Professional Documents
Culture Documents
June 2015
30/06/2015
These estimates are Official Statistics and have been
produced to the standards set out in the Code of Practice
for Official Statistics
Department for Culture, Media & Sport 3
Creative Industries
Contents
Chapter 1: Introduction .................................................................................................. 4
The Creative Industries were defined in the Government’s 2001 Creative Industries
Mapping Document2 as “those industries which have their origin in individual creativity,
skill and talent and which have a potential for wealth and job creation through the
generation and exploitation of intellectual property”.
The methodology used to determine which occupations and industries are considered
“creative” is set out in Annex A and Annex B of the January 2014 statistical release3. It is
based on the principle of “creative intensity” and essentially comprises three steps.
1. Identification of creative occupations4.
2. Calculate proportion of creative jobs for each industry (creative intensity).
3. Industries with creative intensity above a specified threshold are considered
Creative Industries.
Creative Occupations are set out in Annex A of this report and Creative Industries are set
out in Annex B. The Creative Economy is made up of all the creative industries (including
jobs in these industries which are not classified as creative occupations) and all creative
jobs (including those which are not in creative industries).
Throughout the report symbols have been used to indicate where analysis refers to
employment in the creative economy, the creative industries or creative occupations:
1 https://www.gov.uk/government/publications/creative-industries-economic-estimates-january-2014
2 https://www.gov.uk/government/publications/creative-industries-mapping-documents-2001
3 https://www.gov.uk/government/statistics/creative-industries-economic-estimates-january-2014
4 Bakhshi et al (2013) propose criteria which can be used to assess which occupation codes should be
Estimates are based on the Annual Population Survey published by the Office for
National Statistics (ONS)5. It uses the latest occupational classification (SOC 2010) and
the latest industrial classification (SIC 2007). Data in this publication refer to
employment from 2011 and 2014, as the updated occupational coding standard (SOC
2010) was introduced in 2011.
To provide more detailed breakdowns within the creative industries, the creative sectors
have been broken down into nine groups. As far as possible, grouping of industries (SIC
2007) and occupations (SOC 2010) have been selected to contain related industries or
occupations and provide consistency between grouped industries and occupations. Full
details of the groupings are provided in Annexes A (occupations) and B (industries).
The latest data are for 2014. Estimates for 2011 to 2013 have been revised to reflect
changes the APS which has been reweighted following the 2011 Census. The impact of
these revisions is generally small, the number of jobs in the Creative Economy and
Creative Industries increased by 0.3 per cent in the latest estimates. Changes for 2011
are larger but still less than 1 per cent, see table 1.
There is more variation within Creative Industries Groups and other breakdowns, but in
all cases these are reasonably small. However, all comparisons of 2014 results with
historic data should be based on the new data published as part of this release.
5 http://www.nomisweb.co.uk/articles/676.aspx
Chapter 2: Key findings
The Creative Economy, the Creative Industries and Creative Occupations, have been
defined in the introduction.
Summary
Total employment in the Creative Economy across the UK has increased by 5.0 per
cent between 2013 and 2014 (2.6 million to 2.8 million jobs) and by 13.7 per cent
since 2011.
The number of jobs in the Creative Industries (including both creative and support
jobs), increased by 5.5 per cent between 2013 and 2014 to 1.8 million jobs. This was
an increase of 15.8 per cent since 2011.
In 2014 there were 1.9 million jobs in Creative Occupations, a 6.4 per cent increase
since 2013 and 13.7 per cent higher than 2011.
These increases compare with a 2.1 per cent increase in the total number of jobs in
the wider UK economy between 2013 and 2014.
In 2014, across the whole of the UK, around 1 in 11 jobs (8.8%) were in the Creative
Economy. This ranged from 1 in 18 jobs (5.4%) in the North East to 1 in 6 jobs
(16.4%) in London.
The Creative Industries accounted for 1 in 17 (5.8%) of all jobs in the UK in 2014. It
ranged from 1 in 30 jobs (3.3%) in Northern Ireland to 1 in 8 jobs (11.8%) in London.
