NTA NET Visual Art Paper 2 Jan 2017

PAPER-II
VISUAL ARTS
Signature and Name of Invigilator
1. (Signature) __________________________ OMR Sheet No. : ...............................................
(Name) ____________________________ (To be filled by the Candidate)
2. (Signature) __________________________ Roll No.

(Name) ____________________________ (In figures as per admission card)
Roll No.________________________________
J A 079 1 7 (In words)
Time : 1 1/4 hours] [Maximum Marks : 100

Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 50
Instructions for the Candidates ¯Ö¸ßõÖÖÙ£ÖµÖÖë Ûê ×»Ö‹ ×®Ö¤ì ¿Ö
1. Write your roll number in the space provided on the top of 1. ‡ÃÖ ¯ÖéÂš Ûê ‰ ¯Ö¸ ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ †¯Ö®ÖÖ ¸Öê»Ö ®Ö´²Ö¸ ×»Ö×ÜÖ‹ …
this page. 2. ‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ ²ÖÆã ×¾ÖÛ »¯ÖßµÖ ¯ÖÏ¿®Ö Æï …
2. This paper consists of fifty multiple-choice type of questions. 3. ¯Ö¸ßõÖÖ ¯ÖÏÖ¸´³Ö ÆÖê®Öê ¯Ö¸, ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö †Ö¯ÖÛ Öê ¤ê ¤ß •ÖÖµÖêÝÖß … ¯ÖÆ»Öê
3. At the commencement of examination, the question booklet ¯ÖÖÑ“Ö ×´Ö®Ö™ †Ö¯ÖÛ Öê ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛ ß ×®Ö´®Ö×»Ö×ÜÖŸÖ
will be given to you. In the first 5 minutes, you are requested •ÖÖÑ“Ö Ûê ×»Ö‹ ×¤µÖê •ÖÖµÖëÝÖê, ×•ÖÃÖÛ ß •ÖÖÑ“Ö †Ö¯ÖÛ Öê †¾Ö¿µÖ Û ¸®Öß Æî :
to open the booklet and compulsorily examine it as below : (i) ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö ÜÖÖê»Ö®Öê Ûê ×»Ö‹ ¯Öã×ÃŸÖÛ Ö ¯Ö¸ »ÖÝÖß Û ÖÝÖ•Ö Û ß ÃÖß»Ö
(i) To have access to the Question Booklet, tear off the paper Û Öê ± Ö›Ì »Öë … ÜÖã»Öß Æã ‡Ô µÖÖ ×²Ö®ÖÖ Ã™ßÛ ¸-ÃÖß»Ö Û ß ¯Öã×ÃŸÖÛ Ö
seal on the edge of this cover page. Do not accept a booklet Ã¾ÖßÛ Ö¸ ®Ö Û ¸ë …
without sticker-seal and do not accept an open booklet. (ii) Û ¾Ö¸ ¯ÖéÂš ¯Ö¸ ”¯Öê ×®Ö¤ì ¿ÖÖ®ÖãÃÖÖ¸ ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö Ûê ¯ÖéÂš ŸÖ£ÖÖ
(ii) Tally the number of pages and number of questions in
the booklet with the information printed on the cover ¯ÖÏ¿®ÖÖë Û ß ÃÖÓÜµÖÖ Û Öê †“”ß ŸÖ¸Æ “ÖîÛ Û ¸ »Öë ×Û µÖê ¯Öæ¸ê
page. Faulty booklets due to pages/questions missing Æï … ¤ÖêÂÖ¯ÖæÞÖÔ ¯Öã×ÃŸÖÛ Ö ×•Ö®Ö´Öë ¯ÖéÂš/¯ÖÏ¿®Ö Û ´Ö ÆÖë µÖÖ ¤ã²ÖÖ¸Ö †Ö
or duplicate or not in serial order or any other ÝÖµÖê ÆÖë µÖÖ ÃÖß×¸µÖ»Ö ´Öë ®Ö ÆÖë †£ÖÖÔŸÖ ×Û ÃÖß ³Öß ¯ÖÏÛ Ö¸ Û ß
discrepancy should be got replaced immediately by a ¡Öã×™¯ÖæÞÖÔ ¯Öã×ÃŸÖÛ Ö Ã¾ÖßÛ Ö¸ ®Ö Û ¸ë ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê
correct booklet from the invigilator within the period »ÖÖî™ ÖÛ ¸ ˆÃÖÛê Ã£ÖÖ®Ö ¯Ö¸ ¤æ ÃÖ¸ß ÃÖÆß ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö »Öê »Öë …
of 5 minutes. Afterwards, neither the Question Booklet ‡ÃÖÛê ×»Ö‹ †Ö¯ÖÛ Öê ¯ÖÖÑ“Ö ×´Ö®Ö™ ×¤µÖê •ÖÖµÖëÝÖê … ˆÃÖÛê ²ÖÖ¤ ®Ö
will be replaced nor any extra time will be given. ŸÖÖê †Ö¯ÖÛ ß ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ ®Ö Æß †Ö¯ÖÛ Öê
(iii) After this verification is over, the Test Booklet Number †×ŸÖ×¸ŒŸÖ ÃÖ´ÖµÖ ×¤µÖÖ •ÖÖµÖêÝÖÖ …
should be entered on the OMR Sheet and the OMR (iii) ‡ÃÖ •ÖÖÑ“Ö Ûê ²ÖÖ¤ ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö Û Ö ®ÖÓ²Ö¸ OMR ¯Ö¡ÖÛ ¯Ö¸ †Ó×Û ŸÖ Û ¸ë
Sheet Number should be entered on this Test Booklet. †Öî¸ OMR ¯Ö¡ÖÛ Û Ö ®ÖÓ²Ö¸ ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö ¯Ö¸ †Ó×Û ŸÖ Û ¸ ¤ë …
(iv) The test booklet no. and OMR sheet no. should be same. (iv) ¯ÖÏ¿®Ö ¯Öã×ÃŸÖÛ Ö ®ÖÓ. †Öî¸ OMR ¯Ö¡ÖÛ ®ÖÓ. ÃÖ´ÖÖ®Ö ÆÖê®Öê “ÖÖ×Æ‹ … µÖ×¤
In case of discrepancy in the number, the candidate should ®ÖÓ²Ö¸ ×³Ö®®Ö ÆÖë, ŸÖÖê ¯Ö¸ßõÖÖ£Öá ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö / OMR ¯Ö¡ÖÛ ²Ö¤»Ö®Öê
immediately report the matter to the invigilator for Ûê ×»Ö‹ ×®Ö¸ßõÖÛ Û Öê ŸÖã¸Ó ŸÖ ÃÖæ×“ÖŸÖ Û ¸ë …
replacement of the Test Booklet / OMR Sheet. 4. ¯ÖÏŸµÖêÛ ¯ÖÏ¿®Ö Ûê ×»Ö‹ “ÖÖ¸ ˆ¢Ö¸ ×¾ÖÛ »¯Ö (1), (2), (3) ŸÖ£ÖÖ (4) ×¤µÖê ÝÖµÖê
4. Each item has four alternative responses marked (1), (2), (3) Æï … †Ö¯ÖÛ Öê ÃÖÆß ˆ¢Ö¸ Ûê ¾Öé¢Ö Û Öê ¯Öê®Ö ÃÖê ³Ö¸Û ¸ Û Ö»ÖÖ Û ¸®ÖÖ Æî •ÖîÃÖÖ
and (4). You have to darken the circle as indicated below on ×Û ®Öß“Öê ×¤ÜÖÖµÖÖ ÝÖµÖÖ Æî :
the correct response against each item.
Example :
ˆ¤ÖÆ¸ÞÖ :
where (3) is the correct response. •Ö²Ö×Û (3) ÃÖÆß ˆ¢Ö¸ Æî …
5. Your responses to the items are to be indicated in the OMR 5. ¯ÖÏ¿®ÖÖë Ûê ˆ¢Ö¸ Ûê ¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ÃŸÖÛ Ö Ûê †®¤¸ ×¤µÖê ÝÖµÖê OMR ¯Ö¡ÖÛ ¯Ö¸ Æß †Ó×Û ŸÖ
Sheet given inside the Booklet only. If you mark your Û ¸®Öê Æï … µÖ×¤ †Ö¯Ö OMR ¯Ö¡ÖÛ ¯Ö¸ ×¤µÖê ÝÖµÖê ¾Öé¢Ö Ûê †»ÖÖ¾ÖÖ ×Û ÃÖß †®µÖ
response at any place other than in the circle in the OMR Ã£ÖÖ®Ö ¯Ö¸ ˆ¢Ö¸ ×“ÖÅ®ÖÖÓ×Û ŸÖ Û ¸ŸÖê Æï, ŸÖÖê ˆÃÖÛ Ö ´Öæ»µÖÖÓÛ ®Ö ®ÖÆà ÆÖêÝÖÖ …
Sheet, it will not be evaluated. 6. †®¤¸ ×¤µÖê ÝÖµÖê ×®Ö¤ì ¿ÖÖë Û Öê ¬µÖÖ®Ö¯Öæ¾ÖÔÛ ¯ÖœÌë …
6. Read instructions given inside carefully. 7. Û ““ÖÖ Û Ö´Ö (Rough Work) ‡ÃÖ ¯Öã×ÃŸÖÛ Ö Ûê †×®ŸÖ´Ö ¯ÖéÂš ¯Ö¸ Û ¸ë …
7. Rough Work is to be done in the end of this booklet. 8. µÖ×¤ †Ö¯Ö OMR ¯Ö¡ÖÛ ¯Ö¸ ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûê †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ®ÖÖ´Ö, ¸Öê»Ö
8. If you write your Name, Roll Number, Phone Number or put ®Ö´²Ö¸, ± Öê®Ö ®Ö´²Ö¸ µÖÖ Û Öê‡Ô ³Öß ‹êÃÖÖ ×“ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛ ß ¯ÖÆ“ÖÖ®Ö ÆÖê
