American & European Paintings & Prints

SKINNER
American & European Paintings & Prints

Sale 2535B January 28, 2011 Boston
254
including Photography & Sculpture
specialists in charge
Robin S. R. Starr Kathy Wong Elizabeth C. Haff

Department Director 508.970.3297 508.970.3258
508.970.3259
American & European Paintings & Prints Department - 508.970.3206

General Inquiries: paintings@skinnerinc.com
auction 2535B
Friday, January 28, 2011
Prints & Photography at 12 noon
Paintings & Sculpture at 4 p.m.
63 Park Plaza
Boston, Massachusetts
preview
Wednesday, January 26, 2011 12 to 5 p.m.
Thursday, January 27, 2011 12 to 8 p.m.
Friday, January 28, 2011 9 to 10:30 a.m.
absentee bidding
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
general inquiries
View all lots online at www.skinnerinc.com
617.350.5400
cover : 362 ( detail ) ; frontispiece : 254 ; inside back cover : 474 ; back cover : 330
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table of contents
1 Auction & Specialist Information
2 Web Site & Online Bidding
4-5 Event Announcements
7 Prints & Photography - Lots 1-195
83 Paintings & Sculpture - Lots 200-556
322 Glossary of Terms
323 Artist Index
327 Conditions of Sale
329 Absentee Bid Form
330 Company Directors & Specialty Departments
331 Administrative Staff & Client Services
332 Map & Driving Directions
333 Parking & Accommodations
334 Dining
335 Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 327 of this catalogue for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2011

All rights reserved
SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr,
Director of Skinner’s Paintings Department
Thursday, January 27, 2011
5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park Plaza
Boston, MA
R.S.V.P. 617.350.5400
Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinner’s

Janaury 28th auction of American & European Paintings & Prints
4
Upcoming Auction

May 20th, 2011
Boston, MA
Willard Leroy Metcalf (American, 1858-1925), Purple and Gold, 1922, sold September 24, 2010 for $281,000.
Consignment Deadline:
February 25th, 2011
For more information please contact our
Paintings & Prints department at 508.970.3206
or email paintings@skinnerinc.com
www.skinnerinc.com
5
Session I
Prints & Photography
Lots 1-195
to be sold Friday, January 28th, 2011 at 12 noon

2
1.
Yaacov Agam (Israeli, b. 1928)
Untitled, edition of 99. Signed “Agam” in pencil l.r., numbered “19/99”

in pencil l.l. Color screenprint on paper, image size 19 3/4 x 3 3/4 in.
(50.2 x 9.4 cm), framed. 3
Condition: Subtle mat burn, not examined out of frame.
$200-300
3.
2. Francisco Amighetti (Costa Rican, 1907-1998)
Malvin Marr Albright, known as Zsissly (American, 1897-1983)
Niños Monos y Claro de Luna, 1967, edition of 50. Signed and dated
Victoria, 1936. Signed “ZSISSLY” in pencil l.r., titled in pencil l.l. “FAmighetti 1967” in pencil l.r., titled in pencil l.l., numbered “24/50” in
Lithograph on paper, image size 8 5/8 x 12 7/8 in. (21.8 x 32.5 cm), pencil l.c. Woodcut on paper, image size 17 x 12 3/4 in. (43.0 x 32.3
framed. cm), framed.
Condition: Subtle toning, pinpoint foxing, not examined out of frame. Condition: Not examined out of frame.
$200-300 $400-600
online bidding at www.skinnerinc.com 9

4 5
4.
Vera Andrus (American, 1896-1979)
Memory Stairs, 1936, edition of 20. Signed “Vera Andrus” in pencil

l.r., titled and numbered “...9/20” in pencil l.l., initialed within the matrix.
Lithograph on paper, image size 12 7/8 x 9 1/8 in. (32.6 x 23.0 cm),
framed.
Condition: Staining (primarily to margins), gentle rippling, not examined
out of frame.
$300-500
5.
Leonard Baskin (American, 1922-2000)
Football, 1959 (Fern & O’Sullivan, 388). Signed “Leonard Baskin” in

pencil l.r. Woodcut on tissue, image size 17 x 12 3/4 in. (43.0 x 32.3
cm), matted, unframed.
Condition: Margins 1 1/2 inches or more with two deckled edges,
creases to upper margin, subtle staining to edges of sheet.
$200-300
6.
Lot of Two Images: Dog in the Meadow, 1964, artist’s proof outside
of the edition of 100 (Fern & O’Sullivan, 464); and Bird, edition of 200.
Both signed “Baskin” in pencil l.r. and inscribed in pencil l.l. Etchings
(the latter with aquatint) on paper, plate sizes to 17 3/4 x 14 3/4 in.
(45.0 x 37.4 cm), one matted, both unframed.
Condition: Margins over 1 1/2 inches and with most edges deckled,
Dog with staining to margins and handling creases.
$400-600
10 additional information and photos at www.skinnerinc.com

7 8
7. 8.
Leonard Baskin (American, 1922-2000) Fred Becker (American, 1913-2004), Jack Coughlin (American,
b. 1932), John H. Depol (American, b. 1913), Fritz Eichenberg
Thomas Eakins, 1964 (Fern & O’Sullivan, 465). Signed “Baskin” in (American, 1901-1990), Raymond Gloecker (American, b. after
pencil l.r., titled in pencil l.l., inscribed “artistproof” in pencil l.c. Etching 1928), James Bruce Grashow (American, b. 1942), Judith Jaidinger
and aquatint on paper, plate size 17 3/4 x 13 1/4 in. (45.0 x 33.5 cm), (American, b. 1941), Stefan Martin (American, b. 1936), Michael
framed. McCurdy (American, b. 1942), Barry Moser (American, b. 1940),
Condition: Not examined out of frame. Gillian Tyler (American, 20th Century), Lynd Kendall Ward
$300-500 (American, 1905-1985), and Herbert Ogden Waters (American, b.
1903)
FACE TO FACE/A Portfolio of Thirteen Prints, published 1985,

edition of 250. All but the Lynd Ward signed in pencil. Wood
engravings on paper, sheet sizes 14 3/4 x 10 3/4 in. (37.4 x 27.3 cm),
unmatted, unframed.
Condition: Very minor handling creases.
$200-300
9.
Howard Ben Tré (American, b. 1949), Leslie Bostrom (American,
20th/21st Century), Ruth Frisch Dealy (American, 20th/21st
Century), Alfred V. DeCredico (American, 1954-2009), and Denny R.
Moers (American, b. 1953)
AS220 BUILDING BOX/A Portfolio of Five Works, 1991, edition of

100. Each signed and numbered “...8/100” in pencil somewhere on
the sheet, some titled in pencil, the set identified and numbered on the
colophon. Various print media including lithographs and a C-print on
paper, sheet sizes 22 x 29 1/2 in. (55.7 x 75.0 cm), presented in the
original clamshell portfolio box (wear).
Condition: Good.
$500-700

12
10.
Paul Berthon (French, 1872-1909)
Image from the Suite SIX PETITS NUS, 1899 (see Arwas, 43-48).
Signed within the matrix. Color lithograph on paper, image size 15 3/8
10 x 5 1/4 in. (39.0 x 13.3 cm), framed.
Condition: Unobtrusive toning, not examined out of frame.
$500-700
11.
George Elbert Burr (American, 1859-1939)
Springtime - Paradise Valley - Arizona (Seeber, 283). Signed

“George Elbert Burr” in pencil l.r., titled in pencil l.l. Etching and
drypoint on paper, plate size 11 5/8 x 9 7/8 in. (29.4 x 25.0 cm),
framed.
Condition: Not examined out of frame.
$600-800
12.
Alexander Calder (American, 1898-1976)
Untitled, from STABILES, 1963, edition of 90, separate from the

edition in DERRIERE LE MIROIR. Signed “Calder” in pencil l.r.,
numbered “30/90” in pencil l.l., identified on a label from the Highgate
Gallery, West Hartford, on the backing. Color lithograph on paper,
image size 15 x 21 in. (38.0 x 53.3 cm), framed.
Condition: Subtle toning and foxing, minor handling creases, not
examined out of frame.
$600-800
11

13
14
13.
Alexander Calder (American, 1898-1976)
Poisson pas ancre, edition of 90. Signed “Calder” in pencil l.r.,

numbered “85/90” in pencil l.l., identified on a label from Associated
American Artists on the backing. Color lithograph on paper, image size
18 3/4 x 23 1/4 in. (47.5 x 59.0 cm), framed.
Condition: Subtle toning or fading, pale staining, unobtrusive mat burn,
not examined out of frame.
$400-600
14.
Marc Chagall (French/Russian, 1887-1985)
Death and the Woodsman, plate eight from FABLES by Jean de La

Fontaine, published 1952, total edition of 200 (Cramer, 22). Signed
“Marc Chagall” in pencil l.r., numbered “8” in pencil l.l., signed in the
plate. Etching on paper, plate size 11 3/4 x 9 3/8 in. (29.8 x 23.6 cm),
framed.
Condition: Staining, rippling, not examined out of frame.
$800-1,200
15.
Marc Chagall (French/Russian, 1887-1985)
Plate from DE MAUVAIS SUJETS, 1958, edition of 153 (Cramer, 35).

