ERA OF 303: Omega Plan (Season 1) Ep 4

"Looking Glass"

Written by
Jonathon Karagiannis
Created by
Jonathon Karagiannis

Address Melbourne VIC Australia

E-mail antaresunit1@gmail.com 
 PROLOGUE
CUT TO: Crashing waves and waters on a large river. It is so
violent the waters a look as if they will explode and flood
its banks. In the distance we see a lush hilly prehistoric
landscape with the titanic Tree of Life withering and dying.
A masculine, gravely and soothing voice speaks.
SETH (V.O)
Two bloodlines rule the earth. Both
are at enmity - the children of
wickedness have therefore been
warned - El Elyon has smitten the
Gihon. The Judgements are soon to
come.
CUT TO BLACK.
SETH (CONT’D)
(Two beats. Music stops.)
I have to warn my people...
SLOWLY TRANSITION to young man (205 years old) in a Golden
Fleece sits cross legged inside a mud hut. He is inscribing
furiously on two large tables of brick and the other of
stone.
SETH (V.O.)
Oh Enosh my newborn. I question if
you will read this.
CLOSE UP of Seth. He looks disturbed and tried, but he has
fury and urgency in his eyes as if he was awaken from sleep
gaining an epiphany.
SETH (V.O)
Because of you and my brother, Adam
has been been paralysed in fright.
Many visions have come and he saw
the future destruction of the
universe.
CUT TO:

EXT. MOUNTAIN VILLAGE - DAY

Elda - 5087 BC
A small modest village next to the Cave of Treasures on the
hill nearby. We hear a loud crowd of angry people.
 2.

SETH (O.C.)
Repent my children! Just listen to
me! The Gihon will flood and
destroy us!
We CUT to the village courtyard. We see many people with
tanned and reddish skin protest against Seth who is standing
of a flat rock. He holds a shepherd's crook.
A girl (12) yells raising her fist.
NOAM
Praise God! Hear it Sethites! This
ground is cursed and cracked! None
of our seeds are growing into
fruit! They grow into thorns! Now
God will send water and we will
never starve again!
The coward cheers and chants to their princess.
Seth looks agitated as the coward misunderstood his message.
His voice drowns in the chaos.
SETH
No my daughter! Wait! This is not a
blessing, it is a judgement upon
your wickedness! Listen to the
words of your grandfather! The
words of Yahuwah!
The crowd continues to ignore Seth.

NOAM
Come on, let us have a feast unto
the Lord! Bring forward the wooden
tree that we may adorn it!
A group of people carry a 6 foot tall wooden tree with
decorations in it.
Seth snaps as soon as he sees it. He leaps off the rock and
swings his staff and smashes until it breaks.
SETH
BY THE BLOOD OF ABEL! SILENCE!
SILENCE! SILENCE!
He lets the staff shatter to the floor broken. He is
breathing hard.
He gets their attention. Noam crosses her arms with
disappointment.
 3.

SETH (CONT’D)
Hear me! Hear the words of Yahuwah!
Time is short! It is not just the
children of Cain that rebelled
against the Most High Yah. It is
because of your idolatry,
(points to the idol)
that God's wrath has been kindled
because He has trusted in our seed.
How dear you, that you have
betrayed your inheritance by going
astray! Do not break our father's
desires - we must not become as the
Cainites! We are not not mix with
them or become like them.
(beat)
Since you have desired to disregard
the heavenly Commandments, then
this will be your reward... Thus
says Yahweh, a mighty waters will
engulf the land of Eden. But if you
do not repent, behold, my father
Adam has seen in his dreams of an
even greater judgement. I tell you
brethren, if you invoke the powers
of Gadreel - you will open doors
for ways for him to have a
triumphant victory against the
Creator. If do not repent and
utterly destroy that tree you
prostitute yourselves to, God will
send a deluge that will engulf the
land of Eden, and the whole earth,
so no flesh will be saved!
(beat)
Adam, here is what Adam saw - the
very words he has spoken unto me.
As moving mountains, waters will
cover the land and there will be
earthquakes, ice and hail that will
crush all inhabitants and lightning
and thunders that will causes all
face to turn white in fear.
However, in the future, if you
still do not repent after that,
another one but a hellish violent
fire and sulphur will burn and make
the earth desolate and the
mountains will melt as wax and the
earth shall be moved.
NURSE (O.C)
HE'S BORN!
 4.

Seth turns around. The crowd also looks too.

NURSE (CONT’D)
IT'S A BOY!
Seth looks surprised.
SETH
My wife?
NURSE
Oh my king, you have a son! He is
born!
Shock and surprise manipulates Seth's face. Quickly he runs
off with the nurse into a nearby hut.
Noam looks offended as Seth runs off to follow the nurse.
Seth rushing in his hut and meets a newborn.
SETH
Oh, Azura.
Nurse closes the door.
NURSE
Come here.
We hear a baby crying. We see Azura on the floor covered in
sheets holding her baby in her arms, staring at him
mesmerised and with tears in her red puff eyes. She strokes
him with awe.
Noam swiftly appears in the doorway, on her toes raising her
neck to see her brother inside.
Seth slowly approaches with amazement.
SETH
(emotional and regretful.)
I cannot believe i was not here to
comfort you my wife.
AZURA
I forgive you...
(beat)
People in the background are still protesting outside. Noam
turns around and tries to silent them.
NOAM
Cease! I wish to meet my new
sibling! Go!
 5.

We cut back to Azura.

AZURA
(knackered)
What do you want to name him...

Three beats as Enosh cries with agony. The child looks too
frail as if he came out of the womb too early. In the
reflection of his eyes, Seth has a painful face just like the
baby.
In the background the people are still protesting. We hear
Noam screaming "Forget it father. Vanity! We have other
things to care about!"
Seth closes his eyes and sighs. A tear roll down his cheek.
SETH
(Low and deep. Hurt.)
Name him - Enosh... For the sons of
men have afflicted themselves by
transgression...
Tears fill Seth's eyes as he hugs his little son bawling and
screaming horribly. Emotional and dramatic music rises.
CUT TO:

EXT. EDRIDU - DAY

A buff topless caveman rides on top a triceratops as we pan
and see a rather large land force of a dozen people. Some
carrying spears and clubs and going by foot and some raiding
on horses and dinosaurs assembling together.
CAIN (O.V)
For one to gain ultimate power -
one must acquire it by force.
EXTREME LONG SHOT as we behold the armies begin to mobilise
outside the city. We hear cries of war and thundering feet.
On feet, leading the army are dots that are two men.
VOICES
NORTH!!!!
We pan back from the POV on Cain's balcony. We pull back and
see a woman staring out the window watching the army march to
the north.
 6.

CAIN (V.O.)
There is no place for women in war.
But i do promise these marvels of
nature, that when i return, rally
the streets for me in your sensual
lack of apparel as i bring back the
fruits of my conquests and plunder.
Await me...
We see Luluwa, strikingly handsome and beautiful at the age
of 247. She is aloof. The wind blows her hair. She is wearing
exotic sapphire blue and purple water coloured clothing with
feathers on her head and adorned jewellery.
The dog (now moves sluggishly) is now old, comes up to Luluwa
and sits looking up at her, huffing and puffing.
LULUWA
Uridimmu -
Luluwa pats his head.
LULUWA (CONT’D)
Loyal friend. It's amusing. Almost.
You look down there. See all the
girls waving good byes? Unlike
other women of Eridu, i have much
confidence. They cerebrate and
dance, go to bed and sing hymns as
they watch on - as their dearest
walk off to death at the cherubim's
hand - as foolish as all men are.
Despite the overwhelming chances of
their utter abolishment. Watch. The
husbands are to never return again.
I will be here, giggling on as my
Cain gets back, laughing at their
calamity as they turn white in the
face and wither in sorrow. But me.
My husband is Cain - i first saw
him as earthy man.
(she says the last line in
a childish and in a sexual
manner.)
At the very least, Uridi, people in
our world always believe their own
eyes. While every women in the
world dresses as widows, they are
widows... but dress as a siren...
Well! You never know...
Luluwa looks down at Uridimmu smirking slightly. The dogs
huffs and looks up at Luluwa, licking his lips.
 7.

INT. THRONE ROOM.

Enoch (205) sits on a wooden throne.
ENOCH
There is a large disturbance in the
Gihon lately. It is my discernment
as the son of the king that any
foresight of it breaking its banks
before they pass into Hermon, we
will recall the mighty men and
delay the campaign.
Enoch's son, Irad (12) makes a proposition.
IRAD
We should prepare escape paths here
in the city if the waters breach
father.
Enoch has a prideful and arrogant stance. He looks offended
at his statement.
ENOCH
Leave son. Go now! We do not
hearken a child's barbarism.
(flicks his wrist)
Take him away.
IRAD
But father!
Brutish men wearing only sackcloth take the child by the
biceps and drag with away.
IRAD (CONT’D)
Our bloodline!
ENOCH
Ah, its your 13th milestone son,
soon your lions will be ready to
make seed and sleep with our
glorious girls! Rejoice my son!
Luluwa enters.
LULUWA
It seems we must be at the very
least - indulgent in this role my
great son. As a king, you need to
have eyes that actually see.
Enoch gets up and he hands his fleece to his three
concubines.
 8.

ENOCH
The prince of this earth as the
right to be aware, Lilith. But did
not my father appoint me overseer
of this city before he comes back?
LULUWA
You must be really desiring it.
ENOCH
Never tell me... I see this moment
in my dreams. This city even bears
my name.
They walk outside. We see many women outside - sitting
walking and some are even making out in public. They are
immodest, dirty and yet very beautiful. We see men in female
clothes drunken and laughing and rubbing each other
inappropriately. We hear screams of women getting raped and
children getting abused. We see the men carrying Irad into a
hut.
LULUWA (O.C)
Is this your ideal gift to your son
Enoch? A passion for kingship? A
passion for the sciences?
ENOCH
I have set up the marriage bed and
his wedding night. We are to all be
fruitful and to multiply after all.
LULUWA
I see...
(beat)
Have you, ever considered the
proposition that, there could be
another way to gain immortally? Not
by force, but by beauty?
Enoch slowly looks at his mother with intrigue.
ENOCH
Immorality, via beauty?
(beat. Looks dumbstruck.)
I don't get it... Immorality only
comes by steer and brute force.
Luluwa smirks. She bites her lip.
LULUWA
You see how the Cainite women win
over the earthy men of this city.
(MORE)
 9.
LULUWA (CONT’D)
Perhaps the best way is to not
invade the angelic realm but tempt
and seduce it to come to ours.
A light is in Enoch's eyed as he gets it now.
ENOCH
Ohhh! Indeed! Beguilement!
(nods)
Yers...
She flicks a piece of hair out of her face.
LULUWA
Less intimidation, but more
simulation.
Enoch looks ups at his mother.
ENOCH
But, if the gods come down to us,
how will they give us clarity to
the seven secrets by becoming
mortal? They are bond by law - the
law of God written on heavenly
tablets? They are obedient and will
not wish to live with us, we are
wretches - we will truly die
because they might turn on us.
She rolls her eyes.
LULUWA
Well, Cain and Tab'et -
ENOCH
Mother they are too powerful and we
are just as men.
LULUWA
Then we can bridge two worlds into
one... Son, use your gifts in
science. Gods and humans can live
together, in harmony and we will
return to our bright natures that
my father had lost due to the God
that created him from the dust we
stand on.
Cut to Enoch's infatuated face. He looks like Luluwa when
Cain revealed his secrets.
 10.

LULUWA (CONT’D)
They hold in their hands all the
implications to gain knowledge all
things known or unknown. Knowledge
given to us without the cost of
men's lives. The bloodline of Cain
will prosper, even if the flood
comes and kills most of us.

EXT. NORTHERN GATE - DAY

We pan forward across the army. In the distance we see two
men in front.
Tab’et, the pale-skinned amphibious-like human walks along
side the beardless Caucasian Cain (243) with his large horn
in his forehead, wearing his feathered green, yellow and red
plumed coat. He is carrying his staff in his right hand.
TAB’ET
North men, the tree is in sight!
(points)
COMPRESSED SHOT of the Tree of life in the mirage distance.
It looks withered and dying. It is amid the lush vegetation
and large plants and a hills-cape which still glows in beauty
The army slows down. We see many men with stone-age weapons,
clubs and tools. Some are on horses and some on dinosaurs.
CAIN
Forward!
Suddenly, a massive 40 foot tall humanoid manifests. It has
four 60 foot long metallic wings - two facing forward and two
facing back. The cherub is in mid air and he lands shaking
the ground. He has a complex body. It looks robotic and
sculpted in a way that the being is a living brass musical
instrument. The angel has a square golden breastplate. We
see that he has 9 oval gemstones. They are shifting and
illuminating like buttons on a computer. They shimmer like
crystal.
The army halts. Animals cower and men are in panic.
The angels has a head of a fierce male lion. It growls when
suddenly, is morphs into a head of a falcon with a silver and
blue head with frills. It opens its beak and
a bellowing sound blares, at first it sounded like a nuke
siren, but it sound like a roaster scream on steroids.
 11.