any mark on any part of the OMR Sheet, except for the space ÃÖÛê , †Ó×Û ŸÖ Û ¸ŸÖê Æï †£Ö¾ÖÖ †³Ö¦ ³ÖÖÂÖÖ Û Ö ¯ÖÏµÖÖêÝÖ Û ¸ŸÖê Æï , µÖÖ Û Öê‡Ô
allotted for the relevant entries, which may disclose your †®µÖ †®Öã×“ÖŸÖ ÃÖÖ¬Ö®Ö Û Ö ¯ÖÏµÖÖêÝÖ Û ¸ŸÖê Æï , •ÖîÃÖê ×Û †Ó×Û ŸÖ ×Û µÖê ÝÖµÖê
identity, or use abusive language or employ any other unfair ˆ¢Ö¸ Û Öê ×´Ö™Ö®ÖÖ µÖÖ ÃÖ±ê ¤ ÃµÖÖÆß ÃÖê ²Ö¤»Ö®ÖÖ ŸÖÖê ¯Ö¸ßõÖÖ Ûê ×»ÖµÖê
means, such as change of response by scratching or using †µÖÖêÝµÖ ‘ÖÖê×ÂÖŸÖ ×Û µÖê •ÖÖ ÃÖÛ ŸÖê Æï …
white fluid, you will render yourself liable to disqualification.
9. You have to return the Original OMR Sheet to the invigilators
9. †Ö¯ÖÛ Öê ¯Ö¸ßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆÖê®Öê ¯Ö¸ ´Öæ»Ö OMR ¯Ö¡ÖÛ ×®Ö¸ßõÖÛ ´ÖÆÖê¤µÖ Û Öê
at the end of the examination compulsorily and must not »ÖÖî™Ö®ÖÖ †Ö¾Ö¿µÖÛ Æî †Öî¸ ¯Ö¸ßõÖÖ ÃÖ´ÖÖ×¯ŸÖ Ûê ²ÖÖ¤ ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸ßõÖÖ ³Ö¾Ö®Ö
carry it with you outside the Examination Hall. You are, ÃÖê ²ÖÖÆ¸ ®Ö »ÖêÛ ¸ •ÖÖµÖë … ÆÖ»ÖÖÓ×Û †Ö¯Ö ¯Ö¸ßõÖÖ ÃÖ´ÖÖ×¯ŸÖ ¯Ö¸ ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛ Ö
however, allowed to carry original question booklet on †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛ ŸÖê Æï …
conclusion of examination. 10. Û Ö»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ ¯Öê®Ö Û Ö Æß ‡ÃŸÖê´ÖÖ»Ö Û ¸ë …
10. Use only Black Ball point pen. 11. ×Û ÃÖß ³Öß ¯ÖÏÛ Ö¸ Û Ö ÃÖÓÝÖÞÖÛ (Ûî »ÖÛã »Öê™ ¸) µÖÖ »ÖÖÝÖ ™ê ²Ö»Ö †Ö×¤ Û Ö
11. Use of any calculator or log table etc., is prohibited. ¯ÖÏµÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æî …
12. There is no negative marks for incorrect answers. 12. ÝÖ»ÖŸÖ ˆ¢Ö¸Öë Ûê ×»Ö‹ Û Öê‡Ô ®ÖÛ Ö¸ÖŸ´ÖÛ †ÓÛ ®ÖÆà Æï …
13. In case of any discrepancy in the English and Hindi versions, 13. µÖ×¤ †ÓÝÖÏê•Öß µÖÖ ØÆ¤ß ×¾Ö¾Ö¸ÞÖ ´Öë Û Öê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸ÞÖ
English version will be taken as final. †Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
JA-079-17 1 P.T.O.
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VISUAL ARTS
Paper – II
Note : This paper contains fifty (50) objective type questions of two (2) marks each. All
questions are compulsory.
1. Stencil technique in visual art is also referred as
(1) Etching (2) Pochoir
(3) Graffiti (4) Islands
2. The earliest print making technique first developed as a means of
(1) Patterns on cloth (2) Images on paper
(3) Text on paper (4) Symbols on Billboard
3. The artist who is known to introduce etching as a medium of art expression in India.
(1) Nandalal Bose (2) Krishna Reddy
(3) Mukul Dey (4) Chanchal Banerjee
4. ‘Love and Death’ etching print produced about 1803 AD is made by
(1) Francisco Jose de Goya (2) William Blake
(3) Charles Meryon (4) Holbein Hans
Paper-II 2 JA-079-17
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¥¿µÖ Û »ÖÖ
¯ÖÏ¿®Ö¯Ö¡Ö – II
®ÖÖê™ : ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ (50) ²ÖÆã-×¾ÖÛ »¯ÖßµÖ ¯ÖÏ¿®Ö Æï … ¯ÖÏŸµÖêÛ ¯ÖÏ¿®Ö Ûê ¤Öê (2) †ÓÛ Æï … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æï …
1. ¥¿µÖ Û »ÖÖ ´Öë Ã™ë×ÃÖ»Ö ŸÖÛ ®ÖßÛ Û Öê µÖÆ ³Öß Û ÆÖ •ÖÖŸÖÖ Æî :
(1) ‹Ø“ÖÝÖ (2) ¯ÖÖê¿ÖÖòµÖ
(3) ÝÖÏê×± ™ß (4) †Ö‡Ô»Öï›ËÃÖ
2. †Ö¸Ó×³ÖÛ Ø¯ÖÏ™ ´ÖêØÛ ÝÖ ŸÖÛ ®ÖßÛ Û Ö ×¾ÖÛ ÖÃÖ ‡ÃÖ º ¯Ö ´Öë Æã†Ö £ÖÖ
(1) Û ¯Ö›Ìê ¯Ö¸ ¯Öî™®ÖÔ (2) Û ÖÝÖ•Ö ¯Ö¸ †ÖÛé ×ŸÖ
(3) Û ÖÝÖ•Ö ¯Ö¸ ¯ÖÖš (™êŒÃÖË™) (4) ×²Ö»Ö²ÖÖê›Ô ¯Ö¸ ¯ÖÏŸÖßÛ /×ÃÖ´²Ö»Ö
3. ‹Ø“ÖÝÖ Û Öê ³ÖÖ¸ŸÖ ´Öë Û »ÖÖ †×³Ö¾µÖ×ŒŸÖ Ûê º ¯Ö ´Öë ¯Ö×¸×“ÖŸÖ Û ¸Ö®Öê ¾ÖÖ»Öê Û »ÖÖÛ Ö¸ Ûê º ¯Ö ´Öë •ÖÖ®Öê •ÖÖŸÖê Æï
(1) ®ÖÓ¤»ÖÖ»Ö ²ÖÖêÃÖ (2) Ûé ÂÞÖÖ ¸êøß
(3) ´ÖãÛã »Ö ›ê (4) “ÖÓ“Ö»Ö ²Ö®Ö•Öá
4. ‘»Ö¾Ö ‹Ó› ›ê£Ö’ ‹Ø“ÖÝÖ Ø¯ÖÏ™ Û Ö ×®Ö´ÖÖÔÞÖ »ÖÝÖ³ÖÝÖ ¾ÖÂÖÔ 1803 ´Öë «Ö¸Ö ×Û µÖÖ ÝÖµÖÖ :
(1) ±Ï ÖÓ×ÃÖÃÖÛ Öê •ÖÌÖê•Ö ¤ê ÝÖÖêµÖÖ (2) ×¾Ö×»ÖµÖ´Ö ²»ÖêÛ
(3) “ÖÖ»ÃÖÔ ´Öê¸µÖÖë (4) ÆÖê»²Öê®Ö ÆëÃÖ
JA-079-17 3 Paper-II
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5. Identify the Principal of J.J. School of art amongst the following :
(1) George Keyt (2) Pestonji Bomanji
(3) Gladstone Solomen (4) Januel Abedin
6. Leonardo da Vinci’s painting “The Last Supper” is painted in which medium ?
(1) Fresco (2) Oil Paint
(3) Acrylic (4) Water
7. Arabian Nights series of painting have been painted by :
(1) Rabindranath Tagore (2) Abnindranath Tagore
(3) Nandalal Bose (4) Pradosh Das Gupta
8. Group-8 is devoted to
(1) Painting (2) Sculpture
(3) Graphic art (4) Photography
9. Seated sculpture of Buddha found from Katra and housed in Mathura museum dates from
(1) Mauryan period (2) Sunga period
(3) Kushana period (4) Gupta period
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5. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê •Öê.•Öê. ÃÛæ »Ö †Öò± †Ö™Ô Ûê Ø¯ÖÏ×ÃÖ¯Ö»Ö Û ß ¯ÖÆ“ÖÖ®Ö Û ¸ë :
(1) •ÖÖ•ÖÔ ×Û ™ (2) ¯ÖêÃ™®Ö•Öß ²ÖÖê´ÖÖ®Ö•Öß
(3) Ý»Öî›Ã™Öê®Ö ÃÖÖê»ÖÖê´Ö®Ö (4) •Öê®Öã‹»Ö ‹²Öê×›®Ö
6. ×»ÖµÖÖê®ÖÖ›Öì ¤ Ø¾Ö×“Ö Û ß Ûé ×ŸÖ ‘¤ »ÖÖÃ™ ÃÖ¯Ö¸’ ×Û ÃÖ ´ÖÖ¬µÖ´Ö ´Öë ×“Ö×¡ÖŸÖ ×Û µÖÖ ÝÖµÖÖ Æî ?
(1) ±Ïê ÃÛ Öê (2) ŸÖê»Ö ×“Ö¡ÖÞÖ
(3) ‹ÛÎê ×»ÖÛ (4) ¾ÖÖ™¸
7. †¸×²ÖµÖ®Ö ®ÖÖ‡™ËÃÖ ¯ÖëØ™ÝÖ ÀÖéÓÜÖ»ÖÖ Ûê ¯Öë™¸ Æï :
(1) ¸×²Ö®¦®ÖÖ£Ö ™îÝÖÖê¸ (2) †²ÖØ®Ö¦®ÖÖ£Ö ™îÝÖÖê¸
(3) ®ÖÓ¤»ÖÖ»Ö ²ÖÖêÃÖ (4) ¯ÖÏ¤ÖêÂÖ ¤ÖÃÖ ÝÖã¯ŸÖÖ
8. ÝÖÏã¯Ö-8 ÃÖ´ÖÙ¯ÖŸÖ Æî
(1) ¯ÖëØ™ÝÖ (2) ´ÖæÙŸÖÛ »ÖÖ
(3) ÝÖÏÖ×± Û Û »ÖÖ (4) ± Öê™ÖêÝÖÏÖ± ß
9. ´Ö£Öã¸Ö ÃÖÓÝÖÏÆÖ»ÖµÖ ´Öë ×Ã£ÖŸÖ Û ™¸Ö ÃÖê ¯ÖÏÖ¯ŸÖ ²Öîšê Æã‹ ²Öã¨ Û ß ´ÖæÙŸÖ ×Û ÃÖ Û Ö»Ö Û ß Æî ?
(1) ´ÖÖîµÖÔ Û Ö»Ö (2) ¿ÖãÓÝÖ Û Ö»Ö
(3) Ûã ÂÖÖÞÖ Û Ö»Ö (4) ÝÖã¯ŸÖ Û Ö»Ö

