Professional Documents
Culture Documents
RETURN TO
ORCHARD CANYON
a b u s i n e s s n o v e l BOOTH 823
®
THURS.
MAY 30,
Publishers Weekly’s Show Daily is produced each day during the 2019 BookExpo in New York.
2019
The Show Daily press office is in room 4B2. PW’s booth is #1213.
A L L T H E B U Z Z O N B O O K E X P O
© steve kagan
By Ed Nawotka
That Get Real
© steve kagan
Yesterday’s noon
opening for BookExpo
led to a quiet start for
this year’s fair. But as
the day progressed,
the crowd steadily
built, and by late
afternoon a palpable
buzz began to fill the
hall.
Before the opening,
more than 100 peo-
Book people gathered for the opening of the show floor. (From l.) Emily Bell, MCD/FSG; Jonathan Cox, S&S; Sally Kim, Putnam;
ple, many of them
Julian Pavia, Crown; Jordan Pavlin, Knopf; Jessica Williams, Morrow.
book bloggers and independent authors, lined up to get an early start on galley giveaways and liter-
ally dashed into the hall the moment the floor opened. Among those early attendees was Kristin Six editors pitched their favorite forthcoming
Thorvaldsen of Long Island, who runs the Always with a Book blog. “I’ve been publishing my blog for books to an enraptured crowd of 300 booksell-
nine and a half years and post ers, editors, and librarians who
three to five times a week,” she packed the Adult Book Editors’
said. “I come to BookExpo for
the networking, which is import-
THE FINALE TO THE Buzz Panel on the opening after-
noon of BookExpo. If there’s
ant to the work I do.”
Despite the shifting demo-
1 BESTSELLING SERIES
# one thing that links the books,
a mix of fiction and memoirs,
graphics of the fair, it still serves Faeries have hidden FIVE it’s their blunt assessments of
as a barometer of the industry Holly Black scarves at this show. NOV the times.
for its traditional audience. “Our
2019 Heralding a work that “demands
customers expect us to know
FIND ONE. to be read and reckoned with,”
about every book that is pub- Share a picture on Twitter or Jonathan Cox, editor at Simon &
lished, so it is important for me to Instagram, tagging @TheNOVL. Schuster, spoke passionately
take the time to come here,” says about How We Fight for Our
Jessica Kupillas, assistant man- Bring it to BOOTH #1338. Lives (Oct.), Saeed Jones’s
ager at Barnes & Noble in memoir of growing up as a gay
Redeem an EXCLUSIVE
Farmingdale, N.Y. She said she is black man in America. The title
SNEAK PREVIEW gift.
encouraged to see publishers was one of Cox’s first acquisi-
and the industry embrace We swear a faerie oath that there are NO ARCs. tions as an editor in 2015 and
graphic novels. “We just added a Anywhere. And we take our oaths very seriously. it took four years for Jones to
standalone section at B&N for complete. “He wanted to write
middle grade graphic novels,” the book that he needed as a
she added, “and it is extremely young man,” Cox said. The result
popular.” is a book that is poetic in style;
Arsen Kashkashian, buyer for
FolkoftheAir.com BOOTH #1338 Cox compared it to Claudia
the Boulder Book Store in Boul- Rankine’s Citizen. “It is a stun-
continued on p. 5 continued on p. 6
LITTLE , BROWN AND COMPANY
BOOKS FOR YOUNG READERS
LBYR BOOTH #1338 GIVEAWAYS & EVENTS THURSDAY, MAY 30TH
9:00AM TOTE BAG GIVEAWAY 9:30AM ARC GIVEAWAY 10:30AM ARC GIVEAWAYS
Photo © Heike Bogenberger, Beowulf Sheehan, Sonya Sones, Renell Medrano, Perry Hagopian
mile away, and he had friends enough, but he was happiest on his own, playing with his dæmon, Asta, in their canoe, on which w
Malcolm had painted the name la belle sauvage. A witty acquaintance thought it amusing to scrawl an s over the v, and M Mal-
colm patiently painted it out three times before losing his temper and knocking the fool into the water, at which pointt they
declared a truce. Like every child of an innkeeper, Malcolm had to work around the tavern, washing dishes and glasses, s, car-
rying plates of food or tankards of beer, retrieving them when they were empty. He took the work for granted. The only lly
y an-
FRIDAY FRIDAY
noyance in his life was a girl called Alice, who helped with washing the dishes. She was about sixteen, tall and skinny, y, with
y,
AND INTRODUCING
Visit the MAKE ME A WORLD booth in the Javits lobby to learn more!
BEX19_Ad_PWDaily_WedThurs.indd 1 5/23/19 10:03 AM
BOOKEXPO SHOW DAILY
[ Today’s Must-Dos ]
❱❯ Calling All Parents
At 10 a.m. at the American Academy
of Pediatrics booth (1823), grab one
of the 50 copies of Raising an Orga-
nized Child: 5 Steps to Boost Indepen-
dence, Ease Frustration, and Promote
Confidence by Damon Korb, a leading
developmental and behavioral pedia-
trician and father of five.
❱❯ Be a Better Feminist George Takei of Star Trek with his graphic memoir, They Called Us Enemy.
The Feminist Handbook: Practical
Tools to Resist Sexism and Dismantle
the Patriarchy, the second title in New
Harbinger’s Social Justice Handbook
series, will be released on November 1.
Get a jump on the action, 10–11 a.m.,
at booth 1240, where signed galleys
will be given away.
lists—teamed up with his son, Alex DeMille, an award-winning screen- Show-goers left Post-its at Penguin Random House’s
writer, for The Deserter. They’ll both be signing at the S&S booth (1838), booth to commemorate the books that were most mean-
all photos
ingful to them.
3–4 p.m.
www.bookexpo.com
4
THURSDAY, MAY 30, 2019
[ Friday’s Must-Dos ]
❱❯ Cook Like a Royal
Stop by the Weldon Owen International booth (1856) to pick up a recipe
card excerpted from the upcoming The Official Downton Abbey Cookbook,
due out in September to coincide with the movie release. Written by food
historian Annie Gray, the book includes period recipes accompanied by
images of the Downton Abbey cast.
❱❯ Welcome DC Authors
At the DC Showcase on the Choice Stage, 11:15–11:50 a.m., publisher
Dan DiDio introduces authors Meg Cabot (Black Canary: Ignite, DC
Zoom), Kami Garcia (Teen Titans: Raven, DC Ink), Kelly Sue DeConnick
(Aquaman, Vol. 1: Unspoken Water, DC), and Sean Murphy (Batman:
White Knight, DC Black Label). They’re gathered to introduce a trio of
Booksellers and PW staffers mingle over cold beers at PW’s Summer new imprints: DC Zoom, DC Ink, and DC Black Label.
Reads-themed booth.
❱❯ Tinker Away
Those with a knack for creative tinkering should head to the Macmillan
booth (1544, 1545) to create a “Marble Run.” This is one of the hands-on
activities featured in the TinkerActive Workbooks, which combine curricu-
lum-based exercises with project-based learning. The series is the debut
project from the publisher’s Odd Dot imprint.
5 www.bookexpo.com
BOOKEXPO SHOW DAILY
AV ll
AI 20
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Written and Written by Written by Written by Written by
Illustrated by Drew & Jonathan Scott Ruth Krauss Anika Aldamuy Denise Jory John
Kimberly & Illustrated by Illustrated by Illustrated by Illustrated by
James Dean Kim Smith Sergio Ruzzier Lucy Ruth Cummins Pete Oswald
HarperKids.com
GOT A S H E L F ?
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Ages
Laurel Snyder Julie Murphy Erin Entrada Kelly Greg van Eekhout
From the The middle grade The fantasy debut from the Five robots
acclaimed author debut from the Newbery Medal-winning prove they’re more
of Orphan Island. author of Dumplin’! author of Hello, Universe. than they’re built for.
ShelfStuff.com @theshelfstuff
BOOKEXPO SHOW DAILY
© stevekagan . com
Publishing Group
for a Toast to !
(From l.) Catherine Bogin, anti-piracy manager at Macmillan; Sarina Bowen, author; Mary Rasenberger,
executive director of the Authors Guild (moderator); Umair Kazi, staff attorney at the Authors Guild.
Digital book piracy isn’t going anywhere. Legal enforcement on the issue is
getting worse and worse, and if publishers and authors don’t band together
and force compliance, they’ll be playing e-book buccaneering Whack-a-Mole
forever. These were the takeaways from today’s “Changing Tides: Novel
Approaches to Combating Piracy” panel. Moderator Mary Rasenberger,
Authors Guild director, was decidedly gloomy on the subject of e-book piracy,
even as the panelists remained dedicated to fighting it—and hopeful that
the rest of the industry will eventually rally to their cause.
That hope, however, seems hard to maintain. Rasenberger guesstimated
that publishing probably lost significantly more money this year to e-book
piracy than the $300 million it lost two years ago when a survey last
by Cao Wenxuan crunched those numbers. And romance author Sarina Bowen led off the
panel by noting, “Half of my colleagues in independently published romance
and Yu Rong don’t look at piracy because it’s so depressing.”
Later, Macmillan Publishers’ anti-piracy manager Catherine Bogin kept it
Thursday, May 30th at 4:00 PM light with a quip cribbing the myth of Sisyphus. “You roll the rock up the hill
and watch it roll back down,” she said. “It’s something of an endless game.”
Umair Kazi, staff attorney at the Authors Guild, wasn’t much more positive.
Yu Rong will be signing at “If you find out the site is in the U.S., you’re well advised not to send a take-
Macmillan Booth 1544/45 down notice,” he said. “They’ll just take the content elsewhere,” where there
is no legal recourse.
The “good” news is that piracy websites, by and large, aren’t based in the
U.S. The bad news for publishers, the panel contended, is that such sites
are typically based in countries with lax laws on copyright compliance and
piracy. Kazi noted that Cyprus seems to be a big hub, and other panelists
nodded to Denmark as a culprit as well. “They’re still trying to get the
Megaupload guy into the U.S.,” Bogin said, referring to Kim Dotcom, whose
Hong Kong–based piracy site was shut down in 2012 by the U.S. Department
of Justice after nearly seven years in operation. Dotcom, who lives in New
Zealand, launched a new file-sharing service, Mega, in Auckland shortly after.
It is still in service.
The problem is not that Google, Amazon, and other big tech players aren’t
complying with takedown notices when they are served, Rasenberger said.
Instead, it is that for every singular pirated copy taken down, another pops
up in its place nearly immediately after. It doesn’t help, Bowen added, that
many authors don’t even know what they’re up against. “The biggest obstacle
Guests will receive a Summer art print! to fighting e-book piracy isn’t technology,” she said. “It’s education.”
Ultimately, though, Bowen noted, there’s really only one solution: “a part-
children’s publishing group nership between authors and publishers and everyone in the book publish-
ing community. This is something,” she added, “that we need to fight
together.” —John Maher
www.bookexpo.com
8
From the #1 New York Times Bestselling Author of
THE TATTOOIST OF AUSCHWITZ
Cilka’s Journey
COMING OCTOBER 1, 2019
BOOTH 844
State of Indie Publishing:
‘Great, But Sucks’
stevekagan . com
AUTHOR SIGNINGS!