Unsigned. Etching with color aquatint on paper, plate size 14 5/8 x 10
3/4 in. (37.0 x 27.0 cm), framed.
Condition: Margins 1 inch or more, not examined out of frame.
$500-700
15

16.
Samuel V. Chamberlain (American, 1895-1975)
Lot of Three Views of Old Williamsburg: Burton’s Parish Church,

Williamsburg, 1938, only second state impression (Chamberlain
& Kingsland, 137); The Public Gaol, Williamsburg, 1938, edition
of 100 (Chamberlain & Kingsland, 138); and The Palace Gardens,
Williamsburg, 1939, artist’s proof II/IV (Chamberlain & Kingsland, 139).
Each signed “Samuel Chamberlain” (the second by Narcissa Gellatly
Chamberlain) in pencil l.r. and inscribed in pencil l.l. Drypoints on
paper, plate sizes to 9 1/2 x 13 3/8 in. (24.0 x 33.9 cm), unframed.
Condition: Margins 1 inch or more.
Provenance: Through the family of the artist.

$200-250
17.
An Alley in Pont-Audemer, c. 1924, edition of 255 plus proofs

(Chamberlain & Kingsland, 145). Monogrammed and titled within the
matrix. Lithograph on chine collé, image size 9 3/4 x 7 3/4 in. (24.6 x
19.5 cm), unframed.
Condition: Margins of supporting sheet over 2 inches with deckled
edges, tear/loss to right edge (well outside of the edge of the chine
collé), upper and lower edges slightly curled.

$150-200
16
18.
Untitled (Chateau of the Ducs de Rohan, Josselin), 1925, small

edition (c.f. Chamberlain & Kingsland, 158). Unsigned, annotated l.l.
Drypoint on paper, plate size 5 1/8 x 6 7/8 in. (13.0 x 17.3 cm), matted,
unframed.
Condition: Margins over 2 inches with deckled edges, subtle soiling,
pale foxing, fault to plate mark u.r.
N.B. Annotations on the print indicate that this work should be entry
158 in the catalogue raisonné, but the text skips this entry.
$150-200
17 18

20
19.
Boston Courtyard, 1935, edition of 255 plus proofs (Chamberlain &

Kingsland, 241). Unsigned. Drypoint on paper, plate size 5 7/8 x 3 1/4
19 in. (14.8 x 8.2 cm), matted, unframed.
Condition: Margins over 2 inches with a deckled lower and right edges,
subtle soiling.
N.B. The composition is based on a photograph by Maurice M.

Faeustmann. When Chamberlain’s print was used for the cover of
Pencil Points, July 1935, the work was re-titled Old Court, Philadelphia.
$150-200
20.
A Study of Trees, 1926, edition of 255 plus proofs (Chamberlain &

Kingsland, 251). Unsigned. Drypoint on paper, plate size 5 x 7 in.
(12.5 x 17.7 cm), matted, unframed.
Condition: Margins over 3/4 inches with a deckled lower edge.

$150-200
21.
Eduardo Chillida (Spanish, 1924-2002)
Aldiki, 1969, edition of 50 plus proofs, published by Galerie Beyeler,

Basel (Chorus, 69003). Signed “Chillida” in pencil l.l., numbered
“48/50” in pencil l.r. Lithograph on Japan paper, images size 5 1/2 x 7
1/2 in. (14.0 x 19.0 cm), framed
Condition: Margins over 1 1/4 inches, not examined out of frame.
$1,000-1,500
21

22.
Salvador Dalí (Spanish, 1904-1989)
Ultra-Surrealistic Corpuscular Galutska, from

MEMORIES OF SURREALISM, 1971, published by
Transworld Art (Löpsinger & Michler, 496). Signed “Dali”
in pencil l.r., numbered “F III/XXV” in pencil l.l. Color offset
lithograph with drypoint, plate size 20 3/4 x 16 1/4 in. (52.5
x 41.3 cm), framed.
Condition: Subtle toning, not examined out of frame.
$300-500
22
23.
Salvador Dalí (Spanish, 1904-1989)
AFTER 50 YEARS OF SURREALISM/A Suite of Twelve

Prints, 1974, from the edition of 195, published by
Transworld Art (Löpsinger & Michler, 665-676). Each
signed “Dali” in pencil l.r., numbered “A 60/195” in pencil
l.l., and with publisher’s dry stamp l.l. and name on
the reverse, identified and numbered on the colophon
page. Drypoints with stencil color on Arches paper with
watermark, sheet sizes 26 x 19 3/4 in. (66.0 x 50.0 cm), in
the original clamshell portfolio box (wear).
Condition: Some with very minor handling marks and
creases.
$8,000-10,000
23

24 25
24.
Honoré Daumier (French, 1808-1879)
Lot of Three Images: Le Jayotype, plate 60 from MOEURS

CONJUGALES, 1842, third state of three (Delteil, 683); La Marcheuse,
plate 15 from BOHÊMIENS DE PARIS, 1841, the third state of five
(Delteil, 836); and Un vèritable amateur, plate 66 from LES BONS
BOURGEOIS, 1847, second state of two (Delteil, 1542). Each
identified and initialed within the matrix. Lithographs on paper, image
sizes to 11 3/8 x 8 in. (28.8 x 20.3 cm), framed.
Condition: Not examined out of frames.
$500-700
25.
Honoré Daumier (French, 1808-1879)
L’Ane et les deux voleurs, 1862, third state of four (Delteil, 3253).
Identified and initialed within the matrix. Lithograph on paper, image
size 10 3/8 x 8 in. (26.3 x 20.3 cm), framed.
$800-1,200
26.
Arthur Bowen Davies (American, 1862-1928)
Orchard of Bounties, 1919-20, first state of two (Czestochowski, 143).

Signed “Arthur B. Davies” in pencil l.r. Lithograph on paper, image size
15 3/4 x 10 3/4 in. (39.9 x 217.2 cm), framed.
Provenance: A private Massachusetts collection.

$800-1,200
26

27
27. 29.
Arthur Wesley Dow (American, 1857-1922) Albrecht Dürer (German, 1471-1528)
Shore of the Creek, c. 1905. Unsigned. Relief print in light and dark St. George on Foot, c. 1502-03, a later impression (Meder 55 e or f;
brown on paper, image size 4 x 7 1/4 in. (10.0 x 18.3 cm), framed. Hollstein, 55). Monogrammed in the plate, identified on a label from M.
Condition: Annotations to the reverse (visible on recto), not examined Knoedler & Co., New York, on the backing. Engraving on paper, image
out of frame. size 4 1/2 x 2 3/4 in. (11.3 x 6.8 cm), framed.
$250-300 Condition: Trimmed to or just within the plate mark, not examined out
of frame.
$300-500
28.
Jean Dufy (French, 1888-1964)
Après midi dans le parc, edition of 220. Signed “Jean Dufy” in pencil
l.r., numbered “122/220” in pencil l.l. Color lithograph on paper, image
$800-1,200
28
29

30
30. 31.
Romain de Tirtoff, called Erté (Russian, 1892-1990) Richard Estes (American, b. 1932)
The DIVA Suite/A Pair of Prints, 1984, edition of 300. Both signed Eiffel Tower Restaurant, from URBAN LANDSCAPES III, 1981,
“Erté” in pencil (within the image) l.r. and numbered “46/300” in pencil edition of 250 plus proofs (Arthur, p. 123). Signed “Richard Estes” in
(within the image) l.l. Color screenprints, one on white paper the other pencil l.r., numbered “16/250” in pencil l.l. Color screenprint on paper,
on black paper, sight sizes 35 x 25 in. (88.8 x 63.5 cm), framed. image size 14 x 20 in. (35.4 x 50.7 cm), framed.
Condition: Not examined out of frames. Condition: Not examined out of frame.
$1,500-2,500 $1,000-1,500
31