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10. Who is the author of Brihad Samhita ?
(1) Panini (2) Kshemendra
(3) Abhinavgupta (4) Varahamihira
11. Who painted the famous painting “Madona of the Long Neck” ?
(1) Parmigianino (2) Agnolo Bronzino
(3) Raphael (4) Antonio Allegri
12. With reference to the Greek architecture order which is the earliest one of the following ?
(1) Composite order (2) Corinthian order
(3) Ionic order (4) Doric order
13. Rock cut architecture of Ajanta relates to
(1) Buddhism (2) Hinduism
(3) Hinduism, Buddhism and Jainism (4) Hinduism and Jainism
14. Composition of bronze are :
(1) Cu, Zn and Sn (2) Al, Cu and Zn
(3) Cu, Fe and Sn (4) Cu, Al and Fe
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10. ¾ÖéÆŸÖË ÃÖÓ×ÆŸÖÖ Ûê »ÖêÜÖÛ Û Öî®Ö Æï ?
(1) ¯ÖÖ×ÞÖ®Öß (2) õÖê´Öë¦
(3) †×³Ö®Ö¾Ö-ÝÖã¯ŸÖ (4) ¾Ö¸ÖÆ×´Ö×Æ¸
11. ‘´Öê› Öê®ÖÖ †Öò± ¤ »ÖÖÓÝÖ ®ÖêÛ ’ ®ÖÖ´ÖÛ ´Ö¿ÖÆæ ¸ ¯ÖëØ™ÝÖ Ûê ¯Öë™ ¸ Û Öî®Ö Æï ?
(1) ¯Ö¸×´Ö×•ÖµÖÖ×®Ö®ÖÖê (2) ‹ÝÖ®ÖÖê»ÖÖê ²ÖÎÖë×•Ö®ÖÖê
(3) ¸Ö±ê »Ö (4) †™ÖêØ®ÖµÖÖê ‹»ÖêÝÖ¸ß
12. ÝÖÏßÛ ¾ÖÖÃŸÖãÛ »ÖÖ Ûê ÃÖÓ¤³ÖÔ ´Öë ÃÖ²ÖÃÖê ¯ÖÏÖ“Öß®Ö Û Öî®Ö ÃÖÖ Æî ?
(1) Û ´¯ÖÖê×•Ö™ †Öò›Ô¸ (2) Û Öê×¸®Ö×£ÖµÖ®Ö †Öò›Ô¸
(3) †Ö‡µÖÖê×®ÖÛ †Öò›Ô¸ (4) ›Öê×¸Û †Öò›Ô¸
13. †•ÖÓŸÖÖ ¯ÖÏÃŸÖ¸ Û ™Ö¾Ö ¾ÖÖÃŸÖãÛ »ÖÖ ÃÖÓ²ÖÓ×¬ÖŸÖ Æî :
(1) ²ÖÖî¨-¬Ö´ÖÔ (2) ×Æ®¤æ-¬Ö´ÖÔ
(3) ØÆ¤æ, ²ÖÖî¨ ŸÖ£ÖÖ •Öî®Ö ¬Ö´ÖÔ (4) ØÆ¤æ ¬Ö´ÖÔ ŸÖ£ÖÖ ²ÖÖî¨ ¬Ö´ÖÔ
14. Û ÖÓÃµÖ Û ß ÃÖÓ¸“Ö®ÖÖ Æî :
(1) Cu, Zn ŸÖ£ÖÖ Sn (2) Al, Cu ŸÖ£ÖÖ Zn
(3) Cu, Fe ŸÖ£ÖÖ Sn (4) Cu, Al ŸÖ£ÖÖ Fe
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15. ‘Man with Dog’ is a sculpture by
(1) Auguste Rodin (2) Aristide Maillol
(3) Dhruva Mistry (4) Raghav Kaneria
16. The word “Macrome” goes with the work of
(1) Henry Matisse (2) Pilo Pochkunwala
(3) Mrinalini Mukherjee (4) Amarnath Sehgal
17. Following the invention of colour Lithography, the poster had just been born in France at
the hand of
(1) Henri de Toulouse Lantrec (2) Jules Ch’eret
(3) Edward Trojanowski (4) Tradeusz Gronowski
18. The word ‘Graffite’ is etymologically derived from
(1) Scratch (2) Graffito
(3) Street Art (4) Spray Painting
19. ‘Bauhaus’ design revolution was not about style, it is about
(1) Form and Functionality (2) Thoughts and Intuition
(3) Content and Ideas (4) Vision and Social Reforms
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15. ‘´Öî®Ö ×¾Ö¤ ›ÖòÝÖ’ ´ÖæÙŸÖ Ûê ×®Ö´ÖÖÔŸÖÖ Æî :
(1) †ÝÖãÃŸÖê ¸Öê¤ÖÑ (2) †×¸Ã™Ö‡› ´ÖÖ‡»ÖÖê
(3) ¬ÖÐã¾Ö ×´ÖÃ¡Öß (4) ¸Ö‘Ö¾Ö Û ®Öê×¸µÖÖ
16. “´ÖîÛÎ Öê´Ö” ¿Ö²¤ ÃÖÓ²Ö¨ Æî :
(1) Æê®Ö¸ß ´ÖÖŸÖßÃÖ (2) ×¯Ö»ÖÖê ¯ÖÖê“ÖÛã ®Ö¾ÖÖ»ÖÖ
(3) ´ÖéÞÖÖ×»Ö®Öß ´ÖãÜÖ•Öá (4) †´Ö¸®ÖÖ£Ö ÃÖÆÝÖ»Ö
17. ¸ÓÝÖß®Ö ×»Ö£ÖÖêÝÖÏÖ± ß Ûê †Ö×¾ÖÂÛ Ö¸ Ûê ¯Ö¿“ÖÖŸÖË ±Ï ÖÓÃÖ ´Öë ¯ÖÖêÃ™¸ Ûê •Ö®´Ö ´Öë ×Û ®ÖÛ Ö ÆÖ£Ö £ÖÖ ?
(1) Æê®Ö¸ß ¤ ŸÖã»ÖãÃÖ »ÖÖÓ¡ÖêÛ (2) •Öã»ÃÖ ¿Öê¸ê
(3) ‹›¾Ö›Ô ¡ÖÖê•ÖÖ®ÖÖê¾ÖÃÛ ß (4) ™ÒÖ×›µÖæÃÖ ÝÖÏÖê®ÖÖê¾ÖÃÛ ß
18. ‘ÝÖÏê± Ö‡™ ’ ¿Ö²¤ Û ß ¾µÖãŸ¯Ö×¢Ö ×Û ÃÖÃÖê Æã ‡Ô Æî ?
(1) ÃÛÎî “Ö (2) ÝÖÏî×± ™Öê
(3) Ã™Òß™ †Ö™Ô (4) Ã¯ÖÏî ¯ÖëØ™ÝÖ
19. ‘²ÖÆÖˆÃÖ’ †×³ÖÛ »¯Ö®ÖÖ †Ö®¤Öê»Ö®Ö ×Û ÃÖ ¿Öî»Öß Ûê ÃÖÓ¤³ÖÔ ´Öë ®ÖÆà £ÖÖ †×¯ÖŸÖã ˆÃÖÛ Ö ÃÖÓ²ÖÓ¬Ö Æî
(1) º ¯Ö ŸÖ£ÖÖ ×ÛÎ µÖÖ®¾ÖµÖ®Ö (2) Ø“ÖŸÖ®Ö ŸÖ£ÖÖ †ÓŸÖ–ÖÖÔ®ÖŸÖÖ
(3) ×¾ÖÂÖµÖ-¾ÖÃŸÖã ŸÖ£ÖÖ ×¾Ö“ÖÖ¸ (4) ×¾Ö•Ö®Ö ŸÖ£ÖÖ ÃÖ´ÖÖ×•ÖÛ ÃÖã¬ÖÖ¸

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20. ‘An effective ‘logo’ should be timeless, it will endure the ages.’ Probably the best
example of timeless ‘logo’ is
(1) Pepsi logo (2) Coca Cola logo
(3) Thumps Up logo (4) KFC logo
21. Select the correct chronological sequence :
(1) Chitto Prasad, Lalit Mohan, Haren Das, Kanwal Krishna
(2) Kanwal Krishna, Lalit Mohan, Haren Das, Chitto Prasad
(3) Lalit Mohan, Kanwal Krishna, Chitto Prasad, Haren Das
(4) Kanwal Krishna, Chitto Prasad, Lalit Mohan, Haren Das
22. Arrange in chronological order :
(1) Wood block printing, Movable type, Printing press, Etching
(2) Movable type, Wood block printing, Etching, Printing press
(3) Etching, Wood block printing, Movable type, Printing press
(4) Printing press, Movable type, Wood block printing, Etching
23. Arrange the following artists in chronological order :
(1) Paussin, Rubens, Rembrandt, Titian
(2) Titian, Rubens, Paussin, Rembrandt
(3) Rubens, Rembrandt, Paussin, Titian
(4) Rembrandt, Paussin, Titian, Rubens

