Form of Compostion:

28 Bar Piano and Guitar Intro

26 Bar form of the tune: 8 bar A section
8 bar B section
10 bar C section
Solo Form:
Two Chorus’s of Guitar, Trumpet, Bass and Piano Solo.
1st Chorus 24 bars is the tune down a halfstep with a variation in the last four bars
2nd Chorus 26 bars in the tunes original key.

Head out:
2 times round the form
First time the tune is played down a halfstep by trumpet and guitar
Final head is in the original Key with piano trio playing the head.
The final four bars of C/D are used as a Vamp/Outro

Chord Qualites,
The Chords used in this tune are mainly triads over bass notes
Intro:
Bar 1-6: Mixture(Quartal and Triadic)
Bar 7: Mixture(Quartal, Triadic and Cluster)
Bar 8-10: mixture(Cluster, Triadic)
Bar 11-14; Triadic Voicing
Bar 15-16:Mixture(Triadic and Cluster)
Bar 17-18: Cluster Voicing
Bar 19-20:Mixture(Triadic,Cluster,Quartal)
Bar 21: Mixture(Cluster,Triadic)
Bar 22: Triadic Voicing
Bar 23-24: Mixture( Triadic, Quartal)
Bar 25-28: Mixture(Quartal,Cluster)

3 Rhythmic style/Groove/Meter
Straight eights, Light Bossa
4/4 Meter

4 Length of Melodic Phrases in relation to Harmonic

A section
4 bar Melodic phrase
Harmonic Phrase Changes Every 2 Bars

B section
2 bar melodic phrases
Harmonic phrases moving in two bar phrase
4 bar melodic phrase
Harmonic phrase moving in two bar phrase
C section
Harmony moving every bar
Melodic phrase lasts two bars
Harmony moves over two bars
Melodic Phrase moves over 2 bars

Melodic Development techniques

A section: 1-4 is the initial phrase

Bar 5-8 reptition of initial phrase with removal of some notes, some rhythmic
displacement and a small Augmentation in the phrase

B section: Intial phrase bar 9-10

Bar 11-12 is a repition of the initial phrase but transposed on the second half of bar 11
(its almost a direct transposition up a halfstep)
Bar 13-16: Bar 13 is a transposition of bar 9, bar 14 is where the phrase changes from the
B sections initial theme and also introduces a development into the C section.

C section: Bar 17-18: Intitial phrase

Bar 19-20: slight variation and transposition of phrase
Bar 21-22: Augmentation and variation of phrase.

Harmonic Rhythm:
Harmony is slow moving changing every two bars
In bar 20-24 the harmonic rhythm incres moving every bar
Then it slows down ending with the harmonic rhythm moving once over four bars

Modal Style:
Plateau modal till bar 16
Vertical modal from bar 17-20
Returns to Plateau modal bar 21-26

Sequential relationships:
Harmony is transposed down a half step for the first chorus of Solo form
Root movement in A and B section is the Same except the B section is transposed down a
Major third
The roots of bars 1,5,9,13,17 descend in whole steps
Bar 17-19 Triads ascend in Major thirds

A section uses mostly uses leaps of a 3rd or Larger intervals for the melody
B section- Increases of stepwise motion
Usually using the pattern of a leap with the melodic phrase descending within the interval
of the leap.