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Neurologist
drail@tpg.com.au
Abstract
Modeling language development has recently seen a shift towards studies of the
interdependence of language and perceptual reality. Cognitive linguistics has revived the
Gestalt approach where things and relations constitute wholes: relations emerge with the
objects through a process of segmentation and transformation. According to this view the
continuous and dynamic form of the external, phenomenal world motivates sentential
semantic structures as an expression of the unity between perception and language. These
structures also represent the progressive self-organisation of image schemata where
meaning emerges through metaphor. Metaphor involves double scope blending where
structures emerge from the interaction between incongruent conceptual frames. That
process is recursive leading to creative structures. Although language development is
based on gestalt metaphor self-organisation no model has concentrated on this
fundamental approach. To produce such a model we conceive metaphor in its rhetorical
structural form, as coordination of the master tropes, or a tropology. We rationalize the
role of the tropology and show how it functions recursively throughout the forebrain. To
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understand the recursive form of the tropology we show how it functions in a gestalt
manner and that perception is a tropological process. The latter stems from perception
and the tropology becoming self similar (isomorphic) as the language system self organises
in ontogeny. To corroborate the isomorphism we show that the Gestalt principles and the
master tropes are homologous. This finding enables us to determine the structure of
perception. We indicate how semantic sentential structures are generated from self-
organisation of the tropology. With self-organisation tropological function incorporates
spatiotemporal scaling (fractal time). We indicate other important aspects of the model, in
particular metalinguistic development.
Introduction
Modeling language development has recently seen a shift towards studies of the
interdependence of language and perceptual reality. Cognitive linguistics proposes that
language is a cognitive phenomenon where conceptual structures stem from perception and
embodiment (Hampe, 2005; Lakoff & Johnson, 1980; Taylor, 1989; Skoldberg, 2002).
Language is imaginatively embodied where metaphor is central to the origins of meaning
(Danesi, 2004). Modeling the development of language has focused on meaning rather
than syntax. This leads to the important question: how are events in the physical world
transformed into semantic notions? This question confronts the aporia or discrepancy
between the analog world we live in and the discrete or digital nature of language in terms
of categories and symbols. To overcome this difficulty Thom proposed that we need to
preserve ‘a priori forms of space and time’ by generating dynamic structures or
morphologies (Thom, 1972, 1990).
These structures are dynamic, morphological and gestalt based. In this approach early
morphodynamic models from René Thom have received wide support, both from
cognitive linguists such as Talmy (2000) and Langacker (1987; 1990), and from
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psychology through the study of metaphor by Lakoff and Johnson (1980) and Lakoff
(1993). Morphodynamic theories have proposed that there are syntactico-semantic
infrastructures of a topological and dynamic nature, which form universals (see Manjali,
1997 (a) and (b)). These underlie a morphological emergent level of reality where "surface
structures" (gestalts) emerge from physical "deep structures".
Two major examples of the morphogenesis of meaning are found in our development of
spatial (prepositions) and spatio–temporal meaning (verbs). Understanding
prepositions, e.g. ‘in’, ‘above’, ‘across’ amounts to the brain forming morphodynamic
transforms, where transforms create a morphology that evolves temporally (Doursat &
Petitot, 2005 (a) and (b)). Transformation routines perform a drastic, yet targeted
simplification of the geometric data relating the relevant items in perception. By erasing
details they create virtual structures or singularities that govern the development of
geometric relationships between the interacting morphologies. For example, what
characterises the semantic development of the concept of ‘in’ is invariance across all the
perceived instances. The relationships that emerge with the transformations represent
structural invariance across an infinite range of real world instances or topologies. What
remains invariant is the Gestalt, the preservation of similar structural relationships that
have developed dynamically.
Hampe, 2005; Rohrer, 2005). Image schemata organise knowledge and reasoning about
the world. They function somewhat like the abstract structure of an image, and thereby
connect up a vast range of different experiences that manifest this same recurring
structure (Johnson, 1987). By repeatedly activating a set of properties in a particular way
individuals form top-down frames for organising different aspects of perception via
metaphor. Metaphor preserves the topological contours of perceptual experience
(Invariance principle) (Lakoff, 1993), where perception is structured by the Gestalt
principles: emergence, reification, invariance and multistability (Lehar, 2003).
