CIassie

Cruitar
se..l

F()UNDATII}N
MUSIC
YAMAHA
 \

YA]IIAHA

CIassic
ffinr
Cormss"l by T. Koizumi

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@ C opyri ght1974 by Y A MA H A Musi c Foundat ion
3-24-22S i momeguro. Meguro-ku,Tokyo,Japan.
JA S B A CN o.7910741
P ri ntedi n Japan.
ARI I

1
1 BASS Blss
RUllS,/PASS|tlc
SHE'LL BE COMIN' 'ROUND THE MOUNTAIN
5
6
FmCH0RD
7
WHEN THE SAINTS GO MARCHING
8
ALLEGRETTO
r0
l0
ANDANTINO
ll
ALLEGRETTO
12
3 IIOIES
DOUBLI
ANDANTE
12
12
ANDANTINO
l3
ANGLAISE
PROMENADE
l6
ilrRil0illcs l6 {
WAI:TZ
17 :
GALLOP
TOM DOOLEY
17
l8 !
I
til0RscAtE
II P0slil0lt,,10 r8
ETUDE
l8
SONG FROM THE BACKWOODS l9
SEVILLANAS
20
21
SLUR WAI:IZ
21
LANDLER
22
sllAtLll0IEs
GussillD0,/ 22
MY LADY
23
PENSANDO EN TI
24
SCIU-
il4,0R
v P0stll0ll,/c 24
BURUNG TANTINA
24
MINUET (A LOVER'SCONCERTO)
25
ETUDE NO. I
26 *f
ROMANCE DE AMOR
27
ROMANCE
28
IORII
GIIORD
Il|ETOYABTE
*Reference Pieces
30
KACHUSHA 30
GREEN SLEEVES
3l
BALLADE
32
MELODIA
32
ALLEGRETTO
33
ANDANTE
34
TANGO
35
POLKA
36
SLIDE WAI:|Z
37
ESPEREUN MOMENTO, POR FAVOR
38
BOLELEBO
38
ENFANTS D'AUJOURD'HUI, HOMMES DE DEMAIN

i
L
 CONTENTS
ARI 2

I LOVE ONLY YOU 39

ONCE IN A WORLD 40
ETUDE 41
ROMANCE 42

MODERATO 43
ETUDE NO.l (oP.3s) 43
ETUDE NO.l (oP.3t) 44
SANTA LUCIA 44
MODERATO 45
PRELUDE 46
BOURREE 46

WAIjrZ 47
WALTZ IN G 48
ALLEGRETTO 49
LARGHETTO 50

LONDONDERRY AIR 5l
ALLEGRETTO 52
TWO GUITARS 53
RONDO 54

WALTZ 55
ALLEGRETTO 56
SUSSERDIE GLOCKEN NIE KLINGEN 56
WAI:IZ 57
ALLEGRETTO s8
BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS 58

ALLEGRETTO 59
MINUET 60
UNDER THE G REENWOOD TREE 61
ROMANCE DE AMOR 62
rucilfltftoc||0nD//Dtilt{tsHE0
cilon0
r0Rt 63
OLD FOLKS AT HOME 63

ABSCHIED VON DER HEIMATH 66

RONDO NO.2 67
wAwz 68
MARIA LUISA 69
NOCTURNE 70
ALLEGRO 7l
KLEINE ROMANZA 72
CAPRICCIO 74
TANGO NO.3 75
ALLEGRETTO 76
FARRUCA 77
BARCAROLLE 78
TOMBE L A NEIGE 80
MINUET 82
SICI LI A NA 84
WIND. LEAVES AND WANDERER 85
 tr
SI

BASS BASS
R|JilS,/PASS|l{G

ftoctice

. PassingBass: Bassline movement appearswhen the chord changesfrom one to another.

Puzle Fill in the appropriate PassingBassin the Q.

[nsenrble OAiIERIGATI SOT{GO

SHE'LL BE COMIN''ROUND THE MOUNTAIN

Allegretto

com - in' 'round the moun - tain when she

c

com - in' 'round the moun - tain when she

com - in' 'round the moun - tain, she'll be com - in' 'round the

c Cz F

moun- tain, she'll be

F
 I
t

, E;
FmC1|0RD
I
I

t w
Cr*c.a
Pl"v Slow waltz
Fm-chord
-t c

r .Ir
lir
t[L
/-
ill

I
il
t,)

3
.-Z
(t +--.