©
CYNTHIA BARRETT DAVID DANIELO JOHN BARELLI
THURS 5/30, THURS 5/30, 1PM-2PM THURS 5/30, 2PM-3PM
11AM-12PM STACKPOLE BOOKS LYONS PRESS
LYONS PRESS 9780811738033 9781493038237
9781493042272 PAPERBACK • JUNE 2019 HARDCOVER
PAPERBACK • MAY 2019 $22.95 SEPTEMBER 2019 • $27.95
$16.95
Angela Bole, IBPA executive director
3:00 PM
SIGNING
THE DESERTER
NELSON and
ALEX DeMILLE
#SimonBookLover
SimonandSchusterPublishing.com/BEA
BOOKEXPO SHOW DAILY
stevekagan . com
of them women—discussing the future of storytelling in
the book business opened BookExpo yesterday. Gene-
vieve Smith, New York magazine features editor, moder-
©
ated the panel, with Sourcebooks publisher and CEO
Dominique Raccah, Hachette Audio v-p and associate
publisher Kim Sayle, and author Jacqueline Woodson.
Smith’s unobtrusive moderating style led to a
wide-ranging discussion that loosely interpreted the
panel’s title, “Storytelling in 2020 and Beyond.” The
conversation saw the trio touching on everything from
their own publishing origin stories and concerns of
voice in storytelling to the proliferation of formats in
contemporary publishing, the roles of women in pub-
lishing, diversity in the industry, the importance of librar-
ians and booksellers, and how to drum up reader
engagement.
The format provided a particularly interesting topic of
discussion, with each panelist bringing to bear a very
different view of the industry: Raccah’s from the top of
an independent publisher that recently saw stakes
bought by one of the Big Five (Penguin Random House
Genevieve Smith (l.), features director, New York magazine; Dominique Raccah, publisher and CEO of Sourcebooks;
US took a 45% stake in the company last week); Sayle’s Kim Sayle, v-p, associate publisher, Hachette Audio; and Jacqueline Woodson, author of Red at the Bone.
from the offices of a major publisher and the audio sec-
tor; and Woodson’s as an author writing in pretty much
every format and for every audience imaginable—children’s and adult. “Inside the publishing houses, small and large, we all know who’s
“Right now, we’re living in an age where we have a lot of formats avail- inside. I know it comes out of comfort. You hire people you know, who
able to us,” Raccah said. “I think that’s one of the things that’s very dis- went to the ‘right schools,’ who you’re comfortable around, who are able
tinct about book publishing.” She added: “One of the things we’re seeing to afford to live in New York. But how do we hire differently? How do we
is that people are [very] attached to format—there are people who feel change the narrative inside of those rooms?”
very strongly that they’re trade paperback readers, and they’re not going Raccah responded by calling the hiring process “broken on all sides.”
to read that book in mass market, and they’re not going to read it in She added: “I’m not sure we’re getting talent on the front end that’s
hardcover.” applying to those jobs. By the time you get to editorial director, you
Sayle sees something similar occurring in the audiobook sector, which don’t get a hiring pool to choose from that is diverse. I think we need to
has grown considerably thanks to the ease of digital distribution. “It’s ask ourselves how we can diversify the hiring pool. I think this is a con-
come so far. Now we have audio dramas and multicast,” she said. “People versation we need to be having.”
who’ve worked in audiobooks have always seen it as a complementary To that, Woodson responded, simply, “When?” —John Maher
format. I think finally authors and retailers are seeing it as complemen-
tary. People are reading and listening.”
Sound is also important to Woodson while writing her stories. “Every-
thing I write, I have to read out loud,” she said. “I have to hear how it
sounds, as well as understand what it’s doing on the page physically— Stephen Chbosky Is
how the lines are working, how the white space is working.” She added Here Today
that her sense of storytelling shifts depending on who she’s writing for. Stephen Chbosky is here to spread the
“When I’m writing picture books, those are long poems,” she said. “The good news about Imaginary Friend
line breaks are very intentional... and you get right into the story. When (Grand Central, Sept.), his first book
I’m writing for middle graders... I ask myself, how old this character is since The Perks of Being a Wallflower.
when the book starts, and how old the character is going to be when the At 10 to 10:50 a.m. today, he will take
book ends.” However, she added, “At the end of the day, all books are for part in Will Schwalbe’s “But That’s
all people. I think people should read picture books until their grave.” Another Story” panel, on the Down-
Later in the conversation, Smith pivoted the discussion to diversity. “I’ve town Stage. Then, 2–3 p.m., he will
found that these past few years, I don’t want to read the Philip Roths of the sign galleys of his upcoming book at
year. I want to read the stories I haven’t heard before.” the Hachette booth (1339).
Sayle concurred, saying that she saw that same priority in young read- Please note: There was an error in yes-
ers. “I think kids are more open to voices they don’t know about than ever terday’s issue of Show Daily regarding
before,” she said. “There were no books like that when I was growing up.” Stephen Chbosky’s appearances. He is appearing today.
Diverse stories are becoming more popular—but diversity in the pub-
lishing industry workforce remains scarce, Woodson noted.
www.bookexpo.com
12
MEET THE AUTHORS TODAY—MAY 30!
The Best Book Signings Are at
s
Sourcebooks Booth #1629
o
o rc b
9:30 a.m. Andrea Bobotis,
The Last List of Miss Judith Kratt
Join with other librarians for author talks, giveaways, food and drink. This is
all at the Publishers Weekly Librarians’ Lounge, in the main exhibit hall at
booth 557.
15 www.bookexpo.com
BOOKEXPO SHOW DAILY
The president and CEO of the San Diego Humane Society (and former
cohost of the weekly NPR show The Animal House), “Dr. Gary” is known for
bringing a gentle touch along with a wealth of experience to essential veter-
inary questions. For those missing their own pets, Weitzman will be joined in
the lounge by some of his furry friends. So come by and get a little
mid-BookExpo animal therapy along with a book.
17 www.bookexpo.com
BOOKEXPO SHOW DAILY
FLAME TREE PRESS
FICTION WITHOUT FRONTIERS
Today, 10–11 a.m. Lisa Taddeo will sign at the S&S booth (1838, 1839).
www.bookexpo.com
18
THURSDAY, MAY 30, 2019
QA BOOTH
#1239
Greg Garrett
Why Conversation Matters
© steve ladner
In the newest In Conversation: Rowan
Williams and Greg Garrett (Church Pub-
lishing, May), writer Greg Garrett, pro-
fessor of English at Baylor University and
a theologian in residence at the American
Cathedral in Paris, discusses faith, politics,
art, writing, and culture with Rowan
Williams, the former archbishop of
Canterbury.
What is the most important thing you want readers to learn from this book?
That conversation is a central part of what it means to be human. Rowan
and I have many things in common, but we are also crazy different. He grew
up in Wales, he is the baron of Oystermouth, he sits in the House of Lords. I
grew up in a lower-middle-class family of farmers, ranchers, and oil field
workers. Yet we find points of connection through conversation, through
*While supplies last
listening and valuing the other person. This is a book of conversation about
conversation that can spark conversation. —Emma Wenner
quirkbooks.com | /quirkbooks
Today, 2:30–3:30 p.m. Greg Garrett will sign at the New Title Showcase
(1057).
19 www.bookexpo.com
BOOKEXPO SHOW DAILY
www.bookexpo.com
20
REVELATORY
REALNESS
www.bookexpo.com
22
Get a signed
KARIN
acks one
h or s
SLAUGHTER
exclusive tote
bag!
@bookexpo
THURSDAY, MAY 30TH
10:30 AM-11:15 AM
MEG GARDINER signing The Dark
Corners of the Night ARCs + ARC giveaway
11:30 AM-12:15 PM
CATHERINE RYAN HOWARD
signing Rewind ARCs + ARC giveaway
1:00 AM-1:45 PM
KARIN SLAUGHTER signing
exclusive tote bags + exclusive
tote bag and audiobook giveaway
3:00 AM-3:45 PM
JENNIFER GIVHAN signing
Trinity Sight ARCs + ARC giveaway
ABA LOUNGE
4:15 PM-6:00 PM
CADWELL TURNBULL, author of
The Lesson, will be a featured author at
the Exclusive Happy Hour signing.
AUTHOR
Karl Marlantes
True Heroes
Karl Marlantes, the much-decorated war
devon marlantes
veteran and Rhodes Scholar, made his name
in publishing writing about war. His first
©
novel, Matterhorn (2010), won raves. In
the New York Times Book Review, Sebas-
tian Junger wrote, “Chapter after chapter,
battle after battle, Marlantes pushes you
through what may be one of the most pro-
found and devastating novels ever to come
out of Vietnam—or any war.” His next offer-
ing, What It Is Like to Go to War (2011), was
a nonfiction primer on battlefield survival.
But Deep River (Atlantic Monthly, July),
his latest novel, turns to the logging indus-
try in the Pacific Northwest at the turn of
the 20th century. “I kind of finished with
war,” Marlantes says. “I was the war guy for
1o:00 aM
Grab an ARC and join the race to
interviews. I wrote those books for per-
sonal reasons—I was a Marine in Vietnam,
and I worked out a lot of stuff.”
Inspired by his Finnish heritage, his latest
win The Golden Acorn by Katy book focuses on three teenage siblings
Hudson. who immigrate to the U.S. from Finland in
the early 1900s: a woman who channels
12:00 PM
Get a signed copy of The Brave
become a farmer/blacksmith and a logger. “I wanted to memorialize that
generation of immigrants that came in the early 20th century—many of
whom I knew, and now they’re gone.”
In his research into the logging trade, the author was struck by the hero-
Cyclist by Amalia Hoffman. Gino ism and hard work embodied by those workers. “These guys were 5 feet, 9
Bartali’s act of heroism reveals how inches tall, cutting down trees by hand that sometimes took two days to cut
one person could make a difference down—just with handsaws,” Marlantes says. “They burned 16,000 calories
against fascism and anti-Semitism.
a day logging. You had this magnificent bravery, but the result was that in a
matter of 100 years, old-growth forests were gone. I remember talking to
2:00- my older relatives—they said they believed they weren’t going to be able to
cut the forest faster than it grew, but somebody in Germany invented the
chainsaw, and that was the end of it.”
3:00 PM
Sadiq is a fun-loving third grader
In his research, Marlantes found similarities in how immigration was viewed
back in the early1900s and how Americans think about it today. “The abso-
lute fear of foreigners, of the ‘other,’ hasn’t changed. We think they’re going
to change the way that our culture is, or the way our society is, or they’re
who has a knack for making friends. going to take our jobs. I look at it from the viewpoint of the immigrant, and
Stop by for one of our favorite ARCs,
quite frankly, immigrants aren’t trying to destroy anything; they’re just try-
Sadiq and the Desert Star.
ing to get a good job. It’s very simple.”
Marlantes hopes readers will look at their world differently after reading
his book. “I’d like readers to come away with the sense of awe at nature and
the size of human hearts, the feeling of the grandeur and at the same time,
booth #938 the darkness—that the whole picture is very wonderful and terrifying at the
same time. I want people to come away feeling that somehow they’re con-
nected.” —Hilary S. Kayle
Today, 11–11:30 a.m. Karl Marlantes will be signing ARCs at Table 15.
24
DM-20--2019 BEA Show Daily 2.indd 1 5/13/19 4:23 PM
www.bookexpo.com
at BookExpo 2019
Visit us in booth #1838
WILLIAM
JENNIFER KENT PHILIPPA
WEINER KRUEGER GREGORY
Mrs. Everything This Tender Land Tidelands
IN-BOOTH GIVEAWAYS!
BOOKEXPO SHOW DAILY
sible scene settings in the terminal made it the ideal choice, as did a
surprising discovery: that in the 1920s the painter John Singer Sargent
cofounded an art school on the top floor that existed for 20 years and
enrolled 900 students a year. I know, if something surprises me, it will
probably also surprise the reader, so from there I was all in.
