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N.

Paganini
Sonatas Op. 1
for violin and guitar

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Cover photo:
“I Saltimbanchi”, picture by Antonio Mancini
SIX SONATAS
Op. 1
(M.S. 9)
original version
by N. Paganini
N. Paganini (1782-1840)

I
Amoroso   
             
 


Violin

                           
Guitar       
 
4
                
   

     
            
   


7
               
                 


 
 
                  
       
10
              
 
   

           


  
    
13
         
           
     


sf 3

               


           


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1
N. Paganini - Six Sonatas Op. 1

  
Andantino
            


           
 

 

 
 
staccato
    
               

    



 
 
 

              
8
          
  




      
 
 

















13
 
  
                 
     


 














 

 

II

Larghetto
     

        
    

  
  

 
 


   

legato e senza Cantino



   
      


   

5
       

            
     


3
3

              


          
 
        
8

              



            
   
     
 
    
  
 
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2
N. Paganini - Six Sonatas Op. 1

             
11
 
          
    



          



  

   
 


  





 
15
  
         

        
  

    
    



 









         

          
Allegretto
     
 

  dolce
  

 

  


  
   

 

  






                
     
6

 












  


 

   






               
       
   


  
     

      

                  

14

  











 




   



 

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3
N. Paganini - Six Sonatas Op. 1

III
Andante
   
    
      

4
   
  
      
           

   
  

    
    
 
       


6

                  
                            
 
       
7 6
      
    
               
 



                 
  
                  
     
          
 
  
 


   

   
          


  

               
12
         
 
   


6

              
                         
  
   
 
    
15
           
           


6

              
           
            
   
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4
N. Paganini - Six Sonatas Op. 1

    
Allegro
           
     

 
   
    

    

    

    

       
6

   
     





    

    

    

 



      
                    
       

  
 

   

    

    

   

    

           
14

         






 


    

    

 



IV
Introduzione 
  
#
    
 
    

       



sf 
      
  

   

       
 

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5
N. Paganini - Six Sonatas Op. 1
Andantino
               
5

 

    
semplicemente
                                
           

11
        
           


  
p
                
    

16

                                 


   

                

   
               
21
     
 

  
    


 



 
  


 

 


 
  
 
 

       
27

            
           


 






p
           

32

            
    


  
    
                   
 

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6
N. Paganini - Six Sonatas Op. 1

V
Quasi Adagio
          
                 

                   
 

               
  
 
   
                   
6

       
   


       

 

   

      

              
 
    

   

 
 
               
    
 
 

 

               
 

          
    
 



 

            


14

   
 
             


11
                
        
     

Polonaise Andantino

                             
       


 
               
    
       
 
                     
6
    
        



           
    
        
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7
N. Paganini - Six Sonatas Op. 1

           


                             

     
 





 




 




 




14
   
                   
 
           



           
        
     

VI
Maestoso
   
  
 
 
        
    
       


  


  


   
  



 


   
  

    
6

                           
  



     
   
         
       
          
  
                 


 f
   p
               
             
   
            
14 9

                         


   
           
     
   
  
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8
N. Paganini - Six Sonatas Op. 1


                       
Waltz
 
  

   f
 






          





  
 
 
  
  
 


    
                           

      
8

    


  
 
 



   
  

p


 

  
  

 
   
 
   
             
MINORE
14
      
 
      



 

 

  
  



End



dolce
  

 

                           
         
19

  





    
 
 

 

  

24
             
  
         
         

 f

       
      
       
      
29
     
                  
        





 p
 

   


   

  



Waltz from the


beginning to End
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9
Violin SIX SONATAS
Op. 1
(M.S. 9)
edited by
Fabrizio Ferrari
N. Paganini (1782-1840)

I
Amoroso
 


                     

    
          restez          
3

 
5
     
   

restez
            
       
9
          
1
 
  
 

     
2

 
13
         1
         
    
sf 3

Andantino

                            
  

8
  
                    

            
1 2

       
     
4

 
13

         

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1
Violin - N. Paganini - Six Sonatas Op. 1

II
Larghetto
     
   
                   
        

   
                  
6

 
           
3
3

         


                  
 
  

 
14

4 2

  
2

    
        
1

           

         

               
Allegretto
    
1 
 
dolce continua staccato
                          
7
 
3

    

12
                         
   
    
1

III
Andante
                  
              
6

    
6 6
       
        
               
  

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2
Violin - N. Paganini - Six Sonatas Op. 1

on A restez
            restez
                 
3


0 1 1 2 2 4

  
1

    
6

  
 
14   
        
4
    
1

       
            
