This checklist can be used by teachers to plan or evaluate a course that prepares students for a comparative study task. It includes guidance on teaching students to examine and compare artworks from different cultures and time periods using critical analysis. The checklist also addresses providing opportunities for students to independently research art practices, interpret artwork functions and contexts, and communicate understanding visually and through writing. Finally, it covers explaining the task requirements and marking criteria, sharing exemplars, and setting realistic timeframes for drafts, feedback, and final submission.
This checklist can be used by teachers to plan or evaluate a course that prepares students for a comparative study task. It includes guidance on teaching students to examine and compare artworks from different cultures and time periods using critical analysis. The checklist also addresses providing opportunities for students to independently research art practices, interpret artwork functions and contexts, and communicate understanding visually and through writing. Finally, it covers explaining the task requirements and marking criteria, sharing exemplars, and setting realistic timeframes for drafts, feedback, and final submission.
This checklist can be used by teachers to plan or evaluate a course that prepares students for a comparative study task. It includes guidance on teaching students to examine and compare artworks from different cultures and time periods using critical analysis. The checklist also addresses providing opportunities for students to independently research art practices, interpret artwork functions and contexts, and communicate understanding visually and through writing. Finally, it covers explaining the task requirements and marking criteria, sharing exemplars, and setting realistic timeframes for drafts, feedback, and final submission.
This checklist can be used either to help with the planning of the taught curriculum or as a checklist once the programme plan is complete. Use this checklist to ensure your course prepares students for the demands of this task.
Part 1: Comparative Study
I have taught ways of examining and comparing the work of artists from different times, places and cultures, using a range of critical methodologies, considering the cultural contexts influencing their own work and the work of others. I have provided opportunities for students to develop the ability to research and analyse art- making practices from a variety of cultural contexts and to make informed comparisons between them. I have guided students through the process of critical analysis, identifying and critiquing the formal qualities of a range of artworks, objects and artifacts from a range of origins. I have provided opportunities for students to interpret the function and purpose of works, evaluate their significance within the cultural contexts in which they were created, and compare and contrast different pieces, demonstrating that they are able to articulate their understanding in both visual and written forms. I have provided opportunities for students to consider the historical, political, social, aesthetic and intellectual contexts from which art can evolve and to which it can contribute. I have modelled different visual and graphic organizers to assist students in analysing, interpreting, evaluating and/or comparing different works. I have given students experience of exploring ways of communicating through visual and written means, making artistic choices about how to most effectively communicate knowledge and understanding. I have given students the opportunity to work independently. I have introduced students to different types of source material and provided guidance in discerning the quality of sources. I have explained how to acknowledge sources used.
Visual arts teacher support material 1
Part 1: Comparative Study I have provided an outline of the nature and requirements of the task and provided a summary of the marking criteria. I have unpacked the marking criteria with the students and shared exemplars with them. I have set a realistic timeframe for the students to complete their first draft, and for myself to provide feedback. I have set a realistic internal deadline for the final submission of the work to allow sufficient time to have the work submitted electronically.