Professional Documents
Culture Documents
BY ROBERT KIYOSAKI
FAKE MONEY
FAKE TEACHERS
FAKE ASSETS
ON
SALE
NOW
BOOTH
823
®
WED.
MAY 29,
Publishers Weekly’s Show Daily is produced each day during the 2019 BookExpo in New York.
2019
The Show Daily press office is in room 4B2. PW’s booth is #1213.
A L L T H E B U Z Z O N B O O K E X P O
Oren Teicher,
© stevekagan . com
Indie Booksellers’ Steady Leader
By Alex Green
For nearly 30 years Oren Teicher has that’s what we did [then].”
been a strong advocate for inde- From board meetings in the
pendent booksellers, rising through 1990s where booksellers rejected
the ranks of the American Book- using fax machines to a world in
sellers Association and leading the which digital preorders through
organization as CEO since 2009. indie websites are a nationwide
While Teicher has often preferred focus for booksellers, Teicher has
to have booksellers take the lime- seen monumental changes to
light, he has been an important the bookselling landscape and
force in helping to drive the resur- found innovative ways to help Crowds at BookExpo 2018.
gence of independent bookselling booksellers adapt.
nationwide.
Earlier this year, Teicher
Under Teicher, Winter Institute
has grown into a major educa- Sonia Sotomayor
announced his intention to retire
from the ABA at the end of 2019.
tional forum for booksellers. The
ABA has also spearheaded suc-
Talks Differences
While he fully intends to continue cessful political advocacy initia-
Sonia Sotomayor, the first Latina Supreme Court
to aggressively guide the associa- Justice, has published three books in the past five
continued on p. 6
tion until then, Teicher sat down years—the memoir My Beloved
with PW just before BookExpo to World and its adaptation for
BO
discuss his three decades of
R E M AG I C ! # O children, The Beloved World of
working with indie booksellers
MO S T E RY !
13 T
38 H Sonia Sotomayor, as well as a
and what he sees on the horizon.
Teicher, who started his career MOR E MY picture book, Turning Pages.
This fall she will publish a fourth,
as a legislative assistant on Capitol The adventures continue in bestselling series from Just Ask: Be Different, Be Brave,
Hill, began working with the ABA NEIL PATRICK HARRIS and TRENTON LEE STEWART Be You (Philomel, Sept.), another
in 1990. He was associate executive picture book.
director/director of government
© elena seibert
Photo © Heike Bogenberger, Beowulf Sheehan, Sonya Sones, Renell Medrano, Perry Hagopian
mile away, and he had friends enough, but he was happiest on his own, playing with his dæmon, Asta, in their canoe, on which w
Malcolm had painted the name la belle sauvage. A witty acquaintance thought it amusing to scrawl an s over the v, and M Mal-
colm patiently painted it out three times before losing his temper and knocking the fool into the water, at which pointt they
declared a truce. Like every child of an innkeeper, Malcolm had to work around the tavern, washing dishes and glasses, s, car-
rying plates of food or tankards of beer, retrieving them when they were empty. He took the work for granted. The only lly
y an-
FRIDAY FRIDAY
noyance in his life was a girl called Alice, who helped with washing the dishes. She was about sixteen, tall and skinny, y, with
y,
AND INTRODUCING
Visit the MAKE ME A WORLD booth in the Javits lobby to learn more!
BEX19_Ad_PWDaily_WedThurs.indd 1 5/23/19 10:03 AM
BOOKEXPO SHOW DAILY
© anna ty bergman
(1544) to pick up one of the 500 copies of the book The Warehouse: A Novel
that Steven King called “an extraordinary piece of work.” (Crown, Aug.)
❱❯ Celebrate Winners
The 2019 Best Translated Book Award winners will be
announced today in the New York Rights Fair area at 5 p.m. and will be
immediately followed by a reception. Chad Post will present the awards.
The reception is open to all NYRF attendees. Read all about NYRF begin-
ning on p. 54.
www.bookexpo.com
4
WEDNESDAY, MAY 29 , 2019
over and over: crossing out lines, ripping up Buzz], and it was especially exciting to find out, surrounded by the team
pages, trying different angles and struc- who will usher my debut out into the world. And when I saw the other Buzz
tures. I worked on it in my free time, and I selections, I was flattered to be listed in their company.
worked on it in class when I was pretending
to take notes. Yes, I had made it out of that Kiley Reid, author of Such a Fun Age (Putnam, Jan. 2020)
room physically alive, but something Between 2007 and 2014, I babysat for over 50 families in New York City,
deeper in me had been threatened and was and these experiences definitely inspired me to delve into the delicate rela-
still very much in danger. It was up to me to tionship between caretakers and mothers. I’m also fascinated by the human
save my own life, and the written word was instinct to do “the right thing,” and I love exploring how we unconsciously
the means by which survival seemed most over- and underestimate the
© david goddard
possible.
Almost a decade later, when I felt deter-
mined to write a memoir that encapsulated
both the story of my fight as well as the
story of my mother fighting alongside me, I
realized that understanding how the written word had saved my life not just
in January 2008 but at so many crucial moments was going to be key.
[On learning my book had been selected for Adult Buzz] I screamed and
immediately turned to tell my best friend, Isaac, the good news. We were on
a train to Washington, D.C., for work. We went to the cafe car, bought hot
dogs, and talked for a bit. And then he left me alone so I could just take it all
in. I immediately started sobbing. I very much wanted to call my mother in
that moment. She died of a heart attack in May 2011. I wanted to share
that moment with her, just as I do my best to share the page with her in my
writing. I knew that wherever she was, she knew. But yes, the joy was
barbed. That’s grief for ya. It even complicates joy. A woman saw me crying people around us.
as I tried to eat my hot dog and asked if I was okay. I rasped, “Good news.” There was a lot of excitement
And she patted her hand on the table and said something like, “Oh, good. and deep breathing [after
We don’t get enough good news around here.” learning the Adult Buzz news].
Writing a novel is such a quiet, private thing, and to learn that it’s been cho-
Lara Prescott, The Secrets We Kept (Knopf, Sept.) sen to be buzzed about is a dream.
I was named Lara after Boris Pasternak’s heroine, and I’ve always felt a spe-
cial connection to Dr. Zhivago. In 2014, I discovered the incredible true Kate Elizabeth Russell, author of My Dark Vanessa
story behind Doctor Zhivago’s publication—a story involving clandestine (Morrow, Jan. 2020)
propaganda missions, vying governments, books used as weapons, per- I’ve had these characters in my head since I was 16 years old. My Dark
sonal intrigue, and heartache. From that point on, I wanted to find out Vanessa began as journal entries inspired by my own experience with older
everything I could about the story behind the story, and it was while reading men. Over the years the “I” transformed into “Vanessa,” a fictional charac-
the heavily redacted CIA documents about the Zhivago mission that I knew ter. Eventually other influences made their way into the novel: critical
I wanted to fill in the blanks with fiction. trauma theory, late ’90s and early ’00s pop culture, and my own compli-
While most eyes gravitate toward the famous man in the spotlight, I’ve cated feelings toward Lolita.
always been more intrigued by the woman in the shadow. I immediately
© elena seibert
found myself being guided by female voices—both of women working at the
early CIA and the real-life inspiration behind Pasternak’s Lara—his mistress
and muse, Olga Ivinskaya.
I was visiting the Knopf
office for the first time when I
heard the news [about my
book being selected for Adult
5 www.bookexpo.com
BOOKEXPO SHOW DAILY
© airyka rockefeller
Uncanny Valley (Farrar,
Straus & Giroux, Jan.
2020)
As a tech worker, I felt alien-
ated by popular narratives
about the tech industry—the
AUTHOR SIGNINGS! stories told about tech, and
the stories tech told about
itself. I wasn’t a futurist, or a
founder, or a man; I was just
a member of the rank and
file. I didn’t see my experi-
ence reflected in triumphalist
narratives, technophobic
op-eds, lean-in feminism, or
inspirational Medium posts.
After five years in the
CYNTHIA BARRETT DAVID DANIELO JOHN BARELLI
industry, as someone who
THURS 5/30, THURS 5/30, 1PM-2PM THURS 5/30, 2PM-3PM was both ambivalent and
11AM-12PM STACKPOLE BOOKS LYONS PRESS
LYONS PRESS 9780811738033 9781493038237 complicit, I thought it would
9781493042272 PAPERBACK • JUNE 2019 HARDCOVER be worthwhile to step back
PAPERBACK • MAY 2019 $22.95 SEPTEMBER 2019 • $27.95
$16.95 and try to document how it
felt to be an ordinary employee during an
especially heady era of startup culture, tech-
nological change, and shifting power
dynamics.
I’m very flattered, and so glad the book
resonated [with Adult Buzz selectors]. Book-
sellers are my favorite people to talk to
about books, so I’m very much looking for-
ward to chatting with them at BookExpo
and learning what they’re interested in and
excited about. —Judith Rosen
The Jazz Age: The 1920s brought Prohibition, speakeasies, and surrepti-
tious sips from hip flasks. At the Plaza, the Oak Bar served lemonade, and
with a dwindling number of patrons was eventually converted into an office
for the brokerage firm E.F. Hutton. Downstairs at the Plaza’s Grill Room,
however, young patrons still gathered for popular tea dances. One frequent
visitor was F. Scott Fitzgerald, the dashing writer famous for his love of Zelda
and his haunting prose. For Fitzgerald, the Plaza was a sort of shorthand,
a symbol he used in several of his works to connote extravagance, wealth,
and frivolity.
Today, 1:30–2:30 p.m. Julie Satow will sign The Plaza at Table 9.
www.bookexpo.com
10
B O O K E X P O 2 0 19
★ PUBLISHING GROUP
FIND US
AT BOOTH
PRESENTATION MAY 3 0
3:00 p.m. | Reed Autographing Area,
F E A T UR I N G Table #10
GRAPHIC NOVELS
FRIDAY, PREVIEW PANEL
Seth Kushner
MAY 31 WITH C H R I S WA R E
10:20 a.m. | Choice Stage
W E D N E S D A Y, M A Y 2 9
1:45-3:0 0 p.m.
