PROPOSITO Y METODOLOGIA

Con el fin de fomentar en los educandos un actitud critica y reflexiva

frente a la relevancia del desarrollo de las cuatro habilidades lingûisticas
(speaking, writing, listening, Reading) se comparten unos recursos
audiovisuales los cuales el obejtivo principal es llevar esas habilidades a
los aspectos pragmáticos y semánticos con el fin de garantizar un
proceso integro en los educandos.
De la misma manera el proceso y resolución además de la construcción
de los proyectos a realizar es imperativo desarrollarlos en inglés como
lengua extranjera en proceso de adaptación en una segunda lengua en
la comunidad sincleriana; por demás es una introducción que abre paso
a la interaccion con otras lenguas extranjeras y las interacciones
además de la cultura implícita en estas mismas.
 SEVENTH

Every year, we march closer and closer to Peak Superhero. There has to come a day when the
genre’s bubble of cultural dominance, which has slowly inflated for the past decade and a half,
will pop. But that day seems very far away at the end of 2017, what with all the spandex-clad
movies, shows, and comics currently saturating the entertainment market. In recognition of that
cross-pollination, here’s a new thing we’re trying out: a combined list of the ten best superhero
stories of the year, across all platforms. We tried to look for discrete narratives, ranging from an
entire season of television to single issues of comics series, along with one special exception
for a story that hasn’t yet been finished. We had to make difficult calls and leave off such
deserving entries as Wonder Woman (the movie) and Black Bolt (the comic), which speaks to
how great of a year this was for superhero stories. Don your cape and cowl and join us.

The Unbeatable Squirrel Girl, “I’ve Been Waiting for a Squirrel Like You” (Comics)

It’s rare to find an all-ages superhero book that feels like it counts. There are plenty of great kid-
friendly titles in other genres, but cape comics largely abandoned the youth market a few
decades back, so when a series skews young, it often feels profoundly third- or fourth-tier in
terms of quality and relevance in the cultural conversation. Blissfully, this has never been the
case with The Unbeatable Squirrel Girl, and the arc that appeared in issues 22 through 25 was
a perfect example of its vitality. It follows the title character and her best friend as they travel to
a dinosaur-laden patch of the Marvel Universe to save it from outdated technology, and it’s a
goddamn delight. Writer Ryan North infuses the story with Gchat-friendly humor and real
computer programming, which have become wonderfully idiosyncratic motifs of the series; and
artist Erica Henderson provides visuals that are at once hilarious and emotionally evocative.
This story, like all the previous ones in the series, both eats nuts and kicks butts.

Thor: Ragnarok (Movie)

It basically doesn’t matter that Thor: Ragnarok lacks emotional oomph; to watch it is to simply
have too much fun to care. There are clever stabs in the direction of messages about imperial
bloodthirst and proletariat revolution, but they’re decidedly back-burner concerns. The magic
of Ragnarok lies in its understanding that superhero stories are, in many ways, fundamentally
silly — and its commitment to making sure that silliness is handled without relying on
condescension and winks. Joke after joke lands with a grace rarely seen in superpowered
cinema (Deadpool looks positively wooden by comparison) thanks to the expertise of its writers
and the director who often ignored what they wrote, Taika Waititi. The performers are hardly
slouches, either: Chris Hemsworth has never been more charming, Mark Ruffalo is an ideal
nebbishy straight man, and Cate Blanchett leaps into the upper tier of Marvel baddies without
breaking a sweat. The glib Marvel Studios formula is getting a little played out, but this flick
knows how to milk it for whatever it has left.

Read full review

The Lego Batman Movie (Movie)

Ben Affleck’s Batman has been having a rough go of it at the multiplex. The live-action Bruce
Wayne has tripped over his own pathos in Batman v Superman: Dawn of Justice and Justice
League, and it’s unclear whether the next Bat-flick will even have Batfleck. But do not despair
for the Caped Crusader’s big-screen prospects: He’s safely preserved in plastic. Spinning out
of The Lego Movie, the star-studded Lego Batman Movie holds its own against any Dark Knight
picture of the past decade. Will Arnett growls his way into your heart, and the supporting cast —
Zach Galifianakis! Rosario Dawson! Michael Cera! Billy Dee Williams! Mariah freakin’ Carey! —
is a surplus of riches. Despite being penned by five screenwriters, the plot is streamlined and
dense with grade-A jokes and surprisingly moving meditations on loneliness and family.
Director Chris McKay is a whiz at conducting a rhythm that is at once friendly to hyperactive
kiddies and a balm for adults who are sick of bloated superhero epics. Batman has been
punching around for nearly 80 years, but The Lego Batman Movie demonstrates why he’ll
forever capture the imaginations of 10-year-olds and those of us who can never quite let go of
the way we felt at 10.

