Professional Documents
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Elegant Box
Pinned lap joints
and shaped sides
refine a basic design
BY G A RY R O G OW S K I
S
implicity in design is of- my woodworking school, I re- say, 2:1, to 5:2 and ness of the stock. Cutting the
ten mistaken for having a called a bamboo sushi contain- to 8:5 (the classic golden depth of the fingers to just less
simple mind or a lack of er made with simple lap joints. I mean). Try some basic outlines than the thickness of the stock
ideas. Accuse me of this inno- changed the design to use alder on a piece of paper to see the enables you to clamp up right
cence, but I still prefer shapes to instead of bamboo and to in- difference. Then mill up some over the joint, making it much
be more modest than bold. Be- clude a bottom lined with rice stock 1 ⁄2 in. thick and 2 in. wide. easier to glue up. The long grain
cause of this inclination, I’ve al- paper. I left out the fish. Lay out the lap joints at half rather than the end grain will be
ways found Japanese design to The first step in this project is the height of the stock (1 in. in left proud so that it won’t get in
be inspiring, especially tradi- to decide on the proportions of this case) and mark them with a the way of your clamp pad.
tional designs for packaging. the box. It’s surprising how dif- square. Then lay out the depth When it comes to arranging
When I wanted a new joinery ferent a box looks when you of cut with a marking gauge set the lap joints at each corner,
project for students attending change the proportions from, to cut just less than the thick- you can stagger the fingers
Brass pins,
1 1 ⁄ 4 in., hold the
2 in. bottom in place.
4 in. 10 in.
around the box: For this box I to glue up the box with the bot- easily cut with a good dovetail with staggered joints, I cut the
3
placed one upper finger and tom in place to act as a spacer. saw and a paring chisel. Just re- ⁄16-in. by 5 ⁄16-in. rabbets for the
one lower finger on each side The easier method aligns the member that these simple joints bottom into each piece, with a
piece, which looks good to me. sockets and fingers opposite have very little gluing surface, stopped cut at the finger end
Or you can cut both fingers on each other so that each side is so they must fit well to gain any and a through-cut at the other.
the upper or lower half of each held in place by the other when strength from the joint. For End these stopped cuts well in
side. It’s up to you, but bear in pressure is applied. added strength, I reinforce the from the end so that you lessen
mind that when you stagger the joints with 11 ⁄8-in. brass pins af- the chances of blowing out the
joints, it’s a much tougher glue- Cut lap joints and rabbets ter glue-up. short grain on the sides. The
up. Any clamping pressure on Pull out your tablesaw and da- The rabbets to accept the bot- rabbets are squared up with a
the sides tends to collapse them do blade, if you must, but lap tom are easily cut on a router chisel before the box is assem-
in toward each other, so it helps joints and rabbets are just as table. Because I built the box bled. Though this is a small box,
62 FINE WOODWORKING
S H A P I N G T H E B OX
Rounding the sides. A small
block plane cuts in across the end
grain. First, a bevel is established,
then the entire side is rounded to
a fair curve. A pencil line prevents
mistakes by showing how much of
the stock should be planed away
at the edges of the box.
carve the end grain of the lid using a water-based polyure- tion. After bleaching, I clean the
with a gouge (I use a No. 3) for thane finish from Varathane as wood with a water-dampened
an attractive bit of texture. the glue (see the photo at left). I rag. The walnut boxes I make
Before shaping the lid, drill a put the finish on the bottom and are ebonized using a stain made
11 ⁄4-in. fingerhold in the center the oversized rice paper, then up of white vinegar and a piece
of the lid and rout grooves to press them together. No clamp- of old steel wool. I give the so-
accept a handle. I use a 3 ⁄16-in. ing is required. When dry, trim lution a few days to mix up,
straight bit in my router table to the rice paper exactly to size. strain out the steel wool parti-
make these stopped cuts. Chisel The bottom sits in the rabbets cles and then wipe this stain on-
them out square and fit a con- and is nailed in place with brass to the walnut with a rag. The
trasting wood as the handle. I pins. I use a slightly longer pin amount of darkening that oc-
used ebony as the handle for to nail each of the lap joints. curs will depend upon the tan-
this alder box and left it a bit tall Such thin stock has a tendency nin in the walnut, and at this
in the grooves. I make the same to split, so predrill the holes for stage it can look a little drab.
box out of walnut and use holly the pins with an undersized bit. But as soon as you put a clear
for the handle. It helps to do all Then carefully tap in the pins, coat over it, the beauty of the
of your staining before gluing protecting the underside of the stained walnut really pops. I
the handle in place. box with a towel or a scrap pad on a few coats of clear
Polyurethane finish acts as piece of carpet. blond shellac as a final touch to
glue. The author brushes a coat of
Add details to refine the box polyurethane onto a sheet of rice
This alder box is bleached to this very simple design.
There are a couple of other de- paper and the box bottom, then give it a bone-white look. I use
tails I add to this simple box. I lays the paper on the bottom and a couple of coats of a commer- Gary Rogowski is a contributing
glue rice paper to the bottom lets it dry. cial two-part bleaching solu- editor to Fine Woodworking.
NOVEMBER/DECEMBER 1999 63