škole
iz Herceg Novog. Tom prilikom su nađeni ostaci
veće sakralne građevine ‒ hrama, veliki mermerni
blokovi i djelovi arhitektonske plastike sa građevina,
sada izloženi na prostoru vile sa mozaicima.
Godine 1968. ekipa Republičkog zavoda za zaštitu
spomenika kulture iz Cetinja vršila je iskopavanje
na sjevernom sektoru Carina. Tada su otkriveni
ostaci velikih neidentifikovanih građevina, ostaci
jednog bunara-izvora, fragmenti mermernih statua,
kao i mnoštvo ulomaka keramike.
Poslije katastrofalnog zemljotresa 1979. g., nakon
obnove nastradalog područja, našlo se mnogo
indikativnog materijala pilikom zemljanih radova.
Naročito su vrijedni nalazi sepulkralnog karaktera:
kupasti cipusi, rimske urne sa natpisima i bogatim
prilozima u vidu staklenih flašica ‒ balzamarija i
lakrimarija. Gotovo sve je zadržano u privatnom
vlasništvu.
Regionalni zavod za zaštitu spomenika kulture
iz Kotora vršio je zaštitna arheološka iskopavanja
na lokalitetu Carine u dvije kampanje: 1988. i
1989. godine.6 Lokacija je prilagođena zahtjevima
za izgradnju sportskih terena. Tom prilikom su
otkriveni ostaci stambene arhitekture većeg objekta
sa izuzetnom koncentracijom keramičkih ulomaka
raznih posuda, uglavnom južnoitalskog tipa
„Gnatija“ keramike. Pronađeni su ostaci velikih
kratera, pitosa, amfora sa poklopcima koji nose
oznake proizvođača, zatim i malih posuda s tankim
oslikanim zidovima, tanjira tipa „terra sigilata“, kao
i veliki broj numizmatičkog materijala, uglavnom
novca ilirskog kralja Balajosa.
6 Radovima je rukovodila arheolog V. Kovačević; rezultati objavljeni: Rezultati
istraživanja arheološkog lokaliteta Carine u Risnu, Glasnik SDA 14, Beograd 1998. g.
8
After World War II, in 1950, the excavations at “Carine”
site were being carried out by the students of Herceg Novi
Art School. On that occasion the remains were found of
a larger sacral edifice – a temple, great marble blocks and
pieces of architectural decorations that once belonged to
various edifices. These have been put on display in the
area of the villa with mosaics.
In 1968, a team from the National Cultural Heritage
Protection Institute from Cetinje did the excavations in
the northern section of the “Carine” site. On that occasion
the remains were discovered of large unidentified edifices,
the remains of a fresh water well, fragments of marble
statues, as well as a multitude of ceramic fragments.
After the disastrous earthquake in 1979 and the
reconstruction of the earthquake hit area, lots of indicative
material was found during the earthworks. Particularly
valuable are the findings of sepulchral character: conical
cippi, Roman urns with inscriptions and numerous
embalming fluid bottles and lacrymatories. All of these
were mostly kept as private property.
Regional Cultural Heritage Protection Institute from
Kotor carried out protective archaeological excavations
at the “Carine” site in two campaigns: in 1988 and in
1989.6 The site is adjusted to the requirements for the
construction of sport grounds. On that occasion the
remains were uncovered of the residential architecture
belonging to a larger edifice with exceptional
concentration of ceramic fragments of various vessels
mostly of the South-Italic type of Gnathia ceramics.
There are the remains of large craters, pithoi, amphorae
with lids bearing the manufacturers’ markings, as well
as small vessels with thin painted walls, plates of “terra
sigillata“ type, as well as a large number of numismatic
material, mostly of the Illyrian King Ballaios’s coins.
6 The works were managed by the archaeologist V. Kovačević and the results were
published under the title “Rezultati istraživanja arheološkog lokaliteta Carine u Risnu” (Results
of the exploration of the archaeological site of ‘Carine’ in Risan), Glasnik SDA 14, Beograd 1998g.
 ANCIENT RISAN