33
32
32. 33.
Philip Evergood (American, 1901-1973) Ernest Fiene (American, 1894-1965)
Self Portrait with Hat, 1961, edition of 50. Signed “Philip Evergood” End of the Bowery, 1933, edition of 50. Signed and dated “Ernest
in pencil l.r., signed and dated within the matrix, numbered and titled Fiene 33.” in pencil l.r., numbered “20/50” in pencil l.l., stamped “OCT
“33/50...” in pencil l.l. Lithograph on paper, image size 16 1/4 x 15 1/2 4 - 1935 THE DOWNTOWN GALLERY” on the reverse. Lithograph
in. (41.0 x 39.3 cm), framed. on paper, image size 9 3/8 x 13 1/8 in. (23.7 x 33.2 cm), unmatted,
Condition: Deckled edges, not examined out of frame. unframed.
$200-300 Condition: Margins over 3/4 inches with deckled edges, subtle toning
$200-300
34.
Eric Fischl (American, b. 1948)
Image (Dog, Boy, Woman) from the Suite DOG, BOY, WOMAN,
1992, edition of 25, printed by Dan Welden, Sag Harbor, New York.
Signed “Eric Fischl” in pencil l.r., numbered “10/25” in pencil l.l., and
with printer’s dry stamp l.r. Multiple plate solar intaglio on paper, sheet
Condition: Deckled edges, not examined out of frame.
$500-700
34

35
36
35. 36.
Eric Fischl (American, b. 1948) Eric Fischl (American, b. 1948)
Image (Dog, Woman, Boy) from the Suite DOG, BOY, WOMAN, Image (Woman, Dog, Boy) from the Suite DOG, BOY, WOMAN,
1992, edition of 25, printed by Dan Welden, Sag Harbor, New York. 1992, edition of 25, printed by Dan Welden, Sag Harbor, New York.
Signed “Eric Fischl” in pencil l.r., numbered “10/25” in pencil l.l., and Signed “Eric Fischl” in pencil l.r., numbered “10/25” in pencil l.l., and
with printer’s dry stamp l.r. Multiple plate solar intaglio on paper, sheet with printer’s dry stamp l.r. Multiple plate solar intaglio on paper, sheet
size 22 1/4 x 30 in. (56.4 x 76.2 cm), framed. size 30 x 22 1/4 in. (76.2 x 56.4 cm), framed.
Condition: Deckled edges, not examined out of frame. Condition: Deckled edges, not examined out of frame.
$500-700 $500-700
37.
Janet Fish (American, b. 1938)
Cerises, 1992, edition of 60. Signed and dated “Janet Fish ‘92” in
pencil l.r., titled and numbered “...27/60” in pencil l.l., identified on a
label from the Kristina Wasserman Gallery, Providence, and in text from
the publisher on the backing. Color screenprint on paper, image size
28 x 24 in. (71.0 x 60.7 cm), framed.
$800-1,200
37

38 39
38. 39.
Helen Frankenthaler (American, b. 1928) Ralph Goings (American, b. 1928)
Solar Imp, 2001, published by Lincoln Center/List Poster and Print Town and Country, 1966, edition of 300 plus proofs, printed by
Program, New York. Signed and numbered “Frankenthaler 37/126” Shorewood Bank Street Atelier, New York. Signed “Ralph Goings” in
in pencil (within the image) l.l., signed within the matrix l.r. Color pencil l.r., inscribed with printer’s name l.l. Color lithograph on paper,
screenprint on paper, sheet/image size 39 1/4 x 29 3/4 in. (99.3 x 75.5 image size 21 1/4 x 32 1/4 in. (54.0 x 81.8 cm), matted, unframed.
cm), framed. Condition: Margins 1 inch or more with deckled edges, subtle toning
Condition: Deckled edges, not examined out of frame. to edges.
$3,000-5,000
N.B. Property sold for the benefit of the Brooklyn Museum.
$600-800
40.
Sergio Gonzalez-Tornero (Chilean/American, b. 1927)
Garden in a Desert, 1964, edition of 100. Signed and dated “SERGIO

GONZALEZ-TORNERO 1964” in pencil l.r., titled in pencil l.c., and
numbered in pencil l.l. Color etching and aquatint with carborundum on
cream wove paper with partial watermark, plate size 14 5/8 x 17 7/8 in.
(37.0 x 45.3 cm), unmatted, unframed.
Condition: Margins over 2 inches with deckled edges, both side
margins folded under (2 inches or more outside of the plate mark),
toning, staining.
$250-350
40

41.
Francisco de Goya (Spanish, 1746-1828)
Todos Caerán, plate 19 from LOS CAPRICHOS, 1799, third edition

published in 1868 (Harris, 54). Identified within the plate. Etching and
aquatint on paper, plate size 8 1/2 x 5 7/8 in. (21.5 x 14.8 cm), framed.
Condition: Subtle toning and soiling, not examined out of frame.
$200-300
42.
Correccion, plate 46 from LOS CAPRICHOS, 1799, third edition

published in 1868 (Harris, 81). Identified within the plate. Etching and
aquatint on paper, plate size 8 1/2 x 5 7/8 in. (21.5 x 14.8 cm), framed.
Condition: Subtle toning and soiling, not examined out of frame.
$200-300
43.
Disparate Conodido (Que Guerrero!), from LOS PROVERBIOS, first

edition as published in L’Art, 1877 (Harris, 266). Identified within the
plate. Etching and aquatint on paper, plate size approximately 9 1/2 x
13 1/4 in. (24.0 x 33.5 cm), framed.
Condition: Toning, not examined out of frame.
$250-350
41
43
42

44.
Red Grooms (American, b. 1937)
Ruckus Taxi, 1982, edition of 75. Numbered, signed, and dated

“63/75 Red Grooms ‘82” in red pencil on the rear bumper,
identified on a label from the Harcus Gallery, Boston, affixed to
the underside. Lithographic multiple, 28 x 14 x 16 in. (71.1 x
35.6 x 40.6 cm), within a Plexiglas case.
Condition: Not examined out of case.
$3,000-5,000
44
45.
Laura Grosch (American, b. 1945)
Iris on Bokhara, 1975. Signed and dated “Grosch 1975” in

pencil (within the image) l.r., inscribed “Impressions Workshop
Proof I” in pencil (within the image) l.l. Color lithograph on paper,
image/sheet size 22 1/4 x 30 1/4 in. (56.4 x 76.7 cm), matted,
unframed.
Condition: Margins 1 inch or more with deckled edges, subtle
toning to edges.
N.B. Property sold for the benefit of the Brooklyn Museum.

$200-250
45
46.
William Lee Hankey (British, 1869-1952)
Le Repos, c. 1926, edition of 100. Signed “W. Lee Hankey...”

in pencil and with dry stamp l.c., monogrammed within the plate,
stamped “MADE IN ENGLAND” on the reverse. Drypoint on
paper, plate size 9 3/4 x 11 5/8 in. (24.7 x 29.5 cm), matted,
unframed.
Condition: Margins over 1 inch, annotations to lower margin and
verso, minor soiling to margins.
Provenance: The Blanton Museum of Art, Austin, Texas.