Image schemata are condensed redescriptions of perceptual experience for the purpose
of mapping spatial structure on to conceptual structure. Therefore modeling language
development in terms of image schemata function must respect the view that has
emerged in cognitive linguistics that the continuous and dynamic form of the external,
phenomenal world motivates sentential semantic structures (Manjali, 1997 (a) and (b)).
The continuous plane of content has its source in perception, as it is through perception
that the human organism establishes contact with the world. The elements of the
perceptually rooted linguistic schemas produce a 'dynamic gestalt' by means of which
semantic comprehension of sentences can take place.
Based on the above we propose that modeling language development can be based on
the idea that the continuous and dynamic form of the external, phenomenal world
motivates dynamic Gestalts. These sentential semantic structures are an expression of
the unity between perception and language. These structures are a product of the self-
organisation of image schemata in ontogeny, where gestalts acquire meaning via
metaphor.
Metaphor needs to be considered in terms of the many space conceptual integration model
that is based on double-scope blending (Fauconnier & Turner, 1998, 2003, 2008).
Blending is dynamic where we construct meaning by actively reinterpreting the unknown
(percepts, ideas) in terms of the known or idealised concepts. It involves the complex
interaction between the contingencies of the source (unknown) considered in terms of the
preconceived ideals of the known (target). The dynamics give rise to emergent properties
representing reality from a certain perspective. Double-scope blending creates vast
conceptual networks with elaborate relations running across the network—relations of
time, space, cause-effect, representation, analogy and disanalogy, change, identity,
uniqueness, and so on. Despite the vast scales involved nonetheless concepts are
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anchored in scenes that are at human scale. Integration networks consisting of conventional
parts, conventionally structured parts, and novel mappings and compressions represent
reality from a certain perspective.
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In order to incorporate all these constraints into our model we propose that we need
to consider metaphor in terms of its constituent structure, coordination of the master
tropes (metaphor, metonymy, synecdoche and irony). To trope means to change meaning.
Of what? Of words? Yes, but more specifically they are the source of changing what or
how we mean. Each trope represents the stages consciousness must pass on the way to
abstract thought (D'Angelo, 1987). Metaphor presents perceptual equivalence,
representing an intuitive grasp of the whole, a primordial functional unity of sensory,
affective, imagistic and linguistic elements. Metonymy differentiates into parts,
transductively leading over the mind from one thing to another. Synecdoche is an
inductive movement where a part is put for the whole, and vice versa. Irony is a self-
conscious process that interprets the whole process.
The coordinated function of the four tropes as a system is considered essential for our
conceptual adaptation. From the 17th Century when Vico (Danesi, 2003; Vico, 1944) first
recognised the master tropes until the early 1980’s the tropology was championed as a
primitive semiotic unit (Burke, 1969; D’Angelo, 1992; Kellner, 1981; Oswick et al, 2004).
Since then the tropology has been relatively neglected as interest has focused on metaphor
and conceptual blending theory (Fauconnier & Turner, 1998, 2003, 2008; Lakoff, 1987;
Lakoff, (1993); Lakoff & Johnson, 1980; Taylor, 1989).
We propose that a tropological approach offers fresh insights into language development.
We will now rationalize use of the tropology in terms of the constraints we iterated above.
Concerning the next three constraints, microgenetic, ontological and ontogenic we note
that the master tropes were originally considered to be merely figures of speech, but we
now realise that their function is more fundamental (Burke, 1969; D’Angelo, 1987 and
1992; Kellner, 1981; Oswick et al, 2004). The development of language stems from
images and tropes. The tropes represent the capacity of man for direct sensation and
imaginative perception (D'Angelo, 1987; Danesi, 2004). They underlie creative process
based on the use of analogical reasoning. They are considered the basis for much of our
understanding in everyday life (Culler, 1981). Tropes constitute a system by which the
mind comes to grasp the world conceptually in language. They reflect our fundamentally
relational understanding of reality, a reality framed within systems of analogy (Chandler,
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Tropes are ontological concepts essential for our interpretation of reality. They
symbolise relationships within phenomena, where each trope represents a specific
strategy for presenting the perceived experience (White, 1985). They are models of the
different directions thought might take to offer meaning to areas of experience not
cognitively secured. Functioning together the tropological approach reflects ontogeny.