Fotografija 2 – Arheološko nalazište Carine - Risan

Photography 2 – Archeological site Carine - Risan

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 ANTIČKI RISAN
Od 2000. g. vrše se sistematska arheološka
iskopavanja Risna koja imaju međunarodni
karakter i obavljaju se u saradnji Regionalnog
zavoda za zaštitu Evrope „Novae“ iz Varšave.7
ARHITEKTURA ANTIČKOG
NASELJA I GRADA
U istraživanjima nađene arhitekture u Risnu
možemo utvrditi tri faze gradnje, koje su pripadale
raznim periodima gradskih naselja. Najstarija bi
bila predurbana faza, i njoj bi pripadalo ilirsko
stanište na risanskoj Gradini, koje je bilo podređeno
dobro promišljenim uslovima odbrane. Zbog toga
je uzvišenje iznad zaravni na morskoj obali sa
strmim stranama bilo pravo mjesto za pravljenje
utvrđenja. Utvrđenje je imalo dva odbrambena
prstena.8 Nalazi keramike s arheoloških istraživanja
potvrđuju da je tu tekao život u ilirskom, a zatim
i u ilirsko-grčkom periodu. Gradina je imala
kontinuitet u svim istorijskim razdobljima upravo
zbog dobrog strateškog položaja.
7 Rukovodioci istraživanja su arheolog Regionalnog zavoda Vilma Kovačević,
konzervator-savjetnik, i prof. Varšavskog univerziteta dr arheolog Piotr Dyczek. Prvi
petogodišnji sporazum potpisan je na period 2000‒2005. g., dok je drugi potpisan za period
2005‒2010. g. Planirano je da istraživanja budu produžena na dvadesetogodišnji period. U
istražne radove uključena su i podvodna arheološka istraživanja i ronjenja, radi utvrđivanja
ostataka grada koji je danas djelimično pod vodom, kao i ostataka potonulih brodova i
njihovih tereta. Finalni produkt bilo bi objavljivanje obimne monografije o Risnu i njegovoj
genezi od najstarijeg perioda do ranog srednjeg vijeka.
8 P. Mijović, M. Kovačević, Gradovi i utvrđenja u Crnoj Gori, Beograd‒Ulcinj,
1975. g.
10
Systematic archaeological excavations having
international character have been carried out in Risan
since 2000 in cooperation with the Regional Cultural
Heritage Protection Institute from Kotor and the
Southeast European Centre for Archaeological Research
“Novae” from Warsaw.7
ARCHITECTURE OF THE ANCIENT
SETTLEMENT AND THE TOWN
While researching the elements of architecture found
in Risan we were able to determine the existence of
three construction stages belonging to various periods
of urban settlements. The oldest stage would be the so
called pre-urban stage, with the Illyrian habitation on
the Risan Gradina belonging to the same. The habitation
was subjected to the well thought-of defence conditions.
Because of that, the mount rising from the plateau on
the seashore with its steep slopes was a right place for
the construction of the fortress. There were two defensive
rings around the fortress.8 Ceramic objects found there
during the archaeological excavations confirm that
humans lived there in the Illyrian and then also in the
Illyrian-Hellenistic period. It is exactly because of the
good strategic position of the “Gradina” that it had
uninterrupted continuity in all historical periods.
7 The explorations are managed by Vilma Kovačević, an archaeologist from the
Regional Cultural Heritage Protection Institute, and Piotr Dyczek, archaeologist, conservation
advisor and professor from the Warsaw University. The first five-year agreement was signed for
the period 2000-2005 and the second for the period 2005-2010. It is planned for the explorations
to be extended to the period of twenty years. Underwater archaeological explorations and diving
are included in the exploratory works for the purpose of finding the remains of the town which is
partly under the water nowadays, as well as the remains of the sunken ships and their cargoes.
The end product would be the publishing of a voluminous monograph on Risan and its genesis
from the ancient times until the early Middle age.
8 P.Mijović, M. Kovačević, Gradovi i utvrđenja u Crnoj Gori (Towns and
fortifications in Montenegro), Beograd-Ulcinj, 1975.
 ANCIENT RISAN

Fotografija 3– Arhitektura podgrađa

Photography 3 – Architecture of the settlement below the fortress

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 ANTIČKI RISAN

U podnožju Gradine, gdje je bilo antičko pristanište, At the foot of the “Gradina”, where there had been an
uz samu rječicu Spilu krenulo je formiranje podgrađe ancient pier, along the Spila River itself, a settlement
koje je počelo da poprima izgled utvrđenog grada. started being formed resembling a fortified town.
Sljedeća etapa je prelazna i naziva se protourbana The next stage is transitory and it is called the proto-
faza. U tom razdoblju naselje je steklo neke osobine urban stage. During that stage the settlement acquired
naselja-centra i druge osnovne preduslove za certain elements – centre and other basic preconditions
izrastanje u pravu urbanu formaciju. Ovoj fazi for its development into a proper urban formation. This
bi u Risnu odgovarao helenistički izgled grada, stage gave Risan a Hellenistic appearance which was
koji je uslovljen direktno helenističkim uticajem. a direct consequence of the Hellenistic influence. The
Dispozicija Gradine postaje „akropolj“, na kome je, layout of the “Gradina” becomes “Acropolis”, where
according to some assumptions there could have been
prema nekim pretpostavkama, mogao biti i hram the temple dedicated to Medaurus, an Illyrian god.9
posvećen ilirskom božanstvu Medauru.9 Na ravnom Commercial part of the polis is developed on the flat
terenu uz morsku obalu i rječicu Spilu nastaje ground along the seashore and the Spila River, with all
trgovački dio polisa, sa svim karakterističnim its facilities. During the archaeological campaign in 2006
sadržajima. Tokom arheološke kampanje 2006. g. the Southern Town Gate was uncovered, which would be
otkrivena je i južna gradska kapija, u koju se ulazilo entered from the side of the river, as well as the inner face
s rječice, kao i unutrašnje lice bedema. Na ta gradska of the rampart. The Town would be accessed via a wide,
vrata ulazilo se kroz široku, kamenom popločanu stone-paved street passing through this gate. On the
ulicu. Sa zapadne strane odvajao se jedan krak western side, a side street branched off with the buildings
pobočne ulice, koja je s obje strane imala objekte positioned along both sides probably belonging to the
‒ vjerovatno dio trgovačkog kvarta grada, jer se commercial part of the Town, as it was in the vicinity of
nalazio u blizini mogućeg pristaništa brodova u the possible Spila River vessel mooring area. Numerous
koritu Spile. Brojni nalazi keramičkih poklopaca za ceramic amphora lids decorated in different symbols and
amfore, dekorisanih raznim simbolima i imenima names of wine and oil producers and merchants support
proizvođača i trgovaca vina i ulja, govore u prilog this assertion.
ovoj konstataciji. The third development stage is the period of a developed
Treća faza razvoja jeste period kad pred sobom town with all its functions: administrative-political,
već imamo grad razvijen u svim funkcijama: organizational, economic and social, which is all reflected
upravno-političkim, organizacijskim, ekonomskim in the new quality of the material realization and
organization of the settlement. This stage is called the
i socijalnim, što se sve odražava u novom kvalitetu urban stage10 and by its appearance it would correspond
materijalne realizacije i organizacije naselja. Ova to the period of the Roman rule and domination.
etapa se naziva urbana faza.10 Njoj bi pripadao izgled
Risna u vrijeme rimske vladavine i dominacije. The Town retains its inherited location, which is
expanded towards the sea in particular. In that part of
Grad zadržava svoju naslijeđenu lokaciju, koju the “Carine” site, during the excavations undertaken in
proširuje naročito prema moru. U tom dijelu 1968, the foundations were discovered of large buildings
lokaliteta Carine u iskopavanjima 1968. g.
9 A. Jovanović, Risan u antičkom periodu, Blago antičke Boke, Katalog sa izložbe
9 A. Jovanović, Risan u antičkom periodu, Blago antičke Boke, Katalog sa izložbe, (Risan in ancient times. Treasures of the Ancient Boka. Exhibition Catalogue), Tivat-Kotor 2007.
Tivat ‒Kotor 2007. g. 10 M. Suić, Antički grad na istočnom Jadranu (Ancient town in the East Adriatic
10 M. Suić, Antički grad na istočnom Jadranu, Golden Marketing, Zagreb 2003. g. area), Golden Marketing, Zagreb, 2003.