Room 1E12/13/14 (E. Hall)
@ BOOKCON
MEET THE AUTHORS
ERIN MORGENSTERN
T H U R S D A Y, M A Y 3 0 Signing of THE STARLESS SEA
11: 0 0 -11: 4 5 a . m .
R o o m 1 E 10 ( E . H a l l ) 10:30-11:30 a.m.
Allan Amato
SATURDAY,
E L JAMES JUNE 1
ES
U P DAT R IN CONVERSATION
E
O R L I V E N TWITT
F S O with Jessica Pels, Editor-in–Chief of Cosmopolitan
OW U
FOLL 12:30-1:30 p.m. | Main Stage
Nino Muñoz
DC Introduces a
Trio of Imprints
DC Comics is at BookExpo with something new: books.
Although it has published graphic novels for years, DC has been mostly
absent from earlier book shows. This year, the 80-year-old publisher will
have a booth (1220), a panel on Friday, and autograph sessions with creators
to promote its new graphic novel imprints: DC Zoom, for middle grade read-
ers; DC Ink, for young adults; and DC Black Label, which features classic DC
characters in standalone stories. While the first titles were announced in
early 2018, this is the first show at which DC will have books in hand.
Publisher Dan DiDio says the imprints will serve both the direct market
(comic shops) and the book trade. “Our net-
work of retailers has been very vocal about
access to content that would be introduc-
tions to comics for casual and new readers,”
he says. “Similarly, developing books for
young adult and middle grade readers was
a reaction to the growth of the industry and
identifying where new readers are. So we’re
creating books for those readers in a format
they recognize and are familiar with.”
The two children’s imprints, DC Zoom and
DC Ink, launched their first lists this spring.
DC Zoom’s fall releases include Dear Justice
League by Michael Northrop and Gustavo
Duarte (Aug.) and Black Canary: Ignite by
Meg Cabot and Cara McGee (Oct.). Upcom-
ing DC Ink titles include Teen Titans: Raven
by Kami Garcia and Gabriel Picolo (July),
and Harley Quinn: Breaking Glass by
Mariko Tamaki and Steve Pugh (Sept.).
“These books are an opportunity to intro-
duce younger readers to graphic storytelling
using our robust roster of characters from
DC’s history,” says DiDio. “Combining our
characters with recognized and popular
writers and artists from YA and middle grade
literature reimagines our heroes and villains
with a fresh look, while incorporating the
kinds of stories and topics that resonate
with these audiences.”
DC Black Label’s inaugural title, the col-
lected edition of Sean Murphy’s Batman:
White Knight (Oct. 2018), quickly found an
audience. It went on NPD BookScan’s top
20 graphic novels list, where it stayed for
four months. The imprint includes both
single-issue comics and trades, as well as
new editions of older graphic novels, includ-
ing Darwyn Cooke’s The New Frontier (Feb.,
2019) and Grant Morrison and Frank
Quitely’s All-Star Superman.
Creators Meg Cabot, Kami Garcia, Michael
Northrop, and Mariko Tamaki will be signing
at the booth. A complete schedule, along with ARCs, promotional posters,
and bookmarks, is available there. —Brigid Alverson
Friday, 11:15–11:50 a.m. Meg Cabot, Kelly Sue DeConnick, Kami Garcia,
and Sean Murphy will participate in the “DC Showcase,” on the Choice
Stage. Dan DiDio will moderate.
www.bookexpo.com
12
MEET THE AUTHORS TODAY—MAY 29!
The Best Book Signings Are at
s
Sourcebooks Booth #1629
o
o rc b
12:00 p.m. Chris Ferrie,
There Was a Black Hole
That Swallowed the Universe
New from the #1 BESTSELLING
SCIENCE AUTHOR for kids!
Friday, 11:30 a.m.–12:15 p.m. Larry Racioppo will sign books at the Cornell
Univ. Press booth (757).
䐀椀猀挀漀瘀攀爀 琀栀攀 眀漀爀氀搀 漀昀
䄀甀猀琀椀渀
䴀愀挀愀甀氀攀礀
䈀漀漀欀猀
愀琀 匀琀愀渀搀 ㈀㐀㠀⸀
䄀挀挀攀瀀琀椀渀最 猀甀戀洀椀猀猀椀漀渀猀 渀漀眀⸀
䌀漀渀琀愀挀琀 甀猀 渀漀眀 昀漀爀 洀漀爀攀 椀渀昀漀爀洀愀琀椀漀渀㨀
眀眀眀⸀愀甀猀琀椀渀洀愀挀愀甀氀攀礀⸀挀漀洀⼀甀猀
洀愀椀氀ⴀ甀猀愀䀀愀甀猀琀椀渀洀愀挀愀甀氀攀礀⸀挀漀洀
⬀ ⠀㘀㐀㘀⤀ 㔀㈀ 㔀㜀㘀㜀
www.bookexpo.com
14
WEDNESDAY, MAY 29, 2019
❼
❸ ❺
❻
❾ 1. Family in Prospect Park, 1978; ❽
2. Family on Their Stoop, 11th Street, 1974;
3. View from My Bedroom Window, 40th Street,
1971;
4. Outside Al’s Grocery, 18th Street, 1975;
5. Two Girls with Ashes, 4th Avenue, 1971;
6. Conga Players, 7th Avenue, 1977;
7. Young Man with a Boom Box, 18th Street,
1980;
8. Clothesline Out of My Window, 15th Street,
1977;
9. George Showing His Tattoo, 36th Street,
❹ 1977.
#SimonBookLovers
SimonandSchusterPublishing.com/BEA
15 www.bookexpo.com
BOOKEXPO SHOW DAILY
QA
Leigh Bardugo
Adult Debut for YA
Fantasy Favorite
SIGNINGS AT
BOOTH 1204
As the New York Times bestselling author
of the Grishaverse novels—three million
sold worldwide—Leigh Bardugo has kept
many a young adult up at night with her
gripping fantasy tales. (Netflix is currently
making a TV series out of the books.)
Now she brings her brand of alchemy to
the adult world with the publication of
Ninth House (Flatiron, Oct.), a fantasy
tale of power, privilege, and dark magic set among the Ivy League elite—in
particular, Yale’s storied secret societies. Show Daily talks with Leigh Bardugo
about this turn in genre, among other things.
Mindful Bea and the Worry Tree the book could stand on its own.
Signing: 2:00-3:00PM This is set at Yale. Elite colleges have been at the center of much discus-
sion these days about the privileged and powerful. Was this a deliberate
choice?
I went to Yale, and the idea was born of being in that environment where
there are actual secret societies with actual “tombs,” or clubhouses, scat-
tered around campus. I thought, what if these weren’t just old-boy net-
works? What if they were repositories of arcane knowledge? I wanted to
write a dark, magical romp. But you can’t explore these ideas at an institu-
tion like Yale without discussing privilege, and I couldn’t dig into my own
time as an undergraduate without confronting issues of gender and power.
www.bookexpo.com
16
VISIT US AT BOOTH #1848!
TODAY’S ARC
GIVEAWAY:
Skyhorse Publishing
9781510743120 • September
WWW.SKYHORSEPUBLISHING.COM
This invaluable guide will help the historical number
DISTRIBUTED BY SIMON & SCHUSTER
of eightysomethings live fulfilled, happy lives.
Eightysomethings changes our understanding of old
age with an upbeat and emotionally savvy view of the
uncharted territory of the last stage of life.
BOOKEXPO SHOW DAILY
AUTHORS AUTHORS
George Takei Jennifer Weiner
Never Forget, Always Forgive Making Way for ‘Mrs. Everything’
“It’s been my life’s mission to
raise the awareness of my
childhood imprisonment,” It’s been four years since bestselling author Jennifer Weiner published her
declares actor, activist, and last novel, Who Do You Love? She hasn’t been quiet during that time—she
Internet celebrity George wrote two children’s books and a memoir, Hungry Heart: Adventures in Life,
Takei. That imprisonment and Love, and Writing. But the 2016 election sent her into a thoughtful spell. “Like
its aftermath set Takei’s life a lot of fiction writers, I was examining my work. What was I doing? What was
course. The horrific events I supposed to be doing? What do these times require of me?” Weiner recalls.
began the day that then-five- At first, Weiner tried to write a dystopian Handmaid’s Tale-ish story set in
year-old Takei and his mother, the future where abortion and birth con-
© andrea cipriani
father, younger brother, and trol were illegal. Ultimately, she couldn’t
infant sister were taken from make it work, so she put it aside to work on
their Los Angeles home and what has become Mrs. Everything (Atria,
then placed in a concentration June), a novel influenced equally by Louisa
camp in 1942. Their internment May Alcott’s Little Women and Weiner’s
took place on American soil own mother. It traces how society’s atti-
at the direction of the Ameri- tudes toward women have changed over
can government during WWII. the last half of the 20th century through
In his latest book, the graphic the lives of sisters Jo and Beth (named
memoir They Called Us Enemy for two of Alcott’s “little women”). The
(Top Shelf, July), Takei, two struggle to find their places—and be
co-writers Justin Eisinger and true to themselves—in a rapidly evolving
Steven Scott, and artist Har- world. PW called the book “vivid” and
mony Becker bring those events to life. Takei recounts the terror inflicted “heart-wrenching” in its starred review:
on innocent Japanese-Americans, and emphasizes his continued belief in “Weiner’s expert handling of difficult sub-
American democracy. jects—abortion, rape, and racism among
That lesson, says Takei, was impressed on him by his father, whom he them—will force readers to examine their
credits for shaping him as an activist. “My father said our democracy is a own beliefs and consider unexpected
people’s democracy, and people have the potential to do great things,” he nuances. Weiner tugs every heartstring
continues. “But people are also fallible with this vivid tale.”
human beings and have the potential to A frequent contributor to the New York
make mistakes.” Times Opinion section, Weiner writes a lot
Takei points to the country’s president about women in America: where we’ve been,
at the time, FDR. “Roosevelt was a great and where we still need to go. “In the course
president,” he says. “He was able to cre- of telling these sisters’ story,” she says, “I
ate jobs and programs and pull people got to talk a lot about the issues I tried to
out of that crushing Depression and put get at in the first, abandoned book, such
America back on its feet. But after the as freedom, and when you can’t live the
bombing of Pearl Harbor, the terror and way you want to because of patriarchy.”
the racism that swept through this coun- For research, she talked with her mother at length and visited Detroit,
try stampeded him as well.” where her mother grew up. (Motor City is the setting for the first half of the
Takei sees many of the same forces novel.) There, she looked at old newspapers, magazines, yearbooks, and
roiling the country today, which makes pictures. “I sought out anything that I could get my hands on that would give
this graphic novel particularly timely. the flavor of what it was like to be a woman in that era,” Weiner reports.