Rachel Maddow The author of the 2012 bestseller Drift: The Unmooring of American
Military Power, Maddow said on the show that two things about her earlier
Experiencing ‘Blowout’ book surprised her: “The book did really well. It still sells a bunch. The other
thing that happened was that I publicly and privately swore I would never
Rachel Maddow, host of the Emmy Award–win- ever write another book. Honestly, it almost killed me to write that book.”
ning eponymous show on MSNBC, will host at a As Maddow admitted, she lied. But, she added, “It turns out that I had
different venue, today’s breakfast. Up until last another case to make that was driving me nuts—as much as I tried to talk
week, Maddow kept mum on the reason she myself out of it. It’s about the oil and gas industry. It’s about the Russian
would be at BookExpo. But on her show she decision to attack our 2016 election.” —Judith Rosen
msnbc media , llc
www.bookexpo.com 26
BOOKSELLERS PUBLISHERS
The right books at the right times. Reach more readers, work more efficiently.
• Efficient ordering tools • Print and digital together
• The largest inventory • Reliable worldwide distribution
• Superior delivery speeds • Unparalleled market access
LIBRARIES EDUCATORS
Community engagement through smarter workflows. Digital learning materials for the modern learner.
• Hands-on product expertise • Interactive text creation
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• Endless collection options • Relevant usage analytics
BOOKEXPO SHOW DAILY
celeste sloman
Gladwell. “It was so tragic and
Rowan Williams and Greg Garrett heartbreaking.” In the video,
Book signing
“This dialogue comes across as refreshingly Gladwell recognized the racism
©
2:30 today
unstaged and genuine, and offers a at new title and police brutality that others decried at the time, but he also kept
smorgasbord of riches to enjoy and ponder.” showcase wondering why so many interactions between strangers go awry.
—Publishers Weekly booth #1057 In Talking to Strangers (Little, Brown, Sept.), Gladwell goes in search of
9781640651296 | $14.95 an answer to the question at the root of his obsession with Bland: “What
happens when we have to deal with the unfamiliar?” To do it, he explores
major figures, from Montezuma and Cortes to Fidel Castro and the CIA.
He also takes up some of the most disturbing stories of our own time,
including that of the convicted rapist and former Penn State football coach,
Jerry Sandusky.
“We have these internal narratives that we’re using to make sense of
things, and they’re built around people we know,” says Gladwell. “The core
problem is that we’re approaching strangers the same way.”
With each story, Gladwell finds evi-
dence of what went wrong in the case
of Sandra Bland, but he cautions that
COMING SEPTEMBER COMING OCTOBER
readers in search of clean answers
Passionate for Justice Dancing from the
won’t find them in the book. “One of
Ida B. Wells as Prophet Inside Out the things I’m trying to get people to
for Our Time Grace-Filled Reflections
Catherine Meeks & on Growing Older accept is the inherent messiness of
Nibs Stroupe Westina Matthews this process,” says Gladwell. “The big-
9781640651609 | $18.95 9781640651586 | $14.95 gest problem that we have is our insis-
tence that there is some kind of neat
COMING AUGUST COMING NOVEMBER and tidy way of resolving encounters
Seeing My Skin Kaleidoscope between strangers.”
A Story of Wrestling Broadening the Palette in Instead, Gladwell says, “I want an
with Whiteness the Art of Spiritual Direction
Peter Jarrett-Schell audience to accompany me on a con-
Ineda P. Adesanya
9781640651920 | $19.95 versation about complicated ques-
9781640651647 | $19.95
tions and doing it in an unconstrained
way.” It is a different kind of storytelling for Gladwell, rich with first-person
accounts, and informed by the style of his podcast, Revisionist History,
which launched in 2016.
“I’ve fallen in love with that form,” says Gladwell, who hopes it makes for
a different kind of book from his previous works. “I’m much more interested
in the character and the story, and a little less interested in the theory and
www.churchpublishing.org • 800-242-1918 the doctrine.” —Alex Green
Follow us on Today, 8–9:30 a.m. Malcolm Gladwell will speak at the Adult Book &
Author Breakfast, on the Main Stage.
www.bookexpo.com
28
VISIT US AT BOOTH #1848!
New for Fall 2019
TODAY’S ARC
GIVEAWAYS: Skyhorse Publishing
Arcade CrimeWise 9781510737068 • July
9781948924917 • October “Fans of Orange Is the New Black
From the New York Times will appreciate this alternate view of
bestselling author Raymond Benson life behind bars, and those looking
comes a Hollywood crime drama set for life changes will find lots of
in the 1940s and present day that inspiring motivation.”
tackles racism, sexism, and murder. —PUBLISHERS WEEKLY
W W W. S K Y H O R S E P U B L I S H I N G .C O M • D I S T R I B U T E D B Y S I M O N & S C H U S T E R
T H U R S D AY, M AY 3 0 BOOKEXPO SHOW DAILY
Meet our QA
AUTHORS Marjorie Liu
at Norton’s Booth #1521 Getting Graphic with ‘Monstress’
Although she began her career as a
novelist, Marjorie Liu, who teaches
Mary comic book writing at MIT, says
WILSON
Monstress (Image Comics), cocre-
ated with artist Sana Takeda, could
Randee St Nicholas
David
Monstress is coming out in hard-
cover in July; the fourth volume will
SHANNON be released in paperback in the fall.
Maaza
to escape Japanese troops, and I grew
up on her stories of survival and friend-
MENGISTE ship. But what struck me, always, was
that even when she told those stories,
will be signing
she smiled—and in every photo I’ve
galleys of her novel
seen of her postwar (and there are a
The Shadow King
lot), she was always beaming. Mon-
3:00 PM stress is a very somber story about
war, colonialism, genocide, racism,
but its heart is inspired from a place
of great hope. That’s the true arc of the book—reclaiming hope, love, and
GALLEY GIVEAWAYS
friendship, even after enduring the worst that life can throw at you.
Stop by to grab a galley while supplies last! Why did you choose a mostly female cast of characters?
I grew up on movies, television, and books where the cast of characters were
mostly male—with one or two plucky female protagonists. It’s funny how,
36 American
when you’re a kid, you start to take that formula for granted—it begins to
Righteous Cuisine
feel completely natural, in the same way it starts to feel natural to read nov-
Men BY Paul
Freedman els where there are only white people, and watch movies where there are
BY Steven
Pressfield only white people, until one day you wake up and you’re like, “This isn’t real
life. I don’t want this anymore.” So when it came time to write Monstress,
it wasn’t a stretch to decide that almost all the characters would be women,
with one or two plucky men to round out the cast, and that all the charac-
JGV Will My ters would be people of color. That felt natural, that felt right.
BY Jean-Georges Cat Eat My
Vongerichten Eyeballs? How does Monstress flow from your novels?
BY Caitlin Writing about girls and monsters is rich territory for me, in terms of wres-
Doughty tling with ideas of race, gender, power—and love. How do you find love and
friendship when you’re an outsider, when you feel you don’t belong—when
you are, literally, monstrous? I’ve always been haunted by that question,
even from when I was little. —Brigid Alverson
Liveright
Today, 8–9:30 a.m. Marjorie Liu will speak at the Adult Book & Author
Breakfast, on the Main Stage.
www.bookexpo.com
30
WHITAKER HOUSE
Coming Soon!
AUTHORS
alison rosa
Asked what she hopes
readers will take away
Karin Slaughter
©
from The Last Widow,
Slaughter notes, “There
CELEBRATING YEARS
of UNFORGETTABLE LISTENING
Thank you to our authors, narrators, and everyone who has contributed to the
unparalleled collection of audiobooks Hachette has produced throughout the years.
HachetteAudio.com Also available in print and ebook wherever books are sold
www.bookexpo.com
32
THURSDAY, MAY 30, 2019
AUTHORS
gabriella demczuk
on black music during that
period, books about furni-
©
the time. There were aspects
PET A POOCH,
CUDDLE A KITTY!
W I T H D R . G A RY W E I T Z M A N
T H U R S DAY, M AY 3 0
2:00PM in the PW Library Lounge
3:00PM at Nat Geo Booth #1529
33 www.bookexpo.com
BOOKEXPO SHOW DAILY
AUTHORS
Nelson and Alex DeMille
Father and Son Team Up for
Audio,
New Thriller
Thrill-master Nelson DeMille—the author of
20 novels, including 17 major national
Video,
bestsellers, seven of which have hit the #1
spot on various lists—has been keeping
readers up nights for four decades now.
Under contract with Simon & Schuster to
write a coauthored book, he interviewed
many possible collaborators and eventually
Cogito.
found the perfect partner in his own son,
award-winning screenwriter (for the science
fiction short The Absence) Alex DeMille.
The two have come together to create
two new characters, Scott Brodie and
Nelson DeMille
Maggie Taylor, of the Army Criminal Inves-
tigation Division, in The Deserter (Simon &
Schuster, Oct.). This is the first of a planned
trilogy featuring Brodie and Taylor. In the
novel, when a Delta Force member disap-
At the most exciting pears from his post in Afghanistan and is
spotted a year later amid the hotbed of
location for audio Venezuelan unrest, Brodie and Taylor are
content in the sent by top military brass to bring him
back—dead or alive.
publishing industry. A parent–adult child writing team could
be a dicey proposition, eliciting a lot of
Gain new insights on 17 October tension and headbutting. However, the
DeMilles reveal that it all went swimmingly,
2019: Frankfurt Audio Summit will claiming it was an “interesting fusion of dif-
Alex DeMille
address the biggest trends and ferent methods of storytelling.” Nelson, who still writes all his manuscripts
challenges in audio publishing. in longhand, using #1 pencils and legal pads, was delighted to have Alex
on board to cut what he admits are his writerly excesses. “I tend to slightly
overwrite. You have a lot of leeway in novels, but in a screenplay, you are
limited to no more than a certain number of pages. I knew that Alex could
tighten the dialogue and the narrative,” he says.
Alex, for his part, told himself to check his ego at the door before he even
began: “My father has had a long successful career; he knows what he is doing,
SAVE TICKET
and this was a chance to learn. I saw it as a way to flex my creative muscles.”
DISCOUNT! Usually Nelson visits the place he is writing about for research, but the
violent events in Venezuela made that a nonstarter. “I chose Venezuela
because I find strongmen and the cult of personality fascinating,” he says.
“It raises the stakes. But when I was thinking about going there, I spoke
with some ex-pats, who said that would not be a good idea.” Instead, the
#fbm19 duo looked at satellite photos, read many books, and interviewed people
Buy your trade visitor ticket now
who are involved in the dissident movement. Nelson, who once served in
to get the early-bird discount: the Army in Vietnam, brought in the military part—the language, protocol,
buchmesse.de/visit buchmesse.de/audio and rank structure.
The other challenge was the constantly changing events in Venezuela. “We
Enter the code by 23 June 2019 to save were constantly chasing the news,” Alex says. “We had to freeze time at some
30% when booking your premium fair
experience with the Business Club: point. This is set in the events of last summer.” The second installment will
B C 3 0_5 7 76 be set in Berlin. “I’ll happily go there for research!” Alex says, with relief.
buchmesse.de/business-club
—Beth Levine
Today, 3–4 p.m. Nelson and Alex DeMille will be signing at the S&S
booth (1838).
www.bookexpo.com
34
BOOKEXPO SHOW DAILY
Gail Collins The women would get really sneaky. When abolitionist Eliz-
abeth Cady Stanton was traveling and giving speeches, this
On Women of a Certain Age was unheard-of behavior. Women were expected to stay
home and raise children. She figured out if she waited until
her hair was gray and children grown, she could say, “I
Author, journalist, and New York Times op-ed columnist Gail believe that and did that, and now I am going to tell you
Collins may be personally responsible for saving the mental about abolition.”
health of untold numbers of readers who depend on her witty,
incisive takes on the world to get them through another day in Where do you think the state of women is today? On the
Crazytown. (Sidenote: One person who is not her biggest fan? one hand, we have women like Alexandra O-C and Rachel
Donald Trump. After one scathing column in which she called Maddow, who speak their minds and never apologize. On
him a “thousandaire,” he sent her the article with her face circled and wrote, the other, we have women like Candace Owens and Ann Coulter, who
“You have the face of a pig and you are a dog and a liar.” She has it framed sneer at feminists as a bunch of man-hating freaks.
and proudly hung in her office.) Now Collins is back with No Stopping Us The interesting thing is that there are many powerful women on all sides now.