CHERUB
YOU CANNOT PASS! FLEE FROM HERE
WRETCHED SINNERS!
The cherubim takes out a device from his handbag, drops his
bag and activates his flaming sword. It turns on like Kylo
Ren's lightsaber. It is red plasma - electrical energy making
a vague outline of a long and pointy kitchen knife made for
war. Inside the flaming outline are surging currents of red
lighting.
Tab'et approaches defiantly in front of the small army.
TAB’ET
Make us.
Tab'et charges with his flint sword.
The cherub thrusts his left hand forward. A deep groaning
sound of a powerful machine charges up as the watch on the
cherub's hand glows, his breastplate shines and the veins in
his hand shimmer. With a thrust of sound frequencies, it
sends Tab'et flying backwards, folded in two. He is impaled
on one of the triceratops horns in the front lines. The rider
gasps. The dinosaur tries to shake off the corpse in its
face.
Cain looks at his dead comrade - his brother in arms. He
begins to shaking violently and tremble in fear. looks
shocked and hurt. Tense, he turns to his army and raises his
staff. His arms are shaking like it is spazzing.
CAIN
CHARGE!!!
The army charges.
CAIN (CONT’D)
TAKE ALL THE FRUIT!
The cherub swiftly, swings his sword. He does not need to be
in range because once he swings, the men are wasted as the
earth erupts in fire and the energy flicks them back into the
air like rag dolls.
Soon, the whole army is dead and Cain is left still sprinting
at the angel.
The cherub looks down. He shots yellow beams of energy out of
his large falcon eyes as Cain is hit directly. The force of
the laser drags him back away from the Garden through the
ground, with the intention to dragging him through the fire
in Cain's wake.
 12.

CAIN (CONT’D)
GRRAAAHHHH!!!
The lasers stop. The ground is scorched and the flaming wall
of fire is right behind Cain. He gets up, smoking. His
feathered costume is on fire and completely ruined. Gritting
his teeth, Cain slowly gets up. His horn is pulsing yellow
light.
Without a second to spare, the cherub clenches his left fist,
and raises it up, back hand facing us. We hear the same
growling charging sound. The watch on the angel's hand is
flashing in a rainbow of colours and bizarre geometric
shapes.
Cain is strangled and his back is bent as he is zipped off
the ground with supernatural speed and stops 60 feet in the
air. He should be dead.
The cherub's face slowly morphs into one of a man with blonde
hair to the shoulders and a perfect handsome face with a
sharp jaw line. He grits his teeth and his clenches his fist
harder, the growling sound gets more intense.
CHERUB
You should have perished seven
times over from that, Oh Cain.
We see Cain's whole face is glowing brightly and he is
shaking and convulsing all over as he is possessed. Cain lets
out an agonising bellow of pain - the downside of being
immortal, pain that causes death never ends.
After 7 painful seconds, the cherub lets go. Cain hits the
ground grunting. Since the drop was so great, he is air borne
again as he rolls in the ashen dirt. Slowly, Cain gets back
up and flicks dirt off his shoulder as if it did not bother
him. His face tells us he is in major pain. His horn is
shining brightly, so bright it cannot be made out. His
outstretched arm is shaking and spazzing out.
CAIN
(hints of weakness)
Fight me! Yah has made me unable to
die in battle! Grant me access and
do not waste your time seeking ways
to kill me. You cannot do it!
CHERUB
If you cannot die Cain, why do you
want the fruit of the tree then?
 13.

CAIN
(scoffs)
You foolish anointed cherub!
Prepare to be crushed under the
wrath of the seven-fold punishments
i have inflicted unto you. Behold!
If one hurts Cain, they will be
stripped to death!
The cherub hesitates.
Cain cheers and raises his arms.
CAIN (CONT’D)
Retribution for us all!!!
The cherub lowers his flaming sword and bows his head to the
right.
Cain spits at the angel.
Suddenly, a massive cedar tree in the Garden explodes and
water gushes out of its bowls.
The waters comes bursting out of the Garden for many miles.
Across the entire western side of Eden.
In fear, the cherub vanishes in a ring of fire and slips into
the portal.
Cain is stupefied. He gets back up and runs with all his
might back home.
Behind him, the deluge races devouring everything in the
Garden.
CUT TO:

EXT. ELDA. DAY

Off in the distance, a man in the field with his sheep, sees
the coming raging waters shooting in the air as they hit
outcrops.
We see his face full of fear. He drops his staff and runs
back to Elda yelling. The sheep run following him.
SHEPHERD
FLOOD! FLOOD! FLOOD! FLOOD!
In the village of Elda, baby Enosh is being breastfeed by his
nurse.
 14.

Seth is with his wife outside. Their hut is the final hut in
the small village that they live in. Facing them is nothing
by wilderness and the mountains and hills where on the right
is the Cave of Treasures where Adam and Eve are now retired.
It is very peaceful.
AZURA
Imagine. If Cain's children were
not in existence, we may be the
only people in the world. Ever...
Seth wraps his arm around his wife. He sighs.
SETH
It will just be us, Enosh and
mother and father. Imagine that.
Azura slowly strokes her husbands' shoulder.
They sit together watching the amazing landscape and the
prehistoric sounds of nature echoing, until the brays of
panicking sheep and their shepherd echos form up in the hills
which travel down to village. Azura hears it first.
AZURA
What was that?
Seth stares with concern.
SETH
Lets go. It sound like the cry is
from the cave.
CUT TO:
The shepherd comes into the cave out of breath screaming
FLOOD!
Adam (225) emerges out of the cave
SHEPHERD
GET OUT FATHER! Don't you see it?
The Gihon floods! Save yourselves!
The shepherd runs off and Adam, now alert turns to his wife.
The ground shakes.
Seth and Azura run up to the cave and they intercept the man.
SHEPHERD (CONT’D)
NO KING! GET BACK DOWN. FLOOD! Save
yourselves!
Seth and Azura look the the man with bewilderment.
 15.

The waters burst suddenly from above the cave of treasures

where a huge wave covers the top of the cave and beginning to
fall down the mountains like a waterfall.
Seth's wild eyes looks up at the cave.
SETH
NO!!! YAHUAH!
AZURA
GO NOW! THEY WILL BE FINE!
As if God spoke through Azura, Seth listens and they both try
to outrun the water.
In the village, people are already furiously packing and
running up the grain fields and the hill to the right away
from the coming waters. They are leaving their houses, people
of all ages yelling and screaming.
We see Noam in complete panic as she looks up at the water
coming down. The shepherd passes her still screaming FLOOD!
She sees her parents running down the hill and the water
chasing them fast.
The nurse carrying Enosh, crying wrapped in cloth, comes up
to Noam in the chaos.
NURSE
Quick Noam! Move!
The chaos of the people push them back away from the small
village.
Seth and Azura are running as fast as they possibly can down
the hill without tripping. Azura falls forward. Its too late.
The waters cascade over her and she screams.
Seth reaches his house just in time as the waters thrust him
into the wall, carrying him in the rushing rapids. He
struggles to remain on the surface. He cannot swim very well
because the current is so strong.
SETH
AZURA! Where are you!?
He is dunked. Once he reaches the surface, he is treading
water yelling and gasping.
SETH (CONT’D)
Oh God! The tablets!
He spits water out of his mouth.
 16.

SETH (CONT’D)
AZURA!
We see Azura struggling too as she grabs onto a piece of wood
from a roof of a hut that is nearly destroyed.
AZURA
SETH!
She looks up to the corner of her eye and sees most of the
villagers climbing up a small hill in the distance.
AZURA (CONT’D)
They're up there! Get up the hill!
From the other side of the village, Seth yells while going
along with the rapids.
SETH
AZURA! Aghh! Get the tablets! Go in
the hou-
Waves splash in his face and he goes under.
Azura holding on thinks to herself. She closes her eyes and
exhales. Holding on to the roof, she pushes herself up and on
the roof she digs a hole with her hands and jumps into the
water that has filled up Seth's hut to get the tablets
CUT TO:

INT. CAVE OF TREASURES - DAY

Adam and Eve are trapped in one of the caverns that is close
to the entrance as water comes gushing in filling up the room
fast.
EVE
It comes true!
ADAM
Quick! Make an opening!
EVE
Come on!
The water is up to their knees now. Both Adam and Eve with
all their strength are trying to take out the lose rocks that
if they dig through,they will create an escape route.
ADAM
Hurry! It's rising!
 17.

They are both desperately trying to remove the rocks. The

waters are coming in fast. It is already up to their chests.
By this point they are rising with the water.
EVE
Adam! No! Hurry Adam.
ADAM
Don't give up my love!
The golden rods are floating all around them being the only
sources of light. Adam takes a deep breath and goes under.
Underwater, he swims to the spot where he was digging. He
removes rocks and is grabbing them, digging through a hole he
and Eve already had made.
Eve is now treading water on the surface and her head is
reaching the ceiling.
EVE
Woe to us! Adam! Hurry Adam! We are
doing to drown!
Adam breaks the surface. Both of them are down treading water
with their heads just touching the ceiling. Adam wipes the
waters out of his eyes and face.
ADAM
Okay, listen to me Eve. Trust me. I
made a hole. But there is one last
rock that is too big for me.
Together, when the waters reach the
top, we will both go down and
remove the stone and quickly we
will make it out!
While Adam was saying this, Eve nods. They are not sure if
this last rock will save them.
EVE
Okay... I hope this works.
ADAM
It will. Have faith my love.
He touches her right cheek.
With their necks up Eve nods close her eyes.
ADAM (CONT’D)
READY?!
 18.

They both take a deep breath and they go under just as the
water fills up the cavern.
Now, both are underwater. Adam swims down first and attempts
to move the rock with all his strength. Eve holds onto the
rocks as she watches near by.
We see the golden rods glowing at the roof of the ceiling
floating giving them light as well as the animal skins
clothes, bed and food floating round.
It is no use for Adam so he and Eve go together and they
heave as one trying to move the final stone.
After 10 seconds, its slowly moves and a small beam of light
enters through. The water force pushes them forward towards
the gap as the water is being drained out.
Together again, both Adam and Eve pull with all their might.
Adam hugs the rock as it moves again. He puts his foot on the
walls and using the force of the current to his advantage,
uses his legs to push his whole body to move the rock. With
his super strength, along with Eve's help, the rocks moves
and the waters gushes out the hole.
Adam drops the large rock to the side as it sinks and hits
the floor.
Eve gets sucked out first, grabbing hold of the rocks she
goes out and Adam follows.
Eve appears out of the water sprout pouring down the hill out
the cave as she rolls in the mud. The waterfall has, at this
point, slowed down. Eve manged to find safe ground, as Adam
follows coming down the mud slide approaching Eve.
Once they are together, they hug as they hold on to a massive
tree branch while the water pours down the hill. They climb
on the rock nearby and they both lie down together on their
backs exhausted.
We see them together both looking up, panting. Adam rotates
his head to face Eve. She does the same as they are nose to
nose. They both smile with relief.
CUT TO:
Azura with the tablets washes ashore next to the hill side as
Sethites try to help her.
Noam is helping her mum by taking the tablets.
NOAM
Mother, where did father go?
 19.

Grabbing her daughter hand, Azura kisses her and bursts into
tears.
AZURA
I do not know my child!
WOMAN
Don't worry, we are searching miss.
Azura's other older children help their mother and others
that have washed ashore.
CUT TO:
The nurse holding baby Enosh is her hands and the Sethites
set out and migrate. She has tears in her eyes as she looks
upon her village now completely ruined. She looks up as the
Cave where Adam and Eve are safe and isolated on the rock and
the tree. She observes and looks around as sees a dot in the
distance holding unto a thick branch against the strong water
current running off into the east.
CUT TO:
Seth with girted teeth grabbing hold tightly, whist the rest
of his body is still in the water, which is rushing down hill
to the east towards Eridu.
He pushes himself up on the branch and once he finally
reaches a safe place, he looks back up at his village in the
distance. He looks defeated. He falls on his face and begins
beating his chest in frustration and begins to mourn.
CUT TO:

EXT. ERIDU - DAY

Rhythmic music is played in the streets still. Cain, now
exhausted, smoking, dishevelled and in fright comes stumbling
into his primitive city where a beautiful woman in harlotry
clothing comes to him.
HARLOT
Well my king? Did you get it?
Cain forcefully shoves the woman aside. She screams and Cain
looks up at his city.
Camera circles him as he is dumbfounded, angry, frightful and
defeated. He looks as if he wants to say something but he
does not have the humility to say it.
He drags himself into his large hut to meet his son Enoch.
 20.

CAIN
Son, bring everyone in this house.
Tell them - we must leave this
place.
ENOCH
Father!? You're -
Cain roughly grabs his shoulders. His face is sooty and his
eyes are furious.
CAIN
(aggressively)
Don't you see! God is coming to
kill us all! Get on your feet and
flee Eirdu! Be a man! A flood is
coming!
Enoch could not believe it.
ENOCH
But my destiny!
CAIN
Forget your destiny! We will make a
new one just GO!
Cain pushes his son. Shocked, Enoch runs to alert everyone.
Cain is alone as he falls on his knees in surrender. He
clenches his hands together and prays. Slowly outside, people
scream and run as they see the flood waters coming. He
gradually gets emotional.
CAIN (CONT’D)
Oh God, where shall i go from your
spirit? Or where shall i go from
you presence? Oh God, you promised
to protect me from the onslaught of
the beasts, you changed my nature
so my punishment shall not be like
future murders. Oh God, you have
made me as white as a leper in
order to protect me. Then protect
me from this flood so your promises
can be fulfilled.
Cut to the massive slow moving flood carrying a lot of derby
and sediment like a massive slugging mass of earth and mud.
Men and women scream and many are scattering.
 21.

