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[ The Voice of Temples ]

ENGLISH – `≥Å∞QÆ∞ – u“ãty Rs.5/-

Perundevi Thayar of Kanchipuram, Varadarajaswamy Temple

HÍOpѨÙ~°=Ú ÃÑ~°∞O^Õq J=∞‡"å~°∞, =~°^~Œ å[™êfiq∞ ^Õ"åÅÜ«∞=Ú
Vol. 20 MARCH – 2019 No.3
'VAK' is available on www.archakaseva.com
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CONTENTS Page uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 216 .............. 11
Editorial ................... 3
Ahobilam and Ahobila Mutt - 75 ................. 14
Anecdotes on Vishnu Sahasranamam-216 ....... 4
N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-19 .. ............ 16
ã¨Oáê^ŒH©Ü«∞O ................ 6
Ramanuja's Journey to Sharada Peeth-xix ......... 18
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–216 ................ 7 News ................. 20
ÃÊúÁtN˛yÆ ............. 10 Devotee's Experiences ................. 26

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EDITORIAL... ✍ Second wave of Bakthi movement required….

The innate potential of Hinduism produced the mystics and saints, philosophers and poets,
to inspire people through their God-intoxicated lives and to teach the people to cast aside the
heavy burdens of rituals and customs, hair-splitting logic and vain polemics, and to simply and
wholly express their overwhelming love for God.
The nectar of Bhakti or devotion not only flowed from the devotee towards the Lord,
but also flowed into the hearts of millions of Indians down the centuries. Right from the seed of
Bhakti in the fervent prayers of the seers in the Vedic period to Vedic gods, through the more
articulate conception in many upanishads such as Shvetasvara Upanishad, Taittareeya Upanishad,
Chandogya Upanishad etc., the emotion of Bhakti coursed through the centuries of Indian history.
It went on widening its influence through the epics like Ramayana and the Mahabharata,
deepening its intensity through the Puranas like the Bhagavata Purana and the Vishnu Purana,
and rationalizing its approach through the works like Narada Bhakti Sutras and Sandilya Bhakti
Sutras. Although the flow seemed to have ebbed, the passion of love can never dry out of the
Indian heart. Thus arose a great movement in the religious and cultural history of India—the
Bhakti Movement or the Bhagavath Movements.
The most profound influence and contribution of the Bhakti Movement to the Indian
Culture is in composing of songs and poetry and in revitalizing music and group singing. The
intertwining of Bhajan and Bhakti, song and devotion, is largely due to the fact that the path of
Bhakti from its very beginning was preached through songs. The intense emotional attachment
the Bhakti saints had towards their Divine inspired copious volumes of excellent religious poetry
and played a major role in propagating religious aspirations and sentiments through these songs.
Throughout India, the temples began to function as the nucleus of religious life and
social congregation. They became the seats for disseminating religious and cultural values through
discourses and discussions and acted as a stage for evolving collective dance and music art
forms. It was in the temples that the Hindu ritualistic practices and theistic devotional aspirations
met and achieved confluence thereby integrating Vedic traditions and Bhakti aspirations.
Right from the Alvars and the Nayanmars, the Bhakti saints showed through their lives
that saintliness and devotion is not dependent on caste or birth. That the so-called untouchables
like Tiruppanalvar, Nandanar, Ravidas, etc., sinners turned saints like Vipra Narayana
(Tondaradipodialvar) and Arunagirinathar, ‘uneducated’ Kabir, Nanak or Tukaram, divine women
like Bibi Nanchari, Meerabai, Karaikal Ammaiyar and Akka Mahadevi could turn into saints following
the footsteps of divine consort Andal. That these saints were revered and followed even by the
orthodox sections of Hindu society showing that saintliness was given more importance than caste,
birth, education or gender.
Ramanuja, through his doctrine of sharanagati (self-surrender to God), which is special
Bhakti yoga state discovered that the gates of salvation are open to all, even to the lowliest
and the meek, and reinstalled confidence and dignity in their social living. India’s spiritual culture
regained its strength to resist pressures from socio-political forces from abroad and the decadent
atheistic reform movements within the nation, and marched on with its unparalleled adaptability
to the needs of time and to inspire generation after generation to regain faith in their religion
and spiritual heritage that was rightly theirs.
There is a strong need to revive the Bhakthi Movement through Bhagavatha and Bhajana
Samprdaya in the rural areas and to promote the artisans who have been tirelessly protecting
the same for centuries. This action will help strengthen our masses towards Devotion to Sanatana
Dharma. Chilkur Balaji Temple and Temples Protection Movement will surely play an active role
in this. !
There should be no regional boundaries for temples.
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Anecdotes on Vishnu Sahasranama - 216
ALWAYS ALERT AND AWAKE
Dr. V.S. Karunakaran B.E.(Mech.), M.A. (Sanskrit), Ph.D
As per the preagreement Arjuna had to set
out for a one year long Pilgrimage as explation
for having accidentally seen the romantic Dharmaraja
and Droupadi. During his one year pilgrimage Arjuna
had visited the Azhagar hills and other holy places
in Pandya Desa of Tamil Nadu. In the course of
this part of his pilgrimage, he came across
Chitralekha the pandya princess.
Captivated by her beauty, Arjuna proposed
to marry her. He expressed his desire to Chitralekha.
Chitralekha directed Arjuna to her father to get his
permission for their marriage.
Her father laid down a condition that if Arjuna
marries Chitralekha, he should not take the child
born out of their wedding with him. He should hand
the child over to Pandya Desa.
Arjuna was puzzled by this weird stipulation
ordained by him. He met Chitralekha again and
made fun of the peculiar proviso of her father. “Your
country has got strange laws it seems! How can
a father give away his dear child to his father-in-
law? Does this sound good?” he asked.
Chitralekha replied, “Please don’t make fun
of the laws of our country! In this Pandya Desa
which is ruled by Goddess Meenaakshi, the rulers
will beget only one offspring. If that offspring is a
male child, he will become the next king. But if
it is a female child, before giving her in marriage,
the father will lay down a condition to hand over
her first offspring to the Pandya Desa itself so that
he can be coronated as the subsequent emperor!”
She added, “Our ancestors, the great Pandya
kings, evinced keen interest in ensuring the safety
of each and every citizen of the nation. They were
ready to sacrifice anything in order to abide by
the laws. Do you know about Porkai Pandian?”
“Who is that?” asked Arjuna.
Chitralekha narrated the following episode:
— that somebody has caused disturbance at midnight
Long ago, a Brahmin living in Pandya desa
wished to go to Kashi on a pilgrimage. He told
his wife, “Darling! Be safe! I will complete my
pilgrimage and return within a month!”
The young timid woman politely told him,
“Hardly one month has passed since our marriage!
How can I stay alone in this new place, new
atmosphere and new surroundings?”
q[Ü«∞O ™êkèOK«QÅ
Æ =∞<Õ qâßfiã¨O L#fl"å~°∞ q[Ü«∞O ™êkèOz f~°∞`å~°∞.
The Brahmin said, “No my dear! Our Pandya
king always takes care of the welfare of all his
subjects. He will ensure that you stay safely till I
return from the pilgrimage!”
The Pandya king, who had come for rounds
in disguise, had sat for a while outside their house.
He also happened to listen to their conversation
and felt elated. “This citizen has placed a lot of
faith on me! I should stand true to it!” said the king
and went back to his palace.
The next day onwards, the king used to
visit the house of the Brahmin every night in disguise,
and would ensure that the lady was sleeping safely.
A month passed by.
The Brahmin returned home by a late night.
He was speaking with his wife regarding his
experiences during the pilgrimage.
The king who came to inspect the house
heard some voices from inside and suspected that
some strangers had entered the house.
“Oh my God! That Brahmin had placed a
lot of trust on me and my protection and left his
newly married wife alone! I should stand true to
his trust!” exclaimed the king and knocked at the
door.
“Who is that man knocking the door of my
house at midnight?” shouted the Brahmin.
The king realized that the voice was not
that of any stranger but the Brahmin’s and silently
left the place.
The next morning the Brahmin went to the
king’s court. “Revered king! Last night an anonymous
person had knocked at my door. I want to know
who that person is. More specifically, since I had
been away from home for the past one month, I
want to know whether he had come to my home
in that period!”
The king said, “I am extremely sorry to hear
to a couple in my country! Can you tell me what
kind of punishment you wish to give to the person
who knocked at your door?”
“The hand which knocked at my door should
be cut!” said the Brahmin.
The king immediately pulled his sword and
cut off his hand. The Brahmin was shocked.
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The king then explained that to be true to
the trust placed on him by the Brahmin, he had
visited the Brahmin’s house every night in disguise
to ensure that his wife was sleeping safely. But
since he heard some voices, he knocked at the
door on that day. Since it had caused disturbance
to the couple, he accepted the punishment
prescribed by the Brahmin.
The Brahmin then pleaded apology from
the king. The king then made a golden prosthetic
hand as a replacement for the cut off hand and
came to be known as Porkai Pandya – the Pandya
with a golden hand.
— the Lord is always alert and awake with regards
Chitralekha, who recalled this anecdote,
told Arjuna, “Our kings used to follow the governing
laws with this much sincerity! So don’t make fun
of our laws!”
She added, “The Lord incarnated as fish
in our Pandya Desa. We worship that Lord Matsya
who is called ANIMISHA – the One who never sleeps.
By the grace of that Lord, our rulers also render
justice to people without sleeping. Since the species
of fishes resemble the Lord Matsya called Animisha,
fishes also came to be called as Animisha in Sanskrit
dictionary.”
Arjuna, after completing his pilgrimage, told
all these to his elder brother Dharmaputra.
Later on, in the Yaksha prasna episode,
in one of the questions, the Yaksha asked
Dharmaputra, “Who doesn’t sleep?”
“The Fish!” answered Dharmaputra.
After answering all the questions put forth
by the Yaksha, he saved his brothers. When his
N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @
å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@
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#=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II
Kaameshwaraya Kaamaya Kaamapalaya Kamine
Namaha Kaamavihaaraya Kaamarupa dharaayacha
Marriages get finalised by Chanting this Sloka. Also
this sloka bestows intimacy, mutual affection and
trust between couples.
q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜
=„[O ÖÏO\˜ â◊s~åxH˜....... –j ∆∫y∫ Nz˛ u¬L
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ã¨=∞Ü«∂xfl ã¨iQÍ qxÜ≥∂yOK«∞‰õΩ<Õ "å_çH˜ q∞QÆ`å =∞Oz JÅ"å@∞¡ ‰õÄ_® "å@O`«@"Õ =™êÎ~Ú.
brothers were appreciating his prowess on Marine
Biology also, Dharmaputra said, “All credit goes
to Arjuna, who narrated me the episode on the fish!”
After the epic battle of Mahabharata, while
Bheeshma narrated the Vishnu Sahasranama to
Dharmaputra, as the 216th name ‘ANIMISHA’ came,
Dharmaputra looked at Krishna and smiled at Him
because Krishna was always agile and alert in
rescuing the Pandavas and is rightly referred to
as the Sleepless One.
In the 215th name NIMISHA, Veda Vyasa
explains that the Lord sleeps in the case of sinners.
In the 216th name ANIMISHA, Vyasa explains that
to rescuing His devotees.
These days, we see a logo in the
advertisement for soaps that reads, “Hard on Dirt,
Soft on Clothes”. The Lord is Sleepy for Sinful and
Agile for Devotees.
Among all creatures, fishes are said to have
no sleep at all. The mother fish would nurture its
offspring my her mere sight itself.
Since the Lord is also ever agile and awake
and always intent on rescuing His devotees, He
is called ANIMISHA.
Nirukti summarizes this as:
øqmz \ÁTøN˛: À™w o Áz ÿuåu™ ≈Y Ã:@
Those who want to get the divine glances
of the Lord always, can meditate on the form of
VISA Balajee at Chilkur and chant
"OM ANIMISHAAYA NAMAHA"
!
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å™:@@
D â’¡HÍxfl 㨇iOK«O_ç. Chant 28 times
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J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.
XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi
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=~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,
Chant 28 times
March '19 w w w w w w w w w w w w w w w w w 6 wwwwwwwwwwwwwwwwwwwwww VAK
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KÕ‰õÄiOk. Éèí[#-ÉèíH˜Î w`«=Ú P~å^èŒ#Å#∞ Ô~O_çO\˜h HõeÑ≤ ÃÑ#"≥Ü«∞º\ÏxH˜ HÍ~°}O, ÉèíH˜Î J<Õ ã¨<å‡~åæxfl "≥Ú^Œ\ ˜ ^Œâ◊#∞O_ç
ã¨Ow`« =∂~°æ=Ú ^•fi~å<Õ É’kèOK«_»"Õ∞! ÉèíHõÎ Hõ=ÙʼnõΩ `«=∞ P~å^茺 ^≥·"åÅѨ@¡ LO_Õk Jáê~°"≥∞ÿ# ÉèÏ"å"Õâ◊O`À ‰õÄ_ç# „¿Ñ=∞
|O^èŒO! D |O^èŒO =Å<Õ "å~°∞ ѨÙOMÏ#∞ ѨÙOMÏÅ∞QÍ ÉèíH˜Î`À ‰õÄ_ç# Hõq`«Å#∞, w`åÅ#∞ ~°zOKå~°∞. D w`«, ã¨Ow`åÖË ÉèíH˜Î
ÉèÏ"åÅ#∞ ÃÑOá⁄OkOz, „ѨKå~°OÖ’ `Õ=_®xH˜ |Å"≥∞ÿ# ™ê^èŒ<åÅ∞QÍ LѨÜ≥∂QÆѨ_ç<å~Ú.
ÉèÏ~°`«^Õâ◊OÖ’x ^Õ"åÅÜ«∂Åhfl ^è•i‡Hõ rq`åxfl #_»∞ѨىõΩO@∂, ™ê=∂lHõ ã¨=Ú^•Ü«∂Å∞QÍ ã¨g∞HõiOK«∞‰õΩ<ÕO^Œ∞‰õΩ
K«Hõ¯x "ÕkHõÅ∞QÍ LѨÜ≥∂QÆѨ_»@O "≥Ú^ŒÅ~ÚOk. =∞Ok~åÅhfl ^è•i‡Hõ, ™êO㨯 $uHõ qÅ∞=Å#∞, „ѨKå~°O K≥Ü«∞º_®xH˜ K«Hõ¯x
Ñ‘~îåÅ∞QÍ LѨÜ≥∂QÆѨ_»∞`«∂ =KåÛ~Ú. „Ѩ=K«<åÅ ^•fi~å, K«~°ÛÅ ^•fi~å nxx ™ê^茺Ѩ~°K«_»"Õ∞ HÍHõ, ™ê=¸Ç≤ÏHõ #$`«º, ã¨Ow`«
Hõà◊Å∞ L^ŒƒùqOK«_®xH˜ ‰õÄ_® ^Õ"åÅÜ«∂Å∞ =ÚYº"≥∞ÿ# ˆHO„^•Å∞QÍ ~°∂ѨÙk^Œ∞̉õΩ<åfl~Ú. D ^Õ"åÅÜ«∂ÅÖ’<Õ Ç≤ÏO^Œ∂ Hõ~°‡HÍO_»Å`À
Pã≤ÎHõ"å^Œ ÉèíH˜Î ÉèÏ"åaèÖÏ+¨ ã¨OQÆq∞OK«_»O ^•fi~å "≥·kHõ PKå~° - =º=Ǩ~åÅ`À ÉèíH˜Î ÉèÏ"åÅ ã¨g∞Hõ~°}O [iyOk.
PàÏfi~°∞Å =∞iÜ«Ú <åÜ«∞<å‡~°∞Å HÍÅO #∞O_Õ ÉèíHõÎ Hõq„âı+¨µªÅ∞ `«=∞`«=∞ rq`åÅ ^•fi~å ™ê^èŒ∞`«fi=¸, ÉèíH˜Î ÉèÏ==Ú
J#flq Z=i ‰õΩÅO - [#‡ÅÃÑ·# P^è•~°Ñ¨_çÖË=x x~°∂Ñ≤OKå~°∞. JO@~åx"å~°∞QÍ P<å_»∞ ÉèÏqOz# ‰õΩÖÏÅÖ’ [x‡Oz#
u~°∞áêÊ}ÏàÏfi~°∞, #O^Œ<å~°∞, ~°q^•ã¨∞Å∞† `«Ñ¨CÅ∞ KÕã≤ ã¨ik^Œ∞ÌHÀQÆey# q„Ѩ<å~åÜ«∞} (`˘O_»~°_çá⁄Ê_ç PàÏfi~°∞), J~°∞}yi
<å^èŒ∞_»∞† q^•ºQÆO^èŒ"Õ∞ÖËx Hõc~°∞, <å#H±, `«∞HÍ~åO, k=º J=`å~°"≥∞uÎ# PO_®à◊√ Éèí‰õΩÎ~åà‹·§# g∞~åÉÏ~Ú, HõÔ~·HÍÅ J=∞‡Ü«∞~ü,
JHõ¯=∞Ǩ^Õq=O\˜ ZO^Œ~À =∞Ǩ#∞ÉèÏ=ÙÅ∞ ™ê^èŒ∞ã¨fiÉèÏ=ÙÅ∞QÍ, ™ê^èŒ∞fiÅ∞QÍ Ñ¨i}u K≥O^•~°∞. g~°O^Œ~°∂ ZO`«\ ˜ =∞Ǩ#∞ÉèÏ=ÙÅO>Ë,
™êO„Ѩ^•Ü«∞|^Œú"≥∞ÿ# Ç≤ÏO^Œ∂ ã¨=∂[OÖ’x „Ѩ=ÚY∞Å∞ ‰õÄ_® gix Q“~°qOz, P^ŒiOz, J#∞HõiOz, ã¨^Œ∞æ}ÏÅ#flq,
™ê^èŒ∞ã¨fiÉèÏ==∞#flk =ÚYºO `«Ñ¨Ê "åi ‰õΩÅ-=∞`«-QÀ„`åÅ∞ QÍx, "å~°∞ „ã‘ÎÖÏ-ѨÙ~°∞+¨µÖÏ J#fl ÉèË^ŒOQÍx ZO`«=∂„`«=¸
ѨiQÆ}#Ö’H˜ ~å=x x~°∂Ñ≤OKå~°∞.
~å=∂#∞AÅ"å~°∞ `å=Ú „ѨuáêkOz# 'â◊~°}ÏQÆu— `«`«Î fiO ^•fi~å "≥·nHõ ^èŒ~°‡s`åº JO^ŒiH© =ÚH˜Îx á⁄O^Õ JkèHÍ~°O
LO^Œx x~°∂Ñ≤OKå~°∞. "å~°∞ ZO`«\ ˜ Ç‘Ï#∞Å~Ú<å, ÉèíÜ«∞ã¨∞÷Å~Ú<å 㨈~, D â◊`«~°}ÏQÆu `«`«Î fiO ^•fi~å "åiÖ’ P`«‡qâßfi™êxfl
xOÑ≤, ã¨=∂[OÖ’ "åiH˘Hõ ã¨=Ú#fl`«"≥∞ÿ# ã¨=Úz`« ™ê÷<åxfl JOkOKå~°∞. ÉèÏ~°`«^Õâ◊Ѩ٠P^蕺u‡Hõ ã¨O㨯 $u uiy |Ö’¿Ñ`«=∞~ÚOk.
^•x=Å# ~å[H©Ü«∞-™êOѶ≤∞Hõ q^Õj ^•_»∞Å#∞ `«@∞ìHÀQÆeˆQ â◊H˜Îx =∞~°Å ã¨=Úáêi˚OK«∞HÀ=_»O`ÀÉÏ@∞, xã¨ûO^ÕǨÏOQÍ =∂~°∞ÊÅ∞-
KÕ~°∞ÊÅ∞ KÕã¨∞‰õΩO@∂ XHõ `«~°O `«~åfi`« =∞~˘Hõ `«~åxfl ã¨∂ÊùiÎ=∞O`«O KÕã¨∂Î, ~åÉ’ÜÕ∞ `«~åÅ"å~°∞ `«=∞^≥·# P^蕺u‡Hõ "å~°ã¨`åfixfl
H˘#™êyã¨∂Î, =ÚO^Œ∞‰õΩ ™êQÆ∞`ÀOk.
D<å\˜ Ѩiã≤÷`«∞ÅÖ’ =∞~°Å ÉèíH˜Î L^Œº=∂xH˜ TÑ≤i á⁄Ü«∞º_®xH˜ „QÍg∞} „áêO`åÅÖ’ Éèí[# ™êO„Ѩ^•Ü«∂Å Pã¨~å
fã¨∞HÀ=Åã≤# J=ã¨~° ZO`≥·<å LOk. „QÍg∞} „Ѩ^ÕâßÅÖ’ rqOKÕ HõàÏHÍ~°∞Å∞ `«~°`«~åÅ#∞O_ç `«=∞ "å~°ã¨`«fi ã¨OѨ^ŒQÍ
â◊`åÉÏÌÅ∞QÍ g\©x Ѩi~°H˜∆ã¨∂Î =ã¨∞Î<åfl~°#flk =∞~°=ÖË=Ú. D HÍ~°º„Hõ=∞O ™ê^è•~°} „Ѩ[ÅÖ’ =∞# ã¨<å`«# ^èŒ~°‡O - ÉèíH˜Î
ÉèÏ"åÅѨ@¡ L#fl Q“~°"åaè=∂<åʼnõΩ =∞iO`« â◊H˜Îxã¨∞ÎOk.
D =∞Ǩϟ^Œº=∞OÖ’ zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∞O, PÅÜ«∞ Ѩi~°Hõ∆} L^Œº=∞O `«Ñ¨ÊHõ áêÖÁæO\Ï~Ú.!
!

