Fantaisie

  
Alex Halme
in E♭ minor

     

           
2017

       
 
apassionata

          

    

            3 
     


 
   
3 3

3 3 3 3 3
3 3 3 3



                
     
 
 

5

  
        3      
         
      
3 3


3

3 3 3 3 3 3
3 3

         

     
       

              
8


 3   
                  
             
3

   
3


3
 3 3 3 3 3

 
             
    
                 
  
  
11


       
        
  
3

     
3

3   3
3 3
3
3
        
                

            
13

                   
 3

                   
      
3
 3 3


3
3

     
3 3

            
             
3


15 3 dolce
rit.

  
        


            
   
3 3

 

  
        
        
18 sempre l'istesso tempo 3

3

                   
 
3

  
3 3 3 3

  
 
3


3 3

3 

3
3

3
          
          
  
22

   3          
          
3 3


         
     

3 3 3 3

   3 3 3

 
3 3


                        
  
3 3


3

  
25

                    

   
   

3
3

2
   
            
       
27

     
   
accel.

   


       


3

        3
3


3


3 3 3 3 3

3 

3 3 3 3
        
                              

  
31


                   
                     
3 3

     
    
3
3

              
      
 
3


3

 
3


33 3

 
         
          
       

  


 
 
          
          

35 3
3


  
         
    
3 3 3 3 3 3

    
 3
3

 




         



     
    
38
3 3

        
3 3 3

  
3

  
3

  
3

    


3
      
3

      
41


  
3

   
3 3

   
3


3

3


          
         
 
        
    
43

    
   



   3   
 
m.d.

 
m.g.


3


      
quasi improvisato

    
tempo primo

        
  
 

3


44

 
 


  




        
   
     
 

  
  3
3
3


                  
3


      
3
46



      
   
              
      
 

                   

                 
49

              
             
       
  


   
3

    
3

   

3 3

4
 
        
 
meno mosso

 
51



           


         
     
  


       
  

53


            
  
     
     

     

           
   
precipitando quasi improvisato

 
55

         
                   


    





    


    
 

    
     
 
 
57


con bravura

6 

            


 
6 6


meno mosso

  

     
               
          
59

 
     
           
    

5
      
   
   

   

     
     
62

   
  
       



     
  

         

         
più mosso

 

 
65



 
 

     
    


   
  
    

 
 
                 
3

            
                      

67

         



        
   
      

 
             
       
                 3   

70


         


         
     
    
    
                       


      
73

 rit.    
   
3 3

         


        
  
6
         3
doppio più lento

   
      
3

 
3


76

  
 
    
 
3

 
rit. 3

       
3


   
3

3
3


 
3

       


3

    
78 maestoso

       
        
3




    
   
        
               
 
3

      
79 3 3 3

    
            
 
          
3

 
 
3 3


3

   

3 3
3

  
 
             
81 stringendo

         
       
3


 
3

  
 
3 3

  
 
               
tempo primo ma più mosso

 
                    
82

 
      
           

 
    
3 3 3
3 3 3
3
3
7
     

  
      
  
84

   
    
3

 
3 3 3

    


     
      
85

3          

              


  
3 3 3

          
3

      
3

     
3 3

            
3

 
86

         

     
3


3 3

 
  
 
   
      
        
      
   
3

         
87

  
  


  


  
più mosso accel.

  
 


      
89

     
  
    
     
  


 
8