The order of the master tropes is not ad hoc but reflects cognitive and semantic
development (Kellner, 1981; D’Angelo, 1992). The order is strictly and logically
entailed. The tropology represents a form of knowing, of grasping a concept. The
tropology accords, whether loosely or strictly, with many theoretical systems of
knowing or coming to be known, as in Vico, Kant, Hegel, Marx and Goethe (Kellner,
1981; also see Burke, 1969). The tropology also represents the stages of cognitive
development which encompass both the phylogeny and ontogeny of cognitive systems
(D’Angelo, 1992; Kellner, 1981; Werner, 1944; Piaget, 1969; Vygotsky, 1962).
Foucoult (1970) and Vico (1944) have shown that the logic of the tropology (poetic
logic) underlies the general stages of development of Western thought.
The next constraint is structural. We have previously raised the question underlying the
cognitive linguistic approach to language formation: how is the physical world transformed
into semantic notions? The answer was a structuralist approach, where structures are
dynamic, morphological and gestalt based. The major tropes provide a dynamic, structural
basis for concept formation.
The next section will develop the recursive form of the tropology that is also central to the
microgenic approach (Brown, 1988) where language formation consists of a cascade of
whole/part shifts over evolutionary growth planes in the brain leading from a core in upper
brainstem through limbic formations to the neocortical rim. Then in the following two
sections we indicate the gestalt form of the tropology that is the foundation of the model.
We show first how the tropology functions in a gestalt manner and then how perception
functions tropologically. We propose that the latter is based on self-organisation in
ontogeny where perception and the tropology become self similar (isomorphic). To
corroborate the isomorphism we demonstrate homologies between the Gestalt principles
and the master tropes. These findings reveal our recursive model of language development
as inherently tropological and gestaltic. In the next stage we discuss metalinguistic
development as the tropology self organises in ontogeny to function in fractal time. The
synchronic form of the tropology ‘collapses’ past present and future into one expression.
These findings reflect on the nature of double scope blending in terms outlined above.
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The recursive pattern of the tropology is expressed in different ways through various levels
of the forebrain. We will first briefly outline the extent in neurological terms (Brown, 1988)
and then develop the tropological core. In neurological terms language can be conceived as
levels in a "vertical" structure, not as centers in a two-dimensional network. These levels
constitute a stratified system of phyletic growth planes. Language maps onto this structure.
Language is the outcome of a multitiered system distributed over levels in the evolution of
brain and behavior. The structure as a whole develops out of medial and paraventricular
formations through several growth planes of limbic and paralimbic (transitional) cortex to a
stage of generalized ("association," "integration") cortex.
In tropological terms language development stems from the slow maturation and eventually
full coordination of the tropes. The tropes mature in the fixed order: metaphor; metonymy;
synecdoche and finally, irony. The expression of the tropology differs from perception
through to frontal planning (also see Kellner, 1981 for the following). Metalinguistic
function ensues when ironic self-awareness develops leading to narrativity and the
development of fluent speech.
As the tropes gradually mature in function they unfold upon themselves. In their most
primitive form, perception is interpreted in terms of a simple double binary system of
categories, defining same - other (metaphor / metonymy) and part – whole (synecdoche).
This matrix forms bisociations that are the most thorough way of encompassing the
diversity among the things that make up reality (States, 1998).
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With the development of ironic awareness the tropology becomes complete and functions
in a cyclical manner. Maturation beyond the categorical level leads to projection upon a
syntagmatic axis that represents self-explanation through speech. This is the second level
of tropological explication, leading the tropes conceptually through the stages of linguistic
cooperation above the morpheme. The lexical process of creating whole-whole
correspondences to the concepts and words that are thus joined is a metaphoric transfer.
The reductive categorisation of these words governed by grammatical rules of combination
creates cause-effect entailments, which is metonymic. Synecdochal organisation at this
level refers to the organic status of sentences, where the rules of syntax are the cohesive
force. Finally, irony provides meaning from above the level of the sentence.