We see men and women holding onto their possessions as the

water consume them and some go completely under getting
sideswiped by the incoming debris getting knocked
unconscious.
We have a montage of the destruction of the flood and the
fall of Eridu. People are perishing and the buildings are
falling and being flattened.
We see Cain, Enoch being dragged away by Luluwa and some of
the surviving city members flee and retreating up the rocky
hillside to the banks of the Euphrates river.
Luluwa looks back down surveying the fall of the first city
on earth.
We cut to her facial expression. It is blank, but her eyes
looks like she has nostalgia about their home that is now
lost.
FADE TO:

EXT. HERMON - NEXT FEW WEEKS

The surviving families make it to the base MT Hermon. While
the Cainites find the area, Cain remains on the summit
looking down at his people settling down in the valley of the
mountain rage.
We cut and see him bow his head to his right shoulder. He
looks disappointed but still with some energy to push on
despite the setbacks. Wind blows his down brownish black
feather coat that was once green like Quetzalcoatl.
He looks at the landscape as his people migrate down to the
mountain and into the Hermon valley.
His wife slowly approaches from behind and he then stares at
her with a straight face.
Cain then beholds the valley below. Over head shot.
CAIN
(Satisfied. Amused. In his
head.)
Here it is, then. It starts.
CUT TO BLACK.
CAIN (V.O) (CONT’D)
Retribution.
FADE TO:
 22.

ERA OF 303 OPENING SEQUENCE - ENDING WITH THE EPISODE TITLE:

ERA OF 303
"LOOKING GLASS"
END OF TEASER
 23.

ACT 1
Julian furiously gets out of his car.
JULIAN
(energetically)
Did you see the driver?!
Casbolt remains inside.
CASBOLT
(Shocked. Lack of body
movement. Rigid.)
Nah i couldn’t. The windows were
bloody tinted...
Julian paces and with a face full of adrenaline. He picks up
his phone from the car seat.
JULIAN
Crap.
He runs up the hill to the side of the road.
CASBOLT (O.C.)
But the driver whoever he was,
wanted us dead!
JULIAN
(while running)
No kidding!
Casbolt slowly walks out observing the accident site. The
people inside the cars on the road also come out of their car
to the side of the road. Casbolt is left alone - quite,
observing and aloof - something he is so good at. And
something he likes doing in stressful environments.
CIVILIAN 1
¿Qué estás en el hombre?
JULIAN
(frustration and much
vexation)
Hombre?! You- Fue un accidente! No!
I was bloody rammed man! Look, did
you even see that SUV ram into me?!
The civilian glares at him taking offence. Shaking his head.
CIVILIAN 1
Agh! You should have been rammed!
You deserved it!
 24.

CIVILIAN 2
There was a SUV? Where!
JULIAN
(aggressively. The
civilians step back.)
YES, that BLOODY MORON in a SUV! He
was certainly on something!
Breathing hard. He turns back to the first civilian with
great fury, as if he would punch him. Instead, Julian picks
up his phone.
JULIAN (CONT’D)
This is absolute - bull...
We see emergency vehicles come racing down the road towards
the crash site.
Julian looks up from his phone. He waves his hands.
JULIAN (CONT’D)
HEY! HEY! THE IDIOT WENT THAT THAT
WAY!
The police park their car right in front of Julian
Casbolt sits back in Julian's car aloof and detached as if he
does not wish to get involved. He is thinking to himself.
The footage becomes dreamlike. The sirens in the background
blur and the daydream begins.
MR SARION
(disembodied dreamlike
vocal)
Michael...
There is a smooth flash and we see the French man again - Mr
Sarion with circular black glasses on and looks like Gaspard
Ulliel. He speaks with a smile.
MR SARION (CONT’D)
You know that you have my name.
Young Casbolt (4) is sitting down next to him on a church
pew. We are in a small chapel somewhere.
Casbolt looks at him with a slight smile on his face.
CASBOLT
Am i?...
 25.

Sarion, with his left arm leaning on the edge of the top of
the pew grins with a handsome white smile.
MR SARION
Oh, you're very lucky. My full name
Mike is Michael Tsarion de
Poitiers. You see, you and my
family - are related.
CASBOLT
So... You are uncle?
Sarion shakes his head still grinning. He looks down.
MR SARION
Nah... I am probably more like a
best friend of your father's.
CASBOLT
Okay, uncle Sarion.
Sarion is touched. Casbolt grins.
MR SARION
Oh, that's brilliant son. Well-
CASBOLT
What is the light?
Casbolt points to a window mosaic of Jesus on the cross. On
His head is a flaming streaks of fire of a sun disc.
MR SARION
You mean on Jesus over there?
CASBOLT
Yep.
Casbolt looks up at Sarion.
CASBOLT (CONT’D)
I see the light on people.
Sarion looks intrigued.
MR SARION
You see the light?
CASBOLT
Yes, but -... Scary...
Sarion glances at the Jesus mosaic with a perplexed face. He
has a secret truth that he has not told anyone expect is
wife.
 26.

CASBOLT (CONT’D)
Dark light...
MR SARION
True light can't be dark Casbolt.
MID SHOT of the two in the pew. Sarion is wearing his black
gloves.
MR SARION (CONT’D)
But the false light of deceit will
fail. Be not afraid, those that say
they are of the light. Do not think
they are good if they look good.
They can be baddies. Do not worry
if any of these people betray you -
try to kill you. They can't kill
the soul.
The final line is emphasised. As that happens, we CUT.

EXT. PARIS. DAY.

LONG SHOT of the old town of Boulogne with its Basilica of
Notre-Dame de Boulogne. It is not like what it is today. It
has an obelisk like spire coming out of it towering above the
town. Suddenly, the whole monument lights up as if the sun's
rays had entered through its shaft.
Paris - 1812
We see a sandy spiral portal open on ground level. A man
appears with a light brown moustache and styled short
blondish hair. He is wearing a Russian nobleman dark blue
uniform. In his hand is what looks like a boomerang, but we
see strange hieroglyphs glowing on it. Behind the Russian
prince are a group of 6 others.
We see a group of Russians and French walk along beside him.
SERGEYEVICH MENSHIKOV
(Russian accent)
Muster the forces. Find Michael,
and take him.
The men agree and they mobilise.
Menshikov raises his wand hand for them to move. As he does
this, the wand glows blue.
 27.

We see the French and Russian magicians glow as well. The

light fades and their military regalia becomes civilian
clothes so nobody would suspect there is a military activity
occurring.
As the men mobilise, we CUT to a POV from a balcony as the
men move. Someone is watching them from above.
Amongst the common action on the streets, the assassins weave
in and out of the civilians.
We CUT to Menshikov and his right hand man Alexander I in
common clothing. They are walking through the square, taking
a shortcut to Sarion's residence. Alexander looks around with
great caution.
ALEXANDER I
Menshikov, we must be swift on this
mission. War is inevitable and one
false move will need a
diplomatically sound solution.
Menshikov does not look concerned.
SERGEYEVICH MENSHIKOV
Tsar, you should feel confident
indeed that all will be done with
ease. No one will know of this
mission, not even Napoleon will
know of it.
CUT TO:
A street. We zoom up on Jean-François Champollion, who is
walking with tension in his body language. He looks to his
left and right to make sure he is not being followed.
We see the assassins stop at a common building entrance to an
apartment. They look at each other then upwards.
We see the second group of assassins on the roof, sneaking to
find a way inside.
We CUT to find Champollion walking behind an ally way, going
up a staircase of the back of Sarion's apartment. Tension is
rising. He reaches the top and we see the assassins on the
roof looking down. CLOSE UP of Champollion's right hand with
his boomerang Egyptian wand.
 28.

One of the assassins waits for a horse and cart to come into
view and behind his back, utters a spell and his wand lights
up slightly opening the locked door. He and the assassins
walk through casually.
CUT TO:

EXT. 19TH CENTURY APARTMENT.

We see through a window Sarion is startled by an opening
door. He walks out of his room.
MR SARION
Mademoiselle?
Sarion walks towards the door to the staircase to the
apartment.
Downstairs, Lola Diane de Poitiers is making food.
LOLA
Who is it?
Sarion walks into the assassins. Without a word, they grab
him. They struggle.
Sarion is shoved back into his room and knocks over his
shelf. He then punches the assassin and picks up book to wack
the second man. He is successful. But the magician that was
punched grabs his book hand and twists it. Sarion yells and
kicks back.
The third magician pulls out his wand, but Sarion grabs his
hand and upper cuts him. However, the other assassin casts a
spell at Sarion's right arm.
MAGICIAN
Stahp!
A light flashes and Sarion's right forearm is severed. He
yells in shocking pain holding his stub.
MR SARION
GRRYAAAAAHHHHHH!!
CUT TO:
Lola quickly turns the corner to run up the stairs.
LOLA
MICHAEL!
 29.

The assassins then kick Sarion out his bedroom window. He

falls to the ground.
Drastically, Lola comes up stairs hyperventilating and
screaming.
She stops with a gaping mouth at all the carnage. She
whimpers and slowly moves back.
The magician blows his smoking wand and points it at Lola.
She panics as the man approaches her. She screams. The wand
glows.
CUT TO:
Casbolt in Julian's car daydreaming. In the background is a
rapid knocking on the window. Casbolt turns to the sound.
The police knock on the window impatiently.
POLICE
Open the door.
Casbolt opens it.
POLICE (CONT’D)
Hey sir, we what have a talk with
you. Are you from Puerto Rico?
Casbolt gets out. Still a bit shaken.
CASBOLT
Nah... I'm from England.
The police leads Casbolt to the road where Julian is. Julian
looks back to Casbolt after talking to the police.
JULIAN
We are not to speak about this.
CASBOLT
Okay.
POLICE
Alright, so we have just tracked
down the black SUV that you have
been talking about Julian. It is
right now as we speak heading down
this highway. We will make sure the
driver is caught.
Julian sighs with a sigh of relief.
 30.

JULIAN
Ha, thank you. Thank you so much.
The police then go back into their cars. Casbolt and Julian
walk back down to their car.
JULIAN (CONT’D)
So...
Casbolt looks at him and laughs.
JULIAN (CONT’D)
What?
CASBOLT
Juz, i hope you're having fun with
me around.
JULIAN
Holy crap. It's like all of a
sudden, everyone in town is going
to kill me.
CASBOLT
Welcome to my world sergeant.
They get back into the car.
CASBOLT (CONT’D)
Lets get back to the hotel. Time is
running out. Ben and the girls
might get worried.

EXT. MALAYSIAN JUNGLE

We are outside of an active large military base in the middle
of the Jungle in Penang Malaysia - 1982.

INT. CHAMBER
We see Casbolt slowly wake up. Get gets up from the opened
morgue. He looks around, confused. Casbolt rubs his face
groaning and slowly slips out of the morgue. He groggily
walks around and sits on it.
While Casbolt is trying to regain his senses, a man in a
military uniform appears walking down the opposite direction.
He spots Casbolt.
BELUS
There you are.
 31.

As Belus approaches, Casbolt is still looking down. He seems

quite irritated at the moment.
BELUS (CONT’D)
Michael Prince right?
CASBOLT
(croaky)
James Casbolt
BELUS
No. Its Michael Prince.
Casbolt looks confused and dumbfounded.
BELUS (CONT’D)
Are you thirsty?
Casbolt nods.
CASBOLT
Yes, i'm thirsty.
BELUS
No! YOU need to get a glass of
water. You, Young Prince, are no
longer singular, you are now
officially a spilt. Two
personalities live on you now. Time
to get used to it. Come on! Move it
boy!
After the awkward conversation, Belus takes Casbolt by the
hand and takes him to a small sink to get a glass of water.
They continue walking down into a command centre of the base.
Belus and Casbolt stand together looking out from the raised
metal observation platform.
We see rows and rows of men and women seated in front of
computers.
BELUS (CONT’D)
In a few nights is the most
holiness night Michael. Come with
me.
Casbolt follows the man as they walk the metal platform.
BELUS (CONT’D)
Predicted civilian survival rates
is high, so it is essential that
you be connected to the Looking
Glass.
(MORE)
 32.
BELUS (CONT’D)
The hardware needs to learn from
you, so you and the Danites can
understand the enemy in more
detail.
Casbolt is taken to the left and out a large door-outside
into the hot climate of the jungle.
Belus looks over to the right as a large truck pulls up with
a canvas type material covering the main section. A soldier
gets out in full gear. He is tall with black hair and is
tanned. Gestures with his semiautomatic.
SOLIDER
Inside kid.
Casbolt goes inside the canvas at the back of the truck.
Inside, are few other young kid soldiers from Casbolt's age
to 20s. As Casbolt in his casual clothes sits squashed on the
first right side, the other armed soldiers all stare at
Casbolt as he gives them an awkward smile back.
Nobody says a word but they look as if they know who he is.
Someone to be respected.
The truck luges forward and they drive for a while on the
bumpy road. As this happens, cut to a pan of all the soldiers
who will be seen in the later seasons.
CASBOLT (V.O.)
We were created to scavenge the
earth for advanced fallen angel
technology to give our Nazi masters
life extension, age regression and
power. They were successful. My
mentor Michael Sarion - the first
super solider, was part of Project
Paperclip which spared thousands of
Nazi scientists from the Nuremberg
Trials and they escaped into
different countries like America
and here in Malaysia.
The truck stops at a point where there is dense jungle. The
engine stops and the sound of the wilderness echoes in
primordial silence.
Casbolt and the soldiers get out and begin to walk through
the dense jungle. Casbolt follows along a bit behind, looking
round at the amazing scenery.
We cut to a male full grown Pig-tailed Macaque, walking
amongst the straw grass on all fours.
 33.

It sits down and grabs a piece of fruit from a near by bush

and begin to eat with its hands. Its ears raise as the
solider approach in the distance. The prim-ape look behind at
the solider, watching them.
The clearing near a swamp rain-forest area, where the sun
looks like it has lowered in the sky. We pan and we in the
brush in the distance, Casbolt and the soldiers walking
towards us.
The first solider that was with Casbolt turns around and
speaks to the crew.
SOLIDER
Men, this is where Prince and i
will continue alone. You are
dismissed.
The other soldiers nod and return the other way.
Now, it is only Casbolt and the tall solider that remain in
the quite jungle with the beautiful sounds of birds as the
soldier's noises fade in the distance.
SOLIDER (CONT’D)
Okay. Now, we do not have long to
go Prince. This way.
The solider continues to walk the path with Casbolt following
obediently close behind.
For a while, we get sequences of the solider and Casbolt
walking along in the jungle. Nothing happens. Peaceful.
Nature.
The solider then begins to slow down near a fallen tree and
begins to take off his military uniform.
Casbolt strolls along with his arms flopped and his head down
as he approaches.
We cut to the solider now wearing a whole new uniform. A
black army jumpsuit. He picks up his gun as we hear in the
distance a stick break.
SOLIDER (CONT’D)
(calmly)
Here they come.
Out of the trees, comes out another squad of soldiers. These
ones look different from the first group, they are wearing
dark and fully armed costumes with large guns. Some have
creepy masks like SS soldiers.
 34.