12
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Fotografija 4 – Arheološko nalazište Carine - Risan

Photography 4 – Archeological site Carine - Risan

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 ANTIČKI RISAN
otkriveni su temelji velikih građevina, koje su
pripadale centru rimskog grada ‒ forumu. Jedna
od tih građevina imala je nišu popločanu podnim
mozaikom. U njoj je pronađeno i mjesto nekog
postamenta na kom je bila statua jednog od rimskih
božanstava. U iskopu ispred objekta otkriveni su
veliki stubovi, koji su nosili stilobat na ulazu u tu
građevinu. Na tom sektoru lokaliteta pronađeni su
i temelji nekih velikih građevina, što govori da se
tu nalazio rimski centar grada, sa trgom i javnim
građevinama na njemu.
Od javne infrastrukture pronađeni su tragovi
vodovoda uz glavnu gradsku ulicu. Moguće je
da se cijeli grad snabdijevao vodom sistemom
akvadukta, sprovedenim prirodnim padom sa
izvora Spile.
Grad je imao i trgovački i zanatski centar, moguće
i na više lokacija. Velika koncentracija keramičkog
materijala na raznim lokacijama govori o intenzivnoj
trgovini i distribuciji proizvoda u zaleđe. Ovdje
su se punile amfore, najčešće vinom i maslinovim
uljem. Velika količina numizmatičkog materijala,
naročito novca kralja Balajosa i rimskih imperatora,
govori u prilog gorepomenutoj tezi.
U gradu su pronađeni i veći stambeni objekti,
građeni po uobičajenoj šemi rimske gradske kuće:
prostorije koncentrisane oko unutrašnjeg dvorišta.
Ti objekti su imali i kupatila ugrađena u odaje.
Pri iskopavanjima su pronađene fragmentovane
keramičke kadice za kupanje djece, kao i jedan
manji bazen za kupanje odraslih.
S učvršćivanjem vlasti i prosperitetom, naselje se širi
van utvrđenog grada. Tako poznata „vila urbana“
sa podnim mozaicima pripada rezidencijalnom
kvartu, u kojem je živio najbogatiji sloj stanovništva.
Izvan zidina grada formirala se i nekropola, koja je
svakako naslijedila kultno mjesto iz starijeg perioda.
14
that had belonged to the centre of the Roman town-
Forum. One of these buildings had a niche with the floor
paved in mosaic. In its interior, a place was discovered
for a pedestal on which there had been a statue of one
of the Roman deities. In the excavation in front of this
building, big columns were discovered which had been
supporting the stylobate at the entrance to this edifice.
In this section of the site the foundations of some large
edifices were discovered, which tells us that the Roman
centre of the Town had been located there with a square
and public buildings.
As regards public infrastructure, alongside the main
Town street the traces of the water supply system were
discovered. It is likely that the entire Town had been
supplied with water by the aqueduct system moving
water through gravity from the Spila River source.
The Town had its commercial and artisan centre, possibly
even in several locations. Big concentration of ceramic
material in different locations testifies to intensive
trading activities and distribution of products to the
hinterland. Amphorae were being filled there most often
with wine and olive oil. A large quantity of numismatic
material, King Balaios and Roman emperors’ coins in
particular supports such assertion.
Larger residential edifices were discovered in the
Town, too. They had had the usual scheme of a Roman
urban house, i.e. rooms concentrated around the inner
courtyard. These edifices had bathrooms installed in
the chambers, too. During the excavations, fragmented
ceramic children’s bathtubs were found, as well as a
smaller pool for adults to bathe in.
With the consolidation of power and the growing
prosperity, the settlement spreads outside the fortified
town. Thus, the famous villa urbana with floor mosaics
belongs to the residential neighbourhood, inhabited by
the wealthiest class.
Outside the town walls a necropolis was being formed
which undoubtedly inherited the ritual ground from the
previous period.
 ANCIENT RISAN