Now: A History of American Women, Age, and Expectations Defied (Little, People get upset about Ann Coulter yelling a lot, but it’s not because she’s
Brown, Oct.), a look at women and aging throughout American history. yelling but because they don’t like what she is saying. That’s a change. People
are driven equally crazy by Ann as they are by Sean Hannity. And everyone
You’ve written several books about the intersection of women, feminism, wants to keep Ruth Bader Ginsburg alive, watching her do her push-ups.
and history. What inspired you to throw aging into the mix?
In several of the earlier books I wrote, I saw that throughout history all the Your book gives women reason to expect the best of their golden years.
rules about what women are supposed to be doing are instantly repealed if I’ve realized that during my lifetime society’s ideas about women totally
there aren’t enough women around. If women are in short supply, they can transformed in a way never before seen in Western civilization. It’s all about
get away with anything. In the early West, there was Stagecoach Mary, who, economics now as much as gender. If you have money, you have agency.
at 60 years old, had a saloon, was beating people over the head with bot- That didn’t happen 50 years ago. —Beth Levine
tles, and running stagecoaches.
Today, 4–4:30 p.m. Gail Collins will sign at Table 7.
Follow us online:
For US orders, contact Orca (children’s titles): 1-800-210-5277
For Canadian orders call: 1-800-646-2879
Order online at nimbus.ca @nimbuspub or nimbus.ca
www.bookexpo.com
36
THURSDAY, MAY 30, 2019
Candace Bushnell TV series, and movies, which all grew out of her New York Post column,
would—of course—weigh in on the dating scene for women in their 50s.
Still Sexy After All These Years In the past, she explained, people dated to find family and reproduce.
Here you’re not. And that’s the question: What are you looking for?
If you think sex isn’t part of life for women in their 50s and 60s, think again. “One of the shocking things for women when they first start dating again
Candace Bushnell (Is There Still Sex in the City? Grove, Aug.), perennially is how much the men haven’t changed,” Bushnell says. “But there is some-
tuned into the zeitgeist of her peer group and inspired by her own experi- thing new, what I coined ‘cubs’ and ‘catnips.’ Catnips are women who are
ences as a divorced woman who just turned 60 last December, decided to just innocently minding their business and younger men, ‘cubs’ are going
write about a part of life that she believes isn’t given enough attention. after them. When I look at Sex and the City,” Bushnell continues, “those sin-
“Your 50s is a period of time that nobody thinks about. We all know what gle women in their 30s were really positive and gung ho. The 1990s was a
your 40s is supposed to look like—maybe you’re working on your career or very feminist time if you lived and worked in New York City. Those women
doing what I call ‘the reproductive lifestyle,’ when you have kids, and after were fierce, feeling like they could have it all. The reality is that when you
that you’re supposed to disappear and get to be in your 50s, you understand that
patrick mcmullan
slide into old age.” striving for that is not going to satisfy you
She laughs and points out, “At the same for your entire life.
©
time, it’s just not your mother’s middle age “In your 30s,” she adds, “you think you know
anymore, because we look younger, we’re everything, but there’s so much you haven’t
more vibrant. But we’re also going through experienced. And when you get to be in your
what I call middle age madness, when lots 50s, you have some broken dreams. For me,
of things hit you at once. If you have kids, the book is about not having the answers—
they’re moving out of the house. There’s we don’t know what the answers are, but we’re
menopause. There may be divorce. There’s still looking and still trying.” —Hilary S. Kayle
definitely going to be some death in
Today, 4:15–6:30 p.m. Candace Bushnell
there—just statistically speaking, chances
will sign ARCS at the Happy Hour signings
are one—or both—of your parents is going in the ABA Lounge.
to die in that time period. There’s a certain
37 www.bookexpo.com
BOOKEXPO SHOW DAILY
AUTHORS
Tochi Onyebuchi
Channeling Rage and Hope
“I felt a rage born of impo-
tence,” says YA author Tochi
Onyebuchi, of the decision not
to indict police officers over
the deaths of Michael Brown
and Eric Garner, as well as
George Zimmerman walking
free for the death of Trayvon
Martin. “At the same time, as
a writer, I clung to this idea of
writers as alchemists—that
we can take pain and anger
and rage and sorrow and turn
it into a work of art that will
alleviate this crippling sense
of loneliness. When I can read
a story that resonates with my
own story, I can feel seen,” says
Onyebuchi, who has worked
for Columbia Law School’s
Mass Incarceration clinic, the
Civil Rights Bureau of the New York State Attorney General, and as an
investigator with the Legal Aid Society.
Onyebuchi’s first book for adults, Riot Baby (Tor, Jan. 2020), is a product
of that alchemy. It’s a science fiction fantasy set in the present in which super-
powered siblings contend with police brutality, structural racism, and their
own world-shaping powers. Rooted in loss
and the hope that can live in anger, Riot
Baby is both a global dystopian narrative
and an intimate family story that speaks to
love, fury, and the black American
experience.
Much of the novel is set in New York City’s
Rikers Island prison. “When I was doing
research, I found very few fiction stories set
in jail or that dealt with the racial overtones
of the American incarceration systems.
There is so much humanity that happens
there—the entire breadth of human experi-
ence can happen in those places. And you
never see it or hear about it. That’s why it
was important to me to write in the present and not as allegory. This is real
and it’s going on now,” he says.
Onyebuchi credits Ruoxi Chen, his editor for Riot Baby, for making a dif-
ference in how his work is perceived. “It shows that it’s not enough to have
diverse authors—you also need agents, marketing, and editors who will
understand and relate. Ruoxi got it and pushed me to make [the book] better
in ways that I am not sure other people would have done for me,” he says.
As for the cover, Onyebuchi says he actually cried when he saw it. “I felt a
kinship with this person; I felt I had seen this person before in real life. I had
spoken to and had a relationship with her, and not just because she was liv-
ing in my head. I just knew her. I’ve never experienced that before,” he says.
—Beth Levine
www.bookexpo.com
38
SP OT T ED MEET
at B EA! David Mizejewski
Meet BigFoot and Renowned National
Wildlife Federation
author D.L. Miller Naturalist and TV Host!
BOOK SIGNING BOOK SIGNING
Friday, May 31 Thursday, May 30
11:00am – 12:00pm 10:30am – 11:30am
with Fox Chapel Publishing, Booth 438 Table #3 in the Autographing Area
9781580118187
Booth #438
Lancaster County, Pa.
Toll Free: (844) 307– 3677 • Direct: (717) 715 – 8623
sales@FoxChapelPublishing.com
Welcomes you to
BookExpo 2019
Visit us in Booth #1338
hachettebookgroup.com
Welcomes you to
BookExpo 2019
Visit us in Booth #1338
TODAY’S FEATURED
GALLEY GIVEAWAYS
FEATURED EVENTS • THURSDAY, MAY 30 AT BOOTH #1338
9:00 AM
The Great Pretender Susannah Cahalan
(Grand Central Publishing)
12:00 PM
Hollow Kingdom Kira Jane Buxton
3:00–3:30 PM (Grand Central Publishing)
1:30–2:30 PM
Julie Satow Dan Kois 1:00 PM
AA Signing, Table 9 AA Signing, Table 7 Make It Scream, Make It Burn Leslie Jamison
(Little, Brown)
Own Your Weird Jason Zook (Running Press)
2:00 PM
The Ten Thousand Doors of January Alix E. Harrow
(Redhook)
Change is the Only Constant Ben Orlin
Photo: Callum MacBeth-Seath
3:00 PM
The Queen of the Conquered Kheryn Callender (Orbit)
Max Einstein: Rebels With a Cause James Patterson
and Chris Grabenstein (Jimmy Patterson)
3:00–4:00 PM 3:30–4:30 PM Running Press Studio Stadium Cup Giveaway
Susan Swain Natasha Ngan (Running Press)
C-SPAN Booth, AA Signing, Table 13
4:00 PM
Signing
The Paris Orphan Natasha Lester (Forever)
Photo: Jordan Matter
AUTHORS
bex finch
“Unless you are a natural sociopath
who believes the world owes you every-
©
John Hodgman thing, you don’t believe you deserve
fame precisely until the moment that
How Far Will He Go for Fame? prolonged exposure trains you into
being a sociopath and believing it will
John Hodgman is an unlikely guy to become famous, and he knows it. “Any- never end, and that’s when it ends,” he
one who has looked at my face knows that my destiny was not to be in film. says. That’s when you find yourself trying
I can only play villains and creeps because I look weird on camera,” he says. to replace lost status with bogus airline
This hasn’t stopped him from pursuing the limelight and the status that frequent flyer status, something he dis-
comes with “minor celebrity,” as he describes it. covered during a long dark night at 3
The bestselling author, actor, podcaster, one-time literary agent at Writ- a.m. He realized that he could upgrade
ers House, PC guy on Mac ads, and The Daily Show Resident Expert and from Platinum Medallion level to Dia-
Deranged Billionaire is back with more reports from the road in Medallion mond Medallion level on Delta if he went
Status: True Stories and Complimentary Upgrades (Viking, Oct.). A sort of on a pointless flight to L.A. just to get the qualifying miles.
follow-up to his award-winning Vacationland, this one explores the strange, But you don’t have to worry about Hodgman. He’s moved on, thank you
surreal world of being a somewhat famous person. very much. He hosts a weekly podcast called Judge John Hodgman, is a
“Fame came unexpectedly to me. I am consistently cast as the psychotic recurring guest star in season two of Amazon’s The Tick (released last
psychiatrist who wants to pull his patients’ teeth out, the slightly pervy best month), voices the character John D. Rockerduck in Disney’s DuckTales,
friend, or the terrible FBI investigator. And groomed the right way, I can start and is wrapping up on a short-form animated show with David Rees for
looking like Hitler pretty quick. But as I traveled through celebrity a little bit FX. Best of all, Hodgman says, “I have a very dedicated contingent of weird
at a time, kind of like a tourist, I thought, this can’t possibly last,” he says. precocious 13-year-olds that follow me. And lately I am Instagramming
And it didn’t. His TV show Married was canceled, Jon Stewart left The Silly Putty encroaching on toys in time lapse. This may be my new career,
Daily Show, and suddenly he wasn’t flying back and forth from Los Angeles considering the great response.” —Beth Levine
anymore. He saw his celebrity ebbing away. He no longer received the invi-
tations to the lounges where stars—even the “minorly famous,” he points Today, 2–3 p.m. John Hodgman will sign ARCs at Table 4.
Today, 3:30–4:05 p.m. Hodgman will be on the “Laugh Out Loud” panel,
out—are offered bespoke Italian shoes and designer jeans. “That’s a hard
on the Downtown Stage.
thing to give up,” Hodgman admits.
AQUILA
Visit us at Book Expo, NBN Booth #845/#847 POLONICA
®
Available at fine bookstores, online retailers and major wholesalers. Distributed to the trade by National Book Network, www.nbnbooks.com. www.AquilaPolonica.com
www.bookexpo.com
42
THURSDAY, MAY 30, 2019
AUTHORS
katie mccurdy
She promises that you
will find inside her book
Jenny Slate
©
the smell of honeysuckle,
heartbreak, a French-kiss-
43 www.bookexpo.com
BOOKEXPO SHOW DAILY
steve agee
faith”—which set him off on a search to
Pete Holmes
©
fill the hole where God and certainty
used to live. He decided to use that
www.bookexpo.com
44
THURSDAY, MAY 30, 2019
Introducing a Bewitching Series was for women who did not conform to the very
strict social order.”