$300-500
46

47
47. 49.
William Lee Hankey (British, 1869-1952) Ernest Haskell (American, 1876-1925)
Le Matin, c. 1926, edition of 100. Signed “W. Lee Hankey...” in pencil James Abbott McNeill Whistler, 1898. Signed “Ernest Haskell” in
and with dry stamp l.c., monogrammed within the plate. Drypoint on pencil l.r., signed, monogrammed, and dated within the plate. Soft-
paper, plate size 9 3/4 x 11 3/4 in. (24.7 x 29.8 cm), matted, unframed. ground etching on fine laid paper, plate size 10 5/8 x 6 5/8 in. (26.8 x
Condition: Margins over 1 1/4 inches, annotations to lower margin and 16.8 cm), unmatted, unframed.
verso, minor soiling to margins. Condition: Margins 3/4 inches or more with deckled left and lower
edges, pressed crease to left margin, toning.
Provenance: The Blanton Museum of Art, Austin, Texas. $500-700
$300-500
48.
Hans Hartung (German, 1904-1989)
Untitled, edition of 100, published by Erker-Press, St. Gallen. Signed

“Hartung” in pencil l.r., numbered “69/100” in pencil l.l., publisher’s dry
stamp u.r. Lithograph printed in brown on cream paper, images size
18 1/2 x 19 1/2 in. (47.0 x 49.5 cm), framed.
Condition: Margins over 1 inch with deckled edges, not examined out
of frame.
Provenance: Through the family of Eleanor Kanegis Levin, co-owner of

Kanegis Gallery in Boston from 1953 to 1961, and the Retina Gallery in
Cambridge from 1968 to 1971.
$300-350
48 49

50
50. 51.
Frederick Childe Hassam (American, 1859-1935) Frederick Childe Hassam (American, 1859-1935)
Old Lace, 1915 (Cortissoz & Clayton, 56). Monogrammed and The Billboards, New York, 1896 (Cortissoz & Clayton, 87).
inscribed “...imp” in pencil l.r., monogrammed, dated, and identified Monogrammed and inscribed “...imp” in pencil l.r., monogrammed,
within the plate. Drypoint on paper, plate size 7 x 7 in. (17.7 x 17.7 dated, and identified within the plate. Drypoint on paper, plate size 4
cm), framed. 3/4 x 6 1/8 in. (12.0 x 15.5 cm), framed.
Condition: Not examined out of frame. Condition: Subtle toning, not examined out of frame.
$1,000-1,500
N.B. This is one of Hassam’s earliest etchings of New York and was
based on a drawing. The view depicts Broadway between 55th and
56th Streets.
$1,500-2,000
51

53
52
52.
Frederick Childe Hassam (American, 1859-1935)
The Avenue of the Allies, 1918 (Cortissoz & Clayton, 147).

Monogrammed and inscribed “...imp” in pencil l.r., monogrammed and
dated within the plate. Drypoint on paper, plate size 14 5/8 x 9 3/4 in.
(37.0 x 24.5 cm), framed.
Condition: Subtle mat burn, not examined out of frame.
$1,500-2,000
53.
The Little Church Around the Corner, 1923 (Cortissoz &

Clayton, 220). Monogrammed and inscribed “...imp” in pencil l.r.,
monogrammed and dated within the plate. Drypoint on paper, plate
size 7 7/8 x 11 1/4 in. (19.8 x 28.5 cm), framed.
$1,000-1,500
54.
Wayside Inn - Oaks in Spring, 1926 (Cortissoz & Clayton, 261).

Monogrammed and inscribed in pencil l.r., monogrammed, identified,
and dated within the plate. Etching on paper, plate size 10 1/4 x 7 7/8
in. (26.0 x 20.0 cm), matted, unframed.
Condition: Margins 1 inch or more with gentle mat burn and staining,
pinholes to left margin, annotations to lower edge and verso.
$800-1,200
54

55 56
55.
Jacques Hnizdovsky (American/Ukrainian, 1915-1985)
Cabbage, 1964, edition of 150 (Tahir, 44). Signed, titled,

inscribed, dated, and numbered “Hnizdovsky...1964 28/100”
in pencil l.c. Woodcut on Japan paper, image size 10 3/8 x
10 1/2 in. (26.3 x 26.5 cm), unframed, accompanying mat.
Condition: Unobtrusive handling creases and soiling near
edges.
$200-250
56.
Louis Icart (French, 1888-1950)
L’Invitée, 1940 (Holland et al., 483). Signed “Louis Icart”

in pencil l.r., inscribed in pencil l.l., artist’s dry stamp l.l.,
identified within the plate. Color etching with aquatint and
stencil coloring on paper, plate size 19 3/4 x 17 3/4 in. (50.0 x
45.0 cm), framed.
$800-1,200
57.
Jasper Johns (American, b. 1930)
Figure 4, from the BLACK AND WHITE NUMERALS, 1968,

edition of 70 plus proofs, published by Gemini G.E.L., Los
Angeles (Field, 98). Signed and dated “J.Johns ‘68” in pencil
l.r., numbered “47/70” in pencil l.l., copyright and Gemini dry
stamps l.r., label from The Harcus Gallery, Boston, on the
backing. Lithograph in black and umber on paper, image size
27 1/4 x 21 1/2 in. (69.0 x 54.5 cm), framed.
Condition: Margins over 4 inches with deckled edges,
creases and nicks to right margin, not examined out of frame.
$4,000-6,000
57

58
60
58. 60.
Lester F. Johnson (American, 1919-2010) Philip Kappel (American, 1901-1981)
Men in Street #2, c. 1970, edition of 35. Signed “Lester Johnson” Boat Builders, Essex. Signed “Philip Kappel” in pencil l.r., titled in
in pencil l.r., titled in pencil l.c., numbered “29/35” in pencil l.l. Color pencil l.l. Etching on paper, 10 x 8 in. (25.4 x 20.3 cm), framed.
aquatint on paper, plate size 19 1/2 x 25 in. (49.5 x 63.3 cm), framed. Condition: Not examined out of frame.
Condition: Margins 1 inch or more, hinges loose, not examined out of
frame. Provenance: Sold by the Peabody Essex Museum, Salem,
$300-500 Massachusetts, for the benefit of acquisition funds.
$150-200
59.
Wolf Kahn (American, b. 1927)
Untitled (Connecticut River), 1997. Signed and dated “W. Kahn ‘97”
in pencil l.r. Color monotype on paper, plate size 11 7/8 x 15 3/4 in.
(30.0 x 40.0 cm), framed.
$1,000-1,500
59

61.
Luigi Kasimir (Austrian, 1881-1962)
WIEN/A Portfolio of Twelve Images, 1912. Each signed “Luigi

Kasimir” in pencil l.r., some signed and/or identified within the plate.
Etchings with aquatint (most in color) on paper, plate sizes to 13 1/2 x
9 1/2 in. (34.2 x 24.0 cm), matted and presented in the original portfolio
cover (with a thirteenth image affixed to its cover).
Condition: Subtle toning.
$800-1,200
62.
Marguerite Kirmse (American, 1885-1954)
When Winter Comes. Signed “Marguerite Kirmse” in pencil l.r., titled

in pencil l.l. Etching on paper, plate size 7 3/4 x 5 7/8 in. (19.5 x 14.8
cm), framed.
$250-300
63.
Jeff Koons (American, b. 1955)
Balloon Dog (Red), 1995, edition of 2300, published by The Museum

of Contemporary Art, Los Angeles. Identified, dated “95,” and
numbered “1708/2300” on a label on the reverse. Metallic porcelain on
acrylic stand, diameter 10 in. (25.4 cm), presented in the original box
and packaging.
61 Condition: Good.
$2,500-3,500
63
62

64
64. 66.
Jeff Koons (American, b. 1955) Norman Laliberté (Canadian, b. 1925)
Bread With Egg (Yellow), 1995, edition of 30. Initialed, numbered, Pear. Signed “LALIBERTE” in pencil l.r., titled in pencil l.l., inscribed
and dated “...7/30 ‘95” in mark on the underside. Tempera-painted “AP” in pencil l.c. Color etching with aquatint on paper, plate size 34
hydrocal multiple, 2 3/8 x 5 3/4 x 5 1/4 in. (6.0 x 14.5 x 13.3 cm). 1/2 x 23 1/2 in. (87.5 x 59.5 cm), framed.
Condition: Minor wear. Condition: Margins over 1 inch, subtle rippling, not examined out of
$1,500-2,500 frame.
$500-700
65.
Martin J. Kotler (American, 20th/21st Century)
Untitled, 1986. Initialed and dated “M.J.K. 86” in pencil l.r. Monotype
on paper, plate size 4 5/8 x 5 3/8 in. (11.6 x 13.5 cm), framed.
$250-350
65
66

67 68
67.
Marie Laurencin (French, 1883-1956)
La Dame jaune, 1926, proof before colors (Marchesseau, 103).