Casbolt looks slightly intimidated as he moves slowly to the

soldier's side.
SOLIDER (CONT’D)
I have a delivery for the Cabal.
The leader of the black opps super soldiers steps forward.
ANDY PARIRO
Which subject?
SOLIDER
We have coded the new heir of the
Agaids.
Pariro nods and takes Casbolt and they escort him deeper into
the rain-forest. Casbolt looks back at the solider.
ANDY PARIRO
There is no going back.
The black military squad walks through the thick jungle over
nooks and crannies and through greenery.
Finally, the squad arrives to a large monolith rock which is
surrounded by a large electric fence.
The sun is setting now. The shadows are growing thicker. The
soldiers open the gate and walk with Casbolt inside the
underground base which is built inside the gigantic outcrop,
which is interestingly in a vague form of a King Kong like
head.
Casbolt is lead into a room where he is tested. Doctors and
nurses check his physical health. They hold his arms strength
outstretched to inspect him.
We see Casbolt is completely detached from reality. We pan
towards his straight face. He looks determined and accepting
of his fate.
CUT TO:
Time has passed (a few days) and Casbolt is lying in a
gurney. He looks like he has not eaten food in a few days and
looks weak. He lies down looking eager and filled with
adrenaline.
Finally, the door in the store room opens. It is Danu wearing
an extravagant royal dress. She is wearing a beautiful red
dress with a sliver chain-like belt around her waist with a
large-brooch on her left hip with shining jewels and a big
ruby in the centre.
 35.

She has a decolletage with light sliver chains that hang down
from her elaborate necklace - adorned in a sunburst pattern
with the symbol of the triangle with three spirals. This neck
collar is an elaborate button for her midnight blue hooded
cloak. The blue cloak has white swirling patterns on its
sleeves with more triple spiral patterns around it. Her hair
is beautiful and braided.
Casbolt sits up from the gurney with excitement in his eyes.
Danu slightly smiles.
DANU
It's time.
Danu comes around to unlock the wheels of Casbolt's gurney.
He watches her every room with awe. Casbolt wishes to say
something but the words do not come out.
Danu begins to push the gurney out the door and into the
hallway.
CUT TO:

INT. TEMPLE
Casbolt is pushed by Danu into a large room. It is shaped
like a pyramid with its rood pointed and rounded sides like a
cone. The temple is surrounded by viewing balconies like an
all-round-theatre stage. The room is not completely lit up,
so the people sitting on the balconies are mere shadows
watching the 'show' from above. As Casbolt and Danu enter,
Danu raises one hand to the audience and the crowd claps and
cheers. There are two levels of these balconies watching down
at the centre stage, where there are several chairs arranged
in a large circle facing inwards. The chairs are positioned
on the edges of a large pattern on the floor. It is a black
and white logo of the Thule Society.
It is a ritual site put on for entertainment! At the centre
is a strange looking device. It is a golden metallic machine
in the similar shape of a canon. It has usual coils coming
out from the bottom on it which the thick cords are plugged
into the ground. This aerodynamic cylinder-like canon is
facing upwards to the centre point of the pyramid roof.
CLOSE UP of the Looking Glass machine. It has sections on the
machine that are see through in which liquid mercury can be
seen flowing inside like fuel.
Other children are being brought too on gurneys and they are
taken with Casbolt to the chairs. The audience finishes
clapping.
 36.

Danu steps forward.

DANU
Welcome to Samhain my children,
worshippers, and fellow ambassadors
of the Cabal. May those that have
crossed over into the Otherworld be
honoured tonight.
The people in cloaks unstrap the children to the chairs. They
are then strapped to the chairs.
DANU (CONT’D)
This machine we have been
privileged to create from our
ascended allies, is called the
Looking Glass.
The people strap Casbolt and the kids into the chairs walk
away. Casbolt is now staring directly at the strange golden
device.
DANU (O.C.) (CONT’D)
Empowered by the minds of the
youth, this device will reawaken
the beings that have been bond in
judgement at the time of the coming
tyrant. We are obliged to guard the
source of all life from all
dangers. Here, begins the
resistance against Christ.
She finishes and vanishes into the shadows.
LONG SHOT of the children all on the chairs around the
machine as the audience applause.
Tension raises as the machine begins to active. Following a
clicking noise, a sound of a gigantic engine begins to charge
up, reverberating throughout the enter chamber. The children
are all fearful and scared. Casbolt begins to breathe faster
and holds on tight to the chair's arm rests.
The entire temple begins to shake and all of a sudden, the
room goes pitch black, save the machine's glowing yellow
light.
The noise is so loud now that some kids begin to scream and
yell for help from this nightmare, but the sound was too
loud.
Suddenly, the sound reaches its maximum and dozen laser beams
of light simultaneously shoot out and connect to all the
children's foreheads.
 37.

When the beam hits them, all the kids wail in complete agony
and pain. The howls of abused children echo and reverberate
up into the pyramid structure of the temple.
LONG SHOT of the monolith rock at night in the middle of the
jungle as the child's cries echo out into the wilderness of
the night. No one to save them.
Cut to Casbolt with a laser at his third eye as he thrashes
and move around in complete pain. He is crying and in so much
pain.
The room seems to spin as a burst of light appears above the
machine. A star-gate. Three giant fury black figures slowly
walk out, but Casbolt is in so much trauma, he begins to fade
out of consciousness.
FADE TO BLACK.

INT. LARGE ROOM

POV from Casbolt lying on a bed as we get a series of dream-
like shots of walking around and talking. As people walk
pass, Casbolt's vision becomes clearer, but only fades away
as the people walk away.
Casbolt's vision fades away and slowly comes into focus and
the blurred voice of someone is speaking about Casbolt.
SOMEONE
...practically lobotomised by the
beams...
Casbolt's visions dozes off again until someone else comes to
grab hold of Casbolt. It is Kate Casbolt.
KATE
James! James!
We see a CLOSE UP of Casbolt's fatigue face as we slowly FADE
TO BLACK again.
END OF ACT 1
 38.

ACT 2

INT. HOTEL LOBBY. DAY

Casbolt is sitting on a couch in a busy hotel lobby of a
expensive hotel.
Nearby Casbolt are the members of the Working Group. They are
talking to someone that we cannot see.
Casbolt sits there doing nothing. Awaiting what heinous thing
might happen to him next.
CASBOLT (V.O)
The Looking Glass machine had
effectively spilt my psyche into
different personalities where now,
different demon entities now have
control over. It is the ultimate
form of slavery as sometimes these
personalities are in conflict with
one other by design to create
mental breakdowns. However, it
seemed to not work one hundred
percent.
We see Kate Casbolt entering into the lobby through the
spinning doors, talking with the Working Group. Following her
is Max Spiers and Julia Casbolt.
CASBOLT (V.O) (CONT’D)
But deep down... I know who i
really am...
Casbolt rises from his seat and embraces his step mother.
KATE
James, how you going sweetha? You
okay mate?
Casbolt nods silently.
CASBOLT
Why are they here?
KATE
Hey, we just came back from
Australia mate. We missed you so
much.
Julia actually looks happy to see Casbolt. She gives a slight
smile which is awkward.
 39.

But Casbolt is more concerned about his twin - Max Spiers.

The two stare at each other in shock and with hatred.
Spiers nervously moves behind Kate as if nothing ever
happened.
KATE (CONT’D)
Hey Max.
Kate grabs Max's arm. He yelps as she brings him forward.
KATE (CONT’D)
Its time to cross over again mate.
You ready.
Now Casbolt looks up at Max with fear and worry for him. Max
has no idea at what pains and horrors are coming his way in
partaking in the Looking Glass ritual.
Casbolt shakes his head is terror.
CASBOLT
No Max. Don't. Don't.
Too late. Max had unwilling grabbed his hand and shook it.
Casbolt now feel extremely sorry for his twin.
CASBOLT (CONT’D)
Max. Max.
Max looks away.
SPIERS
What?
Casbolt tries to answer.
CASBOLT
It - it - evil -
KATE
James come here please we are
leaving.
Suddenly, the members of the Working Group takes Max and
escort him away. Casbolt turns and look back helplessly.
KATE (CONT’D)
James!
Kate grabs Casbolt roughly.
 40.

KATE (CONT’D)
Are you deaf? We are leaving now.
Casbolt bursts out in a short rage of anger. He tries to
resits.
CASBOLT
Where!? Why!?
Kate is now angry too.
KATE
Shut up you scoundrel! We are going
to the swimming pool!
CASBOLT
Why!
KATE
Because you need to get ready for
the next mission. You need time
with our family for goodness sake!
Come on!
Casbolt is taken to the hotel swimming pool.
KATE (CONT’D)
Put you sunscreen on! James, put in
on now!
Casbolt, now wearing a brown singlet, looks irritated. He
cannot have peace.
A waiter comes with their lunch.
KATE (CONT’D)
Ah, thanks mate.
Julia and Casbolt go to eat their food. As Casbolt begins to
eat his club sandwich.
KATE (CONT’D)
James! Eat with your mouth closed!
That's rude!
Casbolt with his mouth full rolls his eyes and grunts in
frustration.
Casbolt begins eating with his mouth closed.
KATE (CONT’D)
Sit up straight! Don't slouch!
 41.

Casbolt is now annoyed. He says something in frustration with

a mouth full of food. Julia snickers in amusement.
KATE (CONT’D)
Come on just listen to me James!
CASBOLT
(tension)
I - am!
Kate looks just as irritated.
KATE
Just eat your food!
They all eat in awkward silence.
CASBOLT (V.O.)
(gravelly and worn out)
I never knew what it is like to be
normal. Or, maybe, Ben can tell me
all about it. Or maybe not. No. I
do not want to hold grudges to
break the ancient oath i was born
into. My privilege is the dirt...
A large army jeep rolls up a dirt road and stop outside a
large red ochre stone wall which the swimming pool area is
over on the other-side.
We have a POV of Casbolt as we see the top of the jeep as it
parks outside the front of the pool area.
Casbolt looks at it with antipathy.
Julia looks at it as if it is something she sees everyday.
She does not care.
KATE
Oh, looks like they came early.
Right James! Lets go!
Casbolt follows his mum. He lags behind.
KATE (CONT’D)
Lets move it slow poke!
The door at the back of the large jeep opens. Inside, is one
of Casbolt's super soldiers friends Dave Marrow.
Kate and Casbolt walk out the gate and Kate lets Casbolt walk
inside the vehicle. She waves behind him like he is about to
go on this first day to school.
 42.

Kate obliviously is programmed to believe that such a program

for Casbolt is the best thing ever.
However, Casbolt is about to walk in, he glances back with a
depressed face. He looks like he is on the verge of tears. He
does not want to be here anymore. He wants to be loved and
cared for properly.
KATE (O.C.) (CONT’D)
Bye sweetha! See ya mate!
She blows him a kiss.
Casbolt lowers his head in walk inside next to Marrow. A
solider who is in the passenger seat closes the door, gets in
the jeep and they are off.
Kate watches the jeep leave a dust cloud with a smile in her
face.

INT. JEEP. DAY

Casbolt and Dave (6 years old) sit silently together in the
jeep as it roars and shakes around as they travel on the dirt
road and going down windy and an uneven road.
Dave finally break the awkward silence.
MARROW
(nervous)
Hi...
Casbolt wearily looks at him. He raises his hand slowly.
CASBOLT
Hi...
Again, there is silence. Dave sighs.
MARROW
I do not like this...
Casbolt does not seem to be listening. He watches outside.

EXT. BUDDHIST TEMPLE, DAY

The jeep stops in front of a military base/camp which is
built inside an ancient Buddhist temple in the jungle.
Waiting outside is Danu in a formal military uniform. Casbolt
and Dave are taken out of the jeep by the drivers and taken
to Danu.
 43.

She nods and the soldiers depart. Danu then leads the kids
into the base.

INT. BUDDHIST TEMPLE, DAY

Danu takes the two boys into a glass lift and they descend
down underneath the temple complex.
DANU
We have a situation here boys.
Convenient for your first mission
test.
Dave look nervous and anxious out of his mind. Casbolt tilts
his head like he is bored out of his mind.
We see through the glass windows and see a massive
underground command centre like a aircraft hanger. There are
people on desks with computers and fighter jest and machines
as well as some strange craft that look like flying saucers
and futuristic engines and technology in storage.
Danu remains upright in he formal posture with her hair tied
in a bun, not saying a word as the lift doors open.
DANU (CONT’D)
This way.
Danu leads the two boys through all the operation centres and
to the hanger where there is a large table with a plastic
map/grid on it. Around them are operators that also have a
large holographic projection of the map of the whole area.
Looking down at the map in the centre of the table, is a 6
foot blonde man. He looks up with his menacing face. It is
Alfred Bonner in his Nazi uniform. We hear people on the
table talking to the director.
OPERATOR
Would be possible to deploy Sabina
and Ursula Eriksson too -
DIRECTOR BONNER
We have what we need John. Its
fine.
Bonner stares at Dave and Casbolt as Danu takes then to the
director.
DIRECTOR BONNER (CONT’D)
Here comes our finest boys.
 44.