From"SriAyuda"
by Sutedjo

fi

Puzle Fillin the chord namesin O accordingto the above chord pattern.

From"Homeon the
 i -s e mble OAMERICAN SONGO

WHE,N THE SAINTS GO MARCHING IN

I

7"-

a l ,r I
'
t'! i > ,:' q {- il : :-r z

c Gz

II ,
\
Cz
'.\ (Jl

I
I
I
I
I
I
i
I
I
t
t

llt
11.
I
I

I a

Gt c c

'"'*t
=
 ARPEGG

P roc t ice

tt rI tI
9-
r'.
Am gonG
c

ftrpeggio
imim
=
-3-' -E -E

Play on the following ArPeggio.

 0_

?
I
I
P
I

At Am

Arpeggio

Playon

a)

ttl l
,p
""FF

I
'ALLEGM,.Ki,FFNERO

Fine
Det

\j\ i\*
fN
rL3
-3

ANDANTINOoA.cA'{oo

-r*,l r

10
ALLEGRETTO.,. .ARULLI
O

a"j=
\
\r (-1.'
I -\

. Interval,-i '.,

The differenceof pitch betweentwo notes is calledthe lnterval.

It is namedaccordingto its degreeand quality suchas perfect,major,minor
(augmented,diminished).
Perfect: first,fourth, fifth, eighth.
Major, minor : second,third, sixth,seventh.

FG(r,", | (unison)
a
minor second i
steP :1,r
majorsecond
(whole step:1 )

minorthird maiorthird
-1 h al f a '^
:(il'ji5#:?'')
-..+ (whole step:2)
tf-l
ffi
>-

minorsixth majorsixth

F(il"i,"5.'J:5')
\perfecteighth minor seventh maior seventh
:
V \ half s t ep: 2
/w h o l e s te p :5 \
) ffi:ffjr"5""':i'') =(il"1,"5.'J:?'')
The intervalof more than eighthdegreeis calledcompound Interval.
Often, one octave is eliminatedwhen countingthe interval,but this does not changethe qualfity
(perfea, major,minor etc.) of the interval.

11
 lIOTES
DOUBTE

ANDANTE.,.riirrreno

ANDANTINO. M.cARcAss,
o
ANGLAISEoF..ARULT.
Y
E - - P tP i

Pu zzle Fillin the intervalin ( ). (rndicatethe qualityof interval.)

) (, )( )

13
t
PROMENADEoF..ARULL,.
 4

. Relationof Keys:
The keys which are close to the original key are cailed Related Keys.
In many cases,the original keys are modulated to these Related Keys. Also the chords
of these keys can be
used.

RelotedKeysof C moior

Io,'"- 1,
pararellkey\
/pararellkey\ /pararell key\
of F major / \of C major/ \of C major /

16
 t_
HARMOlIICS
IG,
C-
"** F A-
aL
[I/ARZ.r.r. ELLrso

I
1

,'--.-\
/' '-.
-t Az n2aln t
p, i nr. J

t
=) l nne @
l"

Harm.7- -----.r At
d
t

@ D.C,
ryr " - - '.'"-l'
-N')
ar
Tdr
. Harmonics: A harmonictone is created by gently placinga left-hand
finger on the fret of
the string which has just been plucked by a right_handfinger.
,/-) It is indicated by "Harm." or just)ar*" together with the number of string.
,/\
fI i\2- *
l i
! 74 , tr7
-4,/
zo'::"'4*
\ A ;i

\;l
.. .,<-- 7
-/a I r)-
..1 ,

. Ref: The followingshowsthe positionof stringsand frets.

_ ? f.- - - - - - - r
--: b '
^ e f.- - - - -z _?f.-------r -af.-------- ?f.----___r
e)Lz @ r2 z. E -' @r2 z s , @L z s ' @li' z s i

a"
76
I ,5-,t

m GALLOP.". cARcAssro [t.^

t
-.J

m_i

Harm. 72- - -

TaM DOOLEY .AMERT.AN

soNco

Harm. L2- - -

UZZIE Write the Related keys for G major in the blanks.