Signed “Marie Laurencin” in pencil l.r., inscribed “C/y” in pencil l.l.,
identified on a label from the Albert Roulier Art Galleries, Chicago, on
the backing. Lithograph on paper, image size 8 5/8 x 7 1/8 in. (21.6 x
18.0 cm), framed.
$300-500
68.
Marie Laurencin (French, 1883-1956)
Colombine, 1928 (Marchesseau, 136). Signed “Marie Laurencin” in

pencil l.r. Lithograph on paper, image size 15 x 11 1/4 in. (38.0 x 28.5
cm), framed.
Condition: Margins 1 inch or more, not examined out of frame.
$500-700
69.
Clare Veronica Hope Leighton (American, 1901-1989)
The Net Menders, edition of 300. Signed “Clare Leighton” in pencil l.r.,
numbered and titled “13/300...” in pencil l.l. Wood engraving on fine
paper, image size 6 1/2 x 4 3/4 in. (16.4 x 11.4 cm), matted, unframed.
Condition: Margins over 1 inch, hinged near upper corners.
N.B. This may be the same as the work Net Mending: Toulon, of 1926,
although the Boston Public Library catalogue raisonné gives the edition
size of this work as 75.
$300-500
69

70.
Martin Lewis (American, 1881-1962)
Chance Meeting, 1940-41, edition of 105 (McCarron,

131). Signed “Martin Lewis.” in pencil l.r., initialed in the
plate. Drypoint on laid paper, plate size 10 1/2 x 7 1/2 in.
(26.5 x 19.0 cm), framed.
Condition: Margins 1 inch or more, toning and soiling,
fingerprints to verso.
$7,000-9,000
71.
Roy Lichtenstein (American, 1923-1997)
As I Opened Fire.../A Triptych, 1966, large open

edition (Corlett, App. 5). Unsigned, identified in text on
the reverse of each sheet. Offset color lithographs on
paper, sheet sizes 25 1/4 x 20 3/4 in. (64.0 x 52.6 cm),
unmatted, unframed.
Condition: Very minor handling marks and creases,
subtle toning.
$700-900
70
71

72 73
72. 73.
Elyse Ashe Lord (British, 1900-1971) Bertha Boynton Lum (American, 1869-1954)
K’o ssu, edition of 75. Signed “Elyse Ashe Lord-” in pencil l.r., Moon Gate, 1936 (Gravalos & Pulin, 114). Signed and dated “Bertha
numbered and titled “57/75...” in pencil l.l. Color etching and aquatint Lum 35” (within the image) in pencil l.c. Color woodcut on paper,
with stencil coloring on paper, plate size 14 1/2 x 10 1/4 in. (36.7 x image size 12 3/8 x 10 1/2 in. (31.4 x 26.6 cm), framed.
26.0 cm), framed. Condition: Subtle toning, not examined out of frame.
Condition: Unobtrusive toning, not examined out of frame.
$150-200 N.B. The lot is accompanied by a hand-colored photographic
reproduction of a second print, pencil signed by the artist.
$300-500
74.
Galerie Maeght, editor (French, 20th Century)
Lot of Ten Issues of DERRIERE LE MIROIR, featuring Calder, Kelly,

and Miró, spanning 1963 to 1968. Each measures 15 x 11 in. (38.1 x
27.9 cm).
Condition: Minor wear, soiling and/or handling nicks.
$300-500
74

75.
Aristide Maillol (French, 1861-1944)
Lot of Two Botanical Images: Poirier and Laurier, 1937-43, from

Virgil’s LES GÉORGIQUES, edition of 750, published by Philippe
Gonin, Paris (Guerin, 170 & 183). Both with Maillol monogram stamp in
dark red l.l. and numbered “V/XX” in pencil l.r. Woodcuts on laid paper
(one sheet with a “...MAILLOL GONIN” watermark), sheet sizes 12 3/4 x
9 3/8 in. (32.3 x 23.7 cm), unmatted, unframed.
Condition: All but the left edges deckled.
$200-300
76.
Brice Marden (American, b. 1938)
Beyond Eagles Mere, 2000-01, edition of 45, published by Gemini

G.E.L. Signed and dated “B Marden 01” in pencil l.r., numbered
“33/45” in pencil l.l., publisher’s and copyright dry stamps l.r. Etching
and color lithograph on paper, image size 17 1/8 x 26 in. (43.3 x 66.0
cm), framed.
Condition: Deckled edges, subtle rippling, not examined out of frame.
$7,000-9,000
75
76

77
77. 79.
John Marin (American, 1870-1953) John Martin (British, 1789-1854)
Sailboat, 1932, edition of 200 printed for the American Artist’s Group, Satan in Council, 1824. Titled and identified within the plate.
1936 (Zigrosser, 155). Signed and dated within the plate, stamp from Mezzotint on paper, sheet size 22 3/8 x 30 1/4 in. (56.8 x 76.7 cm),
AAG on the reverse. Etching on paper, plate size 7 x 9 1/4 in. (17.7 x matted, unframed.
23.4 cm), matted, unframed. Condition: Staining, losses and repairs to edges.
Condition: Margins 2 3/4 inches or more, toning, staining, masking $1,200-1,800
tape to upper corners.
$300-500
78.
No lot.
79

80
80. 81.
Paul Raphael Meltsner (American, 1905-1966) Kenneth Hayes Miller (American, 1876-1952)
The Outcast. Signed “Paul R. Meltsner” in pencil l.r., titled in pencil l.c., Leaving the Shop, 1929. Signed “Hayes Miller” in pencil l.r. Etching
inscribed “1st Proof.” in pencil l.l. Lithograph on paper, image size 13 x on laid paper, plate size 7 7/8 x 9 7/8 in. (20.0 x 25.0 cm), unmatted,
10 in. (32.8 x 25.4 cm), framed. unframed.
Condition: Unobtrusive toning, subtle rippling, not examined out of Condition: Margins approximately 1 inch, crease to lower margin
frame. running parallel to the entire plate mark, unobtrusive handling marks
$200-300 and creases, residue to verso.
$200-300
81

82.
Joan Miró (Spanish, 1893-1983)
Plate from FUSÉES, 1959, edition of 65 plus proofs

(Dupin, 257). Signed “Miró” in pencil l.r., numbered
“H.C. 2/3” in pencil l.l. Color etching with aquatint on
paper, plate size 5 x 7 in. (12.5 x 17.7 cm), framed.
$400-600
82
83.
Ceramiques monumentales de Miró et Artigas, from

DERRIERE LE MIROIR, deluxe hard-cover edition, 13
Juin, 1963, number 84, edition of 150. Signed “Miró”
in pencil on the colophon page. Sheet sizes 15 x 11 in.
(38.0 x 27.8 cm), with slip cover.
Condition: Very minor wear to slip cover.
$1,000-1,500
83
84.
Untitled, plate from LE LÉZARD AUX PLUMES

D’OR, 1967, edition of 50 (Maeght, 448). Signed
“Miró” in pencil l.r., numbered “40/50” in pencil l.l.
Color lithograph on Japan paper, image size 13 5/8 x
19 in. (34.5 x 48.0 cm), framed.
Condition: Deckled right and lower edges, small rub
near corner l.l., subtle handling creases, masking tape
along upper edge to the reverse, annotations to verso.
$1,200-1,800
84

85.
Joan Mitchell (American, 1925-1992)
Untitled: Trees 2, 1990, edition of 125. Signed

“Joan Mitchell” in pencil l.r., numbered “66/125”
in pencil l.l., identified on a label from Senior &
Shopmaker Gallery, New York, on the backing. Color
lithograph on paper, image size 28 x 21 3/4 in. (71.0
x 55.2 cm), framed.
Condition: Deckled edges, subtle rippling, not
$1,000-1,500
85
86.
Thomas Moran (American, 1837-1926)
Bridge in the Pass of Glencoe - Scotland, 1888,

second state with thistle remarque (Morand & Friese,
39). Signed and titled in the plate. Etching on
paper, plate size 9 3/8 x 11 3/4 in. (23.7 x 29.8 cm),
unmatted, unframed.
Condition: Margins 3/4 inches or more, losses to
lower edge of the margin, subtle toning, glue/residue
to lower edge on the reverse.
N.B. A cover sheet discussing the work

accompanies the lot.
$250-350
86

87
87.
Robert Motherwell (American, 1915-1991)
The Green Studio, 1985, edition of 50 plus proofs, published by Tyler

Graphics, Ltd., Mount Kisco, New York (Engberg & Banach, 363).
Signed and numbered “Motherwell/12/50” in pencil l.r. Etching and
aquatint in green and black on paper, plate size 4 7/8 x 12 in. (12.4 x
30.4 cm), framed.
$4,000-6,000

88.
Game of Chance, 1987, edition of 100 plus proofs,

published by Tyler Graphics, Ltd., Mount Kisco, New
York (Engberg & Banach, 377). Signed and numbered
“RMotherwell 78/100” in pencil l.r., publisher’s dry
stamp l.r. Lithograph and aquatint with collage in
colors on paper, image size 23 3/8 x 16 1/4 in. (59.3 x
41.2 cm), framed.
Condition: Gentle rippling, not examined out of frame.
$3,500-5,500
89.
Summer Trident, 1990, edition of 50 plus proofs

