Graded Pieces All

OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments
485 2 Agay Four popular diversions Form & Rhythm More difficult than the one above, they are also more modern in idiom. Each can be used both as
Blues Scales repertory and as teaching material. “Little prelude in Waltz time” can be used to teach both about
Syncopation form and rhythm, “Baroque bounce” likewise can be used to discuss what is “Baroque”, “Echoes of
the blues” introduces the blues scales, and “Ragtime doll” is excellent for syncopation.
483 1 Agay Mysterious Procession Left Hand Melody This is for the total beginner, and can be taught on the very first lesson. RH play a steady even
Sight Reading ostinato using only the note E, while the left hand plays the melody which consists only of ABC in
Hand Independence different orders and simple rhythms. Excellent for sight-reading, for hand independence, for
Expressive Playing expressive playing and for bringing up a melody on the left hand. It can also be used as a seed for
free improvisation.
484 2 Agay Petit Trianon suite These are ten easy pieces, each one covering a dance style on the 18th century. This is excellent
for rhythm development and to introduce the student to old dance patterns (which keep recurring on
the piano repertory). Excellent recital material for the beginners.
1270 8 Albéniz Cádiz (saeta) 4th mvt from ‘Suite Española no 1’, Op 47
1271 8 Albéniz En la Playa no 7 from ‘Recuerdos de Viaje’, Op 71
1272 8 Albéniz Evocation From ‘Iberia’
1176 7 Albéniz Rumores de la Caleta, Op 71/6
1177 7 Albéniz Serenata, from 'España', Op 165
486 2 Alderighi Signi Lieti 10 very easy, short pieces. The harmonies are traditional, the writing is highly pianistic and they
make up excellent recital material.
487 2 Alexandrow Pieces for Children The whole collection consists of 8 sets of short pieces for complete beginners. If you are familiar
with Kabalevsky’s pieces for children, this is similar.
663 U Alkan Esquisses op. 63
1034 5 Alkan L'Homme aux Sabots Op.63 No.23
489 1 Alt Hot Noon in the Meadow Introduction to how chords develop emotion Similar in difficulty to the above, this set of pieces uses modern harmonies to tell stories, so it is a
very good introduction to how and why chords and intervals can elicit different emotions (for
instance, “The spider” uses tritons to build up suspense, and “Bees and Flies” uses chromatic
intervals to emulate buzzing).
488 1 Alt The Ocean Pattern Introduction A collection of 10 pieces for the complete beginner, most you can teach at the first lesson. The
interesting thing here is that they use the whole keyboard and introduce patterns that frequently
appear in the more advanced pieces, so they are excellent preparatory pieces. Again very good
recital material for beginners.
490 2 Alt Where the palm tree grows Introduction to contemporary music More difficult than the previous two, this is thoroughly contemporary music - and let us face it,
contemporary music is not the most appealing to beginners – but this is a good introduction since it
is not too radically contemporary.
664 U Arensky 24 Character pieces Op. 26
620 7 Arensky Consolation Op. 36 No. 5
621 7 Arensky Elegie Op. 36 No. 16
1178 7 Arensky Le Coucou
1179 7 Arensky Prelude in E major, Op. 63 No. 07
1036 5 Arne Sonata in D minor Andante
1037 5 Arne Sonata in G minor 1st mvt
1180 7 Arne Sonata No. 1 in F 3rd mvt
1115 6 Arne Sonata No. 2 in E minor Andante
1181 7 Arne Sonata No. 3 in G 2nd mvt, Allegro
1035 5 Arne Sonata No. 5 Gavotte in B flat
1116 6 Arne Sonata No. 7 in A 1st mvt, Presto
470 2 Attwood Sonatina No. 1 in G major Scale fragments This has to be the first sonatina to be learned. Grown ups may not find it so useful, but for the below
Alberti patterns 10 is a great repertory. The second movement is the easiest, but also dull. The first and third
Broken arpeggios movements are excellent.
Very good for finger articulation/
independence.
977 4 Attwood Sonatina No. 2 in C 2nd mvt, Minuetto and 3 variations
118 7 Bach 01 No 15 in G B2 - Preludes & Fugues
119 7 Bach 02 No 6 in Dm - Preludes & Fugues
120 7 Bach 03 No 21 in Bb - Preludes & Fugues
121 7 Bach 04 No 10 in Em - Preludes & Fugues
122 7 Bach 05 No 20 in Am B2 - Preludes & Fugues
123 7 Bach 06 No 11 in F - Preludes & Fugues
124 7 Bach 07 No 2 in Cm - Preludes & Fugues
125 7 Bach 08 No 9 in E - Preludes & Fugues
126 7 Bach 09 No 13 in F# - Preludes & Fugues
127 7 Bach 10 No 21 in Bb B2 - Preludes & Fugues
128 7 Bach 11 No 6 in Dm B2 - Preludes & Fugues
129 7 Bach 12 No 19 in A B2 - Preludes & Fugues
130 7 Bach 13 No 11 in F B2 - Preludes & Fugues
131 7 Bach 14 No 19 in A - Preludes & Fugues
132 7 Bach 15 No 14 in F#m - Preludes & Fugues
133 7 Bach 16 No 18 in G#m - Preludes & Fugues
134 7 Bach 17 No 2 in Cm B2 - Preludes & Fugues
135 7 Bach 18 No 5 in D - Preludes & Fugues
136 7 Bach 19 No 7 in Eb - Preludes & Fugues
137 7 Bach 20 No 14 in F#m B2 - Preludes & Fugues
138 7 Bach 21 No 7 in Eb B2 - Preludes & Fugues
139 7 Bach 22 No 1 in C - Preludes & Fugues
140 7 Bach 23 No 17 in Ab - Preludes & Fugues
141 7 Bach 24 No 13 in F# B2 - Preludes & Fugues
142 7 Bach 25 No 15 in G - Preludes & Fugues
143 7 Bach 26 No 12 in Fm B2 - Preludes & Fugues
144 7 Bach 27 No 1 in C B2 - Preludes & Fugues
145 7 Bach 28 No 24 in Bm B2 - Preludes & Fugues
146 7 Bach 29 No 10 in Em B2 - Preludes & Fugues
147 7 Bach 30 No 16 in Gm - Preludes & Fugues
148 7 Bach 31 No 5 in D B2 - Preludes & Fugues
149 7 Bach 32 No 18 in G#m B2 - Preludes & Fugues
150 7 Bach 33 No 24 in Bm - Preludes & Fugues
151 7 Bach 34 No 9 in E B2 - Preludes & Fugues
152 7 Bach 35 No 4 in C#m - B2 Preludes & Fugues
153 7 Bach 36 No 23 in B - Preludes & Fugues
154 7 Bach 37 No 3 in C# - B2 Preludes & Fugues
155 7 Bach 38 No 12 in Fm - Preludes & Fugues
156 7 Bach 39 No 3 in C# - Preludes & Fugues
157 7 Bach 40 No 8 in D#m - B2 Preludes & Fugues
158 7 Bach 41 No 22 in Bbm - Preludes & Fugues
159 7 Bach 42 No 17 in Ab B2 - Preludes & Fugues
160 7 Bach 43 no 4 in C#m - Preludes & Fugues
161 7 Bach 44 No 8 in D#m - Preludes & Fugues
162 7 Bach 45 No 20 in Am - Preludes & Fugues
163 7 Bach 46 No 22 in Bbm B2 - Preludes & Fugues
164 7 Bach 47 No 16 in Gm B2 - Preludes & Fugues
165 7 Bach 48 No 23 in B B2 - Preludes & Fugues
887 2 Bach Bourrée from Overture in F
1300 8 Bach Capriccio in B flat, BWV 992 ‘on the Departure of his most Beloved Brother’
71 8 Bach English Suite No. 1 - Allemande
77 5 Bach English Suite No. 1 - Bouree 1
72 6 Bach English Suite No. 1 - Courante 1
73 6 Bach English Suite No. 1 - Courante 2
74 6 Bach English Suite No. 1 - Double 1
75 5 Bach English Suite No. 1 - Double 2
79 6 Bach English Suite No. 1 - Gigue
70 7 Bach English Suite No. 1 - Prelude
76 6 Bach English Suite No. 1 - Sarabande
82 5 Bach English Suite No. 2 - Courante
91 6 Bach English Suite No. 3 - Gavotte 1
98 4 Bach English Suite No. 4 - Menuet 1
99 4 Bach English Suite No. 4 - Menuet 2
105 5 Bach English Suite No. 5 - Passepied 1
106 4 Bach English Suite No. 5 - Passepied 2
112 5 Bach English Suite No. 6 - Double
1301 8 Bach Fantasia in C minor, BWV 906
1302 8 Bach French Overture (Partita) in B minor BWV 831 7th and 10th mvts, Sarabande and Gigue
31 7 Bach French Suite No. 1 - Allemande
32 6 Bach French Suite No. 1 - Courante
36 8 Bach French Suite No. 1 - Gigue
34 5 Bach French Suite No. 1 - Menuet 1
35 4 Bach French Suite No. 1 - Menuet 2
33 6 Bach French Suite No. 1 - Sarabande
40 5 Bach French Suite No. 2 - Air
41 4 Bach French Suite No. 2 - Menuet
48 6 Bach French Suite No. 3 - Gavotte
47 5 Bach French Suite No. 3 - Trio
53 5 Bach French Suite No. 4 - Air
59 5 Bach French Suite No. 5 - Bouree 1
60 6 Bach French Suite No. 5 - Bouree 2
67 5 Bach French Suite No. 6 - Bouree
66 4 Bach French Suite No. 6 - Polonaise
933 3 Bach French Suite, No 6 in E Minuet
1 5 Bach Invention 01
216 3 Bach Little Prelude, BWV 999
980 4 Bach March in E flat, BWV Anh 127 The Anna Magdalena Bach Book of 1725)
463 2 Bach March in Eb, BWV Anh. II 127 (anon.) Intro to 2-voice inventions Another excellent preparation for 2-voice inventions.
458 2 Bach Minuet in Am, BWV Anh. II 120 (anon.) Hand independence Another excellent 2 voice canonic work that will develop hand independence and yet is easy
enough for a beginner.
459 2 Bach Minuet in Cm, BWV Anh. II 121 (Anon.) Hauntingly beautiful slow minuet.
464 2 Bach Minuet in Dm, BWV Anh. II 132 (anon.) Hand independence Another very beautiful reflective minuet, which will develop hand independence. From A Little
Notebook for Anna Magdalena Bach
461 2 Bach Minuet in G, (G. Bohm) Intro to counterpoint Another good introduction to counterpoint that is simple enough for any beginner.
455 2 Bach Minuet in G, BWV Anh. 114 (C. Petzold) Ornamentation This minuet is meant to be played with the Minuet in Gm in ABA form (minuet in G – minuet in Gm –
minuet in G).
457 2 Bach Minuet in G, BWV Anh. II 116 (anon.) Intro to 2-voice inventions Excellent piece to introduce canon (round) writing. It is a perfect introduction to 2 voice inventions
which are far too difficult for a beginner.
456 2 Bach Minuet in Gm, BWV Anh. 115 (C. Petzold) Ornamentation Beautiful lyrical minuet, reflective and slow. This minuet is meant to be played with the previous one
in ABA form (minuet in G – minuet in Gm – minuet in G). For beginners omit the ornamentation. For
more advanced players there is a lot of scope for learning the art of ornamentation with these two
pieces.
981 4 Bach Minuet no 1 in B minor
462 2 Bach Musette in D, BWV Anh. II 126(anon.) Skips Excellent piece for the virtuoso to be (very easy but impressive), with daring skips on the LH and
Fast runs fast runs on the RH. A favorite with kids.
888 2 Bach Overture in F, BWV 820 5th mvt, Bourrée
1303 8 Bach Partita No. 3 in A minor, BWV 827 1st and 6th mvts, Fantasia and Scherzo
1304 8 Bach Partita No. 4 in D, BWV 828 Menuett and Gigue
1182 7 Bach Partita No. 5, BWV 829 Corrente
886 2 Bach Polonaise in G minor, BWV Anh 119
1117 6 Bach Polonaise No 4 in D minor
934 3 Bach Prelude in C minor, BWV 999
466 2 Bach Prelude in C, BWV 846/I One of the few pieces in the notebook that is actually by Bach, this prelude is the first prelude in the
WTC book I.
467 2 Bach Prelude in C, BWV 924 A beautiful prelude based on broken triads, this is very easy (but not as effective) if you omit the
several ornaments. These can added later on when the student has progressed enough.
468 2 Bach Prelude in C, BWV 939 Arpeggios An excellent study in arpeggios for both RH and LH and a great introduction to question and answer
writing. Only 16 bars long
982 4 Bach Prelude in F No 8 of 'Twelve Little Preludes'
469 2 Bach Prelude in Gm, BWV 999 Broken Triads For the budding virtuoso. Very effective at a fast speed, but equally beautiful at a much slower
tempo. The repetitive figuration in broken triads make it an excellent exercise as well.
935 3 Bach Prelude, no 10 Eighteen Little Preludes'
16 6 Bach Sinfonia 01
847 1 Bach Chorale Lord, do with me as you will, BWV 514
227 6 Bach Giga from Partita no. 1
1187 7 Bach, C.P.E. Allegro in A, W 116/16
932 3 Bach, C.P.E. Allegro in C minor
928 3 Bach, C.P.E. Allegro in G, H328 W 116/54
978 4 Bach, C.P.E. Fantasia in D minor From 'Kurze und leichte Clavierstücke', Wq 113/3
460 2 Bach, C.P.E. March in D, H. 1.1 Uplifting and full of joy.
929 3 Bach, C.P.E. Menuet: La Pott, W 117/18 No 2 from 'CPE Bach, 23 Pièces Characteristiques'
1038 5 Bach, C.P.E. Presto in C minor, W 114/3
1188 7 Bach, C.P.E. Sinfonia No.15 in B minor, BWV 801
1131 6 Bach, C.P.E. Solfeggietto
1039 5 Bach, C.P.E. Solo per il Cembalo, W.65/7 From Anna Magdalena
1285 8 Bach, C.P.E. Sonata in A flat, W 49/2
1286 8 Bach, C.P.E. Sonata in A, H 18b W 55/4 1st mvt, Allegro assai
931 3 Bach, C.P.E. Sonata in C Allegretto
1186 7 Bach, C.P.E. Sonata in C minor, W 60 1st mvt, Allegretto
1183 7 Bach, C.P.E. Sonata in C, W 55/1, 3rd mvt
1184 7 Bach, C.P.E. Sonata in D minor, W 57/4 3rd mvt, Allegro
930 3 Bach, C.P.E. Sonata in F Allegretto
1185 7 Bach, C.P.E. Sonata in F minor, W 57/6 2nd mvt
502 7 Bach, C.P.E. Sonatas Almost forgotten these days and almost never played, his sonatas are real gems. Again, all of the
sonatas are around grade 7-8, so you should be able to manage. I particularly like w62 in G.