XHõ =ºH˜Î ZO`« L#fl`« ã≤u÷ x KÕ~∞° H˘O>Ë J`«_O» `«\˜ f„=`«~° Hõi#î ѨsHõÅ
∆ #∞ JkèQqÆ ∞Oz =ÙO\Ï_»∞.
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q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 216
Jxq∞¿+Ü«Ú_»∞
POQÆ¡=¸ÅO : _®II q.Ü«∞ãπ. ‰õ~°∞}ÏHõ~°<£, B.E.(Mech.), M.A. (Sanskrit), Ph.D.
áêO_»=ÙÅO^Œ~∂° ™ê=¸Ç≤ÏHõOQÍ KÕã∞¨ ‰õΩ#fl x~°Ü ‚ ∞« O
„ѨHÍ~°O ^è~Œ ‡° ~åA, „^ÒѨk UHÍO`«OÖ’ LO_»QÍ J#∞HÀ‰õΩO_®
"åix K«∂_»@O [iyOk QÆ#Hõ J~°∞˚#∞_»∞ XHõ U_®káê@∞
f~° ÷ Ü « ∂ „`« Å ‰õ Ω |Ü« ∞ ÖË Ì ~ å_» ∞ . P<å\˜ áêO_» º ~å[ºO
(`« q ∞à◊ < å_» ∞ )Ö’ L#fl Jà◊ Q Æ ~ ü Ѩ ~ ° fi `« „áêO`åÅ#∞
㨠O ^Œ i ≈OKå_» ∞ . `« # D f~° ÷ Ü « ∂ „`« Ö ’ J~° ∞ ˚ # ∞_» ∞
áêO_»º~å‰õΩ=∂i z„`«ÖËY#∞ HõÅ=_»O `«@ã≤÷OzOk.
z„`«ÖËY JѨÓ~°fi ™œO^Œ~åºxH˜ =ÚQÆ∞ú_»~Ú#
J~°∞˚#∞_»∞ P"≥∞#∞ q"åǨÏ=∂_®Åx JaèÅ+≤OK«_»O, P"≥∞
=ÚO^Œ∞ `«# =∞<ÀQÆ`åxfl LOK«_O» , P"≥∞ `«# `«O„_ç J#∞=∞u
fã¨∞HÀ=∞x ã¨∂zOK«_»O [iyOk.
z„`«ÖËY `«O„_ç XHõ x|O^èŒ##∞ qkèOKå_»∞.
J~°∞˚#∞_»∞ `«# ‰õΩ=∂Ô~Î#∞ q"åǨÏO KÕã¨∞‰õΩ#flѨÊ\˜H©, "åiH˜
[x‡OK« É ’ÜÕ ∞ 㨠O `å<åxfl =∂„`« O J`« # ∞ `« # "≥ O @
fã¨∞‰õΩáÈ~å^Œ∞. áêO_»º ^ÕâßxˆH JѨÊyOKåe.
D+¨~`° ∞« #∞ q#fl J~°∞#˚ ∞xH˜ JO`å JÜ≥∂=∞Ü«∞OQÍ
JxÑ≤OzOk. JO^Œ∞ˆH J`«_»∞ z„`«ÖËY#∞ =∞~˘Hõ™êi Hõeã≤,
P"≥∞ `«O„_ç qkèOz# D qz„`«"∞≥ #ÿ +¨~`° ∞« #∞ HÍã¨OÎ `« ¿ÇÏà◊#
KÕã∂¨ Î WÖÏ J<åfl_»∞ - ''K«∂_»É’`Õ g∞^ÕâO◊ Ö’ U"À qz„`«"∞≥ #ÿ
xÜ«∞=∂Å∞ L#fl@∞¡ HõxÑ≤™ÈÎOk. U `«O„_çÜ≥ÿ∞<å `«#
ã¨O`å<åxfl `«# =∂=∞QÍiH˜ WK≥ÛÜ«∞ºQÆÅ_®? Jã¨Å∞
W^Õ=∞<åfl ÉÏQÆ∞O@∞O^•?——
z„`«ÖËY ^•xH˜ ã¨=∂^è•#O Wã¨∂Î, ''^ŒÜ«∞KÕã≤ =∂
~å[ºxÜ«∞=∂Å#∞ ¿ÇÏà◊# KÕÜ«∞HõO_ç! g∞<åH˜∆ J=∞‡"åi
^ŒÜ«∞`À ѨiáêeOKÕ D áêO_»º~åAʼnõΩ ˆH=ÅO XHõ¯
ã¨O`å#O =∂„`«"∞Õ HõÅ∞QÆ∞`«∞Ok. Ѩل`«∞_»∞ [x‡¿ãÎ ã¨ÇϨ [OQÍ<Õ,
J`«_»∞ "å~°ã¨`«fiOÖ’ `«~°"åu ~åA J=Ù`å_»∞. HÍx ѨلuHõ
[x‡¿ãÎ =∂„`«O P"≥∞ q"åǨxH˜ =ÚO^Œ∞ `«O„_ç D x|O^èŒ#
`«Ñ¨ÊHõ qkè™êÎ_»∞. `«# ‰õΩ=∂Ô~ΉõΩ [x‡Oz# ã¨O`å<åxfl
áêO_»º^ÕâßxH˜ JѨÊy¿ãÎ, J`«_Õ Éèíq+¨º`«∞ÎÖ’ ~åAQÍ
ã≤OǨã¨<åxfl Jkè+≤ì™êÎ_»∞. =∞Ǩ`«∞‡Å~Ú# =∂ ѨÓsfi‰õΩÅ∞
=∂#ã≤HOõ QÍ â◊H=Θ O`«"∞≥ #ÿ "åà◊√§ ZÖÏO\˜ Hõëêì#fl~Ú<å =∞~°∞ã¨\˜ ~ÀAHõÖÏ¡ =∞iÛáÈQÆÅ∞QÆ∞`å~°∞.
J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«
`«=∞ ~å[ºOÖ’x „Ѩuáœ~°∞_ç Éèí„^Œ`«ÃÑ·# ^Œ$+≤ìx xeáê~°∞.
x|O^èŒ#Å#∞ Ѩi~°H˜∆OK«_®xH˜ "å~°∞ ZO`«\ ˜ `åºQÆ=∞~Ú<å
K≥Ü«∞º_®xH˜ ã≤^ŒúOQÍ LO_Õ"å~°∞. g∞‰õΩ 'áÈÔ~·¯ áêO_»∞º_ç—
(|OQÍ~°∞ KÕu áêO_»∞º_»∞) QÆ∞iOz `≥Å∞™ê?——
''Z=~°∞?—— J#fl J~°∞˚#∞_ç „Ñ¨â◊fl‰õΩ ã¨=∂^è•#OQÍ
D „H˜Ok QÍ^äŒ#∞ `≥eÜ«∞*Ëã≤Ok.
---
KåÖÏ HÍÅO H˜O^Œ@ áêO_»º ^Õâ◊OÖ’ x=ã≤OKÕ XHõ
„ÉÏǨχ}∞_»∞ HÍjÜ«∂„`« K≥Ü«∂ºÅx ã¨OHõeÊOKå_»∞. PÜ«∞#
`«# ÉèÏ~°º`À „¿Ñ=∞QÍ ''#∞=Ùfi *Ï„QÆ`«ÎQÍ =ÙO_»∞. <Õ#∞ <å
HÍjÜ«∂„`«#∞ =ÚyOK«∞H˘x XHõ <≥Š֒ѨÙ# uiy=™êÎ#∞——
J<åfl_»∞.
P Ü«Ú=u HÍã¨Î ã¨OHÀzã¨∂Î WÖÏ JOk, ''<å^ä•!
=∞# q"åǨÏ=∞~Ú XHõ<≥Å ‰õÄ_® HÍÖË^Œ∞. H˘`«Î "å`å=~°}O,
H˘`«Î „Ѩ^Õâ◊OÖ’ XHõ¯^•x<Õ ZÖÏ LO_»QÆÅ#∞ K≥ѨÊO_ç?——
''h=Ù U=∂„`«O ÉèíÜ«∞Ѩ_»#=ã¨~°OÖË^Œ∞. =∞#
áêO_»º~åA `«# „Ѩ[ÅO^Œi =∞Oz-K≥_Ť» #∞ KåÖÏ *Ï„QÆ`QΫ Í
K«∂ã¨∞‰õΩO\Ï~°∞. <Õ#∞ uiy =KÕÛ=~°‰õÄ, h Éèí„^Œ`«‰õΩ PÜ«∞#
ÉÏ^茺`« =Ç≤Ï™êÎ~°∞!——
=∂~°∞"Õ+O¨ Ö’ `«# „Ѩ[Å Hˆ =∆ ∂xfl `≥Å∞ã¨∞‰õΩ<ÕO^Œ∞‰õΩ
=zÛ# áêO_»º~åA P ã¨=∞Ü«∞OÖ’ J#∞HÀ‰õΩO_® "åi
WO\˜Éˇ·@ ‰õÄ~°∞Ûx LO_»@O =Å# gi =∂@Å#∞ q#_»O
ã¨OÉèqí Oz, ZO`À P#OkOKå_»∞. ''D áœ~°∞_»∞ <åÃÑ#· ZO`À
qâßfiã¨=ÚOKå_»∞. <Õ#∞ ^•xH˜ `«y#@∞¡ LO_ç, J`«_ç =∂@Å∞
ã¨`«º=∞x x~°∂Ñ≤OKåe!—— Jx ÉèÏqã¨∂Î, P~åA `«# HÀ@‰õΩ
uiy "≥àϧ_»∞.
=∞~åfl\˜ #∞O_ç ~åA =∂~°∞"Õ+¨OÖ’ P „ÉÏǨχ}∞_ç
WO\˜ =^ŒÌ‰õΩ ~å„u"Õà◊Ö’ =zÛ, P Ü«Ú=u ˆH∆=∞OQÍ
x„^ŒáÈ`ÀOk Hõ^• Jx x~åúiOK«∞‰õΩ<Õ"å_»∞.
JÖÏ XHõ <≥Å QÆ_çzOk. XHõ<å_»∞, P „ÉÏǨχ}∞_»∞
~å„u á⁄^Œ∞áÌ È~Ú# `«~"° å`« `«# WO\˜H˜ uiy =KåÛ_»∞. J`«_∞»
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`«# ÉèÏ~°º`À Ü«∂„`« J#∞Éèí"åÅ#∞, qâıëêÅ#∞ ѨOK«∞‰õΩO@∂
ã¨OÉèÏ+≤ã¨∞Î<åfl_»∞.
„Ѩu ~ÀAÖψQ =∂~°∞"Õ+O¨ Ö’ =zÛ# ~åA‰õΩ ֒Ѩe
#∞O_ç Z=i"À Q˘O`«∞HõÅ∞ qxÑ≤ã¨∂Î LO_»@O`À, WO\˜Ö’H˜
Z=~À Ѩ~å~Ú"å~°∞ „Ѩ"ÕtOKåˆ~"≥∂#x J#∞=∂xOKå_»∞.
''JÜ≥∂º ÉèíQÆ=O`«∞_®! P q„ѨÙ_Õ"≥∂ <åÃÑ·# ZO`À
#=∞‡HõO`À `«#∞ H˘`«ÎQÍ q"åǨÏO KÕã¨∞‰õΩ#fl ÉèÏ~°º#∞ <Õ#∞
~°H˜∆™êÎ##fl qâßfiã¨O`À XO@iQÍ =ke "≥àÏ¡_»∞. <Õ#∞ J`«x
#=∞‡HÍxfl ==Ú‡ K≥Ü«∞º‰õÄ_»^Œx!—— ÉèÏqOz `«Å∞Ѩ٠QÆ\ ˜ìQÍ
`«\Ïì_∞» .
''<å WO\˜ `«Å∞ѨÙ#∞ J~°~ú å„u "Õà◊ `«_∞» `«∞#fl Ѩ~å~Ú
ѨÙ~°∞+¨µ_≥=~°∞?—— Jx „ÉÏǨχ}∞_»∞ QÆkÌOz J_çQÍ_»∞.
HõO~î°O q#fl ~åA P Q˘O`«∞ „ÉÏǨχ}∞_ç^Õ#x
"ÕÔ~=~°∂ ~åÖË^Œx, x~åúiOK«∞‰õΩx =∞ø#OQÍ "≥#∞kiQÍ_»∞.
=∞~åfl\˜ L^ŒÜ∞« O P q„ѨÙ_»∞ ~å*Ï™ê÷<åxH˜ "≥àϧ_»∞
- ''=∞Ǩ~å*Ï! QÆ`«~å„u Z=~À QÆ∞~°∞Î `≥eÜ«∞x =ºHÎ̃ <å WO\˜
`«Å∞ѨÙ#∞ `«\Ïì_»∞. J`«_≥=~À `≥Å∞ã¨∞HÀ"åe. QÆ`« <≥Å
~ÀAÅ∞QÍ <Õ#∞ WO\˜Ö’ ÖËx ã¨=∞Ü«∞OÖ’ J`«_»∞ <å WO\˜H˜
=KåÛ_® J#flk =∞s „Ѩ`ÕºH˜Oz Hõ#∞HÀ¯"åe!—— J<åfl_»∞.
''JÜ≥∂º! Z=~À Ѩ~å~Ú=ºH˜Î =Å# <å ~å[ºOÖ’
^ŒOѨ`«∞ʼnõΩ J~°ú~å„u"Õà◊ f„==∞~Ú# W|ƒOk HõeyOk.
`«Å∞Ѩ٠`«\ ˜ì# P =ºH˜ÎH˜ Uq^èŒ=∞~Ú# tHõ∆ qkèOKåÖ’ g∞ˆ~
K≥ѨÊO_ç q„áÈ`«Î=∂!——
^•xH˜ P q„ѨÙ_»∞, ''<å WO\˜ `«Å∞Ѩ٠`«\ ˜ì# P
KÕux YO_çOKåe!—— Jx tHõ∆ `≥eÜ«∞*Ëâß_»∞.
Wk q#fl ~åA "≥O@<Õ `«# Y_®æxfl fã≤, `«# KÕux
YO_çK«∞HÀ=_»O K«∂ã≤# „ÉÏǨχ}∞_»∞ J"åHõ¯Ü«∂º_»∞.
~åA ѨÓiÎ q+¨Ü«∂xfl WÖÏ K≥áêÊ_»∞ `«#ÃÑ·#
„ÉÏǨχ}∞_»∞ LOz# #=∞‡HÍxfl ã¨_Å» hÜ«∞‰õΩO_® LO_»\ÏxH˜
`å<Õ =∂~°∞"Õ+¨OÖ’ „Ѩu~å„u XO@iQÍ L#fl J`«_ç ÉèÏ~°º
Hˆ =∆ ∞OQÍ x„^ŒáÈ`«∞O^À ÖË^À Jx ѨsH˜O∆ K«_®xˆH =KÕÛ"å_ç#x,
J~Ú`Õ P~å„u U"À Q˘O`«∞HõÅ∞ qxÑ≤ã∂¨ Î LO_»@O`À `«Å∞ѨÙ
`«\Ïì#x, K≥ѨÓÎ, `«# Ѩx=Å# ^ŒOѨ`«∞ʼnõΩ W|ƒOk HõÅQÆ_»O
=¸ÖÏ#, „ÉÏǨ Ï ‡}∞_» ∞ K≥ Ñ ≤ Ê # tHõ ∆ # ∞ JO^Œ ∞ ˆ H `å<Õ
J#∞ÉèíqOKå#x K≥áêÊ_»∞.
Wk q#fl P q„ѨÙ_»∞ ~åAQÍix Hõ∆=∂Ѩ} HÀ~å_»∞.
rq`«O F Ü«Ú^ŒÉú ∂íè q∞. áÈ~å_ç`Õ QÔ eKÕO^Œ∞‰õÄ J=HÍâ◊O LO@∞Ok. T~°Hõ xÅ∞K«∞O>Ë =∂„`«O F@q∞ `«Ñʨ ^Œ∞.
~åA YO_çK∞« ‰õΩ#fl `«# KÕux J=∞~°∞Û‰õΩ<ÕO^Œ∞‰õΩ ã¨fi~°‚ ǨϙêÎxfl
KÕ ~ ÚOK« ∞ ‰õ Ω x ÃÑ@∞ì H À=@O =Å# Ѩ Ó sfi‰õ Ω _» ~ Ú#
PáêO_»º~åA‰õΩ ''áÈÔ~·¯ áêO_»∞º_»#fl——(ã¨fi~°‚ǨÏã¨Î áêO_»∞º_»∞)
¿Ñ~°∞=zÛOk.
D L^ŒO`åxfl QÆ∞~°∞ÎKÕã¨∞‰õΩ#fl z„`«ÖËY J~°∞˚#∞x`À
WÖÏ JOk - '=∂ ~åAÅ∞ JO`« x+¨ªQÍ `å"Õ∞~°Êiz# ~å[
âßã¨<åÅ#∞ PK«iOKÕ"å~°∞! JO^Œ∞ˆH =∂ x|O^èŒ#Å#∞ ˆQe
KÕÜ∞« =^Œ∞.Ì ——
Ѩ~°=∂`«‡ =∂ áêO_»º~å[ºOÖ’ =∞`åûº=`å~°∞xQÍ
„Ѩ É è í q OKå_» ∞ . "Õ ∞ =Ú =∞`åûº=`å~° ∞ _≥ · # Ѩ ~ ° = ∂`« ‡ #∞
'Jxq∞+¨µ_ç—QÍ Ñ¨Ól™êÎ=Ú. Jxq∞+¨µ_»O>Ë - Z#fl_»∂
x„kOK« x "å_» ∞ . P Ѩ ~ ° = ∂`« ‡ ^Œ Ü « ∞ =Å# =∂
ѨiáêʼnõΩÅO^Œ~°∞ ‰õÄ_®, x„^ŒáȉõΩO_® `«=∞ „Ѩ[ʼnõΩ
<åºÜ«∂xfl ã¨=∞‰õÄ~°∞Û`å~°∞. g∞# *Ï`«∞Å∞ ‰õÄ_® Jxq∞+¨µxQÍ
ѨÓlOѨ|_Õ =∞`åûº=`å~° ã¨fi~°∂áêxfl áÈe LO\Ï~Ú QÆ#Hõ
ã¨O㨯 $`« xѶ¨∞O@∞=ÙÖ’ g∞<åÅ#∞ ‰õÄ_® Jxq∞+¨µÅ#fl
Ѩ~åºÜ«∞Ѩ^ŒO HõxÑ≤ã¨∞ÎOk.——
z„`«ÖËY WzÛ# D ã¨=∂Kå~åxfl JO`«\ ˜h `«#
f~°÷Ü«∂„`«Å∞ =ÚyOK«∞‰õΩx ã¨O=`«û~°O `«~°"å`« =zÛ#
J~°∞˚#∞_»∞ J#flQÍÔ~·# ^èŒ~°‡~åA‰õΩ q=iOKå_»∞.
`«~"° åu HÍÅOÖ’ Ü«∞Hõ„∆ Ѩâfl◊ Å ã¨=∞Ü«∞OÖ’ Ü«∞‰õΩ∆ _»∞
^è~Œ ‡° ~åAH˜ XHõ „Ѩâfl◊ - 'x„^ŒOK«x "åÔ~=~°∞?— Jx ã¨Okè™êÎ_∞» .
''=∞`«ûºO—— Jx ^Œ~°‡~åA ã¨=∂^è•#O WKåÛ_»∞.
Ü« ∞ ‰õ ∆ Ω _» ∞ J_ç y # Jxfl „Ѩ â ◊ fl ʼnõ Ω 㨠i Ü≥ ÿ ∞ #
㨠= ∂^è • <åÅ∞ WzÛ Ü« Ú kè + ¨ µ ª ~ ° ∞ _» ∞ `« # `« = Ú‡Å#∞
„|uH˜OK«∞‰õΩ<åfl_»∞. uiy =zÛ# `«=Ú‡à◊√§ J#flQÍiH˜ ã¨=Ú„^Œ
r=q*Ï˝#OÖ’ ‰õÄ_® L#fl „áêg}º`«#∞ QÆ∞iOz „Ѩâ◊Oã≤ã¨∂Î
LO>Ë ^èŒ~°‡A_»∞ WÖÏ J<åfl_»∞ ''D Q˘Ñ¨Ê^Œ#O JO`å
J~°∞#˚ ∞xH˜ K≥O^Œ∞`«∞Ok. J`«_∞» =∞`åûºxfl QÆ∞iOz q=iOK«_O»
=Å# <Õ#∞ `≥Å∞ã¨∞‰õΩ<åfl#∞.——
=∞ǨÉèÏ~°`« ã¨O„QÍ=∂#O`«~°O cè+¨µ‡_»∞ ^èŒ~°‡AxH˜
cè+µ¨ ‡_»∞ q+¨µã‚ Ǩ Ϩ „ã¨<å=∂=ox `≥eÜ«∞*Ëã∂¨ Î 216= <å=∞OQÍ
''Jxq∞+¨—— J#fl <å=∞O K≥ѨÊQÍ<Õ, ^èŒ~°‡~åA NHõ$+¨µ‚x
=OHõ K « ∂ ã≤ z~° ∞ #=Ùfi #"åfi_» ∞ . NHõ $ +¨ µ ‚ _ » ∞ ZÅ¡ " Õ à ◊ Ö Ï
áêO_»=ÙÅ#∞ ~°H˜∆OK«_®xH˜ J„Ѩ=∞`«ÎOQÍ, Hõ#∞fl=ÚÜ«∞º‰õΩO_®
~°Hõ∆} HõeÑ≤ã¨∂Î<Õ LO\Ï_»∞. Jxq∞+¨µ_»∞ J#_»O ã¨iÜ≥ÿ∞#^Õ!
March '19 w w w w w w w w w w w w w w w w w 9 wwwwwwwwwwwwwwwwwwwwww VAK
215= <å=∞O xq∞+¨ Jx K≥ѨÓÎ "Õ^Œ"åºã¨∞_»∞,
ÉèíQÆ=O`«∞_»∞ áêѨHõ~°‡Å∞ KÕ¿ã"åiѨ@¡ x„kã¨∞Î#fl@∞¡ L<åfl,
'Jxq∞¿+Ü« Ú _» ∞ —QÍ PÜ« ∞ # `« # Éè í ‰ õ Ω Î Å #∞ ZÅ¡ Ñ ¨ C _» ∞
J„Ѩ=∞`«ÎOQÍ ~°H˜∆ã¨∂Î<Õ LO\Ï_»∞. Jx 216= <å=∞OQÍ
'Jxq∞¿+Ü«∞— <å=∞O QÆ∞iOz q=iOKå_»∞.
D ~ÀAÖ’¡ XHõ ã¨|∞ƒ HõOÃÑh "åºáê~° „ѨHõ@# -
''=ÚiH˜H˜ Hõi#î OQÍ - |@ìʼnõΩ „¿Ñ=∞QÍ—— JO@∂ =ã¨∞OÎ kHõ^•!
JÖψQ Ѩ~°=∂`«‡ áêѨÙŠѨ@¡ x„kã¨∞Î#fl"å_çQÍ - Éèí‰õΩÎÅѨ@¡
Jxq∞+¨µ_çQÍ =º=ǨÏi™êÎ_»∞.
r=ÙÅxfl\˜Ö’ =∞`åûºÅ∞ x„kOK«=O\Ï~°∞. `«e¡ KÕÑ,¨
`«# ã¨O`å<åxfl ˆH=ÅO `«# ^Œ$+≤ìx =∂„`«O „Ѩã¨iOѨ*Ëã≤
áÈ+≤ã∞¨ OÎ ^ŒO\Ï~°∞.
ÉèíQÆ=O`«∞_»∞ ZÅ¡"Õà◊ÖÏ `«# Éèí‰õΩÎÅ#∞ ~°H˜∆OK«_®xH˜
Ô~ѨÊ"åÅÛ‰õΩO_® "åix HõxÃÑ@∞ì‰õΩx LO\Ï_»∞. JO^Œ∞ˆH
PÜ«∞#‰õΩ 'Jxq∞+¨µ—_»#fl <å=∞O =zÛOk.
x~°∞H˜Î „ѨHÍ~°O
øqmz \ÁTøN˛: À™w o Áz ÿuåu™ ≈Y Ã:@
Z=Ô ~ · ` Õ Ñ¨ ~ ° = ∂`« ‡ k=º gHõ ∆ } ÏÅ∞ `« = ∞ÃÑ· #
„Ѩãi¨ OKåÅx HÀ~°∞‰õΩO\Ï~À, "å~°∞ zÅ∞‰õÄ~°∞Ö’ "≥Åã≤# ÉÏÖÏr
~°∂áêxfl ^蕺xã¨∂Î, 'Jxq∞ëêÜ«∞ #=∞ó— J#fl <å=∂xfl „â◊^ŒúQÍ
[Ñ≤ã¨∂Î LO_®e.
„Ñ≤Ü«∞"≥∞ÿ# '"åH±— áê~î°‰õΩÖÏ~å! ~°O_ç P Ѩ~°=∂`«‡
Hõ~°∞}ÏHõ\ÏHõ∆ gHõ∆}ÏÅ#∞ „Ѩã¨iOѨ*Ë~ÚOK«∞‰õΩ<ÕO^Œ∞‰õΩ - ''FO
Jxq∞ëêÜ«∞ #=∞ó—— Jx [Ñ≤^•ÌO.
''FO Jxq∞ëêÜ«∞ #=∞ó—— !