Fotografija 5 – Arheolosko nalaziste Gradine - Risan

Photography 5 – Archeological site Gradine - Risan

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 ANTIČKI RISAN
U Risnu je već uočeno i hipotetično mjesto antičkog
teatra, koji je lociran neposredno uz same gradske
zidove. Riječ je o terasastom terenu sa polukružnim
gornjim dijelom, na kojem se nalaze sjedišta za
gledaoce, i scenom u donjem dijelu.
POKRETNI ARHEOLOŠKI
NALAZI KERAMIKA
U pokretnom arheološkom materijalu iz Risna
dominira keramika raznih tipova i provenijencije;
slijede nalazi novca, dok su nalazi stakla rijetki.
Razlikuju se dva osnovna tipa nalaza keramike:
a. Luksuzna uvezena keramika,
b. Upotrebna keramika, nešto grublja,
lokalne proizvodnje.
Obilje keramičkog materijala omogućilo je da se iz
cjeline izdvoje najprije brojne amfore za vino i ulje,
grčke ili južnoitalske provenijencije. Poklopci ovih
amfora nose žigove odnosno imena proizvođača ili
vlasnika. Ovaj keramički materijal najbolje svjedoči
o dugoj i kontinuiranoj trgovini. Vremenski raspon
i datacija kreću se od helenističkog doba (od IV do I
v. p. n. e.) do ranog carskog doba, te od I i II v. n. e.
do perioda kasnog carstva.
Luksuzna keramika potiče uglavnom iz radionica
u Južnoj Italiji (Magna Graecia), i to uglavnom iz
grada Gnatija (Gnathia), po kojem je i dobila ime.
To su posude vrlo tankih zidova, pravljene od
dobro pročišćene pečene gline. Zidovi su firnisani
crnom ili crvenom bojom, ponekad s apliciranim
plastičnim ukrasima. Glavni njihovi ukrasi su
kanelure, koje su uglavnom raspoređene ispod
oboda i na trbuhu, u frizovima i metopama.
Evidentna je raznovrsnost ovih posuda: krateri
sa dvije horizontalne drške, zatim kupe ili skifosi,
16
The hypothetical site of the ancient theatre has already
been noticed in Risan, adjacent to the Town walls. This
is a terraced terrain with the semi-circular upper part
with the seats for the spectators and the stage at the
bottom section.
MOVEABLE ARCHEOLOGICAL
ARTEFACTS CERAMICS
Ceramics of various types and provenance dominates
in the moveable archaeological material from Risan,
followed by coins, while glass artefacts are rare.
There are two basic types of ceramic:
a. luxury imported ceramics
b. utilitarian ceramics, somewhat coarser, produced
locally.
The abundance of ceramic material made it possible for
numerous amphorae for wine and oil of Greek or South-
Italic provenance to be sorted out. The amphora lids bear
the seals or names of their manufacturers or owners.
This ceramic material testifies best to the long-lasting
and continuous trading activity. The timespan and dates
range from the Hellenist times, from the 4th to the 1st
century BC, to the Early Imperial Era, from the 1st and
2nd century AD, up to the period of the Late Empire.
Luxury ceramics has its origin mostly from the
workshops in Southern Italy (Magna Graecia), namely
from the City of Gnathia after which it got its name.
These vessels have very thin walls and they were made
of well refined fired clay. The walls are painted in black
or red varnish, sometimes with plastic decorations
applied. Their principal decorations are “cannelure”,
mostly distributed below the rim and on the body
friezes and metopes. There is a great quantity of these
vessels: craters with two horizontal handles, then
oinochoai, skyphos and pelikes, kantharoi and arrybalos.
Hese vessels are often painted in floral and vegetal motifs.
 ANCIENT RISAN

aribalosi, kantarosi, ojnohoi. Nerijetko su oslikani
floralnim i vegetabilnim motivima. Na većim
posudama u kasnom helenizmu prikazivane su
i mitološke scene, često korišćene za pozorišne
predstave, veoma popularne u ovom periodu.
Luksuznim nalazima pripadaju i uljane lampe, ili
žišci, koje su, pored toga što su se svakodnevno
upotrebljavale, imale i sepulkralni karakter, pa su
često pronalažene u grobovima.
On larger vessels during the period of the Late Hellenism
mythological scenes were being presented, too. These
were being quite popular in this period and frequently
used for theatrical performances.
Oil lamps fall among luxury artefacts. Besides their
everyday use they also had sepulchral character and were
very often found in tombs.

Fotografija 6 – Keramička uljana lampa

Photography 6 – Ceramic oil lamp

17
 ANTIČKI RISAN

UMJETNIČKI PREDMETI ARTISTIC OBJECTS

U Risnu su pronađeni djelovi najmanje dvije Parts of at least two terracotta figurines called Tanagra
figurine od terakote, nazvane statuete iz Tanagre. statuettes were found in Risan. They got their names
Ime su dobile po beotskom gradiću Tanagri, gdje after the Boeotian town of Tanagra, where quite a number
je izvjestan broj pronađen u nekropolama. Riječ je of these were found in the necropoli. These are charming
o ljupkim malim figurama koje su, osim mladih little figures which besides young girls, depicted also
djevojaka, prikazivale i starice i obične ljude u elderly women and common people in a realistic style.11
realističkom stilu.11 Risanski primjerak prikazuje The Risan example shows the head of a young girl and
glavu mlade djevojke i djelove draperije sa parts of drapes with a pitcher-hydria at her flank.
krčagom-hidrijom na boku.
The find of a ceramic mould with the image of a maenad in
Nalaz keramičkog kalupa s otiskom menade u ecstatic dance, speaks sufficiently how much mythology
zanosnom plesu rječito govori o tome koliko je had been present in Risan.12 The Risan mould is a proof
antički mit bio prisutan u Risnu.12 Nalaz kalupa of greater distribution and demand for this product,
iz Risna svjedoči da su tu izrađivani otisci, što je especially of the degree of culture of the population.
dokaz veće potražnje i distribucije ovog proizvoda,
a naročito stepena kulture stanovništva. The find of a gemma in Risan made of pâte de verre with
the presentation of Gigantomachy speaks in itself about
O antičkom mitu i poimanju mita u Risnu govori the Classical myth and the understanding of the same.
i nalaz jedne geme (gemma) od staklene paste sa The gemma shows a scene of the battle between a Giant
predstavom gigantomahije. Na gemi je prikazana and a God. The Giant has feetless legs, in the form of
scena borbe jednog od giganata sa bogom. Gigant snakes (angulopedia). The battle between the Giants and
ima noge bez stopala, u obliku zmija (angulopedia). the Gods was a favourite fine arts theme starting from
Borba giganata sa bogovima omiljena je tema u the 5th century BC.13
likovnoj umjetnosti počevši od V vijeka p. n. e.13