846 1 Bach, J.C. Air in F, BWV Anh. 131, from 'The Anna Magdalena Bach Book of 1725'
845 1 Bach, J.C. Aria in A minor
465 2 Bach, J.C. Aria in F Only 16 bars long, this beautiful aria can be easily learned by a beginner and then be used at a later
stage to teach improvised ornamentation.
1299 8 Bach, J.C. Sonata in B flat, Op 17/6
1040 5 Bach, J.C.F. Musical Leisure Hours - Allegretto in F
979 4 Bach, J.C.F. Musical Leisure Hours, no 2 - Menuet and Trio in F
1041 5 Bach, J.C.F. Sonata in G Op. 05 No. 03 Theme and Variations
644 9 Barber Ballade op. 46
640 9 Barber Excursions op. 20
639 9 Barber Interlude I ('For Jeanne')
643 9 Barber Nocturne op. 33 Chromatic and highly atmospheric – if you want poetic and romantic and yet modern look no further.
641 9 Barber Sonata op. 26 Extremely complex – advanced work requiring the utmost pianism. This sonata was written for
Horowitz. Originally it had only the first three movements, but Horowitz insisted that Barber write a
flashy finale for it, hence the - very difficult - fugue.
642 9 Barber Souvenirs op. 28
638 5 Barber Three Sketches (no. 1 - Love Song is a beautiful song without words) and his very lyrical and nostalgic Nocturne
which is written with modern harmonies but following John Field's model.
1190 7 Bartók 14 Bagatelles, Op 6 no 2
938 3 Bartók Choral: No 28 from 'For Children' vol 1
1273 8 Bartók Dance in Bulgarian Rhythm no 5 no 152 from ‘Mikrokosmos’ vol 6
1118 6 Bartók Dance with Sticks: no 1 from ‘6 Romanian Folk Dances’
983 4 Bartók For Children, vol 1 no 32 - Jeering Song
984 4 Bartók For Children, vol 2 no 18 - Teasing Song
940 3 Bartók Keringo
936 3 Bartók Lento: No 11, from 'For Children,' vol 1
1189 7 Bartók Mikrokosmos Vol 5 No.139 - Merry Andrew
1042 5 Bartók Mikrokosmos, Vol 4 No. 102 - Harmonics
1119 6 Bartók No 39 from ‘For Children’, Vol 1
939 3 Bartók Peasant's Flute: No 26 from 'For Children' vol 2
1120 6 Bartók Revelry: no 22 from ‘For Children’, Vol 2
889 2 Bartók Romanian Christmas Carol No 4 from 'Romanian Christmas Carols', Series 1
1274 8 Bartók Rondo no 1 from ‘3 Rondos on Folk Tunes’
937 3 Bartók Round Dance: No 17, from 'For Children,' vol 1
1275 8 Bartók Suite, Op 14, 1st mvt Allegretto
1043 5 Bartók Ten Easy Piano Pieces - Evening in the Country
1044 5 Bartók Ten Easy Piano Pieces - Hungarian Folksong
1121 6 Bartók Village Joke: no 130 from ‘Mikrokosmos’ vol 5
851 1 Bartók Children at Play
848 1 Bartók Quasi Adagio no 3 from 'For Children' vol 1
850 1 Bartók Two Little Dialogues
849 1 Bartók Two Short Pieces and Two Little Dances
472 2 Beach Children Carnival op. 25 Waltz Pierrot & Pierrette (from op. 25) is a wonderful waltz with a beautiful melody and unusual harmony,
Arpeggio very easy and yet it sounds very “professional”.
Equalizing Hand Tone My favourite though is “Secrets” (also from op. 25) where arpeggio figurations are divided between
the hands so that they are (almost) never together. Excellent exercise in equalizing the hands tone,
and an exquisite piece of music.
471 2 Beach Children’s Album op. 36 They are probably more suited to the later beginner (6 months – one year of lessons)
1276 8 Beethoven Andante Favori, WoO 57
1122 6 Beethoven Bagatelle in A, Op 33 No. 4
1195 7 Beethoven Bagatelle in Ab, Op. 33 No.7
1123 6 Beethoven Bagatelle in C, Op 119/02
1046 5 Beethoven Bagatelle in D, Op 119/03
1124 6 Beethoven Bagatelle in Eb, Op 33/1
985 4 Beethoven Bagatelle in F, Op 33/3
1045 5 Beethoven Bagatelle in Gm, Op 119/01
1193 7 Beethoven Bagatelle, Op 126/04
986 4 Beethoven Bagatelle, Op 33/06
840 1 Beethoven Ecossaise in Eb major WoO 86 These are one-page very easy pieces (grade 1) that Beethoven most likely wrote as pedagogical
material for is pupils.
841 1 Beethoven Ecossaise in G major WoO 23
172 4 Beethoven Fur Elise
987 4 Beethoven Merry and Sad, Bagatelle in A minor, Op 119/09
1191 7 Beethoven Rondo in A, WoO 49
1192 7 Beethoven Rondo, Op 51/1
218 5 Beethoven Six Ecossaises in Eb major WoO 83 These are actually to be played as a single piece. This is a two page affair (3 pages depending on
the edition), and more advanced than the other two (around grade 4/5). It sounds far more difficult.
1125 6 Beethoven Six Variations on ‘Nel cor più non mi sento’ WoO 70
253 6 Beethoven Sonata 01. Op. 49 no. 2 (Easy) However I find this sonata a bit dull (Beethoven thought so too
254 6 Beethoven Sonata 02. Op. 49 no. 1 Op. 49/1 being far more musical (the rondo is a real gem). It is a bit more difficult though. Both of
these however are not quite full-fledged sonatas (they were most likely composed as exercises for
his students).
256 6 Beethoven Sonata 04. Op. 14 no. 2
261 7 Beethoven Sonata 09. Op. 2. no. 2
264 7 Beethoven Sonata 12. Op. 13 (Pathetique)
265 7 Beethoven Sonata 13. Op. 22
266 7 Beethoven Sonata 14. Op. 28 (Pastorale)
267 7 Beethoven Sonata 15. Op. 7 (Grand)
268 7 Beethoven Sonata 16. Op. 78 (For Therese)
269 7 Beethoven Sonata 17. Op. 26 (Funeral March)
270 7 Beethoven Sonata 18. Op. 31 no. 3 (The Hunt)
274 8 Beethoven Sonata 22. Op. 27 no. 2 (Moonlight)
276 8 Beethoven Sonata 24. Op. 31 no. 2 (Tempest)
277 8 Beethoven Sonata 25. Op. 53 (Waldstein)
278 8 Beethoven Sonata 26. Op. 81 (Les Adieux)
279 8 Beethoven Sonata 27. Op. 57 (Appasionata)
255 6 Beethoven Sonata 3. Op. 79 (Alla Tedesca) Why not stretch a bit and try Op. 79, which is a real sonata, and quite beautiful (the second
movement is wonderful). It is considered to be around grade 7, but if you can manage grade 5
pieces, you can manage grade 7.
284 8 Beethoven Sonata 32. Op. 106 (Hammerklavier)
1047 5 Beethoven Sonatina in C 2nd movement
588 4 Beethoven Sonatina in F
890 2 Beethoven Sonatina in G Anh 5/1, 2nd mvt, Romanze
1194 7 Beethoven Sonatina in G, Op 79 3rd mvt, Vivace
988 4 Benda Sonata in Am 3rd mvt, Presto
1197 7 Benda Sonata in Bb 3rd mvt
1196 7 Benda Sonata in F 3rd mvt
989 4 Benda Sonatina in F
1048 5 Benda Sonatina in Gm
217 4 Benda Sonatina No. 3 in Am Arpeggios Exhilarating and athletic piece with fast arpeggios divided between the hands and hand crossings
Hand crossing on the second part. This is a one-movement sonatina (only 49 bars long) that sounds much more
difficult than it actually is.
990 4 Berens Study in F, Op 61/4
991 4 Berens Study in F, Op 88/18
652 U Berg Sonata op. 1 A one movement sonata that although supposedly in B minor is actually a chromatic work. Once
you get used to it, it is very beautiful and lyrical.
491 2 Bloch Enfantines Bloch composed a set of ten very interesting pieces called Enfantines, for his daughters. They are
not for beginners though, except the first one, which may be tackled by a late beginner (6 months –
1 year of lessons):
492 2 Bloch Lullaby Legato playing Impressionistic writing, this is a very expressive piece that allows for the introduction of several
Cantabile concepts: Modes (the piece is written in the Aeolian mode), legato playing (the piece requires that
one finger be held while the other fingers of the same hand play the melody above it), cantabile.
1198 7 Borodin Petite Suite no 4- Mazurka

493 2 Bowles Folk preludes Paul Frederick Bowles: These are really for intermediate students, but I could not resist including it.
These are excellent arrangements of classical American folk tunes. Truly enchanting pieces.
1277 8 Brahms Ballade in D minor, Op 10/1

1278 8 Brahms Intermezzo in A minor, Op 76/7
1279 8 Brahms Intermezzo in B minor, Op 119/1
1280 8 Brahms Intermezzo in E flat, Op 117/1
1199 7 Brahms Intermezzo in E, Op 116/6
1281 8 Brahms Intermezzo, Op 116/4
1126 6 Brahms Waltz in C# minor, Op 39/7
1049 5 Brahms Waltz in D minor, Op.39 No.9
1127 6 Brahms Waltz in E, Op 39/2
1128 6 Brahms Waltz, Op 39/3
501 6 Britten Holiday Diary
499 6 Britten Notturno Beautiful and haunting
500 6 Britten Three Character Pieces Range from the fast and fun Michael to the beautiful Daphne
1050 5 Britten Waltz in D minor, Op.3 No.1
992 4 Burgmüller Barcarolle, Op. 100/22
892 2 Burgmüller Douce Plainte (Sighing), Op. 100/16
942 3 Burgmüller Gracefulness
941 3 Burgmüller Innocence, Op. 100/05
1051 5 Burgmüller L'Hirondelle, Op. 100/24
1052 5 Burgmüller Orage, Op.109/13
943 3 Burgmüller Study in C minor, Op. 100/15
891 2 Burgmüller Study in G minor, Op. 100/16
852 1 Burgmüller Study in Am, Op. 100/02
1282 8 Chabrier Danse Villageoise (from ‘10 Pièces Pittoresques’)
1283 8 Chabrier Idylle (from ‘10 Pièces Pittoresques’)
844 7 Chabrier Pieces Pitoresques Idylle - the RH is almost as busy as the LH in this delightful piece. The LH mostly plays broken
octaves, skipping over two octaves. Excellent for skip accuracy. And it is a wonderful, hauntingly
beautiful piece.
221 6 Chabrier Bourée Fantasque
623 9 Chaminade Consolation Op. 87 No. 5
622 9 Chaminade Nocture Op. 165
367 8 Chopin Andante Spianatto (prelude to Grande Polonaise Brillante op. 22)
285 4 Chopin Cantabile in Bb major
295 6 Chopin Contradanse
368 8 Chopin Ecossaise no. 1 in D (Op. posth, 72 no. 3)
326 7 Chopin Ecossaise no. 2 in Gm Op. posth 72 no. 3
369 8 Chopin Ecossaise no. 3 in Db (Op. posth, 72 no. 3)
408 8 Chopin Etude Op. 10 no. 03
412 8 Chopin Fantaise Impromptu op. posth. 66
286 4 Chopin Feuille d’album
327 7 Chopin Fugue in Am
328 7 Chopin Funeral march in Cm (Op. posth. no. 2)
413 8 Chopin Impromptu no. 1 in Ab (Op. 29)
296 6 Chopin Largo in Eb major
297 6 Chopin Mazurka in A minor, op. 7 no. 2
298 6 Chopin Mazurka in A minor, op. posth. 67 no. 4
299 6 Chopin Mazurka in A minor, op. posth. 68 no. 2
300 6 Chopin Mazurka in Ab major, op. 24 no. 3
301 6 Chopin Mazurka in B minor, op. 30 no. 2
302 6 Chopin Mazurka in Bb major no. 51
303 6 Chopin Mazurka in Bb major, op. 7 no. 1
304 6 Chopin Mazurka in C major, op. 24 no. 2
306 6 Chopin Mazurka in C major, op. posth. 67 no. 3
307 6 Chopin Mazurka in C minor, op. 30 no. 1
308 6 Chopin Mazurka in E minor, op. 17 no. 2
288 4 Chopin Mazurka in F major, op. posth. 68 no. 3
309 6 Chopin Mazurka in F minor, op. 63 no. 2
289 4 Chopin Mazurka in F minor, op. posth. 68 no. 4
310 6 Chopin Mazurka in G major no. 50
311 6 Chopin Mazurka in G minor, op. 24 no. 1
312 6 Chopin Mazurka in G minor, op. posth. 67 no. 2
313 6 Chopin Mazurka in G# minor, op. 33 no. 1
372 8 Chopin Mazurka no. 01 in F#m (op. 6 no. 1)
331 7 Chopin Mazurka no. 02 in C#m (op. 6 no. 2)
334 7 Chopin Mazurka no. 03 in E (op. 6 no. 3)
336 7 Chopin Mazurka no. 04 in Ebm (op. 6 no. 4)
341 7 Chopin Mazurka no. 07 in Fm (op. 7 no. 3)
342 7 Chopin Mazurka no. 08 in Ab (op. 7 no. 4)
373 8 Chopin Mazurka no. 10 in Bb (op. 17 no. 1)
330 7 Chopin Mazurka no. 13 in Am (op. 17 no. 4)
374 8 Chopin Mazurka no. 17 in Bbm (op. 24 no. 4)
375 8 Chopin Mazurka no. 20 in Db (op. 30 no. 3)
415 8 Chopin Mazurka no. 23 in D (op. 33 no. 2)
376 8 Chopin Mazurka no. 25 in Bm (op. 33 no. 4)
332 7 Chopin Mazurka no. 26 in Em (op. 41 no. 1)
416 8 Chopin Mazurka no. 27 in B (op. 41 no. 2)
377 8 Chopin Mazurka no. 30 in G (op. 50 no. 1)
419 8 Chopin Mazurka no. 33 in B (op. 56 no.1)
378 8 Chopin Mazurka no. 34 in C (op. 56 no. 2)
420 8 Chopin Mazurka no. 35 in Cm (op. 56 no. 3)
379 8 Chopin Mazurka no. 36 in Am (op. 59 no. 1)
381 8 Chopin Mazurka no. 38 in F#m (op. 59 no. 3)
382 8 Chopin Mazurka no. 39 in B (op. 63 no. 1)
383 8 Chopin Mazurka no. 42 in G (op.posth. 67 no. 1)
384 8 Chopin Mazurka no. 46 in C (op. posth. 68 no. 1)
338 7 Chopin Mazurka no. 52 in Am
385 8 Chopin Mazurka no. 53 in Am
386 8 Chopin Mazurka no. 54 in D
339 7 Chopin Mazurka no. 55 in Bb
387 8 Chopin Mazurka no. 56 in C
340 7 Chopin Mazurka no. 57 in Ab
314 6 Chopin Nocturne in C minor, no. 21
388 8 Chopin Nocturne no. 01 in Bbm (Op. 9 no. 1)
347 7 Chopin Nocturne no. 02 in Eb (Op. 9 no. 2)
448 10 Chopin Nocturne No. 03 in B (Op. 9 no. 3)
426 8 Chopin Nocturne No. 04 in F (Op. 15 no. 1)
391 8 Chopin Nocturne no. 05 in F# (Op. 15 no. 2)
349 7 Chopin Nocturne no. 06 in Gm (Op. 15 no. 3)
427 8 Chopin Nocturne No. 07 in C#m (Op. 27 no. 1)
392 8 Chopin Nocturne no. 08 in Db (Op. 27 no.2)
393 8 Chopin Nocturne no. 09 in B (Op. 32 no. 1
389 8 Chopin Nocturne no. 10 in Ab (Op. 32 no. 2)
421 8 Chopin Nocturne No. 12 in G (Op. 37 no. 2)
422 8 Chopin Nocturne No. 13 in Cm (Op. 48 no. 1)
390 8 Chopin Nocturne no. 14 in F# (Op. 48 no. 2)
344 7 Chopin Nocturne no. 15 in Fm (Op. 55 no. 1)
345 7 Chopin Nocturne no. 15 in Fm (Op. 55 no. 1)
423 8 Chopin Nocturne No. 16 in Eb (Op. 55 no. 2)
424 8 Chopin Nocturne No. 17 in B (Op. 62 no. 1)
425 8 Chopin Nocturne No. 18 in E (Op. 62 no. 2)
346 7 Chopin Nocturne no. 19 in Em (Op. posth, 72 no. 1)
348 7 Chopin Nocturne no. 20 in C#m
394 8 Chopin Nouvelle Etude no. 1 in Fm
428 8 Chopin Nouvelle etude no. 3 in Db
351 7 Chopin Nouvelles Etudes no. 2 in Ab
315 6 Chopin Polonaise in Bb major no. 12
316 6 Chopin Polonaise in G minor no. 11
395 8 Chopin Polonaise no. 01 in C#m Op. 26 no. 1
430 8 Chopin Polonaise no. 02 in Ebm Op. 26 no.2
431 8 Chopin Polonaise no. 03 in A Op. 40 no. 1
397 8 Chopin Polonaise no. 04 in Cm Op. 40 no. 2
445 9 Chopin Polonaise no. 05 in F#m Op. 44
446 9 Chopin Polonaise no. 06 in Ab Op. 53
432 8 Chopin Polonaise no. 08 in Dm Op. Posth. No. 1
433 8 Chopin Polonaise no. 09 in Bb Op. Posth. No. 2
396 8 Chopin Polonaise no. 10 in Fm Op. Posth 71 no. 3
317 6 Chopin Polonaise no. 11 in Gm
318 6 Chopin Polonaise no. 12 in Bb
352 7 Chopin Polonaise no. 13 in Ab
444 9 Chopin Polonaise no. 14 in G#m (Chopin was 12 when he composed this one)
429 8 Chopin Polonaise no. 15 in Bbm
447 9 Chopin Polonaise-fantasie no. 7 Op. 61
398 8 Chopin Preludes Op. 28. No. 01
291 4 Chopin Preludes Op. 28. no. 04
450 10 Chopin Preludes Op. 28. No. 16 (Arguably the most difficult)
358 7 Chopin Soanta no. 2 in Bbm (Op. 35) 3rd mov. Marche Funebre
401 8 Chopin Sonata in Cm (Op. 4) 2nd mov. – Menuetto
359 7 Chopin Sonata no. 1 in Cm (op. 4) 3rd mov. Larghetto.