Bonner comes up to the two boys. He towers above them and

places his hands on their shoulders. Marrow gulps and widens
his eyes.
DIRECTOR BONNER (CONT’D)
Dave Marrow. And Michael Prince.
The operator named John nods.
JOHN
Okay director. We trust you.
DIRECTOR BONNER
You are now ready to go. Dismissed.
The operators and the people around the table begin to leave.
Bonner turns to the two boys.
DIRECTOR BONNER (CONT’D)
Boys.
(beat)
We need your help, desperately.
The two boys look up as they listen.
DIRECTOR BONNER (O.C.) (CONT’D)
Right now, as we speak, the threat
called Arcadia C has been let loose
and it is on the run with the
capability of putting our forces
and the innocent Malaysian
residents in jeopardy if we do not
act now.
Dave nods.
DIRECTOR BONNER (CONT’D)
Boys. Come over here.
Bonner leads the two across to one of the holographic
screens. He begins to tap on tabs with his figure on part of
the map.
DIRECTOR BONNER (CONT’D)
Through the eyes of Danite remote
viewer, we have been able to
pinpoint its current location form
the last time our stealth spies
tracked it down. Here, it was seen
at these cross roads last.
A rather blurry picture is enlarged by Bonner's fingers. It
is like a classic Bigfoot sighting image, but the giant
figure could be made out easily. It is night.
 45.

The entity is standing next to a large branch and holding

unto it as if it was in the tree about to hide. It is covered
in black with a large head with two pointy ear on top like
ears. Its eyes are ugly yellow. It is blaring its teeth. The
rest of its body was all black with fur. But it was wearing
what looked like a brown toga or robe, with a belt with
hardware around its waist.
DIRECTOR BONNER (CONT’D)
This image, is literally the last
thing the remote viewer saw before
he died.
Dave makes a frighten low noise and Casbolt gulps.
CASBOLT
From that?
Bonner nods.
DIRECTOR BONNER
Yes Casbolt. From that thing. This
is why it is vital for us to use
our assets wisely, so this war can
end sooner that later.
MARROW
How did he die?
DIRECTOR BONNER
Lets focus on the positive shall
we? Just do not get in the way of
his SASER beam weapon.
Dave still looks nervous.
DIRECTOR BONNER (CONT’D)
Now, Prince before we deploy you on
your mission, you must listen to me
carefully.
Bonner gets on Casbolt's level. He begins to speak softer and
with in a character that seems to be very odd and different
from his normal personality.
DIRECTOR BONNER (CONT’D)
Okay. I know that you have dealt
with some pain in your forehead
lately. But, all that was to
prepare you for this very moment.
Prince, i want you to tune into the
signal
(points to the image)
where Arcadia C has been located.
(MORE)
 46.
DIRECTOR BONNER (CONT’D)
Unlock your true power Prince. This
is what you where made for. You are
our only hope now.
Casbolt looks a bit confronted. Nevertheless, he nods
silently. Dave watches.
DIRECTOR BONNER (CONT’D)
Okay now. I want to repeat the word
'Gruff'.
CASBOLT
Gruff.
DIRECTOR BONNER
Yes. Yes, now here is the sound-
wave.
A sound-wave appear on the screen.
DIRECTOR BONNER (CONT’D)
This is what your third-eye must be
able to connect to. You will be
able to gain insight into the
entity's mind and will be capable
to sense him as a dog is able to
track down criminals. You need to
focus on the growling sound that
our remote viewer recorded before
he died.
He raises his figure to press play.
DIRECTOR BONNER (CONT’D)
Are you ready to open your third
eye?
Casbolt nods as if he was not paying attention.
Bonner yells like Hitler.
DIRECTOR BONNER (CONT’D)
I SAID ARE YOU READY!?
Casbolt jumps up to attention fright.
CASBOLT
Yes director!
Bonner presses the screen. What plays is a horrible growing
sound of an abominable monster. It is on repeat.
Casbolt raise his hands and points to his forehead and shuts
his eyes tight.
 47.

He begin to feel pain and begin to convulse and twitch like

he is being possessed. He also makes growing noises as he
repeats the words 'gruff'.
CASBOLT (V.O.)
The demonic power possessed me for
the first time ever. I tuned into
the Nephilim's energy signature
which enhanced my sense of smell,
sight and hearing like the
creature's. This, entity was very
evil. That is all i can say. I did
not ask for this. It had a sexual
pleasure for fear and hatred and
death. The bad people i was part
of, forced us to fight the forces
of evil. There was no good. Just
bad people fighting pure evil.
Bonner turns off the sound with an aggressive and strict
face.
Casbolt gasps. His eyes are wide open. He is wide awake. He
looks around dramatically. He now has super hearing, super
smell and super sight. He spins in circles trying to get used
to the change.
As Casbolt begins to recover, Danu come to reassure him.
Director Bonner now walks slowly over to Dave who looks
pretty shaken form what just happen to Casbolt.
DIRECTOR BONNER
Dave Marrow.
MARROW
(squeaky)
Yes sir...
Bonner lowers his voice.
DIRECTOR BONNER
I have something different for you.
Its time to control the dark energy
properly.
Dave is taken elsewhere by Bonner. We then see Danu on one
knee supporting Casbolt who is covering his ears and with a
scrunched up face.
DANU
Take a deep breath Michael Prince.
Come on. No pain. No pain. No pain.
You good?
 48.

Casbolt slowly gets up

CASBOLT
Neryah...
DANU
Take it slow Prince. Follow me now.
Operator John and some other super soldiers in special forces
gear walk in.
OPERATOR
My queen, we have assembled our
troops. We are ready for
deployment.
Danu stands back up seeming to forget about Casbolt.
DANU
Good then. Simply stick to the
plan. Young Prince here is too
young to go walking through the
jungle for hours or days on end.
Therefore, for his sake, we will
send two teams and i will go with
them to supervise.
OPERATOR
It will be done my queen.
DANU
Also, the first team that i will
lead will set up a temporary camp
in the cross roads area of Arcadia
C. John, you will be part of this
first team but keep in contact with
the second through radio and camera
contact. Prince will give the
whereabouts of the entity to the
first team and they will pass the
information for the second.
Understood?
OPERATOR
Loud and clear queen Danu. The
homoioi are assembled.
Danu nods.
DANU
I give you my blessing that this
mission will be victorious.
 49.

Danu takes Casbolt by the hand and they follow the operator
and the soldiers. The eight man team all march into two army
camo jeeps.
All the soldiers get in with the operators. Casbolt sits on
Danu's lap at the very back of the second jeep. When the
doors are shut, Danu stares at the camera. Casbolt is then
given a basket.
Casbolt looks inside a basket and sees a sliver pistol with
the Hebrew letter 'tet' on its side. Danu then whispers in
his ear.
DANU (CONT’D)
Valour, honour, glory...
The engines roar, and the jeeps are off into the jungle to
find the creature.

INT. JEEP, DAY

The soldiers are chanting a song while the jeep convoys roar
through the jungle. They sing it in a way that is harsh and
blunt like a Nazi chant. Casbolt is still trying to get used
to having werewolf senses. Her covers his ears and rests his
head in the lap of robotic Danu.
SOLDERS
I GO CLOSE AGAINST THE ENEMY, AND I
FIGHT WITH MY HANDS!
HERE IS COURAGE, MANKIND'S FINEST
POSSESSION! I SOON TOOK THE LEAD
AND THE WEAK LAG BEHIND!
BUT THE STRONG ARRIVE, IN SHINING
GLORY!
I AM BRAVE AND I AM HOUNDED BY
DERISION AND ASSAULT!
WE MEN FIGHT SHIELD TO SHIELD AND
NEVER SUCCUMB TO PANIC! I NEVER RUN
WHEN A STRONG SOUL IS CRUSHED!
STAND UP STRAIGHT, MAKE YOUR HEART
FULL OF HATE!
I WILL NOT FLINCH, BITING MY LIPS,
DIGGING MY HEELS IN THE GROUND -
THE ENEMY WILL BE CONFOUNDED!
AND THE VALIANT SONS OF HERACLES
WILL BE ASTOUNDED!
Danu smiles as the soldiers cheer and yell and clap. They are
pumped up. Casbolt takes a frail sickly shaky breath.
 50.

DANU
Brethren, sick men die, and strong
men fight. That is what it is, and
will be. We civilised soldiers do
our utmost to check the process of
elimination. What we want, is you -
the tomorrow people, to raise above
all others. The weak condemn you
because they despise you for your
gifts. You are soldiers of man, and
will not succumb to the phenomenon
of death. You shall be as gods!
Tension rises.
CUT TO:

EXT. JUNGLE. DAY

TRUCKING SHOT as the dog-man in the brown robe is furiously
swinging and jumping form tree to tree with phenomenal speed
and agility.
On its tail is a super soldier weaving, spinning and swinging
through the trees and trucks like a monkey. The chase is
intense.
From below the tree line, the dog-man and the solider move
across the tree as if they were telporting they were moving
so fast. We hear voices behind us, as suddenly, we turn and
see a group of four solders leaping and running through the
ferns at great speeds. They zip past us as we see the last
solider lagging behind. It is young Dave Marrow.
He is hyperventilating and groaning as if something inside of
him is trying to bust out of him. He continues to run and
follow his comrades. He trips over. Hr grunts and gets back
up again.
CUT TO:
We cut to the tree chase. The dog-man, huffing and puffing
and climbing and swinging through vines like a swift spider.
While it is weaving through all the greenery, it beings to
make deep howling sounds.
The solider chasing it begins to follow much faster. He is
very determined. We hear him yell.
He is gaining on the dog-man. We follow them intensely
swinging through the trees, the solider is about to claw the
dog-man's robe until they break through the trees into an
open ravine.
 51.

It is a beautiful. A shallow river with many large round

rocks divide the two tree lines. However, hovering above the
river is a large navy blue circular spaceship. It has a ramp
opened that is slowly closing for the dog-man to jump inside
through the left treeline.
SLOW MOTION as we see the dog-man leap in the air from the
tree line, followed by the solider, inside the closing door.
The dog-man just in time slips in, but the solider grabs unto
the top of the door as it is about to close.
The ship begins to move and the solider drops from the door
capsule and lands strong on his feet with his right hand on
the ground in the shallow river. The fall should have broken
a normal person's leg. The cat solider looks up at the moving
ship until from behind him, three of the pursing solider come
flying out of the tree line with super agility, shooting at
the ship.
The bullets bounce off the ship's armour.
The torrent guns from the ship's sides open and train on the
soldiers and begins to shoot back.
The five soldiers are now dodging the blasts with inhuman
speed. Water and rock explode all over.
While this fight is happening, Dave Marrow finally comes into
the ravine not too far away from the fight. He stops at the
river bank and looks slightly bigger, around 6 feet tall. His
groaning sounds more like the Hulk trying to hulk out. In
fact, his skin is now changing slowly to slimy black like
Vemon. In pain, Marrow covers his head spins around and lets
out a low howl like his is constipated and about to turn into
The Hulk. He stumbles around without much awareness of
direction.
As Marrow roars, the force filed solider called Nate Coggins
while running through the stream, looks over at Marrow with
super reflexes.
The dog-man ship trains its torrent away from the soldiers
below and towards Marrow. It fires.
Luckily, the blasts misses the disoriented Marrows it fires
just in front of him. The shock-wave blows ferns and pine
wood in his face. He growls and falls back on the ground. He
punches the ground so hard that it cracks. He roars like the
Hulk. His veins are turning black. His muscles are expanding,
and his face is horrid. His eyes are completely black.
 52.

The guns fire again, but this time, 8 year old Nate leaps a
great distance to the bank right in front of Marrow and
projects a force-field around him just as the projectile
hits.
As the explosion hits the force-field, from a distance, a
young solider named Duncan O'Finoian (22) puts his hand out
and clutches it. As that happens, the single torrent aimed at
Marrow, bends and crumples.
The spaceship makes a hard turn to the right to rearrange
itself. It then comes flying fast towards Duncan, and he does
a back flip and flips behind a large brown boulder as the
ship just nicks the rock. Sparks fly and shards from the rock
fly out.
From this damage, the ship abnormally pulls up fast
ferociously and goes higher like it just telported. It nearly
collides with a TR-3 Black Manta around the same size. The
two ships diverge and turn in large impossible 90 degree
angels to face each other.
The TR-3B begins to blast laser missiles at the Lycaonic
Shuttle, but the ship barrel rolls to its right three times
to avoid the blasts.
The Shuttle turns until it faces the TR-3B from behind. The
thrusts of the shuttle begin to power up and glow. As this
happens, the second black mantra TR-3B appears to aid the
first. They begin to fire as suddenly, a blue streak of light
glows over head the triangle ships and zips at light-speed as
in time for the shuttle to escape the full on attack. The
dog-man and his ship are gone.
CUT TO:
Dave Marrow, who is in much pain. He is gritting his teeth,
groaning and crazily shaking his head left and right rapidly.
His face has patches of slimy black goo in his cheeks, teeth,
and forehead and neck. He his convulsing on the floor.
Nate Coggins crutches over him, not very sure at what is
happening to him.
NATE
Dave, what's happening to you? Stop
moving!
The cat solider jogs out of the water and onto the bank where
Marrow it. He looks frustrated. He yells as he kicks the
water.
CORSO
ARAGH! Danu's gonna kill us!
 53.

Pushes Nate aside.