“We were the ‘others’ then,” Takei says. “Today, the ‘others’ are Muslims and And she went back to Little Women. Reading it as a youngster, she was
Latinos coming across the southern border.” furious with how Professor Bhaer treated Jo, calling her writing “bad trash.”
Despite the resurgence of those forces, Takei remains optimistic, citing Weiner was, in her word, “pissed.” In sweet revenge, she has given her Jo “a
the Parkland students in Florida. “After the gun horror that happened at much better ending.”
their school,” he says, “I was really impressed by their activism, their elo- Weiner is cautiously optimistic about the future for women. “What writing
quence. They are the hope for our American democracy.” this book taught me is that progress is not a straight line. There is move-
With They Called Us Enemy, Takei and his collaborators have shaped his ment forward and then retrenchment.” Paraphrasing Dr. Martin Luther
story for that next generation. “We wanted to reach today’s middle school King Jr., she adds, “Progress is slow, but the moral arc of the universe bends
to high school age group. And the best way to do that is with a graphic toward justice, I hope.” —Beth Levine
novel,” he says. —Dave Stern
Today, 3:30–4:05 p.m. Jennifer Weiner will be in conversation with Carol
Fitzgerald of the Book Report Network, on the Downtown Stage.
Today, 12:10–12:45 p.m. George Takei will speak on the Downtown Tomorrow, 4:15–6 p.m. Weiner will be at the Booksellers Happy Hour in
Stage. the ABA Lounge.
www.bookexpo.com
18
BOOKEXPO SHOW DAILY
FLAME TREE PRESS
FICTION WITHOUT FRONTIERS
Who was the first person you thought, “Hmmm, wonder what happened
PB • $14.95 9781787581715 PB • $14.95 9781787582835
to good ol’ whatsername?”
HC • $24.95 9781787581739 HC • $24.95 9781787582859
384pp MAY Horror/Mystery 288pp JUNE Mystery/Thriller
The one that shocked me the most: Nora Ephron. Ephron was once on CBS
Sunday Morning to talk about a play she wrote about Lillian Hellman and
Mary McCarthy called Imaginary Friends. She was asked how she wanted
to be remembered. Nora said, “Are you kidding me? I have written a play
about these two women, Lillian Hellman and Mary McCarthy, who were so
Galley famous and now are barely remembered. I don’t expect to be remembered
Drop more than a few years after I’m gone.” Years later, Nora’s name came up in
titles
reference to a Mobituary we were doing and some of the younger staff mem-
bers had never heard of her. There are just these remarkable people who
are so important to us who are forgotten astonishingly quickly.
Why do you think some people resonate and others just waft away, even
people who may have been very well-known in their time?
PB • $14.95 PB • $14.95
9781787583047 256pp 9781787582903 320pp A lot of things, sexism for one. Women’s history wasn’t written or women
HC • $24.95 AUGUST HC • $24.95 JULY weren’t allowed to use their talents. But some people just had terrible per-
9781787583061 Mystery/Thriller 9781787582927 Mystery/Thriller sonalities. Thomas Paine, for example. He lit the intellectual fuse for the
Baker & Taylor Publisher Services (FLAME TREE PRESS) Booth 239 American Revolution through writing Common Sense, and six people showed
up for his funeral. His obituary was, “He lived long, did some good and
BOOK TRADE REPRESENTATION: Book Travelers West, Fuji Associates,
much harm.” At the end of his life, he ranted, had a drinking problem, and
North East Publishers Reps, South East Book Travelers
dirty fingernails. The famous figures from that era were activists turned
Join our Distribution: BTPS. Call 888-814-0208 statesmen, who knew how to pivot from firebrand to people who were good
ARC & Dan Verdick, Director of National Sales at compromise. Thomas Paine didn’t. He became someone who was too
Offers list dverdick@btpubservices.com much to take. People were, like, give it a rest, buddy. We won, shut up
already. He probably was like your annoying uncle at Thanksgiving.
FLAME TREE PRESS launched to acclaim in 2018 with award-
—Beth Levine
winners and exciting, original voices. Join our mailing list for
ARCs and news at flametreepress.com
Today, 4:15–5 p.m. Mo Rocca is on the “Audiobook New Titles Show-
case” panel, on the Choice Stage.
www.bookexpo.com
20
WEDNESDAY, MAY 29, 2019
AUTHORS
J. Ryan Stradal CELEBRATING
A Book and a Beer
Although J. Ryan Stradal, who YEARS
© franco tettamanti
has lived in California for the
past two decades, knows that
Thomas Wolfe was right—you
of UNFORGETTABLE
can’t go home again—he still
can’t leave his home state. Both
his debut novel, Kitchens of
the Great Midwest (2015),
LISTENING
Thank you to our authors, narrators, and everyone
and his sophomore effort, The who has contributed to the unparalleled collection of
Lager Queen of Minnesota
audiobooks Hachette has produced throughout the years.
(Viking/Pam Dorman, July),
feature the down-to-earth but
quirky people he grew up with
in Minnesota and left behind
25 YEARS OF LISTENING SWEEPSTAKES
for a job in the entertainment
industry. “Frankly, Minnesota ENTER FOR A
is much more compelling to me
CHANCE TO WIN
than California,” says Stradal. the Grand Prize, which consists of
In addition, he says, a major A LIBRARY OF 25 ICONIC AUDIOBOOKS
impetus for him to write fiction a MINI TABLET, and WIRELESS EARBUDS.
set in the Midwest is that he has always wanted to read novels about Mid- Visit www.hachetteaudio.com/25
westerners. He favors stories that are funny, with a lot of local flavor and a to enter and for Official Rules.
plot that couldn’t take place anywhere else.
With its oddball characters, small-town setting, and inside jokes about
Minnesota’s popular culture, The Lager Queen of Minnesota could not have
been set anywhere but in the heartland. The novel follows the lives of two
sisters: Edith, who bakes award-winning pies, and Helen, who is obsessed
with brewing beer. After their father disinherits Edith so that Helen will
have the funds to build a brewery that becomes one of Minnesota’s most
emblematic, the two sisters lead completely separate lives only miles
apart—but across an even greater socioeconomic divide.
Stradal says that he was inspired to
write the book while touring Minnesota
for his earlier novel. He was impressed
with the selection and quality of regional
craft beers at the breweries operating in
even the smallest towns. Unlike many
parts of the country, the popularity of
regionally brewed craft beers is not a
recent trend in Minnesota but an integral
part of its history and culture. Stradal
ascribes Minnesota’s long-standing and
vibrant beer culture to a “melding of Ger-
man culture and agricultural flexibility and
viability.” He notes that Minnesota’s brew-
eries have always been community cen-
ters, similar to German beer halls, and they employ young people who other-
wise might leave their hometowns for jobs elsewhere.
Stradal is especially looking forward to touring for The Lager Queen of
Minnesota, because his publisher has promised to book him at bars and
breweries whenever possible—or at least will have some local beer on hand NO PURCHASE NECESSARY. A PURCHASE DOES NOT INCREASE CHANCE OF WINNING.
at his bookstore appearances. As for the prospect of hoisting a beer with Void where prohibited. Must be legal US resident 18 years or older as of 5/29/19 to enter.
Sweepstakes begins 5/29/19 at 12:01 am ET and ends 6/29/19 at 11:59 pm ET.
booksellers at the Javits, Stradal says that nothing brewed in New York City Visit www.hachetteaudio.com/25 for Official Rules and details.
Sponsor: Hachette Book Group, Inc., 1290 Avenue of the Americas, New York, NY 10104.
could possibly beat Duluth’s Bent Paddle or Two Harbors’ Castle Danger.
—Claire Kirch HachetteAudio.com Also available in print and ebook wherever books are sold
21 www.bookexpo.com
BOOKEXPO SHOW DAILY
© david kelley
father.” In 1860, Darwin was up The book follows a character who,
for knighthood, just a few months McDougal says, has “performed all
after publication of On the Origin the things that his culture says a can-
of Species. Samuel Wilberforce, didate for manhood needs to do, liv-
bishop of Oxford, advised Queen ing what he thinks is the proper life of
Victoria against knighting him. a man, and the whole world is chang-
Mason explains, “Wilberforce was ing around him. He’s having to figure out what to do.”
close to the royal family. He said The title was first acquired by Tom Doherty in 1979, but not published at
that Victoria is not only the that time. Then, when Jordan’s second book, The Fallon Blood, was pub-
queen, she’s the head of the lished the following year (under the name of Reagon O’Neal), the two books
Church of England, so to endorse appeared to be so different in style and content that the publisher held it.