360 7 Chopin Sonata no. 3 in Bm (Op. 58) 3rd mov. Largo
439 8 Chopin Souvenir de Paganini.
361 7 Chopin Variations in E on Bellini’s I Puritani.
440 8 Chopin Variations on a German National air
402 8 Chopin Waltz No. 01 (Eb, op. 18 )
442 8 Chopin Waltz No. 02 (Ab, Op. 34 no. 1)
325 6 Chopin Waltz No. 03 (Am, Op. 34 no. 2)
405 8 Chopin Waltz No. 04 (F, Op. 34 no. 3)
443 8 Chopin Waltz No. 05 (Ab, Op. 42)
363 7 Chopin Waltz No. 06 (Db, Op. 64 no. 1)
364 7 Chopin Waltz No. 07 (C#m, Op. 64 no. 2)
366 7 Chopin Waltz No. 09 (Ab, Op. Posth. 69 no. 1)
321 6 Chopin Waltz No. 10 (Bm, Op. Posth. 69 no. 2)
441 8 Chopin Waltz No. 11 (Gb Op. Posth. 70 no. 1)
322 6 Chopin Waltz No. 12 (Fm, Op. Posth. 70 no. 2)
362 7 Chopin Waltz No. 13 (Db, Op. Posth. 70 no. 3)
323 6 Chopin Waltz No. 14 (Ab)
324 6 Chopin Waltz No. 15 (E)
403 8 Chopin Waltz No. 16 (Em)
293 4 Chopin Waltz no. 17 in A minor
294 4 Chopin Waltz no. 18 in Eb major
404 8 Chopin Waltz No. 19 (Eb)
365 7 Chopin Waltz No. 80 (Ab, Op. 64 no. 3)
222 6 Chopin Polonaise Op. 40 no. 1 in A
219 3 Clementi Grand Waltz
1200 7 Clementi Sonata in A major, Op 10/1 1st mvt, Allegro con spirito
1201 7 Clementi Sonata in B flat, Op 47/2 1st mvt
1284 8 Clementi Sonata in D minor/major, Op 40/3 1st mvt, Adagio molto – Allegro
1054 5 Clementi Sonata in D, Op 25/6 2nd movement, Un poco andante
1055 5 Clementi Sonata in D, Op 26/3 Andante
1129 6 Clementi Sonata in F# minor, Op 25/5 2nd mvt, Lento e patetico
1053 5 Clementi Sonata in F, Op 4/6 1st mvt
1056 5 Clementi Sonatina in C, Op 36/3 Spiritoso
1130 6 Clementi Sonatina in D, Op 36/6 1st mvt
993 4 Clementi Sonatina in G, Op 36/2 1st mvt, Allegretto
994 4 Clementi Sonatina in G, Op 36/4 2nd mvt, Andante con espressione
853 1 Clementi Arietta in C, Op 42, Lesson 5
854 1 Clementi Sonatina, Op 36/3, Un Poco Adagio
996 4 Couperin Allemande
1058 5 Couperin Allemande in D minor
1057 5 Couperin Gigue in G minor, 'La Milordine'
1134 6 Couperin L’Atalante, from ‘Pièces de Claveçin’, Book 2 Ordre 12
893 2 Couperin La Bourbonnaise
1135 6 Couperin La Lutine, from ‘Pièces de Claveçin’, Book 1 Ordre 3
1136 6 Couperin Le Bavolet Flottant
995 4 Couperin Le Moucheron
1137 6 Couperin Les Petits Moulins à Vent
944 3 Couperin Rondo
1203 7 Cramer Etude no 33 in D
1202 7 Cramer Study in F# minor, No 22 of '84 Studies'
945 3 Czerny Study in A flat, Op 139/51
895 2 Czerny Study in B minor, Op 139/98
1204 7 Czerny Study in D minor, Op 740/37
894 2 Czerny Study in G, Op 139/25
946 3 Czerny Study in G, Op 261/17
220 3 Dacquin Le Coucou
601 7 Debussy Arabesque 2
600 7 Debussy Ballade
166 7 DeBussy Clair de Lune
593 6 Debussy D’un cahier d’esquisses
602 7 Debussy Danse
605 8 Debussy Estampes 1 - Pagodes
594 7 Debussy Estampes 2 - Soirees dans Grenade
609 8 Debussy Estampes 3 - Jardins sous la pluie
117 8 Debussy Gardens in the rain
606 8 Debussy Images I 1 - Reflets dans l'eau
591 6 Debussy Images I 2 - Hommage a Rameau
610 8 Debussy Images I 3 - Mouvement
607 8 Debussy Images II 1 - Cloches a travers les feuilles
592 6 Debussy Images II 3 - Et la lune descend sur le temple qui fut
611 8 Debussy Images II 3 - Poissons d'or
167 5 DeBussy La Fille aux Cheveux de Lin
612 8 Debussy L'isle joyeuse
603 7 Debussy Masques
598 7 Debussy Mazurka
608 8 Debussy Pour le piano 1 - Prelude
590 6 Debussy Pour le piano 2 - Sarabande
613 8 Debussy Pour le piano 3 - Toccata
1287 8 Debussy Prélude no 6, Book 2 ‘Général Lavine-eccentric’
589 6 Debussy Reverie
1288 8 Debussy Serenade of the Doll from ‘Children’s Corner Suite’
595 7 Debussy Suite Bergamasque 1 - Prelude
597 7 Debussy Suite Bergamasque 2 - Menuet
596 7 Debussy Suite Bergamasque 3 - Clair de lune
604 7 Debussy Suite Bergamasque 4 - Passepied
599 7 Debussy Valse Romantique
223 6 Debussy Arabesque 1
224 6 Debussy Dr. Gradus ad Parnassum
896 2 Diabelli Andantino, Op 125/11
1059 5 Diabelli Sonatina in B flat, Op 168/4 1st mvt
947 3 Diabelli Sonatina in F, Op 168/1 , 2nd mvt, Andante
624 6 Donizetti La ricordanza
625 7 Donizetti Larghetto in A minor A nocturne-like version for piano of the famous aria “Una furtiva lacrima”
1060 5 Dvorák Grandpa Dances with Grandma: no 2 from '2 Little Pearls'
1133 6 Dvorák Silhouette, Op 8/11
1289 8 Fauré Barcarolle no 4 in A flat, Op 44
1290 8 Fauré Fugue in E minor, Op 84/6
1291 8 Fauré Nocturne in A flat, Op 33/3
614 6 Fauré Nocturnes op. 33 no. 1
617 6 Fauré Nocturnes op. 36
618 6 Fauré Nocturnes op. 37
619 6 Fauré Romances sans paroles Op. 17 not exactly nocturnes, but very beautiful and lyric
1061 5 Field Nocturne in B flat, no 5
1138 6 Field Nocturne no 13 in D minor, H 59
1205 7 Field Nocturne no 16 in F
1292 8 Field Nocturne No 4 in A
1062 5 Franck Little Piece (Poco Allegro) in C# minor, from 'L'Organiste'
997 4 Franck L'Organiste' vol 1 no 23 - Quasi Lento
649 7 Gershwin Three Preludes I. Allegro ben ritmato e preciso Gershwin called this prelude “Spanish”. This is a fast virtuoso piece, very good as an encore.
665 7 Gershwin Three Preludes II. Andante con moto e poco rubato Gershwin called this prelude a “blues lullaby”. Slow and slightly lugubrious, it would make quite a
good piece to play before an intermission.
666 7 Gershwin Three Preludes III. Allegro ben ritmato e preciso This is my favourite of the three (and the most difficult).
645 U Ginastera Twelve American preludes Tonal music but with lots of chromaticism and strong rhythms. These are all short pieces, good as
encores.
998 4 Granados Bocetos No 4 - The Evening Bell
1063 5 Granados Cuentos de la Juventud', Op 1 no 9 - The Orphan Girl
1208 7 Granados Danza de la Rosa, no 3 from 'Escenas Poéticas'
1293 8 Granados Danza Española No 6: Jota ‘Rondalla Aragonesa’
1207 7 Granados Danza Galante, from 'Danzas Españolas'
252 4 Granados Dedication “Dedication” is just one page long and very beautiful.
1206 7 Granados Viniendo de la fuente, Op 1/5
1209 7 Grieg Album Leaf in A Flat, Op.28 No.1
1000 4 Grieg Arietta
1065 5 Grieg Folk Song, Op 12/5
1294 8 Grieg Gade, Op 57/2
1066 5 Grieg Grandmother's Minuet, Op 68/2
503 4 Grieg Lyric Pieces Op. 12/1 (Arietta)
504 4 Grieg Lyric Pieces Op. 12/2 (Waltz)
505 4 Grieg Lyric Pieces Op. 12/3 (Watchman's song)
520 6 Grieg Lyric Pieces Op. 12/4 (Fairy dance)
506 4 Grieg Lyric Pieces Op. 12/5 (Folksong)
521 6 Grieg Lyric Pieces Op. 12/6 (norwegian dance)
507 4 Grieg Lyric Pieces Op. 12/7 (Album leaf)
508 4 Grieg Lyric Pieces Op. 12/8 (National song)
539 7 Grieg Lyric Pieces Op. 38/1 (Berceuse)
509 4 Grieg Lyric Pieces Op. 38/2 (Folk song)
522 6 Grieg Lyric Pieces Op. 38/3 (Melody)
523 6 Grieg Lyric Pieces Op. 38/4 (Halling)
540 7 Grieg Lyric Pieces Op. 38/5 (Springdans)
524 6 Grieg Lyric Pieces Op. 38/6 (Elegy)
510 4 Grieg Lyric Pieces Op. 38/7 (Waltz)
541 7 Grieg Lyric Pieces Op. 38/8 (Canon)
542 7 Grieg Lyric Pieces Op. 43/1 (Butterfly)
511 4 Grieg Lyric Pieces Op. 43/2 (Solitary traveller)
512 4 Grieg Lyric Pieces Op. 43/3 (In my native country)
543 7 Grieg Lyric Pieces Op. 43/4 (Little bird)
544 7 Grieg Lyric Pieces Op. 43/5 (Erotykon)
557 8 Grieg Lyric Pieces Op. 43/6 (To Spring)
525 6 Grieg Lyric Pieces Op. 47/1 (Valse-Impromptu)
558 8 Grieg Lyric Pieces Op. 47/2 (Album leaf)
513 4 Grieg Lyric Pieces Op. 47/3 (melody)
527 6 Grieg Lyric Pieces Op. 47/5 (Melancholy)
559 8 Grieg Lyric Pieces Op. 47/6 (Springdans)
514 4 Grieg Lyric Pieces Op. 47/7 (Elegy)
545 7 Grieg Lyric Pieces Op. 54/1 (Shepherd's boy)
560 8 Grieg Lyric Pieces Op. 54/2 (Gangar)
567 8 Grieg Lyric Pieces Op. 54/3 (March of the dwarfs)
546 7 Grieg Lyric Pieces Op. 54/4 (Notturno) “Notturno” is haunting and yet not the usual nocturne pattern (Lyric pieces, Op. 54/4).