11 T.B.L.Vebster, Helenizam (Hellenism), Novi Sad, 1970.

11 T. B. L. Vebster, Helenizam, Novi Sad, 1970. g.
12 Menade su u antičkoj mitoligiji bile pratilje boga Dionisa: kad ih on nadahne,
padaju u ekstazu i lutaju poljima, šumama i planinama, uzvikujući njegovo ime. Ovjenčane su
bršljanom, opasane zmijama. Neranjive su i raspolažu velikom snagom.
Dragoslav Srejović, Aleksandrina Cermanović, Rečnik grčke i rimske mitoligije, Beograd, 1978. g.
13 Ibidem.
12 In Greek mythology, maenads were the female followers of Dionysus: when
inspired by Dionysus they come into a state of ecstatic frenzy and wander in the fields and
through the forests and mountains hailing his name. They would wear ivy-wreaths around their
heads and also snakes. They are invulnerable and have great strength.
Dragoslav Srejović, Aleksandrina Cermanović, Rečnik grčke i rimske mitoligije (Vocabulary of
Greek and Roman Mythology), Beograd 1978.
13 Ib idem

18
 ANCIENT RISAN

Fotografija 7 – Cipus
Photography 7 – Cipus

19
 ANTIČKI RISAN
NOVAC
Metalni nalazi se sastoje najvećim dijelom od novca,
i to:
a. Novac ilirskog dinasta Balajosa iz kovnica
u Rizonu ili Farosu,
b. Novac grčkih polisa, iz trgovačkih veza sa
Risnom,
c. Novac rimskih imperatora.
Velika emisija i enormno veliki broj primjeraka
novca ovog ilirskog vladara u odnosu na ostali
numizmatički materijal svakako govori o
postojanju njegove kovnice u Risnu. Sam natpis na
aversu s njegovim likom na grčkom alfabetu glasi:
ΒАΣΙΛΕΩΣ ΒΑΛΛΑΙΟΫ ‒ Kralj Balajos. Predstava
Artemide sa kopljem u ruci na reversu takođe
govori o grčkom uzoru. Iz grčkih polisa pronađen
je novac Korinta i korintskih kolonija Dirahiona
(Dyrrachium), Leuke (Leucas) i Anaktorije
(Anactoria), kao i gradova sa jadranskih ostrva
(Issa, Pharos).
TEATAR
Risan je, po ugledu na grčke helenističke gradove,
mogao imati i pozorište. Takva hipotetička lokacija
već je uočena u neposrednoj blizini antičkog
naselja, van zidina. Prirodni polukružni terasasti
teren, istočno od ulaza u grad sa strane rječice Spile,
bio je idealno mjesto za postavljanje antičkog teatra.
Prostor je bio dovoljan da se na padini napravi
gledalište za stanovnike grada, kao i scena na
najnižoj platformi.
Nalaz komične maskice od fino pročišćene zemlje
bjeličaste boje svjedoči o ulozi pozorišta i predstava
20
COINS
Metal finds consist mostly of coins, as follows:
a. coins of the Illyrian dynast Balaios from the
mint in Rhizon or Pharos
b. coins of Greek poleis, originated from the
commercial links with Risan
c. coins of Roman emperors
Big emission and enormous number of coins of the
Illyrian ruler, as compared to other numismatic material,
most certainly speaks about the existence of Risan mint.
The inscription on the obverse bearing the image of the
ruler in Greek alphabet reads as follows: ΒАΣΙΛΕΩΣ
ΒΑΛΛΑΙΟΫ – King Balaios. The image of Artemis, with
a spear in her hand, on the reverse, also speaks about
the Greek model. As for the coins of the Greek poleis,
Corinthian coins and the coins of the Corinthian colonies
of Dyrrachium, Leucas and Anactoria were found, as
well as those of the towns from the Adriatic islands (Issa,
Pharos).
THEATRE
Following the example of Greek-Hellenistic cities, it
is possible that Risan too had its own theatre. Such a
hypothetical location has already been noticed in the
immediate vicinity of the ancient settlement, outside the
town walls. Natural semi-circular terraced terrain to
the east of one entrance to the town towards the Spila
River was an ideal location for a theatre. The area was
sufficient for the auditorium to be constructed on the
sloping ground for the inhabitants of the Town and for
the stage to be mounted on the lowest platform. The
find of a comedy mask, made of finely refined whitish
earth, testifies to the role of theatre and performances
with different contents, comedy being dominant in
 ANCIENT RISAN

Fotografija 8 – Novčići– druga polovina II v.p.n.e – period ilirskog kralja Ballaiosa;

Photography 8 – Coins – the second half of II c. B.C. – period of Illyrian King Ballaios

21
 ANTIČKI RISAN

raznovrsnih sadržaja, sa komedijom kao vodećom
vrstom, u svakodnevnom životu stanovnika. Prikaz
maskice sa likom mladog nasmijanog muškarca
veselog pogleda, dočarava komiku i razigranost.
Ovakve maskice su u Grčkoj upotrebljavane i kao
ulaznice za pozorišne predstave.
the everyday life of the population. The mask depicting
a young man with smiling face and joyful expression
conjures up comedy and joyfulness. Such masks were also
being used in Greece as tickets for theatrical performances.