Almost a third (31.8%) of Creative Industries jobs were based in London.
Qualifications
More than half (58.8%) of jobs in the Creative Economy in 2014 were filled by people
with at least a degree or equivalent, compared to 31.8 per cent of all jobs in the UK.
Department for Culture, Media & Sport 7
Creative Industries
One in every six jobs in the UK held by graduates in 2014 was in the Creative
Economy.
Between 2013 and 2014, there was an increase of 110,000 (7.3%) in the number of
jobs in the Creative Economy held by individuals with at least a degree or equivalent.
Across all industries in 2014, 62.2% of jobs in Creative Occupations were filled by
someone who had at least a degree or equivalent.
Gender
The Creative Economy and Creative Industries employ a lower proportion of women
than the wider UK economy. In 2014:
o 36.1 per cent of jobs in the Creative Economy were filled by women.
o 36.7 percent of jobs in the Creative Industries were filled by women.
o 47.2 per cent of jobs in the UK as a whole were filled by women.
Ethnicity
Of all jobs in the Creative Economy in 2014, 11.0 per cent were filled by BAME
workers, a similar level to the UK economy.
Between 2013 and 2014, there was a 12.5 per cent increase in the number of BAME
group jobs in the Creative Economy. The increase for the White group was 4.0 per
cent.
In Creative Industries in 2014, 11.0 per cent of jobs were filled by BAME workers.
The number of BAME workers in the Creative Industries increase by 8.0 per cent
between 2013 and 2014 (34.3% since 2011), compared with a 5.1 per cent (14.7%
since 2011) increase for White workers in the Creative Industries.
Socio-Economic Class
In 2014, 91.9 per cent of jobs in the Creative Economy were done by people in more
advantaged socio-economic groups (NS-SEC 1-4), compared to 66.0 per cent of
jobs in the wider UK economy.
More advantaged groups made up 92.1 per cent of jobs in the Creative Industries.
Chapter 3: UK headlines
This chapter presents UK employment estimates at for the Creative Economy at a
headline level and provides context for the more detailed analysis which follows.
The proportion of jobs which were in the Creative Economy has increased in most
regions between 2013 and 2014, with the exception of East of England, where there was
a drop of 0.6 percentage points from 8.3 per cent to 7.7 per cent, and Yorkshire and The
Humber where there was a very small decrease of 0.1 percentage points. The largest
increase was in the South West where the proportion of jobs which were in the Creative
Economy increased from 7.5 per cent in 2013 to 8.3 per cent in 2014. The South West
also had the largest increased between 2011 and 2014 from 7.1 per cent to 8.3 per cent.
Between 2011 and 2014, all other areas increased by between 0.1 percentage points
(Wales) and 1.0 percentage points (East Midlands).
There are also differences in the make-up of the Creative Economies of different regions.
While ‘IT, software and computer services’ accounted for 31.6 per cent of the Creative
Economy in the UK, it accounted for 40.9 per cent of the Creative Economy in the South
East and 25.3 per cent in London. In Northern Ireland 10.9 per cent of Creative Economy
jobs were in ‘Architecture’, compared to 5.2 per cent of jobs in the wider UK Creative
Economy and 3.1 per cent in the East Midlands.
Tables of each region and Devolved Administration’s Creative Economy can be found
here.
Map 1: Proportion of UK Creative Economy jobs, by region and DA
Department for Culture, Media & Sport 11
Creative Industries
0.0% 2.0% 4.0% 6.0% 8.0% 10.0% 12.0% 14.0% 16.0% 18.0%
4.5%
North East
5.4%
6.0%
North West
6.7%
5.7%
Yorkshire and the Humber
6.0%
5.9%
East Midlands
6.9%
5.9%
West Midlands
6.8%
7.1%
East of England
7.7%
15.5%
London
16.4%
9.8%
South East
10.2%
7.1%
South West
8.3%
5.7%
Wales
5.8%
6.4%
Scotland
6.6%
5.3%
Northern Ireland
5.5%
8.0%
UK
8.8%
Creative Industries
The Creative Industries accounted for 1 in 17 (5.8%) of all jobs in the UK in 2014, higher
than in 2013 when they accounted for 5.6% of jobs. It ranged from 1 in 30 jobs (3.3%) in
Northern Ireland to 1 in 8 jobs (11.8%) in London. Almost a third (31.8%) of all Creative
Industries jobs were based in London.