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20. ‘‹Û ¯ÖÏ³ÖÖ¾Ö¿ÖÖ»Öß ‘»ÖÖêÝÖÖê’ Û Öê ÃÖ´ÖµÖÛ Ö»Ö ÃÖê ¯Ö¸ê ÆÖê®ÖÖ “ÖÖ×ÆµÖê’ ‡®Ö´Öë ÃÖê ÃÖ´ÖµÖ ÃÖê ¯Ö¸ê ‘»ÖÖêÝÖÖê’ Û Ö ÃÖ´³ÖÖ×¾ÖŸÖ ÃÖ¾ÖÖì¢Ö´Ö
ˆ¤ÖÆ¸ÞÖ Æî :
(1) ¯Öê¯ÃÖß »ÖÖêÝÖÖê (2) Û ÖêÛ Ö Û Öê»ÖÖ »ÖÖêÝÖÖê
(3) £Ö´ÃÖ†¯Ö »ÖÖêÝÖÖê (4) Ûê ‹± ÃÖß »ÖÖêÝÖÖê
21. Û Ö»ÖÛÎ ´Ö Ûê †®ÖãÃÖÖ¸ ÃÖÆß ÛÎ ´Ö Û Ö “ÖµÖ®Ö Û ¸ë :
(1) ×“Ö¢ÖÖê ¯ÖÏÃÖÖ¤, »Ö×»ÖŸÖ ´ÖÖêÆ®Ö, Æ¸ê®Ö¤ÖÃÖ, ÛÓ ¾Ö»Ö Ûé ÂÞÖ
(2) ÛÓ ¾Ö»Ö Ûé ÂÞÖ, »Ö×»ÖŸÖ ´ÖÖêÆ®Ö, Æ¸ê®Ö¤ÖÃÖ, ×“Ö¢ÖÖê ¯ÖÏÃÖÖ¤
(3) »Ö×»ÖŸÖ ´ÖÖêÆ®Ö, ÛÓ ¾Ö»Ö Ûé ÂÞÖ, ×“Ö¢ÖÖê ¯ÖÏÃÖÖ¤, Æ¸ê®Ö¤ÖÃÖ
(4) ÛÓ ¾Ö»Ö Ûé ÂÞÖ, ×“Ö¢ÖÖê ¯ÖÏÃÖÖ¤, »Ö×»ÖŸÖ ´ÖÖêÆ®Ö, Æ¸ê®Ö¤ÖÃÖ
22. Û Ö»ÖÛÎ ´ÖÖ®ÖãÃÖÖ¸ ÛÎ ´Ö²Ö¨ Û ¸ë :
(1) ¾Öã› ²»ÖÖòÛ ×¯ÖÏØ™ÝÖ, ´Öæ¾Öê²Ö»Ö ™Ö‡¯Ö, Ø¯ÖÏØ™ÝÖ ¯ÖÏîÃÖ, ‹êØ“ÖÝÖ
(2) ´Öæ¾Öê²Ö»Ö ™Ö‡¯Ö, ¾Öã› ²»ÖÖòÛ ×¯ÖÏØ™ÝÖ, ‹êØ“ÖÝÖ, Ø¯ÖÏØ™ÝÖ ¯ÖÏîÃÖ
(3) ‹êØ“ÖÝÖ, ¾Öã› ²»ÖÖòÛ ×¯ÖÏØ™ÝÖ, ´Öæ¾Öê²Ö»Ö ™Ö‡¯Ö, Ø¯ÖÏØ™ÝÖ ¯ÖÏîÃÖ
(4) Ø¯ÖÏØ™ÝÖ ¯ÖÏîÃÖ, ´Öæ¾Öê²Ö»Ö ™Ö‡¯Ö, ¾Öã› ²»ÖÖòÛ ×¯ÖÏØ™ÝÖ, ‹êØ“ÖÝÖ
23. ×®Ö´®Ö×»Ö×ÜÖŸÖ Û »ÖÖÛ Ö¸Öë Û Öê Û Ö»ÖÛÎ ´ÖÖ®ÖãÃÖÖ¸ ¾µÖ¾Ö×Ã£ÖŸÖ Û ß×•ÖµÖê :
(1) ¯ÖæÃÖß®Ö, º ²Öê®ÃÖ, ¸ê´²ÖÎÖÓ, ×™×¿ÖµÖÖÓ
(2) ×™×¿ÖµÖÖÓ, º ²Öê®ÃÖ, ¯ÖæÃÖß®Ö, ¸ê´²ÖÎÖÓ
(3) º ²Öê®ÃÖ, ¸ê´²ÖÎÖ,Ó ¯ÖæÃÖß®Ö, ×™×¿ÖµÖÖÓ
(4) ¸ê´²ÖÎÖÓ, ¯ÖæÃÖß®Ö, ×™×¿ÖµÖÖÓ, º ²Öê®ÃÖ
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24. Arrange the following art schools in chronological order established at :
(1) Madras, Lahore, Calcutta, Bombay
(2) Lahore, Bombay, Madras, Calcutta
(3) Madras, Calcutta, Bombay, Lahore
(4) Calcutta, Madras, Bombay, Lahore
25. Choose the correct chronological sequence of the old cities of Delhi :
(1) Siri, Tughlaquabad, Jahanpanah, Ferozabad
(2) Jahanpanah, Siri, Tughlaquabad, Ferozabad
(3) Siri, Ferozabad, Jahanpanah, Tughlaquabad
(4) Tughlaquabad, Jahanpanah, Siri, Ferozabad
26. Select the chronological sequence of monuments :
(1) Stonehenge, City of Ur, Temple of Zeus Olympios, Temple of Khons
(2) Stonehenge, City of Ur, Temple of Khons, Temple of Zeus Olympios
(3) Stonehenge, Temple of Zeus Olympios, Temple of Khons, City of Ur
(4) Temple of Zeus Olympios, Temple of Khons, City of Ur, Stonehenge
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24. ×®Ö´®Ö×»Ö×ÜÖŸÖ Û »ÖÖ×¾ÖªÖ»ÖµÖÖë Û Öê Ã£ÖÖ¯Ö®ÖÖ®ÖãÃÖÖ¸ Û Ö»ÖÛÎ ´Ö ´Öë ¾µÖ¾Ö×Ã£ÖŸÖ Û ß×•ÖµÖê :
(1) ´Ö¦ÖÃÖ, »ÖÖÆÖî¸, Û »ÖÛ ¢ÖÖ, ²Ö´²Ö‡Ô
(2) »ÖÖÆÖî¸, ²Ö´²Ö‡Ô, ´Ö¦ÖÃÖ, Û »ÖÛ ¢ÖÖ
(3) ´Ö¦ÖÃÖ, Û »ÖÛ ¢ÖÖ, ²Ö´²Ö‡Ô, »ÖÖÆÖî¸
(4) Û »ÖÛ ¢ÖÖ, ´Ö¦ÖÃÖ, ²Ö´²Ö‡Ô, »ÖÖÆÖî¸
25. ×¤»»Öß Ûê ¯ÖÏÖ“Öß®Ö ¿ÖÆ¸Öë Û Öê Û Ö»ÖÛÎ ´ÖÖ®ÖãÃÖÖ¸ ÛÎ ´Ö²Ö¨ Û ß×•Ö‹ :
(1) ×ÃÖ¸ß, ŸÖãÝÖ»ÖÛ Ö²ÖÖ¤, •ÖÆÖÓ¯Ö®ÖÖÆ, ×± ¸Öê•ÖÖ²ÖÖ¤
(2) •ÖÆÖÓ¯Ö®ÖÖÆ, ×ÃÖ¸ß, ŸÖãÝÖ»ÖÛ Ö²ÖÖ¤, ×± ¸Öê•ÖÖ²ÖÖ¤
(3) ×ÃÖ¸ß, ×± ¸Öê•ÖÖ²ÖÖ¤, •ÖÆÖÓ¯Ö®ÖÖÆ, ŸÖãÝÖ»ÖÛ Ö²ÖÖ¤
(4) ŸÖãÝÖ»ÖÛ Ö²ÖÖ¤, •ÖÆÖÓ¯Ö®ÖÖÆ, ×ÃÖ¸ß, ×± ¸Öê•ÖÖ²ÖÖ¤
26. Ã´ÖÖ¸Û Öë Û Öê Û Ö»ÖÛÎ ´ÖÖ®ÖãÃÖÖ¸ ÃÖÆß ÛÎ ´Ö ¤ß×•Ö‹ :
(1) Ã™Öê®ÖÆë•Ö, ×ÃÖ™ß †Öò± ˆ¸, ™ë¯Ö»Ö †Öò± ×•Ö†ÃÖ †Öê»ÖÓ×¯Ö†ÃÖ, ™ë¯Ö»Ö †Öò± ÜÖÖê®ÃÖ
(2) Ã™Öê®ÖÆë•Ö, ×ÃÖ™ß †Öò± ˆ¸, ™ë¯Ö»Ö †Öò± ÜÖÖê®ÃÖ, ™ë¯Ö»Ö †Öò± ×•Ö†ÃÖ †Öê»ÖÓ×¯Ö†ÃÖ
(3) Ã™Öê®ÖÆë•Ö, ™ë¯Ö»Ö †Öò± ×•Ö†ÃÖ †Öê»ÖÓ×¯Ö†ÃÖ, ™ë¯Ö»Ö †Öò± ÜÖÖê®ÃÖ, ×ÃÖ™ß †Öò± ˆ¸
(4) ™ë¯Ö»Ö †Öò± ×•Ö†ÃÖ †Öê»ÖÓ×¯Ö†ÃÖ, ™ë¯Ö»Ö †Öò± ÜÖÖê®ÃÖ, ×ÃÖ™ß †Öò± ˆ¸, Ã™Öê®ÖÆë•Ö
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27. Arrange the artists in correct chronological sequence :
(1) Michelangelo, Donatello, Hanson, David Smith
(2) Michelangelo, Donatello, David Smith, Hanson
(3) Donatello, Michelangelo, David Smith, Hanson
(4) Donatello, Hanson, Michelangelo, David Smith
28. Select the correct sequence of sculptures in chronological order :
(1) Dancing girl, Trimurti, Chauri Bearer, Nataraj.
(2) Dancing girl, Chauri Bearer, Trimurti, Nataraj.
(3) Dancing girl, Chauri Bearer, Nataraj, Trimurti.
(4) Dancing girl, Nataraj, Trimurti, Chauri Bearer.
29. Arrange the following ‘Fonts’ in order which they appeared historically :
(1) Futura, Frutigar, Times New Roman, Garamond
(2) Times New Roman, Garamond, Frutigar, Futura
(3) Garamond, Futura, Times New Roman, Frutigar
(4) Frutigar, Garamond, Futura, Times New Roman
30. Arrange the following Olympic mascots in order in which they appeared :
(1) Wenlock, Mukmuk, Misha, Vinicius
(2) Misha, Wenlock, Vinicius, Mukmuk
(3) Mukmuk, Wenlock, Misha, Vinicius
(4) Vinicius, Mukmuk, Wenlock, Misha

