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(William Blake)
First, let’s look at the title of the poem ‘London’. Blake simply uses the name of a town. So
what’s the importance of this title? Nowhere in the content of the poem we see the location of
this place, it is only the title that says the poem is about London.
What are the thoughts and ideas that you get when you hear the title London? What do you
expect the poem to be about? Keeping these thoughts in mind, let’s look at the poem.
The following section looks at the summary of the poem stanza by stanza.
First stanza
The narrator is walking through the streets of London. Everywhere he turns, he sees the
downtrodden faces of the poor. They look tired, weak, unhappy, and defeated.
Second Stanza
The narrator hears the people’s voice everywhere. The voices are full of fear and repression. The
people and their minds are restrained or “manacled”.
Third Stanza
The narrator reflects on and emphasizes the chimney sweepers and soldiers. The mournful cry of
the chimney-sweeper acts as a chastisement to the Church. The blood of soldiers stains the outer
walls of the noble’s palaces.
Fourth Stanza
In the last stanza, the narrator talks about the nighttime. He talks of the prostitution and the
consequences of prostitution on both prostitutes and customers.
Now you can ask questions like this:
You can combine all these facts and points to do an analysis of the poem. In the analysis, you
can look at how has the language, structure and literary devices contributed to the poem
Analysis
The poem begins on the streets of London. From the beginning itself, the poem conveys a
gloomy, oppressive atmosphere. Note the repetition of certain words like marks, charter’d.
Charter’d here can refer to ‘controlled’, ‘commericalized’, ‘mapped out’, etc. Charter’d Thames
and charater’d streets refer to oppression and subjugation of people. And marks emphasize the
fact that everyone is marked by woe and weakness.
The poet uses repetition again to drive home the fact that people are physically and mentally
confined and oppressed. Blake also uses the interesting metaphorical expression ‘mind-forg’d
manacles’ to refer to the extent of this oppression. People have no freedom to think or imagine.
He also subtly brings in the word ‘ban’ to emphasize the suppression of people.
In this stanza, the narrator criticizes the religion and the nobles for exploiting the poor. Chimney
sweepers and soldiers can be a representation of the poor, exploited class whereas church and
palace walls represent the nobility and religion. Furthermore, the hypocrisy of the church and the
indifference of the nobility are also highlighted in this section.
In the last stanza, the speaker reflects on how the young prostitutes’ curse–referring to both
profanity and her child out of wedlock–their children. Also, the oxymoron of marriage hearse
implies the destruction of marriage. Here, men are using prostitutes and then possibly spreading
diseases to their wives and newborn children of wives and prostitutes. It becomes a never ending
cycle of vice.
Image Courtesy:
London Street (CC BY 4.0) via Commons Wikimedia