EãJmy \ÁÆoz Ã˘Áz áåÊ ∆yV¿ ™ ƒÁúÏ Æ ÁoΩ @ @

™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@
Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should
not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞`«Î#∞~°fix`å ™êH∆Í`ü Ü≥∂w Hõ™ê‡#fl ѨÓ[ÜÕ∞`üI # ‰õΩ~åº^Œfi$l#O <å~åºó ‰õΩ=$`«ÎO # 㨇ˆ~`ü „ã≤ÎÜ«∞óII
„Ѩu =x`« <å â◊s~°O. 'P_»"åiѨ@¡ Jã¨ÉèíºOQÍ „Ѩ=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞—
JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~°} : ÅH©;`«O„`«O 43= J^蕺ܫ∞O)

ѨxÖ’ „Ѩu™ês ã¨O`À+¨O ÅaèOK«Hõ áÈ=K«∞Û. HÍh Ѩx J#flk ÖËHáõ È`Õ Jã¨Å∞ ã¨O`À+¨=∞<Õ^Õ LO_»^∞Œ .
 ✍
March '19 w w w w w w w w w w w w w w w w w 10 wwwwwwwwwwwwwwwwwwwwww VAK
ÃÊ ú ÁtN˛yÆ ... ßuO˛ EÁÊtÁz¬å Nz˛ tÓÃ∫y ¬“∫ N˛y EÁƒ≈ÆN˛oÁ...
u“ÊtÓ á™| N˛y \ã™\Áo ÃÊßÁƒåÁEÁı åz ∫“ÀƃÁutÆÁı, ÃÊoÁı, tÁ∆|uåN˛Áı EÁ{∫ N˛uƒÆÁı N˛Á uå™Á|m uN˛ÆÁ, ¬ÁzTÁı N˛Áz F|æÁ∫
™ı ∫o ∫Qåz Nz˛ u¬L \yƒå Nz˛ ™ÁÜÆ™ Ãz üzu∫o uN˛ÆÁ ÃÊoÁz ˚Á∫Á åz uÃQÁÆÁ ¬ÁzTÁı N˛Áz ÃÊÀN˛Á∫Áı EÁ{∫ ∫yuo-u∫ƒÁ\Áı Nz˛ ßÁ∫y
§Áz^ N˛Áz uƒßÁu\o N˛∫oz “ÏL Eá|“yå oN|˛ EÁ{∫ √Æs| á¿ÏƒyN˛∫m å N˛∫ƒÁoz “ÏL úÓ∫y o∫“ Ãz ßTƒÁå Nz˛ üuo üz™ √ÆO˛ N˛∫ƒÁoz@
ßuO˛ ÆÁ ßuO˛ N˛Á E™wo å Nz˛ƒ¬ ßO˛ Ãz ßTƒÁå N˛y EÁz∫ §“oÁ sÁ, §u¡N˛ ÃutÆÁı Ãz ¬ÁQÁı ßÁ∫oyÆÁı Nz˛ ut¬Áı ™ı Æ“
LzÃz “y üƒÁu“o “ÁzoÁ sÁ@ ƒ{utN˛ N˛Á¬ ™ı ¸…bÁEÁı N˛y GnNw˛…b üÁs|åÁEÁı Ãz ßuMo Nz˛ §y\ EÊN˛Ï u∫o “Ázoz sz@ o{o∫yÆ, ZÁÊtÁzSÆ, ≈ƒzoÁæÁ∫Á
Gúuå t Nz˛ EåÏÃÁ∫ ƒ“ EuáN˛ ™ÏQu∫o “ÁzN˛∫ ßuO˛ N˛y ßÁƒåÁ N˛Á §y\Á∫Ázúm úÁ∫©úu∫N˛ oÁ{∫ ú∫ ÃutÆÁı Ãz Y¬Á EÁ ∫“Á “{@
ßÁ∫oyÆ Fuo“Áà Ɠ ∫Á™ÁÆm EÁ{∫ ™“ÁßÁ∫o \{Ãz ™“ÁN˛Á√ÆÁı Nz˛ ™ÁÜÆ™ Ãz Eúåz üßÁƒ N˛Áz §‰gÁoÁ TÆÁ, ßÁTƒo
úÏ∫Ám EÁ{∫ uƒ…mÏ úÏ∫Ám \{Ãz úÏ∫ÁmÁı Nz˛ ™ÁÜÆ™ Ãz Eúåy oyƒ¿oÁ N˛Áz T“∫ÁoÁ TÆÁ EÁ{∫ åÁ∫t ßuMo ÃÓfi EÁ{∫ ∆ÁÊug¡Æ ßuMo
ÃÓfi \{Ãz N˛ÁÆÁz˙ Nz˛ ™ÁÜÆ™ Ãz Eúåz –u…bN˛Ázm N˛Áz oN|˛ ÃÊTo §åÁoÁ “{@ Fà üƒÁ“ ˚Á∫Á ßÁ∫oyÆ ¬ÁzTÁı ™ı ut¬ ™ı õÆÁ∫ N˛Á
\ÏåÓå N˛ßy ßy ÃÓQÁ å“Î ÃN˛Á@ Fà üN˛Á∫ ßÁ∫o Nz˛ áÁu™|N˛ EÁ{∫ ÃÁÊÀNw˛uoN˛ Fuo“Áà ™z LN˛ §‰gÁ EÁÊtÁz¬å ú{tÁ “ÏEÁ -
ƒ“ sÁ ßuO˛ EÁÊtÁz¬å@
ßÁ∫oyÆ ¬ÁzTÁı Nz˛ u¬L ßuO˛ EÁÊtÁz¬å N˛Á çÃz T“∫Á üßÁƒ EÁ{∫ ÆÁzTtÁå ÃÊÀNw˛uo Tyo EÁ{∫ N˛uƒoÁ N˛y ∫YåÁ, ÃÊTyo
EÁ{∫ Ùӓ TÁÆå N˛Áz úÏå\y|uƒo N˛∫åz Ãz “ÏÁEÁ@ ß\å EÁ{∫ ßuO˛, Tyo EÁ{∫ ßuO˛ Nz˛ §yY N˛Á EÊo∫ N˛Á¢˛y “t oN˛ ßuMo
Nz˛ ™ÁT| Nz˛ N˛Á∫m “{@ FÃN˛y ∆ÏøEÁo Ãz “y TÁåz Nz˛ ™ÁÜÆ™ Ãz üYÁ∫ uN˛ÆÁ TÆÁ sÁ@ ßuO˛ ÃÊoÁı N˛y T“å ßÁƒåÁn™N˛ ¬TÁƒ
Nz˛ N˛Á∫m GåNz˛ ™åÃz GnNw˛…b áÁu™|N˛ N˛uƒoÁ Nz˛ üYÏ∫ ™ÁfiÁ ™ı üz∫mÁ ty EÁ{∫ Få TyoÁı Nz˛ ™ÁÜÆ™ Ãz áÁu™|N˛ EÁN˛ÁÊqÁEÁı
EÁ{∫ ßÁƒåÁEÁı Nz˛ üÃÁ∫ ™ı LN˛ ü™ÏQ ßÓu™N˛Á uåßÁF|@
úÓ∫z ßÁ∫o ™ı, ™Êut∫ áÁu™|N˛ \yƒå EÁ{∫ ÃÁ™Áu\N˛ ™lg¬y uåßy|N˛ øú ™ı N˛ÁÆ| N˛∫åz ¬Ty@ ƒz üƒYåÁı EÁ{∫ YYÁ|EÁı
Nz˛ ™ÁÜÆ™ Ãz áÁu™|N˛ EÁ{∫ ÃÁÊÀNw˛uoN˛ ™Ó¡ÆÁı Nz˛ üÃÁ∫ Nz˛ u¬L ™ÊY §å TL EÁ{∫ ÃÁ™Óu“N˛ åwnÆ EÁ{∫ ÃÊTyo N˛¬Á øúÁı N˛Áz
uƒN˛uÃo N˛∫åz Nz˛ u¬L LN˛ ™ÊY Nz˛ øú ™ı N˛Á™ N˛∫åz ¬Tz@ ™Êut∫Áı ™ı u“ÊtÓ áÁu™|N˛ üsÁEÁı EÁ{∫ EÁuÀoN˛ ßuO˛ N˛y EÁN˛ÁÊqÁEÁı
N˛Áz úÓ∫Á uN˛ÆÁ ÃÊT™ §åÁÆÁ u\ÃÃz ƒ{utN˛ ú∫Êú∫ÁEÁı EÁ{∫ ßuO˛ EÁN˛ÁÊqÁEÁı N˛Á LN˛yN˛∫m “ÏEÁ@
EÁ¡ƒÁ∫ EÁ{∫ åÆå™Á∫Áı Ãz “y Óy, ßuO˛ ÃÊoÁı åz Eúåz \yƒå Nz˛ ™ÁÜÆ™ Ãz Æ“ §oÁÆÁ uN˛ ÃÊo EÁ{∫ ßuO˛ \Áuo
ÆÁ \ã™ ú∫ uåß|∫ å“Î “{@ osÁN˛uso EZÓoÁı \{Ãz uoªõúÁåÁ¬ƒÁ∫, åÊtåÁ∫, ∫uƒtÁÃ, uƒü åÁ∫ÁÆm (bÁıgÁ∫ÁtyúÁzgyÆÁ¬ƒ∫)
EÁ{∫ EªmuTu∫åÁs, <Eu∆uqo N˛§y∫, åÁåN˛ ÆÁ oÏN˛Á∫Á™, ut√Æ EƒoÁ∫ \{Ãz EÊgÁ¬ ™u“¬Á ßO˛™umÆÁ \{Ãz ™y∫Á§ÁF|,
N˛Á∫Á§ÁF|, N˛∫{∫Á \{Ãz ÃÊo “ÏL@ ÃÊoÁı ™ı §t¬Áƒ EÁÆÁ EÁ{∫ Gå™ı »ÚÁ utQÁF| ty u\ÃÃz u“ãtÓ Ã™Á\ Nz˛ ªu‰jƒÁty §TÁz˙ ™ı
GåN˛Á EåÏÃ∫m N˛∫åÁ EÁ∫Êß uN˛ÆÁ@ Æ“Á oN˛ N˛y \Áuo, \ã™, u∆qÁ ÆÁ u¬ÊT Ãz EuáN˛ Gã“ı “y ™“nƒ utÆÁ TÆÁ sÁ@
ƒztÁz ™z ∆∫mÁTuo (ßTƒÁå Nz˛ ÃÁ™åz EÁn™-Ùú|m) Nz˛ Eúåz uÃÚÁÊo Nz˛ ™ÁÜÆ™ Ãz, ∫Á™ÁåÏ\ åz Ãßy Nz˛ u¬L ™Ázq
Nz˛ ˚Á∫ QÁz¬ utL, Æ“ÁÊ oN˛ uN˛ çÃz N˛™ EÁ{∫ 噿 ™ı ßy GåNz˛ ÃÁ™Áu\N˛ \yƒå ™ı EÁn™uƒæÁÁà EÁ{∫ Tu∫™Á N˛Áz úÏåÀsÁuúo
uN˛ÆÁ@ ßÁ∫o N˛y EÁÜÆÁun™N˛ ÃÊÀNw˛uo åz uƒtz∆Áı Ãz ÃÁ™Áu\N˛-∫Á\åyuoN˛ oÁN˛oÁz Nz˛ t§Áƒ EÁ{∫ ∫Á…b~ Nz˛ ßyo∫ åÁuÀoN˛
ÃÏáÁ∫ƒÁty EÁÊtÁz¬åÁı N˛Áz ∫ÁzN˛åz Nz˛ u¬L Eúåy oÁN˛o “Áuì N˛y EÁ{∫ Ã™Æ N˛y \ø∫oÁı Nz˛ u¬L Eúåy Eu˚oyÆ
EåÏNÓ˛¬å∆y¬oÁ Nz˛ ÃÁs EÁTz §‰jz EÁ{∫ úyugÆÁı Ãz Eúåz á™| ™ı uƒæÁÁà “Áuì N˛∫åz Nz˛ u¬L üzu∫o uN˛ÆÁ EÁ{∫ ƒÁÀouƒN˛
EÁÜÆÁun™N˛ á∫Áz“∫ N˛Áz GÃÃz Óy øú ™ı ú“YÁå N˛∫ƒÁÆy@
T¿Á™ym qzfiÁı ™ı ß\å EÁÊtÁz¬å Nz˛ ™ÁÜÆ™ Ãz ßuMo EÁÊtÁz¬å N˛Áz úÏå\y|uƒo N˛∫åz EÁ{∫ ÃutÆÁı Ãz GÃy N˛y ∫qÁ N˛∫
∫“z N˛¬ÁN˛Á∫Áı N˛Áz §‰jÁƒÁ tzåz N˛y üTÁ‰j EÁƒ≈ÆN˛oÁ “{@ Fà N˛ÁÆ|ƒÁF| Ãz ßuO˛ Nz˛ üuo “™Á∫z \å™Áåà ™ı ÃåÁoå á™| N˛Áz
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uåßÁLTÁ@ !
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[O¿Ñ¶∞ ^Œ∞}ϤܫÚ^èŒó áê`«∞ QÆ∞Ö∫Êù q+¨µ‚~°^èŒó ã¨^• II
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ú∫™Án™Á ÃtÁ Eúåz ßMoÁı N˛y ∫qÁ N˛∫åz Nz˛ u¬L
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uåªuO˛ Nz˛ EåÏÃÁ∫ :
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\Áz √ÆuMo YÁ“oz “¯ uN˛ ú∫™Án™Á Nz˛ ut√Æ ƒyqm Eúåz
ú∫ üÃÁu∫o “ÁzÊ, ƒz uY¬NÓ˛∫ ™ı uƒ∫Á\™Áå §Á¬Á\y Nz˛ øú N˛Á
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Ãz N˛∫ı@
<ƒÁN˛Ω> Nz˛ uüÆ úÁeN˛Tm! EÁFL Gà ú∫™Án™Á N˛y
N˛ªmÁ –u…b N˛Áz “™ ú∫ üÃÁu∫o N˛∫ƒÁåz Nz˛ u¬L úÓ∫y ßuMo
EÁ{∫ »ÚÁ Nz˛ ÃÁs <<Euåu™ ÁÆ å™:>> N˛Á \Áú N˛∫oz ∫“ı@
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1. u∆∫Áz ™z Tªg: úÁoÏ ¬¬ÁbÊ uƒåoÁ ÃÏo: @
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\ÊVz tÏlgÁÆÏá: úÁoÏ TÏ¡¢˛Á{ uƒ…mÏ∫s: ÃtÁ @@
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∫Áz™NÓ˛úÁuå ™z ƒy∫: nƒYÊ úÁoÏ ßÆÁú“: @@
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Æ: úezoΩ üÁoªnsÁÆ uƒ ∆z Ê üm≈Æuo @@
8. ufiÃãÜÆÊ Æ: úezuëÁnÆÊ §ãáåÁoΩ ™ÏXÆoz å∫: @
˚Át∆Á“Ê úez˘ÀoÏ ™ÏXÆoz ∆fiÏ §ãáåÁoΩ @@
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March '19 w w w w w w w w w w w w w w w w w 14 wwwwwwwwwwwwwwwwwwwwww VAK
AHOBILAM AND AHOBILA MUTT - 75
I would like to remind VAK Readers about my
preamble to the current series 2 months ago where
I pointed out that out of all the four Judgements
Justice Indu Malhotra’s judgement stands out as
a custodian of Dharma. The rest of the Learned Judges
wrote a demonic judgement with no mind to protect
Sanathana Dharma. In writing their judgements these
Learned Judges did not seem to have exercised
their wisdom and thought that they can create a
new Dharma book overwriting the existing one. What
they have not understood is that the Almighty is
not subservient to them and he does not have to
follow their judgement in blessing the devotees.
Devotees have to still follow the tenets of the religion
or dharma sashtra to please the Lord and not the
Supreme Court judgements. A similar situation
happened long long ago in the ancient times when
a powerful demon king not only wanted to change
the Dharma shastras to his favour but also made
people practice it and also wanted himself to be
anointed as the Lord of the Lords and become the
Almightly himself. He tortured the whole world and
had to be ultimately corrected by Lord of the Lords
by taking the form of Narasimha. The whole story
of Hiranyakashipu and Prahlada is about how
materialistic people or Rajasa and Thaamasa character
people are torturing the Sattvic spiritual beings and
ultimately the consequence they face. Sattvic and
devotional environment is very essential to protect
Dharma in this whole country or for that matter any
world. If there is Sattvic and devotional environment
and attitude to not harm or cause pain to others,
the Lord himself will come to protect such devotees
and vanquish the hatred coming from Raajasa and
Thaamasic people. Lets learn this lesson from the
story of how Lord protected Prahlada and vanquished
Hiranyakashipu. Prahlada was having Excstasic love
and devotion for Lord. He was saved in the womb
by DevarishiNarada’s intervention who protected his
pregnant mother from being kidnapped by Devendra
and tortured.
THE MATTER OF AHOBILA NARASIMHA (contd..)
VEDANTA DEEPIKAI, SAMBUDAM-4 (1914-1915)
Prahlada was born to Kayadhu and right from the
birth the child was always thinking about Lord Vishnu.
It was in love and devotion with him. He would
sometimes cry and some times laugh. He would
sometimes sing in himselves and some times dance.
He would be quiet sometimes and shout in ecstacy
sometimes. Prahlada was a hugely differentiated
child and was never like normal child. His mother
Kayadhu was worried for him from the point of view
that the child is in love with the ardent enemy of
his father Hiranyakashipu. She was fearing harm
x~å_»O|~°"∞≥ #ÿ `Õ<\
≥ Q© Æ Jxfl~°HÍŠѨÙ=ÙfiÅ#∞Oz `Õ<#≥ ∞ fã¨∞‰õΩ#fl>Ë,¡ `≥eq HõÅ"å_»∞ Jxfl Ѩq„`« „QÆO^ä•Å #∞Op ™ê~åxfl „QÆÇÏ≤ ™êÎ_∞» .
– M.V. SOUNDARARAJAN
being caused to the child. Her fear slowly was taking
shape of turning into truth.
Chanda and Marka, sons of Sage Shukracharya
were teachers of the asura children at a primary
education level. They were managing the Asura
school attached to the palace of Hiranyakashipu
and many royal students were admitted into that
school.Hiranyakashipu also sent his son Prahlada
to the school of Asuras when he attained the age
of school going. He was learning there in a residential
mode. In those days the student resides only in
Gurukul and not with their parents.
There he was taught about worldly items and items
creating differences among people. While the highly
knowledgeable Prahlada was not liking the teaching,
he never opposed his teachers and never refused
to recite what they said. But he was not letting
those teachings enter in his mind as according to
him they are not needed and not appreciated by
the Lord.
Some months passed by and one day Chanda and
Marka took Prahlada along with them to meet the
king.Prahlada prostrated before his father
Hiranyakashipu and was standing in front of him
with folded hands and with all humility. Hiranyakashipu
took the child on to his lap and caressed him
showering fatherly love. He said:
“Oh! My child. Tell me a gist of what you remember
from what has been taught to you so far”
To this prahlada replied as follows:
»ÓÆoÁÊ oÁo ƒflÆÁu™ ÃÁ∫ßÓoÊ oƒÁrÆÁ@
ÙÁu“o™åÁzßÓnƒÁ Æã™z YzoÀƃuÀsoÊ@@
EåÁut-™ÜÆÁão™\Ê EƒwuÚqÆ™XÆÏoÊ@
ümoÁzÀ©ÆãoÃãoÁåÊ Ãƒ|N˛Á∫mN˛Á∫m™Ω@@
“Oh! Father! I will tell with full concentration of mind
what is inside my mind and the gist of all I know
so far. Lord Achyuta is the one who does not have
a beginning, centre and an end. He is not affected
by Prakruthi which undergoes changes. He does
not undergo growth as well as degradation. He is
prostrated by all and is the ultimate cause of all
causal items that we see around us.”
The words of Prahlada were falling like hot molten
tin in the ears of Hiranyakashipu. His eyes were
red due to anger. His lips were vibrating when he
turned to Chanda and Marka and said:
“Oh! Great Brahmins! Brainless ones! How is that
you taught the eulogy of my enemy to my child?!
Is this to belittle me?”!
The tensed Chanda and Marka quickly replied “Oh!
Asura king! Your child is not telling you what we
taught. He is telling something else”
Hiranyakashipu turned to Prahlada and asked “My
child! Tell me about the person who taught you this!”
March '19 w w w w w w w w w w w w w w w w w 15 wwwwwwwwwwwwwwwwwwwwww VAK
Prahlada responded:
∆ÁÀoÁ uƒ…mÏ∫∆z ÀÆ \ToÁz ÆÁz ”utuÀso:@
o™woz ú∫™Án™ÁåÊ oÁo N˛:Nz˛å ∆ÁÀÆoz @@
“oh! My beloved father, the controller of the whole
universe, Lord Vishnu is in the heart of everyone
and is the inner controller. Other than him who controls
and teaches whom in this world?”
Hiranyakashipu’s anger enhanced. He asked:
“Oh! Great Mindless fool! Who is the Lord of the
universe now?! It is me!. How dare you say in front
of me someone by name Vishnu who can't even
come in front of me?!
Prahlada responded:
å∆£tzTÁzY∫ÊÆÀÆÆÁzuTÜÆzÆÊ ú∫ÊútÊ @
ÆoÁzuƒæÁÊÀƒÆÊuƒæÁÊÃuƒ…mÏ: ú∫™zæÁ∫:@@
Father! His abode cannot be described by words
and it is the ultimate goal of all Yogis to reach his
abode. He is one from whom the whole universe
has emanated and he is himself the universe and
is parameshwara meaning Lord of all Lords.”
“Oh! Fool! Who is this person by name Parameshwara
about whom you keep reciting to me?! By doing so
you seem to be desiring death from me”
Said Hiranyakashipu.
å Nz˛ƒ¬ oÁo ™™ ü\ÁåÁÊ Ã§¿÷ßÓoÁz ߃o≥Á uƒ…mÏ: @
uƒáÁoÁ ú∫™zæÁ∫≥Á üÃyt N˛ÁzúÊ NÏ˛ª z uN˛™s˙ @@
“Oh! Father! Cool down! Don’t get angry on me. Please
leave the anger and protect me. There is no reason
for your anger. He is not only creator of me or the
universe. He is also creator of you. He is the one
who is the ultimate creator of all and also the person
who provides energy and sustenance to all beings.
He is known as Vishnu and Parameshwara.” Replied
Prahlada.
“who is the great sinner who has entered the heart
of my child and getting him all these feelings?.
Hiranyakashipu started venting his anger. Even then
he did not realise that he is not the Parameshwara
and this is held by only the almighty himself”
Like Goddess Sita was not afraid of elephants, nor
tigers or lions in the forest as she was always leaning
on Lord Rama’s handsome hands similarly Prahlada
was not afraid of Hiranyakashipu when he was teling
him the truth in his entirety.
“Oh! Father ! that Vishnu is not only in my heart
but is also in yours and in the hearts of entire living
beings in the universe. He makes you, me and all
others do what we are destined to do. For all our
doings he is the one who grants the fruits of ones
deeds in the form of happiness and sorrow in the
current birth or for that matter different types of bodies
in the subsequent births etc. He is the perpetuator
and enabler for all the living beings to do their actions”
At these words Hiranyakashipu could not stand his
»y∫Á™∫Á™ ∫Á™z u o ∫™z ∫Á™z ™åÁz ∫ ™z @ ÓœÁåÁ™ o…Ï ¡ ÆÊ ∫Á™ åÁ™ ƒ∫Áååz @@
N~å=∞ ~å=∞ ~å"Õ∞u ~°"Õ∞ ~å"Õ∞ =∞<À~°"Õ∞ I ã¨Ç¨Ï„ã¨<å=∞ `«`«∞ÎźO ~å=∞ <å=∞ =~å#<Õ II
g∞~°∞ „Ѩu~ÀE `«$Ñ≤QÎ Í x„kOKåÅ#∞‰õΩO>Ë, „Ѩu L^ŒÜ∞« =¸ XHõ K«H¯õ \˜ ã¨OHõÅÊO`À x„^Œ ÖË=_»O JÅ"å@∞ KÕã∞¨ HÀO_ç.
son anymore.
“Let this cruel and foolish child be taken away from
me! Someone has educated him abou my enemy.
Take him to Gurukul and leave him there for further
proper education under tight discipline!” Roared
Hiranyakashipu.
His soldiers took away Prahlada and left him back
in the GuruKula.
There Chanda and Marka, his teachers enquired :
“Oh! Child Prahlada! Now tell us the truth and don’t
tell us anything but the truth. Who gave you this
differentiated knowledge which the other children
have not got. We taught you something and you
picked up something else! From where did you pick
up this knowledge which you are currently having?”
“Oh! Teachers! I prostrate before the almighty due
to whose maaya there is a feeling to many in the
world that each one is a different independent entity
and has nothing to do with the almighty paramatma.
In reality he is the inner controller of all and all of
us belong to him. Due to his Maaya people get
an illusion that the body is nothing but soul. Therefore
people feel that each one is unconnected different
entity. This illusion will disappear when the Lord
choses to take it away and it happens to only those
whom lord likes due to devotion to him. It is
sometimes possible that people who are less educated
realise the Lord due to his wish. Even the learned
scholars like Brahma, Maheswara etc. could not
realise him fully. But here I am to whom the Lord
teaches and shows about him from within. That is
why I am differentiated. Oh! Great Brahmins!,just
as in front of the magnet, the iron gets attracted
and magnetized, I am also getting magnetized by
the presence of Lord Chakrapani around me and
in me.” Thus Prahlada Responded truly to the queries
of the Asura teachers. It is true that the Lord has
chosen him and through him he wanted to show
to the world who he is.
The Asura teachers who were not able to bear this
started behaving cruelly with hm. They tried to create
fear in him in many ways. They then tried to say
