Professional Documents
Culture Documents
Brown J. Music in film and television. In: An introduction to music studies. Cambridge: :
Cambridge University Press 2009.
201–15.https://www.dawsonera.com/abstract/9780511718403
Buhler J, Neumeyer D, Deemer R. Hearing the movies: music and sound in film history.
New York: : Oxford University Press 2010.
Dickinson K. Movie music: the film reader. New York: : Routledge 2002.
Bordwell D, Thompson K. Film art: an introduction. 10th ed., international edition. New
York: : McGraw-Hill 2013.
1/5
03/30/19 Music in Film | Goldsmiths, University of London
Hill J, Gibson PC. The Oxford guide to film studies. Oxford: : Oxford University Press 1998.
10
Hubbert JB. Celluloid symphonies: texts and contexts in film music history. Berkeley: :
University of California Press 2011.
11
12
Wierzbicki JE, Platte N, Roust C, et al. The Routledge film music sourcebook. 1st ed. New
York: : Routledge 2012.
13
Brown J, Davison A. The sounds of the silents in Britain. Oxford: : Oxford University Press
2013.
14
2/5
03/30/19 Music in Film | Goldsmiths, University of London
Altman R. Silent film sound. New York: : Columbia University Press 2004.
15
Buhler J. ‘Star Wars, Music and Myth’ in Music and Cinema. In: Buhler J, Neumeyer D, Flinn
C, eds. . Hanover, NH: : University Press of New England 2000.
16
Kalinak KM. Settling the score: music and the classical Hollywood film. Madison: :
University of Wisconsin Press 1992.
17
Gorbman C, British Film Institute. Unheard melodies: narrative film music. London: : BFI
Publishing 1987.
18
Franklin P. Seeing through music: gender and modernism in classic Hollywood film scores.
Oxfordk: : Oxford University Press 2011.
19
Smith J. The sounds of commerce: marketing popular film music. New York: : Columbia
University Press 1998.
20
Wojcik PR, Knight A. Soundtrack available: essays on film and popular music. Durham, NC:
: Duke University Press 2001. https://www.dawsonera.com/abstract/9780822380986
21
Donnelly K. Film music: critical approaches. Edinburgh: : Edinburgh University Press 2001.
3/5
03/30/19 Music in Film | Goldsmiths, University of London
22
23
24
Scheurer TE. Music and mythmaking in film: genre and the role of the composer. Jefferson,
N.C.: : McFarland 2008.
25
Hayward P, editor. Terror tracks: music, sound and horror cinema. London: : Equinox 2009.
26
Coyle R, editor. Drawn to sound: animation film music and sonicity. London: : Equinox
2010.
27
Donnelly KJ, Hayward P, editors. Music in science fiction television: tuned to the future.
New York: : Routledge 2013.
28
Goldmark D, Kramer L, Leppert RD. Beyond the soundtrack: representing music in cinema.
Berkeley CA: : University of California Press 2007.
http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08024
4/5
03/30/19 Music in Film | Goldsmiths, University of London
29
Tagg P, Clarida R. Ten little title tunes: towards a musicology of the mass media. New York:
: Mass Media Music Scholars’ Press 2003.
30
Heldt G. Music and levels of narration in film: steps across the border. Bristol: : Intellect
2013.
31
32
33
Chion M, Gorbman C. Film, a sound art. New York: : Columbia University Press 2009.
34
Donnelly KJ. Occult aesthetics: synchronization in sound film. New York: : Oxford University
Press 2014.
35
Wierzbicki JE, editor. Music, sound and filmmakers: sonic style in cinema. New York, NY: :
Routledge 2012.
5/5