After years of writing bestselling novels based on historical figures, This is Gregory’s first BookExpo in a decade.
Philippa Gregory (Tidelands, Atria, Aug.) turns her attention to a com- “What I remember more than anything else was
pletely fictional one, Alinor, in the first book in the Fairmile series, set in that I should have had a spare pair of shoes,
the mid-1600s, about one family’s complex trajectory to success. because you don’t want to be running around
“The main character came from my heart and imagination,” says that in heels,” she says. “And I remember the
Gregory. Alinor is a working midwife in a very desolate corner of England, complete impossibility of getting a decent cup
and represents ordinary women in extraordinarily difficult times. “When of English tea.” She’s pleased that Americans
I started telling her imaginary story, I couldn’t help weaving in one of the many have finally gotten British tea right. “But nobody
unsuccessful escapes by Charles I, who was then captured by the Parlia- ever serves it in anything but one of those bizarre
mentary army in England. So there’s a real historical relevance to it.” wax cartons with the little hole on top. Half of
Gregory decided to focus on a common woman after a cousin discov- the pleasure of having tea is smelling it.” Her
ered some family history that had previously been unknown. “My mother remedy is to carry her own china cup with her
accounted for the family going back to pre-WWII, but the family history whenever she travels to the U.S. —Hilary S. Kayle
actually goes back so much further, to laboring people who lived in pov-
erty,” Gregory says. “How extraordinary that this family should manage Today, noon–1:30 p.m. Philippa Gregory will
to get themselves into a position of prosperity.” speak at the Adult Librarian Lunch, in Rooms
Tidelands takes place at a time when England was swept up in witch- 1E07/1E08/1E09.
craft panic. “I was surprised at the numbers of women accused of being Today, 2:30–3:30 p.m. Gregory will appear at
the APA Authors Tea, in Rooms 1E07/1E08.
witches and the day-to-day cruelty against them and women in general,” Today, 4:15–6 p.m. Gregory will appear at
says Gregory. “There’s something about women being marginalized and the Happy Hour signing, in the ABA lounge.
silenced, being blamed for a general unease in society. And that led to Tomorrow, 11:45 a.m.–12:45 p.m. Gregory
women being tested—what they called ‘swimming for a witch’—held will sign at the S&S booth (1838,1839).
45 www.bookexpo.com
O K S
BOOKEXPO SHOW DAILY
FREE B O
E I VTH
P B O O AUTHORS
AT T H Ben Lerner
Telling a Topeka Tale
Topeka, Kans., the city in which Ben Lerner was raised, appears at some
point in all his books—his three acclaimed collections of poetry and his
novels, Leaving the Atocha Station and 10:14. But in his new novel, The
Topeka School (Oct.), this fall’s lead fiction title from Farrar, Straus and
W E D N E S D AY
Giroux, it takes center stage. It also features the return of Adam Gordon,
G IV E A W AY
the narrator of Leaving the Atocha Station.
Lerner describes it as
catherine barnett
“one family’s story but
also a sweeping story of
©
RC
A
A
G IV E A W AY S
who value talk and expression above
all else, he’s desperate to pass as a
‘real man’ among adolescents who
E!
...AND MOR value physical toughness, and think of
most [other] forms of expression as
emasculating,” says Lerner.
A large part of what Lerner calls “the
experiment of this book,” in which he
deftly shifts perspectives, was writing
in the voice of his parents. “In a way,
this is a book about me imagining my
RC
T H E S E B O O KS AND MO teenage experiences, he is not concerned that readers will think the novel is
FOR more autobiography than fiction. “I don’t worry about readers making auto-
biographical connections. Most of the characters are composites or unreal,
and many of the events are pure fabrication—but fabrications that I hope
ivpress.com are in the service of other forms of truth.” —Lucinda Dyer
Today, 2–3 p.m. Ben Lerner will sign ARCs of The Topeka School at the
Macmillan booth (1544, 1545).
www.bookexpo.com
46
THURSDAY, MAY 30, 2019
TRIUMPH BOOKS
AUTHORS CELEBRATING
William Kent Krueger THREE DECADES OF
Following in the Footsteps of CHAMPIONSHIP
Mark Twain SEASONS
William Kent Krueger remembers listening
intently as his teacher read The Adventures
of Tom Sawyer aloud to the class. Later he
read Mark Twain’s The Adventures of
Huckleberry Finn with a similar enthusi-
asm, intrigued by the young protagonist
bravely navigating the Mississippi River.
Inspired by Twain’s tales, Krueger decided
to write about young people, desperate to
swap corruption for freedom, who embark
on a turbulent river journey. The resulting
standalone novel, This Tender Land (Atria,
Sept.), combines out-
diane krueger
human condition.
Narrated by the not-
quite-13-year-old
Odie O’Banion, it
details the loss of
innocence among a Visit BOOTH #1923
motley quartet of for signings and giveaways, including:
orphans—Odie and
his brother, Albert;
their best friend,
Moses; and a little
girl named Emmy.
The novel is partly
5/30 6/1
set at Lincoln School in Minnesota in 1932, an off-reservation boarding
school for many Native American children who had been forcibly separated
from their parents. The four run from the law and set out for St. Louis in a at 3:30 PM at 11:30 AM
canoe. Their search for a home together suggests that “family is less about
blood than the way we open our hearts,” says Krueger.
Harvey Mark
Although the story is set against the bleak backdrop of the Great Depres- Araton Feinsand &
sion, Krueger says that he was determined to showcase the era’s unex- Bryan Hoch
pected penchant for kindness. “So many of us had parents who grew up in
the Dust Bowl then, our mothers telling us stories about not turning away
people who were hungry,” says Krueger, who was raised in the Cascade
Mountains of Oregon. “Generosity during times of great privation, that’s
the spirit of America I wanted to capture.” Stop by for a chance to win
Like Krueger’s Edgar Award–winning Ordinary Grace and the books in
his Cork O’Connor mystery series, This Tender Land puts spirituality and
2 tickets to Friday night’s
the conflicting forces of faith and doubt front and center. “[Spirituality] has
been an issue for me my whole life. I want to explore the spiritual journey
Yankees vs. Red Sox
in our lives,” he says. He also wants readers to share his deep attachment game at Yankee Stadium!
to his characters.
“I want to have readers fall in love with the characters, let them feel
despair and possibility when they do,” Krueger says. “I want to say some-
thing about human nature and how we ought to respond to each other,
what as a people I think we are capable of. I want to give readers the hope
that we can be those people.” —Alia Akkam
Today, 2–3 p.m. William Kent Krueger will sign ARCs at the S&S booth
(1838, 1839).
47 www.bookexpo.com
BOOKEXPO SHOW DAILY
AUTHORS
Maaza Mengiste
Women and War
A trip to Italy on a Fulbright
©
novel, The Shadow King (Nor-
ton, Sept.). Originally, she had
planned to use her time in
Italy to research the Fascist
invasion of Ethiopia during
WWII. As she looked through
the archives, something both-
ered her. “Working with these
documents that had been
kept through Mussolini’s era,”
says Mengiste, “I quickly real-
ized I was reading a history
that had been approved by
censors. And all of these
things—the newspaper
accounts, the photographs
that were taken—were part of
a propaganda machine.”
Mengiste started combing through journals, letters, and photo albums at
flea markets to find personal photographs taken by soldiers and other
records of the past not approved by officials. She found a photograph of an
Ethiopian woman with a rifle. “I’d heard of these women,” Mengiste says,
“but it wasn’t part of my consciousness. I started looking through old news-
papers, and I suddenly found a line in an article about an Ethiopian woman
who picked up her husband’s gun during battle and led his army.”
That inspired Mengiste to write about women’s role during wartime
against the backdrop of the hardships faced in Ethiopia during WWII. “I
want to reshift the masculine perspective on war,” she says, “so that we can
begin to reframe women at the center of world history.”
After Mengiste started writing the novel, she mentioned her discoveries
to her mother. “My mother said, ‘Don’t you know about your great-grand-
mother?’ It turns out that as a young girl, my great-grandmother, who was
wed to a man much older than her—she was much too young to be mar-
ried—sued her father for his rifle so she could go off to war, as opposed to
her husband whom she didn’t know very well and didn’t like.” So coinciden-
tally, the very sort of woman who inspired her novel was actually part of her
own heritage.
The last time Mengiste attended Book-
Expo was a decade ago, when her debut
novel, Beneath the Lion’s Gaze, came out.
“I’m excited about seeing booksellers and
librarians again. They are champions on
so many different levels—these people
invested in literature and books and what
books can do. Most writers remember
books that completely altered our per-
spective on things, and that’s thanks to a
librarian or someone else who put a book
in your hands.” —Hilary S. Kayle
www.bookexpo.com
48
BOOTH #1738
In-Booth Signings:
in making handbags
9 781499 808988
littlebeebooks.com
Galleys to Grab:
MELANIE SUMROW
Manufactured in USA
arkrader
na
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Will they be able to solve the case?
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CHING YEUNG RUSSELL
m
5/2/19 7:35 AM
#beeareader
littlebeebooks.com
Megan Goldin houses, Hermès, and plush Wall Street offices. And
instead of bringing back bison from the hunt, it’s junk
bonds and bonuses.
Trapping Wall Street Wizards
You are putting characters into a crucible. What are
Before she became an author (The Girl in Kellers Way), Australian you seeking to explore—or expose?
Megan Goldin was a journalist who reported from the Middle Office politics are fascinating—colleagues work together
East and Asia for various news outlets. Now she turns her atten- and build up a rapport, an office culture, and often
tion to the cutthroat world of Wall Street hedge fund megawealth and work- socialize, but at the same time, they are competitors, for resources, for bud-
place sexism in The Escape Room (St. Martin’s, July). In the past decade or gets, and, more selfishly, for promotions and salary increases. That usually
so, escape rooms (aka escape games) have become popular entertainment happens in back rooms through deals, networks, and politicking. I wanted to
for people from all walks of life. In them, contestants have to solve riddles explore what would happen if you strip down all the pretense of the camara-
and puzzles in order to get out of a room. Gol- derie and reveal all the office politics and machinations.
din takes the premise one step further in her
new thriller, in which three colleagues must You look at sexism in the workplace. Have you experienced it?
participate in a team-building exercise by Yes. Like many women, my experiences have been mixed. I’ve had some great
escaping from a locked elevator—and sur- male bosses over the years. At the same time, I’ve faced institutional sexism
vival is not assured. that is deeply embedded within the organizational culture. One of the scenes
in the novel actually happened to me: the job interview from hell in which
This seems like a Darwinian setting, a sur- my character, Sarah Hall, is interviewed by a hiring manager who eats fist-
vival of the fittest or perhaps most conniving. fuls of nuts throughout the interview and only brought her in so he could
Absolutely. I’d been reading Yuval Noah tick a box that said he’d interviewed a woman for the role. It was an awful
Harari’s book Sapiens around the time the experience. But at least it became good fodder for a novel! —Beth Levine
idea for The Escape Room was bubbling in
Today, 1:30–2:30 p.m. Megan Goldin will sign ARCs at the Macmillan
the back of my mind. It made me look at the
booth (1544).
corporate world through the prism of evolu-
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www.bookexpo.com
50
THURSDAY, MAY 30, 2019
beowulf sheehan
AUTHORS what they say:
the book
©
Jacqueline Woodson knows more
than you do
51 www.bookexpo.com
BOOKEXPO SHOW DAILY
AUTHORS AUTHORS
Daniel José Older Catherine Ryan Howard
Haunted by the Past Fast Forward to ‘Rewind’
The bestselling children’s book author Daniel José Older—the Shadow- Catherine Ryan Howard
shaper Cypher YA series, the Bone Street Rumba urban fantasy YA series, found the perfect writing
and the middle grade historical fantasy Dactyl Hill Squad—is stepping out prompt to inspire her latest
of his comfort zone with his first literary adult novel, The Book of Lost Saints thriller, Rewind (Black-
(Imprint, Nov.). He was inspired by his mother’s stories about her life in stone, Sept.): an image
Cuba, which were quite a contrast to his growing up in Boston. “That differ- from Frank Warren’s Post-
ence really jumped out at Secret project. Warren
john midgley
www.bookexpo.com
52
YOU DO
HAVE A
CHOICE!