547 7 Grieg Lyric Pieces Op. 54/5 (Scherzo)
515 4 Grieg Lyric Pieces Op. 54/6 (Bell ringing)
561 8 Grieg Lyric Pieces Op. 57/1 (Vanished days)
548 7 Grieg Lyric Pieces Op. 57/2 (Gade)
528 6 Grieg Lyric Pieces Op. 57/3 (Illusion)
529 6 Grieg Lyric Pieces Op. 57/4 (Secret)
562 8 Grieg Lyric Pieces Op. 57/5 (She dances)
549 7 Grieg Lyric Pieces Op. 57/6 (Home sickness)
550 7 Grieg Lyric Pieces Op. 62/1 (Sylphe)
530 6 Grieg Lyric Pieces Op. 62/2 (Gratitude)
531 6 Grieg Lyric Pieces Op. 62/3 (French Serenade)
563 8 Grieg Lyric Pieces Op. 62/4 (Brooklet)
532 6 Grieg Lyric Pieces Op. 62/5 (Phantom)
564 8 Grieg Lyric Pieces Op. 62/6 (Homeward)
565 8 Grieg Lyric Pieces Op. 65/1 (From early years)
533 6 Grieg Lyric Pieces Op. 65/2 (Peasant's song)
551 7 Grieg Lyric Pieces Op. 65/3 (Melancholy)
552 7 Grieg Lyric Pieces Op. 65/4 (Salon)
516 4 Grieg Lyric Pieces Op. 65/5 (Ballad)
566 8 Grieg Lyric Pieces Op. 65/6 (Wedding day at Troldhaugen)
553 7 Grieg Lyric Pieces Op. 68/1 (Sailor's song)
517 4 Grieg Lyric Pieces Op. 68/2 (Grandmother's menuet)
534 6 Grieg Lyric Pieces Op. 68/3 (At your feet)
535 6 Grieg Lyric Pieces Op. 68/4 (Evening in the mountain)
536 6 Grieg Lyric Pieces Op. 68/5 (At the cradle)
554 7 Grieg Lyric Pieces Op. 68/6 (Valse Melancholique)
555 7 Grieg Lyric Pieces Op. 71/1 (Once upon a time)
556 7 Grieg Lyric Pieces Op. 71/2 (Summer's eve)
537 6 Grieg Lyric Pieces Op. 71/3 (Puck)
538 6 Grieg Lyric Pieces Op. 71/4 (Peace of the Woods).
518 4 Grieg Lyric Pieces Op. 71/6 (gone)
519 4 Grieg Lyric Pieces Op. 71/7 (remembrance)
999 4 Grieg Lyric Pieces, Op 12/4 Elves' Dance
1139 6 Grieg Poetic Tone Picture, Op 3/1
1210 7 Grieg Prelude from Holberg Suite Op.40
1067 5 Grieg Rigaudon, No 5 of the 'Holberg Suite'
1211 7 Grieg Scherzo Impromptu in B Flat Op.5 No.3
1141 6 Grieg Vöglein (Little Bird) Op 43/4
225 6 Grieg Holberg suite
651 U Griffes Roman Sketches, Op. 7 Impressionistic, tonal music.
650 U Griffes Three tone pictures, Op. 5 Impressionistic, tonal music.
477 2 Gurlitt A song without words, op. 117 no. 34 Broken Chords A study in broken chords very effective in performance.
949 3 Gurlitt Impromptu, Op 224/5
479 2 Gurlitt In the garden, op. 140 no. 4 LH melody voicing The melody is in the LH while the RH accompanies with syncopated chords. Excellent for teaching
how to voice between the hands.
1001 4 Gurlitt Kleine Blumen, Op 205/03 Allegretto
950 3 Gurlitt Little Flower
478 2 Gurlitt Lullaby Prep for 4-5 finger melody Beautiful piece with the accompaniment equally divided between both hands and the melody played
with fingers 4-5 of the RH. Excellent preparation for similar figuration in the more advanced
repertory (e.g. Mendelssohn’s Song without words op. 19 no.1). Although easy, it is for the late
beginner.
473 2 Gurlitt Morning prayer, Op. 101 no. 2 Beautiful chorale in three voices, will prepare for four voice chorales. Very easy. From here, go to
the one below.
1068 5 Gurlitt Serenade in A Op 172 No 5
900 2 Gurlitt Serenade in B flat No 18 from 'Album for the Young', Op 140
951 3 Gurlitt Sonatina in F Allegro Scherzando
952 2 Gurlitt Sonatina in G 1st and 3rd mvts
474 2 Gurlitt Sunday, Op. 101 no. 18 Four-part Harmony Four part chorale. Excellent to learn four part harmony and bring up the top voice in each chord.
Bring out upper voice
948 3 Gurlitt The Deserted Child, Op 74/6
475 2 Gurlitt The Fair, op. 101 no. 8 Develop inflection of short melodic motifs Very light, with a fast RH going through a circular semiquaver pattern. Very good to develop the
inflection of short melodic motifs. For the budding virtuoso.
898 2 Gurlitt The Hurdy Gurdy Man, Op210/19
897 2 Gurlitt Undismayed, Op 197/7
476 2 Gurlitt Valse Noble op. 101 no. 14 Contrast grazioso w/ scherzo A very nice waltz with just 16 bars (two 8-bar phrases). Good for learning how to contrast the
grazioso section with the scherzo section.
899 2 Gurlitt Wild Mignonette
858 1 Gurlitt Allegretto grazioso in C, Op 117/6
857 1 Gurlitt Andantino in F, Op 187/48
855 1 Gurlitt Melodic Study
860 1 Gurlitt Moderato
859 1 Gurlitt Sonatina in C
856 1 Gurlitt Waltz in F, Op 179/21
954 3 Handel Air in B flat, HWV 471
955 3 Handel Air, B175/42
1214 7 Handel Allegro in D minor
901 2 Handel Chanson 'Sans y penser'
1003 4 Handel Courante in F, B60/24
1004 4 Handel Courante in F, HWV 488
1216 7 Handel Fantasia in C, B.60/21
902 2 Handel Fuga in G, B175/31
1295 8 Handel Fugue no 3 in B flat, HWV 607
1296 8 Handel Fugue no 6 in C minor, HWV 610
956 3 Handel Gavotte in G, HWV 491
1215 7 Handel Gigue from Suite No.1
1002 4 Handel Gigue, from Suite in G minor, B60/19
1069 5 Handel Minuet and Variations, from Suite no 10
957 3 Handel Minuet in F
1070 5 Handel Minuet in G minor, from Suite no 1 in B flat
1077 5 Handel Partita in G HWV 450 5th Movt Gigue
1006 4 Handel Sonata in C, B60/29 3rd mvt
953 3 Handel Sonatina in B flat
1005 4 Handel Sonatina in B flat, HWV 585 Baroque Keyboard Pieces, book 2, pub. Assoc. Board)
1071 5 Handel Suite in B flat, B60/15 Corrant
1142 6 Handel Suite in D minor, B 60/18 Allemande
1072 5 Handel Suite in G B60/16 2nd Movt Allegro
1074 5 Handel Suite in G minor, HWV 452 1st mvt, Allemande
1143 6 Handel Suite in G minor, HWV 453 2nd mvt, Entrée
1144 6 Handel Suite in G, HWV 441 Courante
1076 5 Handel Suite No 10 Minuet and Variations
1075 5 Handel Suite no 13 Courante
1297 8 Handel Suite no 3 in D minor, 1720 Collection, HWV 428
1212 7 Handel Suite no 4 in E minor, 1720 Collection, HWV 429 2nd mvt, Allemande
1298 8 Handel Suite no 6 in F# minor, 1720 Collection, HWV 431, B60/6 3rd mvt Allegro
1073 5 Handel Suite no 7, HWV 432 Passacaglia
1213 7 Handel Suite no 8 in F minor, 1720 Collection, HWV 433 Gigue, 3rd mvt Allemande
861 1 Handel Menuet in F
862 1 Handel Passepied in C, HWV 559
226 6 Handel Suite no 5 in E major
1145 6 Haydn Adagio in F, Hob XVII/9
958 3 Haydn Arietta con Variazione
1146 6 Haydn Divertimento in E 2nd mvt
787 5 Haydn Sonata XVI/01 in C major Allegro (5) Adagio (4) Menuet and Trio (2/3)
788 6 Haydn Sonata XVI/02 in Bb major Moderato (6) Largo (6) Menuet and trio (5)
789 5 Haydn Sonata XVI/03 in C major Allegretto (5) Andante (5) Finale: Presto (4)
790 5 Haydn Sonata XVI/04 in D major Moderato (5) Menuet and Trio (4)
791 4 Haydn Sonata XVI/05 in A major Allegro (7) Menuet and trio (2/3) Finale: Presto (6)
792 6 Haydn Sonata XVI/05 in D major Moderato (incomplete) Menuet and trio (6)
793 4 Haydn Sonata XVI/06 in G major Allegro (7) Menuet and Trio (6) Adagio (5) Finale (6)
794 5 Haydn Sonata XVI/07 in C major Allegro moderato (4) Menuet and trio (4) Finale: Allegro (5)
795 5 Haydn Sonata XVI/08 in G major Unexpected skips (3rd Mvmt) Allegro (5) Menuet (2/3) Andante (2/3)- A wonderful slow and lyrical movement. Omit the ornaments
Forearm rotation (4th mvmt) for the early beginners. Very easy, but due to the unexpected skips it teaches one to think ahead.
Bass Melody (4th mvmt) Finalle: Allegro (2/3 or less) This is a fast exhilarating movement, very short, very repetitive in its
Hand Swaps (4th mvmt) broken chord figurations. Excellent for forearm rotation and bringing the bass melody over the mist
of sound created by the very fast RH. Hands swap figurations occasionally, so both hands get a
workout. If you hear this piece, you will not believe how easy it is (around grade 1/2).
796 5 Haydn Sonata XVI/09 in F major Speed (3rd mvmt) Allegro (5) Menuet and Trio (4) Scherzo (2) For the budding virtuoso. Beginners can easily master
Accuracy (3rd mvmdt) this movement at slow speed. More advanced beginners can start working on speed. Lots of
learning/practicing tricks can be learned as one studies this piece. (How to work for speed, how to
get accuracy, etc.)
797 5 Haydn Sonata XVI/10 in C major Moderato (5) Menuet and Trio (4) Finale: Presto (5)
798 5 Haydn Sonata XVI/11 in G major Presto (5) Andante (4) Menuet and trio (5)
799 6 Haydn Sonata XVI/12 in A major Andante (6) Menuet and Trio (5) Finale: Allegro molto (5)
800 5 Haydn Sonata XVI/13 in E major Moderato (5) Menuet and trio (4) Finale: Presto (5)
801 7 Haydn Sonata XVI/14 in D major Allegro moderato (7) Menuet and Trio (5) Finale: Allegro (6)
802 8 Haydn Sonata XVI/18 in Bb major Allegro moderato (8 ) Moderato (7)
803 8 Haydn Sonata XVI/19 in D major Moderato (8 ) Andante (6) Allegro Assai (7)
804 8 Haydn Sonata XVI/20 in C minor Moderato (8 ) Andante com moto (7) Allegro (8 )
805 7 Haydn Sonata XVI/21 in C major Allegro (7) Adagio (6) Presto (6)
806 7 Haydn Sonata XVI/22 in E major Allegro moderato (7) Andante (6) Finale: Tempo di menuet (6)
807 7 Haydn Sonata XVI/23 in F major Moderato (7) Adagio (5) Finale: Presto (6)
808 7 Haydn Sonata XVI/24 in D major Allegro (7) Adagio (6) Finale: presto (7)
809 8 Haydn Sonata XVI/25 in Eb major Moderato (8 ) Tempo di menuet (6)
810 8 Haydn Sonata XVI/26 in A major Allegro moderato (8 ) Menuet and trio (al rovescio) (4) Finale: Presto (5)
811 6 Haydn Sonata XVI/27 no. 42 in G major Allegro con Brio (6) Menuet (5) Finale: Presto (5)
812 8 Haydn Sonata XVI/28 in Eb major Allegro moderato (8 ) Menuet and trio (5) Finale: Presto (6)
813 8 Haydn Sonata XVI/29 in F major Moderato (8 ) Adagio (6) Tempo di menuet (6)
814 7 Haydn Sonata XVI/30 in A major Allegro (7) Tempo di menuet (7)
815 7 Haydn Sonata XVI/31 in E major Moderato (7) Allegretto (6) Finale: Presto (6)
816 8 Haydn Sonata XVI/32 in B minor Allegro moderato (7) Menuet (5) Finale: Presto (8 )
817 7 Haydn Sonata XVI/33 in D major Allegro (7) Adagio (6) Tempo di menuet (5)
818 7 Haydn Sonata XVI/34 in E minor Presto (7) Adagio (6) Finale: Vivace molto (6)
819 7 Haydn Sonata XVI/35 in C major Allegro con brio (7) Adagio (5) Allegro (6)
820 8 Haydn Sonata XVI/36 in C# minor Moderato (8 ) Scherzando: allegro con brio (6) Menuet and trio: moderato (6)
821 8 Haydn Sonata XVI/37 in D major Allegro con brio (8 ) Largo e sostenuto (5) Finale: Presto ma non troppo (6)
822 8 Haydn Sonata XVI/38 no. 51 in Eb major Allegro moderato (8 ) Adagio (6) Finale: Allegro (5)
823 8 Haydn Sonata XVI/39 in G major Allegro con brio (7) Adagio (6) Prestissimo (8 )
824 7 Haydn Sonata XVI/40 in G major Allegretto innocente (7) Presto (7)
825 8 Haydn Sonata XVI/41 in Bb major Allegro (8 ) Allegro di molto (7)
826 8 Haydn Sonata XVI/42 in D major Andante con espressione (8 ) Vivace assai (7)
827 7 Haydn Sonata XVI/43 in Ab major Moderato (7) Menuetto (2/3) Rondo: Presto (7)
828 8 Haydn Sonata XVI/44 in G minor Moderato (8 ) Allegretto (6)
829 7 Haydn Sonata XVI/45 in Ebmajor Moderato (7) Andante (7) Finale: Allegro di Molto (8 )
830 8 Haydn Sonata XVI/46 in Ab major Allegro moderato (8 ) Adagio(8 ) Finale: Presto (7)
831 6 Haydn Sonata XVI/47 bis in E minor Adagio (6) Allegro (6) Finale: Tempo di Minuetto (6)
832 8 Haydn Sonata XVI/47 in F major Moderato (8 ) Larghetto (6) Finale: allegro (6)
833 8 Haydn Sonata XVI/48 in C major Andante con espressione (8 ) – Rondo: presto (8 )
834 8 Haydn Sonata XVI/49 in Eb major Allegro (8 ) Adagio e cantabile (8 ) Finale: Tempo di menuet (6)
835 8 Haydn Sonata XVI/50 in C major Allegro (8+) Adagio (7) Finale: Allegro molto (7)
836 7 Haydn Sonata XVI/51 in D major Andante (7) Presto (7)
837 8 Haydn Sonata XVI/52 in Eb major Allegro (8+) Adagio (8+) Finale: Presto (8 )
838 5 Haydn Sonata XVI/D1 in D major Moderato (5) Menuet (3 or less) Finale: Allegro (5)
839 5 Haydn Sonata XVI/G1 in G major Allegro (5) Menueto (2/3) Finale: Presto (5)
1014 4 Heller A Strange Story
1147 6 Heller Etude in D, Op 46/8
1085 5 Heller Gipsy Dance, Op 136/19
496 6 Heller Melodius Etudes I'll just list my favourites (but they are all pretty good)....op 47 3, 10, 15, 21, 23: op 46 4, 7, 11.
