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Register Now!

Registration Deadline: Friday February 25, 2010


Name:
_______________________________________________

Street address:
________________________________________
__________________________________________________
___
__________________________________________________
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Home phone:
_________________________________________ The Auditorium Theatre of Roosevelt
Cell phone: University's Department of Creative
___________________________________________ Engagement in Collaboration with
Lucia Mauro Lucia Mauro presents…

Payment Information Lecture Series Instructor


Tuition: $275.00 x __________ = $__________ Lucia Mauro, a longtime Chicago Spring 2011
(# of people) arts writer and dance critic, is affili-
Registration fee: $8.00 x __________ = $__________ ated with Chicago Public Radio, Lecture Series
(# of people) the Chicago Tribune and Chicago
Magazine. She is an adjunct 
Grand total: = $__________
professor of dance history at
Loyola University Chicago and Milestones in
Method of Payment
 Check (payable to Auditorium Theatre of Roosevelt University)
Loyola's John Felice Rome Center
in Italy.
Dance History:
 American Express Early Court Ballets to
More information:
 MasterCard
www.luciamauro.com Sergei Diaghilev’s
 Visa
 Diners Club
Ballets Russes
Card number:
________________________________________________
March 8, 2011
Expiration: March 15, 2011
__________________________________________________
March 22, 2011
Name on card (print): March 29, 2011
_________________________________________
April 5, 2011
About the Auditorium Course Description
Theatre’s Department of Take an engaging Week Four
Creative Engagement journey through Sergei Diaghilev’s Ballets Russes, II
Tuesday March 29, 2011 6-8:00pm
the evolution of We continue to look at the ongoing innova-
Education is integral to the Auditorium's mis- ballet over the tions of this early 20th century collaborative
sion. We take great pride in our responsibility to ensemble of choreographers, designers, com-
encourage and create dialogue and action through decades with
posers. This lecture centers on Ballets Russes'
our programs. From curriculum for teachers and dance critic- chic, modernist period. Choreographers we
students to inspiring and thought-provoking educator Lucia will discuss: Leonide Massine, Bronislava
events and activities for life-long learners, the Mauro, who also Nijinska, George Balanchine.
Auditorium Theatre strives to provide meaning- hosts the Audito-
ful, just and accessible arts experiences to patrons rium Theatre's Fireside Chats and Dialogue on Dance.
of all incomes and backgrounds. Week Five
Through lectures, discussions and film clips, she will guide Development of Ballet in the U.K & U.S.
participants through the lineage of classical ballet as it Tuesday April 5, 2011 6-8:00pm

Who should attend the developed out of the royal Renaissance and Baroque courts A discussion of a grand convergence of cho-
reographic talent in the 1930s and 1940s, with
and spread around the world through groundbreaking art-
Dance Lecture Series? ists, such as Filippo Taglioni and daughter Marie Taglioni,
the creation of the Sadler's Wells Ballet and
Ballet Rambert in London, as well as choreog-
This lecture series is designed for dance enthusi- Theophile Gautier, Marius Petipa, Anna Pavlova, Michel raphers Frederick Ashton and Antony Tudor;
and the establishment of American Ballet
asts and aficionados looking to expand or deepen Fokine, Vaslav Nijinsky, Bronislava Nijinska, Antony Theatre and George Balanchine's New York
their knowledge of classical ballet. All sessions Tudor, George Balanchine, and more. City Ballet.
are designed to be very interactive and include
lecture, discussion, and film clips. Each session Week One
will not only increase knowledge, vocabulary, Early Court Dance & the Romantic Age
and appreciation of dance, but it will also bring Tuesday March 8, 2011 6-8:00pm Registration Information
you closer to fellow Auditorium Theatre dance Covers the courts of Catherine de' Medici and
devotees in a fun and engaging atmosphere! Louis XIV in France, and the early develop-  Fill out the flap on reverse and either fax, email,
ment of ballet leading to the Romantic Age mail or call us at:
known for its ethereal and supernatural ballets, mail: Auditorium Theatre of Roosevelt University
Where does the course take such as La Sylphide and Giselle. Attn: Nicole Losurdo, Director of Education
50 E. Congress Parkway, Chicago, IL 60605
place? Week Two email: nlosurdo@auditoriumtheatre.org
Imperial Russian Ballet fax: 312-431-2360
The Lecture Series will take place on the second Tuesday March 15, 2011 6-8:00pm call: 312-922-2110 ext. 353 and we can register you
floor of Roosevelt University in Room232. The era of Marius Petipa and the creation of
over the phone.
Roosevelt University is conveniently located at the great full-length classics, including The
Sleeping Beauty, Swan Lake, La Bayadere.  Registration deadline is Friday February 25, 2011
430 S. Michigan Avenue. or until all spots are filled-act fast to ensure a place!
Week Three
Sergei Diaghilev’s Ballets Russes, I  Registrations will be processed on a first-come,
Tuesday March 22, 2011 6-8:00pm first-serve basis.
This revolutionary classical-contemporary
company pushed the boundaries of dance  Refund policy: The Auditorium Theatre limits the
without negating classical foundation. In this registration number for the course to 20 people.
lecture, we explore the choreography of Mi- The Auditorium will not refund any tuition money
chel Fokine (The Firebird, Petroushka) and after Tuesday, February 22, 2011.
Vaslav Nijinsky (Rite of Spring) -- the early
"Russian" years of the company.  Course must be taken as a 5-week series.

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