TUNE UP Solo (annotated)

Approach Pattern 1

A7
Gb/A7 Upper Structure Triad (UST)

\\ ! E-7! D Dmaj7
& . . . . Q . .Q . . Q. . . O. O.
.# " O.
% \\ D E# . --- E . D E O. . . Q. .
"" " "
Note the motif repeating from 4 bars earlier...

D-7 Cmaj7 G7 E triad UST over G7

D E ! D
& . - . . Q. .
. . . . . . Q.
% D E . D . Q. P. Q. P. . . D -
" --
Straight-up C- Bop Scale! Straight Down F7 Bop Scale!

C-7 F7
E !E !
App. Pattern 1

& . . O . P . . . O. . . .
. - . . O . . . O. Q.

% . .. E .. .#
.# O O ..
.. " "
App. Pattn. Chunk of E- Bop Scale
(Note C natural...)

Bbmaj7 Ebmaj7 E-7

E !
& . . . Q. . . . P.
. .
% E . O. P. E O. . Q. . .
O. . O-
... D
3

" O . .
 (D# adds bit of #11 flavor) Bbmaj7
A7 E-7 A7
Q. . Q. . . . E
!
Q . . O. .Q . . ! !
& P. . . . Q.# .
% D . O ... E ... ... .# ..
" "
A7 Bop Scale (used to go DOWN on E-) App. Pattn 1 in an
App Pattern 1
Interesting place...
E-7 A7 Dmaj7
. Q. . . Q.
& . . O . . . O. Q. . Q.
.
% D E . . . Q. . . . .
"
. .
Eb UST over G7
!
D
D-7
E ! D
G7
D O . . O .Q .
& . .
. O. . O. .
!
%D . . D . . . . O. O. . O . E P .. --
. . . "
. . .
Bit of Bb Maj
Cmaj7
.
Bop Scale

. . . 3. C-7 F7
. D 3. D
3

. . . . O-
3

& . . . . . Q.
!
% E ... --#
-## ,,, O.
.
.
.
E O. . . D
" . .
 App Pattern! Another App. Pattn!

Bbmaj7 Ebmaj7 E-7

E !D D
& . O. . Q. . P. .
! !
%E ! D D P. . O. . Q. P. . Q. . .. . . Q.
O.
O. O. . .
Bit of motivic development from last 2 bars...
G triad arpeggiated leads to...

A7 Bbmaj7 E-7 A7 E-7

D E !E ! . . E ! .
& . Q. . . . . .
!
%. .# ! O . . . . Q.. .. E . . .. D
. . O. O. .
. . "
O. F triad over D-7 leads to...
...F UST over A7 altered

A7 Dmaj7 D-7
. . . . Q. P. Q. . P. Q. . ! . 3. . . . . . . .
& . . .
. . Q .. ## P .. .

% Q . # P ..
"
...E triad over G7. This repeated harmonic
device is yet another way to
G7 create some motivic development. Cmaj7 App. Pattern 1 App Pattern 1 again!

. D
& . Q. . . . . Q. . .
. . .
% D E . D . . . O. Q. . . O. O.
"
 Bb major Bop Scale. Not the strongest thing here, since it doesn't really resolve! Note the B natural to

Bbmaj7
put us back in sync...
C-7 F7
D E ! O . . . O. . O. . . . O. . .
& .
. . . O. . Q. . . . ..

% . E . O. D D E ... --- ### E O ..

" " "
.
Ebmaj7 E-7 A7
. E ! !
& .. . . O . .. .. . . Q. . Q. . .. .. ## .
. . . Q ..
% -- E O .. .. ... --- ... . . . E . -
" "
Motif from 2 bars earlier, now in Bb

Bbmaj7 E-7 A7 E-7

. ! E ! E ! .
& O . . . Q. . . . .
. . . . . Q Q .. .. . .
% E .. D E O ... ... . E .. E . . ... E . D E .
" " " " " "

A7 Dmaj7
E ! .
& . . Q. O. . .
. .. Q . . . . . . . . . .
Q. . .
!
% E . E . E . E Q .. .. E Q . E .. E . D E Q . E .. ..
" " " " . " " " "
 G7 bop scale... Bunch of E- pentatonic scale

D-7 G7
Cmaj7
(or G major if you prefer)...

. E E ! !
& . . . . O. . . . Q. P.
. . . . .
% .... E .. . . . . . .
"

C-7 F7
E ! D
& .
. O.
3

%. . . . . . O . . . O . . .
. O. Q. . . . . . .
.
Bbmaj7 Ebmaj7 E-7
! E . .
& . Q. . O. . . . . . . . . .. . .Q . .. .. . . .
"
%E ! D .. E ... ---### D
O. "
More motivic development from 2 bars earlier A7 Bop Scale
App. Pattern
A7 ! Bbmaj7 E-7 A7 E-7
E ! E . .! D . O. . Q. . O. .
& . . P. Q. . . . " .
Q. .. .. ## . " . Q. # .
%E . E . .# O ... --#
-# D D .. .# .
" " " "
 App. Pattern 1

A7 Dmaj7 F#- Pentatonic........................................................