Table 4: Jobs in the Creative Industries 2014, by region and DA
Proportion of all
Proportion of UK
Jobs in Creative jobs in region or
Region Creative
Industries devolved
Industries jobs
administration
North East 39,000 2.2% 3.5%
North West 139,000 7.7% 4.2%
Yorkshire & The Humber 85,000 4.7% 3.4%
East Midlands 94,000 5.2% 4.4%
West Midlands 107,000 5.9% 4.1%
East of England 136,000 7.5% 5.0%
London 575,000 31.8% 11.8%
South East 285,000 15.8% 6.7%
South West 156,000 8.6% 5.7%
Wales 51,000 2.8% 3.6%
Scotland 102,000 5.6% 3.9%
Northern Ireland 27,000 1.5% 3.3%
UK Total 1,808,000 100% 5.8%
Between 2011 and 2014, there were increases in the number of jobs in the Creative
Industries of greater than 25 per cent in: the East Midlands (40.2%); the West Midlands
(34.1%); the South West (32.6%); and the North East (27.3%).
Only Northern Ireland had fewer jobs in the Creative Industries in 2014 than 2011, a
reduction of 10.3 per cent. However it experienced a 9.1 per cent increase between
2013 and 2014.
Department for Culture, Media & Sport 13
Creative Industries
Map 2: Proportion of area’s jobs in the Creative Industries, by region and devolved
administration
Chapter 5: Employment by highest
level of qualification
The Creative Economy employs people with a range of skills and qualifications, both
formal and informal. However, the list of creative occupations used to define the Creative
Industries contains many jobs which require a degree or higher education qualification.
Therefore, the estimates of highest level of qualifications6 in this chapter would be
expected to contain a higher proportion of people who have got a degree or higher
education qualification than for the UK economy as a whole.
Between 2013 and 2014, there was an increase of 110,000 (7.3%) in the number of jobs
in the Creative Economy held by individuals with at least a degree or equivalent. The
balance of jobs in the Creative Economy is moving to a more highly skilled workforce.
This is a broadly similar pattern for the UK economy where there was a 4.7 per cent
increase in the number of jobs filled by individuals with at least a degree or equivalent
between 2013 and 2014, but is more accentuated in the Creative Economy.
The typical highest level of qualification varies between Creative Economy Groups. At
74.6 per cent in 2014, Architecture was the Creative Economy group with the highest
proportion of jobs at degree level or above. The lowest proportion, at 17.9 per cent, was
in Crafts although this should be treated with caution due to the difficulties in measuring
Crafts in the current occupational and industry codes.
6See Labour Force Survey User Guide for more details of this variable (LFS Variable name HIQUL11D)
http://www.ons.gov.uk/ons/guide-method/method-quality/specific/labour-market/labour-market-
statistics/index.html.