The highest level of tropological expansion is the level of thought and language planning in
the frontal regions. The intentional state establishes an obligatory, recurrent and
unidirectional configuration on the percept / thought interpretation process. Intentionality
involves the selection of broad semantic units from the meaning potential, the equivalent of
the paradigmatic or metaphoric axis of language. These selections invoke specific
structural relationships depending on the contextual demands needed for expression. The
necessary entailments broadly select for the specificities of syntactic structure that will be
realised in syntagms. These expressions underlie metonymy at this level. Synecdoche
concerns the formulation of symbolic relationships needed to match the coevolving
paradigmatic / syntagmatic aspect of expression. Symbols are selected relative to idealised
relations and contexts in ‘worlds’ of the same type, or possibly any imaginable type.
Finally, the ironic stance overviews the planning processes. Irony represents a self-
conscious process of interpretation of the process so that it foregrounds the inadequacy of
words to things, of appearance to essence. Irony signals dissatisfaction with
representation as such and motivates recourse to the tropological lexicon from which a
new and more responsive formulation may be sought. Full tropological process leads to
restructuring, an explication of the implicate order, momentary adaptation via a Darwinian
based exploration of the fabric of embodiment.
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the real world or perceptual scene. Metonymy determines the contingent aspects of that
specific intentional state. The representation of figural relationships emerges from the
whole in context. Metonymy differentiates or reduces the overall situation in a figure
ground manner (see Koch, 1999; Talmy, 1988), where contiguity is the salient relation that
exists between the sub frame elements of a conceptual frame or between the frame as a
whole and its elements. That is, the salient links between elements of a given frame – as
constituting a prototypical conceptual gestalt – are contiguity relations. From a Gestalt
perspective perceptual saliency of stimuli critically depends on the surrounding context.
Metonymy preserves the perceived relationships in contextual form as a contingent
structure.
The tropology reconciles or blends the contrasting ‘worlds’ so that the contingency of
metonymy forms a best fit with the ideal or invariant one developed through synecdoche.
With synecdoche the specificities of the moment may be placed in a broader context.
Irony feeds back on both the actual and the ideal demands for expression. Irony
questions the reality value of metonymy and of representation in general i.e. using words to
express the essence of things. The metastable system continually cycles through the tropes
as it adapts to the moment. With each turn of the cycle the emergent metaphoric level of
resolution leads to a novel perspective. Metaphor represents the ‘now’ as an attempt to
resolve the dynamics concerning: present contingencies (metonymy); past idealised
contentions (synecdoche); and the future via irony.
We have proposed that our language development model is based on the progressive self-
organisation of the percept / metaphor interaction in ontogeny. Image schemata form top-
down frames for organising perception via tropological function. We conclude that in
ontogeny when the language system self-organises to criticality the function of both the
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tropology and perception becomes self similar, 1/f or isomorphic (Anderson & Mandell,
(1996); Kello &.Van Orden (2009). We postulate that with self-organisation the perceptual
system functions in a tropological manner where the components of the tropology and
perception are homologous.
We now propose and substantiate these homologies between each major trope and Gestalt
principal: emergence, reification, invariance and multistability (Lehar, 2003). Metaphor is
the analog of emergence. The unifying function of metaphoric resemblance accounts for
the emergence of new meaning in language. It involves an act of perceptual and semantic
restructuring where a sense of imagination operates to draw meaning from the comparison
made (Ricoeur, 1975; 1991). The process includes an iconic moment or image that acts as
a gathering of emergent meanings that underlies our ability to see reality other than that
received. This is rooted in the imagination to construct an image from many diverse
semantic fields.
In Gestalt theory, emergence refers to the formation of the macro structure, the Gestalt or
meaningful form. The whole is greater than the parts. Emergence is unpredictable as the
total structure remains beyond the sum of the instances. The dynamic aspect of emergence
is reflected in the fact that the final global state is not computed in a single pass, but
continuously, like a relaxation to equilibrium in a dynamic system model.
Reification refers to the perceptual state where specific virtual structures or singularities
emerge in context. The gestalt is created through a constructive or generative process so
that the part reified is defined by its contingent context. With reification more explicit
information develops than is immediately obvious or present in the specific scene. As with
metonymy meaning arises by ‘looking’ through the gaps between the disparate contiguous
parts.
We have sought to establish the recursive nature of the tropology underlying language
development through all levels of the forebrain. To do that we first showed that the
tropology functions in a gestalt manner. Then we proposed that when the tropology and
perception self-organise perception is governed by a tropological sequence: emergence,
reification, invariance and multistability.