Fotografija 9 – Komična maskica

Photography 9 – Comedy mask

22
 ANCIENT RISAN
KULT
O antičkom kultu u Risnu najbolje nam
govore epigrafski nalazi, preko kojih se može
rekonstruisati njegova suština i ikonografski
izraz. Dva votivna spomenika, sročena u stihove,
a posvećena Medauru, pronađena u Lambezi ‒
velikom vojnom logoru u sjevernoj Africi ‒ daju
nam pisani podatak o ovom ilirskom božanstvu.
Spomenike datovane u period između 166. i 180. g.
n. e. zavičajnom božanstvu posvetio je vojni legat
i visoki dostojanstvenik (consul iam designatus)
iz Risinijuma, čije je ime Medaurus teomorfno,
izvedeno od imena boga Medaurusa. Početak prvog
natpisa naglašava domicilni karakter božanstva i
njegovo pokroviteljstvo nad gradom:
„Ti koji nastanjuješ eačke zidove Risinijuma,
tvrđave u Dalmaciji, sveopšti Laru našega naroda,
Ti koji si poštovan Kako u domovini i ovdje
Medaure.....“
Medaur je rodonačelnik, zajednički predak, ujedno
i genije tla oivičenog posvećenim bedemima, nad
kojim zaštitnički bdi.
U drugom natpisu iz Lambeze dat je figurativno opis
božanstva, s pojedinostima koje živo predočavaju
njegovu sliku: to je konjanik koji jednom rukom
primiruje propetog konja, a drugom, uzdignutom
iznad glave, baca u daljinu smrt.
Ilirski Medaur je zaštitnik grada Rizinijuma i čitave
Dalmacije, kojem je u ilirskoj mitologiji pripisivana
ista funkcija koju je u grčkoj mitologiji imao
Asklepije, a u rimskoj Eskulap.
CULT
The Classical cult in Risan is best explained by
the epigraphic finds through which it is possible to
reconstruct the essence of the Cult and iconographic
expression. Two votive monuments, in the form of
verses, dedicated to Medaurus, found in Lambaesa, a big
military camp in the Northern Africa, give us written
information about this Illyrian deity. The monuments
dated in the period between 166 and 180 AD were
dedicated to the local deity by a military emissary and
high dignitary (consul iam designatus) from Rhisinium,
whose name was Medaurus, as a theomorphic, derived
from the name of the God Medaurus. The beginning of
the first inscription emphasizes the domicile character of
the deity and his patronage over the Town:
„Thee that dwell inside the Aeacian walls of
Rhisinium, a fortress in Dalmatia, Lar of all our people,
Thee, Medaurus that are revered Both in your homeland
and here...“14
Medaurus is the founder, joint ancestor and at the same
time the genie of the soil surrounded by the consecrated
ramparts which were constantly under his watchful eye.
The second Lambaesa inscription gives a very figurative
description of the deity with the particularities which
depict his image in a very vivid way: a horseman calming
down his reared horse with his hand, the other raised
above his head casting death into the distance.
The Illyrian Medaurus, the protector of the
Town of Rhizinium, and of the entire Dalmatia, was
attributed the same function in the Illyrian mythology as
the one Asclepius had in the Greek or Roman mythology.
14 Translator’s remark: Original Latin dedication found in the book By Zsuzsanna
Várhelyi: The Religion of Senators in the Roman Empire: Power and the Beyond reads as follows:
Moenia qui Risinni Aeacia, qui colis arcem Delmatiae, nostri publice lar populi, sancte Medaure
domi e(t) sancte hic, nam templa quoq(ue).
23
 ANTIČKI RISAN
Lokaciju Risna, kao sastavnog dijela Boke kotorske
i jadranske obale, karakteriše bogato arheološko i
kulturološko nasljeđe u svim epohama.
Na primjeru ovog mjesta najbolje se mogu sagledati
prožimanja različitih miljea i kultura, kao i njihova
komunikacija.
U antičkom periodu ovaj grad je bio jedan od
važnih centara ilirske države, pa je samim tim bio
podložan uticajima koji su dolazili iz razvijenog
helenističkog svijeta. Bogati arheološki nalazi
grčke i helenističke provenijencije potvrđuju da je
prihvaćeno sve što je bilo naprednije, ali isto tako
da je ostalo dugo u upotrebi i pamćenju nešto što
govori o kultu i lokalnoj tradiciji. To se najviše
očitovalo u sepulkralnom kultu i odnosu prema
precima. Primjer štovanja ilirskog božanstva
Medaura to jasno govori.
Sva istorijska i civilizacijska događanja, reflektovana
kroz arheologiju i istoriju Risna, ovom gradu
otvaraju neslućene mogućnosti u turizmu. Zbog
toga bi turistički razvoj grada trebalo koncipirati
vodeći se smjernicama valorizovanja arheoloških
lokaliteta i prezentovanja arheološkog nasljeđa:
kroz otvaranje arheoloških parkova, muzeja, kao i
ljetnjih škola arheologije.
24
The location of Risan, as an integral part of Boka Kotorska
Bay and the Adriatic coast, resulted in rich archaeological
and cultural heritage of all epochs.
By the example of Risan one can best perceive the
permeation and communication among different milieus
and cultures.
In the Classical period Risan was one of the important
centres of the Illyrian state and consequently subject
to the influences coming from the developed Hellenistic
world. Rich archaeological finds of Greek and Hellenistic
provenance are the proof of the acceptance of more
advanced things, but they also lead to conclusion that all
those things related to the cult and tradition remained in
use and were kept in memory for a long time, which tells
us something about the Cult and local tradition. This was
mostly reflected in the sepulchral cult and in the relation
towards the ancestors, with the obvious example of the
reverence of the Illyrian deity - Medaurus.
All historical and civilization events, reflected through
archaeology and history of Risan, open unthinkable
opportunities for the tourism development of this town.
Tourism development of the Town should therefore
be designed by introducing guidelines related to the
exploitation of archaeological sites and presentation
of the archaeological heritage through the opening of
archaeological parks, museums and summer schools of
archaeology.
ANCIENT RISAN