Darwin’s theory would not be Jordan’s career took off, and the book was never published.
good.” In his novel, Mason “Life was going too fast,” says McDougal. “After the Fallon books, he was
expands on the fictional notion writing the Conan books. He agreed to do one and wrote seven because he
that nefarious goings-on were really enjoyed it. Then things just happened. His talent was so immense that
what kept the evolutionist from things kept blooming.”
getting his knighthood. In the meantime, rights for Warrior of the Altaii were sold to Berkley, where
Another point of interest for Mason the manuscript continued to languish. Jordan asked his editor to revert the
were the strong reactions then and now to rights, saying, as McDougal recalls, “This manuscript is resting on a high
On the Origin of Species. “The publication shelf in your office and not doing anyone any good. So I wonder if I can have
was not only condemned, it was also the rights back. The editor said, ‘Sure.’ ”
hailed—even by members of the Anglican Fans of the Wheel of Time will find hints of the epic saga in Jordan’s first
clergy, who, because of geological and book, including the name of the mountain range, called the Backbone of
anthropological discoveries, were the World in Warrior of the Altaii and the Spine of the World in the Wheel of
acknowledging that Earth was inconceiv- Time series. McDougal says Warrior also
ably older than they thought it was,” offers a deeper glimpse of formative ideas
Mason says. “Suddenly in that era, here that developed throughout Jordan’s career,
comes this man with his theory about the including his approach to writing about
development of species, which does not gender.
follow the creationist seven-day plan, but “There are a lot of echoes about the
rather the opposite. relations between men and women,” says
“Today, you can hear echoes of that first McDougal. “He was fooling with those
condemnation pretty loudly; the suppression of knowledge, of science is questions and comments long before
still going on. That creates a danger. So, beyond its entertainment value, if general American society was, and he
there’s a reminder of that in The Darwin Affair, I’d be really happy.” continued that in the Wheel of Time.”
Mason says that writing his first book, a YA novel, was an education in McDougal says two earlier, rough,
writing prose fiction. “I’ve made my life and my living as a playwright, unpublished manuscripts of Jordan’s
though, and there couldn’t be a greater difference between the two forms,” writings remain to be explored. She’s
he adds. “The stage has an enormous amount of limitations—you can’t go uncertain whether they will ever be pub-
here and there at will without using very theatrical techniques, whereas in a lished, but knows the first line of one of
novel, you can travel with the reader—great distances with changing land- them—a western—by heart, and calls it quintessential Jordan: “I never meant
scapes—and for a playwright bound by the limitations of the stage, that to leave Texas, but I never meant to be a known man either.” —Alex Green
was a real joy.” —Hilary S. Kayle
Today, 4 p.m. Tom Doherty, president and founder of Tor, and Harriet
McDougal, Jordan’s editor and widow, will host a toast to the upcoming
Today, 3–4 p.m. Tim Mason will sign ARCs in the Workman/Algonquin
publication of Warrior of the Altaii at the Macmillan booth (1544).
booth (1307).
www.bookexpo.com
22
Stop. Discover. Linger.
Booth 902
www.churchpublishing.org • 800-242-1918
Today, 1:15–2 p.m. Heddi Goodrich and Juan Milà of HarperVia will
Follow us on appear on the International Fiction panel on the Choice Stage.
Today, 2:30 p.m. There will be a champagne toast for Goodrich and the
launch of HarperVia at the HarperCollins booth (2046).
www.bookexpo.com
24
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BOOTH #1708
BOOKEXPO SHOW DAILY
Welcome, Librarians!
Join Us in the Lounge
Librarians, we know how you feel: BookExpo is a test of endurance. At some point, you’re going to
need to drop those heavy book bags, get off your feet, grab a beverage and some food, and
recharge (yourself or your phone), and maybe even chat with a fellow librarian or meet a great
author or two while you’re at it. At the Publishers Weekly Librarians’ Lounge, in the main exhibit
hall at booth 557, we’ve got you covered.
Thanks to cohosts Baker & Taylor, and sponsors Book Vine, Disney, Harlequin, Move Books,
National Geographic, Penguin Random House Adult Library Marketing, Random House Chil-
dren’s Books, Rowman & Littlefield, Sourcebooks, and Vesuvian Books—this year’s lounge will
again be the place to be for librarians at BookExpo.
Kickoff Lunch
Today, 12:30–1:30 p.m.
Start your 2019 BookExpo with a kickoff lunch today in the lounge, courtesy of
Rowman & Littlefield, which will provide lunch each day of the show.
© sonya sones
Tomorrow, 9:30–10:30 a.m.
Meet Disney author Eoin Colfer, whose Artemis Fowl is being adapted into
a motion picture set to release this summer. Colfer will give away signed
teacher’s editions of Artemis Fowl for the first 100 people.
Have Lunch
Tomorrow, 12:30–1:30 p.m.
Lunch will be served courtesy of Rowman & Littlefield.
29 www.bookexpo.com
BOOKEXPO SHOW DAILY
12:00- form kids’ faces into likenesses of series’ characters), plus signed books,
plush, reading kits, and more. The publisher will announce the winners in
1:00 PM
Grab My Footprints, a second
mid-June. Party on!
2:00- TOMORROW
Calling All Dog Man Devotees
3:00 PM
3-D technology that changed
Dav Pilkey will be at Scholastic’s booth (1639) today, 11 a.m.–noon, to thank
booksellers for their role in making his Dog Man series a global hit—with a
whopping 80 million copies in print in 28 languages—and to introduce Dog
a life! Get a signed copy of Man: For Whom the Ball Rolls (Scholastic Graphix, Aug.). Here’s a sneak
Karl’s New Beak by Lela Nargi peek at the lithograph Pilkey will sign at the event.
3:30- It’s never too early to get into the holiday spirit. There’ll be plenty in the air
at the Penguin Young Readers booth (1221), 11 a.m.–3 p.m., where a col-
orful crew of crayon characters will sing carols around a Christmas tree to
4:30 PM
She won freedom from one of
celebrate The Crayons’ Christmas by Drew Daywalt, illus. by Oliver Jeffers
(Penguin Workshop, Oct.). Candy canes and photo ops with Esteben, “the
breakout crayon,” are featured.
America’s most famous founding
fathers. Stop by for an ARC Catch Up with Tami Charles
ashley lynn photography
of Ona Judge Outwits the Author Tami Charles has a bustling agenda today,
Washingtons by Gwendolyn Hooks beginning with a signing of her September YA,
Becoming Beatriz, in the Charlesbridge booth (1725),
11:30 a.m.–12:30 p.m. She’ll take part in the
©
booth #938 Let’s Talk About Picture Books” panel, 2–2:45 p.m.,
in Room 1E16, before heading to Candlewick’s
booth (1039) to sign Freedom Soup (Dec.), 3:30–
4:30 p.m., a picture book illustrated by Jacqueline
Tami Charles
Alcántara.
30
DM-21--2019 BEA Show Daily 1.indd 1 5/13/19 4:15 PM
www.bookexpo.com
WEDNESDAY, MAY 29, 2019
World Editions
Lerner Commemorates BookExpo 2019
First Six Decades
Lerner Publishing Group (booth 621) is celebrating its 60th anniver-
sary this year, a milestone that the company’s Minneapolis hometown
is marking by officially proclaiming May “Lerner Publishing Group
Month.” At BookExpo, LPG is continuing the festivities with a 60th
anniversary tote bag and a sweepstakes to win “60 Books for 60
Years.” The company is also hosting a quartet of authors whose books
reflect the spectrum of genres published by the house. (See author
signing information below for details of who, when, and where.)
ISBN 978-1-64286-041-2
ISBN 978-1-64286-013-9
LPG boasts an impressive growth trajectory since its founding in
1959, when Harry Lerner launched the company with four titles pub-
lished for children to read at doctors’ offices about common childhood
illnesses. Six decades later, LPG has more than 7,000 titles in print
and releases 700-plus new titles annually for both the trade and
school and library markets. The group now encompasses 14 imprints,
among them Carolrhoda Books, Millbrook Press, Twenty-First Century
Books, Graphic Universe, Kar-Ben Publishing, Zest Books, and First
Avenue Editions.
“This is not only a momentous occasion for me and my family, but for
all of the employees, authors, and illustrators who have made our
award-winning company what it is today,” says Lerner, now chairman
ISBN 978-1-64286-042-9
ISBN 978-1-64286-047-4
of the board of LPG. “We are proud to remain an independent and
family-owned company and have enjoyed supporting librarians and
teachers in educating children for 60 years.”
His son Adam, publisher and CEO of LPG, regards BookExpo as a
fitting venue to highlight the company’s anniversary. “Booksellers
have played a critical role in our success over the past 60 years,” he
says. “As one of the country’s largest independent publishers, we have Join us in Booth 833A for these exciting events:
a lot of admiration for the dedication and love that independent book
stores share in communities around the country, and we’re excited to
WEDNESDAY 5/29
celebrate our anniversary with them at this show.” —Sally Lodge
2 PM Learn about the Dutch Boekenweek tradition.
Today, 3–3:30 p.m. Joshua S. Levy will sign Seventh Grade vs. the Stroopwafels will be served!
Galaxy (Carolrhoda), a fantasy about friends who catapult their
3 PM Galley giveaway: Welcome to America
“schoolship” across the galaxy—and into the clutches of aliens—at
Table 4. by Linda Boström Knausgård
Tomorrow, 1:30–2 p.m. Miranda Paul and Baptiste Paul, authors
of I Am Farmer: Growing an Environmental Movement in Cameroon
(Millbrook), which profiles the African environmentalist Tantoh THURSDAY 5/30
Nforba, will sign at Table 12.
Friday, 1–1:30 p.m. Melanie Gillman, author of Stage Dreams 11 AM Book giveaway: A Devil Comes to Town
(Graphic Universe), a queer western adventure starring a Latinx by Paolo Maurensig
outlaw and a trans runaway, will sign at Table 10.
2 PM Galley signing with Gary Barker,
author of The Museum of Lost Love
Wish Pigeon a Sweet Sixteen
How time flies! Mo Willems’s Pigeon is ON THE INDIE PUBLISHER STAGE
turning sweet 16, and Disney-Hyperion THURSDAY 5/30 AT 10 AM
makes the occasion all the sweeter today
with a birthday bash for the delightfully
Join us at the Indie Insights First Novels and
obstinate bird, whose next dilemma plays Mysteries session to hear about French mega-
out in The Pigeon HAS to Go to School! bestseller Real Life by Adeline Dieudonné!