Based on these findings we will now look at the model from two perspectives. In general
terms we see language development as a progressive increase in the ability to extract,
consolidate and manipulate gestalts within the extended forebrain system. Gestalts are the
invariant structures determined by realising the universality aspects of each specific
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percept; that is, despite the differences between the infinite number of scenes the child
meets (see Doursat & Petitot, 2005(a); Breidbach, & Jost, 2006). The dialectical tension
between the specific and universal governs the development. Gestalts are formed through
reification and then given initial significance through invariance, where they are correlated
with preconceived transformations of a similar type. In ontogeny gestalts become more
and more integrated as they are consolidated within the micro (perceptual level) and macro
(extending to the forebrain) systems. The tropology stabilises and reinterprets the Gestalt
through the interaction between metonymy and synecdoche. The process becomes one of
progressive embedding through transformations. Objects and situations embed in ‘verbs’
or morphogenic transformations. These are in turn further embedded through metonymy
and synecdochal blending. From recursive tropological extension the gestalts become
sentential semantic structures. They gain an increasing sense of meaning and permanence
as they become consolidated (embedded) in the process. We see the primary function of
the language system is to consolidate meaning potential through gestalt metaphor self
organisation. The development and further use or the semantic sentential structures
enables in to adapt from moment to moment. Within each moment as it updates it
restructures self to best represent what we mean. This becomes and is the essence of
Pragnanz, our meaning as self-realisation.
In more specific terms language development is based on the gradual development of the
ability to recognise objects and realise their meaning through contextual relationships. In
the earliest development of perception the child differentiates aspects of the whole,
experiencing objects apart from self. The semantic task is to stabilise perception. That is
performed by transforming percepts into gestalts of increasing stability by increasing the
state space of synecdochal or invariant forms. Stability is also conferred by more widely
distributing the gestalt, making it a function of widespread coordinated forebrain activity.
through all levels of the forebrain. The embodied, situated nature of cognition is founded
on the ability of these patterns spanning multiple time scales to organize in space and time
(Kello & Van Orden, 2009; Kelso & Tognoli, 2007). Systems self organise to metastability
(Bressler & Kelso, 2001; Kelso, 2002) which produces a range of brain behaviours where
numerous patterns of activity co-exist as latent potentials (Kello et al., 2008). Systems
become more flexible and metastable as their capacity to concurrently hold many distinct
latent patterns increases.
Fractal dynamics or 1/f scaling behaviour is pervasive throughout the nervous system.
Fractal time means that the extended tropological processes become coordinated vertically
(Anderson & Mandell, 1996). In systems at criticality behaviour becomes correlated
across levels. In our model we propose that the three different temporal processes within
the tropology become synchronous: irony relates to future time of planning; metonymy to
the contingency of the present; synecdoche reflects the past, invariance gained through
experience. Metaphor is emergent leading to the formation of new structural relations as
each cycle of the tropology tries to resolve the particular intention. Thought and language
stem from recurrent metaphoric anchoring of vast network scales in the “human scale”.
This process brings the past and future together in the here-and-now (Fauconnier &
Turner, 2008). The synchronic coordination of the tropology is the basis for language.
Language is a diachronic transformation and via self-reference feeds back to the planning
and perceptual centers.
The ability to dissociate figure from ground, or context, is essential for conceptual fluidity,
metaphor and language development. The individual realises that figure and ground can
be interchanged, or even changed completely. Recontextualisation occurs at will. The
ability to realise figures in different contexts underlies the growth of imagination and
meaning. All meaning refers back to self-interpretation so that eventually we can say and
even become anything we wish.
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We have proposed that self-organisation between gestalts and the tropology can serve as a
basis to model semantic development. We conclude by further justifying the importance
of a tropological approach. The first is what Piaget called significant
implication (Scholnook & Cookson, 1994). Meaning is the understanding of how an
action changes (transforms) the world. Significant implication constructs the action-result
regularities that image schemata represent. In order to understand the logic of action, the
child must first build contingencies based on the inference that certain actions rather than
others produce specific results. The tropology is an analog of Piaget’s schemata depicting
the general stages of cognitive development (D’Angelo, 1992). The tropology provides a
basis for the logic inherent in action perception schemata. This same logic can now be
seen to pervade the coordinated activity necessary for language development.