CORSO (CONT’D)
Take that goddamn fool and make
sure he knows what he signed up
for!
Poor Dave is starting to pass out. He is struggling to
breath. He lets out longer worn out groans as his hulkish
size begins to shrink.
CORSO (CONT’D)
I nearly had that dog...
NATE
David.
David Corso gives him an angry and furious look.
NATE (CONT’D)
Lay it off. He is only six Dave.
Corso jeers at him. He walks off. He walks to towards the
river as he looks up rolling his once bulging shoulders and
looks over at the two triangular crafts slowly turning around
to move back to base.
CORSO
(shaking his head)
It's Micah's fault...
NATE
Hey, Duncan!
He motions his head down to Marrow who is still moaning.
Duncan O'Finoian walks out of the water to the bank.
DUNCAN
I've got his legs.
They lift up Marrow and carry him easily.
NATE
Stop moving Marrow. We've got you.
As the three move into the trees, Corso remains, very
disappointed. He waits until the ships depart and he
grudgingly sighs and drags his way back with his head down.
CUT TO:
 54.

EXT. CROSS ROADS. DAY

LONG SHOT of James Casbolt standing all alone at the centre.
The wind slightly blows. All is peaceful. Powerful and
emotional music gradually emerges in the background. It is
major point of reflection.
Casbolt slowly observes his surroundings.
He is looking to the left path. Then he slowly looks to the
right.
After some time, he lowers his head again. His eyes are
watery. He looks scared and stressed.
LONG SHOT as he slowly begins to sit down at the crossroads.
Casbolt looks like he is in a trance. He looks up to the sky
as if he is trying to see God.
CASBOLT (V.O.)
I often go back to this moment in
my life. All the time, i feel like
i am on a crossroads.
Danu walks and stops a few meter behind Casbolt.
DANU
Michael.
CASBOLT (V.O.)
My future is in the hands of bad
people.
Casbolt slowly looks over. His head sort of twitches slightly
as he does this.

INT. MILITARY ROOM. DAY

Large fancy room with warm lighting and round about windows.
Alfred Bonner is now wearing a navy uniform.
DIRECTOR BONNER
(strict and loud)
It has come to my attention that
our operations has been officially
sabotaged. As, noble Queen Danu has
reported -
CUT TO:
Danu sitting next to both Casbolt and a wrecked Spiers.
 55.

DIRECTOR BONNER (O.C.) (CONT’D)

our soldiers were well and truly
capable to take on the EBE wolf
rather easily. However, we are not
willing to be charged for breaching
the Galactic Federation's policy,
Cut back to Bonner.
DIRECTOR BONNER (CONT’D)
due to the unwanted intervention of
a Pleiadian renegade force without
our consent!
The group begins to murmur amongst themselves.
We then see the Pleiadians Nordics standing with their hands
together in an upside-down triangle position. Their leader is
Maitreya, a 6 foot giant. He has perfect warm and bronze
skin. He has a Catholic Jesus look to him with the hair and
the short beard. His hair is a light brown with excellent
crystal like eyes. He looks like a youth but he has such a
dominant and erect posture. He is very muscular and godlike,
wearing a sapphire blue suit that looks like a second layer
of skin like Raven Darkhölme's blue skin in the X-Men movies.
It exposes his v-shaped body. He wears a belt and he is
enfolded with his large red cape behind him. Around his neck
is an elaborate necklace plate of gold with multiple coloured
gems.
The other two are females. One is named Menara who is a look
alike to Samara Weaving. Her hair is lush, blonde and curly.
She is just a divine looking as Maitreya. She wears the same
blue suits which exposes her curled physic, making her very
attractive. This is the same with the third Pleiadian Valv,
but she looks slightly different and not as beautiful. Her
hair is pure white and straight like Galadriel. Her face is
like a greyish white that shines abnormally like its is an
artificial plastic mask. She looks robotic and emotionless.
Her eyes look dead, but are slightly larger and blue.
BELUS
We cannot be responsible for
illegal actions Commander Maitreya.
The three Pleiadians sit down.
OPERATOR
We have enough problems vying for
ultimate control.
An old man with a Greek philosopher look stands up to speak.
He has a beard and some bold spots on his head. His voice his
gravely from years of yelling but it is superior.
 56.

LYCURGUS
Silence my peers. Excuse us for our
brash behaviour. But what we wish
to say to you is this: why did you
choose to help us when we did not
need support at all?
As Maitreya speaks, his voice is charismatic and has diction.
MAITREYA
Thank you for your initiative
virtuous Lycurgus. First, we want
to make things very clear to you
all. We had in no way, wished to
sabotage any mission, but rather
our intention was to hunt down the
entity before it could cause more
harm in this region. It seems we
accidentally come into contact with
you, but it was our mistake on our
part, that we saw this as a mere
convenience, we thought it would be
necessary to feed off the entity to
ease your vigorous pursuit. We
greatly apologise for failing on
our part to no officially defeat
the invading Lycanthropes and we
humbly come to you today to say
sorry, for causing any problems.
(beat)
Thank you.
He sits down.
BELUS
Okay, then. We are still unsure to
as why the Lycanthropes came to
this participial area.
VALV
If you are thinking that we were
the perpetrators, then you are
wrong.
BELUS
But why then did this threat manage
to be successful? We need to have
curious proportions now and
extremely strict training for our
soldiers and form new alliances to
survive.
Valv stands. She looks more alien-like.
 57.

VALV
The Lycanthrope was drawn to the
war here with the SAS on the
boarder of Malaysia and Thailand.
The creature came here to learn and
study human emotions, feeding off
the fear, and hate and death to
gain more power. So, i suggest you
be on your high guard at all costs
in future situations Belus. These
monsters are quite deadly. It is
our job to make sure these
existential threats are punished.
Yes, train up your soldiers and
adopt a more ruthless plan. We
suggest this for your own benefit.
For your own survival for this war
between the light and the dark to
end. To answer your question: -
this was not your fault or ours. It
was in fact a demonic manifestation
due to humanity's reckless and
childish actions.
Lysander stands up.
LYSANDER
Yes thank very much Vala. But - you
did not explain why your faction
defected from the Federation.
MENARA
But we are not enemies with it. We
are in no way an illegal faction
for we would be in prison by now.
We are independently governed by
the thrones of Agartha - our
homeland - in which the land beyond
the ice has established peace with.
Does that answer your question,
mothax?
Maitreya looks at Menara with an expression saying did you
have to say that?
Lysander looks like he was triggered and his toes stepped on.
He flares his nostrils, but Menara winks at him with a
childish smile. Lysander clenches his fists and looks down.
He gives an audible exhale and swallows.
LYSANDER
Yes. I - it dose.
(beat)
I have to leave now.
(MORE)
 58.
LYSANDER (CONT’D)
Thanks for having me in this
meeting. I have got an assignment
in the Yucatan DUMB.
Bonner nods and Lysnader power walks out the room.
DIRECTOR BONNER
Speaking of Brazil.
Bonner eyes Casbolt and Spiers.
DIRECTOR BONNER (CONT’D)
Our boys would be ready to start
agoge training over there. For
their own protection, we must be
able to be more vigilant.
MAITREYA
The creature is worth being alive
so we can better prepare ourselves
for the coming galactic tyranny.
LYCURGUS
So, if you are well aware of these
threats, would it be reasonable to
recruit these Pleiadians.
DIRECTOR BONNER
Only for reason necessary. They
have been helpful for the Alliance
faction in many ways, and now since
the Lycanthropes remain hostile.
Bonner turns to the Pleiadians.
DIRECTOR BONNER (CONT’D)
For the sake of our future kings,
we assign you to be their guardians
and protectors at all cost.
MAITREYA
(nods)
I agree. But it would not be as
simple as you think director.
VALV
My lord Maitreya. Would this
alliance even be stable. There has
been so much war between our race
and the Dracos. Ever since
commander Kamagol rebelled from the
Federation, the Pleiadians would
always remain divided on Midgard
interaction.
 59.

MENARA
We don't want that to happen again.
Man alone simply cannot kill off
the monsters that they have
created.
DANU
As mighty tyrant he was in many
kinds, but like you said before, a
more formidable force is coming in
contrast to the technical and
consciousness-related resources and
powers of Kamogol. We should not
fear then. A colossal scale revolt
like Kamagol's was able to force
the Earth humans into its power and
completely lead them into a cultic
religious confusion - that is World
War II Valv.
VALV
(nods)
Indeed. He was like no ruler before
us that demanded blood.
DANU
So, if you wish to not provoke such
a rebellion due to the Federation's
strict laws in legalisation, as an
ally to it, you have free will to
do this, however, by no means use
contact by proxy to protect our B -
blood soldiers. Whether that is via
a host body or some other source.
MAITREYA
Then we will use Meridith Kennedy
in Sussex and Nicola Biddinger in
Reading.
DIRECTOR BONNER
It it will be done then. I will
arrange a meeting with George Bush
Sr in PLUME.
OPERATOR
They are also working on branching
out to the Blue Mountains in
Australia too?
 60.

DIRECTOR BONNER
Affirmative John. These second and
third generation groups would have
had contact with Aldebaran states
from their original bases set up in
Antarctica after the end of the
war.
DANU
Would it necessary to contact
synthetic procedures or substances
such as anabolic steroids
As Danu is speaking, Casbolt looks at Max as if he is trying
to say something. Max looks back with a depressed face. He
looks like he is hypnotised. Casbolt gets worried. He then
eyes Danu with annoyance which will evolve into abhorrence
and enmity later in the series.
DANU (O.C.) (CONT’D)
to further enhance them for change
against the Dracoain factions?
(Beat)
DIRECTOR BONNER (O.C.)
No need. They are already on that
path to ascended technology. There
are wall climbing, martial arts
activities over their for them.
Lycrugus did related this to me and
it is official, that our children
should meet the atomic Fire Giants.
LYCURGUS (O.C.)
Of course Director. Dr Green and Dr
Mengele had already confirmed it to
me.
Cut back to Bonner turning to the Pleiadians
DIRECTOR BONNER
Now, by staying in contact with our
Danites. For Michael Prince we have
Neil Pettit and the Princes and for
Spiers - James Chandler.
MAITREYA
Yes i see. All the Project IBIS
children like Heather Cross and
David Marrow will be involved in
our database contactee list. Yes.
The Pleiadians get up.
 61.

MAITREYA (CONT’D)
And also, Michael Tsarion will in
time, be aware of this too. We will
make sure these two boys can be
guided and protected from the Cabal
or Draco intelligence. I appreciate
being welcomed in a potentially
harmful environment, so i would
like to thank you Danu for your,
unexpected hospitality.
(smiles)
The blonde giants nod and the scene changes. Danu smiles back
and waves goodbye.
SLOWLY FADE TO BLACK:
CASBOLT (V.O.)
In the darkness, only Max Spiers
was my company. Ambition, were our
lights. Our oath was to feel no
pain.
END OF ACT 2
 62.

ACT 3

INT. EMERALD CHAMBERS, BRAZIL

An ancient jungle temple room with lush green vines and
forage covering ancient walls. It is damp with men with
machines that light up the chamber with green lights. Beds
and chairs with mechanical like restraints.
Emerald Chambers 1984
CASBOLT (V.O.)
The Underground gets away with
crimes against humanity. This is
never going to stop, unless we
resist!
CUT TO:
Max Spiers (8), is forced to be strapped into a chair by the
men. Electrodes are rushed to be hooked up to various parts
of his body.
JAMES CHANDLER
Max. Listen up. You are to become
as still as water. Are you ready? I
repeat, are you ready?
Max squeals. He is terrified.
An horrific image of Tartarus is projected onto the wall in
front of Spiers.
Max stares at it with worry.
JAMES CHANDLER (CONT’D)
Focus on this place and travel
there.
Max looks back at Chandler with defiance.
SPIERS
No. I am not.
JAMES CHANDLER
(pleading)
Oh, not now. Come on, please Max!
Quick, quickly, before the Minotaur
comes out to eat us!
The electricity turns on and Spiers shouts and yells. He
grips unto his chair and grits his teeth.
 63.

SPIERS
NOOOOOOO!!!!!
Suddenly, the whole nevermore changes. The walls of the
chamber begin to break and crumble apart into dust into a
vast open cavern. Spiers remains in the chair. LONG SHOT of
the sky had clouds in crimson blood red colour, hanging in
the air like vaporised lava. The landscape is vast. Too much
to comprehend. It was covered to jagged sharp black rocks
that made some many different shapes like eroded rock pools
and massive caves. Mountains, plains and cliffs and canyons
littered the hellish world. The air is so thick, and steaming
the blisters begin to slowly form all over Spiers face. Sweat
drenches him. He coughs and cries.
Close to the left, chain and bound to a volcanic purple rock,
all damp and wet from the condensation, is a hulking muscular
black mass. It moans like a bull.
The creature stands up and a shadows is cast over poor Spiers
- out of his mind petrified. He is gagging and coughing more
severely. His eyes are all red and stinging. He is soaking
wet and he is struggling to keep his head up, like he is
suffocating.
The creature puffs its barrelled chest out. It has a head of
an Aurochs. It has big hands with six fingers and a ring
around its nose. The tight chain, shackled to his hoofed feet
and wrists, ticks slowly as the bull man stands up, inhales
and huffs.
Spiers cannot move. He flops his head down.
CUT TO BLACK:
Spiers wakes up yelling and mooing like a cow. James Chandler
rushes to secure him, but Spiers with super strength rips his
arm out of the electrode wires and breaks free.
JAMES CHANDLER
SPIERS SPIERS! WAIT! IT'S CASBOLT!
Spiers looks at Chandler with fury.
James gives Max a Subway sandwich and holds up an image of
James Casbolt on a bike with friends on a summer's day.
JAMES CHANDLER (CONT’D)
You will kill yourselves if you do
not eat this!
Five beats. Max snatches the sandwich, looks at it and eats.
Silence.
 64.

