Professional Documents
Culture Documents
OF
INTERIOR
DESIGN
2
Submitted to-
Ar Rimaljeet Kaur
Submitted by-
Sumit Ranjan
College of architecture,
Bhaddal, Ropar
6th sem
AR/12/834
What is meant by “Principles of Interior Design”?
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The Principles of interior Design are the
ways that designers use the Elements of
interior design to create good
Compositions
(decoration/arragements).
Design principles are ways of
arranging or organising design
elements.
These principles evaluate each element
in a design (magnificent vs. mediocre
right vs. wrong).
The way the elements are arranged to
create a feeling of stability in a work.
Principles of Interior Design
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BALENCE
Balance
6 introduction
Asymmetrical
elements can
be as big as
statement
furniture or as
small as table
decorations
Radial Balance
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When there is a central focal point with other
elements radiating from it or around it, this is
radial balance.
Radial balance is almost circular – distributed
arrangement of items around a central point
either extending outward or inward.
You see radial balance less often in traditional
homes; round rooms are difficult to link to
other spaces.But the result can be stunning. The
central elements of a radially balanced room
— like the dining table and light fixture in this
dining space — become the immediate focal
points.
The chairs, sculpture and print all radiate out
from this central point.
SPACE
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Space
introduction
FOCUS/
EMPHASIS
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Focus/Emphasis
i n t r o d uct i on
Accent, stress, or importance placed on a part of
a piece of artwork.
Focus is used to centre attention.
Focus can be created by contrasting elements so
that they attract attention.
Emphasis is something we all know about. It simply
means that every room or space has a focal point,
whether it is architectural or an object.
A fireplace is the most common architectural focal
point.
Oversized artwork or a large piece of furniture
can also be a focal point in a room.
Interior design elements like color, texture and
form are used to add emphasis to a focal point.
If you refaced your fireplace with bronze glass
tiles, you have used color and texture to create
The fireplace and mirror collection
emphasis. exemplifies emphasis in a room.
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The sofas
frame the
painting as
the focal point
of this room,
with a white
wall-to-ceiling
construct
juxtaposed
against the
wall and
ceiling for
further
contrast.
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RHYTHM
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Rhythm
i n t r o d uct i on
The design principle that suggests connected movement between different parts of
a design by using colors, lines, forms, or textures; also referred to as continuity
Rhythm is visual flow: the eye should be able to ‘flow’ smoothly across the room.
Regular repetition of lines, shapes, or colors that create a movement.
Patterns have rhythm .
Rhythm refers to a way of utilizing the art elements to produce the look and feel
of rhythmic movement with a visual tempo or beat.
Rhythm is a feeling of structured movement created by the repetition of elements.
Rhythm can be used to create a sense of movement in, through or around a
design.
Repeated elements and the spaces between them make patterns that we
experience as rhythm.
This helps to give a composition visual harmony by creating unity in a layout.
Examples include the repetition of similar shapes, colors or textures.
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Rhythm
Rhythm can be accomplished through the
following means:
40 1. Repetition
2. Alternation
3. Progression
Repetition
The repeated use of certain objects or
physical attributes of decor elements.
Interior design elements placed according to size from smaller to bigger ones, or perhaps according to the
gradient of their colours.
Rhythm can also be achieved through progression. Examples are a gradation of colour or a series of objects
that start small and become large in a very regular manner.
46
The Barajas
Airport is an
excellent
example of
rhythm
achieved
through
repetition
and
progression
of colour.
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UNITY
Unity
48 i n t r o d u c t i o n
Unity is achieved when all of the different elements in a design work together to create a unified whole.
Designers use unity to make elements in a composition appear to belong together.
When each elements has a clear visual relationship to one or more other elements, the composition is
unified.
Unity is what draws the whole design together. Simply put, every single item in your home should
contribute to the overall interior design concept, not draw away from it.
All Parts of a work of art are interrelated, balanced, and organized to achieve a quality of oneness .
A unified design is greater than the sum of its parts; the design is seen as a whole first, before the
individual elements are noticed .
Unity can be compared to harmony, integrity or wholeness.
1.Alignment
Alignment consists of arranging elements so that
their edges are lined up.
The common alignment allows the eye to group
those elements together.
A grid is often used to create unity through
alignment, not just in a single design but also
between related designs (the pages of a
magazine or book, for example).
2. Similarity
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Repeating colors,
shapes, values,
textures, or lines
creates a visual
relationship
between elements,
called correspond
ence.
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Proximity is based on
grouping by closeness;
the closer elements are to
each other, the more
likely we will see them as
a group.
Proximity is one of the
easiest ways to achieve
unity.
3.Proximity
4. Repetition
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Repetition is based on
grouping by similarity;
elements that are similar
visually are perceived to
be related.
Any element can be
repeated - line, shape,
color, value or texture -
as well other things such
as direction, angle or
size.
Repetition helps unify a
design by creating
similar elements and is
one of the most effective
ways to unify a design.
5. Continuation
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Continuation means that
something (a line, an
edge, a curve, a direction)
continues from one
element to another.
The viewer’s eye will
follow the continuing line
or edge smoothly from
one element to other and
the mind will group the
elements because of this
connection.
Implied lines are one
example of continuation.
6.Overlapping
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Overlapping
design
elements can
contribute to
unity by
creating a
relationship
between
separate
elements.
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Sumit Ranjan
Architecture student
at College of Architecture, Bhaddal,
Ropar , Email-ar.sumitranjan@gmail.com
Fb-www.facebook.com/sumiran46.muz