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27. Û »ÖÖÛ Ö¸Öë Û Öê ÃÖÆß Û Ö»ÖÛÎ ´Ö-²Ö¨ Û ß×•Ö‹ :
(1) ´ÖÖ‡ÔÛê »Ö ‹Ó•Öê»ÖÖê, ¤Öê®ÖÖŸÖê»»ÖÖê, ÆïÃÖò®Ö, ›ê×¾Ö› ×Ã´Ö£Ö
(2) ´ÖÖ‡ÔÛê »Ö ‹Ó•Öê»ÖÖê, ¤Öê®ÖÖŸÖê»»ÖÖê, ›ê×¾Ö› ×Ã´Ö£Ö, ÆïÃÖò®Ö
(3) ¤Öê®ÖÖŸÖê»»ÖÖê, ´ÖÖ‡ÔÛê »Ö ‹Ó•Öê»ÖÖê, ›ê×¾Ö› ×Ã´Ö£Ö, ÆïÃÖò®Ö
(4) ¤Öê®ÖÖŸÖê»»ÖÖê, ÆïÃÖò®Ö, ´ÖÖ‡ÔÛê »Ö ‹Ó•Öê»ÖÖê, ›ê×¾Ö› ×Ã´Ö£Ö
28. ´ÖæÙŸÖµÖÖë Û Öê ÃÖÆß Û Ö»ÖÛÎ ´ÖÖ®ÖãÃÖÖ¸ ÛÎ ´Ö²Ö¨ Û ß×•Ö‹ :

(1) ›ÖÓØÃÖÝÖ ÝÖ»ÖÔ, ×¡Ö´ÖæÙŸÖ, “ÖÓ¾Ö¸ ¬ÖÖ×¸ÞÖß, ®Ö™¸Ö•Ö
(2) ›ÖÓØÃÖÝÖ ÝÖ»ÖÔ, “ÖÓ¾Ö¸ ¬ÖÖ×¸ÞÖß, ×¡Ö´ÖæÙŸÖ, ®Ö™¸Ö•Ö
(3) ›ÖÓØÃÖÝÖ ÝÖ»ÖÔ, “ÖÓ¾Ö¸ ¬ÖÖ×¸ÞÖß, ®Ö™¸Ö•Ö, ×¡Ö´ÖæÙŸÖ
(4) ›ÖÓØÃÖÝÖ ÝÖ»ÖÔ, ®Ö™¸Ö•Ö, ×¡Ö´ÖæÙŸÖ, “ÖÓ¾Ö¸ ¬ÖÖ×¸ÞÖß
29. ×®Ö´®Ö×»Ö×ÜÖŸÖ ± Öë™ËÃÖ Û Öê ‹ê×ŸÖÆÖ×ÃÖÛ ÛÎ ´Ö Ûê †®ÖãÃÖÖ¸ ÛÎ ´Ö²Ö¨ Û ¸ë :

(1) °µÖæ“Öã¸Ö, ±Ïã ™ßÝÖ¸, ™Ö‡´ÃÖ ®µÖæ ¸Öê´Ö®Ö, ÝÖÖ¸Ö´ÖÖˆÓ›
(2) ™Ö‡´ÃÖ ®µÖæ ¸Öê´Ö®Ö, ÝÖÖ¸Ö´ÖÖˆÓ›, ±Ïã ™ßÝÖ¸, °µÖæ“Öã¸Ö
(3) ÝÖÖ¸Ö´ÖÖˆÓ›, °µÖæ“Öã¸Ö, ™Ö‡´ÃÖ ®µÖæ ¸Öê´Ö®Ö, ±Ïã ™ßÝÖ¸
(4) ±Ïã ™ßÝÖ¸, ÝÖÖ¸Ö´ÖÖˆÓ›, °µÖæ“Öã¸Ö, ™Ö‡´ÃÖ ®µÖæ ¸Öê´Ö®Ö
30. †Öê»ÖÓ×¯ÖÛ ´ÖÖÃÛ Öò™ (¿Öã³ÖÓÛ ¸) Û Öê ÛÎ ´ÖÖ®ÖãÃÖÖ¸ ÛÎ ´Ö²Ö¨ Û ¸ë :

(1) ¾Öê®Ö»ÖÖòÛ , ´ÖãÛ ´ÖãÛ , ×´Ö¿ÖÖ, ×¾Ö×®Ö×ÃÖµÖÃÖ
(2) ×´Ö¿ÖÖ, ¾Öê®Ö»ÖÖòÛ , ×¾Ö×®Ö×ÃÖµÖÃÖ, ´ÖãÛ ´ÖãÛ
(3) ´ÖãÛ ´ÖãÛ , ¾Öê®Ö»ÖÖòÛ , ×´Ö¿ÖÖ, ×¾Ö×®Ö×ÃÖµÖÃÖ
(4) ×¾Ö×®Ö×ÃÖµÖÃÖ, ´ÖãÛ ´ÖãÛ , ¾Öê®Ö»ÖÖòÛ , ×´Ö¿ÖÖ
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31. Match the following :
List – I List – II
(a) Saroj Pal Gogi (i) Maharashtra
(b) Dattatraya Apte (ii) Bhavnagar
(c) Somnath Hore (iii) Uttar Pradesh
(d) Jyoti Bhatt (iv) Bangladesh
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iii) (i) (iv) (ii)
(3) (ii) (iii) (i) (iv)
(4) (iv) (i) (iii) (ii)
(a) Rembrandt (i) Los desastres de la Guerra
(b) Goya (ii) Bull
(c) Pablo Picasso (iii) The three Crosses
(d) Albrecht Durer (iv) Malencolia
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iv) (iii)
(2) (iv) (i) (iii) (ii)
(3) (iii) (i) (ii) (iv)
(4) (ii) (iv) (iii) (i)

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31. ×®Ö´®Ö×»Ö×ÜÖŸÖ Û Öê ÃÖã´Öê×»ÖŸÖ Û ¸ë :
ÃÖæ“Öß – I ÃÖæ“Öß – II
(a) ÃÖ¸Öê•Ö ¯ÖÖ»Ö ÝÖÖêÝÖß (i) ´ÖÆÖ¸ÖÂ™Ò
(b) ¤¢ÖÖ¡ÖêµÖ †Ö¯™ê (ii) ³ÖÖ¾Ö®ÖÖ ÝÖ¸
(c) ÃÖÖê´Ö®ÖÖ£Ö ÆÖê¸ (iii) ˆ¢Ö¸ ¯ÖÏ¤ê¿Ö
(d) •µÖÖê×ŸÖ ³Ö™Ë™ (iv) ²ÖÖÓÝ»ÖÖ¤ê¿Ö
Ûæ ™ :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (iii) (i) (iv) (ii)
(3) (ii) (iii) (i) (iv)
(4) (iv) (i) (iii) (ii)

(a) ¸ê´²ÖÎÖÑ (i) »ÖÖ ¤êÃ¡ÖêÃÖ ¤ »ÖÖ ÝÖã‹¸Ö
(b) ÝÖÖêµÖÖ (ii) ²Öã»Ö
(c) ¯ÖÖ²»ÖÖê ×¯ÖÛ ÖÃÖÖê (iii) ¤ £ÖÐß ÛÎ ÖÃÖ
(d) †»²ÖÎêÜŸÖ ×›µÖæ¸ê (iv) ´Öê»ÖëÛ Öê×»ÖµÖÖ
Ûæ ™ :
(a) (b) (c) (d)
(1) (i) (ii) (iv) (iii)
(2) (iv) (i) (iii) (ii)
(3) (iii) (i) (ii) (iv)
(4) (ii) (iv) (iii) (i)
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(a) John Ruskin (i) Art and Industry
(b) Leo Tolstoy (ii) Modern Painters
(c) R.G. Collingwood (iii) What is art
(d) Herbert Read (iv) Principles of Art
Codes :
(a) (b) (c) (d)
(1) (ii) (iii) (iv) (i)
(2) (iii) (ii) (i) (iv)
(3) (i) (iv) (iii) (ii)
(4) (ii) (i) (iv) (iii)
(a) Drawing (i) Garucharan Singh
(b) Print Making (ii) K. Ramanujam
(c) Sculpture (iii) R. Palaniappan
(d) Pottery (iv) Balveer Singh Katt
Codes :
(a) (b) (c) (d)
(1) (ii) (iv) (iii) (i)
(2) (i) (iii) (iv) (ii)
(3) (ii) (iii) (iv) (i)
(4) (iv) (ii) (i) (iii)

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33. ×®Ö´®Ö×»Ö×ÜÖŸÖ Û Öê ÃÖã´Öê×»ÖŸÖ Û ß×•ÖµÖê :
(a) •ÖÖò®Ö ¸ÃÛ ß®Ö (i) †Ö™Ô ‹Ó› ‡Ó›Ã™Òß
(b) ×»ÖµÖÖê ™Ö»ÃÖ™ÖµÖ (ii) ´ÖÖê›®ÖÔ ¯Öï™ÃÖÔ
(c) †Ö¸.•Öß. Û ÖØ»ÖÝÖ¾Öã› (iii) ¾ÆÖ™ ‡•Ö †Ö™Ô
(d) Æ¸²Ö™Ô ¸ß› (iv) Ø¯ÖÏÃÖß¯Ö»ÃÖ †Öò± †Ö™Ô
Ûæ ™ :
(a) (b) (c) (d)
(1) (ii) (iii) (iv) (i)
(2) (iii) (ii) (i) (iv)
(3) (i) (iv) (iii) (ii)
(4) (ii) (i) (iv) (iii)