(Engberg & Banach, 506). Initialed and numbered
“RM 20/50” in pencil l.r., initialed within the matrix.
Lithograph in blue on chine collé, sheet size 8 x 10 in.
(20.3 x 25.4 cm), framed.
Condition: Margins 1 inch or more, not examined out
of frame.
$3,000-5,000
88
89

90
90.
Gabor F. Peterdi (American, 1915-2001)
Floating Brambles, 1964, edition of 100, published by Associated

American Artists. Signed and dated “Peterdi ‘64” in pencil l.r., titled in
pencil l.c., numbered “14 - 100” in pencil l.l., identified on a label from
AAA affixed to the backing. Etching on paper, plate size 17 3/4 x 23
3/4 in. (45.0 x 60.2 cm), framed.
Condition: Subtle toning and rippling, pin-point fox marks, not
$300-500
91.
Pablo Picasso (Spanish, 1881-1973)
Table des eaux-fortes, from LE CHEF-D’OEUVRE INCONNU, from

the reduced plate without the remarques, 1931 (Bloch, 94; Geiser,
135ii). Unsigned. Etching on cream BFK Rives with partial watermark,
plate size 10 7/8 x 7 3/4 in. (27.5 x 19.5 cm), framed.
Condition: Margins 3/8 inches or more with deckled right edge, glue
residue and thinned spots to margins on the reverse.
$1,500-2,000
91

92.
Le Chien, from HISTOIRE NATURELLE (TEXTES DE

BUFFON), total edition of 226, published by Martin Fabiani,
Paris (Bloch, 334; Cramer, 37). Unsigned, loan label from
The Minneapolis Institute of Arts on the backing. Etching and
aquatint on paper, sight size 11 7/8 x 9 5/8 in. (30.0 x 24.3
cm), framed.
$3,000-5,000
92
93.
L’age de soleil (pour Roby), 1950 (Bloch, 680). Signed and

inscribed in the plate. Etching on paper, plate size 9 1/8 x 7
in. (23.2 x 17.7 cm), framed.
$400-600
93

94
94.
Pique (Noir et beige), 1959, edition of 50 (Bloch, 909). Signed

“Picasso” in pencil l.r., numbered “35/50” in pencil l.l. Color linocut on
Arches paper with watermark, image size 21 3/4 x 25 1/4 in. (55.0 x
64.0 cm), framed.
Condition: Margins 1 3/4 inches or more, subtle toning and mat burn,
several pale fox marks to margins.
N.B. The sale of this work will benefit the Boston Symphony Orchestra.
$25,000-35,000

95
95. 96.
Pablo Picasso (Spanish, 1881-1973) Clayton Pond (American, b. 1941)
Clavando un par de banderillas, from LA TAUROMAQUIA, 1959, Rent Controlled Kitchen, edition of 110. Titled, numbered, and signed
total edition of 263 (Bloch, 964; Cramer 100). Signed “Picasso” in red “...#77/110 Clayton Pond” in pencil l.c., Strathmore dry stamp l.l. Color
pencil l.r. Aquatint on paper, plate size 7 1/2 x 11 3/8 in. (19.0 x 28.8 screenprint on paper, image size 28 1/2 x 38 1/4 in. (72.3 x 97.0 cm),
cm), framed. framed.
Condition: Subtle rippling, not examined out of frame. Condition: Subtle staining, not examined out of frame.
$250-300
N.B. The sale of this work will benefit the Boston Symphony Orchestra.
$2,000-3,000
96

97.
Charles Ernest (Eugène) Pont (French/American, b. 1898)
The Block Printer, c. 1932. Signed “Charles E Pont” in pencil l.r., titled
in pencil l.l. Etching on paper, plate size 9 3/4 x 7 in. (24.6 x 17.7 cm),
matted, unframed.
Condition: Margins 1 inch or more with deckled edges, finger prints to
margins.
$200-300
98.
Fairfield Porter (American, 1907-1975)
South Meadow, 1972, edition of 75, published by Brooke Alexander,

New York (Ludman, 24). Signed “Fairfield Porter” in pencil l.r.,
numbered “58/75” in pencil l.r., RSA dry stamp l.r. Color lithograph on
cream paper, image size 20 3/4 x 30 1/4 in. (52.2 x 76.6 cm), framed.
$1,500-2,000
97
98

99.
Rembrandt van Rijn (Dutch, 1606-1669)
Sheet of Studies: Head of the Artist, A Beggar Couple,

and Heads of an Old Man and an Old Woman, c. 1632,
an early impression (Bartsch/Hollstein, 363 ii/ii; Hind, 90).
Unsigned. Etching and drypoint on laid paper with a textual
watermark, plate size 4 x 4 1/8 in. (10.0 x 10.4 cm), matted,
unframed.
Condition: Margins 5/8 inches or more with tiny loss to l.l.
corner, minor tear to upper margin, subtle toning/soiling,
annotations to the reverse.
Provenance: A Rhode Island estate.

$1,000-1,500
99
100.
The Presentation in the Temple: Oblong Plate, c. 1639

(Bartsch/Hollstein, 49 ii/iii; Hind, 162). Unsigned. Etching
with drypoint on laid paper with partial Strasbourg lily
watermark, plate size 8 3/8 x 11 3/8 in. (21.4 x 28.7 cm),
matted, unframed.
Condition: Thread margins, subtle toning/soiling, annotations
to the reverse.

$3,000-5,000
100
101.
View of Amsterdam from the Northwest, c. 1640 (Bartsch/

Hollstein, 210 only state). Unsigned. Etching with drypoint
on laid paper with partial foolscap watermark, plate size 4
7/16 x 6 in. (11.2 x 15.0 cm), matted, unframed.
Condition: Thread margins, subtle toning/soiling, annotations
to the reverse, thinned spots near lower corners on the
reverse.

$2,000-3,000
101

102.
Descent from the Cross: A Sketch, 1642, an early

impression (Bartsch/Hollstein, 82 only state). Signed and
dated in the plate, collector’s mark from George Björklund
(born 1887; Lugt 1138c) on the reverse. Etching and
drypoint on laid paper with a partial coat of arms with
pendant initials watermark, plate size 5 3/4 x 4 5/8 in. (14.7
x 11.7 cm), matted, unframed.
Condition: Margins approximately 1/8 inch, subtle toning/
soiling.

$1,200-1,800
102
103.
Sheet with Two Studies: A Tree and the Upper Part

of a Head of the Artist Wearing a Velvet Cap, c. 1642
(Bartsch/Hollstein, 372 only state). Unsigned, collector’s
marks from Johann Heinrich Albers (Bremen, 1774-1855;
Lugt 2714) and George Björklund (born 1887; Lugt 1138c)
on the reverse. Etching and drypoint on laid paper, plate
size 3 1/8 x 2 3/8 in. (7.9 x 6.1 cm), matted, unframed.
Condition: Margins approximately 1/16 inch, subtle toning/
soiling, annotations to the reverse.

$3,000-5,000
103

104
106
104. 105.
Rembrandt van Rijn (Dutch, 1606-1669) Rembrandt van Rijn (Dutch, 1606-1669)
Canal with a Large Boat and Bridge, 1650, a later impression Christ Disputing with the Doctors: A Sketch, 1652, an early
(Bartsch/Hollstein, 236 ii/ii; Hind, 239). Signed and dated in the impression (Bartsch/Hollstein, 65 i/iii; Hind, 257). Signed and dated in
plate, collector’s marks from Kupferstichkabinett, Berlin (Lugt, 1606), the plate, collector’s mark from the Collection D’Arenberg (Lugt, 567)
Alessandro Castagnari (Rome, 1881-1940; Lugt 86a), Count W.H.F.K. on the reverse. Etching with drypoint on laid paper with a high crown
van Lepell (1755-1826; Lugt 1672), and Dr. Friedrich Andreas Lieberg watermark, plate size 5 x 8 1/2 in. (12.5 x 21.4 cm), matted, unframed.
(Buenos Aires, born 1898; Lugt 1681ter) on the reverse. Etching with Condition: Margins approximately 1/16 inch, subtle toning/soiling,
drypoint on fine laid paper, plate size 3 1/4 x 4 1/4 in. (8.3 x 10.7 cm), annotations to the reverse.
matted, unframed.
Condition: Margins 1/8 inches or more, unobtrusive toning/soiling, Provenance: A Rhode Island estate.
some collector’s marks just visible through the sheet, annotations to the $3,500-5,500
reverse.
Provenance: A Rhode Island estate. 106.

