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Master of Creative Music Therapy

Master of Creative Music Therapy

UAC Code Music therapy is both a science and an art. Nordoff-Robbins Music Therapy Australia
952980 Semester 1 As a profession, music therapy calls for a Ltd (NRMTA) was incorporated in 1997
952980 Semester 2 unique combination of creative skill and an and is part of a network of
empathic personality. Nordoff-Robbins centres and training
Study Mode programs throughout the world including
Through the training students will develop England, Scotland, USA, Germany and
2 years part-time an insight into their own psychological South Africa.
Penrith campus make-up, their own needs and areas of
vulnerability. www.nordoff-robbins.com.au
Tell me about this course
Professional Accreditation What are the entry requirements?
The Master of Creative Music Therapy is a
two-year, part-time degree, offered in The Master of Creative Music Therapy is The course is open to applicants who
partnership with Nordoff-Robbins Music accredited with the Australian Music have either a:
Therapy Australia (NRMTA). Much of the Therapy Association Inc (AMTA). On » Relevant Bachelor’s degree or
course is conducted from Australia’s only satisfactory completion of the course recognised overseas equivalent; or a
purpose-built facility, the Golden Stave graduates are eligible for registration with » Recognised relevant overseas
Music Therapy Centre, on the Penrith the AMTA. Bachelor’s degree or equivalent and a
campus of the University of Western high level of understanding of English
Sydney at Kingswood. AMTA is the professional accrediting body to IELTS score 6.5 if you are an
for all music therapy courses in Australia international applicant.
The course offers an intensive program of and grants registration status (RMT) to
musical, therapeutic, and academic graduates. A high standard of practical musicianship
studies with an emphasis on clinical is required. It is preferred that you have
musicianship and supervised clinical work. http://www.austmta.org.au/ the skills equivalent to 8th grade AMEB
With this practical, ‘hands on’ focus, on your first instrument and at least
students work at the Golden Stave Centre What is Nordoff-Robbins Music 5th grade on the piano (if this is not the
and external music therapy programs, Therapy Australia? first instrument).
under the professional supervision of Nordoff-Robbins Music Therapy Australia
registered music therapists. Ltd was founded in 1984 to promote and A pre-enrolment audition and interview is
develop the understanding, training and critical to the selection process. Auditions
The course guides students in developing practice of creative music therapy. The are designed to give candidates an
an awareness and understanding of music organisation takes its name from opportunity to demonstrate their music
and how to use it therapeutically through composer Paul Nordoff and special skills and communicative ability. During the
improvising, composing and arranging to educator Clive Robbins who first interview candidates will be asked to talk
meet the needs of individuals and groups. developed the creative music therapy about their reasons for wishing to
approach. This approach focuses on undertake the training and the experiences
You will also study the history and awakening an inborn musicality in every that have led them to applying.
professional development of music client in order to develop his or her full
therapy, including the various potential as a human being. It is an
methodologies and theoretical constructs interactive and participatory form of
that form the basis of clinical work being therapy where the music acts as the agent
carried out in more than 40 countries for change and healing.
world wide. The focus is on a deep, formal
understanding of clinical and human
issues that confront clinicians working in
the community, as well as ethical and
professional responsibilities.
What will I be studying? Music Therapy Method Music Therapy Skills 2
To qualify for the degree of Master of Music Therapy Method provides a Through music therapy skill development
Creative Music Therapy students must background to the historical development and music therapy practicum, this unit
complete eight units, equivalent to 80 and theoretical underpinnings of music engages students with the study of
credit points. Four units are offered each therapy worldwide. The Constitution and improvisation, instrumental playing,
year on a rotational basis. Code of Ethics of the AMTA are outlined repertoire, song writing, voice work and
alongside government legislation and composition illustrated with advanced case
1st year social attitudes that impinge on the material. In the practicum, students
Semester 1 delivery of music therapy to the engage in clinical work under the
Music Therapy Skills 1 community. Normal human development supervision of a Registered Music
Music Therapy Method through the lifespan is looked at in depth Therapist. Work is undertaken with
paralleled with studies on developmental children and/or adolescents with a trained
Semester 2 disabilities and other disorders. Culture, clinician or student colleague.
Music Therapy Theory and Practice 1 gender, race, religion and socio-economics
Creative Music Therapy Practicum 1 are examined within the context of Music Therapy Professional Practice
understanding the place of music therapy This unit consists of two modules. One
2nd year in society. provides students with professional skills in
Semester 1 academic, clinical and report writing plus
Music Therapy Skills 2 Music Therapy Theory and Practice 1 professional presentation skills. In the
Music Therapy Professional Practice This unit has two modules. One places second module students are introduced to
greater emphasis on skill mastery and the receptive methods of music therapy as
Semester 2 ability of students to draw on concurrent well as being given a background to
Music Therapy Theory and Practice 2 practicum work for musical material clinical research in preparation for the in-
Creative Music Therapy Practicum 2 relating to work with adult clients with depth studies in semester 4.
diverse needs in different clinical situations.
Unit Descriptions Students will engage with reflective writing Music Therapy Theory and Practice 2
on their work with clients. In the second The unit continues the development of
Music Therapy Skills 1 module, contemporary psychological skills and the ability of students to draw on
Through a combination of music therapy theories are examined in depth as well as concurrent work with adult clients in
skills and practicum, the unit opens up an the relationship of music therapy to other different clinical settings including
exploration of improvisation, instrumental arts therapies. Students receive an psychiatry, palliative care, and aged care.
playing, repertoire, song writing, voice introduction to psychotherapy, music Relevant research methods are further
work and composition as techniques for psychology, and the foundations of examined.