Fotografija 10 – Risan
Photography 10 – Risan

25
 SPECIFIKACIJA
ARTEFAKATA
SPECIFICATION
OF ARTIFACTS

26
 SPECIFICATION OF ARTIFACTS

Amfora sa postoljem -
početak IV v.p.n.e.
Amfora je bila ispunjena grčkim i italskim vinom, o
mjestu proizvodnje amfora i vina svjedoče pečati sa
imenima proizvođača utisnuti na drškama, vratu i
obodima.
Lokacija: Risanski zaliv

Amphora on stand - early IV c. B.C.

Amphora was filled with Greek and Italic wine;
stamps with names of amphora and wine producers
applied on its handles, neck and rim bear testimony
to its production
Location: Bay of Risan

27
 SPECIFIKACIJA ARTEFAKATA

Poklopci amfora –
period od II do I v.p.n.e;
Njihova vanjska površina je bila često ukrašavana
i na njima se nalazio monogram ili ime
proizvođača.
Lokacija: Carine, Risan

Amphora lids –
period from II to I c. B.C.
Their external surface was frequently decorated and
they had a monogram and a producer’s name
Location: Carine, Risan

28
 SPECIFICATION OF ARTIFACTS

Keramički poklopac za amforu

sa trgovačkim simbolom

Ceramic amphora lid

with the symbol of trade

Keramički poklopac
amfore s ukrasima ‒
sunčevim diskom i točkom,
simbolom protoka vremena

Ceramic amphora lid

with a sun-disc and
wheel decoration,
symbolizing the passing of time.

29
 SPECIFIKACIJA ARTEFAKATA

Cipus (Cippi liburnini)

antička grobna inskripcija korišćena kao
građevinski material
Lokacija: Carine, Risan

Cipus (Cippi liburnini)

ancient tombstone inscription used
as a building material
Location: Carine, Risan

30
SPECIFICATION OF ARTIFACTS

Arhitektonski element – fragment

korinstskog kapitela – I v.n.e
Lokacija: Carine, Risan

Architectural element – Corinthian

Capital Fragment – I c. A.D.
Location: Carine, Risan

31
 SPECIFIKACIJA ARTEFAKATA

Ekseri – sa namještaja
sa kraja III v.p.n.e.
Otkriveni su u jednoj od prostorija
u domu Aglaosa.
Lokacija: Carine, Risan

Nails – from furniture,

end of III c. B.C.
Discovered in one of the rooms in Aglaos’s home.
Location: Carine, Risan

32
 SPECIFICATION OF ARTIFACTS

Novčići– druga polovina II v.p.n.e –

period ilirskog kralja Ballaiosa;
Ilirski kralj Ballaios je novčiće sa svojim likom
kovao u dvije kovanice – jedna se nalazila na
ostrvu Faros (Hrvatska) a druga u Rhizonu.
Lokacija: Carine, Risan

Coins – the second half of II c. B.C. –

period of Illyrian King Ballaios
The Illyrian King Ballaios had coins with his image
made in two mints – one was on the Faros island and
the other one in Rhizon
Location: Carine, Risan

33
 SPECIFIKACIJA ARTEFAKATA

Tegovi za ribarske mreže - IV – II v.

p.n.e. - različitog oblika, napravljenih
od gline ili olofa;
Lokacija: Carine, Risan

Fishing Net Weights – IV-II c. B.C. –

different shapes, made of clay and lead
Location: Carine, Risan

34
 SPECIFICATION OF ARTIFACTS

Okrugli teg –
period IV – II v.p.n.e.
Lokacija: Carine, Risan

Round Weight –
period of IV-II c. B.C.
Location: Carine, Risan

35
 SPECIFIKACIJA ARTEFAKATA

Bronzana fibula,
kopča za odjeću sa
zvjezdastim ukrasom na luku;
III v. p.n.e.

Bronze fibula,
garment clasp, with star-like
ornament on the bow,
3rd century BC.

36
SPECIFICATION OF ARTIFACTS

Dio kopče –
period IV – II v. p.n.e.
Lokacija: Carine, Risan

Buckle fragment –
period of IV-II c. B.C.
Location: Carine, Risan

37
 SPECIFIKACIJA ARTEFAKATA

Keramički tanjir “Gnatija”

tipa, južnoitalske provenijencije;
IV‒II v. p.n.e.
Gnathia style ceramic plate,
South-Italic provenance ,
4th – 2nd century B.C.

38
SPECIFICATION OF ARTIFACTS

Čašica “Gnatija”
(Gnathia) tipa;
III v. p.n.e.

Gnathia style cup,

3rd century B.C.