Department for Culture, Media & Sport 15
Creative Industries
Qualification
GCSE A* -
equivalent
equivalent
equivalent
A Level or
Education
Degree or
Higher
Other
C or
No
Advertising and marketing 59.3% 7.0% 15.0% 12.7% 2.7% 2.5%
Architecture 74.6% 9.6% 6.5% 6.2% 1.5% 0.8%
Crafts 17.9% 6.4% 28.1% 23.9% 9.6% 11.5%
Design: product, graphic and fashion design 46.6% 12.9% 22.3% 10.5% 3.1% 2.6%
Film, TV, video, radio and photography 52.3% 10.9% 18.1% 11.8% 3.6% 2.4%
IT, software and computer services 64.7% 8.9% 14.3% 9.0% 1.8% 0.7%
Museums, galleries and libraries 61.3% 6.6% 13.4% 11.7% 5.5% 1.0%
Music, performing and visual arts 58.4% 10.5% 14.9% 10.7% 2.7% 2.3%
Publishing 60.5% 8.2% 13.7% 10.4% 4.5% 2.4%
Creative Economy Average 58.8% 9.1% 15.5% 10.9% 3.0% 2.0%
UK Economy Average 31.8% 9.7% 23.2% 19.9% 8.4% 5.5%
3.1%
Creative Industries 60.5% 8.9% 14.9% 10.2% 1.7%
8.4%
UK Economy 31.8% 9.7% 23.2% 19.9% 5.5%
This is markedly different to the UK economy as a whole, where around a third (31.8%)
of jobs were filled by those with a degree and around a fifth (23.2%) by those whose
highest qualification was a GCSE A* to C in 2014.This shows that the Creative Industries
are relatively high skilled when compared to the wider UK workforce.
Table 7: Proportion of jobs in the Creative Industries, by highest level of
qualification, 2014
Qualification
GCSE A* -
equivalent
equivalent
equivalent
A Level or
Education
Degree or
Higher
Other
C or
No
Group
7 https://www.gov.uk/government/collections/ukces-employer-skills-survey-2013
8A skills gap is defined as where an organisation has at least one person on their site who is not regarded
as fully proficient.
Department for Culture, Media & Sport 17
Creative Industries
Qualification
GCSE A* -
equivalent
equivalent
equivalent
A Level or
Education
Degree or
Higher
Other
C or
No
Group
There were 1.9 million jobs in Creative Occupations in 2014, 6.4 per cent higher than in
2013. Approximately 1.2 million of these jobs were done by people who had a degree or
equivalent qualification.
Figure 4: Proportion of jobs in Creative Occupations by Highest Level of
Qualification
0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%
2.4%
Creative Occupations 62.2% 9.2% 14.3% 9.3% 1.8%
8.4%
UK Economy 31.8% 9.7% 23.2% 19.9% 5.5%
Chapter 6: Employment by gender
In 2014, women held 47.2 per cent of all jobs in the UK workforce. This was the same as
2013 and similar to 2011, when the proportion of jobs filled by women was 46.9 per cent.
‘IT, software and computer services’ accounted for just under a third (31.6%) of all jobs in
the Creative Economy and had the lowest proportion of women working in it at 18.8 per
cent. The group with the highest proportion of jobs filled by women was ‘Museums,
galleries and libraries’, at 65.1 per cent. While ‘Advertising and marketing’ employed the
greatest number of women, 228,000 jobs.
Department for Culture, Media & Sport 19
Creative Industries
9 Change for Crafts has not been shown due to small sample size.
Figure 6: Proportion of jobs in each Creative Industries Group between 2011 and
2014, by gender10
0.0% 10.0% 20.0% 30.0% 40.0% 50.0% 60.0% 70.0% 80.0%
45.5%
Advertising and marketing
41.9%
29.3%
Architecture
26.6%
Crafts
44.1%
Design: product,graphic and fashion design
43.5%
39.7%
Film, TV, video, radio and photography
35.1%
19.8%
IT, software and computer services
19.7%
68.8%
Museums, galleries and libraries
61.3%
49.8%
Music, performing and visual arts
51.2%
49.6%
Publishing
54.5%
38.2%
Creative Industries Average
36.7%
46.9%
UK Average
47.2%
10 Change for Crafts has not been shown due to small sample size.
Department for Culture, Media & Sport 21
Creative Industries
Between 2013 and 2014 the number of jobs in the Creative Economy increased by 5.0
per cent, for the BAME group the increase over the same period was 12.5 per cent, while
for the White group it was 4.0 per cent. For the UK Economy as a whole jobs held by the
BAME group increased by 8.0 per cent between 2013 and 2014 and the increase for the
White group was 1.4 per cent.