music therapy. Videos of case studies are research including literature review.
played to illustrate this work. The Creative Music Therapy Practicum 2
practicum introduces students to the Creative Music Therapy Practicum 1 In this unit, students provide music therapy
practice of music therapy through In this unit the creative music therapy for adults in aged care or in a psychiatric
observing and working with a Registered practicum work is expanded to a complete setting. A student may now work alone
Music Therapist (RMT). unit to reflect greater emphasis on clinical but will receive in-depth supervision from
practice within the course and the a Registered Music Therapist. Students
increased expectations on students to are expected to work effectively and
apply coursework to music therapy independently within a
practice. Clinical work is undertaken with multidisciplinary team.
adults with disabilities under the supervision
of a Registered Music Therapist.
Meet the lecturers balances his time between clinical work, really developed my vocal skills and further
Dr Alan Lem teaching and supervision. As a teacher unlocked my capacity for communication
Dr Alan Lem, holds a B.A. in Musicology, Robin is renowned for the guidance he through music.
a Graduate Diploma in Music Therapy, a provides students through the rewarding
Master’s degree in Music Therapy and a process of becoming a skilled music “Graduating with a Masters degree places
PhD in Music Therapy. Since his first therapist. He has also been an active me abreast with current music therapy
registration with the Australian Music member of the Australian Music Therapy graduates from universities around
Therapy Association Alan has been Association (AMTA). Australia. I am now working as a
actively involved in research, teaching and Registered Music Therapist at The
clinical supervision. In 1998 Alan Graduate Profile Children’s Hospital at Westmead, a special
commenced regular work as a casual “My first encounter with music therapy school and as a member of a team of
lecturer in music therapy at UWS, and in was teaching children with special needs therapists at the Golden Stave Music
2000 at the Golden Stave Music Therapy in London, who were attending the Therapy Centre. The course has equipped
Centre, where in 2003 he also became a Nordoff-Robbins Music Therapy Centre. me with the creative resources to work
research consultant. Alan’s ongoing As a primary teacher with a bachelor in with oncology patients and their families,
commitment to research in music therapy music performance, music therapy children with profound physical and
is reflected in his postgraduate instantly appealed to the parts of me that intellectual difficulties and their teachers,
dissertations, publications and conference loved working with special children and as well as adults with a variety of special
presentations. His key publications appear using my music in some way other than needs. The Creative Music Therapy
in MusicMedicine 3 and the Journal of the for myself. After attending the Centre in Course has opened doors for me I never
Australian Music Therapy Association. London for some introductory courses in knew existed and brought me into contact
music therapy and improvisation I realised with amazing clients from whom I
In 2005 Alan returned to Australia from the intuitive fluid approach to music lying continue to learn.”
Europe to take up the position of Lecturer at the heart of the Creative Music Therapy
in Music Therapy at UWS. He focuses on philosophy was the path I would take Jenny Whalan – Graduate
the curriculum needs of the growing upon returning to Australia. Master of Creative Music Therapy
number of Master of Creative Music
Therapy students as well as developing a “I was told at the beginning of the course
research profile of the Golden Stave Music by a graduate that the next two years Research Degrees in Music Therapy
Therapy Centre. would be as much of a journey into myself UWS offers academic supervision,
as an exploration of music and she was extensive research support and access to
Mr Robin Howat right! What she didn’t say was that this clinical facilities for those interested in
Robin Howat RMT, trained in London in never stops – throughout our training we music therapy research leading to the
1977/78 and subsequently took on the were encouraged to seek the inner degrees of Master of Arts (Honours),
position of Head of Training at the Nordoff- potential and sometimes hidden musicality Doctor of Philosophy and Doctor of
Robbins Centre in London. During this in our clients and thus my approach to Creative Arts. For further information
time he frequently worked with Clive all people I deal with in life has please contact Dr Alan Lem at the Golden
Robbins. He moved to Australia in the changed forever. Stave Music Therapy Centre.
1990s to be Director of Training for
Nordoff-Robbins in Australia. He is “I had to practise the skill of improvisation
currently Senior Music Therapist for on the keyboard through the process of
Nordoff-Robbins Music Therapy Australia ‘unlearning’ and ‘relearning’ everything I
based at the Golden Stave Music Therapy had ever been taught as a classically
Centre. A prolific musician with extensive trained musician. The course challenged
experience in music and clinical and broadened my musicality, expanding
improvisation, Robin Howat was my awareness of the infinite and subtle
instrumental to the development of both resources that lie within the musical
the Centre and the Master of Creative medium that we work with. What I didn’t
Music Therapy, and remains passionate expect was how much we use the voice
about music therapy generally and creative as a primary instrument in therapy.
music therapy specifically. He now Although not a trained singer, the course
How do I apply?
Applications should be made through the
Universities Admissions Centre (UAC). For
further information see UAC Postgraduate
website: http://www.uac.edu.au/
postgraduate.html

Postgraduate Coursework Booklets,


complete with application forms, will be
available free of charge from UAC and the
UWS Course Information Centre, freecall
1800-897-669.

Prospective students are encouraged to


visit the Golden Stave Music Therapy
Centre at UWS where much of the course
work takes place. For further information
or to discuss any aspect of the course,
please contact Dr Alan Lem, Lecturer in
Music Therapy.

Who do I contact for course advice?


Dr Alan Lem
Golden Stave Music Therapy Centre
email: a.lem@uws.edu.au
Ph: 02 4736 0240

The University of Western Sydney reserves the


right at all times to withdraw or vary courses
listed within this publication. In the event that
the course is to be changed, or in the event
that the course is to be withdrawn, applicants
will be advised by mail to the address specified
by them on their application.

CRICOS provider code: 00917K


University of Western Sydney
Locked Bag 1797
Penrith South DC NSW 1797 Australia
www.uws.edu.au

Course Information Centre


1800 897 669
study@uws.edu.au

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