39
 SPECIFIKACIJA ARTEFAKATA

Dio obredne posude –

kadionice;
prva polovina III v.p.n.e.

Part of a ritual vessel – censer.

First half of the
3rd century B.C.

40
 SPECIFICATION OF ARTIFACTS

Komična pozorišna maskica

od fino pročišćene gline;
III v. p.n.e.

Comic theatre mask

made of finely refined clay,
3rd century B.C.

41
 SPECIFIKACIJA ARTEFAKATA

Skupina “Gnatija” posudica:

tanjiri, čašice

Batch of Gnathia style vessels,

plates, glasses

42
SPECIFICATION OF ARTIFACTS

Bronzani vrh strijele;

III v.p.n.e.
Bronze arrow tip,
3rd century B.C.

43
 SPECIFIKACIJA ARTEFAKATA

Bronzana igla,
ukras za kosu sa
predstavom delfina;
III v.p.n.e.

Bronze dolphin
pin hair decoration,
3rd century B.C.

44
 SPECIFICATION OF ARTIFACTS

Mozaički pod sa dekorativnim

ukrasom u obliku meandra.
Nalaz u blizini „vile urbane“
(villa urbana)

Mosaic floor with decorative

meander
found in the vicinity of the
“villa urbana“

45
 SPECIFIKACIJA ARTEFAKATA

Amfora grčko-italske provenijencije

Izvađena iz mora, služila za
transport vina i ulja.
III v.s.e.

Amphora of Greek-Italic provenance

Taken out of the sea, was used for
the transport of wine and oil.
3rd century B.C.

46
 SPECIFICATION OF ARTIFACTS

Keramički pitos
Služio je za skladištenje celeralija
(žito, pšenica) u sklopu rimskih kuća.
Rimski period I-III v.n.e.

Ceramic ‘‘pythos’’
Serve for storing cereals (corn, wheat)
within Roman houses.
Roman period 1st to 3rd century A.D.

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 SPECIFIKACIJA ARTEFAKATA

Keramička kadica za kupanje djece

Nađena u sklopu stambenog objekta na
lokalitetu Carine u Risnu (Identična kadica
nađena je na nalazištu Tell Atrib u Egiptu).
Helenistički period III v.s.e.

Ceramic bath for children

Found within a residentail building at the
site of Carine in Risan (Identical bath
was found at the site Tell Atrib in Egypt)
Hellenistic period, 3rd century B.C.

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SPECIFICATION OF ARTIFACTS

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 IMPRESUM/ IMPRESSIUM

Izdavač / Publisher:
TURISTIČKA ORGANIZACIJA OPŠTINE KOTOR / TOURISM ORGANISATION OF KOTOR MUNICIPALITY
U sklopu projekta: „Rimski mozaici-nasleđe koje obavezuje“ / Within the project: “Risan-heritage that binds“
www.tokotor.me

Za izdavača / On behalf of the publisher:

Emilija Radulović Mr/Msc
Bosiljka Bakočević Spec. hotelijerstva/Hotel management specialist

Autor teksta / Author of the text:

Vilma Kovačević, arheolog savjetnik / archaeologist advisor

Autori fotografija / Author of photography:

Stevan Kordić Dr/Phd
Ranko Maraš
Foto dokumentacija sa istrazivanja u Risnu, Centar za konzervaciju i arheologiju Crne Gore,
autor profesor Lazar Pejović / Photodocumentation of archeological researches in Risan;
Center for Conservation and Archeology of Montenegro, authored by professor Lazar Pejovic
Dizajn i priprema za štampu/ Graphic design and print layout:
Intro Design Studio, Danilovgrad

Lektura teksta / Proofreading:

Lektura doo, Podgorica

Štampa / Printing:
Gondor produkcija, Podgorica

Tiraž / Circulation:
1000 komada / copies

CIP - Kaталогизација у публикацији

Национална библиотека Црне Горе, Цетиње

ISBN 978-9940-9732-3-0
COBISS.CG-ID 34845968 Kotor, februar/ february 2018

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FOTOGRAFIJE / PHOTOGRAPHY

Fotografija 1 – Risan 6
Photography 1 – Risan

Fotografija 2 – Arheološko nalazište Carine - Risan 9

Photography 2 – Archeological site Carine - Risan

Fotografija 3– Arhitektura podgrađa 11

Photography 3 – Architecture of the settlement below the fortress

Fotografija 4 – Arheološko nalazište Carine - Risan 13

Photography 4 – Archeological site Carine - Risan

Fotografija 5 – Arheolosko nalaziste Gradine - Risan 15

Photography 5 – Archeological site Gradine - Risan

Fotografija 6 – Keramička uljana lampa 17

Photography 6 – Ceramic oil lamp

Fotografija 7 – Cipus 19
Photography 7 – Cipus

Fotografija 8 – Novčići– druga polovina II v.p.n.e – period ilirskog kralja Ballaiosa; 21

Photography 8 – Coins – the second half of II c. B.C. – period of Illyrian King Ballaios

Fotografija 9 – Komična maskica 22

Photography 9 – Comedy mask

Fotografija 10 – Risan 25
Photography 10 – Risan

Fotografija 11 – Arheološko nalazište Carine - Risan 55

Photography 11 – Archeological site Carine - Risan

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 LEGENDA / LEGEND

Artefakt se može pogledati u Rimskim mozaicima - Risan

The artifact can be seen in the Roman mosaics - Risan

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Fotografija 11 – Arheološko nalazište Carine - Risan
Photography 11 – Archeological site Carine - Risan
 ANTIČKI
ANCIENT RISAN

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