to all others that ths child is seemingly a differentiated
one in the Asura clan and will be the cause for their
clan’s destruction. He was termed as a thorny tree
in the Chandan forest of Asura clan. Later they taught
him the thrivarga education which is the education
pertaining to material world known as Dharma, Artha
and Kaama. Prahlaada was learning all they taught
and served his gurus out of compassion on them
and ensuring that they should not be harmed or
pusnished by his father, the Asura King. He was
a truly compassionate devotee and was kind to
everyone.
(To be continued)
March '19 w w w w w w w w w w w w w w w w w 16 wwwwwwwwwwwwwwwwwwwwww VAK
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HõxÑ≤OK≥ `≥Å¡`å=∞~°Å QÆ∞iOz K«iÛOK«™êQÍ~°∞. `«~°∞"å`« =ÚQÆ∞æ~°∂
HõÅã≤ K«„Hõ^èŒ~åÅÜ«∂xH˜ "≥àϧ~°∞. JHõ¯_» JѨÊ\˜ ~åA H˜∆u~åA `«#
‰õΩ@∞O|O`À „Ѩ[Å`À ã¨Ç¨ x`«ºÑ¨Ó*Ï ^Œ~°≈<åi÷Ü≥ÿ∞ xÅ∞K«∞x LO@∂
ѨÓ*Ï#O`«~O° ~åA, LѨ<åºã¨O K≥Ü∞« º=∞x ~å=∂#∞Ax "Õ_∞» ‰õΩ<åfl_»∞...
~å=∂#∞AÅ"åi LѨ<åºã¨O „â’`«Å ǨÏ$^ŒÜ«∂Å#∞
PHõi¬ã¨∂Î "åi *Ï˝<åaè=$kú KÕã¨∂Î ™êyOk. [QÆ<åfl@Hõ
㨠∂ „`« ^ è • s D 㨠= ∞㨠Π㨠$ +≤ ì H ˜ Ü« ∞ [=∂x Jh, D
„Ѩ Ñ ¨ O K« = ∞O`å PÜ« ∞ # bÖÏ qÉè í ∂ u Jx K≥ á êÊ~° ∞ .
"≥∂H∆Í#O`«~°O Éèí‰õΩÎÅ∞ KÕ~°∞‰õΩ<Õ x`«ºqÉèí∂uQÍ ¿Ñ~°∞ á⁄Ok#
Ѩ~°=∞Ѩ^•xH˜ ‰õÄ_® P <å~åÜ«∞}∞_Õ <å^äŒ∞_»x K≥áêÊ~°∞.
=∞#=Ú Ñ¨~°=∞Ѩ^Œ=∞x Ñ≤eKÕ P KÀ@∞ D „ѨѨOKåxH˜ KåÖÏ
^Œ∂~°OQÍ LO@∞O^Œx JHõ¯_çH˜ KÕ~°∞HÀ"åÅO>Ë =∞#O D
„áêHõ$uHõ =∞O_»ÖÏxfl ^•@=Åã≤ LO@∞O^Œx K≥áêÊ~°∞.
<å~åÜ«∞}∞xÃÑ· JK«OK«Å ÉèHí Θ HõÅ"åiH˜ =∂„`«"∞Õ , ™êfiq∞"å~°∞
ÉèíH˜ÎH˜ "≥∞zÛ P Ѩ~°=∞Ѩ^Œ „Ѩ"Õâßxfl J#∞„QÆÇ≤Ï™êÎ~°∞.
Ѩ~=° ∞Ѩ^•xH˜ KÕ~∞° ‰õΩ#fl "åiH˜ JÖ∫H˜HÍ#O^ŒO, `«$Ñ≤Î "≥∞O_»∞QÍ
Åaè™êÎ~Ú. JHõ¯_çH˜ KÕ~°∞‰õΩ#fl"å~°∞ ™êfiq∞ ã¨Ç¨ÏK«~åº#O^ŒO
J#∞Éèíqã¨∂Î PÜ«∞# KÕ¿ã bÅÅ#∞ K«∂_»QÆÅ∞QÆ∞`å~°∞. JHõ¯_»
PHõe, ^ŒÑC¨ Å∞, HÀiHõÅ∞ ÖË<Õ ÖË=Ù. JHõ¯_» JO`å <å~åÜ«∞}∞_Õ
ˆH=ÅO <å~åÜ«∞}∞_Õ LO\Ï_»∞. WHõ¯_» P#O^•#∞Éèí∂uH˜
<å~åÜ«∞}∞_Õ =¸Å ~°ã¨=Ú =∞iÜ«Ú =¸Å =ã¨∞Î=Ù. WѨC_»∞
`«# *Ï˝ÑH¨ ÍÅ`À<Õ rqOKÕ"å_»∞ =$^Œ∞_ú ∞» J=Ù`å_»∞. Éèqí +¨º`«∞Î QÆ∞iOz „Ѩ}ÏoHõÅ`À rqOKÕ"å_»∞ x`«º Ü«∞ø=#OÖ’ =ÙO\Ï_»∞.
`≥Å∞QÆ∞ J#∞"å^ŒO : N=∞u ã¨∞^è• ~°OQÆ~å[<£
=∞# K«∞@∂ì L#fl D „ѨÑO¨ K«O bÖÏqÉè∂í u. Wk x`«º qÉè∂í u
ÖËHõ Ѩ~°=∞Ѩ^•x HõO>Ë =¸_çO`«Å∞ z#flk. bÖÏ qÉèí∂uÖ’
„|uˆH r=ÙÅ∞ [## - =∞~°} - [## K«„HõOÖ’ Ѩi„Éèíq∞ã¨∂Î
LO\Ï~°∞. D „ѨѨOK«OÖ’ [x‡Oz, [## =∞~°} K«„HõOÖ’<Õ
H˘@∞ì q∞\Ïì_»∞`«∞#fl r=ÙÅ L^Œú~°} HÀã¨O <å~åÜ«∞}∞_»∞
"Õ^•ÅÖ’ ã¨∂zOz# q^èŒOQÍ =∞#ÃÑ· HõxHõ~°O`À ã¨$+≤ì, ã≤÷u,
ÅÜ«∞Å#∞ KÕã¨∞Î<åfl_»∞. D „ѨѨOK«OÖ’ =∞#O KÕ¿ã Ѩ#∞ÖË
=∞#Å#∞ L#fl`«∞Å∞QÍ<À ÖËHõ hK«∞Å∞QÍ<À xÅɡ_»∞`«∞Ok.
z@ì z=~°‰õΩ, =∞#O J~°÷O KÕã¨∞HÀ=Åã≤O^Õ=∞#QÍ, =∞# ÉèíH˜Î
ÖËHõ „¿Ñ=∞‰õΩ ã¨O`«$Ñ≤Î K≥Ok#ѨC_»∞ =∂„`«"∞Õ P <å~åÜ«∞}∞_»∞
=∞# P`«‡Å#∞ D ÉÏ^èÅŒ K«„Hõ„Éè=í ∞}O #∞O_ç `«ÑÊ≤ Oz J#O`«
P#O^•Å‰õΩ PÅ"åÅ"≥∞ÿ# uiy ~å#=ã¨~°O ÖË#@∞=O\˜
Ѩ~°=∞Ѩ^•xH˜ KÕ~°∞™êÎ_»∞. Jk PÜ«∞#‰õΩ =∂„`«"Õ∞ ™ê^茺O.
HÍ=Ù#, ''„Ñ≤Ü«∞ Éèí‰õΩÎÖÏ~å! =∞# [#‡Å‰õΩ „ѨÜ≥∂[#O,
Ѩ~°=∂=kè P ™êfiq∞ Ѩ~°=∞Ѩ^•xH˜ KÕ~°∞HÀ=_»"Õ∞ Jx J~°÷O
KÕã¨∞H˘#∞=Ú. Jk ˆH=ÅO PÜ«∞##∞ „Ѩã¨#flO KÕã¨∞HÀ=_»O
^•fi~å<Õ ™ê^茺Ѩ_»∞`«∞Ok. HÍ=Ù# ^ŒÜ«∞KÕã≤ P <å~åÜ«∞}∞x
áê^ŒÑ¨^•‡Å‰õΩ q∞=∞‡efl ã¨=∞iÊOK«∞‰õΩx ÉèíH˜Î`À PÜ«∞##∞
â◊~}° ∞"Õ_ç „Ñ¨ã#¨ flO KÕã∞¨ HÀO_ç—— Jx LѨ<åºã¨O =ÚyOKå~°∞.
`«~°∞"å`« H˜∆u~åA PKå~°∞ºÅ =ÚO^Œ∞‰õΩ =zÛ PÜ«∞#‰õΩ
™êëêìOQÆ #=∞™ê¯~°O KÕã≤, ''™êfig∞! ZO`À =∞Ok ѨO_ç`«∞Å
=^ŒÌ =ÚxѨÙOQÆ=ÙÅ =^ŒÌ Z<Àfl LѨ<庙êÅ∞ q<åfl#∞. HÍh,
Ѩ~°=∞Ѩ^ŒO =∞iÜ«Ú JHõ¯_» ÅaèOKÕ JÖ∫H˜HÍ#O^ŒO QÆ∞iOz
WѨC_Õ qO@∞<åfl#∞. g∞~°∞ K≥Ñ≤ÊOk <Õ#∞ q#fl W`«~°
LѨ<庙êʼnõΩ qaè#flOQÍ LOk. D „ѨѨOK«=∞O`å q∞^䌺
Ü«∞x, =∂Ü«∂ [x`«=∞x, =∞#Ö’x áêѨ ѨÙ}ϺŠHÍ~°}Ï#
ã¨$+≤ìOK«|_ç#^Œx, x[O HÍx^Œx, Z=iH˜ "åˆ~ nxx
`≥Å∞ã¨∞HÀ"åÅx <å‰õΩ "å~°O^Œ~∂° K≥áêÊ~°∞. JO^Œ~∂° Ѩ~=° ∂`«‡
Jx `≥Å∞ã¨∞HÀ"åÅ<åfl~°∞. Jk „QÆǨÏOz# <å_»∞ P`«‡‰õΩ ¿ãfiK«Ûù
Åaèã∞¨ OÎ ^Œ<åfl~°∞. g\˜ÃÑ· g∞ Jaè„áêÜ«∞O ÃãÅqÜ«∞ºO_ç ™êfig∞!——
Jx J_çQÍ~°∞.
''F! H˜∆u~å*Ï! D „ѨѨOK«O q∞^䌺, =∂Ü«∞ Jx
K≥¿ÑÊ"åi "≥#Hõ "≥à◊§=^Œ∞Ì. Jk x[O HÍ^Œ∞. J"≥·k‰õ=Ú D
ã¨$+≤ìÖ’ Ѩ~°=∞ ã¨`åºÅ∞ =¸_Õ =¸_»∞. r"å`«‡, JKÕ`«#
(Hõ^ŒÅÖËxq) ÖËHõ „ѨHõ$u, Ѩ~°=∂`«‡ ÖËHõ Dâ◊fi~°∞_»∞.
<å~åÜ«∞}∞_»∞ x+¨¯à◊O‰õΩ_»∞ =∞iÜ«Ú =∞#‰õΩ Hõ~°‡Ñ¶¨ÖÏÅ#∞
„Ѩ™êkOKÕ"å_»∞. =∞# P`«‡Å#∞ xÜ«∞O„uOKÕ"å_»∞ PÜ«∞<Õ
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HÍ=Ù# r"å`«‡ Ѩ~°=∂`«‡ Ü≥ÚHõ¯ â◊s~°=∞x K≥ѨÊ=K«∞Û. Wk
r"å`«‡ Ѩ~°=∂`«‡ ã¨O|O^è•Å HÀ}OÖ’ K≥Ñ≤Ê# JOâ◊O.
<å~åÜ«∞}∞_»∞ JKÕ`«# =ã¨∞Î=ÙÅÖ’ ‰õÄ_® "åºÑ≤Oz L<åfl_»∞.
r"å`«‡ KÕã¨∞‰õΩ#fl ѨÙ}º áêáêŠѶ¨e`«OQÍ ^•xH˜ ~°∂áêxfl
„Ѩ ™ êk™êÎ _ » ∞ . "Õ ^ Œ xÜ« ∞ =∂Å J#∞QÆ ∞ }OQÍ ™êfiq∞
P_»∞‰õΩO@∞#fl P@ Wk. `«#`À LO_»`«y# ã¨O|O^è•xfl
`≥Å∞ã¨∞‰õΩx `«#Ѩ@¡ ÉèíH˜Î`À ã¨=∞~°Ê}`À LO_®Åx PÜ«∞#
Ptã¨∞Î<åfl_»∞. XHõ¯™êi rq ã¨`åºxfl „QÆÇ≤ÏOK«QÍ<Õ ZO`À
ã¨O`À+¨OQÍ J`«xx [## =∞~°} K«„HõO #∞O_ç q_»∞^ŒÅ KÕã≤
Ѩ~°=∞Ѩ^ŒOÖ’ `«# J‰õΩ¯# KÕ~°∞Û‰õΩO\Ï_»∞. q∞QÆ`å r=ÙÅ∞
rq`« ã¨`åºxfl `≥Å∞ã¨∞‰õΩ<Õ =~°‰õΩ WO^Œ∞Ö’<Õ, WHõ¯_Õ
u~°∞QÆ∞`«∞O\Ï~°∞. XHõ"Õà◊ JO^Œ~°∞ Ѩ~°=∂`«‡ S`Õ, Ѩ~°=∂`«‡
=∂Ü«∞KÕ „ѨÉèÏq`«∞_≥·`Õ, PÜ«∞##∞ "åà◊√§ ZÖÏ `≥Å∞ã¨∞
‰õΩO\Ï~°∞? XHõ"àÕ ◊ "åà◊√§ Ѩ~=° ∞ã¨`º« O J~°O÷ KÕã∞¨ ‰õΩ<åfl =∞m§
=∂Ü«∞KÕ „ѨÉèÏq`«∞Å∞ HÍ~°∞ Jx ZÖÏ J#∞HÀQÆÅO? D
"åºMϺ<åÅ∞ "Õ^•ÅÖ’ ã¨∂zOK«ÖË^Œ∞. HÍ=Ù# "å\˜x
=^Œe"≥Ü∞« º=K«∞Û#∞.
''™êfig∞! Wq Jhfl Ü«ÚHõÎ"≥∞ÿ# ["å|∞Å∞. D
JOâ◊OÃÑ· aè<åflaè„áêÜ«∂Å#∞ "åºÑ≤OѨ KÕã¨∞Î#fl J<Õ‰õΩÅ∞ =∂
P™ê÷#OÖ’ L<åfl~°∞. "å~°O^Œi`À g∞~°∞ K«~°ÛÅ∞ [~°áêÅx
<Õ#∞ HÀ~°∞‰õΩO@∞<åfl#∞. ##∞fl *Ï˝#=O`«∞x KÕã≤#@∞ìQÍ
"å~°O^Œix ‰õÄ_® *Ï˝#∞Å∞QÍ K≥Ü«∞ºO_ç, ^•x`À <å ~å[ºO
‰õÄ_® ã¨∞*Ï˝#∞Å`À nѨ=O`«=∞=Ù`«∞Ok.—— JO@∂ H˜∆u~åA
~å=∂#∞AÅ#∞ „áêi÷OKå_»∞.
''F ~å*Ï! K«~°ÛÅ∞ K≥Ü«∞º_®xH˜ <Õ<≥ѨC_»∂ ã≤^Œú"Õ∞.
HÍh <ÕxѨC_»∞, "Õ^Œ"åºã¨ =∞ǨÏi¬ t+¨µº_»∞ É’^è•Ü«∞#∞_»∞
~°zOz# „|Ǩχã¨∂„`« ÉèÏ+¨ºO =$uÎ „QÆO^è•<Õfi+¨}Ö’ L<åfl#∞.
P ѨÙ~å} „QÆO^è•xfl J^茺ܫ∞#O KÕ¿ãÎ <å Hõ$+≤ ѨÓ~°Î=Ù`«∞Ok.
`«^•fi~å <å‰õΩ ÅaèOz# *Ï˝#O`À W`«~°∞Å`À K«~°ÛʼnõΩ QÍh
"å^Œ „Ѩu"å^Œ#ʼnõΩ <Õ#∞ J~°∞›_#» =Ù`å#∞. <å D „ѨÜ∞« `«flOÖ’
#∞=Ùfi ã¨Ç¨ Ü«∞Ѩ_Q» ÅÆ "å? „Ѩã∞¨ `Î O« P ѨÙã¨HÎ Oõ J#O`åk`«∞ºx
~å[ºOÖ’x âß~°^• Ñ‘~î°O ÖËHõ ã¨~°fi*Ï˝# Ñ‘~î°OÖ’ L#fl^Œx
q<åfl#∞. ##∞fl P K«„Hõ=iÎH˜ ѨiK«Ü∞« O KÕÜ∞« QÆÅ"å <åÜ«∞<å?
P Ѩq„`« „QÆO^è•ÅÜ«∞OÖ’x =$uÎ „QÆO^è•xfl K«∂_»_®xH˜
J#∞=∞u WÑ≤Ê™êÎ"å?—— Jx ~å=∂#∞AÅ"å~°∞ J_çQÍ~°∞.
''™êfig∞! g∞ HÀiˆH <å‰õΩ âßã¨#O. Ѩq„`å`«∞‡Öˇ·#
g∞=O\˜ =∞ǨÏhÜ«ÚÅ =^ŒÌ t+¨ºiHõO K≥Ü«∂ºÅx <å =∞#ã¨∞
Lqfià◊¥§~°∞`«∞#flk. ^ŒÜ«∞KÕã≤ ##∞fl g∞ t+¨µºxQÍ ã‘fiHõiOz,
"≥∂Hõ™∆ ê^è#Œ ‰õΩ ã¨~Ô #· =∂~ÀæÑ^¨ âÕ O◊ K≥Ü∞« ºO_ç Jx ~å=∂#∞AÅ
áê^•ÅÃÑ· Ѩ_ç „áêi÷OKå_»∞ H˜∆u~åA.
PtOz rqOKÕ =ºH˜Ö
Î ’ #@# LO@∞Ok. PtOK«‰Ωõ O_® rqOKÕ =ºH˜Ö
''x#∞fl <å t+¨µºxQÍ JOwHõi™êÎ#∞. ˆ~Ѩ٠ZO`À
Ѩq„`«"∞≥ #ÿ ~ÀA ~ˆ Ѩ٠„á⁄^Œ∞#Ì Ug∞ u#‰õΩO_® WHõ¯_çH˜ ~°=Ú‡.
hÖ’ *Ï˝<ÀnÌѨ#O KÕ™êÎ#∞.—— J<åfl~°∞ ~å=∂#∞AÅ"å~°∞.
g~°∞ WÖÏ ã¨OÉèÏ+≤ã¨∂ÎO_»QÍ, "≥Å∞ѨŠã¨O^Œ_ç
qxÑ≤OzOk. „Ѩ[Å∞ H˜u∆ ~åA#∞ K«∂_®Åx HÀ~°∞‰õΩ<åfl~°∞.
WO`«Ö’ XHõ ~°HH∆õ Éõ @íè ∞_»∞ ~åA =^Œ‰Ì Ωõ =zÛ ''~å*Ï! =∞#O
|OkèOz# P KÀ~°∞x WHõ¯_Õ „Ѩ"Õâ◊ÃÑ@ì<å? qKå~°}
„áê~°Oaè™êÎ~å?—— J_çQÍ_»∞ Ããx· ‰õΩ_»∞. (PÅÜ«∞OÖ’ XHõ KÀ~°∞_»∞
„Ѩ"ÕtOz ~å=∂#∞AÅ"åi ã¨g∞ѨOÖ’ uiy# ã¨OѶ¨∞@#
áê~ Ωõ ʼnõΩ QÆ∞~°∞OÎ _Õ LO@∞Ok. JÖÏ Ñ¨@∞ì|_ç# ^˘OQÆx H˜u∆ ~åA
=ÚO^Œ∞ „Ѩ"âÕ Ã◊ Ñ\˜ì qKåiOKåe. PÅÜ«∞ ÉÏ^躌 `«Å∞, ~°H}∆õ
H˜u∆ ~åA"Õ.)
~åA JOwHõiOz ~å=∂#∞Ax =^ŒÌ ÃãÅ=Ù fã¨∞‰õΩx
KÀ~°∞x qKåiOK«_®xÔH· =∞iÜ«Ú „Ѩ[Å#∞ HõÅ=_®xÔH· KÕã≤#
`å`å¯eHõ ^Œ~åƒ~°∞‰õΩ "≥àϧ~°∞.
PÅÜ«∞ „ѨǨÏs QÀ_» #∞Oz K«∂¿ãÎ Jk XHõ J^Œ∞ƒù`«
^Œ$â◊ºO. P ~ÀAÖ’¡ PÅÜ«∂Å#∞ HÀ@ÖÏ¡QÍ Hõ>"ìË å~°∞. q`«ëê÷#k
(WѨÊ\˜ rÅ"£∞ #k) X_»∞¤# HõÅ K«„Hõ^èŒ~åÅÜ«∞O J@∞=O\˜k.
P HÀ@Ö’ 5000 =∞Ok Ãã·x‰õΩÅ#∞, QÆ∞„~åʼnõΩ, U#∞QÆ∞ʼnõΩ
=∞iÜ«Ú W`«~° Ããx· Hõ ™ê=∞„yx `«#Ö’ ÃÑ@∞ì‰Ωõ x ~°H}∆õ W=fiQÆÅ
™ê=∞~°úºO L#flk. P PÅÜ«∞O H˜∆u~åAx Pnè#OÖ’ L#flk.
D J=HÍâßefl H˜∆u~åA, ~å*Ï J#O`åk`«∞ºx "Õ_»∞‰õΩx
™êkèOK«∞‰õΩ<åfl_»∞. PÅÜ«∞O Ü≥ÚHõ¯ Ѩ_»=∞~° „ѨHõ¯ ÃÑ^ŒÌ ÃÑ^ŒÌ
~åà◊§`À xi‡`«"≥∞ÿ, tÖÏÊÅ∞, HõàÏHõ$`«∞Å`À JÅOHõiOK«|_ç#
=∞O@ѨO L#flk. D PÅÜ«∂xfl ^Õâ◊, q^ÕâßÖ’¡x tÅ∞ÊÅ#∞
Ñ≤ez "åiKÕ xi‡OѨKÕâß~°∞. Q˘Ñ¨Ê Q˘Ñ¨Ê tÅ∞ÊÅ∞ JHõ¯_çH˜
=zÛ, ^Õg^Õ=`«Å∞, [O`«∞=ÙÅ∞, =∞#∞+¨µÅ∞, =Ú#∞Å tÖÏÊÅ#∞
JHõ¯_ç ã¨ÎOÉèÏÅÃÑ· r=Hõà◊ L\˜ìѨ_ÕÖÏ K≥Hͯ~°∞. WHõ¯_ç tÅ∞ÊÅ
tÅÊHõàÏ Kå`«∞~°ºO ZO`« Q˘Ñ¨Ê^ŒO>Ë, XHõ =∂#= â◊s~°OÖ’
`˘q∞‡k ~°O„^•Å∞ LO\ÏÜ«∞x `≥Å∞ã¨∞ J=hfl ֒ѨÅ
XHõ^•x`À XHõ\ ˜ J#∞ã¨O^è•#O Hõey LO\Ï~Ú. JÖψQ,
=∞$QÍʼnõÄ, tÅ∞ÊÅ∞ =∂#=, =∞$QÍÅ â◊s~åÅ#∞ K≥H˜¯ ^•xH˜
~°O„^•Å#∞ ÃÑ\˜ì, P ~°O„^•Å‰õΩ XHõ ^•x`À ֒ѨÅ#∞O_ç
XHõ\ ˜ ã¨O|O^èŒO L#fl@∞ìQÍ K≥Hͯ~°∞. L^•Ç¨Ï~°}‰õΩ XHõ
"≥O_çfQÆ#∞ P tÅÊO =Ú‰õΩ¯Ö’ ^Œ∂i¿ãÎ Jk J`«x K≥q#∞O_ç
"≥Å∞ѨeH˜ =ã¨∞OÎ k. JO`Õ H͉õΩO_® W`«~° ~°O„^•Å QÆ∞O_® ‰õÄ_®
"≥Å∞ѨʼnõΩ =ã¨∞OÎ k. JѨÊ\˜ tÅÊHõàÏKå`«∞~°ºO J@∞=O\˜k. P
=∞O@ѨO #_»∞=∞ XHõ `å`å¯eHõ ã≤OǨã¨#O LOK«|_çOk.
ã¨fi~°=‚ ∞Ü«∞=∞~Ú# P ã≤OǨã¨<åxH˜ J=¸Åº"≥∞#ÿ ~°`åflÅ∞,
=„*ÏÅ∞, "≥_· ∂»è ~åºÅ∞ Z<Àfl á⁄^ŒQ|Æ _ç =Ù<åfl~Ú. (ã¨âı+¨O)
Î ’ Pf‡Ü«∞`« =ÙO@∞Ok.
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Ramanuja’s Journey to Sharada Peeth – Kashmir
Serial - 19
Lord Ramanuja, the great Vaishnavite seer whose 1000
th year birth day was celebrated this year throughout
India with pomp and glory. He was a seer who brought
to light the concept of the whole universe as one family
: Vasudhaiva kutumbakam and brought to light the
right understanding and interpretation of Vedas and
established equal chance for all living beings to attain
salvation at the end of the current birth by surrendering
before the Lord – Saranagathi. In order to putforth
his understanding Lord Ramanuja had to first understand
what his predecessor Acharyas have done to explain
the Vedas. On this account he visited atleast twice to
Sharada Peetham of Kashmir which was the seat of
Goddess Saraswathi and a huge store house of learning
known as Shree Bhandaram. VAK is attempting to bring
the interesting items of this effort of Lord Ramanuja
to its readers.
Story so far:
Obtaining the ordainment of Lord Varadaraja of Kanchi,
Lord Ramanuja and Kuresa set out to study Boudhayana
Vrutti Grantha at Sharada peetham in Kashmir. They
had taken a fast route and reached Kashmir in just
about 6 months time from Kanchi travelling almost
everyday. They reached Chakradhara theertham at the
outskirts of Kashmir and had been well received by
a learned scholar Keshavacharya who till recently served
as the Prime Minister of the King. When they had the
darshan of Lord Chakradhara there, Kshitiraja arrived
in the temple and was camping. Keshavacharya was
planning to take his help to help Lord Ramanuja. He
was trying to understand how Boudhayana vrutti Grantha
is important and missed the attention of the great saint
Yamunacharya. A plausible explanation provided to
this seemed to be due to foreign invasions and unrest.
While the discussions were happening a stealth person
with royal looks visited the place, escaped and was
captured. Next early morning when the three people
went to Chakradhara theertha for morning rituals they
met the royal family member Kshitiraja who was one
of the Satraps and cousin of King Ananthaditya who
agreed to learn about their mission and help. Lord
Ramanuja with the help of Keshavacharya could have
a conversation with King Kshitiraja about his mission.
The King who was already carried away by the Radiance
of the Great Saint bowed before him and requested
him to deliver a discourse at the temple…
“He said that Lord owns everything in this universe
which is called Leela Vibhuti. Lord also heads the
Paramapada which is known as Nitya Vibhuti where
people who attain salvation reach. The Paramapada
is far away from this universe and one has to cross
the entire nature’s circle called Prakruthi mandala
to reach there. Only people who are highly devoted
to Lord are granted this abode by the Lord pleased
with their devotion. In this abode there is only
Pleasure, Aananda and always the souls there enjoy
Lord’s company and watch all his games (leela).
Jã¨=∞~°∞Å
÷ ‰õΩ J=~À^è•Å∞QÍ JxÑ≤OKÕq ã¨=∞~°∞Å
CSL Narasimhan
There is no hunger, no thirst, no desires and
everything there is Lord. He is the ultimate material
for enjoyment and is known as ultimate Rasa. The
Universe you see around you is the Leela Vibhuti.
Its size is three times lower than the Nitya vibhuti
or Parama pada. In this universe the souls are
subjected to birth-death-re-birth cycles. Lord as
part of his leela does creation, protection and
destruction in this universe out of compassion for
the upliftment of souls and he does that following
the prescriptions in Vedas. It is ones own deeds
which makes one noble or ignoble in this universe.
Ultimately only the Lord who gets pleased by devotion
or love will be able to relieve the souls of this misery
and take them to his abode and provide them ultimate
and everlasting bliss from where they don’t return.
So my dear devotees please understand that the
purpose of everyone’s life is to attain the Lord’s
abode Paramapadam which can be obtained only
by pleasing the Lord. Hence please surrender at
the feet of Lord and be devoted to him to please
him”
Lord Ramanuja concluded his short speech after
the discourse, Kshitiraja came and prostrated before
the Acharya and said.
“Oh! Revered one, it is for the first time after a
lot of discourses from several saints I am hearing
about Paramapadam and that is the item as ultimate
bliss. This is different from what I heard from other
saints who said that the whole universe is an
imaginary item created by illusion due to defects
from within and not real and one has to realize
this from within. Ultimately everyone is Paramatma.
Once that realization happens then the liberation
happens. What are your views on this understanding”
“Oh! Kshitiraja, please don’t go by the words of
the people who advocate world is an illusion. It
is not. This is also against vedas. There are three
main eternal items in the world. The Souls, the
non-living items (Achetanas or Prakruthi) and the
Eshwara or Paramatma which owns all. The Lord
Eshwara is blemishless and bestower to all the
fruits for ones deeds. The Lord is the inner controller
of the souls or the antaratma or soul of the souls
and hence one can refer to ones self also as a
body of Paramatma from the angle of body-soul
conventions. Lord also pervades the non-living beings
and gives bodies to various souls according to their
deeds. It is a righteous game played by the Lord
÷ ‰õΩ J=HÍâßÅ∞QÍ HõxÑ≤™êÎ~Ú.
March '19 w w w w w w w w w w w w w w w w w 19 wwwwwwwwwwwwwwwwwwwwww VAK
as per the vedic rules. He expects people will realize
their relationship with him and surrender to him
and be devoted to him. Once that is attained he
gets pleased and liberates them from this universal
birth-death cycles and takes them to his abode.
The rest continue till they realize. If everyone were
Paramatma and paramatma can be affected by
illusion or defect how can they get realized
themselves? If they get realized what is the
guarantee that they will not be affected by illusion
again? These interpretations are not as per the
vedic scriptures and hence they have to be discarded”
“Oh! Swamy these are very pertinent responses
and I request you to have a scholarly debate with
some key scholars of the kingdom who perpetuate
various concepts and like you have now enlightened
me if you also enlightened them then my kingdom
will become enlightened” Requested Kshitiraja.
“Oh! King, I will be happy to do so. But first I am
in search of an ancient text called Vritti Grantha
written by Sage Boudhayana who was disciple of
Veda Vyasa and who wrote elaborate commentary
to Brahmasutra. Once I study that text my mission
is complete and I will be in a position to enlighten
people better. Can you help me on this mission?
I heard that this book is at the Sarada peeth or
Sarvajnyana peetham in the kingdom of emperor
Ananthaditya. Can you please make an introduction
to him and grant me permission to look at the Vritti
Grantha in the sacred library?”
“This will be an ordainment for me oh! Great soul
and holy one. Please accept me as your disciple
and teach me further and show me the right path
for salvation” requested Kshitiraja falling at the feet
of the saint once more.
“I accept you as my disciple. I will enlighten you
and initiate you tomorrow which is an auspicious
day. Please come to me in the morning without