(July). And, yes, there will be cake. Drop
by booth 1713, 4:30–5 p.m., for a slice.
—Sally Lodge
31 www.bookexpo.com
Sponsored by Disney-Hyperion
Artemis Fowl
Comes of Age
The world of Eoin Colfer’s Artemis Fowl is growing, with a new graphic
novel, a spin-off series, and, next spring, a feature-length film.
A
Author Eoin Colfer’s inspiration
for Artemis Fowl, the tenacious
titular character from his long-
running middle grade series,
came from a single image. It was, Colfer
says, “a photograph I saw of my little
brother all dressed up in a suit for his First
Communion. He had a rather impish smile
on his face, and I thought he looked like a
little James Bond bad guy, and the notion
of a young criminal mastermind was
lodged in my head.” Though it would be
many years before Colfer found the right
story for that character, between the eight
original books, graphic novels, a new spin-
off series, and an Artemis Fowl movie on
the horizon, his protagonist has more than
fulfilled his destiny.
The phrase criminal mastermind might
more easily conjure images of art heists
and underhanded deals in smoky rooms
than of a boy battling fairies, goblins, and
other fantastical beings, but, Colfer says,
“I wanted to blend a few genres together
Young people love Artemis for the power and come up with a new hybrid: part noir,
part fantasy, part sci-fi.” At the heart of
he wields over adults. Most kids are just Colfer’s genre-bending series is a highly
intelligent boy whose devious actions
as smart as their parents, but this stem from a complicated family history.
In book one, published in 2001, Artemis’s
intelligence does not translate into father disappears, which leads Artemis to
inherit his criminal empire—and the obli-
responsibility, and so they love the gation to protect and care for his family
in his father’s absence. “Artemis’s mother
passages where Artemis bamboozles his retreats into herself and cannot cope with
teachers and enemies, because they the loss of her beloved husband,” Colfer
says, “so Artemis feels a tremendous
would love to do that themselves. responsibility to restore the family fortune
and find his father. He makes some ques-
— Eoin Colfer tionable decisions in the process.” Artemis
captures Holly Short, fairy captain of
LEPrecon (Lower Elements Police recon),
and holds her ransom to obtain fairy gold.
With his story’s eclectic cast of
Sponsored by Disney-Hyperion
characters, human and otherwise, Colfer does not translate into responsibility, and fans that Arty and company are in safe
has always seen the potential to tell the so they love the passages where Artemis hands with Disney and Kenneth Branagh.”
tale visually. “When I was young, graphic bamboozles his teachers and enemies, But how would Artemis feel about the
novels were looked down upon as some- because they would love to do that them- movie? “I think Artemis would be horri-
how inferior to novels,” Colfer says, “but I selves. Wish fulfillment on the page.” fied by the idea of a movie giving away
have always believed that [they] deliver Artemis Fowl fandom is a thing to all of his secrets and would go to great
the one-two punch of literature plus art.” behold. Colfer has been introduced to lengths to have the film delayed,” Colfer
He teamed with Andrew Donkin, Paolo babies named Artemis, cats named Opal says. Incidentally, the film originally was
Lamanna, and Giovanni Rigano for the Koboi, and countless Artemis Fowl– set to premiere this August; it just recently
first version, which was published by inspired tattoos, which he admits to having moved to its new May 2020 release date.
Disney-Hyperion in 2007 (Colfer also col- mixed feelings about (“I’m from a different Coincidence?
laborated with Donkin and Rigano for the generation”). For Colfer, his favorite fan
2018 graphic novel Illegal, about a refu- moments are
gee child’s when parents Eoin Colfer at BookExpo
dangerous tell him that and BookCon
journey from the Artemis
Niger to books were the BookExpo
Tripoli). More first that their
recently, child wanted Thursday, May 30
Colfer col- to read. “Those
laborated moments are Signing of 100 Copies of Artemis Fowl
with Michael priceless,” he teacher’s edition
Moreci and says. Publishers Weekly Librarian Lounge,
Stephen Readers who (Booth 557)
Gilpin for a aren’t ready to 9:30–10:30 a.m.
brand-new let go of their
graphic novel favorite criminal Friday, May 31
adaptation, mastermind need
Artemis Fowl: not worry. The first book in the Children’s Breakfast Panel
The Graphic Novel, Fowl Twins series, the new spin- 8–9:30 a.m.
coming out in June off that stars Artemis’s little broth- Main Stage
from Disney-Hyperion. ers, Myles and Beckett, will be
On working with a cre- published in November. “With the Signing of 100 copies of The Fowl Twins
ative team, Colfer says, Fowl Twins, I want to concentrate 10–11 a.m.
“I spend most of my more on the characters and the American Booksellers Association lounge
time alone in my fancy dynamics between them,” Colfer
writing shed, so it’s says. “Having brothers who are Galley Signing of The Fowl Twins
good to let someone very different in personalities and 1–2 p.m. event
else in, even if it’s often interests gives me an opportu- Disney booth 1713
only through Skype.” nity to set up a nice odd-couple
As with any adoles- dynamic, which should bear a lot
cent, Artemis has gone through his fair of comedic fruit.” While characters from
BookCon
share of changes. In later books in the the original books will make appearances,
Saturday, June 1
series, Colfer says, “I wanted Artemis to the series will feature primarily all-new
see the consequences of criminal actions fairies and humans.
Book Signing of various Artemis Fowl
and how his bad decisions hurt the ones Readers who have long anticipated the
titles
he loved. And I wanted the reader to see Artemis Fowl movie adaptation have a
1–2 p.m.
that change is possible no matter where bit longer to wait. The 2020 Walt Disney
Disney booth 1713
you start. Artemis goes from criminal to Pictures film stars newcomer Ferdia Shaw
a Robin Hood–type character, and from as Artemis and Lara McDonnell (The
“Books to Screen” panel with Alafair
there, eventually, to hero.” Delinquent Season) as Holly Short, and it
Burke and Nicola Yoon, moderated by
Colfer knows his character better than was directed by Kenneth Branagh. Artemis
David Levithan
anyone, but he is often intrigued by what fans are looking forward to the movie with
2:45–3:30 p.m.
it is about Artemis that resonates with a blend of excitement and high anxiety,
Room 1E12-1E14
readers. “The answer that comes through Colfer says. “They seem quite nervous
the most might be surprising,” Colfer says. about seeing the Artemis movie. Some
Autographing
“Young people love Artemis for the power of them are at least a nine on the anxiety
4–5:30 p.m.
he wields over adults. Most kids are just as scale. I feel they have been burned before
BookCon Autographing Area, table #6
smart as their parents, but this intelligence by adaptations, but I can assure the Fowl
BOOKEXPO SHOW DAILY
CHILDREN’S
AUTHORS
Elizabeth Eulberg
Navigating New YA Waters
Elizabeth Eulberg has writ-
ten four lighthearted middle
grade mysteries starring
crackerjack sleuth Shelby
Holmes, and eight young
adult novels about girls
weathering the everyday
oscillations of their teenage
years. But in Past Perfect
Life (Bloomsbury, July), she
charts a weightier fictional
course as she writes about a
teen whose world is upended
when she applies for college
and discovers that every-
thing she has been told
about her life is untrue.
Eulberg says that her inspi-
ration came from a 2015 TV
news broadcast about a boy
who found out that his life
was based on lies. “The story
resonated with me,” she
says. “And I spent a year,
while working on another book, contem-
plating what it would be like to find out in
high school that everything you’d been told
about your life is a lie. We put such trust in
our parents, and I started thinking a lot
about personal history, identity, and above
all, family.”
Eulberg found this to be the most difficult
book she’s ever written. “I not only delved
into darker territory than ever before, but
for the first time I was writing from the
point of view of a character who is really
confused,” she says. “I didn’t know what she
wanted because she didn’t know what she
wanted. I had to figure out the most logical
steps she had to take to get through it all, especially when she shut down
and became emotionally numb.”
By contrast, Shelby Holmes continues to keep Eulberg chuckling, as the
young detective cracks her fourth case in The Great Shelby Holmes and the
Case of the Haunted Hound (Bloomsbury, Sept.). “I find writing middle
grade joyous—and I always love talking to readers who are that age,” Eul-
berg says. “Creating Shelby Holmes mysteries uses a different brain mus-
cle, and I love writing about a heroine who is smarter than I am.” Before
returning to Shelby’s world, Eulberg plans on writing her first standalone
middle grade novel, about which she’s keeping mum.
Eulberg is attending BookExpo for the first time as a YA author and is a
bit trepidatious. “You never know what to expect when you veer off your
customary path,” she says. “It’s exciting, but also a little scary. Every time I
hear someone say they like my new book, I feel relief. I’m always nervous
when a novel comes out. But this is the most nervous I’ve been in a while.”
—Sally Lodge
Today, 3–4 p.m. Elizabeth Eulberg will sign Past Perfect Life at Table 3.
www.bookexpo.com
34
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for broadening the literary landscape.”
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A FILM BY
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COLLAGE BY MICKALENE THOMAS FROM A TIMOTHY GREENFIELD-SANDERS PORTRAIT
BOOKEXPO SHOW DAILY
THERE BE PIRATES! SWASHBUCKLERS FIRST DEGREE: FROM MED SCHOOL A GIANT MAN FROM A TINY TOWN:
& ROGUES OF THE ATLANTIC TO MURDER, THE STORY BEHIND THE A STORY OF ANGUS MACASKILL
By Joann Hamilton-Barry SHOCKING WILL SANDESON TRIAL Story by Tom Ryan, art by Christopher Hoyt
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For Canadian orders call: 1-800-646-2879
Order online at nimbus.ca @nimbuspub or nimbus.ca
www.bookexpo.com
36
WEDNESDAY, MAY 29, 2019
Stephen Savage Why did you opt to tell Sign Off as a wordless story?