There are plenty of goodies from op 125 and 45
1013 4 Heller Melody in G
1217 7 Heller Nuits blanches (Sleepless Nights), Op 82/7
1083 5 Heller Prelude in C# minor, Op 81/10
1084 5 Heller Prelude in F, Op 119/16
959 3 Heller Prelude, Op 119/17
1011 4 Heller Prelude, Op 119/6
1081 5 Heller Reverie in A flat, Op 122/9 - Waltz
1086 5 Heller Sleepless Nights Op 87 No 3
1010 4 Heller Study in A flat, Op 47/23
1078 5 Heller Study in B flat, Op 45/16
1148 6 Heller Study in B minor, Op 46/11
1009 4 Heller Study in B minor, Op 47/12
1149 6 Heller Study in C minor, Op 46/26
1087 5 Heller Study in C Op 46 No 1
960 3 Heller Study in D, Op 125/7
1012 4 Heller Study in E, Op 125/18
1218 7 Heller Study in E, Op.45 No.9
1219 7 Heller Study in E, Op.47 No.16
1079 5 Heller Study in F, Op 45/19
1082 5 Heller Waltz in A minor, Op 145/3
1080 5 Heller Waltz in A minor, Op 97/6
863 1 Henkel Piano Piece for the Young, no 13
494 1 Hovhaness Sketchbook of Mr. Purple Poverty op. 309 Sleeping Cat is a hauntingly beautiful piece – extremely easy with great scope for musicality.
864 1 Hovhaness Sleeping Cat, from 'Sketchbook of Mr Purple'
1015 4 Hummel Allegretto in F
962 3 Hummel Allegro in F No 56 from 'Klavierschule'
1016 4 Hummel Gigue
961 3 Hummel Menuetto, Op 42/3
1017 4 Kabalevsky 30 Pieces for Children, Op 30/6 - Sad Story
905 2 Kabalevsky A Little Song, from Op 27
964 3 Kabalevsky Clowning, Op 27/10
963 3 Kabalevsky Clowns, Op 39/20
904 2 Kabalevsky Galop, Op 39/18
906 2 Kabalevsky Nights on the River From 'Children's Pieces', Op 27/4
1088 5 Kabalevsky Novelette, Op 27/25
1220 7 Kabalevsky Prelude, Op 38/2
1018 4 Kabalevsky Rondo in D, Op 60/2
1090 5 Kabalevsky Scherzo in B minor Op 27 No 14
965 3 Kabalevsky Soldiers' March
1305 8 Kabalevsky Sonatina Op 13, no 2 (revised edition)
1089 5 Kabalevsky Song of the Cavalry, Op 27/29
903 2 Kabalevsky Waltz in D minor, Op 39/13
866 1 Kabalevsky Game
865 1 Kabalevsky Theme and Variation 1 From 5 Happy Variations on a Russian Folksong, Op 51/1
1221 7 Kalkbrenner Etude in C Sharp minor, Op.143 Bk2 No.16
867 1 Khachaturian Scherzino
1091 5 Kuhlau Sonatina in C, Op 55/03 2nd mvt, Allegro grazioso
907 2 Kuhlau Sonatina in F, Op 55/04 Andantino con espressione
1092 5 Kuhlau Sonatina in F, Op 88/04 Allegra Molto, Andante con moto
1150 6 Kuhlau Sonatina in G, Op 88/02
966 3 Kuhlau Sonatina, Op 55/01
912 2 L Mozart Allegro in G From 'Nannerl Notebook
1096 5 L Mozart Allegro Moderato in F From 'Nannerl Notebook
967 3 L Mozart Menuet in A
871 1 L Mozart Menuet in C
908 2 Le Couppey Study in A minor, Op 21
910 2 Le Couppey Study in B flat, Op 24/8
909 2 Le Couppey Study in C, Op. 24/06
869 1 Le Couppey Melody in C, no 14 from 'ABC du Piano'
870 1 Le Couppey Melody in C, no 21 from 'ABC du Piano'
250 6 Liszt Abschied S. 251
249 8 Liszt Bagatelle without Tonality S. 216a
238 5 Liszt Consolations, S. 172 no. 1
1306 8 Liszt Eglogue: no 7 from ‘Années de Pèlerinage: 1ère Année, Suisse’, S 160
231 5 Liszt Etude Op. 1 No. 4
235 5 Liszt Five Hungarian Folk Songs S. 245
246 5 Liszt Five piano pieces S. 192
1151 6 Liszt No 1 of ‘Four Short Piano Pieces’, S 192
1222 7 Liszt No 2 of 'Five Hungarian Folksongs', S 245
247 5 Liszt Nuages gris S. 199
237 5 Liszt Sancta Dorothea S. 187
245 5 Liszt The Christmas Tree S. 186
236 5 Liszt The Shephards at the Manger s. 186
1307 8 Liszt Valse oubliée (no 1 in A minor, S 215/1)
248 8 Liszt Valses Oubliees S. 215
244 5 Liszt Wiegenlied 174
232 7 Liszt Years of Pilgrimage: 1yr Switzerland No. 2
233 7 Liszt Years of Pilgrimage: 2yr Italy No. 2
234 7 Liszt Years of Pilgrimage: 2yr Italy No. 3
1093 5 MacDowell Hunting Song, no 1 of 'Twelve Studies'
1094 5 MacDowell Romanze Op 39 No 3
1223 7 Macdowell Starlight, Op 55/4
480 2 MacDowell To a Wild Rose Expressive Playing Lovely piece very easy technically, but demanding the greatest expressivity in playing. Probably
better suited to older students. Good for awakening the skills for expression in one’s playing.
1224 7 Macdowell Waldfahrt (In the Forest), Op 35/5

1308 8 Mendelssohn Andante with Variations in E flat, Op 82
1019 4 Mendelssohn Christmas Piece, Op 72/2
1309 8 Mendelssohn Etude in F minor
1310 8 Mendelssohn Prelude and Fugue in B flat, Op 35/6
1311 8 Mendelssohn Prelude and Fugue in D, Op 35/2
1225 7 Mendelssohn Presto agitato, No 2 of 'Two Musical Sketches'
710 8 Mendelssohn Songs Without Words Op. 102 no. 1
678 8 Mendelssohn Songs Without Words Op. 30 no. 5 Fast LH runs throughout the whole piece.
688 7 Mendelssohn Songs Without Words Op. 53 no. 3 Very fast arpeggio figurations on LH with a powerful melody in chords on the RH. Good preparation
for Chopin Op. 10 no. 12 (Revolutionary), which it reminds one of.
1152 6 Mendelssohn Vivace in F, Op 72/6
228 6 Mendelssohn Cappriccio in A minor, op. 33 no. 1
1312 8 Messiaen Prélude no 1 ‘La columbe’ from ‘8 Preludes’
1313 8 Messiaen Prélude no 7 ‘Plainte calme’ from ‘8 Preludes’
653 8 Messiaen Vingt regards sur L’enfant Jesus You cannot get much more complex (or modern) than this.
1226 7 Moscheles Prelude, op 70/24
1227 7 Moszkowski Calme du Soir, Op 94/2
1228 7 Moszkowski Melodie Op.77 No.9
1314 8 Mozart 10 Variations on ‘Les Hommes pieusement’ (Unser dummer Pöbel meint) K455
1315 8 Mozart 9 Variations on a Menuett by Duport, K573
1095 5 Mozart Adagio in C, K 356
169 6 Mozart Alla Turca from Sonata K.331
1153 6 Mozart Allegro in G minor, K 312
915 2 Mozart Andante in Eb, K15mm From 'The London Notebook'
968 3 Mozart Andantino in E flat K236
667 6 Mozart Fantasia in C minor K475 arguably the darkest and moodiest of all Mozart’s compositions.
170 6 Mozart Fantasy in D minor K.397
1231 7 Mozart Gigue in G, K.574
913 2 Mozart Minuet and Trio K585
914 2 Mozart Minuet in B flat, K15pp
1229 7 Mozart Minuet in D, K 355
1020 4 Mozart Minuetto From Divertimento II
171 7 Mozart Rondo in D K 485
582 8 Mozart Sonata (Fantasia) in C minor, K 475
168 5 Mozart Sonata C major, K 545
576 7 Mozart Sonata in A major, K 331
584 8 Mozart Sonata in A minor, K 310
577 8 Mozart Sonata in Bb major, K 281
573 7 Mozart Sonata in C major, K 279
583 8 Mozart Sonata in C minor, K 457
578 8 Mozart Sonata in D major, K 284
571 6 Mozart Sonata in Eb major, K 282
570 6 Mozart Sonata in F major, K 280
585 8 Mozart Sonata in F major, K 332
586 8 Mozart Sonata in F major, K 533/K 494
1230 7 Mozart Sonata in F, K Anh 135
574 7 Mozart Sonata in G major, K 283
842 5 Mozart Variations on Ah vous dirai je maman Variations 2, 4, 6 and 12 are excellent for the LH.
875 1 Mozart Allegretto from 'The London Sketchbook', KV 15pp
872 1 Mozart Allegro in B flat, K3
873 1 Mozart Menuett in F, K2
874 1 Mozart Menuetto I, from Sonata in C, K6
1232 7 Mussorgsky Gopak
481 2 Oesten Mayflowers op. 61 Chords 25 easy pieces very romantic, most less than a page long. I like no. 10 “Spanish dance”, melody on
the RH, LH rhythmic repeated chords. As you know beginners have difficulty with chords, so this is
a good one.
659 U Oswald Berceuse Op. 14 no. 1 Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely
European, with much French influence. All of his work is highly poetic and romantic.
657 U Oswald Feuilles d'Album Op. 20 Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely
658 U Oswald Il neige Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely
660 U Oswald Several of the Nocturnes (op. 6) Although Brazilian by birth, Oswald spent most of his life in Europe, so his music is completely
843 4 P. D. Q. Bach Prelude and fugue no. 1 in C from the “Short-tempered clavier”. A hilarious fugue with chopsticks on the RH and very fast scales
over two octaves on the LH. An excellent encore.
229 6 Paderewsky Minuet op. 14 no. 1
1233 7 Poulenc Coda no 6 from 'Villageois'
1316 8 Poulenc Improvisation no 13 in A minor
1317 8 Poulenc Le coeur sur la main no 2 from ‘Les Soirées de Nazelles’
1154 6 Poulenc Mouvements Perpetuels no 1
1234 7 Poulenc Novelette in C major, no 1
1318 8 Poulenc Presto
1235 7 Poulenc Staccato No.2 from 'Villageoises'
1319 8 Poulenc Toccata in C from ‘Trois Pièces’
654 U Preisner “Ten easy pieces for piano” they are not that easy… but not that difficult either. Poetic and romantic.
212 7 Prokofiev 10 Pieces Op. 12 No. 02 No. 2 – Gavotte – requires a large hand span.
213 8 Prokofiev 10 Pieces Op. 12 No. 06 No. 6 – Legende – Slow, lyrical piece, slightly reminiscent of Scriabin
214 8 Prokofiev 10 Pieces Op. 12 No. 07 No. 7 – Prelude – My favourite. A beautiful, magical piece with a fast broken chord accompaniment
creating a mist of sound around the right hand melody. Very impressive (watch out for the
glissandi!). This piece was originally written for harp.
215 8 Prokofiev 10 Pieces Op. 12 No. 10 No. 10 – Scherzo – A wonderful show-off piece (probably too difficult, but what the heck, I love it!)
full of tension and nervous energy jumping all over the keyboard.
1097 5 Prokofiev Atrappe qui peut, Op 65/9 from 'Musiques d'Enfants'
1155 6 Prokofiev Cortège de Sauterelles, Op 65/7
1236 7 Prokofiev Gavotta, Op 32/3
208 6 Prokofiev Grandmother Tales Op. 31 No. 1 Moderato – Lots of crossing hands. Main difficulty is pedal use.
209 5 Prokofiev Grandmother Tales Op. 31 No. 2 Andantino
210 5 Prokofiev Grandmother Tales Op. 31 No. 3 Andante Assai
211 6 Prokofiev Grandmother Tales Op. 31 No. 4 Sostenuto – the most difficult of the lot. The melody is in the left hand while the right hand plays a
repeated (but complex) dotted rhythm pattern.
203 4 Prokofiev Music for Children Op. 65 No. 02 Promenade – Joyful and bouncy
1098 5 Prokofiev Music for Children Op. 65 No. 03 Historiette
204 3 Prokofiev Music for Children Op. 65 No. 04 Tarantella – Fast and rhythmical with a melodic middle section. Sounds much more difficult than it
actually is.
205 5 Prokofiev Music for Children Op. 65 No. 06 Waltz - A nice little waltz with unexpected turns of the harmony. Wonderfully tonal and yet very
modern.
206 6 Prokofiev Music for Children Op. 65 No. 09 Playing tag – a fast moto perpetuo requiring good finger agility.
207 5 Prokofiev Music for Children Op. 65 No. 12 The moon strolls in the Meadows – This is my top favourite – A beautiful, melodic piece of great
delicacy with the melody played alternatively in the right and left hand.