CHOOSE BOOKAZINE
Booth
Inquire@bookazine | 800.221.8112 #942
BOOKEXPO SHOW DAILY
QA AUTHORS
Eric Nuzum Andrea Bobotis
Podcast Primer Murder, Southern-Style
NPR and Audible veteran Eric Nuzum, who has produced 130 podcasts, A woman untangles the dark
zg amanda tipton
has created a book on podcasting basics, Make Noise (Workman, Dec.). legacy of her family’s posses-
Here he talks about what distinguishes the best podcasts. sions in a hard-luck South
Carolina cotton town in Andrea
What’s the difference between radio and podcasts, beyond the obvious Bobotis’s first novel, The Last
difference of the “on demand” aspect? List of Miss Judith Kratt
The distinction vexed me for a long time, because of not being able to (Sourcebooks, July). Set in the
describe it, even though I could feel it. The most important difference is present with flashbacks to
that most podcast listening happens on earphones or with earbuds—it’s one fateful evening in 1929,
a very personal experience. You can have a radio on in the car, the living Judith Kratt pieces together
room, or in a store or office—more than one person can listen to it. The the influence of her family on
classical roots of radio were group and family listening. Podcasting from its their small cotton town, learn-
origin has really been meant to be singular, solitary listening, and I think ing that the devastating effects
that creates a level of intimacy that radio comes close to but doesn’t quite of family secrets can last a life-
match. There’s also something—though I have nothing to base this on—but time, and beyond.
I think putting something against your body or inside your ear makes it Where did Bobotis, a yoga
different. and writing teacher, get the
inspiration for the murder
With more than 700,000 podcasts out in the world, what distinguishes central to the plot? Her own
the best? family history, of course. Her
The best podcasts have just a small handful of elements. The creators have great uncle killed his brother with a single,
a very clear idea of what they are trying to say. They’ve either experimented deliberate shotgun blast after a quarrel over
for years and they figured out what their voice is, or they’ve sat down, and a family inheritance. “We knew that much,
before they started, they think it through. but there was so much more that was
A lot of my book focuses on that second scenario. You don’t have a lot of unclear. When I was little, we would talk
time to make a second impression in podcasting, so how can you make sure about it over our meals. Why would he do
your idea is clear in the beginning? That’s really a hallmark of almost all that? What do you think really happened?
successful podcasts. It took me many years to realize that this
The other thing is a passion for saying it. was not normal family behavior. Looking
back, I realized that we were really explor-
What would you like readers to take away from your book? ing all of the whys of human behavior,” she
If they really think that podcasting is something they’re interested in explor- says, and in the process of her writing,
ing, there’s just a little bit of work you can do up front that can really reduce human became her characters’ behavior.
the risk of failing. It doesn’t take a lot of money; it doesn’t take a lot of Bobotis grew up in Greenville, S.C., not
resources; it doesn’t take a huge following. —Hilary S. Kayle far from the Blue Ridge Mountains. When
she moved to Colorado eight years ago, she found that being removed
Today, 2:45–3:20 p.m. Eric Nuzum will talk with Leigh Haber about gave her a new perspective on the South. “I needed a little distance to see
“Everything You Need to Know About Podcasting” in Room 1E11.
the contours of it more clearly,” she says.
Today, 4–5 p.m. Nuzum will sign ARCs at the Workman booth (1307).
She began writing the novel as a faithful retelling of her family’s story, but
found it lacked narrative urgency. “I realized that writing for me was a pro-
cess of discovery, and I already knew how this story ended. When I freed
myself from the constraint of the truth, the book took off. I’m not telling
the exact stories of the people my characters are based on. I am giving
away their secrets, only slantwise,” she says.
She really found her rhythm when she inherited a mass of short published
and unpublished histories of upstate South Carolina, specifically York County,
where the novel is set. Her mother grew up in a small town called Sharon,
population around 300, where the people tend to write down their families’
histories set in historical context. “My mom had a treasure trove of them.
They gave me this really ear-to-the-ground understanding of the area, espe-
cially during the Depression era. Once I got that, I thought, this is such a
wonderful rounding out to pair with my family’s history,” says Bobotis.
—Beth Levine
www.bookexpo.com
54
NEW FICTION TITLES from Baker Publishing Group
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BOOKEXPO SHOW DAILY
AUTHORS AUTHORS
Adam Rippon Joshilyn Jackson
From Ice to Page Is Redemption Possible?
For 20-some years, Adam Rip- As a self-described “devout but very progressive Christian woman,” Joshi-
pon’s life was dominated by fig- lyn Jackson is interested in the act of redemption. “How far can you go into
ure skating. Then, after snag- the black before you see the lights to call you home? Why do some people
ging a bronze medal at the never see the lights? What saves us? What connects us?” she muses. She
2018 Winter Olympics as part pursues that theme in her latest novel, Never Have I Ever (Morrow, July), a
of the team, he announced his domestic thriller that asks: What if someone knew your worst secret and
retirement from the profes- was ready to use it against you?
sional sphere. To transition In a suburban women’s book group where life is sweet and uncompli-
between that fierce, competi- cated, the dynamic changes when a new member joins who seems to
tion-fueled era and the next know terrible truths about Amy Whey’s not-so-halcyon background. Filled
uncertain one, he decided to with Jackson’s trademark dark humor, the novel follows a high-stakes
write a memoir. cat-and-mouse game as Amy fights to save the life she’s so painstakingly
“I wanted to process every- built.
thing, so that when I went into A New York Times bestsell-
wes browning
this new chapter, I didn’t have a ing author, Jackson says she
breakdown moment. I felt like it writes to explore the ques-
©
was important to recall every- tions that drive her life—
thing I had been through,” he motherhood, women, faith,
says. “I’ve grown from the expe- and justice. “Storytelling is
rience, remembering things I how I explain the world to
had forgotten for years.” myself,” she says. Her previ-
Beautiful on the Outside (Grand
Central, Oct.) charts Rippon’s
I used my ous novels include gods in
Alabama, Backseat Saints,
ascent from a homeschooled body every and Almost Sisters.
childhood in Scranton, Pa., that
revolved around the rink at the Ice single day, but I To the redemption question,
Jackson devotes herself to
Box and the glamorous, global world
of figure skating, unveiling the chal-
also used humor teaching creative writing and
literature as a volunteer at
lenges, sacrifices, and uncomfortable every day as a Georgia’s women’s prison sys-
Greyhound bus journeys in between.
Lacing his story with humor, some-
tool to take tem with the nonprofit
Reforming Arts, part of a re-entry
thing he’s had a knack for since he away from the program. She says, “We incarcerate
was a kid, was a priority for Rippon. “I
used my body every single day, but I stress.” more than anyone on the planet,
more than dictatorships, and there
also used humor every day as a tool to is no road out of that. The women I
take away from the stress. It’s the space I felt most comfortable in; that’s have met in prison are so much
why I made this book a comedy,” he says. more than their worst decision, and
As Rippon considers a future career in television, the book is also a way of that informed Never Have I Ever.
reinforcing his role as an activist, organically spawned when Rippon, who True, Amy has done something
publicly came out in 2015, took issue with Vice President Mike Pence lead- awful. But I don’t think anyone
ing the 2018 U.S. Olympic delegation because of his stance on gay rights. should be reduced to the worst
Writing the book, says Rippon, “I really thought a lot about being a young thing they have ever done; they are
kid in Pennsylvania. [That young kid] didn’t feel that he had anyone like him human beings. I know I have done
to look out for him, [but now] it was easy for me to speak out. There are so pretty crappy things. Does that
many little boys and girls who feel that nobody sees the world the way they make me without value?”
do.” Jackson sends Valentines out to
Rippon wrote some chapters in a few hours, his words flowing. Others left all the booksellers who have helped
him feeling stuck, but he pushed through with the same moxie he displayed her in her quest to share her stories.
in his skating days. “It’s been such an interesting change, to train at the “I have a career because of book-
intensity of trying to go to the Olympics, and then not going to bed with my sellers who show the love by handselling. My first novel didn’t make much
lungs burning and my legs throbbing,” he says. “I have to remind myself of a splash initially, but the sellers picked it up and physically put it directly
that it’s okay, that it doesn’t mean I didn’t work hard—it’s just in a different into the hands of readers. That book stayed at the same sales arc for a year
way now.” —Alia Akkam instead of six weeks. I am deeply grateful that they used their voice and
power to support my work.” —Beth Levine
Today, 9:30–10 a.m. Adam Rippon will speak about his book on the
Downtown Stage. Today, 10:30–11 a.m. Joshilyn Jackson will sign at Table 13.
www.bookexpo.com
56
Visit Us Today for Your
Signed Copy!
Thursday, May 30th
Tammy R. Vigil Lauren Kessler
BEA Autographing Area - Table 8 Booth 826
2:30-3:30 pm 11 am
From their full lives pre-nomination to their “Kessler gives a pulsing heart and a human
attitudes while occupying the White House, face to this portion of the population all too
Vigil builds careful and thoughtful portraits often forgotten outside the walls. An incisive,
of Melania Trump and Michelle Obama that welcome look at prison life in the U.S.”
provide new appreciation for how these —Kirkus Reviews
women, and the first ladies that came before
them, have shaped our country.
redlightningbooks.com
BOOKEXPO SHOW DAILY
Susan Isaacs
author of
Takes One to Know One
A Novel
V i s i t us a t B o o t h # 7 3 3 G R O V E AT L A N T I C
www.bookexpo.com
58
WINNER of the IPPY AWARD
for BEST HORROR E-BOOK!
”RABID HEART evokes a mix of Misfits lyrics and grainy VHS horror classics.
The plot draws parallels to Cormac McCarthy's The Road...”