$2,500-3,500 Rembrandt van Rijn (Dutch, 1606-1669)
The Entombment, c. 1654, a later impression (Bartsch/Hollstein, 86

iv/iv; Hind, 281). Unsigned. Etching on laid paper with an imperial
eagle watermark, plate size 8 1/4 x 6 3/8 in. (20.9 x 16.0 cm), matted,
unframed.
Condition: Trimmed nearly to or at the plate mark.

$700-900
105

107.
Aiden Lassell Ripley (American, 1896-1969)
Wild Turkeys. Signed “A. Lassell Ripley” in pencil

l.r., titled in pencil l.l. Etching and drypoint on
paper, plate size 11 1/8 x 9 5/8 in. (28.2 x 24.4 cm),
framed.
Condition: Mat burn, not examined out of frame.
$250-300
107
107A.
Larry Rivers (American, 1923-2002)
Swimmer, 1970, edition of 100, published by

Marlborough Graphics, New York and London.
Incised signature and number “Rivers 35/100” on the
reverse. Color screenprint on shaped acrylic sheet,
9 1/2 x 9 1/2 x 4 in. (24.1 x 24.1 x 10.2 cm).
Condition: Minor loss, minor abrasions.
$1,000-1,500
107A

109.
Georges Rouault (French, 1871-1958)
Jean-François jamais ne chante alleluia..., 1923, from MISERERE,

published 1948, edition of 425 plus proofs (Wofsy, 132). Signed and
dated within the plate. Etching with aquatint and roulette on paper,
plate size 23 1/4 x 16 3/4 in. (59.0 x 42.4 cm), framed.
Condition: Staining (primarily along the right and lower edge of the
plate mark), bloom to surface of image, unobtrusive rippling, not

$300-500
108 110.
Georges Rouault (French, 1871-1958)
Courtisane nue, 1927, from QUATORZE PLANCHES GRAVÉES

108. POUR LES FLEURS DU MAL, published 1966 (posthumously, by the
Ernest David Roth (American, 1879-1964) artist’s daughter), edition of 425 plus proofs (Wofsy, 223). Signed and
dated within the plate, numbered “88/425” in pencil l.l. Etching with
Lot of Three Architectural Views: Amiens, 1914; Segovia - aquatint and roulette on paper, plate size 10 1/2 x 14 3/8 in. (26.5 x
Cathedral & Valley, 1921; and Campo San Boldo - Venezia, 1924. 36.4 cm), framed.
Each signed and dated “Ernest D. Roth 19...” in pencil l.r., and signed Condition: Subtle rippling, not examined out of frame.
and identified within the plate. Etchings on paper, plate sizes to 12 x
10 7/8 in. (30.4 x 27.5 cm), matted, unframed. Provenance: Through the family of Eleanor Kanegis Levin, co-owner of
Condition: Margins 1 inch or more, unobtrusive toning. Kanegis Gallery in Boston from 1953 to 1961, and the Retina Gallery in
$200-300 Cambridge from 1968 to 1971.
$400-600
110
109

111
111.
Ed Ruscha (American, b. 1937)
BLANK SIGNS/A Portfolio of Four Images, 2004, edition of 35 plus

proofs, published by Editions Jacob Samuel and Lapis. Each signed,
dated, and numbered “Ed Ruscha 2004 31/35” in pencil l.r., and with
publisher’s “JS” dry stamp l.r. Etchings with aquatint (each in black and
a second color) on paper, plate sizes 7 7/8 x 7 7/8 in. (19.8 x 19.8 cm),
framed.
N.B. The lot is accompanied by the original cloth-bound portfolio cover

and justification page.
$3,500-4,500
112.
Anne Ryan (American, 1889-1954)
New Bird, edition of 50. Titled, numbered, and signed “...20/50 A

Ryan” in white chalk or similar beneath the image. Color lithograph on
black paper, image size 4 1/4 x 3 1/8 in. (10.9 x 7.9 cm), framed.
N.B. A photograph of the artist accompanies the lot.

$400-600
112

113.
Sean Scully (Irish/American, b. 1945)
Narcissus, 1991, edition of 30. Signed and dated “Sean Scully

91” in pencil l.r., titled in pencil l.c., numbered “17/30” in pencil l.l.,
identified on a label from Senior & Shopmaker Gallery, New York,
on the backing. Color woodblock on paper, image size 11 1/4 x 8
3/4 in. (28.5 x 22.0 cm), framed.
Condition: Deckled edges to three sides, pin-point fox mark to
margin u.r., subtle rippling, not examined out of frame.
$2,000-3,000
114.
Sean Scully (Irish/American, b. 1945)
Wall of Light - Blue, 2000, edition of 40. Signed and dated

“Sean Scully 00” in pencil l.r., titled in pencil l.c., numbered “23/40”
in pencil l.l., dry stamp l.r. Color etching with aquatint and soft-
ground etching on paper, plate size 17 3/4 x 22 in. (45.0 x 55.8
cm), framed.
Condition: Deckled edges, subtle rippling, not examined out of
frame.
$4,000-6,000
113
114

115
115. 117.
Ben Shahn (American, 1898-1969) Joseph Simpson (British, 1879-1939)
Psalm 133, 1963, edition of approximately 200, printed by A. Lot of Three Portraits: Lucy in Galloway, edition of 75; The Pastelist,
Manaranche, Paris (Prescott, 53). Signed “Ben Shahn” in red ink l.r., edition of 75; and Betty, 1927, edition of 75. Each signed “Joseph
printer identified within the matrix. Color lithograph on paper, image Simpson” in pencil l.r., numbered in pencil l.l., and titled in annotations
size 20 x 26 1/2 in. (50.6 x 67.3 cm), unmatted, unframed. to the lower margin. Etchings on paper, plate sizes to 12 x 9 7/8 in.
Condition: Left and lower edges deckled, toning to edges, stamped (30.4 x 25.0 cm), matted, unframed.
and annotated on the reverse. Condition: Margins over 1 inch, most with deckled edges and with
$500-700 pinholes near edges.
Provenance: The Blanton Museum of Art, Austin, Texas.

116. $400-600
Toko Shinoda (Japanese, b. 1913)
Sound, 1965, edition of 10. Titled, signed, dated, and numbered “...
Toko Shinoda 1965 9/10” in pencil l.r. Lithograph printed in green-
black on cream BFK Rives paper with watermark, image size 14 x 18
1/2 in. (35.5 x 47.0 cm), framed.
Condition: Margins 3 inches or more with deckled edges, not examined
out of frame.

$500-700
116 117

118.
Day Spaulding (American, 20th Century)
Down from the Clouds. Signed “Day Spaulding” in pencil l.r., titled in
pencil l.l. Color woodcut on paper, image size 10 1/8 x 7 1/2 in. (25.6
x 19.0 cm), framed.
Condition: Subtle staining to margins, not examined out of frame.
$600-800
119.
Harry Sternberg (American, 1904-2002)
Enough, 1947, edition of 250, published by Associated American

Artists. Dedicated, signed, and dated “To Charles Ferguson from Harry
Sternberg 1947” in pencil l.r. Aquatint on paper, plate size 14 7/8 x 11
3/4 in. (37.7 x 29.7 cm), framed.
$500-700
120.
Théophile Alexandre Steinlen (French/Swiss, 1859-1923)
Dans le Hall, alternatively titled Permissionaires à la Gare de L’Est,

1916, edition of 100. Signed “Steinlen” in red pencil l.r., numbered
“56/100” in pencil l.r., signed and dated in the matrix, titled in pencil l.l.,
remarque of a couple l.r. Lithograph on paper, image size 17 3/4 x 13
118 1/2 in. (45.0 x 34.2 cm), framed.
$200-300
119 120

122
122.
George Tooker (American, b. 1920)
Embrace, 1982, edition of 175. Signed “George Tooker” in pencil l.r.,

numbered “96/175” in pencil l.l. Lithograph on paper, image size 12 x
16 in. (30.4 x 40.6 cm), framed.
Condition: Not examined out of frame
$1,200-1,800
121 123.
Julian Trevelyan (British, 1910-1988)
Benares, from the INDIA Suite, 1968, edition of 75, published by