(a) ›ÒÖò‡ÕÝÖ (i) ÝÖã¹ “Ö¸®Ö ØÃÖÆ
(b) Ø¯ÖÏ™ ´ÖêØÛ ÝÖ (ii) Ûê . ¸Ö´ÖÖ®Öã•Ö´Ö
(c) ÃŒ»¯Ö“Ö¸ (iii) †Ö¸. ¯Ö»ÖÖ®Öß†¯¯Ö®Ö
(d) ¯ÖÖî™Òß (iv) ²Ö»Ö¾Öß¸ØÃÖÆ Û¼

Ûæ ™ :
(a) (b) (c) (d)
(1) (ii) (iv) (iii) (i)
(2) (i) (iii) (iv) (ii)
(3) (ii) (iii) (iv) (i)
(4) (iv) (ii) (i) (iii)

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(a) Post Impressionism (i) Jackson Pollock
(b) Fauvism (ii) Annunciation & Visitation
(c) Gothic (iii) Matisse
(d) Kinetic Painting (iv) Paul Gaugin
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (i) (iv) (iii)
(3) (iii) (ii) (i) (iv)
(4) (iv) (iii) (ii) (i)
(a) Tortoise (i) Shiva
(b) Trishul (ii) Vishnu
(c) Khadga (iii) Yamuna
(d) Garuda (iv) Manjushri
Codes :
(a) (b) (c) (d)
(1) (iv) (iii) (ii) (i)
(2) (iii) (i) (iv) (ii)
(3) (i) (iii) (ii) (iv)
(4) (ii) (iii) (i) (iv)

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(a) ˆ¢Ö¸ ¯ÖÏ³ÖÖ¾Ö¾ÖÖ¤ (i) •ÖîŒÃÖ®Ö ¯ÖÖê»ÖÖòÛ
(b) ± Öò¾Ö¾ÖÖ¤ (ii) ‹®ÖÖ®Ö×ÃÖ‹¿Ö®Ö ‹Ó› ×¾Ö×•Ö™ê¿Ö®Ö
(c) ÝÖÖê×£ÖÛ (iii) ´ÖÖŸÖßÃÖ
(d) Û Ö‡®Öê×™Û ¯ÖëØ™ÝÖ (iv) ¯ÖÖ»Ö ÝÖÖêÝÖÖ
Ûæ ™ :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (i) (iv) (iii)
(3) (iii) (ii) (i) (iv)
(4) (iv) (iii) (ii) (i)

(a) Û ”ã †Ö (i) ×¿Ö¾Ö
(b) ×¡Ö¿Öæ»Ö (ii) ×¾ÖÂÞÖã
(c) ÜÖ›ËÝÖ (iii) µÖ´Öã®ÖÖ
(d) ÝÖº ›Ì (iv) ´ÖÓ•ÖæÁÖß
Ûæ ™ :
(a) (b) (c) (d)
(1) (iv) (iii) (ii) (i)
(2) (iii) (i) (iv) (ii)
(3) (i) (iii) (ii) (iv)
(4) (ii) (iii) (i) (iv)

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(a) Eduardo Paolozzi (i) “The White Bride”
(b) Victor Pasmore (ii) “Japnese War God”
(c) Andrea Cascella (iii) “Figure with raised arm”
(d) George Baselitz (iv) “Abstract in white, ochre and black”
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iv) (i) (iii)
(3) (iv) (ii) (i) (iii)
(4) (iii) (ii) (iv) (i)
(a) Kailash Temple (i) Pandava Ratha
(b) Konark Sun Temple (ii) Braket Figure
(c) Sanchi Stupa (iii) Elephant
(d) Chariots at Mamallapuram (iv) Ravana
Codes :
(a) (b) (c) (d)
(1) (iv) (ii) (i) (iii)
(2) (ii) (i) (iii) (iv)
(3) (i) (iii) (ii) (iv)
(4) (iv) (iii) (ii) (i)

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(a) ‹›ã†Ö›Öì ¯ÖÖ†Öê»ÖÖê•Öß (i) “¤ ¾ÆÖ‡™ ²ÖÎÖ‡›”
(b) ×¾ÖŒ™¸ ¯ÖÖÃÖ´ÖÖê¸ (ii) “•Öî¯Ö×®Ö•Ö ¾ÖÖ¸ ÝÖÖò›”
(c) ‹Ó×›ÒµÖÖ Û ÖÃÖê»ÖÖ (iii) “×± ÝÖ¸ ×¾Ö¤ ¸ê•› †Ö´ÖÔ”
(d) •ÖÖ•ÖÔ ²ÖÖÃÖê×»Ö™Ë•Ö (iv) “‹²ÃÖ™ÒêŒ™ ‡®Ö ¾ÆÖ‡Ô™, †Û ¸ ‹Ó› ²»ÖîÛ ”
Ûæ ™ :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iv) (i) (iii)
(3) (iv) (ii) (i) (iii)
(4) (iii) (ii) (iv) (i)

(a) Ûî »ÖÖ¿Ö ™ï¯Ö»Ö (i) ¯ÖÖÓ›¾Ö ¸£Ö
(b) Û ÖêÞÖÖÛÔ ÃÖ®Ö ™ï¯Ö»Ö (ii) ²ÖÎêÛê ™ ×±Ì ÝÖ¸
(c) ÃÖÖÑ“Öß ÃŸÖæ¯Ö (iii) ‹»Öß±ë ™
(d) “Öî×¸†™ ‹™ ´ÖÖ´ÖÖ»ÖÖ¯Öã¸´ÖË (iv) ¸Ö¾ÖÞÖ
Ûæ ™ :
(a) (b) (c) (d)
(1) (iv) (ii) (i) (iii)
(2) (ii) (i) (iii) (iv)
(3) (i) (iii) (ii) (iv)
(4) (iv) (iii) (ii) (i)

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(a) Mies Van der Rohe (i) The Swiss Style
(b) Piet Mondrian (ii) Bauhaus
(c) Emil Ruder (iii) De Still
(d) William Morris (iv) Art & Craft movement
Codes :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iii) (i) (iv)
(3) (iv) (ii) (i) (iii)
(4) (iii) (iv) (ii) (i)
40. Match the creatives with the Ad agencies :
(a) Piyush Pandey (i) Lowe Lintas
(b) Prasoon Joshi (ii) O & M Pacific
(c) S. Balakrishnan (iii) Madison World
(d) Sam Balsara (iv) Mccann World Group
Codes :
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (iv) (i) (ii) (iii)
(3) (iii) (ii) (i) (iv)
(4) (i) (ii) (iii) (iv)

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(a) ´Öê‡ÃÖ ¾ÖÖ®Ö ›ê¸ ¸ÖêÆê (i) ¤ ×Ã¾ÖÃÖ Ã™Ö‡»Ö
(b) ×¯ÖµÖêŸÖ ´ÖÖë›×¸µÖ®Ö (ii) ²ÖÖˆÆÖîÃÖ
(c) ‹×´Ö»Ö º ›¸ (iii) ¤ê ×Ã™»Ö
(d) ×¾Ö×»ÖµÖ´Ö ´ÖÖê×¸ÃÖ (iv) †Ö™Ô ‹Ó› ÛÎ Ö°™ ´Öæ¾Ö´Öë™
Ûæ ™ :
(a) (b) (c) (d)
(1) (i) (ii) (iii) (iv)
(2) (ii) (iii) (i) (iv)
(3) (iv) (ii) (i) (iii)
(4) (iii) (iv) (ii) (i)
40. ÃÖé•Ö®ÖÛ ŸÖÖÔ†Öë Û Öê ˆ®ÖÛê ×¾Ö–ÖÖ¯Ö®Ö ‹•ÖëÃÖß Ûê ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Û ¸ë :

(a) ×¯ÖµÖæÂÖ ¯ÖÖÞ›êµÖ (i) »ÖÖê¾Öê Ø»Ö™ÖÃÖ
(b) ¯ÖÏÃÖæ®Ö •ÖÖê¿Öß (ii) †Öê ‹Ó› ‹´Ö ¯Öê×ÃÖ×± Û
(c) ‹ÃÖ. ²ÖÖ»ÖÖÛé ÂÞÖ®Ö (iii) ´Öê×›ÃÖ®Ö ¾Ö»›Ô
(d) ÃÖê´Ö ²Ö»ÖÃÖÖ¸Ö (iv) ´ÖêÛ Öò®Ö ¾Ö»›Ô ÝÖÏã¯Ö

Ûæ ™ :
(a) (b) (c) (d)
(1) (ii) (iv) (i) (iii)
(2) (iv) (i) (ii) (iii)
(3) (iii) (ii) (i) (iv)
(4) (i) (ii) (iii) (iv)