having food” ordained Lord Ramanuja.
When this conversation was happening there was
commotion and many people were waiting for the
audience of King Kshitiraja outside. An armed soldier
approached the king and said
“Shall I arrange for the enquiry of the captured thief
FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó
G åÁ∫uÃÊ “ ƒúÏ   z å™: G qz fi rÁÆ å™:
In moments of distress and despair For aspirants of Plots and own residence.
PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç. ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.
#∞"≥fiO`« Hõ+Ñì¨ _¨ ç ѨxKÕã∞¨ <Î åfl"À K≥á⁄Ê^Œ∞.Ì ZO`«Ñx¨ ѨÓ~°~Î ÚO^À K≥ÑC¨ .
here itself? Asked then soldier” (Readers may
recollect from previous episodes that a thief who
intruded the temple and also wandered close to
Lord Ramanuja’s place of stay was captured and
waiting for the audience of the king who was owning
the responsibility of the temple)
The king said “yes”. He then took leave of Lord
Ramanuja and went on to the make shift enquiry
durbar to enquire the thief and also to meet people.
It was a great sight from the ramparts of the temple
fortification. In those days many temples were built
like fortresses. The Chakradhara temple on the
Banks of Vitastha river (modern day Jhelum) was
also one of them. It had a capacity of house 5000
soldiers, horses, elephants and other army
paraphernalia for the kings. The temple was under
the kingship of Kshitiraja. He requested for this
opportunity from the emperor king Ananthadeva and
he got it. On the eastern side of the main temple
there was a large stone walled mantapa with finest
engravings and sculptures. The temple was built
long ago with sculptors from all over the kingdom
and also outside the kingdom. Famous sculptors
made mystic images of the gods and goddesses,
animals and human beings, sages etc. on the pillars
as if they were standing alive in front of us. The
human body has nine openings and connected in
itself from inside. Similarly on the bodies of animals
the sculptors could build human and animal statues
with nine openings exactly to similar design of a
real human or animal body with the connections
between the openings from inside the body. For
example if a small silver wire is inserted in the
nostrils of the sculpture the wire could be coming
out from ears, nose or any other opening where
the connections are there as per the internal design
of human or animal bodies. Such were the greatness
of the sculptors in those days. A large makeshift
throne was placed on the central elevated platform
of the mandapa. The throne was made of pure gold
and was having many diamonds studded in it. The
diamonds were priceless. Other than diamonds there
were rubies of various colours and jades on the
throne. (to be continued...)
All slokas Chant 108 times
FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó
G [ÆÁz u o ÁÊ ú oÆz å™:
For good eye - sight.
March '19 w w w w w w w w w w w w w w w w w 20 wwwwwwwwwwwwwwwwwwwwww VAK
NEWS Multi-regional culture festival
'Arth' to begin tomorrow
New Delhi, Feb 7 The mega cultural festival 'Arth'
organised to celebrate the essence of "Indic thought and
philosophy", will begin here on Friday with participation
of more than 250 writers, scholars, artisans and artists
from India and abroad.
The three-day festival, touted to be India's first multi-
regional fest, will be held here at the lawns of the Indira
Gandhi National Centre for the Arts (IGNCA).
Participants include prominent names like Union Minister
Smriti Irani, senior leader Subramanian Swamy, actor
Raveena Tandon, classical dancer and Rajya Sabha MP
Sonal Mansingh, economist Bibek Debroy, authors
Ashwin Sanghi and Amish Tripathi.
Among the international contingent it has Lord Meghnad
Desai, Karen Attiah (Global Opinions Editor of
Washington Post); Domenic DiGiovanni (Homeland
Security Department of USA); Tess Davis (Antiquities
Coalition); Imam Tawhidi from Australia, Shimon Lev from
Israel and Hasan Kerim Guc from Turkey, among others.
According to the organisers, the festival will bring to the
audience myriad activities including panel discussions,
cultural performances, workshops, visual art
installations, live art etc.
"For the national edition, we have tried to bring a
microcosm of India on to stage those 3 days, through
several accomplished artists, writers and individuals and
also various arts and crafts workshops to enthral the
audience.
"We will be discussing some really pressing issues that
have rocked the nation in recent times. It is extremely
important that these relevant topics are discussed on
such large cultural platforms and engage with not only
experts but also the citizens of the country," Vikram
Sampath, festival director, said.
Also, exclusive sessions, comprising of creative
workshops, theatre, history, philosophy, puppet
performances and master classes, have been created
for children, he added.
For music lovers, the festival will also witness
performances by renowned artists like Bombay
Jayashree, Pandit Vishwa Mohan Bhatt, Teejan Bai,
Bombay Bairag and Gautam Das Baul, among others.
(Outlook India Feb7)
Sant Ravidas belongs to all, says Rangarajan
Hyderabad: Trustee of Chilkur Balaji Temple CS
Rangarajan on Tuesday said that Sant Ravidas and his
teachings in the form of poems and songs belong to the
entire society and not just to one community.
Participating in Sant Ravidas Jayanti celebrations at
Hanamkonda, Warangal, the senior archaka from the
Chilkur Balaji temple, said that Sanatana Dharma treated
everyone as equal before God and the discrimination
based on caste and class had crept into the system in
later times.
“Sant Ravidas was born in a cobbler’s family and gained
knowledge from his Guru Swami Ramananda, who was
a great disciple of Ramanuja philosophy. There is a
definite need for more community interaction and
recognising the message of Sant Ravidas,” Rangarajan
said.
In his speech during the celebrations, the senior archaka
referred to the ‘Munivahana Utasvam’, which was
UO KÕÜ∂« e, ZÖÏ KÕÜ∂« e Jx J~°=÷ ∞ÜÕ∞º =~°‰Äõ KÕã∂¨ <Î Õ LO_®e.
performed by him last year when he carried a Dalit
devotee Aditya Parasri on his shoulders into the temple.
It was nearly 2,700 years ago that Tiruppanalwar, born in
a ‘lower caste’, was carried from the banks of the river
Cauvery into the Srirangam Ranganatha Swamy temple
by a priest.
“It is heartening that my small step coincided with the
millennial appearance celebrations of Bhagawad
Ramanuja, who had fought for a casteless and egalitarian
society,” he said. (Telangana Today Feb20)
Idol theft : Former executive officer of Trichy temple
arrested
Trichy : The idol wing CID Policeon Tuesday arrested a
former executive officer of Sri Tharuganeswarar temple
in Thirupparaithurai in Trichy in connection with the theft
of three idols in the temple several years ago.
The idol wing CID police arrested K Anandkumar
Rao, 44 on charges of stealing the idols of deities
Chandikeshwarar, Angalamman and Bhoga
Sakthiamman when he was the executive officer of the
temple. He was the brain behind the idol theft, said the
idol wing.
Rao had been absconding for the past seven
months after the Madurai bench of Madras high court
denied him anticipatory bail.
His accomplices Thirumalaikatti Ramanathan
was arrested few months ago while accountant S
Kannan, 57 of Thirupparaithurai arrested on January 30
this year.
The trio indulged in lifting the three antique idols,
and Kannan replaced the idol of Angalamman with a
modern replica at the instigation of two others. They
melted some of the antique utensils of the temple to
make a replica.
The crime came to light in 2017 when the temple
trustees decided to put the idols on display for the temple
festival. (Times of India, Chennai 5-2-2019)
Man held in Kanyakumari for idol theft
Chennai : The idol wing of the CID has made one more
arrest in connection with the theft of 3 kg Lord Murugan
statue dated 1,000 AD, which was stolen from a temple
at Nemili near Arakonam three years ago. Police had
recovered the idol from a lathe shop in Ekattuthangal
and arrested two suspects on charges of idol smuggling
on December 23, 2018.
Police said Mukesh was nabbed from a hideout
in Kanyakumari on Monday and was produced before
the special court for idol theft cases in Kumbakonam on
Tuesday. Additional superintendent of police Rajaram,
deputy superintendent of police Azhagu Sundaram, police
head constables Venkatesan, Natarajan, Samiappan,
Arul Moses, and policemen Praveen Mohan and Karthik
kept a watch on Mukesh's movements. Desikan Adigal
from Nemili village, Mukesh from Kanniyakumari and
Ismail, a tea shop owner from Kirumambakkam in
Puducherry, were planning to sell the idol for Rs.1 crore,
said officials. (Times of India, Chennai 13-2-2019)
Idol theft: HC asks why no action on erring officer yet
CHENNAI: Censuring the Commissioner of Hindu
Religious and Charitable Endowments Department (HR
& CE) for failing to take action against N Tirumagal,
additional commissioner of the department, who was
allegedly involved in an idol theft, the Madras high court
directed the commissioner to appear in person and explain
March '19 w w w w w w w w w w w w w w w w w 21 wwwwwwwwwwwwwwwwwwwwww VAK
the inaction.
“Commissioner is the supreme authority of the department.
Why had he not issued even a memo to the officer even
after the high court dismissed her anticipatory bail plea
with detailed observations about her involvement in idol
theft and destruction of government documents? So, even
the high court order is not sufficient for the commissioner
to take action,” a special division bench of Justice R
Mahadevan and Justice PD Audikesavalu said on Friday.
The court made the observations while hearing a plea
seeking to stay an inquiry ordered by the department
into the allegations parallel to a probe conducted by the
idol wing CD.
Counsel for HR&CE said the commissioner could not
take any action against the officer as he did not have any
materials to prove her involvement in the offence. Wondering
whether a complaint alleging her involvement in idol theft
is not sufficient for initiating action, the bench pointed out
how an executive officer of a temple in Kancheepuram
had been suspended by the department for not bring
present during a puja session. “Officers are suspended
and issued memo for such petty issues, but no action
has been taken against the additional commissioner even
after three joint commissioners of the department have
deposed against her,” the bench added.
To this, counsel submitted that if the court passed a
direction to that effect the commissioner would initiate
action on the basis of such order. However, the bench
said: “We are not here to administer the department. If
the commissioner needs court orders to act, then what
is the point in holding the post.” (Times of India 26.1.2019)
Restore temple to its original condition: HC
Tiruvattar temple authorities to carry out directions within
6 months. The Madurai Bench of the Madras High Court
on Tuesday issued directions to the authorities of the
iconic Adi Kesava Perumal Temple at Tiruvattar in
Kanniyakumari district to take necessary measures
in order to bring the temple to its original condition.
Justice R. Mahadevan observed that the temple had
to be restored in tune with its fame, antiquity and
importance and preserved with utmost care. Restoring
the original condition of the temple meant carrying out
measures to bring the inscriptions, sculptures and
images found in the temple to their original shape and
preserving them, the judge said.
The court took cognisance of the report filed by the
Advocate Commissioners appointed in the case and
observed that Indians, particularly Tamilians, should
be proud of having the most number of Divyadesams.
The Adi Kesava Perumal Temple was older than Sri
Anantha Padmanabhaswamy Temple in
Thiruvananthapuram, the court said.
The court directed the authorities to carry out civil works
to restore the temple’s mandapam and other structures,
while protecting the architectural marvels of the temple.
The kodimaram had to be made with stability, strength
and durability. Murals had to be preserved with the help
of experts, for which assistance could be obtained from
Archaeology department.
Necessary records of stone inscriptions had to be
maintained. Wooden carvings, roofs, copper plates and
antique utensils should also be preserved, the court said.
In order to enhance safety of the temple, the court
directed the authorities to provide proper lighting, instal
B#fl`«º=∞O>Ë HÀiHõÅ#∞ K«OѨÙHÀ=_»O HÍ^Œ∞. "å\˜x J^Œ∞ѨÙÖ’ LOK«∞HÀ=_»O.
CCTV cameras and increase the strength of
employees. Encroachment on temple properties should
be removed expeditiously, it said.
The directions had to be carried out within six months
from the date of issue of the order, the court observed.
The court was hearing a petition filed by M. Ayyappan,
who sought a direction to Hindu Religious and
Charitable Endowments department and the temple
authorities to appoint an expert committee to restore
the temple to its original condition in order to perform
its consecration. (Recently... in The Hindu)
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(PO„^èŒ*’ºu 12.2.2019)
All slokas Chant 28 times
FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó
G J  yNz ∆ ÁÆ å™:
For overcoming bad habits
^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™: FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:
For Success in Business, Interviews, Visa
For better health. =∞Oz P~ÀQͺxH˜.
Interviews, building relationship
"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO FO ѨÓ`å`«‡<Õ #=∞ó G úÓoÁn™åz å™:
To remove mental stress and for mental
HÍ=_®xH˜ 㨇iOK«O_ç.
peace
FO N=∞`Õ #=∞ó G »y™oz å™: =∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç
Please Chant for Handsome Appearance and wealth.
â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ.
FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™:
For Education and better Financial strength.
q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.
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(PO„^èŒ*’ºu 19.2.2019)
FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:
For self employed people, for promotions and
success in games.
„H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`«
Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.
q=ÚH˜ÎH˜.
FO â◊~°‡}Ë #=∞ó G ∆™|mz å™:
For Job Satibsfaction
L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.
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|Ǩïà◊ „ѨKå~°O KÕÜ«∞|_»ÖË^Œ∞. W\˜ì "åˆQæÜ«∞HÍ~°∞ʼnõΩ x"åoQÍ "åi "åi =Oâ◊AʼnõΩ ''ÉèíH˜Î Éèí[# ã¨OH©~°Î# „ѨKå~° Ѩi+¨`ü—— ã¨Oã¨÷ qq^èŒ
ã¨O^Œ~åƒùÅÖ’ ™ê^Œ~°OQÍ ã¨<å‡xOK«∞H˘#flk. W^Õ Ñ¨~°OѨ~°Ö’ `≥Å∞QÆ∞ Éèí[# ã¨OH©~°Î# HõàÏHÍ~°∞Å JO^Œ∞ÉÏ@∞Ö’H˜ H˘O^Œi "åˆQæÜ«∞HÍ~°∞Å
H©~°Î# ™êÇ≤Ï`åºxfl ѨiK«Ü«∞=Ú KÕÜ«Ú L^ÕÌâ◊ºO`À D z#fl ѨÙã¨ÎHÍxfl Pq+¨¯iOKå~°∞.
ëÈ_»â◊ HõàÏ „ѨѨÓ~°∞‚_≥·# ÉèíQÆ=O`«∞x `«`åfixfl „ѨuáêkOKÕ ã¨OH©~°Î#Å#∞ ëÈ_»â◊ ã¨OH©~°Î<åKå~°∞ºÅ∞ ~°zOz QÍ#O KÕã≤# =ÚYº"≥∞ÿ#
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„QÆO^è•xfl N=∞u H˘~°∞áÈÅ∞ bÖÏ ÅH∆͇Ô~_ç¤, N H˘~°∞áÈÅ∞ ÅH∆͇Ô~_ç¤ Ñ¨Ù}º^ŒOѨ`«∞Å Pi÷ ã¨Ç¨ÏHÍ~°O`À H©IIâıII H˘~°∞áÈÅ∞ <å~åÜ«∞} Ô~_ç¤,
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02—— „QÆO^èŒO ^•fi~å ã¨OH©~°Î#ʼnõΩ JHõ∆~° ~°∂Ѩq∞zÛ áê~î°‰õΩʼnõΩ, Éèí[# ã¨OH©~°Î#HÍ~°∞ʼnõΩ JHõ∆Ü«∞"≥∞ÿ# P#O^•xfl, `«$Ñ≤Îx HõeyOKåÅx
ÉèÏqOz D „Ѩܫ∞`«flO KÕã¨∞Î<åfl~°∞.
„Ѩ`«∞ʼnõΩ : ÉèíH˜Î Éèí[# ã¨OH©~°Î# „ѨKå~° Ѩi+¨`ü, HÍzQÆ∂_», ÃÇ·Ï^Œ~åÉÏ^£. á¶È<£ : 040-42309358