— Publishers Weekly
RiverdaleAveBooks.com JEREMY-WAGNER.COM
BOOKEXPO SHOW DAILY
CHILDREN’S
AUTHORS Mac Barnett’s Creative
Raina Telgemeier Hat Trick
carson ellis
‘Guts’ and Graphics
©
Mac Barnett reflects on a trio of new projects,
which, he says, “represent three different
Raina Telgemeier spills her approaches to writing—and three different
guts—quite literally—in her lat- strains of my personality.”
est graphic novel, appropriately
entitled Guts (Scholastic Graphix, The Important Thing About Margaret
Sept.), the third in a series Wise Brown, illus. by Sarah Jacoby
inspired by Telgemeier’s memo- (HarperCollins/Balzer + Bray, May)
rable childhood experiences. Margaret Wise Brown was an important
Guts is the story of Raina, a author to me in childhood, and one I remain
fifth grader whose anxieties over impressed with. My agent, Steve Malk, and I
school and her relationships with both have a deep interest in the history of pic-
her parents, younger siblings, ture books, and one day we were talking about
teachers, friends, and enemies Brown, and the idea came up of doing a picture
are expressed through her stom- book biography of her. Biography is not some-
ach. Raina’s days and nights are thing I gravitate toward, but after reading
marked with bouts of vomiting, Leonard Marcus’s 1992 biography of Brown, I
passing gas, loose bowels, and thought there might be an opportunity to play
other such excretions not usually with the genre. I decided to alternate between
brought up in polite society. relating episodes of her life and looking at ways
The author says that she is fully to read her work, and the book began to make
aware that some in her target a lot of sense to me.
joseph fanvu photography
at images of Raina in the around in my head for a very long time. In the
bathroom. But others, she book, at bedtime a girl asks her father ques-
says, will relate: they have tions like, “What is rain,” and he tells her it’s
had similar experiences. “the tears of flying fish.” As a child, I was fasci-
“We just dismiss it as gross, nated by scientific questions, but for me the
or embarrassing, or taboo,” scientific answers stood on equal ground with
Telgemeier says of bodily the more fanciful answers I’d make up. I
manifestations of emotional decided to fill this book with nonscientific
problems. “So many [chil- answers—all adults have experience answer-
dren] have something going ing kids’ questions that we have no answers
on with their bodies or their minds, and they don’t know how to talk about to. I think Isabelle Arsenault is one of the best illustrators working right
it.” now, and I love how she made perfect sense of Just Because, creating sur-
As a child, the author dreamed of becoming a writer, but considered it an real scenes that are both intimate and expansive. My jaw dropped when I
impossibility, as she thought that writers had to create characters who were first saw her sketches—including the flying fish.
not them, having experiences that were not their own in real life. “I didn’t
know then that it was possible to write stories about yourself and still call Mac B., Kid Spy #3: Top Secret
them stories,” she says. Once she started mining her memories, Telgemeier Smackdown (Orchard, Sept.)
wrote Smile, “the crazy story about my braces,” and Sisters, about growing Writing the Mac B. series is almost like dessert
up with a younger sister. She also wrote two mostly fictional graphic novels, for me. I have fun writing these books, but I’m
Drama and Fame. always surprised how hard it is to weave
“I thought, after Smile and Sisters, I was tapped out, and that was the together history, mystery, and autobiographical
end,” she says of writing autobiographical graphic novels, but that observa- bits into a relatively short novel. It takes a lot of
tion turned out to be premature. While “slogging through” a completely dif- sculpting to make it feel fun and effortless and
ferent project, Telgemeier realized that what she really wanted to write delightful—again, like a good dessert, but one I
about, if she could only overcome her mental resistance, was how her par- don’t get to eat. —Sally Lodge
ents once sent her to a therapist due to her incapacitating anxieties and
neuroses. Once she decided to go with the flow, Telgemeier says, Guts was Today, 10:30–11:30 a.m. Mac Barnett and
Isabelle Arsenault will sign lithos from Just Because at Table 12.
completed in just a few weeks. “It’s like it was sitting there, and all I had to
Today, 3:30–4 p.m. Barnett and Sarah Jacoby will sign The Important
do was pull it out,” she concludes. —Claire Kirch Thing About Margaret Wise Brown at Table 9.
Tomorrow, 9:30–10:15 a.m. Barnett and Arsenault will participate in
Today, 1:30–2:30 p.m. Raina Telgemeier will sign galleys at Table 1 at a the inaugural “New Picture Book Showcase” on the Choice Stage.
ticketed event.
www.bookexpo.com
60
Visit Booth #1438 for reads featuring your favorite characters!
CHILDREN’S
AUTHORS
Rainbow Rowell
A Season of Firsts
Rainbow Rowell says that she is
augusten burroughs
happiest and most productive
when writing in different genres for
varied audiences. After penning
©
contemporary fiction for both
young adults and adults, she is
attending BookExpo to promote
her first graphic novel, Pumpkin-
heads (Macmillan/First Second,
Aug.), illus. by Faith Erin Hicks, as
well as Wayward Son (Wednesday
Books, Sept.), the sequel to her
2015 fantasy novel, Carry On. The
new book picks up where Carry On
left off, with young British magician
Simon Snow and his friends Penny and Baz
battling and defeating the evil Humdrum.
This is a season of firsts for Rowell. In addi-
tion to making her graphic novel debut with
Pumpkinheads, Wayward Son marks the
first time she has written a sequel. She calls
the opportunity to discuss with readers what
may or may not happen to characters they
already know and love a “magical” experi-
ence. Rowell notes that the primary reason
she decided to write a sequel to Carry On is
that, as a reader, she always wants to know
“what happens to heroes after the last page.
The heroes have endured so much trauma,
and we leave them frozen in that happy
ending.”
Without spilling too much, Rowell does
reveal that Wayward Son opens with Simon
at loose ends. After defeating Humdrum, he
no longer is “The Chosen One.” Hoping to
get Simon out of his funk, Baz proposes that
they embark with Penny on a road trip
through North America. Rowell expresses
pleasure at writing about the U.S. from the
perspective of young Brits—and in the pro-
cess replacing the classic children’s book
tropes she employed in Carry On with a road
trip and adding American characters into the mix.
“It’s a different playground,” Rowell says, adding that the evocation of the
1970s-era rock song “Carry On, Wayward Son” is intentional. The “Bohe-
mian Rhapsody” spell in Carry On is a reference to the quintessentially Brit-
ish group Queen, although the title of the book itself refers to a slogan pop-
ular on WWII British propaganda posters. With Wayward Son, Rowell
wanted the title to evoke a novel set in the U.S. heartland, rather than Brit-
ain at war—and what could be more American, more heartland, than a
song by a band named Kansas? —Claire Kirch
Today, 3:30–4:30 p.m. Rainbow Rowell and Faith Erin Hicks will sign
Pumpkinheads samplers at Table 1 in a ticketed event.
Tomorrow, 1–2 p.m. Rowell will sign Wayward Son posters at the Mac-
millan booth (1544, 1545). Tickets for the signing are available at the
booth at 9 a.m.
www.bookexpo.com
62
Bob Honey Sings
Jimmy Crack Corn
a novel by Sean Penn
Bob Honey Sings Jimmy Crack Corn—the madcap follow-up
to his debut novel, which was hailed by authors as di-
verse as Salman Rushdie, Jane Smiley, and Paul Theroux
—explores the deepest recesses of American politics and
culture. Bob Honey, the disillusioned divorcee with a
penchant for murder by mallet, weaves his way toward
Washington DC for the ultimate showdown with a cer-
tain nefarious “landlord,” but nothing is as it seems, and
Bob will have more than just the government working
against him. Part comedy and part thriller, Bob Honey
Sings Jimmy Crack Corn establishes Sean Penn as a fixture
of the literary landscape for years to come.
SEPTEMBER 2019
Crash
Limited Deluxe Edition
by J. G. Ballard
When J. G. Ballard, our narrator, smashes his car into
another and watches a man die in front of him, he finds
himself drawn with increasing intensity to the mangled
impacts of car crashes. Robert Vaughan, a former TV
scientist turned nightmare angel of the expressway, has
gathered around him a collection of alienated crash vic-
tims and experiments with a series of autoerotic atroci-
ties, each more sinister than the last. But Vaughan craves
the ultimate crash—a head-on collision of blood, semen,
engine coolant, and iconic celebrity. First published in
1973, Crash remains one of the most shocking novels of
the twentieth century and was made into an equally con-
troversial film by David Cronenberg.
SUMMER 2019
RAREBIRDBOOKS.COM
Distributed by Publishers Group West
BOOKEXPO SHOW DAILY
CHILDREN’S
AUTHORS
Julie Murphy
Making Her Middle Grade Debut
Before trying her hand at middle grade fiction, Julie Murphy published four
young adult novels with body-positive messages, including her 2015 best-
selling Dumplin’, which was adapted into a Netflix feature film. Her upcom-
ing middle grade debut, Dear Sweet Pea (Harper/Balzer+Bray, Oct.), fol-
lows seventh-grader Sweet Pea as she deals with her parents’ untraditional
divorce, a painful ex-friendship, and a favor that unexpectedly turns her
www.bookexpo.com
64
THURSDAY, MAY 30, 2019
CHILDREN’S
mark clemmon
QA and are as supportive of me as I am of them. I think
©
they feel kind of proud of me. —Sally Lodge
jason berger
and subsequently sold to Macmillan. Or maybe it’s his Nantucket, where they both
Will Schwalbe
books, including The End of Your Life Book Club. attended a book festival when
©
His newest book-related enterprise is his very popular pod- she and her wife and Schwalbe
meredith morris
cast from Macmillan, But That’s Another Story, which got lost. “We had the most amaz-
launched in February 2018. ing half-hour conversation while
©
“The idea of the podcast is to examine the way books affect wandering deserted Nantucket
people’s lives,” Schwalbe says. His guests are not necessarily roads,” Schwalbe says. He is a fan
writers. They have included Jodie Foster, Melinda Gates, Kevin of Dennis-Benn’s Here Comes the
Kwan, and Min Jin Lee. “We look for people who are storytell- Sun and when he saw that her
ers,” he adds. “It’s really people sharing stories about the way Dennis-Benn
next novel, Patsy (Liveright), was
books changed their lives.” Stephen Chbosky due out in June, he knew he had
At BookExpo, Schwalbe will host a live podcast with authors to have her on the panel.
Stephen Chbosky, Aarti Shahani, and Nicole Dennis-Benn. The panel is a Driving these choices and the podcast’s mission is Schwalbe’s concern for
microcosm of how Schwalbe, along with his producer, Katie Ferguson, promoting diversity. “[I’m] thrilled by diversity in every way in publishing,”
choose guests. he says. “I love to feature writers from all different genres, and I really want
When the folks at BookExpo floated the idea of Chbosky, Schwalbe’s reac- our broadcast guests to represent the strength of our country in terms of
tion was, “OMG, are you kidding me? I loved Perks of Being a Wallflower, every kind of diversity.” —Liz Hartman
and it was that book for so many people—a book that has saved lives, I
believe.” Today, 10:10–10:50 a.m. Will Schwalbe will host the But That’s Another
Story podcast, on the Downtown Stage.
A publicist suggested NPR’s technology correspondent, Shahani, whose
Spark
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66
THURSDAY, MAY 30, 2019
Pick up a S u m oK
deep divisions within American society, The stunning essays in this volume
which are not new and have led us to this demonstrate the significance of Public it t
critical moment in U.S. political culture.” Books as a crucial online space for y
to
—Alondra Nelson, author of The Social anyone committed to engaging ideas that
te
Life of DNA: Race, Reparations, and shape the world in which we live.”
bag
Reconciliation After the Genome —Keisha N. Blain, author of Set the World
a n d g a ll e y !
CUP.COLUMBIA . EDU
67 www.bookexpo.com
BOOKEXPO SHOW DAILY
70
strate their service. —Liz Hartman
years
TUTTLE
Books to Span the East and West
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68
THURSDAY, MAY 30, 2019
bryan dale
booksellers, designers, digital specialists, profound self-doubt. But we welcomed
Francesca
©
editors, publicists, and agents. They sell those moments as part of the conquest of
Cavallo (l.) and
and publish a variety of formats across all Elena Favilli, something bigger.”
categories and genres, from literary fiction 2018 winners. Nominations are open for this year’s
to romance, picture books to academic event. Those interested may nominate
tomes, and comics to classics. Five finalists themselves, their colleagues, or peers who
are selected from that group, one of whom are working hard to advance publishing in
will win an all-expenses-paid trip to the North America. If you have been nomi-
Frankfurt Book Fair in October, paid for by nated before but have not been honored,
the fair. All honorees and finalists are pro- you can be nominated again.
filed in PW, with the winner announced at a To make a nomination go to www.pub-
party in New York City, this year on Sep- lishersweekly.com/starwatch19. Nomina-
tember 18. tions must be made by 11:59 p.m. (EDT) on
Past winners have included Helen Yentus, June 14. —Liz Hartman
9781615196319 | September
September 14th marks
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Infographic maps reframe
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featuring all 100 objects spanning borders
50,000 years of space exploration
69 PWad_BEA.indd 1 www.bookexpo.com
5/17/19 10:41 AM
BOOKEXPO SHOW DAILY
Hachette Audio
Turns 25
Hachette Audio is celebrat-
ing its silver anniversary in
June to coincide with
National Audiobook
Month. Like many houses,
Hachette has found digital audio-
books to be a particular bright
spot. Digital sales grew by signifi-
cant double digits last year alone,
according to Anthony Goff, senior
v-p and publisher of Hachette Audio.