. O. . P. Q. . . . O. D
& O. P. P. Q. . Q. . Q.
Q. . .
% . . .

Eb UST arpeggiated over G7. Note F - F# to

Bit of CMaj Bop Scale
2 App. Patterns
Cmaj7
put us on the "G" on beat 1 of next bar...
D-7 G7
. Q. . . O. . . Q. P.
nested together!

D E ! D O .
& . . O. O. . O. . .
%. . E . E . . . O. D E P .. .. E .. D
" " . " "

C-7 F7
O. Q. . .
& . . P.
. O. . . . . . Q .! . . . .
! !
% E D E E .
O. . . . . E O . . .Q .
!
. " . . " O.
Bbmaj7 Ebmaj7 E-7 A7
F#- UST here

D E !E D D
& . - . . .. . . Q -- ##
" Q -#
!
% . . . .
.Q . O. . . . P . E ! .. D -#
O O .. O . O .. . .
 Bbmaj7 E-7 A7 E-7
D .Q . .
! E ! . . . .
& . O. . . . . .
. . . Q. . . . .
% O .. E .. D E ... ... E . E . . .. E ..
" " " " "
A Maj Pentatonic scale

A7 Dmaj7
& . Q. . Q. . . . . . . Q.
% E . D . . . Q. . Q. . P.
"
. . .
App Pattern! App. Pattern 1
Cmaj7
D- Pentatonic Scale
G7
D-7 .
DE ! . . O . . . . . . . .
. O . P .. Q . P .
3

& . .
. . . . .
%. . . E .. D E .. D E .. E ...
" " " "
App Pattn 1 App. Pattn 1 ANOTHER app Pttn

C-7 F7 App Pattn...

& -- . . . O. . Q. P.
. . Q. . . O. . .
% --- ... D E D E E O. . . O. .
! ! "
. .
 STILL ANOTHER App. Pttn

Bbmaj7 Ebmaj7 E-7

&

% . . . O. . . .
. O . . . . . . P .. . Q.
. . .
. Q.
. .

A7 Bbmaj7 E-7 A7
E ! . .
& . . Q.
!
. . . . .. Q.
% . . Q . P . . Q . . . O . . . O .. E ... ... D E .. E . E ...
" " "
"
G triad arpeggiated over E-7 turns into......Gb UST over A7, then to..... F triad over A7...

E-7 O A7
EXPANDED

. . . . O. O. P . . P . Q .!Dmaj7
. Q. . .
App Pattern

& . . . .. .
O. P .
Q Q .. Q .. . . .
% D E ... ... D E . D E . D E Q .. ..
" " " "
App Pattn 1 Motif from 1 bar earlier

D-7 G7
& Q. . O. . . . . . . . . . . . . Q. P. . . .

% .. D E E .. ..
! . . O. .
E .. E .. .. . ..
. " " "
 App Pattn 1 Chunk of C- Bop Scale (note G#)

Cmaj7 C-7
& Q. . O. . . . .
3

. O. P. . .
% D E .. . . . O. . . Q.
" .
F7 Bop Scale App. Pattn

F7
App Pattern
Bbmaj7 Ebmaj7
D P . .
!
. . . Q.
& . O . Q .
. . O . P . . Q . . O . . Q . . P .. .. . .
% . O. D D E ! E .. D E O .. -- .. ...
" "
O.
E-7 A7 Bbmaj7 E-7 A7
E Q. . . . . .!Q . D E !D .
& " . . . Q .. .. . .. .. - . Q Q .. .. ## "
% --- E . E . E . . O --- ... D E . D .# !
" " " " .
!
Motivic device from 2 bars earlier

E-7 A7 Dmaj7
Q. . . . D E ! E . Q. . . . . ! .
& "
Q Q .. . . . . # Q .. .. ## P ..
% E . D E Q .. E . Q ..#
. # .. .. ## P ...
" " " " "
 More motivic development, now twice as often...

D-7 G7 Cmaj7 Early start on F7 Bop Scale

Q. . . . . Q. . . . . Q. . . . . . . O. . .
& . Q .. .. . . . . P. - .
% D E . E .. .. E .. E .. E .. .. .. -- E .. D -- . D
" " " " " "
App. Pattern 1 App. Pattern Bb Maj Bop Scale...
C-7 F7 Bbmaj7
App. Pattern 1

D
& . . O. . .

% E O. . . . . O.
" Q. . . . . . O. P. . O. . . O.
. O.
...continues over Eb Maj 7 (#11 sound) Slow A7 Bop Scale (note G# in it)

Ebmaj7 E-7 A7
E ! Q . E !
& . O .
. . O. . Q. . . . Q. Q. Q. . Q. .

% . Q . . . O . O . E P ... ---### E . E . - D
O. " " "

. # .! - .. Q . -
Bbmaj7 E-7 A7
. . Q. D Q. . . Q. . . .
& . . . . .. --
3

. Q. Q. -
% O --- E . E .. -- E . D Q .. -- ,,
" "
" .# "