In ‘IT, software or computer services’, 17.5 per cent of jobs were filled by people from the
BAME group in 2014, compared to 6.2 per cent of jobs in the ‘Music, performing and
visual arts’ sector.
125.0
120.0
115.0 114.7
113.3
110.0
105.0
103.2
100.0
95.0
90.0
2011 2012 2013 2014
Department for Culture, Media & Sport 23
Creative Industries
11http://www.ons.gov.uk/ons/guide-method/classifications/current-standard-
classifications/soc2010/soc2010-volume-3-ns-sec--rebased-on-soc2010--user-manual/index.html.
Table 11: Jobs in the Creative Economy in 2014, by group and socio-economic
class
More Less % less
Advantaged Advantaged advantaged
Advertising and marketing 475,000 25,000 5.0%
Architecture 141,000 - 1.3%
Crafts 41,000 54,000 57.1%
Design: product, graphic and fashion design 189,000 14,000 7.1%
Film, TV, video, radio and photography 233,000 31,000 11.9%
IT, software and computer services 856,000 15,000 1.8%
Museums, galleries and libraries 82,000 24,000 22.3%
Music, performing and visual arts 310,000 37,000 10.7%
Publishing 204,000 21,000 9.3%
Creative Economy 2,530,000 223,000 8.1%
The proportion of jobs within the Creative Economy which are being done by people from
the more advantaged group has grown slowly from 91.1 per cent in 2011 to 91.9 per cent
in 2013. This is consistent with the finding that the workforce is becoming more skilled,
as classification of socio-economic class is linked to occupation.
Within the Creative Industries, ’Music, performing and visual arts’ was the largest
employer of those within the less advantaged group, with 30,000 jobs in 2014. While
‘Museums, galleries and libraries’ had the highest proportion of jobs filled from the less
advantaged group, 27.2 per cent of jobs, compared with an average of 7.9 per cent
across all Creative Industries.
Department for Culture, Media & Sport 25
Creative Industries
12https://www.gov.uk/government/consultations/classifying-and-measuring-the-creative-
industries-consultation-on-proposed-changes
Annex B: Creative Industries
The “creative intensity” of each 4-digit Standard Industrial Classification 2007 (SIC) code
was calculated and used to inform the identification of “creative” industries from other
industries in the economy.
Table 14: Creative Industries
Creative Industries
Group SIC Description
70.21 Public relations and communication activities
Advertising and
73.11 Advertising agencies
marketing
73.12 Media representation
Architecture 71.11 Architectural activities
Crafts 32.12 Manufacture of jewellery and related articles
Design: product,
graphic and fashion
design 74.10 Specialised design activities
Motion picture, video and television programme
59.11 production activities
Motion picture, video and television programme post-
59.12 production
Film, TV, video, radio Motion picture, video and television programme
and photography 59.13 distribution
59.14 Motion picture projection activities
60.10 Radio broadcasting
60.20 Television programming and broadcasting activities
74.20 Photographic activities
58.21 Publishing of computer games
IT, software and 58.29 Other software publishing
computer services 62.01 Computer programming activities
62.02 Computer consultancy activities
58.11 Book publishing
58.12 Publishing of directories and mailing lists
58.13 Publishing of newspapers
Publishing
58.14 Publishing of journals and periodicals
58.19 Other publishing activities
74.30 Translation and interpretation activities
Museums, galleries 91.01 Library and archive activities
and libraries 91.02 Museum activities
59.20 Sound recording and music publishing activities
85.52 Cultural education
Music, performing and 90.01 Performing arts
visual arts 90.02 Support activities to performing arts
90.03 Artistic creation
90.04 Operation of arts facilities
Department for Culture, Media & Sport 27
Creative Industries
The “creative intensity”, calculated on 2011 and 2012 data, of each SIC code included in
these estimates is shown in Table 15 below.