=∞Oz ѨxH˜ q∞Oz# ѨÓ[ÖË^∞Œ . =∂#=`åfixH˜ q∞Oz# =∞`«O ÖË^∞Œ .

March '19 w w w w w w w w w w w w w w w w w 24 wwwwwwwwwwwwwwwwwwwwww VAK
FO ã¨÷qëêªÜ«∞ #=∞ó
G Àsuƒ…eÁÆ å™:
To keep Evil forces at bay.
^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.
|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O
1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
5. ã≤OǨÏ<å^Õ# =∞ǨÏ`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:
Chant this name to amend soured friendship
or any personal relationship
q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies.
J<Àº#º`«‰õΩ.
Runa Vimochana Nrisimha Stotram
Devataakaarya-siddhyartham
sabhaastambha-samudbhavam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Lakshmyaalingita-vaamaangam
bhaktaanaam varadaayakam
Sri Nrisimham mahaveeram
namaami runamuktaye
Aanthramaalaadharam Sankha
Chakraabja aayudha dha arina m
Sri Nrisimham mahaaveeram
namaami runamuktaye
Smaranaat sarvapaapagnam
kadrooja visha naasanam
Sri Nrisimha mahaaveeraam
namaami runamuktaye
Simhanaadena Mahataa
Digdhanthi Bhaya Naashanam
^è#Œ O L#fl"å~°O^ŒiH© ^•#QÆ∞}O LO_»^∞Œ . ^•#QÆ∞}O L#fl"åiH˜ `«y#O`« ^è#Œ O LO_»Háõ È=K«∞Û.
Chant 108 times
FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó
G úÏ … N˛∫ÁqÁÆ å™:
For overcoming bad times.
HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
Chant one time
6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O
J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü
D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À
L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x
Ѷ¨e`«O Åaèã¨∞ÎOk.
FO ^è•„`Õ #=∞ó G áÁfiz å™:
For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ
FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:
P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ
Chant one time
Sri Nrisimham mahaaveeraam
namaami runamuktaye
Prahlaada varadam sreesam
daityesvara-vidaarinam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Krooragrahaih peeditaanaam
bhaktaanaam abhayapradam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Vedavedaanta-yajnesam
Brahma Rudraadi vanditam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Ya idam patathe nityam runa
mochana samjnitam
Anrunee jaayate satyo dhanam
sheeghram avaapnuyaat
March '19 w w w w w w w w w w w w w w w w w 25 wwwwwwwwwwwwwwwwwwwwww VAK