“As digital audiobook sales con-
BOOTH 2849
tory podcast into a special produc-
tion for the audiobook, says Goff.
At BookExpo, Hachette (booth
SPECIAL DISCOUNTS FOR ABA MEMBERS
1339) is kicking off a 25th anniver-
& INDIE BOOKSTORES
sary sweepstakes. Three first prize
winners, drawn from consumers
and booksellers, will be awarded a
library of 25 titles—one published
by Hachette Audio each year since
1994. The books represent a bal-
ance of fiction and nonfiction.
These prizes will be redeemable via
download codes through Libro.fm.
One grand prize winner will win the
library as well as a mini tablet and
2020VISIONUSA.COM
a pair of wireless earbuds. Rules
orders2020vision@yahoo.com
are available online at www.hachet-
teaudio.com/25. —Judith Rosen
Ad2020visionusaExpo.indd 1 5/22/19 8:52 PM
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70
From the New York Times bestselling authors
of The Love Dare, The Resolution for Men/Women,
The Battle Plan for Prayer, and Fervent
OvercomerMovie.com/Resources
Wonderful Revealed
by Stephen Kendrick and Alex Kendrick Affirm Films A Sony Company © 2019 by Stephen Kendrick and Alex Kendrick
with Amy Parker • For Kids Columbia TriStar Marketing Group, Inc. available for teen guys
BOOKEXPO SHOW DAILY
Summer
to Expand Your Awareness
in Waking Life to Become
the Best Version of Yourself
(CICO Books, Sept.) has
Read On
spent more than 20 years
working in the field of
health and assisting others
in well-being. He found, as
he notes in his book, that
“dreamwork is the most
OF 17 HOT deeper and more honest connection with themselves, and create lasting
changes both in themselves and in their relationships.”
At BookExpo, he will conduct brief dreamwork sessions and share his
SUMMER approach using mental imagery upon awakening to change the dream,
and enhance and change the direction of one’s life. Gian has also shared an
BOOKS
excerpt from his book to help get the process started.
Stop by booth conscious mind already knew which one you would pick. Also, be aware that
dream messages come in a variety of forms and images, which means that
#1213 for a chance to it is possible, and likely, that the different dreams will all give you the same
message:
win an entire set of Here are some questions to ask yourself when deciding which dream to
PW’s Summer Reads work with.
www.bookexpo.com
72
The book that reveals Audrey Hepburn’s hidden years and darkest secrets.
Already in its 3rd printing!
Featured in PEOPLE Magazine (cover), FOX News, TIME.com, The New York Post, and more.
“Matzen delivers a vivid, moving and persuasive account of a harrowing time that the actress seldom
discussed in detail and which has been glossed over or sensationalized by frustrated biographers.”
The Wall Street Journal
“Visceral details evoke the period. Matzen has created a vivid portrait of a civilian population under siege—
one of whom just happened to become a Hollywood star.”
Publishers Weekly
“A meticulously detailed and researched look at the formative years of an iconic performer.”
Library Journal
“A master storyteller, Matzen has given us a great story—intimate, intense, and unforgettable—that carries us not only into the
heart of the battle but into the heart of a great human being.”
Foreword Reviews
The
Hollywood in
World War II
Trilogy also
includes...
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NOW AVAILABLE IN HARDCOVER, E-BOOK, AND AUDIOBOOK.
www.robertmatzen.com TO PLACE AN ORDER, EMAIL ORDERS@IPGBOOK.COM.
BOOKEXPO SHOW DAILY
For this preview of today’s YA Editors’ Buzz Panel, moderated by Sara Gro Sara Goodman, editorial director, Wednesday Books,
chowski of McLean and Eakin Booksellers in Petoskey, Mich., we asked on The Grace Year by Kim Liggett
each participant what it was about the book that first caught her attention From the very first sentence, I knew that this novel was something special.
and clued her in that it was special. Kim’s writing is visceral and gorgeous, capturing details in a way I hadn’t
seen before, but there’s also a high-speed plot that totally gripped me. The
Jen Klonsky, president and feminist themes are, of course, near
publisher, Putnam Books for and dear to my heart, but truly it was
Young Readers and Razorbill, Tierney James, the main character,
on David Yoon’s Frankly in who sealed the deal for me. She’s
Love openhearted and strong, and her will
There’s such a rush when you’re read to survive and figure out the true
ing a submission and it feels like a pub meaning of the “grace year” made this
lished work already. Worldbuilding one of the best books I’ve read in a
usually signals fantasy, but David is a very long time. This is a book that
master of the craft in contemporary people will be talking about.
realistic fiction. From the start, there’s
a solid sense of place and the fully real Laura Schreiber, senior editor,
ized characters who inhabit it. This is a Disney Book Group,
lovely, warm, moving, unique novel that on Julia Drake’s The Last True
presents as light and funny, but becomes Poets of the Sea
complex and heartbreaking, and takes an unflinching look at racism, class It’s easy to pitch a novel as being
ism, and loss. To me, this feels like the right novel at the right time. about one thing. The impossibility of
doing so with Julia’s debut is what things I love about Brandy’s work is
made me realize it was extraordinary. how well she depicts our real world,
Like all the best novels, The Last True including intersectionality, compli-
Poets of the Sea is an ocean—it con- cated characters and relationships,
tains everything. It is bottomless and and sex positivity.
brimming with unexpected treasure.
When I turned the last page, I knew Wendy Loggia, senior execu-
instantly that these characters would tive editor, Delacorte and
always be a part of me. And while I was Random House Children’s
already lonesome for my friends, I Books, on Scars Like Wings
couldn’t wait for by Erin Stewart
other readers to I read 100 pages of
meet them and Erin’s manuscript
take strength from at my desk and
their journey in the couldn’t wait to get
same way I had. home to finish it.
It had that immedi-
ate turn-the-page quality I’m always on the lookout
Ava Ling, v-p and editor-in-chief, Little, for, and although its heroine has suffered a terrible
Brown Books for Young Readers, on Brandy tragedy, it is not a dark book, but rather one that
Colbert’s The Revolution of Birdie Randolph leaves you feeling hopeful and emotionally wrecked in
This is the third book Brandy and I worked together on the best possible way. Scars Like Wings offers an
(after Little & Lion and Finding Yvonne), and when she important message that teens will immediately connect
sent me the proposal, what pulled me in first was the with. —Sally Lodge
vivid Chicago setting. The second thing that really
hooked me was Birdie’s secret relationship with Today, 10–10:50 a.m. The YA Editors’ Buzz Panel will
take place in Room 1E12/13/14.
Booker, the boy she falls for. It’s such an authentic
depiction of first love and lust. One of the many
� � � � � � � � � � � �
� � � � � � � � � � � �
75 www.bookexpo.com
BOOKEXPO SHOW DAILY
randee st nicholas
©
Mary Wilson, alongside Diana
hudson
2019
the 1960s, who were as famous
&
courtesy of thames
for their endless stream of #1 hits
as they were for their dazzling cos-
tumes. In the lavishly illustrated
Supreme Glamour (Thames &
PARTY IN TEXAS
Grammy Museum. “What we wore
truly mattered,” she writes. “We
took our fans from the sophisti-
OCTOBER 26–27
from the group’s beginnings to
their 1964 breakthrough hit,
“Where Did Our Love Go,” the
AUSTIN, TX
departure of Diana Ross, and
their hits of the 1970s. Whoopi
Goldberg provides the foreword.
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76
THURSDAY, MAY 30, 2019
of the Supremes
from the mary wilson collection , photographed by dan gottesman the grammy museum ® , los angeles
from the mary wilson collection , photographed by dan gottesman the grammy museum ® , los angeles
❷
&
courtesy of thames
❸
from the mary wilson collection , photographed by dan gottesman the grammy museum ® , los angeles
77 www.bookexpo.com
BOOKEXPO SHOW DAILY
NYRF: Reese Is the Word is one of ‘grounded optimism.’ She makes the final decision on all book
club selections.”
The second annual New York Rights Fair opened with a conversation Neustadter was on stage with Charlotte Koh, head of digital media and
about the evolution of actor Reese Witherspoon’s production company, unscripted productions at Hello Sunshine. Koh said the vision for the com-
Hello Sunshine, and her wildly popular Instagram book club. pany is to “make it into a fully integrated media brand”; to that end, “we
Lauren Neustadter, head of film and television for Hello Sunshine, said find a great story and ask what format is most appropriate for sharing it
that the company, which was founded in 2017, is premised on the idea of with our community.” In one example, Koh cited the company’s relation-
“telling stories about extraordinary women, often written by women,” and ship with Audible, which is publishing a trio of first-person, audio-only
avoiding clichés. “We have boundaries around the stories we like to tell: memoirs by women produced by Hello Sunshine. In addition, the company
we don’t want them too depressing or political, and we are not interested is using its digital platform to offer writers an opportunity to publish per-
in stories where, for example, a woman is locked in a room and tortured.” sonal narratives. “The mission is to focus on women’s empowerment and
Witherspoon’s book club Instagram handle (@reesesbookclubxhel- getting those stories out into the world.”
losunshine) has more than one million followers, and several of the more The several hundred people gathered for the talk also received personal
than 20 titles selected since the club’s June 2017 launch have landed on insight into how to work with the high-profile company. “We work primarily
bestseller lists, among them Delia Owens’s Where the Crawdads Sing and through established agents and scouts,” said Neustadter. “Submit to us
Celeste Ng’s Little Fires Everywhere, which Hello Sunshine is producing as through [Hollywood talent agency] CAA. They know how we work and what
a television show. “We are very selective in what we pick to promote,” said we want, which are stories that not only inspire, but that we will be
Neustadter. “But, ultimately, it must reflect [Witherspoon’s] brand, which inspired while we are working on them.” —Ed Nawotka
www.bookexpo.com
78
H A P P E N I N G T O D AY
DISNEY PUBLISHING WORLDWIDE • BOOTH #1713
ON SALE
COFFEE & DOUGHNUTS WITH
10.1.19
JULIA DRAKE*
11:30 AM
Receive a signed advance copy of
The Last True Poets of the Sea
*while supplies last
MEET
RICK RIORDAN
1:00 PM
Receive a signed copy of The Trials of Apollo, Book One: The Hidden Oracle
paperback* and a special sneak peek chapter sampler of
The Trials of Apollo, Book Four: The Tyrant’s Tomb
*Wristbanded event limited to first 100 people. Wristbands given out at 10:00 AM on the day of the event at
Disney Publishing Worldwide booth #1713 on a first-come, first-served basis. Signing limited to one copy
per person of The Trials of Apollo: The Hidden Oracle.
ON SALE
1.14.20 MEET
REBECCA ROANHORSE
2:30 PM
Receive a signed advance copy of Race to the Sun
ON SALE
10.15.19
MEET
KWAME MBALIA
3:30 PM
Receive a signed advance copy of
Tristan Strong Punches a Hole in the Sky
BOOK SIGNING
Who: co-author
Susan Swain
When: 3 pm,
Thurs., May 30
Where: C-SPAN booth
Crystal Palace