JAMES CHANDLER (CONT’D)
Max.
Max spits out the sandwich. He gasps like it was super spicy.
SPIERS
(infuriated)
The hell!?
JAMES CHANDLER
Max, it tastes like burning metal
because the demon inside of you has
been biting on its chains for
thousands of years, now you've
taken on Minotaur's energy.
Spiers scrunches his face.
SPIERS
You, Satanic son of a bi-
JAMES CHANDLER
But not to worry Max! It's actually
fine!
SPIERS
What?!
JAMES CHANDLER
It is only going to last three
days. You will be fine again later.
Three beats.
SPIERS
(desperately)
Oh Jesus Christ, help -
Spiers goes stiff and stumbles. He drops the subway.
JAMES CHANDLER
Wha- Hold on there boy.
He places Spiers on a couch nearby.
JAMES CHANDLER (CONT’D)
(angerly)
What did you do?!
Spier is greatly terrified.
SPIERS
(bewildered)
I don't know!
 65.

James just looks at him with a complete sense of betrayal.

His mouth is slightly open with awe.
JAMES CHANDLER
What are you doing?
SPIERS
(stubborn)
Get lost.
JAMES CHANDLER
No. Why did you say that? You have
any idea at what you have done?
Spiers nods.
James is losing his temper.
JAMES CHANDLER (CONT’D)
I don't have time for this crap!
James grabs a photo of James Casbolt and holds it up to
Spiers. It is a photo of them on bikes at camp. Next to the
two boys are two girls their age.
JAMES CHANDLER (CONT’D)
Alright then. If it doesn't stick
in you,
(beat)
it will certainly stick in him.
James points at Casbolt.
Spiers raises his head.
SPIERS
Michael!
JAMES CHANDLER
(smirking evilly)
Yers. Don't worry about that, this
experiment failed for you, perhaps
it will work for him...
SPIERS
(beat. panicked)
No!
He tries to reach for the photo. James holds him back.
JAMES CHANDLER
(smirks)
Now that you chose to reject you
powers, you need to be taken out.
 66.

Spiers' face transforms into one of fear and trepidation.

JAMES CHANDLER (CONT’D)
(smirks)
Nights out punk!
James whacks poor Spiers onto the couch. Spiers is knocked
out unconscious and in slow motion he falls on the pillow and
we fade to a dreamy transition.

INT. ROCKLANDS HOLIDAY PARK. DAY

Max Spiers and James Casbolt (9) are riding their bikes
together with two other young girls Miradith Kenndy and
Nicola Biddinger. It is day time and very warm as they ride
down the small road surrounded by nooks and pine trees.
Together, they are singing

CASBOLT
Hey man, uncle Wilf said that we
have free passes for suba-diving
and swimming here.
NICOLA SPIERS
Your uncle is a bloody legend Epic man.
Mike.
CASBOLT
So yeah i know. He and Jean brought
me Tetris on the gameboy for
Christmas.
SPIERS
Yeah, Tetris boys!
CASBOLT
You thinking what i am think Max?
SPIERS
Game night! And no girls allowed.
Sorry Miradith.
MIRADITH
You blokes go along. Our dorm is
going to play beach volleyball with
the others.
NICOLA
Jeez, you two are missing out.
 67.

CASBOLT
You think?
NICOLA
Nah, you two can't stop being such
nerds.
CASBOLT
We are the coolest nerds to every
exist. Me and Max are the most epic
players of Tetris ever!
SPIERS
Yer man!
They begin to ride into a camping area with small one roomed
houses and barbeques and caravans. There are kids playing
games like cricket and adults cooking dinner.
NICOLA
Mama!
We see Nicola's mum under shelter preparing food. She is a
thin and graceful looking women. Quite pretty, in an apron
with ten lumps of doh on the bench with a roller. She is
cutting up food.
SELLA
Nicola, you came just in time. Go
and get changed so you can ready
for tonight's game.
NICOLA
Right mummy.
Nicola drops her bike next to the stand. The other three
continues going. They ring their bells to say bye.
CASBOLT
See ya Nicola!
SELLA
(waves)
See you tomorrow boys!
NICOLA
I hope you get bored tonight Mike.
Casbolt smiles back.
SPIERS
I hope you have a great time losing
the volleyball match! Haha!
 68.

They all laugh at the joke.

NICOLA
(sarcastically)
Get lost you nerds.
CASBOLT
Good night.
They ring their bells and ride off.

EXT. BEHIND CASBOLT'S DORM

Aaron MaCollum (9) with a couple of his mates hold water
balloons in their hands waiting for someone around the corner
to come. They are up to much mischief.
MACOLLUM
It's water time.
JAMES RINK
Wait, shhh. Here they come.
They snicker.
Both Casbolt and Spiers park their bikes outside leaning on
the front fence.
SPIERS
What do you think it means when at
school, people look at you weird.
CASBOLT
I don't know.
SPIERS
I don't like when people look at me
weird. Do they do the same to you?
CASBOLT
I -
Suddenly and water balloon comes flying and hits Casbolt on
the side of the head. It harmlessly slashes water everywhere
drenching Casbolt. He doesn't flinch, but just closes his
eyes and gives frustrated deep breath.
Aaron and the boys belch out laughing.
SPIERS
(amused.)
Oh, you will pay for that Aaron.
 69.

CASBOLT
We're not in the mood Aaron.
MACOLLUM
Ooooohhhh! Hey man, i'm armed and
you're not. Get em boys.
The boys start throwing balloons at Spiers.
SPIERS
Inside!
Water flying everywhere, the boys that want to play continue
throwing balloons at the twins as they go inside and lock
they door.
They are breathing fast. They are dripping wet.
SPIERS (CONT’D)
Mate bloody hell! They really did
mean it when we pranked them
before.
CASBOLT
They got us back fair and square it
seems.
SPIERS
Didn't even see them coming.
CASBOLT
Yeah.
Spiers peaks out the window and see the boys still at the
door knocking saying "What are they doing in there? Come on."
After a while, the boys wait them out and the two kids with
Aaron leave.
MACOLLUM
Hey guys! If you're still there, if
you can hear me. Make sure your
armed and loaded for tomorrow's
water fight. Right?!
They throw one last balloon at the window that splatters the
window Spiers is looking through. Spiers ducks.
CASBOLT
Are they gone?
SPIERS
Yep.
 70.

Inside the small dorm room, the twin's cabin is lit up with
light brown floor boards. It has two bunks, with a small TV
all with a game-boy console attached to it with a small
fridge next to the TV.
Casbolt looks at his drenched shirt.
CASBOLT
I wanna have a shower.

EXT. BEACH. DUSK

A referee blows the whistle.
A volleyball come flying over us. We hear thrilled and
excited vocals of kids and teenagers in the background. The
ball flies over a volleyball net and a team member on the
other side scoops it with her hand so the ball can go back
over.
The game is intense. Both side are furiously trying to win.
Suddenly, after a close round, member of both side of the
teams try to reach the ball as they are close to the net and
the ball just falls on the left side. The team on the right
burst in celebration and cheering. People clap and whistle.
The team on the right hug and raise their hands. They fall of
the sand laughing.
CUT TO:

INT. TWIN'S CABIN. DUSK

CLOSE Up of the TV screen of a Tetris game. Screen in slip in
half as both sides have blue and red square shapes dump down
and stacking on each column. We hear in the background
clicking of the game controller.
SPIERS (O.C.)
Oh!
The column on the right flashes white. A high pitched beeping
sound is made.
SPIERS (O.C.) (CONT’D)
Mmmhhh! Yea!
We see the boys both glued on the screen. Casbolt bites his
lips as he tries hard.
CASBOLT
Stupid block.
 71.

They have snacks like chips and chocolate bars and sodas on
the table in front of them and on the couch.
SPIERS
Tetris championship come on!
The match is very close. Both Casbolt and Spiers score around
the same time. Their scores are very close (214 to 221 with
Spiers ahead.
CASBOLT
EERRR, taking the risk! Boom!
Casbolt's column flashes white twice in a row. It is about to
reach Spier's column until the TV randomly switches off along
with the lights.
SPIERS
What!?
Three beats. The boys look at each other.
CASBOLT
Blackout!
Spiers looks distressed. He chucks his remote on the couch.
SPIERS
(laughs with unbelief)
At the worse moment! Whhhhyyyy!!!!
Ah gawd!
Casbolt puts his hands on his head.
CASBOLT
Ugh, don't tell me this is another
prank.
SPIERS
The hell was that, i was just about
to break my record! Like how -?
Casbolt gets up.
CASBOLT
Oh, Aaron that bum.
SPIERS
Mike, what are going to do?
CASBOLT
I don't know.
 72.

Casbolt walks over carefully to his only form of light that

still remains - a candle lit menorah on the small kitchen
bench on the other side of the cabin.
CASBOLT (CONT’D)
That still works.
SPIERS
I'm gonna go get some help.
CASBOLT
Yeah go.
Spiers runs out the door.
SPIERS
Hey guys, what happened to the
lights...
Max's voice fades off into the distance.
Casbolt, in the dark focuses on the menorah. Its orange light
glows as the only light. Casbolt looks secure and comforted
and warmed by its presence.
CLOSE UP of the pink gold menorah. Each of the seven buds has
dancing flames on top that silently wave at Casbolt happy
little angels.
MR SARION (V.O.)
True light can't be dark Casbolt.
CLOSE Up of Casbolt's half lit face in the room. He studies
the candle and makes facial expression as if he got
revelation and an important epiphany that he never knew the
answer to his whole life.
MR SARION (V.O.) (CONT’D)
But the false light of deceit will
fail.
SLOW FADE:
Outside the cabin it is dark. We pan out into the a shadowy
night of the nature reserve and the pine tree and the forest.
A blurry winged figure hides in the darkness like an elusive
cryptid lingering like a ghost in the brush. It looks
peaceful, but disturbing as well. The creature seems to be
observing for some reason. It doesn't seemed to wish any
harm. It is just watching.
 73.

After a while, we track the creature from a long distance

walks up the tree line like a typical Bigfoot slighting
video, without the shaking camera. It is pale and is slouched
over like Nosferatu with claws.
Slowly, we follow the creature as it slips away silently into
the night, away into the shadows of the wilderness as a
whisper. PAN up to the sliver glow of the Full moon.
CASBOLT (V.O.)
I through i knew the answer. I was
so close.
SLOW FADE:

INT. CLASS ROOM. DAY

Colin MacFarlane is a teacher in his late forties. Bold and
has a Scottish accent. He speaks with a booming voice with
enough diction and volume to gain everyone's attention,
because a lot of the students look very bored. He takes large
A3 print out of The Great Pyramid of Giza and Stonehenge. On
the black broad is an essay question "Explain the political
and economic and social aspects of Ancient Egypt around 2575
BC to 2150 BC."
James Casbolt is rubbing out the other half of the black
board with writing from another class.
MR. MACFARLANE
Stonehenge, the prehistoric
monument that took Celtic Neolithic
people, normal people, an estimated
1,500 years to erect. Each time,
these primitive people all over the
world were
Cut to young Max Speirs with his chin resting on his hands.
He looks aggravated at what he is listening. He fidgets with
his pencil.
MR. MACFARLANE (V.O.)
building megalithic structures at
Baalek and Giza during the time
when iron was not in existence. As
we explored the last few weeks, we
saw how the pyramids evolved from
sand pits in the predynastic period
to mastabas in the first and second
dynasty, to step pyramid of Djoser,
cased step pyramids of Snerfu and
now, the true pyramids of the 4th
dynasty.
 74.

Macfarlane looks towards the class.

MR. MACFARLANE
Can anyone guess who built the
Great Pyramid of Giza?
Miradith Kenndy raises her hand.
MR. MACFARLANE (CONT’D)
Miradith?
MIRADITH
King Khufu?
MR. MACFARLANE
Right... King Khufu the second
pharaoh of the Fourth Dynasty, in
the Old Kingdom. He created the
Giza complex. The only completely
preserved portrait of the king the
built who the tallest structure in
the world at the time is a three-
inch high ivory figurine found in a
temple ruin of a later period at
Abydos. The irony.
Max sighs and rolls his eyes.
MR. MACFARLANE (CONT’D)
(beat)
Now, these megalithic structures
like Stonehenge, tells us about the
society and the people of the
Celtic and Egyptian in which have
similarities and differences that
we are going to explore in next
terms inquiry topic... Can anyone
guess what these building were used
for? What purpose where they made
for?
Max Spiers looks nervous. He knows the answer, but he knows
that know one will believe him. Mr. MacFarlane is about to
answer his own question when he sees Max Spiers nervously
raises his hand up slowly.
MR. MACFARLANE (CONT’D)
(surprised)
Yes, Max?
SPIERS
It was used as an electromagnetic
power plant.
 75.

Casbolt slowly stops rubbing and looks at Max at the back of

the room. The same with the rest of the class.
Mr. MacFarlane furrows his brow and tilts his head in
bewilderment. Beat. He almost looks amused at the 'stupidly'
of such an answer.
MR. MACFARLANE
Mhh. No. Uhm. That's not correct...
(awkward silence)
Where on earth did you hear that?
SPIERS
What about the inventory stela? And
the graffiti of the misspelled gang
name that is evidence for Khufu's
signature in the King's Chamber?
Beat.
MR. MACFARLANE
Max. Obviously it was used a tomb
or for religious reasons Max. It
was only built by a massive slave
force that used ramp and a
sophisticated system of pulleys.
SPIERS
But it does not even have
hieroglyphs and artwork like the
other tombs. Why would the
Egyptians display their tombs in
open if robbers will end up
stealing everything anyway?
Mr. MacFarlane chuckles. He raises his voice with more
frustration.
MR. MACFARLANE
Look, Max the other pyramids were
used for tombs as well, so it is
assumed that this one was the same
for the Giza pyramids. Now, be
careful at what you hear. Besides,
coincidences are coincidences.
Max looks down defeated.
MR. MACFARLANE (CONT’D)
Those conspiracy theorists are just
trying to scare you Spiers. What
are you going to say, that Enoch
built the pyramids?
 76.