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41. Assertion (A) : Burin is used predominantly by intaglio engraver. But also for relief wood
engravings.
Reason (R) : Burin is a hand tool used historically in print making to spread ink on the
block.
(1) Both (A) and (R) are correct.
(2) (A) is correct, but (R) is incorrect.
(3) (A) is incorrect, but (R) is correct.
(4) Both (A) and (R) are incorrect.
42. Assertion (A) : Atelier 17 become pivotal in Paris and New York for artists like Picasso,
Giacometti, and Miro.
Reason (R) : In 20th century, true engraving was revived as a serious art form by artist
Stanley W. Hayter.
43. Assertion (A) : Art is theory developed and applied in the presence of nature.
Reason (R) : Because without the feel of nature there is no life in the art.
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41. †×³ÖÛ £Ö®Ö (A) : ²Öã×¸®Ö ´ÖãÜµÖŸÖ: ‡Ó™êÝÖ×»ÖµÖÖê ˆŸÛ ßÞÖÔ Ûê ¯ÖÏµÖÖêÝÖ ´Öë †ÖŸÖÖ Æî ØÛ ŸÖã ×¸×»Ö±Ì Û ÖÂš ˆŸÛ ßÞÖÔ Ûê ×»Ö‹ ³Öß ¯ÖÏµÖãŒŸÖ
ÆÖêŸÖÖ Æî …
ŸÖÛÔ (R) : ²Öã×¸®Ö ‹ê×ŸÖÆÖ×ÃÖÛ º ¯Ö ÃÖê ×¯ÖÏØ™ÝÖ ´Öë ÆÖ£Ö ÃÖê ¯ÖÏµÖãŒŸÖ ÆÖê®Öê ¾ÖÖ»ÖÖ ˆ¯ÖÛ ¸ÞÖ Æî ×•ÖÃÖÛ Ö ¯ÖÏµÖÖêÝÖ ²»ÖÖÛ ¯Ö¸ ÃµÖÖÆß ±î »ÖÖ®Öê
Û Ö Û Ö´Ö ×»ÖµÖÖ •ÖÖŸÖÖ £ÖÖ …
(1) (A) ŸÖ£ÖÖ (R) ¤Öê®ÖÖë ÃÖÆß Æï …
(2) (A) ÃÖÆß, ×Û ®ŸÖã (R) ÝÖ»ÖŸÖ Æî …
(3) (A) ÝÖ»ÖŸÖ, ×Û ®ŸÖã (R) ÃÖÆß Æî …
(4) (A) ŸÖ£ÖÖ (R) ¤Öê®ÖÖë ÝÖ»ÖŸÖ Æï …
42. †×³ÖÛ £Ö®Ö (A) : ‹™ê×»ÖµÖ¸ 17 ¯Öê×¸ÃÖ ŸÖ£ÖÖ ®µÖæµÖÖÛÔ ´Öë ×¯ÖÛ ÖÃÖÖê, •µÖÖêÛ Öê´ÖêŸÖß ŸÖ£ÖÖ ×´Ö¸Öê •ÖîÃÖê Û »ÖÖÛ Ö¸Öë Ûê Û Ö¸ÞÖ ¯ÖÏ´ÖãÜÖŸÖÖ ´Öë
¸ÆÖ …
ŸÖÛÔ (R) : ²ÖßÃÖ¾Öà ÃÖ¤ß ´Öë ÃÖÆß ‡®ÖÝÖÏêØ¾ÖÝÖ Û Öê ÃÖÓ×•Ö¤Ö Û »ÖÖ º ¯Ö ´Öë Ã™ê®Ö»Öê ›²»Öæ Æê™î¸ ®Öê ¯Öã®Ö•Öá×¾ÖŸÖ ×Û µÖÖ …
43. †×³ÖÛ £Ö®Ö (A) : ¯ÖÏÛé ×ŸÖ Ûê ÃÖÖ×®Ö¬µÖ ÃÖê ¯ÖÏÖ¯ŸÖ –ÖÖ®Ö †Öî¸ ˆÃÖÛ Ö ¯ÖÏÖŸµÖ×õÖÛ ¯ÖÏµÖÖêÝÖ Æß Û »ÖÖ Æî …
ŸÖÛÔ (R) : ŒµÖÖë×Û ¯ÖÏÛé ×ŸÖ Û Öê ´ÖÆÃÖæÃÖ ×Û µÖê ×²Ö®ÖÖ Û »ÖÖ ´Öë •Öß¾Ö®Ö ÃÖÓ³Ö¾Ö ®ÖÆà Æî …
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44. Assertion (A) : All Religious rituals are the execution of myth.
Reason (R) : Because Myths are the oral form of religious rituals.
45. Assertion (A) : Gaugin left Paris for Tahiti to paint natural life.
Reason (R) : Because he felt urban culture of Paris was corrupt and much more removed
from natural reality.
(1) (A) is correct, (R) is not correct.
(2) (A) is not correct, (R) is correct.
(3) (A) is correct and (R) is also correct.
(4) (A) is not correct and (R) is also not correct.
46. Assertion (A) : Colour can evoke the sense of touch by suggesting texture and
temperature.
Reason (R) : Because every colour has its temperature warm or cool or some where in
between.
(1) (A) is correct and (R) is also correct.
(2) (A) is not correct, but (R) is correct.
(3) (A) is not correct and (R) is also not correct.
(4) (A) is correct, but (R) is not correct.
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44. †×³ÖÛ £Ö®Ö (A) : ÃÖ³Öß ¬ÖÖÙ´ÖÛ †®ÖãÂšÖ®Ö ×´Ö£ÖÛ Û Ö ×ÛÎ µÖÖŸ´ÖÛ º ¯Ö Æî …
ŸÖÛÔ (R) : ŒµÖÖë×Û ×´Ö£ÖÛ ¬ÖÖÙ´ÖÛ †®ÖãÂšÖ®Ö Û Ö ¾ÖÖ×“ÖÛ º ¯Ö Æî …
45. †×³ÖÛ £Ö®Ö (A) : ÝÖÖêÝÖÖ ¯ÖÏÖÛé ×ŸÖÛ •Öß¾Ö®Ö Û ß ¯ÖëØ™ÝÖ Û ¸®Öê Ûê ×»ÖµÖê ¯Öê×¸ÃÖ ”Öê›ÌÛ ¸ ŸÖÖ×ÆŸÖß “Ö»Öê ÝÖµÖê …
ŸÖÛÔ (R) : ˆ®ÆÖë®Öê µÖÆ ´ÖÆÃÖæÃÖ ×Û µÖÖ ×Û ¯Öê×¸ÃÖ Û Ö •Öß¾Ö®Ö †×¬ÖÛ ³ÖÏÂ™ ÆÖê ÝÖµÖÖ Æî †Öî¸ ¯ÖÏÖÛé ×ŸÖÛ ¾ÖÖÃŸÖ×¾ÖÛ ŸÖÖ†Öë ÃÖê
†ŸµÖ×¬ÖÛ Û ™ ÝÖµÖÖ Æî …
(1) (A) ÃÖÆß Æî, (R) ÃÖÆß ®ÖÆà Æî …
(2) (A) ÃÖÆß ®ÖÆà Æî, (R) ÃÖÆß Æî …
(3) (A) ÃÖÆß Æî ŸÖ£ÖÖ (R) ³Öß ÃÖÆß Æî …
(4) (A) ÝÖ»ÖŸÖ Æî ŸÖ£ÖÖ (R) ³Öß ÝÖ»ÖŸÖ Æî …
46. †×³ÖÛ £Ö®Ö (A) : ¸ÓÝÖ ¯ÖÖêŸÖ †Öî¸ ŸÖÖ¯Ö Ûê «Ö¸Ö Ã¯Ö¿ÖÔ ²ÖÖê¬Ö Û Öê •ÖÖÝÖÏŸÖ Û ¸ŸÖÖ Æî …
ŸÖÛÔ (R) : ŒµÖÖë×Û ¯ÖÏŸµÖêÛ ¸ÓÝÖ Û Ö †¯Ö®ÖÖ ÝÖ´ÖÔ µÖÖ šÓ›Ö µÖÖ ¤Öê®ÖÖë Ûê ²Öß“Ö Û Ö ŸÖÖ¯Ö´ÖÖ®Ö ÆÖêŸÖÖ Æî …
(1) (A) ÃÖÆß ŸÖ£ÖÖ (R) ³Öß ÃÖÆß Æî …
(2) (A) ÃÖÆß ®ÖÆà Æî, ØÛ ŸÖã (R) ÃÖÆß Æî …
(3) (A) ÃÖÆß ®ÖÆà Æî †Öî¸ (R) ³Öß ÃÖÆß ®ÖÆà Æî …
(4) (A) ÃÖÆß, ØÛ ŸÖã (R) ÝÖ»ÖŸÖ Æî …
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47. Assertion (A) : The most common transferable file formats for images are JPEG, TIFF
and EPS.
Reason (R) : Other file formats, one may come across, are software specific files.
(1) (A) is false, but (R) is true.
(2) (A) is true, but (R) is false.
(3) Both (A) and (R) are false.
(4) Both (A) and (R) are true.
48. Assertion (A) : Using animals in designing a logo is very effective method of describing a
product or Company’s core attributes.
Reason (R) : Attributing animal like characteristics to people is as old as time.
Neanderthal Man also used animals to depict his environment.
(1) (A) is true, but (R) is false.
(2) Both (A) and (R) are true.
(3) Both (A) and (R) are correct, but (R) is not the correct reason for (A).
(4) Both (A) and (R) are false.
49. Assertion (A) : Paraffin wax is less used in metal casting than the bee-wax.
Reason (R) : Because Paraffin wax is harder and brittle.
(2) (A) is correct and (R) is incorrect.
(3) (A) is incorrect and (R) is correct.
50. Assertion (A) : Dhan Raj Bhagat was perhaps the pioneer in using different craft media
and techniques in his sculptures.
Reason (R) : Because he received inspiration in using a variety of media from British
sculpture Chadwick.
_______________
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47. †×³ÖÛ £Ö®Ö (A) : •Öê.¯Öß.‡Ô.•Öß., ™ß.†Ö‡Ô.‹± .‹± . ŸÖ£ÖÖ ‡Ô.¯Öß.‹ÃÖ. †ÖÛé ×ŸÖµÖÖë Ûê Ã£ÖÖ®ÖÖÓŸÖ¸ÞÖ Ûê ×»Ö‹ ÃÖ¾ÖÖÔ×¬ÖÛ ˆ¯ÖµÖÖêÝÖ ´Öë
†Ö®Öê ¾ÖÖ»Öß ÃÖÖ´ÖÖ®µÖ ± Ö‡»Ö ± Ö´Öì™ Æî …
ŸÖÛÔ (R) : †®µÖ ± Ö‡»Ö ± Ö´Öì™ ÃÖÖ´ÖÖ®µÖŸÖ: ÃÖÖò°™¾ÖêµÖ¸ ×¾Ö¿ÖêÂÖ ± Ö‡»Öë ÆÖêŸÖß Æï …
48. †×³ÖÛ £Ö®Ö (A) : ÛÓ ¯Ö®Öß Ûê ÃÖŸ¾Ö (Û Öê¸) µÖÖ ˆÃÖÛê ×Û ÃÖß ˆŸ¯ÖÖ¤ ´Öë ‘»ÖÖêÝÖÖê’ Ûê ×›•ÖÖ‡®Ö ´Öë ¯Ö¿Öã†Öë Û Ö ˆ¯ÖµÖÖêÝÖ ˆÃÖÛ ß
×¾Ö×¿ÖÂ™ŸÖÖ ¤¿ÖÖÔ®Öê Û ß ×¾Ö×¿ÖÂ™ ¯Ö¨×ŸÖ Æî …
ŸÖÛÔ (R) : ¯Ö¿Öã†Öë Ûê “ÖÖ×¸×¡ÖÛ ×¾Ö×¿ÖÂ™ŸÖÖ‹Ñ †Ö×¤ Û Ö»Ö ÃÖê »ÖÖêÝÖÖë Û Öê †ÖÛ ÙÂÖŸÖ Û ¸ŸÖß ¸Æß Æî … ×®Ö‹Þ›¸£Ö»Ö ´ÖÖ®Ö¾Ö ³Öß
†¯Ö®Öê ¯Ö×¸¾Öê¿Ö Ûê ×“Ö¡ÖÞÖ ´Öë ¯Ö¿Öã†Öë Û Ö ˆ¯ÖµÖÖêÝÖ ×Û µÖÖ Û ¸ŸÖê £Öê …
(3) (A) ŸÖ£ÖÖ (R) ¤Öê®ÖÖë ÃÖÆß Æï, ×Û ®ŸÖã (R), (A) Û ß ÃÖÆß ¾µÖÖÜµÖÖ ®ÖÆà Æî …
49. †×³ÖÛ £Ö®Ö (A) : ´Öê™»Ö Û ÖØÃ™ÝÖ ´Öë ¯Öî¸Ö×± ®Ö ¾ÖêŒÃÖ Û Ö ²Öß-¾ÖêŒÃÖ Û ß ŸÖã»Ö®ÖÖ ´Öë Û ´Ö ¯ÖÏµÖÖêÝÖ ÆÖêŸÖÖ Æî …
ŸÖÛÔ (R) : ŒµÖÖë×Û ¯Öî¸Ö×± ®Ö ¾ÖêŒÃÖ †×¬ÖÛ Û šÖê¸ †Öî¸ ³ÖÓÝÖã¸ ÆÖêŸÖÖ Æî …
Ûæ ™ :
(2) (A) ÃÖÆß ŸÖ£ÖÖ (R) ÝÖ»ÖŸÖ Æî …
(3) (A) ÝÖ»ÖŸÖ ŸÖ£ÖÖ (R) ÃÖÆß Æî …
50. †×³ÖÛ £Ö®Ö (A) : ¿ÖÖµÖ¤ ¬Ö®Ö¸Ö•Ö ³ÖÝÖŸÖ ´ÖæÙŸÖ ×¿Ö»¯Ö ´Öë ÛÎ Ö°™ ´Öß×›µÖÖ †Öî¸ ŸÖÛ ®ÖßÛ Ûê ¯ÖÏµÖÖêÝÖ Ûê †ÝÖÏ¤æŸÖ £Öê …
ŸÖÛÔ (R) : ŒµÖÖë×Û ¾ÖÖê ×²ÖÎ×™¿Ö ´ÖæÙŸÖÛ Ö¸ “Öî›×¾ÖÛ Ûê †®ÖêÛ ¯ÖÏÛ Ö¸ Ûê ´ÖÖ¬µÖ´ÖÖë Ûê ¯ÖÏµÖÖêÝÖ ÃÖê Û Ö± ß ¯ÖÏ³ÖÖ×¾ÖŸÖ £Öê …
(3) (A) ÃÖÆß ŸÖ£ÖÖ (R) ÝÖ»ÖŸÖ Æî …
(4) (A) ÝÖ»ÖŸÖ ŸÖ£ÖÖ (R) ÃÖÆß Æî …
___________
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Space For Rough Work
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NTA NET Visual Art Paper 2 Jan 2017