77
 SCAT
Di|AIOR
II POSITION/

ETLJDEoF. .ARULLT.

hlelodvPloy

Rhythm

Puzzle Write the properchordnamesin O.

ChordSymbols IVYz I

.K eyofG
@ ooo
.K eyofD
@ ooo
18
 -J-'r
lj
,1-,
/ \7*
V ,.\
SEVILLANAS ospAN,sH
so,{c
o .x ,--*<"
/l '.f,
,; i\ :
i^\

1!:' t\1.)
I l-i'--'* ----: -;4=*r**; '-
j .lL. ,..,,. -*.;:-
IiF
i -,-- -'1
lt ,
11 ' l- , ji
i1
,*.. .._i_j*..- 1- *;"k {i
J
' x. "ii
*.?

Al-t_-egrp
Di

ui
4l
I lr
4' r
li !
'
i v
Alv D

:>_

Sevillanasis a type of waltz native to the Sevilliadistrict.

h is a joyous dance, pbrformed to the beat of castanets.

!
I
\
\,
ftoctice
DX.l

Draw Back

Draw Back

DX.8 Slur involvingdifferentstrings.

Vibration

. pluci the first note only and play the secondnote by

ping the string with left-hand finger.

Slide

0
\9
-eY' o='
. Playby slidingright-hand

that they are

A curvedline,placedover two or more notesof differentpitch, indicates
by tapping
playedsmoothly. Firstnote is plucked and the following notes are sounded
with a slight pluck(descending).
or releasing
the left-hand (ascending)

O Chromatic Scale

When playingthe ascendingtones, placethe fingerson the positions,and when descending,

remove one by one. Practiceon every string.

20
SLUR WAIfZon.r.ELLrso
b

LANDLER.,.xiirrueno

21
r-
SltlAttllOUI
GtlSSAllD0,/
MY LAFY.H.,.ELL.'.
Allegretto
V- - - ------'!

o
1 -1
a

c..5----.--r

: Like slur,the notes are playedsmoothly. lt is indicatedby a stroke anda curve

. Clissando
(?).
pluckthe first note and then slidethe left handfinggr to the next note'
Do not Pluckthe last note.
.Portamento:Playglissandoto the additionalnote and pluck the next note.

The followinggracenotes (Acciaccature) The followinggracenotes are played by

are playedby quick slur. Pluckonly the quick glissando.Pluckonly the small note
note indicatedas a smallnote. Do not and do not pluck the main note'
pluck the main note.

22
ENSANDO EN TIOA.ALBA

l"
f,-_ ef -) f

=
?)
p
lc ,rlf

@ at*. @
p p
l-i.---lerl-l
l3r

7
r l D'
p

O E Minor scale
 VP N/C MAIOR
SCA
\//4
---4( t C- b'Lot '.
712
1a n
v
,
vH*H

)^
t!t-
t vrn;Jri\---------------
v P@g

Ploy
fr,,tlelody
BURLD{G TANTINA .o*no
o,*oo*="'o*
Moderato
v--
c

lr

fy{elodyPloy
MINUET (A LovER'scoNCERTo)
o,.BAcHo

Moderately
V
c

fu- @#@'

c Am
t

@ @ €---------r

xTo play by slidingthe samefingeris indicatedby a "minus"sign(-).

ETUDE NO. l.r.rARREcAo

M/C (Media Ceja) means the half-bar.

ROMANCE DE N\4OR.""ot{,sHso*Go !

= =
:.r= q\ r.l1]-
o.
I 7'
I
I I

4) sl ,l I s

'f
I

tl ChromaticScale

1:7 J F t\ir-
7t-:' n- 7!t:----------.
o-
=
=

28 {
t
 ,1
OIVIANCE oJ.K.MERrzo
{

l -l l
Q'sl I

IrT===
ct?..T777..
' r vt t l 'f s-
rl i
 Tl|Eltl0VABtt
C]|0RD
F0Ri
O Root on String @
E ClrordFon1
@ @
2