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31. J^èŒ ~°q~°=^Œ<-£ xsHõ∆ º ~å=∞O =Úk`«=∞<åó Ѩ~=° ∞O „ѨÇϨ $+¨º=∂}óI
xtK«~°Ñ¨u ã¨OHõ∆Ü«∞O qk`åfi ã¨∞~°QÆ} =∞^茺QÆ`À =K«ã¨Î fiˆ~u II
W`庈~¬ N=∞„^•=∂Ü«∞}Ë "åb‡H©ÜÕ∞ PkHÍ"Õº Ü«Ú^ŒúHÍO_Õ Ñ¨OKåkèHõ â◊`«`«=∞ ã¨~°æó II
`«ÑC¨ KÕ™ê~°x „Ѩu XHõ¯ih ^Õfi+≤ã∂¨ Î áÈ`Õ „¿Ñq∞OK«_®xH˜ Z=~°∂ q∞QÆÅ~°∞.
March '19 w w w w w w w w w w w w w w w w w 26 wwwwwwwwwwwwwwwwwwwwww VAK
Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ –
Chilkur Balaji's Grace - 171
I BECAME MLA
I came to Chilkur after filing my
nomination papers. My Adversary was a strong
candidate.
During the counting time also the lead
was oscillating. At last I won by a margin
surprisingly high. This is purely Balaji grace.
I performed 108 pradakshinas recently.
A Devotee
(MLA, Telangana 2019)
DEVOTEES' EXPERIENCES
zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 171
<Õ#∞ âßã¨#ã¨Éèí∞º_çx JÜ«∂º#∞...
âßã¨#ã¨Éèí ZxflHõÅÖ’ áÈ\© KÕÜ«∞_®xH˜ <åq∞<Õ+¨<£ ^•YÅ∞
KÕã≤# "≥O@<Õ zÅ∞‰õÄ~°∞ =zÛ 11 „Ѩ^ŒH˜∆}Å∞ KÕâß#∞. <å
„Ѩ`«ºi÷ J`«ºO`« ã¨=∞~°∞÷_»∞.
ZxflHõŠѶ¨e`åÅ ã¨=∞Ü«∞OÖ’ ÖˇH˜¯OѨÙÖ’ Ǩϟ~åǨϟs
Pkè H õ º O „Ѩ u ~“O_» ∞ ‰õ Ä =∂~° ∞ `« ∂ =zÛOk. PYiÖ’
K«=∞`å¯~°OQÍ <å‰õΩ =∞Oz PkèHõºO`À q[Ü«∞O ÅaèOzOk.
Jk ÉÏÖÏr J#∞„QÆÇϨ "Õ∞. W\©=Å 108 „Ѩ^HŒ }∆˜ Å∞ ‰õÄ_® KÕâß#∞.
XHõ Éèí‰õΩÎ_»∞,
`≥ÅOQÍ} âßã¨#ã¨Éèí∞º_»∞ 2019
Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @
HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II
Karthaveeryarjuno nama Raaja Baahu Sahasravaan |
Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe||
Please chant this sloka to locate lost objects, persons and belongings.
`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç.
HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II
We at VAK are blessed to bring out the second volume in the series of books
on Anecdotes on Vishnu Sahasranama authored by Sri V S Karunakaran Swamy.
Sri V S Karunakaran Swamy started this mammoth never before project of explaining
the significance of the 1000 names. Since the English meaning of this hymn is
given in this work, many in this country and those living abroad, will welcome it.
Every name is a mantra by itself, some with two and some ranging up to eight
words. The hymn is an antidote for all ills.
As the author mentioned the benefits which will accrue by reciting the various
name of Vishnu, it has been practically experienced by Devotees at Chilkur Balaji
temple who are the regular readers of VAK in which these Anecdotes have been
serialised. There is immortal ecstasy that can be experienced by chanting these
names individually.
The second Volume has been released on 6th September 2017, as a part of
the Saptatipoorthi celebrations of the Author Sri V S Karunakaran. You can find
the devotees chanting these names endlessly at the Balaji Temple Chilkur. The
benefit of chanting individual names for particular needs to be granted by Almighty
is being practiced and is yielding expected results. Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar
Colony, Bagh Amberpet, Hyderabad-500 013. Price : Rs.500/- (Exclusive of postage)
∫nåüßÁúb¬YN¿˛™åÁz“∫Á nƒnƒÊÊ Oh Manipaaduka! You describe a circle of lustrous halo of supreme
charm. The Lord's Feet present a picture of lotuses of red hue. The
úˆÁªmÊ útu™tÊ nƒuÆ ∫WïßoÏ|:@ circle and lotus constitute, to my mind, a Chakrabja mandala (people
offer their worship to a Yanthram(geometric pattern) consisting of a
™ãÆz otzotÏßÆÊ ™umúÁt∫qz@ lotus inside a disc.)(500th Sloka from Paduka Sahasram)
YN¿ Á £\™lg¬™uN˛ØÁå∫qmÁs| ™ Ω @@@@ F =∞}˜áê^Œ∞HÍ! =∞}∞ÅHÍOu ã¨=Ú^•Ü«∞O Ü≥ÚHõ¯ =∞O_»ÖÏHõ$uKÕ`« =∞#ã¨∞û#∞
~°`«fl „ѨÉèÏѨ@Å K«„Hõ=∞<ÀǨÏ~å`«fiO PHõi¬OKÕ^•#=Ù h=Ù. hÜ«∞O^Œ∞ Hõ=∞ÅѨÙ+¨ÊO =Öˇ J~°∞}=~°‚O HõÅk N~°OQÆ
Ѩ^•‡~°∞}O Ѩ^Œq∞^ŒO `«fi~Ú ~°OQÆÉèí~°∞Îó I „ѨÉèí∞áê^ŒO. Jn, Wn Ô~O_»∞ JH˜OK«#∞Å ~°Hõ∆}‰õΩ Ü≥∂Qƺ"≥∞ÿ# K«„HÍ|˚=∞O_»ÅOQÍ
=∞<Õº `«^Õ`« ^Œ∞ÉèíÜ«∞O =∞}˜áê^Œ~°ˆH∆! ÉèÏq™êÎ#∞.(K«„HÍ|˚ =∞O_»ÖÏ~°Û# KÕ¿ã"å~°∞, Uk‰õΩ¯ ÖËx"åˆ~ J~Ú<å, ã¨HõÖÏ~°÷
ã¨OѨ#∞flÅ=Ù`å~°∞. Ѩ~°=∞Ѩ^Œ<å^äŒ∞x ã¨xflkèÖ’ âßâ◊fi`« ÔH·OHõ~°ºO „áêÑ≤Îã¨∞ÎOk.)
K«„HÍ|˚ =∞O_»Å=∞H˜OK«# ~°Hõ∆}Ï~°÷(~°›)"£∞ II (áê^Œ∞HÍ ã¨ÇϨ „ã¨O 500= â’¡HOõ )
=∞#O W+¨Oì QÍ KÕ¿ã ѨxH˜ ã¨=∞Ü«∞O ÖËHáõ È=_»O JO@∂ LO_»^∞Œ .
 27

