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03/30/19 Music in Film | Goldsmiths, University of London

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reference list for MU52037B

Brown J. Music in film and television. In: An introduction to music studies. Cambridge: :
Cambridge University Press 2009.
201–15.https://www.dawsonera.com/abstract/9780511718403

Buhler J, Neumeyer D, Deemer R. Hearing the movies: music and sound in film history.
New York: : Oxford University Press 2010.

Dickinson K. Movie music: the film reader. New York: : Routledge 2002.

Larsen P. Film music. London: : Reaktion Books 2007.

Bordwell D, Thompson K. Film art: an introduction. 10th ed., international edition. New
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Davison A. Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s


and 1990s (Chapters 1-3). Aldershot, Hants, England: : Ashgate 2004.

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Hill J, Gibson PC. The Oxford guide to film studies. Oxford: : Oxford University Press 1998.

Nelmes J. Introduction to film studies. 5th ed. London: : Routledge 2012.

Cooke M. A history of film music. Cambridge: : Cambridge University Press 2008.

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Hubbert JB. Celluloid symphonies: texts and contexts in film music history. Berkeley: :
University of California Press 2011.

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Wierzbicki JE. Film music: a history. New York: : Routledge 2009.


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Wierzbicki JE, Platte N, Roust C, et al. The Routledge film music sourcebook. 1st ed. New
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Brown J, Davison A. The sounds of the silents in Britain. Oxford: : Oxford University Press
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Altman R. Silent film sound. New York: : Columbia University Press 2004.

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Buhler J. ‘Star Wars, Music and Myth’ in Music and Cinema. In: Buhler J, Neumeyer D, Flinn
C, eds. . Hanover, NH: : University Press of New England 2000.

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Kalinak KM. Settling the score: music and the classical Hollywood film. Madison: :
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Gorbman C, British Film Institute. Unheard melodies: narrative film music. London: : BFI
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Franklin P. Seeing through music: gender and modernism in classic Hollywood film scores.
Oxfordk: : Oxford University Press 2011.

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Smith J. The sounds of commerce: marketing popular film music. New York: : Columbia
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Wojcik PR, Knight A. Soundtrack available: essays on film and popular music. Durham, NC:
: Duke University Press 2001. https://www.dawsonera.com/abstract/9780822380986

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Donnelly K. Film music: critical approaches. Edinburgh: : Edinburgh University Press 2001.

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Kassabian A. Hearing film: tracking identifications in contemporary Hollywood film music.


London: : Routledge 2001.
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Slobin M. Global soundtracks: worlds of film music. Middletown, Conn: : Wesleyan


University Press 2008.

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Scheurer TE. Music and mythmaking in film: genre and the role of the composer. Jefferson,
N.C.: : McFarland 2008.

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Hayward P, editor. Terror tracks: music, sound and horror cinema. London: : Equinox 2009.

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Coyle R, editor. Drawn to sound: animation film music and sonicity. London: : Equinox
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Donnelly KJ, Hayward P, editors. Music in science fiction television: tuned to the future.
New York: : Routledge 2013.

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Goldmark D, Kramer L, Leppert RD. Beyond the soundtrack: representing music in cinema.
Berkeley CA: : University of California Press 2007.
http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08024

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Tagg P, Clarida R. Ten little title tunes: towards a musicology of the mass media. New York:
: Mass Media Music Scholars’ Press 2003.

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Heldt G. Music and levels of narration in film: steps across the border. Bristol: : Intellect
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Altman R. Sound theory, sound practice. New York: : Routledge 1992.

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Chion M, Gorbman C, Murch W. Audio-vision: sound on screen. New York: : Columbia


University Press 1994.

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Chion M, Gorbman C. Film, a sound art. New York: : Columbia University Press 2009.

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Donnelly KJ. Occult aesthetics: synchronization in sound film. New York: : Oxford University
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Wierzbicki JE, editor. Music, sound and filmmakers: sonic style in cinema. New York, NY: :
Routledge 2012.

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