Actually, the book wasn’t supposed to be wordless. When the
Disclosing the Secret idea came along, I assumed I would tell the story with words.
Lives of Road Signs I wrote a traditional male hero’s tale about the construction
man I had noticed near my apartment. But the story seemed
Ever wonder what the silhouetted figures on road signs do clunky and overwrought, so I abandoned the project.
when no one’s around? Stephen Savage shares his findings
in a wordless picture book, Sign Off (S&S/Beach Lane, May). What moved you to return to it?
In 2015, I participated on a panel about wordless books at
What sparked your curiosity about the after-hours antics Politics and Prose Bookstore in Washington, D.C., moder-
of road sign characters? ated by Beach Lane publisher Allyn Johnston. Her opening
Five years ago, a utility crew was digging up the street near remark, “I’m not even sure I like wordless books,” made me
my Park Slope apartment—it seems like Brooklyn is always laugh, but afterwards, when she asked me what I was work-
being torn up. I noticed their orange “men at work” sign ing on and I told her the struggles I was having with my
with the picture of a round-headed guy digging a hole. I’d construction man story, she suggested I try it as a wordless
seen this sign hundreds of times, maybe even thousands, book.
throughout my life, but on this day it occurred to me, “This
guy’s working hard. He’s probably ready to jump off his And that idea appealed to you?
sign, put down his shovel, and take a break.” Then I began I do love the genre, but I had already authored two word-
imagining a series of adventures for this character. less books—Where’s Walrus? and Where’s Walrus? And
Penguin?—and I figured I’d gone as far as I can go with this
That’s quite a minimalist image to trigger a picture book. format. But Allyn’s simple suggestion breathed new life
It is. But when you look back at the pictures that have inspired art through into the project and opened up all kinds of possibilities. —Sally Lodge
the years—like vintage signage, commercial art, and luggage labels from
the 1930s—they don’t seem like art, but their design is great, and they’ve Today, 2–2:30 p.m. Stephen Savage will sign at Table 4.
37 www.bookexpo.com
BOOKEXPO SHOW DAILY
Little Grasshopper
Jumps onto the Scene
Visitors to booth 926 will have a chance to welcome first-time exhibitor Lit- has been extremely positive, so we’re confident we are on the right track.”
tle Grasshopper Books and to peruse the inaugural titles of this children’s The timing of the imprint’s announcement is similarly strategic, suggests
imprint from West Side Publishing. The line, which pairs print books with West Side Publishing owner Louis Weber, who says, “We are thrilled to
apps, encompasses a spectrum of fiction and nonfiction titles for children debut our inaugural titles at BookExpo this year. Bringing our first books to
up to the age of six, including boxed sets, board books, and treasuries. such an important show for the bookselling community is a real honor.”
Among the debut releases, due in August, is Read Hear and Play, a —Sally Lodge
boxed set of six titles, each with six free interactive apps offering games,
narration, and sound effects aimed at reinforcing word recognition, reading
skills, and comprehension. Little
Grasshopper’s launch titles, all
Little Hippo Bridges
written in-house, also include I
Can Find It! Fun with 3 Classic
Screen and Page
Stories; Early Learning Baby Ani- Every day a new headline admonishes us to minimize our children’s screen
mals; and 12-Book Boxed Set time and encourage them to play with a real toy or, more importantly, read
Mother Goose. a real book. As every parent knows, this is much easier said than done. But
Little Grasshopper is moving Little Hippo’s Augmented Reality Come-to-Life books are designed to offer
quickly out of the gate, with a the best of both worlds by combining technology and literacy.
projected total of more than 150 They come with a proprietary app, Hippo Magic, which brings the magic
titles due in 2020. “We’re off to of augmented reality to the reading experience. The reader can scan pages
an aggressive start,” says creative of a Come-to-Life book and see the characters featured on those pages
director Jim Harbison. “The come to life in a three-dimensional form on iOS and Android devices. The
results of our extensive data cost of the app is included in the price of the book. The interface is designed
research and focus group testing to enable a direct level of engagement between the child and the story.
Legends, St
Go behind the
or ies, and Epic
Bizarre! Stunts
Beyond the of the Ripley’s Believe It or Not! Nitro Circus to
scenes with a
ction sports g
iant
ion discover the m
The 16th edit n d th e B izarre! is all n
ew feats, craziest ost amazing
B e y o contraptions,
annual series, w it h a stounding fac
ts, stories straigh and wildest
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and all true— s, a n d ey e -p opping photo like Nitro Circ ends themselv
es—
ature us ringleader
captivating fe Travis Pastran
e globe! a!
from around th
“The augmented reality doesn’t take away anything from the fact that this
is still a book. You don’t need the app to enjoy the storytelling of the book,”
sales director Craig Gallo says. “What’s great is that the augmented reality
is going to keep the book in the hands of children for much longer, making
them want to go back again and again, with or without the app.”
CEO Albert Haug notes that augmented reality can change the reading
experience for kids—especially
reluctant readers. “Our Come-to-
Life books are a bridge for par-
ents and educators who are try-
ing to bring kids back to books
and reading,” he says.
Last June, four Come-to-Life
titles received Parents’ Choice locks, Little Red Riding Hood, and The Three Little Pigs, as well as other
Fun Stuff Awards for “value children’s favorites like The Velveteen Rabbit.
priced age-appropriate products In addition to traditional tales in AR, Little Hippo titles feature the alpha-
that won’t break the bank.” They bet, counting, and animals. The learning aspects of these books are further
retell classic fairy tales like Goldi- enhanced by hands-on activities such as tracing letters or touch-activated
exercises.
This year Little Hippo extended its Come-to-Life line with
puzzles. They look like ordinary 28-piece jigsaw puzzles, but
once the physical puzzles are put together, the user can scan
the completed puzzle with the Hippo Magic app to see a three-
dimensional scene appear over the puzzle, opening up an inter-
active experience similar to that of the books.
Little Hippo Books invites booksellers, librarians, and educa-
tors to stop by booth 1708 to view and experience this new
form of “edutainment.” —Liz Hartman
workman.com
39 www.bookexpo.com
BOOKEXPO SHOW DAILY
Don‘t just
will be honored with a 2019 Women’s National Book Association Pannell
Award for excellence in bookselling. The awards are cosponsored by Penguin
Books for Young Readers. This year’s award winners, 57th Street Books in
know what‘s
Chicago in the General Bookstore category and Hicklebee’s Bookstore in
San Jose in the Children’s Specialty Bookstore category, will receive a check
for $1,000 and a piece of original artwork donated by Jerry Pinkney and
Know how
the winners from among
dozens of nominees in 23
states, said that they were
to react.
especially impressed with
the exceptional passion
and creativity of the 57th
Street Books staff and
called the bookstore “a
gift” to its community.
“We are so proud to
serve young readers on
Experience the the South Side of Chicago The 57th Street Books team includes (clockwise from l.)
Alex Houston, Jeff Deutsch, Colin McDonald, Franny
and are humbled and
publishing industry grateful to receive this
Billingsley, and Clancey D’Isa.
Friday, 8–9:30 a.m. The Children’s Book & Author Breakfast will be on
the Main Stage.
www.bookexpo.com
40
BOOKEXPO SHOW DAILY
UnBound: Sidelines
‘Show Within a Show’
At a time when nonbook items have become a significant part of many
stores’ sales, BookExpo is upping its commitment to sidelines by setting
up a separate exhibit hall for book-related sideline vendors under the
UnBound umbrella. Choosing as its tagline “a collection of bookish goods,”
UnBound will offer an alternative gift show for time-pressed booksellers
who can’t typically attend both a gift show and BookExpo. Admission to
UnBound is included as part of BookExpo.
THAT’S MENTAL
pa i n f u l ly f u n n y t h i n g s
that drive me crazy
a b o u t b e i n g m e n ta l ly i l l
A MA NDA ROSENBERG
Friday 5/31
(both at 11:00 a.m.)
*First 25 for each giveaway receives a FREE Jane Austen themed tote!
BOOKEXPO SHOW DAILY
Is Here! Calypso
Cards
Calypso Cards
Booths 2839, 2938
A woman-owned
www.bookexpo.com
44
NEW FEATURED TITLES from Baker Publishing Group
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in a Turkish prison, pastor Andrew Brunson In a way, it’s a book Augustine has written
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BOOKEXPO SHOW DAILY
Franklin Fixtures
Booth 2944
Since 1974, Franklin Fixtures has manufactured display products for
bookstores and libraries.
Exaclair Inc.
Book 2823
Exaclair is a purveyor of French- and American-made notebooks, jour-
nals, notepads, gifts, stationery, ink, planners, sketchbooks, and more.
Fairhope Graphics
Booth 2527
Fairhope creates posters, cards, field guides, and gift wrap whose illus-
trations explore 3.8 billion years of natural history and the evolution of
www.bookexpo.com
46
WEDNESDAY, MAY 29, 2019
Gigamic It sells historical talismans, sacred symbols, natural treasures, and arti-
Booth 2145 facts inspired by myth and folklore.
Founded in 1991 near Calais in northern France by three brothers,
Gigamic develops, publishes, and distributes games designed for people House of Darkly
of all ages. Its signature games offer fast play time. Booth 2246
This company sells artist-made plush products that feature original
Grey Moggie Press designs of food and fantastical creatures.
Booth 2530
The letterpress greeting cards from Grey Moggie, printed in Washington, Iron Curtain Press
D.C., are “inspired by good books, changing seasons, and walks in the city,” Booth 2744
the company says. Iron Curtain Press makes tools for productivity and creativity with
notebooks that strike a balance between being functional and aes-
Hibernacula thetically pleasing.
Booth 2233
Hibernacula describes itself as “a museum boutique, celebrating the J.A. Wilson’s
scientific, the sacred, and the sublime, designed to educate and inspire.” Booth 2240
J.A. Wilson’s imports journals, stationery products, greeting cards,
Iron postcards, and gift items from around the world, as well as collectible
Curtain books from the U.K.