OMajor Chord F
Y
l

OMinor Chord Fm
v .-j\
t1/

/A

fDominant 7th Chord Fz

v
rt

+
A

GF E

O Root on String @

A Cod fiorm @ #@e @@ @ @

II 0 Frets 1 4 5 7 8' 9 10 1112
2 6
I

OMajor Chord BO
t

-_^
\)
/-N

fMinor Chord Am Bbm

+
f Domnant 7th Chond Bvz

f CeP Trrirg

2A
I
t0Ril
,f\

I
(T

ReferencePieces
 al

K{CHUSHA o RUssrAN
soNGo L'I

Allegretto
Am

r_r r

{
e

GREEN SLEEVES OIRISH

SONGO
J

4t

Ir

t-
#
BALLADE.,. DoR,{o
c

z- 3
t\
'_t_, *;

v,lef@
tS'cooa

l_j'_$
ALLEGRETTO.o.AGUADoo
DANTE oF.cARULLro 5

X
L
ITANGO or.FERRER.
I

\( J

'',--E
JJ

oF ,

.L
1i\

{f
I
E
\f tr
r
s/

FineI
f

-
l7
ll I ''t'

84
LKA or. KiiFFilERo
SLIDE WAII ZO r..r.
ELL,so
ESPEREIJN MOMENTO, POR FAVOR.".=."^-
Tempo di Beguine

O
r
l 97l by R ac het pubti s hi ng,BM l .
rI pl
\y
R i ghts for J apan as s i gned to P.M .P
87
Cr,qaPl"v
BOLELEBO orNDoNEsrAN
soNG
o

t rilr" ^

Rhythm

@ l97l by Editions Mus i c ates PAU L M AU R | AT .

All r ights r eser ved.
Rights for Japan assigned to YAMAHA Music Foundation, ToKyo.

3a
 le
O 3rd Interval

LOVE ONLY YOU soNco

ocERMAil
ONCE IN A WORLD.P.REBER.
O 6th Interval

Moderately

o l97 l by YAM AH A M us i c F oundati on,T ok y o

All rights reserved

40
ETLJDE oF..ARULLT.
lrf
3rd Interval

6th Interval

Octave

41
ROMANCE o,.KiiFrxERo

Andantino

42
 OK eyofC
C DmonF ConG G7 C

MODERATO.*.cosrEo

*<Be careful of the length of note when playing with p finget.

ETLJDE NO. I (op.35)oF.soRo

Andante

I
49
ETUDE NO. I (op.3t)o,.soRo
Andante

QhordPloy
SANTA LUCIA.,TAL,ANso*Go

Moderato
c

Dm onF
 I'
MODERAIO .r. cARcAss,o rl

O Key of A Minor l'

Am Dm onE

f A Minor scale
r
(

PRELUDE.N.cosrEo

BOURREE .,. KRTEGER.

 OK eyofG

G o nD D7 G

WALTZ oD.AGUAD..

f,
{
1

/3\

l
O G Major scale

47
WAI-TZ IN G .D.FoRrEAo

_vI
to@-r I
t

r I r I Y,

r)I
'J't).
ALLEGRETTO .,. CARULLIO
O Key of E Minor
/s
)' , -i' Am E m o nB 8 7 Em

S rul u

f E Minor scale

49
LARGHETTO .,..ARULL,.

Ch

, "f f ,#f 'f------f 7 I

:
I

L(

1
I
 t4
OK eyofF
QhordPloy F ei ponC C7 F
rBb
r*&ryw
KRw$maW e8C
KWWre e
wxw$
mgw
www
wtw*@8

ffi Rhythm

LONDONDERRY AIR o,R,sH

sor{co

Tacet I

Memo

O F Major scale

E1
ALLEGRETTO .,. .ARULL,. Cl-K
T\

a2
ChordPloy
TWO
e\6
GUITARS.RU'S,AI{ soNco
O Key of D Minor

Dm Gm

Tempo di Tango

t,
Az

poco a poco

D monA

O D Minor scale

63
RONDO.T. cARuLLro
 Jt OKeyofD
D DonA Arlt D

e+
WAUIZ oF.cARULLro

O D Maior scale
V l l -----------r

E'B
ALLEGRETTO oD.AGuADoo

ffilodyPloy
SUSSERDIE GLOCKENNIE KLINGEN OGERTIANSONGO
Rhythm

Vll-- -
G DonA

ryf
A
=
J

m:p

66
 r{ .
WALTZ .r.cARULLro rr'