2 0 0 1

 
6

Allegro
               

     
      

          

7
  
4


   

          
1 2 3

 
   
    
      
    
    
         
12 
  
  

IV

Introduzione   
  
   2
  #

  
       
     

sf
Andantino
5
   
2
            

semplicemente
12 
         
1 1 1

p
 
17 1

  
1 2 3

        
0 0 3 3 3

   
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3
Violin - N. Paganini - Six Sonatas Op. 1

      4
21
 
                  
3

  3

       
27

            
           
32 p 0

                        
           0
0

V
Quasi Adagio
                      
0
0 4

    
6
     
          
       
              
    
                
     
  

 
  
                 
 
            
14

 
              
2

  
2 3 2

11

Polonaise Andantino

                  

             

1 3 2 3

3

     
 
6
       
         
         
3

        
2


           
1

    
           
         
       

                  
14
 
3

     
2

            

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4
Violin - N. Paganini - Six Sonatas Op. 1

VI
Maestoso
     
             

   
      
   
                     
5

      
    
 
   
8

                
  
     
       
 p
  

         
11
 
 
         
            
f
15
       
9  

                      
3 2
2 1

    

Waltz    
0

                                 
0

      
4 4
f
              
  
      

                
 
p
        MINORE restez     
         
    
15
            
  
3


End dolce
20
                               
  
 
 
          
1

   
 
             
f
   
29
                      
  
        

p Waltz from the
beginning to End
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5
Guitar SIX SONATAS
Op. 1
(M.S. 9)
edited by
Robert Phillips N. Paganini (1782-1840)

I
Amoroso
p i m i p i m i

          


p i m i
       
3
1
  1

4 I
   B
_1

     
            
2

2
3

p i m i
7
         
       
 
   
        
p

11
        
          
   

14
         
        

Andantino
m m m m m m m
p i p i p i p i p i p i i
p
                 
         

3
1       
staccato

B I
               
_1

 
  
2

       
      

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1
Guitar - N. Paganini - Six Sonatas Op. 1

Larghetto
II
p m a m i m p m a m i m
    
           
  4
    1 3 2

2
legato e senza Cantino

           


5

          
3
 2
 1

a
m
i
p
8
   
               
3

  
1
2
 
 0

11
        
       
      
     3 2 1
p

14
           
       
         
    

Allegretto m m
p i ma p i ma p i p i
          
  
4

  
  
    
  
   2 1
3
  2 1
3
3
dolce
7
     p i p i m i p
         
   
 
    
     2
1 2
1

a
m
  
12 i
 p i p i m p m   p i m i
        
      
3 0 
   
  - p
-

4 0 1
2

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2
Guitar - N. Paganini - Six Sonatas Op. 1

III
Andante p i m i a i m i p i m i a i m i

     
           
  
1 3 2
 
_1
2 B II

     
4

             


    
  2 2

7
      
    
                            
     1 2

_1
2 B II

        
            
 
  2

      
12
       
                      
  
   
2B
_1
II
  
15
      
                            
   
 

Allegro p i m
   
p i m
   
     
3 2
1
 2
1

7
         
         
    
12
     
            
     

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Guitar - N. Paganini - Six Sonatas Op. 1

IV
Introduzione
a a a

m m m
   
i

_1
BI
  
  
i i 2

      
4

 -   
3
1 1

- p
1


2 3 2


2 1
3 -p p 1
2 3 3
2
sf 2 -
Andantino
   
a
5 m p i m i
           
i p i m i
   1
    
p 3
semplicemente

10
        p 

i m i m
   
i m i m

          
    p
m
    
17 p i
   
             
4 1
3 1

 
  3
1

 
         
24
   
BI 1_

      3 2

           p
                      
31 1


2 3 4 2
1 3 1


 
V
Quasi Adagio
m i a i m i a i
                  
                 
2

p p      
1 1

              
6

                
      

              
                  
  
1
3

     2

          
14
 
                    
     
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Guitar - N. Paganini - Six Sonatas Op. 1
Polonaise Andantino
                
      
p mi p         1


7
               
      
          

12
                 
        
         

a
m m VI
Maestoso p i p i
  
m
p i
         
4
     
 
     
1
    
 
3
1
2


7
            
        
   
     p

          
12

             
4
        
      
   
   
3
f 2

a
Waltz
      
m

      


4
i
         
    3          
     
1 1

f     2      
       
p 4
               
                
 
3

p 1

MINORE m a m i m End
  m
         
    
p p

   
         
dolce m a mi m
      p          
           
 
f
  
1 3
 2
 
p Waltz from the
beginning to End
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