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Toll free No. 1800 425 1515 www.andhrabank.in

Date of Posting 6th & 7th 28 Date of Publication 1st of every month

Registered as a News Paper Title Code : TELMUL00053 RNI. No. AP/2000/2474

Vol.20 VAK / MARCH / 2019 Postal Registration No. HSE/738/2017-19 No.3
Sorrow destroys a man's courage, a sorrow
∆ÁzN˛Áz åÁ∆Æoz á{Æ˙ ∆ÁzN˛Áz åÁ∆Æoz »Ïo™™ΩΩ @ destroys his learning, sorrow destroys all that is
good in him, in fact there is no greater enemy to
∆ÁzN˛Áz åÁ∆Æoz Ã˙ åÁuÀo ∆ÁzN˛Ã™Áz u∫úÏ: @@ him than sorrow. (Ramayanam, Ayodhyakandam)
â’HõO =∞x+≤ ^è≥·~åºxfl #tOѨKÕã¨∞ÎOk... q*Ï˝<åxfl, q"ÕHÍxfl
â’HÀ <åâ◊Ü∞« `Õ ^è~·≥ º° O â’HÀ <åâ◊Ü∞« `Õ „â◊√`«"∞£ I =∞iÜ«Ú =∞x+≤Ö’ L#fl Jxfl ã¨∞QÆ∞}ÏÅ#∞ #tOѨKÕã¨∞ÎOk.
â’HÀ <åâ◊Ü«∞`Õ ã¨~°fiO <åã≤Î â’Hõã¨"≥∂ iѨÙó II â’HõO Hõ<åfl ÉèíÜ«∞OHõ~°"≥∞ÿ# â◊„`«∞=Ù ÖË<ÕÖË^Œ∞..
(JÜ≥∂^ŒºHÍO_»=Ú, ~å=∂Ü«∞}=Ú)
zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.
D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞.
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ WO_çÜ«∂, "≥Ú~Ú<åÉÏ^£ âßY, ~°OQÍÔ~_ç¤
lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country.
2) C. A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra
Bank, Pedda Mangalaram (Moinabad Branch PO„^è• ÉϺOH±, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY)) (R.R. Dist.) from any
branch of Andhra Bank situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.
3) C. A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,
113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£
=∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO
Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡,
from any branch of UCO Bank situated in India. (=∞#^ÕâO
◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û.
D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ
qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞.
CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "
The Fund donations can be remitted in the Following Banks with the following Particulars:-
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad situated
in any part of the Country. IFSC Code 'SBIN0020637'.
2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained
with Andhra Bank, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra
Bank situated in any part of the World. IFSC Code 'ANDB0000911'.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara
Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in
India. IFSC Code 'CNRB0003063'.
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.
IFSC Code 'UCBA0002473'.
Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.
The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating
in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..
Andhra Bank Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023
All business communications and payments may
be addressed to The Manager VAK, 2-2-647/77/D, D.D. BOOK – POST
Colony, Bagh Amberpet, Hyderabad-500 013. To STAMP
Ph : 27425640. Cheques and DDs drawn in favour of
Manager VAK will be accepted. Subscriptions can be
sent through Money Orders also. Give your correct address.
Owned, Edited, Printed and Published by : Dr. M.V. Soundara
Rajan, Advocate, 2-2-647/77/D, Andhra Bank Lane,
D.D. Colony, Bagh Amberpet, Hyderabad-500 013;
Website : www.vakchilkur.org Phone : 27 425640
Cell : 9246505058
Printed at : M/s. Vakdevi Printers, # 1-8-732/22/B, Nallakunta,
H y d erabad - 50004 4 . (TS)
If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.