Read full review

Batman, “The War of Jokes and Riddles” (Comics)

Writer Tom King could have easily painted himself into a corner with his recent Batman comics
arc “The War of Jokes and Riddles” for one simple reason: He had to come up with a ton of,
well, jokes and riddles. Lucky for us, there is no finer scribe in superhero comic books right
now, so the story is rich in the black-hole-bleak humor of supervillains the Joker and the
Riddler. This tale of a gang war that traps Batman between those two nasties — illustrated with
grim mastery by Mikel Janín and Clay Mann, among others — is one about balance and the
illusion of noble neutrality. Batsy thinks he can stop the pair by standing in the middle, but
quickly learns that he’s only reinforcing their lethal stalemate. But how can he possibly side with
one or the other and preserve his soul? It’s a delicious story (literally, in the case of the issue
that centers around an elaborate dinner) that, like all great Batman narratives, leaves you with
more questions than answers. In the words of Kite Man, the F-list bad guy that the story
elevates to the level of magnificent underdog: Hell, yeah.

Spider-Man: Homecoming (Movie)

This entire damn year, every time I’ve thought of Spider-Man: Homecoming, I’ve started to play
MGMT’s “Time to Pretend” in my head. The initial reason was simply that it’s what plays
during one of the film’s early trailers, but now, I think it has to do with thematic synchronicity.
The song is one of the great pop documents of youthful hubris, boasting that “I’m feeling rough,
I’m feeling raw, I’m in the prime of my life.” Isn’t that the essence of why we love stories of
young Peter Parker? Even after he learns that great power must lead to great responsibility,
he’s still prone to self-confident and self-defeating overreach, vainly thinking he can balance
work and life. In Homecoming, we do indeed see Tom Holland’s Spidey in the prime of his life,
filled with the unpredictable energy of late adolescence, and there’s never been a better screen
depiction of him. On top of that, in the form of Michael Keaton’s Vulture (no relation to this
website), it has the rare jewel of a bad guy who’s genuinely unsettling, less because he’s an
evil schemer and more because he’s a disapproving grown-up. By the time Peter has to
summon all of his regrets, responsibilities, and aspirations in order to re-create The Amazing
Spider-Man No. 33, we’ve fully bought into his emotional journey and want him to succeed
because we wish our younger selves could have. Plus, it’s all very, very funny. As MGMT put it:
“We’ve got the vision, now let’s have some fun.”

Read full review

Silver Surfer, “A Power Greater Than Cosmic” (Comic)

The dear, departed Silver Surfer was one of the most reliably excellent comics series on
stands. Ever since Dan Slott, Mike Allred, and Laura Allred took over the title character’s
adventures in 2014 and paired him up with everyday human Dawn Greenwood for improbable
adventuring (“Anywhere and everywhere — hang on!” was the book’s tagline, and sheesh, who
even has taglines for comics anymore?), it had been a blue chip. The sorrow of watching the
run end with the 14th issue of the latest volume was mitigated only by the sheer joy of
witnessing that issue’s execution. In just 21 pages, our storytellers crafted one of the most
affecting comics narratives of the year, a journey across the cosmos that stretched back to
before the Big Bang and spanned a legion of worlds. It was a story about love, loss, memory,
hope, and families both chosen and inherited. It was filled with wondrous images that fulfilled
the promise of Marvel Comics’ long tradition of otherworldly aesthetics. It was the rare
superhero yarn that had a firm and satisfying conclusion. Hell, it made you get all weepy about
the Silver Surfer, the most austere of all the Marvel heroes. One hates to see Silver Surfer go,
but one loves to watch it leave.

https://www.youtube.com/watch?v=6ZfuNTqbHE8

QUESTIONS:
1. To Abstract 10 important words and define them
2. To Answer, to describe and to draw
What is your favourite superhero´s movie?
What is your favourite hero?
What is your favourite villain?
3. Choose true or false
The dear, departed Silver Surfer was one of the most reliably excellent comics series on
stands
(T) (F)
Writer Tom King could have easily painted himself into a corner with his
recent Batman comics arc “The War of Jokes and Riddles” for one simple reason: He
had to come up with a ton of, well, jokes and riddles
. (T) (F)
The magic of Ragnarok lies in its understanding that superhero stories are, in many
ways, fundamentally silly — and its commitment to making sure that silliness is handled
without relying on condescension and winks
. (T) (F)
4. To Create a mental map about English as foreign language
5. To create an essay about English as foreign language.