, .l .tt tne _
l' 7' I

-r l rl l

a7
r-
ALLEGRETTO o*.cosrEo
x.-t
^J nJ,J'

tJ
'.t '.i t

lv4"l"dyPloy
ME.IFALLTHOSE
BELIEVE ENDEARING
YOTING
CHARMS
orRrsHsoilco Rhythm
 ., t,*."4,$
._'" OK eyofE

ALLEGRETTO . M.cARcAss,
o

O E Major scale

69
MINUET oF.cARULLro
UNDER THE GREENWOOD TREE .".HEI{ZEO

A+,
Andante espressivo
r
ROIW{NCE DE AI\4OR .""o,i,,s'
so,{co

Allegro moderato
aaa

'r i{7{
| | Fine

r ,r p
I
I
\:/
 AUGMEI{TTD
C||ORD,/DIMIl{ISI|ED
Cl|ORO
FOR
ChordPloy OK eyofA

A Aaug D A*E

J,6
. Augmented chord is composed of two major thirds.
(The fifth is raised by a half step.)
Faug
^
ffi
Original position

. Diminishedchord is composed of three major thirds

Ffoim

ffi
Originalposition

LD FOLKS AT HOME., FOSTERO

Rhythm

Df a im
ri

6a
 {n
d :s

ReferencePieces
ABSCHIED VON DER HEIMATH SONGO
OGERMAI{

Moderato
WAIjTZ ol.LEeilAxro M

-l f t ne t
F
r mp
-
RONDO NO.2 or.cARULL,o
lv
cif
Poco Allegretto
I

?' ?'
tl
tl

f I tv

uu
tt?.?.

ryfl I zf t l' f

-
=\q

T.
|
d ^7. 7. 7' r'
tl
"fl l-
MARIA LUISA .,.
'AGRERA'O
S*
rJ)

lrl:aj
-1 t) 41 tL' dll
''e +
t
-ta,
-

)).

+
I
I

l-^--l
a_t )t l^ l
1'
:e-ta 'l

69
NOCTURNE oc.,,E,{zEo

Andantino

)"
| z'
p

-)
rc'$,

l'
tttf
7 il I r t
Jr- p?

r) \- 4 . = / l -l lD I v
,rf

= =?- = =. ?' v.
ln I t | | l, ft'
I
tAl

@coaa
morendo rall.

70
ALLEGRO o'.cru.^Nro :"1
.."d.

77
KLEINE ROIVIANZA oL.*ALKER.

Espressivo k

I z- " v t tp
I
7
ar.7 ar.7

| || +l
- |
4a a
4 *e
1>=
-J'lilE{ ,J 'J

72
 4o

lrt

Mlc

7g
CAPRICCIO oM.cARcAss,o T

Allegro

i i

74
TANGO NO.3 of.FERRERo
ql

f i 7r

78
ALLEGRETTO .,.SORO F

if i.

= Tt 7
vv

j
I
FARRUCA.FLAMENcoo
JL
Ez Am Ez
ir ttttlt t t4f
t+ tl J lt f j r r t r it

,i,
? t, &b A
ir "v ', 'It
Amr Dm\ Am Ett Am
fl fl l ft
Jl+
AlAf
ttt(
twlt JIJ fi l ftvtt lf i I l1 A tt
I tr

o 57o[7
2 s ii

B 2 6- r i
; ry8, 3 2g
tt; 3o o3'z

Am E

I t\^
Ez
J =/' I
[DJ I J1J 1J

f t+ lr I
t+t+tJ

Farrucais a kind of Flamencodance tune and played in vigorous but melancholicway on 2/4time (written
as 4/4).
BARCAROLLE oil.cosrEo

Andante

of7
Harm.9
Jt
*l
VO

7a
--
TOMBE LA NEIGE .". ADAMoo

rl TI
I

@ 1963 by Les Editions Musicales RVDO.

Rights for Japan assigned to TOSHIBA Music Pub. co., Ltd.
 .l

to@

@ coau

81
M[NLJET...o,"o...

a2
 3{
____t_J_l
a l--l-).--
-
A I ttl

o"t

'f

aa
SICILIANA sot{co
. r,"rlrAt{

lr llt
f l. tts.
F

I
TT

A
II

+ +
r-TTTL I rrl-fn #a
ffi ffi ttl ' -ft
rtl -
 Rhythm

to@ Em

O 1972 by YAMAHA Music Foundation, Tokyo.

All rights reserved