Press
JPT America Inc.
Booth 2831
Established a decade ago, this company is dedicated to delivering fine
Japanese stationery.
Kalan LP
Booth 2249
A family-owned business founded more than 40 years ago, Kalan supplies
W E D N E S D AY, M AY 2 9
In-Booth Signing: W E D N E S D AY
RION AMILCAR SCOTT G I V E A W AY S
at Norton’s Booth #1521
Stop by the Moody Publishers
booth for your free copy!
BOOTH 339
1:00 PM
GALLEY GIVEAWAYS
Stop by to grab a galley while supplies last!
Liveright
47 www.bookexpo.com
BOOKEXPO SHOW DAILY
My Audio Life
Booth 2236
This company’s tiny animal-shaped Bluetooth speakers that sport pat-
ented designs have been recommended by Oprah Winfrey, USA Today,
Good Morning America, and the Today show, among others.
Ozone
Socks
gift, novelty, and specialty items to retailers across the United States.
Bear Wear is the newest addition to its keychain line.
Little
Poland North Ave Candles
Gallery Booth 2540
North Ave makes candles for literature lovers.
www.bookexpo.com
48
Arroyo
a novel by Chip Jacobs
OCTOBER 2019
OCTOBER 2019
RAREBIRDBOOKS.COM
Distributed by Publishers Group West
BOOKEXPO SHOW DAILY
Simpson
& Vail
Storymatic
Studios
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AMAZON, BARNES AND NOBLE AND OUTSKIRTS PRESS KINDLE, NOOK, IPAD AND GOOGLE
images in calendars, cards, boxed note card sets, tote bags, mugs, mag- Sindri Solutions and Foam Brain Games
nets, and custom pieces that all use environmentally friendly materials. Booth 2244
This company produces custom pins, key chains, gift coins, and more.
Silk Road Bazaar
Booth 2341 Storymatic Studios
The felt products of this company are made by women artisans who Booth 2727
work in the remote regions of Kyrgyzstan. Each purchase supports Storymatics are boxed collections of cards that can create endless stories
women. for kids, adults, writers, teachers, parents, and artists
What if our homes themed” loose leaf tea blends, as well as tea
ware, barware, absinthe accessories, books,
In Heart & Home for Christmas: Celebrating Joy in Your Living Space, Topato Co.
author VICTORIA DUERSTOCK understands that the stress of the
Booth 2532
holidays makes it easy to forget true joy. In these 100 devotions, she
connects easy decorating tips with spiritual thoughts for reflecting the Topato offers exclusive merchandise made in
true spirit of Christmas in your home and actions. partnership with writers and artists of all
kinds.
Travelflips
Booth 2141
Travelflips are language cards in an authentic
MEET VICTORIA TODAY case or a vintage leather pouch, available in
AT BOOKEXPO! many languages.
Wacky Links
Booth 2754
Wacky Links DIY creative kits are “powered by
a child’s imagination,” the company says. Kits
contain colorful tubes and links shaped like
unicorns and dinosaurs that allow kids to
build anything, from necklaces to backpack
decorations.
Waverley West
Booth 2243
Waverley West is the exclusive U.S. represen-
tative for Waverley Scotland’s designer-
quality notebooks and journals, which are
bound in one of 48 genuine tartan patterns in
cloth woven by mills in the U.K.
www.bookexpo.com
52
“Who really wins in the Game of Thrones? Find out what
fiction and film can teach us about modern war and the
fate of our world from two nonresident fellows at the
Modern War Institute: Max Brooks (World War Z) and
ML Cavanaugh, a U.S. Army strategist.”
FRIDAY, MAY 31
11:30 AM – 12:30 PM
signing in the Autographing
Area, Table #7
2:00 PM – 2:30 PM
THURSDAY, MAY 30 Be part of an enlightening
on the Indie Publisher Stage
2:00 PM – 2:30PM conversation. Inspired by
2:30 PM – 3:00 PM in-booth signing with today’s headlines, top
in-booth signing Jim Auchmutey, author of historians discuss
Smokelore: memorialization, the proper
A Short History of role of public intellectuals,
Barbecue in America and how history happens.
Pick up a free copy of
Confederate Statues and
Memorialization and join
the conversation.
The second annual New York Rights Fair, the international adult and
children’s content and licensing marketplace, is colocated and running
concurrently with BookExpo this year, and is presented in partnership
with BolognaFiere, Publishers Weekly, and Combined Book Exhibit. It
was held offsite in 2018.
“It is super exciting to have the New York Rights Fair under the same
roof as BookExpo,” says Jennifer Martin, event manager of BookExpo.
“Admittedly, we have seen the international attendees fade at BookExpo
over the past few years, in part because it wasn’t as compelling to travel
for just a two-day event. Now that it has been right-sized to a three-day
show and with the addition of the New York Rights Fair, we anticipate a
much larger international participation.” This year’s New York Rights Fair,
she adds, features representatives from 14 countries, including a large
number of exhibitors from France and Italy, as well as representatives from
as far away as Uzbekistan.
More than 30 rights tables will be occupied by literary and rights agen-
cies, including Trident Media Group, Sandra Dijkstra, and Maria Campbell
& Associates. The Quarto Group, Quirk Books, Candlewick, Sourcebooks,
and Simon & Schuster are among the publishers exhibiting.
jd urban photography
©
The Italia booth at the inaugural New York Rights Fair in 2018.
As to whether the New York Rights Fair will be competing with exhibitors
on the BookExpo show floor, Martin notes that BookExpo booths are pri-
marily focused on servicing retail and library clients. “All too often in the
past,” she says, “the rights portion of the show got edged off to the side.
Now editors have a compelling reason to leave their offices and come to
BookExpo, because they will have their own dedicated space for doing
business.” She also points to the Rights Fair’s active schedule of panels
and educational sessions, structured around the international landscape,
page to screen, and genres.
Literary agent Marleen Seegers, owner of the 2 Seas Agency in Ojai,
Calif., and a panelist at today’s “International Blockbusters” session, is
www.bookexpo.com
54
Summer
GET YOUR
Read On
BOOKEXPO SHOW DAILY
jd urban photography
©
Talking children’s books at the inaugural New York Rights Fair in 2018.
READERS back for a second year. Although Seegers travels to both the Frankfurt
and London Book Fairs each year to sell rights, she says that she welcomes
a rights-focused event in the U.S. “Breaking into the U.S. market is some-
We have our eye on worldwide thing most international publishers aspire to. It is absolutely essential
fashion centers, specializing in that there is an opportunity for them to meet with agents and editors in
New York,” she says, adding, “It also must be said that many of the U.S.
Italian design elements. publishers who publish translated fiction are not based in [New York].
Our finished product is elegant Publishers like Graywolf, Open Letter, and Deep Vellum are all somewhere
else, but many of them will be at the New York Rights Fair and exhibiting
to see as well as be seen in. at BookExpo.”
BookExpo’s Martin points out that the New York Rights Fair is designed
to give people an opportunity to interact face-to-face. “The goal for me is to
turn it into the [Consumer Electronics Show] of books. We want to hear
about great deals that come out of the fair, from new television series to
independent films. We want everyone to know that the New York Rights
Fair and BookExpo are a hotbed of great stories.” —Ed Nawotka
BOOTH 2849
SPECIAL DISCOUNTS FOR ABA MEMBERS
ing point is that it’s bad for our culture to be so cut off from the rest of the
world. Some people focus on the need for more funding to publish interna-
tional literature. Others see the creation
& INDIE BOOKSTORES of new presses and imprints dedicated to
bringing voices from around the world to
English readers as essential.
The “3% Problem” also contains inherent
labor costs. As translators have become
more professional, they’ve advocated for
higher fees and royalties. They argue that
freelance translating should be a career,
not a hobby. But for that to happen, there
needs to be enough work to go around—
something that wasn’t the case a decade
2020VISIONUSA.COM ago, when just over 350 new translations
orders2020vision@yahoo.com of fiction and poetry were published in
the U.S.
www.bookexpo.com
Ad2020visionusaExpo.indd 1 56
5/22/19 8:52 PM
BOOKEXPO SHOW DAILY
A lot of the hand-wringing about this situation comes from two colliding
assumptions: that translations are culturally valuable versus the belief that
translations are less likely to generate a profit than a book originally written
in English. There needs to be much more revenue from translated books for
the “3% Problem” to become the “4% Problem.”
To get booksellers onboard with promoting books in translation, Europa
Editions in 2016 launched the Booksellers Without Borders program to
provide fellowships to attend international book fairs. “Booksellers are an
increasingly important link in the chain that connects authors and their
readers,” says Michael Reynolds, editor-in-chief at Europa. “Yet, when it
comes to international literature, especially literature in translation, most
have no direct connection with other important links in that chain—foreign
publishers, agents, producers, and other booksellers. We wanted to create
real connections between professional book- Charlotte Koh Lauren Neustadter
sellers here and abroad. And, ultimately, we
aim to create an international bookselling work with a variety of players in the book space, from publishers to
network.” booksellers.