Second, we have seen that narrativity develops as the tropology matures to form recursive
cyclical activity. Narrativity is of great psychological importance because it organises the
structure of human experience. Narrativity typifies the child after 3 or 4 where they begin
to remember their autobiographical experience (Young & Saver, 2001). Narrativity
constructs our notion of reality and asserts that the experience of life takes on meaning
through allegorical inflation.
Thirdly, tropological process leads to development of the sense of continuity of self. This
process is characterised by transitions between stable and unstable phase synchronisation
as seen in metastability. The tropes of transition and closure underlie the instability (see
Grossman, 1998). Metaphor and synecdoche are the brakes of the tropological machine;
metonymy and irony are its engines. Metaphor and synecdoche represent the identity of
versions of self differing over time. Metaphor affirms the identity between things and their
inner meaning. Synecdoche represents the sublation of difference in the perceived
homogeneity of subject and object. Metonymy and irony on the other hand represent
transitions in the search for identity. Metonymy denies identity. However, with irony there
is a simultaneous negation and preservation of identity that advances the dialectic to a new
phase. The tropology oscillates between cycles of tension and resolution, where the
confrontation of the tropes informs the progress of internal narrative innovation that
underlies identity as continuity within change.
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Finally, in addition to our comments on irony we further highlight the important role of
irony in modeling language development (Colbrook, 2003; White, 1985). Irony is essential
for developing meaning; how knowledge or gnosis arises from language. Gnosis is not an
algorithmic process but rather a pragmatic need to understand the world. This process is
better understood as ‘diagnosis’, literally ‘knowing through’, a knowledge gained through
ironic self-awareness, the self-reflective process of the tropology (Kellner, 1981). Here
knowledge comes from non-understanding. That is, not by man extending his mind and
taking the world in. Rather he makes things out of himself and becomes them by
transforming himself into them.
Discussion
The thesis provides a systematic link between gestalt and metaphor. We have asserted
many reasons for the continuing relevance of the tropology in language development. In
particular the model reflects the way in which four-dimensional space-time becomes
internalised as fractal space-time. That transformation is the key to semantics. We see the
tropology as central to that conversion because it functions in a gestalt manner and
perception is tropological. We contend that these groundbreaking ideas are pivotal to
understanding the unity of forebrain function.
The model has several other important aspects. It introduces a novel basis for studying
language development in terms of seven self-organising parameters. Four of these relate to
transformations in ontogeny between the gestalt principles and the tropes: reification and
metonymy; invariance and synecdoche; multistability and irony; and emergence of
perception and metaphor. The fifth axis concerns the relationship between local
multistability and the global coordinative concept, metastability. The sixth axis is the
development of metalinguistic capability through to self-organisation. Finally, we provide a
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fresh way to understand Pragnanz as the semantic goal of the tropological gestalt system.
In ontogeny we come to perceive objects as a function of the extended tropology. As we
perceive with intention we project downwards (from our ‘past’) so that objects are
discovered anew. That fresh outlook stems from each language act where we reinvent
objects through the emergent process based on the recursive process of blending, irony
and metaphor. The object becomes meaningful as we relate to it by extending fractal time
into reflexic fractal space-time. Gestalt production restructures self through Pragnanz.
Furthermore, the brain functions at metastability in order to compress its infinite options to
completion (in a semantic sense) in the least time. This mechanism requires a strong
constraining force, limiting language and maximising semantics. We propose that irony
evolved to subserve that function. Irony resolves the conflict between the actual and the
ideal frames. It also enables us to adopt a metalinguistic stance. Irony questioning both
actualisation (metonymy) and representation (synecdoche). Irony may acts as an optimiser
in the max / min dynamic mentioned above.
The model also provides fresh insights into microgenesis (Brown, 1988, 1998). We will
detail the close relationship between the two models more comprehensively in a later
paper. At this stage we note that microgenesis is couched in terms of neurological process
and process metaphysics. It is concerned with the concept of time, change and the
actualisation (becoming) over phases in the brain in the momentary development of a
cognition. Becoming creates the novelty as well as the duration through which the entity
momentarily exists. Each novel moment is a constituent of an imaginative series over which
the entity endures. Our model is strongly based on the creation of time (time collapse,
fractal time) and imagination. These issues will serve as a major link between the two
theories.
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