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PAPER-II

2. (Signature) __________________________ Roll No.

Time : 1 1/4 hours] [Maximum Marks : 100

1. Stencil technique in visual art is also referred as

(1) Etching (2) Pochoir

(3) Graffiti (4) Islands

2. The earliest print making technique first developed as a means of

(1) Patterns on cloth (2) Images on paper

(3) Text on paper (4) Symbols on Billboard

(1) Nandalal Bose (2) Krishna Reddy

(3) Mukul Dey (4) Chanchal Banerjee

4. ‘Love and Death’ etching print produced about 1803 AD is made by

(1) Francisco Jose de Goya (2) William Blake

(3) Charles Meryon (4) Holbein Hans

1. ¥¿µÖ Û »ÖÖ ´Öë Ã™ë×ÃÖ»Ö ŸÖÛ ®ÖßÛ Û Öê µÖÆ ³Öß Û ÆÖ •ÖÖŸÖÖ Æî :

(1) ‹Ø“ÖÝÖ (2) ¯ÖÖê¿ÖÖòµÖ

(3) ÝÖÏê×± ™ß (4) †Ö‡Ô»Öï›ËÃÖ

(1) Û ¯Ö›Ìê ¯Ö¸ ¯Öî™®ÖÔ (2) Û ÖÝÖ•Ö ¯Ö¸ †ÖÛé ×ŸÖ

(1) ®ÖÓ¤»ÖÖ»Ö ²ÖÖêÃÖ (2) Ûé ÂÞÖÖ ¸êøß

(3) ´ÖãÛã »Ö ›ê (4) “ÖÓ“Ö»Ö ²Ö®Ö•Öá

(1) ±Ï ÖÓ×ÃÖÃÖÛ Öê •ÖÌÖê•Ö ¤ê ÝÖÖêµÖÖ (2) ×¾Ö×»ÖµÖ´Ö ²»ÖêÛ

(3) “ÖÖ»ÃÖÔ ´Öê¸µÖÖë (4) ÆÖê»²Öê®Ö ÆëÃÖ

(1) George Keyt (2) Pestonji Bomanji

(3) Gladstone Solomen (4) Januel Abedin

6. Leonardo da Vinci’s painting “The Last Supper” is painted in which medium ?

(1) Fresco (2) Oil Paint

(3) Acrylic (4) Water

7. Arabian Nights series of painting have been painted by :

(1) Rabindranath Tagore (2) Abnindranath Tagore

(3) Nandalal Bose (4) Pradosh Das Gupta

(1) Painting (2) Sculpture

(3) Graphic art (4) Photography

(1) Mauryan period (2) Sunga period

(3) Kushana period (4) Gupta period

(1) •ÖÖ•ÖÔ ×Û ™ (2) ¯ÖêÃ™®Ö•Öß ²ÖÖê´ÖÖ®Ö•Öß

(3) Ý»Öî›Ã™Öê®Ö ÃÖÖê»ÖÖê´Ö®Ö (4) •Öê®Öã‹»Ö ‹²Öê×›®Ö

(1) ±Ïê ÃÛ Öê (2) ŸÖê»Ö ×“Ö¡ÖÞÖ

(3) ‹ÛÎê ×»ÖÛ (4) ¾ÖÖ™¸

7. †¸×²ÖµÖ®Ö ®ÖÖ‡™ËÃÖ ¯ÖëØ™ÝÖ ÀÖéÓÜÖ»ÖÖ Ûê ¯Öë™¸ Æï :

(1) ¸×²Ö®¦®ÖÖ£Ö ™îÝÖÖê¸ (2) †²ÖØ®Ö¦®ÖÖ£Ö ™îÝÖÖê¸

(3) ®ÖÓ¤»ÖÖ»Ö ²ÖÖêÃÖ (4) ¯ÖÏ¤ÖêÂÖ ¤ÖÃÖ ÝÖã¯ŸÖÖ

(1) ¯ÖëØ™ÝÖ (2) ´ÖæÙŸÖÛ »ÖÖ

(3) ÝÖÏÖ×± Û Û »ÖÖ (4) ± Öê™ÖêÝÖÏÖ± ß

(1) ´ÖÖîµÖÔ Û Ö»Ö (2) ¿ÖãÓÝÖ Û Ö»Ö

(3) Ûã ÂÖÖÞÖ Û Ö»Ö (4) ÝÖã¯ŸÖ Û Ö»Ö

(1) Panini (2) Kshemendra

(3) Abhinavgupta (4) Varahamihira

(1) Parmigianino (2) Agnolo Bronzino

(3) Raphael (4) Antonio Allegri

(1) Composite order (2) Corinthian order

(3) Ionic order (4) Doric order

13. Rock cut architecture of Ajanta relates to

(1) Buddhism (2) Hinduism

(3) Hinduism, Buddhism and Jainism (4) Hinduism and Jainism

14. Composition of bronze are :

(1) Cu, Zn and Sn (2) Al, Cu and Zn

(3) Cu, Fe and Sn (4) Cu, Al and Fe

(1) ¯ÖÖ×ÞÖ®Öß (2) õÖê´Öë¦

(3) †×³Ö®Ö¾Ö-ÝÖã¯ŸÖ (4) ¾Ö¸ÖÆ×´Ö×Æ¸

(1) ¯Ö¸×´Ö×•ÖµÖÖ×®Ö®ÖÖê (2) ‹ÝÖ®ÖÖê»ÖÖê ²ÖÎÖë×•Ö®ÖÖê

(3) ¸Ö±ê »Ö (4) †™ÖêØ®ÖµÖÖê ‹»ÖêÝÖ¸ß

(1) Û ´¯ÖÖê×•Ö™ †Öò›Ô¸ (2) Û Öê×¸®Ö×£ÖµÖ®Ö †Öò›Ô¸

(3) †Ö‡µÖÖê×®ÖÛ †Öò›Ô¸ (4) ›Öê×¸Û †Öò›Ô¸

13. †•ÖÓŸÖÖ ¯ÖÏÃŸÖ¸ Û ™Ö¾Ö ¾ÖÖÃŸÖãÛ »ÖÖ ÃÖÓ²ÖÓ×¬ÖŸÖ Æî :