The kid in front of Max turns around and looks at him

weirdly. He starts a wave of snickering in the class.
BOY
(whispers)
Bible thumper.
Max glances up. Everyone is staring at him some giggling.
Them MacFarlane raises both his eyebrows while looking at
Max.
SPIERS
(tense voice)
I don't like people looking at me
like that.
MR. MACFARLANE
Like what?
SPIERS
Stop it!
Mr. MacFarlane sees the traumatised facial expression of Max
and instantly stops smiling and jeering.
MR. MACFARLANE
Well, how do you want me to look at
you mate?! You just answered the
question with a crazy outrageous
statement. Remember, Spiers - its
too crazy to be true.
SPIERS
You're afraid you will lose your
job, Colin!
MR. MACFARLANE
Excuse me?
SPIERS
You're afraid to lose your job
here, because at school, you were
bullied of trying to witness to
people with the Bible! Then, you
published a paper about the Origins
of Ancient Albion that forced you
to quit your research because you
found giant bones! Your best friend
was poisoned by the government!
Mr. MacFarlane tries to walk to Max. He is shocked.
MR. MACFARLANE
What--
 77.

SPIERS
And when you realised this, you
discredited everything that
contradicted your opinions because
you have been indoctrinated to hate
people with different beliefs!
MacFarlane moves closer to Max.
MR. MACFARLANE
How did you--?
Max covers his eyes.
SPIERS
Don't look at me!
MR. MACFARLANE
(stutters)
Who... did you... speak - to?
SPIERS
(chants)
Crazy Colin! Crazy Colin!
MacFarlane is standing over Max's desk.
MR. MACFARLANE
(outburst of anger)
WHO!?
SPIERS
(chants)
Crazy Colin! Crazy Colin! Crazy
Colin!
MR. MACFARLANE
S-ssstop.
SPIERS
(chants)
Crazy Colin! Crazy Colin! Crazy
Colin!
Casbolt with his mouth gaping looks at Max. Mirdiath, Nicola
and others just look at Max dumbfounded.
MacFarlane slams his fist on Max's books with a giant bang.
Everyone jumps.
MR. MACFARLANE
(furious)
Sssshuut up you frrreeaaak!!!
 78.

CLOSE UP of MacFarlane's face is burning red. As he yells he

spits at Max. Beat.
MR. MACFARLANE (CONT’D)
This is my class and not yours!
Just shut up you nut! I am the
teacher and you, know nothing! Stop
complicating the curriculum! And
don't question it! You - you think
God will help you? He never helped
me Max because i saw that He is a
jealous, malevolent,
arrogant,control-freak; a
vindictive, bloodthirsty, racist
megalomaniac, tyrant! And that's
final!
Max gritts his teeth and kicks at MacFarlane's shins in
retaliation. The teacher yells. Max bursts in tears and runs
out of the classroom.
MR. MACFARLANE (CONT’D)
Grah! Max! Hey Max! STOP! GET BACK
HERE RIGHT NOW!
James Casbolt drops his eraser and stares at Spiers with
sympathy.
MR. MACFARLANE (CONT’D)
MAX!!!
Max runs out of the class room sobbing. He runs down the
corridor. MacFarlane runs behind him limping slightly.
MR. MACFARLANE (CONT’D)
(harsh and abusive)
Max!! SSTOP! SSTOP THIS! GET HERE
NOW! MAAAAXXX!!!
Max swings open in the boys bathroom. He slips into the
toilet and locks the door. He sits on the toilet, buries his
head in his hands and begins to cry like a baby.
MacFarlane enters stomping.
MR. MACFARLANE (CONT’D)
Hey!
He begins banging on the door.
MR. MACFARLANE (CONT’D)
Open the door Max! Open the door
now! Quick! I am sorry for yelling!
 79.

He continues to bang. Max looks up with a puff red face and

buries his head again in his hands crying.
MR. MACFARLANE (CONT’D)
Open this door now!
He bangs on it and kicks it.
MR. MACFARLANE (CONT’D)
Fine... I am calling your mother,
you freak show.
MacFarlane storms out.
We see Max cry and sniff as in the background we hear
MacFarlane's voice.
MR. MACFARLANE (CONT’D)
To class, all of you!
We then see Casbolt, Miradith and the others try to see if
Max is okay. They also looked just as distressed as Max.
CASBOLT (V.O.)
But then... My doubts kept me
further away from the truth... I
could have known it. I was so
close...
DREAMY TRANSITION:

INT. EMERALD CHAMBERS,TEOTIHUACAN

NAZI OFFICER 1
Is he dead?
NAZI OFFICER 2
No, you fool, he is waking up now!
Max begins to stir.
NAZI OFFICER 1 (O.C.)
Yeah, it's alive. Ha, he would wish
he was never born here.
Max rubs his eyes.
The Nazi officers are wearing classic WW2 uniforms with
Swastika arm bands.
 80.

NAZI OFFICER 2
Hey, you good for nothing! Move it!
(claps)
Move, move, move!
Max gets up and the officers take him. They walk out of the
Emerald Chambers.
NAZI OFFICER 1
10 minutes until 3:00 AM, hustle
you -
SPIERS
(sleepy)
Mommy, i'm thirsty...
Officer 1 looks at Officer 2 and they bleat out laughing.
NAZI OFFICER 1
(changes voice to a high
pitch to mock Max)
Follow me honey, right this way.
They continue laughing.
NAZI OFFICER 1 (CONT’D)
Trick or treat!
They shove Spiers down a staircase and into an underground
chamber. The officers continue to laugh. The two officers are
having a blast abusing the kid. They eventually take hold of
Spiers with his arms behind his back and stop at an ancient
temple door that has the engraving of a blue glowing delta on
it.
NAZI OFFICER 2
Happy Halloween, Max. I hope this
End Times ritual can determine
whether or not Apollo would want to
decide our fate in this world.
Spiers does not reply.
NAZI OFFICER 2 (CONT’D)
Well, danny boy? Ah, what's going
on right now is that there have
been 100 year war battles between
two systems in the last one
thousand years.
(slaps Spiers' shoulder)
At the turn of every century, these
wars are won or lost. The Cabal my
friend has been winning for time
after time after time.
(MORE)
 81.
NAZI OFFICER 2 (CONT’D)
We set up your churches, your
schools, sport stars, horse racing,
celebrities - that's the fruit of
our success.
Officer 1 gets out a layered golden cylinder that falls into
itself. Each layer represents the Cabal's success.
The seal is then place on the Delta. There is a booming
pulsing vibration. Tension rises. Dust falls and vines are
shaken.
Looking up at the door, Officer 2 continues.
NAZI OFFICER 2 (CONT’D)
The final battle is happening now.
Thank you Spiers for helping us
win.
Spiers looks confused. The door is opened.
NAZI OFFICER 2 (CONT’D)
You don't remember yet... Soon, in
time, you will recall everything...
CUT TO:
Casbolt (9) is brought over by the SS soldiers from Ep 1. He
is being taken out from a jeep.
Three blonde women in nice dresses lead the way into the
ancient temple at night.
Casbolt looks around at what is happening when all of a
sudden, he gets tension in the body language and begins to
get extremely fearful. A raspy, deep grumbling disembodied
voice speaks to him.
CAMAZOTZ (V.O.)
Young Casbolt... Thirsty...
Casbolt begins to hyperventilate.
The massive ancient cave he is entering into seems to get
deeper and darker and more deathly.
CAMAZOTZ (V.O.) (CONT’D)
Please, blue blood... I need your
grace... I am in pain... They're
going to, to trap the poor
wretch...
Casbolt is bewildered.
 82.

CASBOLT
Stop this. Get out. Where's Max?
WOMAN
Michael Prince.
The women lights her torch and gestures to the creepy cave.
WOMAN (CONT’D)
It is time to enter.
Casbolt is silent with terror. He waits for a bit.
SS SOLIDER
Come on, move it.
Casbolt looks up in dread at the top of the cave entrance. It
is a creepy ancient gargoyle like statue of a giant Mayan
vampire bat. It has the upturned nostrils, a gaping mouth
with teeth and a poking out tongue. Its ears are like large
bear ears but the bat gargoyle has a body of a seated man.
Casbolt shakes his head.
CASBOLT
It's in there. The creature is in
there.
SS SOLIDER
Shut up.
CASBOLT
(terrified)
Don't trap him!
SS SOLIDER
We will trap you in with the bat,
if you do not shut up!
They enter into the cave. It is damp, their are vines and
unfinished work as the cave begins to look natural as it gets
deeper, and more ruggered and dark.

WOMAN
People will think you are crazy
Michael. It is just a dream. This
is a movie.
Casbolt walks hugging himself as he shivers with a cold. He
looks up at the stalagmites and stalactites.
CAMAZOTZ (V.O.)
I am night's shadows. I am fear. I
am death...
 83.

Casbolt begins to twitch. He twists his hand out of the

soldier's and tries to run away.
CASBOLT
LIFE!!!
Suddenly, a high pitch noise, like distorted bat squeaks make
Casbolt grasp his head like he has a bad migrate.
MONTAGE
- Series of dutch tilts of the cave. Disorienting.
- Casbolt yells and panics. He stumbles and falls and tries
to crawl away. The soldiers bark at him.
- Flashing images of spilling blood, squeaking vampire bats.
Wings flapping, fire and knives in ritual sacrifices. Casbolt
tries to rebuke his thoughts. He covers his head.
- Casbolt screams. "MAX!"
CUT TO:
Max begin shoved into a temple complex ritual site. He stands
alone in the dark room with a large alert/statue of a fat man
with a head of a vampire bat. The statute has it arms raised
and with its tongue curling outwards. Bat hang upside on the
ceiling.
SPIERS
MICHAEL!
His yell echoes in the creepy Gothic ritual room.
SPIERS (CONT’D)
MICHAEL!
Suddenly, all the bat awake simultaneously and begins to
circle in a tornado around Spiers. He screams and fall on the
fall covering his head in the brace position.
CAMAZOTZ
Yes, delinquency. The paedophilia.
The blood.
(makes disgusting suck
sounds with his mouth)
I am the criminal behind it all.
The tornado of bat morphs into a figure. The man is brown
skinned and only wears a sliver, black and blue skirt around
his wist. His body shape is muscular and very fit.
 84.

His arms are the wings of a vampire bat, mat black with brown
hair on his forearms. He cross his arms together across his
bare chest with the wings like a black cape.
Max Spiers dramatically with much fear rise his head slowly
out from his hands as the bat begin to morph into the man;s
shape. Tension rising. Max's eyes are widen with fear. Until,
his cocks his head in shock.
SPIERS
Batman?
The batman god is wearing headgear and shoulder pads that is
the exact same shape of Batman's head. However, it is
greenish aqua like colour with intricate patterns, lines and
details covering the bust design. All we see is the god's
orange eyes and his mouth, in which the mask has twin white
fangs curling outwards over the man's lip like a moustache.
All of a sudden, the creature does not look so terrifying
anymore. It look short of pathetic.
CAMAZOTZ
(sighs. Drops his winged
arms like his performance
was ruined.)
Yes, i know... I am batman.
Spiers is dumbfounded.
Camazotz smirks.
CAMAZOTZ (CONT’D)
Who am i kidding. You don't realise
how many times people call me that
now. One of my disciples Alan Moore
obviously got his ideas from me.
Look. I gave him the permission to
make me become the good guy for
once, so this joke of a world can
honour me again. That god of blood
and death.
SPIERS
You did this? You did this to me?
You made me live this crap life?
CAMAZOTZ
And what's the grievance in that?
It is normal that i am now part of
the paradigm of this matrix.
(MORE)
 85.
CAMAZOTZ (CONT’D)
Children all over the world must be
tortured and shattered form their
carnal reptilian mindset so they
can gain a higher consciousness and
rise in vibration to be as one with
the alien gods - so unknown to man.
Pain comes first before the birth
of a new organism young Spiers.
This is why suffering in normal.
This is why you are chosen and
really, this you should be more
grateful. It is a rare gift.
SPIERS
So, it is a gift to be a slave. You
justify Satanic child sacrifice to
make more Batman movies?
Camazotz laughs. He spreads his wings out. We hear more
screeches of bats.
CAMAZOTZ
(teasing)
You're precisely right. And there
is nothing you can do about it.
Camazotz explodes as bats fly in every direction.
All round the room, people in masquerade masks, goat heads
and robe come into slowly walking dragging Casbolt and other
crying children behind them. They are tied up in ropes.
Max jolts back in utter distress. He doesn't know what to do.
SPIERS
No...
Casbolt flares his nostrils with absolute abhorrence.. He
struggle and wants to fight him and kill his handlers.
Slow motion marching of men in elaborate masquerade party
masks. Booming music.
CASBOLT (V.O.)
We live in two worlds. The normal
and the magical. We struggled to
reconcile weather or not what was
happening to us was a dream or if
it was real. It's hard to say,
Julian. We were throw around like
dolls. There is no saving us. We
are their slaves.
(MORE)
 86.
CASBOLT (V.O.) (CONT’D)
Slaves to a rigged system of make
believe light and darkness, good
and bad - when it is is all
Satanic. We, need something. Not
something that appears friendly but
is rotten to the core. This era of
deceit - this nightmare never seems
to end for me... Julian, i wish you
could understand - i have awaited
for salvation. It sounds - odd. I
want to experience true love. What
person on earth can do this now
when all i knew in life is that
there are evil people controlling
us. I don not think it will end.
CUT TO BLACK
CASBOLT (V.O.) (CONT’D)
My question to you is - will anyone
help us?
END OF ACT 3
END OF EPISODE 4