1320 8 Prokofiev Prelude in C, Op 12/7
1237 7 Prokofiev Vision Fugitive in B Flat minor, Op.22 No.10
198 5 Prokofiev Visions Fugitives Op. 22 No. 01 Lentamente - Slow and melancholic
199 7 Prokofiev Visions Fugitives Op. 22 No. 09 Allegretto tranquilo – this is my favourite of the set
200 7 Prokofiev Visions Fugitives Op. 22 No. 11 Con vivacita
201 8 Prokofiev Visions Fugitives Op. 22 No. 17 Poetico
202 8 Prokofiev Visions Fugitives Op. 22 No. 18 Con una dolze lentezza
1022 4 Purcell Air, Z641
969 3 Purcell Hornpipe in B flat
918 2 Purcell Hornpipe in E minor
916 2 Purcell Minuet
917 2 Purcell Minuet in G
1021 4 Purcell Moffat Two Bourrées
919 2 Purcell Rigadoon in D minor Z D227
1156 6 Purcell Two Bourrées (pub. Augener)
877 1 Purcell Air in D minor, Z T676
876 1 Purcell Riggadoon
116 8 Rachmaninoff Elegie in Ebm , Op. 03 No. 01
1321 8 Rachmaninoff Mélodie in E, Op 3/3
1322 8 Rachmaninoff Prelude in F, Op 32/7
1323 8 Rachmaninoff Prelude in G# minor, Op 32/12
1324 8 Rachmaninoff Prelude in G, Op 32/5
1238 7 Rachmaninoff Romance
878 1 Rameau Minuet in C
1325 8 Ravel Fugue (2nd mvt) from ‘Le Tombeau de Couperin’
1326 8 Ravel Menuet from ‘Le Tombeau de Couperin’
1240 7 Ravel Menuet sur le nom d'Haydn
1239 7 Ravel Prelude
1327 8 Ravel Sonatine in F# minor
1328 8 Ravel Valse Noble et Sentimental No. 03
1241 7 Ravel Valse Noble et Sentimental No. 05
495 7 Respighi Notturno Wonderful, lyrical piece, much closer to Grieg’s “Notturno” in form and feeling than to Chopin’s or
Field’s.
173 6 Satie Gymnopedies
1099 5 Scarlatti Capriccio in G, Kp 63
1132 6 Scarlatti Pastorale, Kp 446, L 433
188 6 Scarlatti Sonata K 001 (D minor - Allegro) This is actually a two voice invention. Fast and delicate with lots of thirds and
scale runs on the right hand, but no difficulty at all in the left hand. Difficult to play at full speed but
easy if played slowly (and still effective) Recorded by Ivo Pogorelich for DG. (2:30).
749 8 Scarlatti Sonata K 003 (A minor - Presto) – Electrical piece with ultra fast scale rushes. Looks easy on the page, but wait
until you try to play it up to tempo
767 7 Scarlatti Sonata K 008 (G minor – Allegro) In spite of the tempo indication this is a slow, lyrical sonata. Melancholic and
intense.
725 6 Scarlatti Sonata K 013 (G major – Presto) Fast and brilliant with a catchy, rhythmical theme on repeated notes. One of my
favourites.
750 7 Scarlatti Sonata K 014 (G major – Presto) Looking for fast (very fast) scale runs interspersed with a beautiful staccato
melody? Look no further than this sparkling gigue.
751 6 Scarlatti Sonata K 020 (E major – Presto) Virtuosistic sonata that is the sort of “expected” Scarlatti: guitar imitation,
Spanish rhythms, fast scales in thirds, repeated notes and lots of ornaments. Great show off piece.
If you want to develop a certain kind of technique, burn the Czerny and play this sonata instead.
726 8 Scarlatti Sonata K 024 (A major - Allegro) – Virtuoso piece alternating relatively calm sections with dazzling scale runs.
737 5 Scarlatti (F# minor – Allegro) – A not too fast, beautiful two voice invention that moves in a relentless way
with one of the most beautiful motifs of all sonatas. Crossing hands. Broken chords figuration in
Sonata K 025 both hands. Harmonically adventurous and mood setting. A masterpiece.
738 8 Scarlatti (B minor – Allegro) This is my all time favourite Scarlatti sonata. A masterpiece. Surprisingly
romantic, could very well have been composed by someone like Schubert. Very untypical Scarlatti.
Sonata K 027 Achingly beautiful melody. Arpeggio figurations and lots of crossing hands.
768 8 Scarlatti Sonata K 030 (G minor - Moderato) – A beautiful and complex fugue.
174 3 Scarlatti Sonata K 032 Interpretation/Expression (D minor – Aria) Lyrical sonata much easier than it sounds. Slow and melancholic. Although just one
page long it requires some musical maturity to be truly effective. This is an ideal piece to open a
recital, since it is slow and introspective it will calm you down. This is a real gem. Only 24 bars long,
technically unchallenging (grade 3), and yet one of the most beautiful sonatas. Slow paced and
exuding tranquillity, this reflective piece is the best of the four.
175 4 Scarlatti Sonata K 034 A slow thoughtful piece, only 28 bars long
197 7 Scarlatti Sonata K 039 (A major – Allegro) – Fast and furious, full of nervous energy. Excellent for waking up the audience!
Figurations are shared equally by both hands. Excellent Czerny replacement and superior warm up
piece. Equally effective at a slower tempo.
176 3 Scarlatti Sonata K 040 A nice minuet only a page long (24 bars) – amongst the easiest of Scarlatti pieces
752 7 Scarlatti Sonata K 043 (G minor – Allegrissimo) Ferocious and virtuosistic sonata.
194 8 Scarlatti Sonata K 046 (E major – Presto) This one of my favourite fast sonatas. As the Cheyene Indians found of saying “
it makes my heart soar like a hawk”. One of the most catchy motifs amongst all sonatas it makes
one wish to dance and jump for joy. This is amazing music.
739 7 Scarlatti (D minor – Andante moderato) – Wonderful sonata, lyrical and devotional, uplifting and tranquil.
Sonata K 052 Written (mostly) in 3-voice counterpoint. Another masterpiece.
189 6 Scarlatti Sonata K 054 (A minor – Allegro) After a typical plaintive start in A minor, it suddenly displays a most romantic
theme. Very unusual sonata. The main difficulty is to be found in the several bars where the hands
cross. There are some thirds and sixths but they are easily negotiable.
727 5 Scarlatti Sonata K 063 (G major – Allegro) – Also known as Capriccio, this is celebratory, joyful and uplifting music that is
much easier to play than it sounds. An all time favourite. Wide skips, echo effects, but fits the hand
surprisingly well.
753 6 Scarlatti Sonata k 064 (D minor – Allegro) – A determined and energetic gavotte, one of Scarlatti’s most played and well
known pieces.
728 5 Scarlatti Sonata K 067 (F# minor – Allegro) Toccatta like, this is a fast, dazzling sonata ideal for an encore. One of my
favourites.
190 7 Scarlatti Sonata K 069 (F minor) My favourite amongst the slow, lyrical sonatas, this is a hauntingly beautiful piece with a
complex polyphonic texture – difficult to read but easy to play. Spend sometime analysing its
structure before tackilng it at the piano. A masterpiece.
178 5 Scarlatti Sonata K 070 (Bb major - Allegro ) A two voice invention (with a third voice intruding on the last two bars of the
first part), this is excellent for finger and hand independence.
769 7 Scarlatti Sonata K 077 (D minor – Moderato e cantabile – minuet) Painfully nostalgic and evocative lyrical sonata followed
by a lively minuet. A masterpiece.
740 7 Scarlatti (B minor - Andante ) Intensely lyrical work of great musical depth. Couterpoint in three and four
Sonata K 087 parts. Said to be Horowitz favourite Scarlatti sonata.
754 8 Scarlatti Sonata K 096 (D major – Allegro) Another “typical” Scarlatti sonata (similar to the overplayed K 380). Richly
textured. It has everything in it: Horn calls, fast repeated notes, trills, suspensions, cross relations,
parallel fifths, big leaps, scale runs and guitar imitations.
729 7 Scarlatti Sonata K 098 (E minor – Alegrissimo) Wonderful study in rhythm with unexpected developments, suspensions
and syncopations.
770 6 Scarlatti Sonata K 099 (C minor - ) – A beautiful , tranquil and lyrical sonata that grows in emotional intensity as it develops.
771 6 Scarlatti Sonata K 109 (A minor – Adagio) – Beautiful lyrical writing in three and four part couterpoint. Excellent as a study
in voicing. Recital material for the intermediate player.
772 5 Scarlatti Sonata K 112 (Bb major - Allegro) – A beautiful, lyrical sonata. Crossing hands.
730 6 Scarlatti Sonata K 119 (D major – Allegro) – Another sonata ideally suited to replace some of the common technical
studies. Fast repeated notes, broken chords, arpeggios, leaps, crossing hands, scale runs. This
unusual, percussive – watch out for the castanet sounds! - sonata has a very catchy, dancing
motif. One of my favourites.
755 8 Scarlatti Sonata K 120 (D minor – Allegro) A fast sonata full of nervous energy, this is the cross hand piece to end all cross
hand pieces! Leaping bass figures, double notes in both hands. Unusual and difficult.
731 7 Scarlatti Sonata K 123 (Eb major – Allegro) – Joyful and uplifting.
756 7 Scarlatti Sonata K 124 (G major – Allegro) Tired of practising arpeggios? Try this sonata instead. A breezy arpeggio study
with very fast triplet semiquavers. Uplifting and extroverted. Go and jump on a lake, Hanon!.
732 6 Scarlatti Sonata K 125 (G major – Vivo) – This non-stop sonata will not allow you to catch your breath! Great fun to play
and an excellent virtuosistic piece to end a recital on a high note. If you are looking for a Czerny
alternative look no further: it is a study for the left hand plus repeated notes, broken thirds, sixths
and octaves. Also good practice for quick adjustments.
191 6 Scarlatti Sonata K 132 (C major – Cantabile – ¾)A slow (well, sort of) A lyrical sonata with beautiful lush harmonies,
haunting dissonances and arpeggios that are suddenly interrupted by a heart wrenching delicate
melody based on repeated notes. One of my all time favourites.
733 7 Scarlatti Sonata K 135 (E major – Allegro) Dazzling finger work alternating with slow episodes in 4-voice counterpoint.
Catchy and uplifiting.
185 8 Scarlatti Sonata K 141 (D minor – Allegro) – A masterpiece. A fast toccata with lots of repeated notes over long stretches.
Broken chords and skips. Virtuosic with dissonant guitar strumming in the left hand and lots of cross
hands. Excellent as a study replacement.
179 6 Scarlatti Sonata K 146 (G major – Allegretto) – 3/8 – A nice little menuet full of humour and light. Although it sounds
dazzling and virtuosic it is much easier than it sounds. Main difficulty are the fast alternating hands.
773 6 Scarlatti Sonata K 147 (E minor – Lento) A beautiful lyrical and reflective sonata.
757 8 Scarlatti Sonata K 162 (E major - Andante) After a slow, lyrical beginning all hell breaks loose, and a fast, dazzling sonata
ensues with occasional returns to the slow theme.
758 5 Scarlatti Sonata K 175 (A minor – Allegro) – A vigorous impulsive sonata with most of the finger work on the right hand.
The left hand (which demands a hand span covering at least an octave) plays sonorous chords and
tone clusters – with up to ten notes! – imitating the strumming of a guitar. This Sonata was
composed in 1752. Here Scarlatti succeeds in making conventional harmonies with slight changes
sound quite extraordinary for the period. The Sonata has real Spanish character with vitality and
bravura. Musically, the guitar-like sounds of the left hand chords are particularly fascinating.
774 6 Scarlatti Sonata K 193 (E flat major - Allegretto) – A beautiful, lyrical sonata not too slow.
741 7 Scarlatti (B minor - Andante) – Sonata in a lyric, cantabile style, moderately flowing. Expansive, sonorous
Sonata K 197 qualities.
180 6 Scarlatti Sonata K 198 (E minor – Allegro) – A masterpiece. Dramatic and powerful, this 2 voice invention (with a third
voice intruding on 4 bars near the start of the second part) is still effective at a slower tempo. One of
my favourites.
196 7 Scarlatti Sonata K 201 Arpeggios K201 is also excellent to replace technical exercises dealing with arpeggions and thirds
Thirds
742 5 Scarlatti (E minor – 3/8) – Beautiful sonata with most of the figurations on one hand at a time. An insistent
and catchy motif keeps bringing the sonata together. Unusual syncopations. Requires a sizeable
Sonata K 203 hand span and accurate skips in some of the figurations.
181 5 Scarlatti Sonata K 208 (A major – Andante e cantabile) – Lyrical sonata, with a hauntingly beautiful melody and compelling
harmonic progressions. Tranquil and luminous, this is a masterpiece.
775 6 Scarlatti Sonata K 209 (A major – Allegro) Uplifiting sonata, not too fast.
192 5 Scarlatti Sonata K 213 (D minor - Andante ) – Another of my favourites amongst the lyrical sonatas. A slow, full-of-longing
melody increases gradually in intensity up to an unusual harmonic climax. Great to play and to listen
to.
776 7 Scarlatti Sonata K 215 (E major – Andante) – Sudden shifts of key abound in this sonata.
182 6 Scarlatti Sonata K 239 (F minor - Allegro ) An excellent “dance” piece full of Spanish rhythms.
743 6 Scarlatti (C# minor – Allegro) – Beautiful lyrical sonata (slightly reminiscent of K 69) with a weaving three
voice counterpoint. Enharmonic modulations and movement into remote keys. A masterpiece.
Sonata K 247
777 7 Scarlatti Sonata K 259 (G major – Andante) – A two and three voice invention. Lyrical and tranquil. Slightly reminiscent of K
208.
778 7 Scarlatti Sonata K 318 (F# major – Andante) An unusual key that suggests that Scarlatti was familiar with equal
temperament tuning. A lyrical and calm sonata.
779 6 Scarlatti Sonata K 322 (Amajor - Allegro ) A delicate, joyful sonata with a Mozartian flavour.
734 5 Scarlatti Sonata K 342 (A major – Allegro) – Dazzling and fast, this “baroque prelude” style sonata has most of its
impressive finger work in the right hand. Excellent for finger control and co-ordination, it is actually
much easier than it sounds. Great fun to play.
759 5 Scarlatti Sonata K 373 (G minor – Presto a fugato) Wonderful sonata with scales (some chromatic) alternating hands over
the whole extent of the keyboard.
780 5 Scarlatti Sonata K 381 (E major – Allegro) – This beautiful two-voice invention is excellent for finger and hand co-ordination
and independence. A most beautiful melody on the second part.
735 6 Scarlatti Sonata K 386 (F minor - ) Another sonata full of brilliance, with fast scales and compelling harmonic progressions.
193 5 Scarlatti Sonata K 402 (E minor – Andante) One of my favourites slow sonatas. Harmonically advanced and elaborate – at
seven pages is one of the longest sonatas - this is a masterful sonata with a superb central melody.
Reflective and spiritual.
744 4 Scarlatti Sonata K 404 (A major) – Beautiful lyrical sonata and technically undemanding.
736 5 Scarlatti Sonata K 405 (A major – Allegro) Based on a Spanish Buleria (a kind of Tarantella). Technically undemanding.
760 6 Scarlatti Sonata K 406 (C major – Allegro). This is joyful music that makes you want to skip and jump and dance! This is
the kind of music that makes you smile for hours after listening to it. This cures depression, serious!
Great for your trills and glissando-like scales.