Another path to expanding the world of liter- Jason Boog (moderator), West Coast correspondent, Publishers Weekly;
ary translation is to build on recent successes. Charlotte Koh, head of digital media and unscripted, Hello Sunshine;
Elena Ferrante’s Neapolitan Quartet (Europa) Lauren Neustadter, head of film and television, Hello Sunshine.
has sold more than 4.1 million copies in the
U.S., and the first volume, My Brilliant Friend, International Blockbusters
was made into an HBO series that was recently Today, 1:15–2 p.m.
renewed for a second season. Fredrik Back- The number of books in translation published in the U.S. is alarmingly low,
man’s A Man Called Ove (Washington Square languishing for years at a mere 3%. There’s a perception that translations
Press) also made the jump from page to screen don’t sell. Why? This panel looks at four books written in languages other
and has sold more than 2.8 million units world- than English that have become global bestsellers: Viola Ardone’s The Chil-
wide. But even outside of titles that have been dren’s Train, Fredrik Backman’s A Man Called Ove, Antonio Scurati’s M:
turned into film, there seems to be a ground- The Son of the XX Century, and Un-su Kim’s The Plotters. What sets them
swell of interest in international literature apart? How did they gain momentum in the market, first with industry pro-
among both smaller presses and the Big Five. fessionals and then with readers? And what can U.S. publishers take away
This fall, HarperCollins is launching the Harper- from the success of these books in order to publish more works in transla-
Via imprint to bring out dozens of translations tion in the States?
a year. Gabriella Page-Fort (moderator), editorial director, Amazon Crossing;
But for translators like Jennifer Croft, the sur- Peter Borland, v-p, editor-in-chief, Atria Books;
est route to success is winning an award. Claire Sabatie-Garat, literary agent, the Italian Literary Agency;
Although she says she “fell in love” with Olga Marleen Seegers, owner and foreign rights agent, 2 Seas Agency;
Tokarczuk’s Flights (Riverhead) when she first Barbara Zitwer, owner, president, Barbara J. Zitwer Agency.
read the original in 2007, she struggled for
nearly a decade to find a publisher for her translation. It wasn’t until May
last year, when she and Tokarczuk won the Man Booker International that
things changed. “My feeling is that the Booker opened every literary door
for us,” Croft says, “and that finally, after working with Olga for 15 years, my
goals for her career are attainable. She is a wonderful, accessible writer
who seems to have intimidated editors for no good reason until now. Read-
ers, meanwhile, have always been ready to dig in.” —Chad Post
Content
PRH;
Rebecca Gardner, v-p, rights director, the Gernert Company;
Marleen Reimer, senior scout, Maria B. Campbell Associates;
Stefanie Diaz, director, international rights, Sanford J. Greenburger Associates.
www.bookexpo.com
60
WEDNESDAY, MAY 29, 2019
Sharjah Celebrates
’Open Books, Open Minds’
Sheik Dr. Sultan Al Qasimi opens the 2017 Sharjah International Book Festival. November
For more than a decade, the United Arab Emirate of Sharjah (booth 507)
has focused energy and resources on fostering literacy and encouraging book
publishing throughout the region. This led to the establishment of the Emir-
ates Publishers Association and the Kalimat Group, an Arabic-language
17-24, 2019
publishing house, as well as Sharjah Publishing City, a 200,000-sq.-ft. facil-
ity that offers administrative and logistical support for those looking to pub-
lish, print, and distribute.
MIAMI, FLORIDA
In addition, each family in Sharjah has been supplied with an in-home
library as part of the Knowledge Without Borders program. Sheika Bodour
Al Qasimi, founder of the Kalimat Group and the daughter of Sharjah’s
ruler, Sheikh Dr. Sultan Muhammad Al Qasimi, is serving as v-p of the Inter-
national Publishers Association, where she has worked to promote publish-
ing in Africa and other underserved international communities. These
efforts culminated last month with Sharjah being named UNESCO World POETRY, FICTION
Book Capital, a title it will hold until April 2020. The theme for this year’s
celebrations is “Open Books, Open Minds.” At the opening ceremony, Shar- & NONFICTION FROM
jah’s ruler said, “I stand before you and I am almost certain that I am visualiz-
ing our great forefathers—scientists and thinkers—filling libraries of the ALL OVER THE WORLD
world with knowledge.... It is a great honor to follow in their footsteps. To
embrace books and knowledge as a tool to build, not destroy... a tool to
nurture love, brotherhood, and tolerance.” STREET FAIR
The sheik continued, “The production of knowledge never stops, and the
development of life continues.... Sharjah is prepared to continue on this
journey, and God willing, our devoted sons and daughters will continue our
march to make Sharjah a true beacon of science and knowledge and a des-
PUBLISHERS &
tination for everyone thirsty for culture, for thought, and the sciences.”
Plans for the year of literary festivities include mobile beach libraries,
BOOKSELLERS
book fairs, storytelling, theater, and programming for children. The goal is
to unify communities by reaching out to the marginalized, while fostering
inclusion and support for refugees, the disabled, and the visually impaired,
CHILDREN’S AUTHORS
among others.
To mark the occasion, the Emirate also erected the 2019 Sharjah World
& ACTIVITIES
Book Capital Monument, a sculpture designed by artist Gerry Judah. And
the Emirate is building the House of Wisdom, a library and cultural center
designed by the famous architectural firm of Foster + Partners.
Last month the London Book Fair named the United Arab Emirate of
MIAMIBOOKFAIR.COM
Sharjah as the Market Focus of the 2020 fair. The Sharjah Book Authority
and the fair will collaborate on a program, with the support of the British
/miamibookfair
Council and the U.K. Publishers Association, which will highlight Emirati #MiamiBookFair2019
authors and books. A concurrent professional program will focus on foster-
ing further business relationships. —Ed Nawotka
61 www.bookexpo.com
BOOKEXPO SHOW DAILY
Amazon Publishing
debbie friedrich
Marks Its First 10 Years
©
Almost exactly 10 years ago, in May 2009, Amazon expanded from selling
books to publishing them as well with the launch of Amazon Encore, a pub-
lishing program for promising self-published books and out-of-print works
from major houses. Liz Fenton (l.) and
Since then, Amazon Publishing has grown. It now consists of 16 imprints Lisa Steinke (r.) will
sign The Two Lila
and has between 200 and 300 employees. According to Mikyla Bruder,
Bennetts
Amazon Publishing’s publisher, Amazon typically publishes about 1,000 tomorrow.
books a year, though that number can be higher in years when the com-
pany experiments in new areas. The company, which now has a backlist of
over 10,000 titles, has largely grown organically and has bought just three was established at the creation of
properties, the most important of which is Brilliance Publishing, which not Amazon Publishing: to work in synergy
only serves as Amazon Publishing’s audiobook arm but also handles physi- with other Amazon properties to create
cal distribution of its print books. new and different types of opportuni-
Although many bricks-and-mortar booksellers have refused to carry Ama- ties for authors.
zon titles, including books by local authors self-published through Amazon,
Amazon Publishing continues to attract Expanding Horizons
jason trott
authors, among them a number of big- Bruder says that she believes authors
name writers. “We are very transparent appreciate what Amazon can offer both
©
with our authors about our model, domestically and overseas. As part of
which may not be for everyone,” Bruder the Day deal, Butterfly in Frost will be
acknowledges. “We want a stable of published by Amazon Publishing’s
happy authors.” translation imprint, Amazon Crossing,
which will publish the book in France,
Going After Big-Name Authors Germany, Italy, and Spain. (Of the pub-
Earlier this month, the company’s lisher’s 10 offices, six are overseas.)
Montlake imprint signed bestselling Amazon Crossing has become one of Amazon Publishing’s biggest suc-
author Sylvia Day to a seven-figure cess stories and now publishes more titles in translation in the U.S. than
advance for Butterfly in Frost, a 203- any other publisher. The company will add to that number with the July
page novella to be published in August. launch of Amazon Crossing Kids, which will publish children’s picture books
Bruder says that the deal reflects her in translation. “It is important that children are exposed to different cultural
ability to spend the money on authors Catherine McKenzie will sign I’ll perspectives,” Bruder says.
she believes will fit into the program’s Never Tell on Friday. Children’s books, which are published in Amazon Publishing’s Skyscape
ecosystem. “I have no problem going and Two Lions imprints, is a relatively small part of its overall business. So,
after big authors,” Bruder adds, noting too, is adult nonfiction, which Bruder estimates represents about 10% of
that late in 2018 Patricia Cornwell the company’s total output. “We’re just getting started here,” she says.
signed a two-book deal with the compa- The company has had some noteworthy nonfiction successes, however;
ny’s Thomas & Mercer imprint for world The Tenth Island by Pulitzer Prize–winning author Diana Marcum, for
English rights to two new thrillers, instance, has reached 380,000 readers since it was released last July by
beginning with Quantum, which is set to Amazon’s literary imprint, Little A. However, adult fiction is by far the
publish at the beginning of October. publisher’s strength, and its three largest imprints are Lake Union (book
Bruder believes Amazon’s ability to club fiction), Thomas & Mercer (mystery, thriller, and true crime), and
reach millions of readers online offsets Montlake Romance.
the loss of physical retail opportunities Amazon Publishing will broaden its program next year when it releases
(though she did point out that there are the first titles from Topple Books, an imprint overseen by Jill Soloway, cre-
now 19 Amazon Books outlets). By tap- ator of the Emmy-winning television series Transparent, which was pro-
ping into Amazon’s various divisions, duced by Amazon Studios. The imprint will focus on publishing voices of
more than 40 authors have reached women of color, along with gender-nonconforming, lesbian, bisexual,
over a million readers, a figure that transgender, and queer writers. Its first title, Raising Them by Kyl Myers,
includes print, audio, and digital sales, as well as borrows through Kindle is set for release in June 2020.
Unlimited. Though Bruder wouldn’t disclose revenue for the publisher, she says
Another step in the evolution of Amazon Publishing came in February, Amazon Publishing is a “strong and profitable business that continues to
when the publishing group, in conjunction with Amazon Studios, signed a invest in new authors.” She adds that one way she measures success is
deal with Michelle Miller for world book, audiobook, and all global media “growing the audience for our authors book by book.” —Jim Milliot
rights for a series of short stories titled The Fairer Sex. The Miller signing
was the first joint deal between the two Amazon divisions, and while the two Tomorrow, 11:30 a.m.–12:30 p.m. Liz Fenton and Lisa Steinke will sign
don’t have a formal first-look agreement, Bruder says the publishing group galleys of The Two Lila Bennetts (Lake Union) at Table 10.
Friday, 1–2 p.m. Catherine McKenzie will sign copies of I’ll Never Tell
will work closely with the studio when signing new authors. She regards the
(Lake Union) at Table 5.
Day, Cornwell, and Miller deals as reflecting the operating principle that
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