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In music, there are 3 broad elements – Melody, Harmony & Rhythm. Unlike
classical piano, pop piano covers the basic skeleton of the song and then
you add the embellishments. You will also be sharpening your aural training
(sense of pitch) as you go through this pop piano course.
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C-G-Am-F (1-5-6-4) Cant Stop This Feeling – Justin
Timberlake
Let It Be – The Beatles
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Something Like This – Chainsmokers
Castle on the Hill – Ed Sheeran
Rockabye
Hey Soul Sister – Train
All Time Low
C-Am-F-G
F-C-G-Am Perfect
Let it Go – Passsenger
Em-C-G-D / Em-G-D-C Hey Soul Sister – Train
Say Something – A Great Big World
All of Me – John Legend
Avicii – Wake Me Up
G-D-Em-C I am Yours – Jason Mraz
Use Somebody – Kings of Leon
No One – Alicia Keys
2. Application of Scales
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The relative key is always 3 semitones apart.
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3. Chord Inversions
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Tonic Chord Tonic Chord Tonic chord
In root position In 1st inversion In 2nd inversion
rd th
(root in bass) (3 in bass) (5 in bass)
Roman Numerals Ia Ib Ic
Some examples:
C5 C & G
Dm/C C D F A
G7/B B D F G
Csus (suspended C F G
chord)
E+ (aug chord) E G# C
Dm (add4) D F G A (Dm chord add 4th note)
Dm7 (b5) D F Ab C (flattened 5th)
Fm6 F Ab C D (add 6th note)
C6 C E G A
C+ C E G#
C9 C E G Bb D
A diminished triad, also known as the minor flatted fifth (m♭5), consists of two
minor thirds above the root — if built on C, a diminished triad would have a
C, an E♭ and a G♭. It resembles a minor triad with a lowered (flattened) fifth.
A diminished interval is one semitone smaller than a perfect interval but two
semitones smaller than a major interval.
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Cdim7: C Eb Gb A
Db dim 7: Db E G Bb
Bdim 7/D: D F Ab B
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An augmented triad is a chord made up of two major thirds
(an augmented fifth). It is a major chord where the top note (fifth) is
raised.
From 2: C add 2
LH: C, G. RH: C, D, E, G
Form 3: Cmaj9
LH: C, G, B. RH: D, E, G, B
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A SLASH CHORD emphasizes a bass note other than the root of the chord. When a
chord is played it is typically assumed the bass will emphasize the root of the
chord. Occasionally, a different note is preferred to stress a particular bassline
in a chord progression.
Slash chords are notated with a chord's standard chord symbol, followed by a
forward slash, followed by the alternate bass note. For example, G/B or D7/F# are
slash chords.
When discussing slash chords musicians will typically say, "Play G slash B," or
"play G over B," or "play G with a B in the bass."
Here again are the inversions of C7 shown in the previous topic, this time
expressed in slash chord notation. If no bass note is specified, the root
position (or the player's choice of inversion) is assumed.
4. Octave Displacement
A technique that places notes in different octaves. You don't have to follow a
particular order; you can experiment with this technique using scales, arpeggios,
licks and even chords. (Helps in creating melodic patterns)
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th th th
5. 7 , 11 and 13 Chords
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Pentatonic Scales
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Now, draw your own keyboard here:
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Half diminished seventh chord = m7b5
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