761 6 Scarlatti Sonata K 421 (C major – Allegro) One of my favourites, this is a brilliant and dazzling sonata with plenty of
repeated notes. It is said to represent children running through the streets of Madrid.
781 8 Scarlatti Sonata K 426 (G minor – Andante) Another beautiful lyrical sonata, deeply reflective and tranquil, and not at all
melancholic. Rich textures and highly musical. Very good as a study in long phrases. Sudden
dramatic silences.
195 8 Scarlatti Sonata K 427 (G major – Prestissimo) Wonderfully exhilarating sonata, both to play and to listen to. The tempo
direction (“as fast as possible”) gives you an idea of what to expect. A really electric and uplifting
work requiring pianism of the utmost degree. Has a recurring motif that is incredibly joyful and
catchy. My favourite fast sonata. (But only if you play it at top speed. It is still effective at lower
speeds).
782 6 Scarlatti Sonata K 429 (A major - Allegro) – Lyrical and gently lilting sonata. Counterpoint in three and four parts.
177 3 Scarlatti Sonata K 431 A delightful “baroque prelude” style piece with a fast right hand in arpeggio triplet figurations while
the left hand provides a melody in minims and crochets. Although this should be played fast, it is still
effective if use a slower tempo. Just 16 bars.
745 7 Scarlatti (D major - Allegro ) – One of my all time favourites, After a rhythmic introduction characteristic of
Sonata K 443 Spanish dances, a most gentle and evocative melody develops. Repeated notes.
784 6 Scarlatti Sonata K 446 (F major - Pastorale: Allegrissimo) In spite of the tempo direction this is a relatively slow sonata,
lyrical and reflexive.
762 5 Scarlatti Sonata K 454 (G major – Andante spirituoso) After a calm opening and nice little folk-like tune this sonata goes
onto a breathless sequence of scurrying scales and broken chords over the entire length of the
keyboard on both hands. Unexpected changes. Good Czerny replacement and warm-up piece.
746 5 Scarlatti (C major – Allegro) A beautiful sonata full of guitar sounds and Spanish nostalgia. A fast
Sonata K 461 introduction is followed by a most evocative second part.
186 8 Scarlatti Sonata K 466 (F minor – Andante moderato) - A masterpiece. Beautiful, slow lyrical sonata. As it is often the case
with the lyrical sonatas, this one elicits tranquillity and peacefulness rather than melancholy and
grief. Excellent for developing rhythm awareness of triplets versus quavers. It also has 3 against 2.
763 6 Scarlatti Sonata K 470 (G major – Allegretto) – Starts with determined, percussive chords, which are followed by a fast
figuration of great delicacy equally shared between the hands. Good Czerny replacement and warm
up. Fast and dazzling this sonata exudes confidence.
747 8 Scarlatti (D major – Andante cantabile) – Beautiful lyrical sonata (and one of the longest). Uses the whole
Sonata K 478 keyboard.
183 6 Scarlatti Sonata K 481 (F minor – Andante e cantabile) Introspective, delicate and lyrical this could be an ideal choice for
opening a recital. And if you need a study in phrasing and legato this sonata is for you!
764 7 Scarlatti Sonata K 487 (C major – Allegro) A percussive sonata, full of zest and unresolved dissonances that make it sound
brittle and sharp. Difficult octave leaps on the left hand.
783 6 Scarlatti Sonata K 491 (D major – Allegro) – Rhythmical percussive beginning followed by a romantic arpeggiated section
(not unlike a Schubert impromptu) with a most pleasing melody. A masterpiece.
765 6 Scarlatti Sonata K 502 (C major – Allegro) – Inventive sonata with many original musical ideas. Starts lively in 3/8 and
modulates to G minor to end the first half in G major. On the second part changes meter to 2/4 and
returns to 3/8 at the end. Dotted figuration, including dotted rests.
184 6 Scarlatti Sonata K 511 (D major – Allegro) – A masterpiece. This is a 2 voice invention with the figurations equally
distributed between the hands. Urgent and dramatic it will still be effective at a slower tempo.
Technical problems are minimal.
766 8 Scarlatti Sonata K 513 (C major – Pastorale: Moderato – Molto allegro – Presto) One of the few sonatas written in different
movements (tempos). Shepherd pipes and bagpipes drones are imitated. The final movement
(presto) is exhilarating and virtuosic. This Pastorale was composed in 1756 during Scarlatti's late
period. It recalls the piping of the shepherds who came down into Rome from the surrounding hills
at Christmas time. They begin in a moderate tempo, the drone of their bagpipes is heard in a
quicker section, and finally they celebrate in a joyful Presto.
187 8 Scarlatti Sonata K 517 (D minor – Prestissimo – 2/2) Another fast and furious sonata that can easily replace any technical
study. With a typical baroque figuration shared by both hands, this one is ideal for scales, broken
chords and close position passage work, and excellent for finger independence and dexterity.
Intense, urgent and relentless.
748 5 Scarlatti (Bb major – Cantabile) – A beautiful aria, this lyrical sonata is a real gem. With occasional 4-voice
Sonata K 544 couterpoint it has dignified, overlapping phrases.
785 7 Scarlatti Sonata K 546 (G minor) – Written in 2 and 3 parts, this is another lyrical, melancholic sonata with a beautiful,
flowing melody. Recorded by Benjamin Frith for Naxos.
786 5 Scarlatti Sonata K 547 (G major – Allegro) – Lively and imposing sonata with a beautiful recurring motif. Two voice
invention (with an occasional third voice) equally shared between hands. Effective at a slower
tempo. Great warm up.
879 1 Scarlatti Minuetto in C From Sonata in C minor, K73 L217
646 U Schoenberg Six Little Piano Pieces, Op. 19 Completely atonal music, and yet highly atmospheric and impressionistic, nos. 2, 3 and 6 are more
reflective.
1157 6 Schubert Adagio in G, D178
1158 6 Schubert Andante in C, D29
1024 4 Schubert Ecossaise in Bm
1242 7 Schubert Fünf Klavierstücke, No. 3
1330 8 Schubert Impromptu, Op. posth. 142 No. 02, D935
1331 8 Schubert Impromptu in Cm, Op 90 No. 01, D899/1
920 2 Schubert Ländler in Eb, D679/2
1159 6 Schubert Menuett in A, D334
1245 7 Schubert Moment Musical in Ab, Op 94 No. 06
1249 7 Schubert Moment Musical in C#m, Op.94 No.4, D780/4
1023 4 Schubert Scherzo in Bb, D 593/1
1243 7 Schubert Scherzo in Db, D593/2
1247 7 Schubert Sonata in Ab, D.557 1st mvt, Allegro moderato
1246 7 Schubert Sonata in Am, D.845 3rd mvt
1332 8 Schubert Sonata in B, Op 147, D 575 1st mvt, Allegro ma non troppo
1333 8 Schubert Sonata in Db, D 567
1248 7 Schubert Sonata in Eb, Op.122, D.568
1244 7 Schubert Sonata in E, D 459 3rd mvt
1329 8 Schubert Piano Pieces, D946: No 1 in Ebm
1160 6 Schumann (Untitled piece) Op 68/30
1100 5 Schumann A Strange Story
1105 5 Schumann Abendlied, Op 118, no 2/3
1027 4 Schumann About Strange Lands and People
1334 8 Schumann Abschied no 9 from ‘Waldscenen’, Op 82
662 U Schumann Album Blatter Op. 124 (I particularly like nos. 3, 4, 5, 6, 8, 16, 17)
251 4 Schumann Album for the young op. 68 There are over 40 exceptional pieces in this set, but only the first ten or so are really for beginners.
“The cycle is a totally shattering profile of spiritual development, beginning with the innocently naïve
and childish nos. 1 – 5, where no shadows are yet to be found. With no. 6 comes the first small
cloud (The poor orphan)[…] with nos 12 and 13 the cycle leaves behind […] the child’s world. […] in
the second section, the tone changes, with a contrast between the friendly A major of nos. 20, 22,
24, and 28 and the intervening pieces like the sad no. 19, the magnificently inspired nos. 21 and 26
the sinister no. 23 the excited no. 25. […] [the last] ten numbers are wonderful examples of the
uniquely introverted worlds of late Schumann."
498 6 Schumann Arabesque Op. 18 Beautiful haunting melody with 16th note acompanying figure split between the hands, somewhat
like some of Mendelsohnn's SWWs.
661 U Schumann Bunte Blatter Op. 99 (I particularly like nos. 1, 2, 4, 5, 6, 9, and 10) No. 9 - After a chordal introduction, the second part
has a mist of sound created by a fast chromatic figuration on the LH
1253 7 Schumann Canon, from Sonata, Op 118 No. 02
1161 6 Schumann Catch Me if You Can, Kinderscenen, Op 15 No. 03
1252 7 Schumann Charming Landscape, Op 82 No. 05
1254 7 Schumann Davidsbundlertänz, Op 6, no 2
923 2 Schumann Doll's Cradle Song, Op 68/??
1162 6 Schumann Dreaming
1163 6 Schumann Einsame Blumen (Lonely Flowers), from ‘Waldscenen’, Op 82
1335 8 Schumann Eintritt no 1 from ‘Waldscenen’, Op 82
1101 5 Schumann Glückes genug, Op 15 No. 05
1256 7 Schumann Impromptu, Op 124 No. 01
1102 5 Schumann Kind im Einschlummern, from 'Kinderscenen', Op 15
1104 5 Schumann Lento, from 'Album for the Young' Op 68/??
1255 7 Schumann Novelette in B minor, Op 99 No. 09
1026 4 Schumann Reaper's Song, Op 68 No. 18
1103 5 Schumann Reiterstück, from 'Album for the Young' Op 68 No. 23
1251 7 Schumann Romance in F#, Op 28 No. 02
1106 5 Schumann Slumber Song, Op 124 No. 16
1257 7 Schumann Sonata in D, Op.118 No.2 2nd mvt, Canon
1025 4 Schumann Sonata in G, Op 118 No. 01 Allegro, 2nd mvt
921 2 Schumann Stückchen, Op 68 No. 05
1164 6 Schumann The Entreating Child, Kinderscenen, Op 15 No. 04
922 2 Schumann The Poor Orphan, Op 68 No.06
970 3 Schumann The Wild Horseman, (Wilder Reiter), Op 68 No.08
1336 8 Schumann Vogel als Prophet no 7 from ‘Waldscenen’, Op 82
1166 6 Schumann Waltz, Op 124 No. 15
1258 7 Schumann Albumblätter III, Op 99 No. 06
880 1 Schumann Melody, Op 68 No. 01
1259 7 Schumann Novelette in D, Op 21 No. 04
1165 6 Schumann The Wayside Inn, Waldscenen, Op 82 No. 06
1337 8 Scriabin Nocturne in F# minor, Op 5 No. 01
719 6 Scriabin Prelude Op. 02 no. 02
1260 7 Scriabin Study in C# minor, Op 2 No. 01
1338 8 Shostakovich 3 Fantastic Dances, Op 5: nos 2 and 3
1029 4 Shostakovich Clockwork Doll
1167 6 Shostakovich Dance, no 7 from ‘Dances of the Dolls’
1107 5 Shostakovich Gavotte No 2 from 'Dance of the Dolls'
1339 8 Shostakovich Prelude and Fugue in B, Op. 87 No. 11
1340 8 Shostakovich Prelude and Fugue in E, Op. 87 No. 09
1341 8 Shostakovich Prelude and Fugue in F minor, Op. 87 No. 18 ‘24 Preludes and Fugues, Op 87 vol 2’
626 U Shostakovich Prelude Op. 34 No. 03 Beautiful lyrical writing, in an impressionist style. Starts like nocturne, and near the end has a noisy
passage.
627 U Shostakovich Prelude Op. 34 No. 05 Allegro vivace. Very fast, reminds me of a Czerny exercise for the right hand (maybe Shostakovitch
was making a parody here, similar to Debussy’s Dr. Gradus)
628 U Shostakovich Prelude Op. 34 No. 06 Very funny polka style with all you could expect from modern music: dissonances, big jumps,
sudden changes of key, bitonality, wrong-note writing.
629 U Shostakovich Prelude Op. 34 No. 09 A fast tarantella-like piece.
630 U Shostakovich Prelude Op. 34 No. 10 Another beautiful lyrical piece with a nice melody and not so dissonant as the others.
631 U Shostakovich Prelude Op. 34 No. 12 Allegro non troppo - If no. 5 was Czerny for the right hand, this is for the left hand. The right hand
crosses over frequently. Not as dissonant as the others. Fast LH figurations (not dissimilar to
Czerny) in a “moto perpetuo” setting. Modern harmonies and “wrong note” writing.
632 U Shostakovich Prelude Op. 34 No. 14 Arguably the best of the set, very lugubrious, making full use of the piano’s orchestral sounds.
Actually I read somewhere that Stokowski made an orchestral version of this prelude (I haven’t
heard it though).
633 U Shostakovich Prelude Op. 34 No. 15 A very nice waltz, with the typical waltz accompaniment first on the right hand, then on the left. Very
jolly.
634 U Shostakovich Prelude Op. 34 No. 16 Another humorous piece, march-like, with lots of “wrong-note” writing.
635 U Shostakovich Prelude Op. 34 No. 17 A lyrical slow piece.
1261 7 Shostakovich Prelude Op. 34 No. 18
636 U Shostakovich Prelude Op. 34 No. 19 Another lyrical piece vaguely reminiscent of Mendelssohn’s Venetian Boat Songs.
1262 7 Shostakovich Prelude Op. 34 No. 21
637 U Shostakovich Prelude Op. 34 No. 24 Nice end piece, gavotte style, quite funny.
1108 5 Sibelius The Harpist, Op 34 No. 08
1264 7 Smetana Idyll, Op. 4 No. 2
1109 5 Smetana Pisen Op. 2 No. 2
1168 6 Smetana Souvenir (Vzpominka), Op. 4 No. 03
1263 7 Smetana Souvenir de Bohème, Op 13 No. 01
1342 8 Soler Sonata in D minor, R25 If you like Scarlatti you will like Soler. A disciple of Scarlatti, Soler composed 300 sonatas similar in
style.
924 2 Stravinsky Les Cinq Doights
656 9 Szimanowski Metopes Op. 24 If you are after virtuoso, complex music, look no further. Romantic and impressionistic at the same
time. three very difficult tone poems.
655 9 Szimanowski Preludes Op. 1 If you are after virtuoso, complex music, look no further. Romantic and impressionistic at the same
time. Some highly lyric, some dramatic.
482 2 Tchaikovsky Album for the Young Op. 39 Not all pieces are for beginners. The easier are no. 1 “Morning prayer” a four voice chorale, no.7
“The sick doll” which is very easy, but the melody is on the second beat of the bar, so it requires
attention to voicing, no. 8 “The doll’s burial” very slow and heavy; no. 21 “Daydream”, very good to
learn how to do offbeat chord accompaniment and no. 24 “In Church”, again a 4/5 voice chorale, but
easier because of repeated chords. Excellent to learn syncopated pedaling.
