EDITION SVITZERSuggested set-up 1 Blocks Piccolo Sware Dewan Kick Deum (Buss DramArena - Solo Version This solo perenssion piece is extracted from Tobias Brostrim + Arena - Percussion Ci Swedish percussionist Johan Bridger. The piece does not include che complete sala pervussion part and has, in some aspects. Ww Ae rewritten to work asi slo, The a leives from the fact that durin, 1 performance of the concerta version, the soloist walks berween percussion set-ups located at various positions on st neerto version, three set-ups ane used: at the b a isthe Large snipe cussion set-up (this is the one used in the solo version, which includes 26 pitehless instruments): in the front 10 the right of the conductor i a small set-up consisting of belltree. dubai, waterphone ete: and to de Pe left of the conductor is five octave maianba, Are cussion Cor sto Not begins andl ends its 27-minute journey at the rox. 10-12 minutes, Arena = Sola Versi set-up atthe buck of the stage. ‘The duration of the solo ve by Johan Bridger at Kultashuses in Storkholin on 18 November, 2004. Jon i Performance notes In this publication, Johan Bridger provides the su tea sticking, which appears in the score but notin the performance pa = All notes marke be accompanied by a groavy flow of double s with double strokes are tobe played with a “ghost note feel", As inthe cadenza, all the aerented notes should nimencded that the suggested = Wis highly oe uy be used = The tan roll elimas in bur 129 should cover the start of the following bars, which are the inning ofthe vaenzn, The stick/mallet change is made very quickly here Available ition Svitzer Aeon ~ Solo Ver Arena = Perens on Concerto No. 1 Arona - Percussion Concerto No. 1, Piana Reduction Tobias Brostediny was born in 1978 in Helsin beet at the Malm Acauomy of Musi sweden, Following four years of pr arked on the pursuit of a Master's degre in composition, stuyin composer Professor Luca Francescon ‘with the Swedish composer Rolf Martin Ap many: works for percnssion, He has al snus for film and dance, chamber music and orchestral works inchuling Transit Underground, C Arena ~ Percussion Concerto No. 1. which was composed for Joan Bridger. Numero Larsson, Karen Gomyo, Gavle Symphony Orchestra, Helsingbor Jinsthinself Tobias fas compo ose electeo-nconstc on Skies, Cri es Symphony Onchestea, the Symphony Orchestra of Norelandkoperan, Malind Spinphony Orchestra, Autura Chauber Orchesten, Northwestern University Chamber Orchestra Musica Vitue, Third Cast Pervussion Quartet, Mallens hiews, Gage Tobias’ sola andl chamber music have been performed throughout Europe. the USA ans Asa, He was awarded sehuarships fram the Royal Aeaulemy of Musie, Stockholm from 2001-2006 and from the Swedish Performing Rights Society in 2006. In 2004 he was awartled the Rosenborg-Gehrman compesition scholarship, His amusie Pere i, Kaléidoseope and Hakan Hardenberger, An Eselats Precassion Quartet and BIT20 have perfurited his works, ished by Ealtion Svtzer. Gebrmans and Keyboard Since the autumn of 2006, Tobias has been Composer-in-Resdence with the Ciivle Symphony Orchestra under prineipal conductor Robin Tieciat. resulting i the composition of two new orchestral works each year, The frst of these. Crimson Seas, was selected by ish Ra onal Rostrum of Composers in 2007 to represent Sweden in the European Broadcasting Union's Inte