1169 6 Tchaikovsky Avril: Perce-neige, Op. 37a No. 04
1170 6 Tchaikovsky Baba-Yaga, Op. 39 No. 20 From 'Album for the Young'
1111 5 Tchaikovsky Chanson Triste, Op. 40 No. 02
1110 5 Tchaikovsky Chant de l'Alouette, Op. 39 No. 22 From 'Album for the Young'
1030 4 Tchaikovsky Daydream, Op. 39 No. 21 From 'Album for the Young'
1266 7 Tchaikovsky Humoresque
1265 7 Tchaikovsky June (Barcarolle), Op 37a No. 06
971 3 Tchaikovsky March of the Wooden Soldiers, Op 39 No. 05 From 'Album for the Young'
925 2 Tchaikovsky Mazurka, Op. 39 No. 10 From 'Album for the Young'
1267 7 Tchaikovsky Nocturne
973 3 Tchaikovsky Old French Song From 'Album for the Young'
972 3 Tchaikovsky Polka, Op 39 No 14 From 'Album for the Young'
926 2 Tchaikovsky Sweet Dreams
497 8 Tchaikovsky The Seasons Op. 37
1031 4 Tchaikovsky The Toy Soldiers' March
974 3 Tchaikovsky The Witch
1171 6 Tchaikovsky Valse in A flat
881 1 Tchaikovsky Italian Song, Op 39 No. 15 From 'Album for the Young'
883 1 Tchaikovsky Russian Song From 'Album for the Young'
882 1 Tchaikovsky The Doll's Funeral From 'Album for the Young'
1172 6 Tcherepnin Bagatelle in G flat, Op. 5 No. 06
648 U Tcherepnin Bagatelles, Op. 5 No. 6 Very fast, repetitive arpeggio figurations on the LH. Modern yet tonal and with a minimalist
idiom.
647 U Tcherepnin Expressions, Op. 81
976 3 Telemann Allegro in E minor No 4 from 'Fugues legères et petits jeux', TWV 30:25
1113 5 Telemann Fantaisie No 06 in B flat, 2nd Dozen, TWV 33:18 1st mvt, Tendrement
1112 5 Telemann Fantaisie No 10 in A minor, 1st Dozen, TWV 33:10 1st mvt, Allegro
1032 4 Telemann Fantaisie No 12 in B flat 2nd mvt
1268 7 Telemann Fantasia in G minor
1114 5 Telemann Fantasia No 06 in C minor 1st Movt Gratioso
1173 6 Telemann Fantasia No 09 in A, 1st Dozen, TWV 33:9 1st mvt, Allegro
975 3 Telemann Fantasia No 09 in E minor 2nd Dozen, TWV 33:21, 3rd mvt, Très vite
927 2 Telemann Fantasia No 10 in D 3rd Dozen, 2nd mvt, Dolce
1033 4 Telemann Partita in G From 'Der getreu Musikmeister', Aria
1174 6 Telemann Suite in A
884 1 Telemann Gavotte in C
885 1 Telemann Menuetto in G
1343 8 Villa-Lobos I Polichinello (no 7 from ‘A Próle do Bébé no 1’)
1269 7 Villa-Lobos Mintika from As tres Marias
230 6 Villa-Lobos Cirandas No. 4
1175 6 Webern Kinderstück (Child’s Piece)
K L P KEY MOVEMENTS K L
K001 L366 P 57 Dm Allegro k441 LS39
K002 L388 P 58 G Major Presto
K003 L378 P 59 Am Presto
K004 L390 P 60 Gm Allegro
K005 L367 P 61 Dm Allegro
K006 L479 P 62 F Major Allegro
K007 L379 P 63 Am Presto
K010 L370 P 66 Dm Presto
K011 L352 P 67 Cm Allegro
K012 L489 P 68 Gm Presto
K015 L374 P 71 Em Allegro
K016 L397 P 72 Bb Major Presto
K017 L384 P 73 F Major Presto
K018 L416 P 74 Dm Presto
K020 L375 P 76 E Major Presto
K021 L363 P 77 D Major Allegro
K024 L495 P 80 A Major Presto
K025 L481 P 81 F#m Allegro
K026 L368 P 82 A Major Presto
K027 L449 P 83 Bm Allegro
K028 L373 P 84 E Major Presto
K029 L461 P 85 D Major Presto
K030 L499 P 86 Gm Moderato
K032 L423 P 14 Dm Aria
K033 L424 P130 D Major
K034 LS 7 P 15 Dm Larghetto
K036 L245 P 91 Am Allegro
K039 L391 P 53 A Major Allegro
K040 L357 P119 Cm Minuetto
K041 P037 Dm Andante moderato
K042 LS36 P120 Bb Major Minuetto
K043 L040 P133 Gm Allegro assai
K044 L432 P116 F Major Allegro
K045 L265 P230 D Major Allegro
K046 L025 P179 E Major Presto
K047 L046 P115 Bb Major Presto
K048 L157 P 87 Cm Presto
K049 L301 P178 C Major Presto
K050 L144 P440 Fm Allegro
K051 L020 P151 Eb Major Allegro
K052 L267 P 41 Dm Andante moderato
K053 L261 P161 D Major Presto
K056 L356 P 50 D Major Con spirito
K057 LS38 P108 Bb Major Allegro
K058 L158 P 39 D Major
K063 L084 P 32 G Major Allegro
K065 L195 P142 A Major Allegro
K066 L496 P134 Bb Major Allegro
K067 L032 P125 F#m Allegro
K068 L114 P 7 Eb Major
K069 L382 P 42 Fm
K070 L050 P 21 Bb Major
K072 L401 P 1 C Major Allegro
K073 L217 P 80 Cm Allegro - Minuetto - Minuetto
K076 L185 P 23 Gm Presto
K077 L168 P 10 Dm Moderato e cantabile - Minuet
K078 L075 P 26 F Major Allegro - Minuet
K079 L080 P204 G Major Allegrissimo
K080 P028 G Major Minuet
K081 L271 P 13 Em Grave - Allegro - Grave - Allegro
K082 L030 P 25 F Major
K083 LS31 P 31 A Major
K084 L010 P 45 Cm
K085 L166 P 24 F Major
K086 L403 P122 C Major Andante moderato
K087 L033 P 43 Bm
K088 L036 P 8 Gm Grave - Andante moderato - Allegro - Minuet
K089 L211 P 12 Dm Allegro - Grave - Allegro
K090 L106 P 9 Dm Grave - Allegro - - - Allegro
K091 L176 P 11 G Major Grave - Allegro - Grave - Allegro
K092 L362 P 44 Dm
K093 L336 P 38 Gm
K094 P027 F Major Minuet
K095 L358 C Major
K096 L465 P210 D Major Allegrissimo
K097 P005 Gm Allegro
K098 L325 P219 Em Allegrissimo
K099 L317 P135 Cm Allegro
K100 L355 P232 C Major Allegrissimo
K104 L442 P109 G Major Allegro
K109 L138 P290 Am Adagio
K110 L469 P129 Am Allegro
K112 L298 P 94 Bb Major Allegro
K114 L344 P141 A Major Spirito e presto
K117 L244 P181 C Major Allegro
K118 L122 P266 D Major Non presto
K120 L215 P146 Dm Allegrissimo
K121 L181 P 93 Gm Allegrissimo
K125 L487 P152 G Major Vivo
K126 L402 P128 Cm
K127 L186 P198 Ab Major Allegro
K128 L296 P199 Bbm Allegro
K130 L190 P272 Ab Major Allegro
K131 L300 P154 Bbm Allegro
K132 L457 P295 C Major Cantabile
K134 L221 P143 E Major Allegro
K139 L006 P126 Cm Presto
K141 L422 P271 Dm Allegro
K142 P240 F#m Allegro
K143 P267 C Major Allegro
K144 P316 G Major Cantabile
K146 L349 P106 G Major
K147 L376 P 48 Em
K148 L064 P291 Am Andante
K151 L330 P238 F Major Andamte allegro
K158 L004 P123 Cm Andante
K162 L021 P162 E Major Andante - Allegro
K164 L059 P274 D Major Andante moderato
K165 L052 P292 C Major Andante
K166 L051 P190 C Major Allegro ma non molto
K168 L280 P182 F Major Vivo
K170 L303 P164 C Major Andante - Allegro
K176 L163 P163 Dm Cantabile Andante - Allegrissimo
K177 L364 P184 D Major Andante
K178 L162 P392 D Major Vivo
K180 L272 P192 G Major Allegro Vivo
K185 L173 P121 F Major Andante
K195 LS18 P185 F Major Vivo
K196 L038 P244 Gm Allegro
K197 L147 P124 Bm Andante
K198 L022 P132 Em Allegro
K199 L253 P276 C Major Andante moderato
K203 L380 P 96 Em Vivo non molto
K204a P170 Fm Allegro
K204b P255 Fm Allegro-Allegro-Allegrissimo
K205 LS23 P171 F Major Vivo
K206 L257 P307 E Major Andante
K208 L238 P315 A Major Adagio e cantabile
K210 L123 P293 G Major Andante
K211 L133 P277 A Major Andantino
K212 L135 P155 A Major Allegro molto
K213 L108 P288 Dm Andante
K214 L165 P430 D Major Allegro vivo
K215 L323 P281 E Major Andante
K217 L042 P287 Am Andante
K218 L392 P237 Am Vivo
K219 L393 P278 A Major Andante
K222 L309 P236 A Major Vivo
K224 L268 P225 D Major Vivo
K229 L199 P139 Bb Major Allegro vivo
K232 L062 P317 Em Andante
K234 L049 P286 Gm Andante
K238 L027 P 55 Fm Andante
K239 L281 P 56 Fm Allegro
K240 LS29 P368 G Major Allegro
K242 L202 P243 C Major Vivo
K244 L348 P298 B Major Allegro
K246 L260 P296 C#m Allegro
K247 L256 P297 C#m Allegro
K262 L446 P301 B Major Vivo
K264 L466 P308 E Major Vivo
K265 LS32 P168 Am Allegro
K266 L048 P251 Bb Major Andante
K270 L459 P481 C Major
K271 L155 P447 C Major Vivo
K273 L398 P174 Bb Major Vivo - Moderato
K276 LS20 P433 F Major Allegro
K277 L183 P275 D Major Cantabile andantino
K278 LS15 P434 D Major Con velocita
K283 L318 P482 G Major Andante Allegro
K287 LS 9 P310 D Major Andante Allegro
K293 LS44 P157 Bm Allegro
K298 LS 6 P194 D Major Allegro
K302 L007 P279 Cm Andante
K308 L359 P318 C Major Cantabile
K318 L031 P302 F# Major Andante
K319 L035 P303 F# Major Allegro
K328 LS27 P485 G Major Andante comodo
K329 LS 5 P337 C Major Allegro
K333 L269 P338 D Major Allegro - Allegrissimo
K335 LS10 P339 D Major Allegro
K343 L291 P495 A Major Allegro andante
K347 L126 P294 Gm Moderato cantabile
K348 L127 P462 G Major Prestissimo
K351 LS34 P165 Bb Major Andante - Allegrissimo
K356 L443 P488 C Major Con spirito Andante
K357 LS45 P270 C Major Allegro
K359 L448 P425 D Major Allegrissimo
K361 L247 P214 Bb Major Allegrissimo
K363 L160 P104 Cm Presto
K367 L172 P453 F Major Presto
K368 LS30 P506 A Major Allegro
K373 L098 P158 Gm Presto e fugato
K376 L034 P246 Bm Allegro
K377 L263 P245 Bm Allegrissimo
K379 L073 P107 F Major
K380 L023 P483 E Major Andante comodo
K382 LS33 P508 Am Allegro
K384 L002 P487 C Major Cantabile andante
K386 L171 P137 Fm Presto
K387 L175 P415 Fm Veloce e fugato
K393 L074 P326 Bb Major
K398 L218 P493 C Major Andante
K408 L346 P436 Bm Andante
K417 L462 P40 Dm Allegro moderato
K423 L102 P455 C Major Presto
K425 L333 P426 G Major Allegro molto
K426 L128 P128 Gm Andante
K427 L286 P286 G Major Presto quanto sia possible
K430 L463 P463 D Major Non presto
K437 L278 P499 F Major Andante comodo
K439 L047 P473 Bb Major Moderato
K440 L097 P328 Bb Major
K444 L420 P441 Dm Allegrissimo
K445 L385 P468 F Major Allegro o presto
K446 L433 P177 F Major Allegrissimo
K450 L338 P422 Gm Allegrissimo
K452 A Major Andante Allegro
K453 P280 A Major Andante
K454 L184 P423 G Major Andante spirituoso
K459 LS14 P167 Dm Allegro
K462 L438 P474 Fm Andante
K463 L471 P512 Fm Molto allegro
K466 L118 P501 Fm Andante
K467 L476 P513 Fm Allegrissimo
K469 L431 P514 F Major Allegro molto
K471 L082 P327 G Major
K474 L203 P502 Eb Major Andante cantabile
K475 L220 P319 Eb Major Allegrissimo
K476 L340 P427 Gm Allegro
K478 L012 P503 D Major Andante cantabile
K479 LS16 P380 D Major Allegrissimo
K480 LS 8 P381 D Major Presto
K481 L187 P504 Fm Andante cantabile
K482 L435 P356 F Major Allegrissimo
K485 L153 P490 C Major Andante cantabile
K490 L206 P476 D Major Cantabile
K501 L137 P385 C Major Allegretto
K503 L196 P196 Bb Major Allegretto
K505 L326 P386 F Major Allegro non presto
K507 L113 P478 Eb Major Andantino cantabile
K513 LS 3 P176 C Major Moderato e Molto allegro - Presto
K516 LS12 P523 Dm Allegretto
K517 L266 P517 Dm Prestissimo
K519 L475 P445 Fm Allegro assai
K520 L086 P362 G Major Allegretto
K526 L456 P530 Cm Allegro comodo
K527 L458 P531 C Major Allegro assai
K533 L395 P537 A Major Allegro assai
K534 L011 P538 D Major Cantabile
K536 L236 P540 A Major Cantabile
K537 L293 P541 A Major Prestissimo
K538 L254 P542 G Major Allegretto
K540 LS17 P544 F Major Allegretto
K541 L120 P545 F Major Allegretto
K542 L167 P546 F Major Allegretto
K544 L497 P548 Bb Major Cantabile
K545 L500 P549 Bb Major Prestissimo
K546 L312 P550 Gm Cantabile
K548 L404 P552 C Major Allegretto
K550 LS42 P554 Bb Major Allegretto
K552 L421 P556 Dm Allegretto
K554 LS21 P558 F Major Allegretto

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OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments

1198 7 Borodin Petite Suite no 4- Mazurka

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