121. London Graphics (Turner, 201). Signed “Julian Trevelyan” in pencil
Altoon Sultan (American, b. 1948) l.r., titled in pencil l.c., numbered “51/75” in pencil l.l. Color etching
and aquatint on paper, plate size 13 3/4 x 18 5/8 in. (34.8 x 47.3 cm),
Ferris Wheel, Brookfield, WY, 1985, edition of 30. Signed and dated framed.
“Sultan 85” in pencil l.r., numbered and titled “30/30...” in pencil l.l. Condition: Margins 2 inches or more, pale staining, not examined out
Etching with hand-coloring on cream paper, plate size 4 1/8 x 2 3/8 in. of frame.
Condition: Margins 4 inches or more with deckled edges, hinging Provenance: Through the family of Eleanor Kanegis Levin, co-owner of
residue/thin spots to upper corners on the reverse. Kanegis Gallery in Boston from 1953 to 1961 and the Retina Gallery in
$200-250 Cambridge from 1968 to 1971.
$200-300
123

124 125
124.
Albert Urban (German, 1909-1959)
Lot of Three Abstractions: Untitled (Green + Gray), 1953, edition

of 65; Untitled (Brown and Green), 1953 edition of 13; and Untitled
(Green), 1953 edition of 16. Each signed and dated “Albert Urban 53”
in ink within the image, each numbered within the image, each with the
artist’s estate stamp on the reverse. Color screenprints on paper, sheet
sizes approximately 26 x 33 in. (66.0 x 83.8 cm), matted, unframed.
Condition: Subtle toning, minor soiling to margins, minor rubs to
images.
$600-800
125.
Lot of Six Abstract Compositions. One signed and dated “Albert

Urban 45” in ink within the image l.l., the other five with the artist’s
estate stamp on the reverse. Color screenprints on paper, sheet sizes
22 x 17 1/4 in. (55.7 x 43.5 cm), framed.
Condition: Subtle toning, minor soiling to margins, estate stamps visible
on recto, not examined out of frames.
$600-800
126.
Lot of Five Room Abstractions. Each with the artist’s estate stamp
on the reverse. Color screenprints on paper, sheet sizes 14 x 9 3/4 in.
(24.5 x 24.5 cm), framed.
Condition: Subtle toning, minor soiling to margins, estate stamps visible
on recto, not examined out of frames.
$600-800
126

127
128
127.
Victor Vasarely (French/Hungarian, 1906-1997)
Untitled (Gold Diamond), edition of 250. Signed “Vasarely-” in pencil

l.r., numbered “247/250” in pencil l.l. Color screenprint on paper,
image size 15 5/8 x 15 5/8 in. (39.5 x 39.5 cm), framed.
$300-500
128.
Anthony Velonis (American, b. 1911)
Young Girl, 1939. Initialed “AV” in pencil (within the image) l.r., signed
and dated within the matrix. Color screenprint on cream paper, image
size 19 7/8 x 13 7/8 in. (50.4 x 35.3 cm), unmatted, unframed.
Condition: Margins 1 3/4 inches or more, nicks and tears to margins
(some stabilized with tape on the reverse), creases and minor staining
to margins, annotations to margins.
$300-500
129.
Elizabeth Quale O’Neill Verner (American, 1883-1979)
Ravenal Doorway, Charleston. Signed “Elizabeth O’Neill Verner” in

pencil l.r., titled in pencil l.l. Etching on paper, plate size 7 x 5 in. (17.7
Condition: Mat burn, sandwiched between facing and backing mats
(probably laid down).
$400-600
129

130 131
130. 131.
Maurice de Vlaminck (French, 1876-1958) After Maurice de Vlaminck (French, 1876-1958)
Boissy-les-Perches, 1951, second state of two, edition of 50 Bouquet de fleurs, 1958, edition of 100, published by C. Guillard,
(Walterskirchen, 148). Signed “Vlaminck” in pencil l.r., numbered Paris. Signed “Vlaminck” in pencil l.r. and in the plate, numbered
“31/50” in pencil l.l. Etching with hand-coloring on paper, plate size 10 “28/100” in pencil l.l., dated within the plate. Color collotype on paper,
1/8 x 12 3/8 in. (25.5 x 31.3 cm), framed. plate size 24 x 18 1/2 in. (61.0 x 47.0 cm), framed.
Condition: Subtle toning, not examined out of frame. Condition: Margins 3 inches or more, not examined out of frame.
$300-500 $600-800
132.
Alfred James Wands (American, 1904-1980)
Lot of Two Mountain Views: The Rockies and Estes Park, Colorado,
both editions of 150. Both signed “Alfred Wands” in pencil l.r. and
numbered and titled in pencil l.l. Color screenprints on paper, image
sizes approximately 9 x 11 in. (22.8 x 27.9 cm), framed.
$300-400
132

133.
Ernest W. Watson (American, 1884-1969)
The Foaming Lane, 1926, edition of 100. Signed “Ernest W

Watson” in pencil l.r., numbered, titled, and dated “...16 - 100...
Nov 1926” in pencil l.l. Color linocut on paper, image size 9 3/4 x
9 3/8 in. (24.7 x 23.6 cm), matted, unframed.
Condition: Margins over 1 inch, pale foxing to lower margin,
staining from hinging to the upper margin.
$250-300
133
134.
Ernest W. Watson (American, 1884-1969)
Tide Out, St Ives, 1939, edition of 200. Signed “Ernest W

Watson” in pencil l.r., titled in pencil l.l. Color woodcut on paper,
image size 7 x 9 in. (17.8 x 22.7 cm), matted, unframed.
Condition: Margins approximately 1 inch, pale staining from
hinging to the upper margin.
$250-300
134
135.
Stow Wengenroth (American, 1906-1978)
Three Owls, 1946, edition of 65 (Stuckey, 160). Signed

“Stow Wengenroth” in pencil l.r., inscribed “Ed/65” in pencil l.l.
Lithograph on paper, image size 11 5/8 x 15 3/4 in. (29.5 x 40.0
cm), framed.
$400-600
135

136
136. 138.
Stow Wengenroth (American, 1906-1978) Stow Wengenroth (American, 1906-1978)
Willow Lane, 1953, edition of 50 (Stuckey, 206). Signed “Stow Warbler, 1961, edition of 45 (Stuckey, 265). Signed “Stow
Wengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithograph on Wengenroth” in pencil l.r., inscribed “Ed/45” in pencil l.l. Lithograph on
paper, image size 8 7/8 x 13 7/8 in. (22.5 x 35.2 cm), framed. paper, image size 15 1/2 x 10 3/4 in. (39.4 x 27.2 cm), framed.
Condition: Subtle toning and rippling, not examined out of frame. Condition: Toning, not examined out of frame.
$400-600 $400-600
137.
Dunes and Terns, 1957, edition of 50 (Stuckey, 241). Signed “Stow

Wengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithograph on
paper, image size 8 1/2 x 13 7/8 in. (21.5 x 35.2 cm), framed.
Condition: Gentle toning, not examined out of frame.
$400-600
137
138

139.
Three of a Kind, 1967, edition of 75 (Stuckey, 310).

Signed “Stow Wengenroth” in pencil l.r., inscribed
“Ed/75” in pencil l.l. Lithograph with hand-coloring on
paper, image size 8 3/4 x 14 7/8 in. (22.3 x 37.7 cm),
framed.
Condition: Rippling, subtle staining, not examined out
of frame.
$400-600
140.
139
Twilight Clearing, 1971, edition of 50 (Stuckey, 337).
Signed “Stow Wengenroth” in pencil l.r. Lithograph
on paper, image size 9 7/8 x 15 in. (25.0 x 38.0 cm),
framed.
Condition: Subtle toning and rippling, not examined
out of frame.
$400-600
141.
James Abbott McNeill Whistler (American, 1834-
1903)
Limehouse, 1859, third state of three (Kennedy, 40).

Signed and dated within the plate. Etching on paper,
plate size 5 x 8 in. (12.6 x 20.3 cm), framed.
Condition: Toned, subtle breaks to paper along the
plate mark, not examined out of frame.
$2,000-3,000
140
141

142
142. 144.
James Abbott McNeill Whistler (American, 1834-1903) Anders Zorn (Swedish, 1860-1920)
Eagle Wharf, 1859 (Kennedy, 41). Signed and dated within the plate. Anatole France, 1906, fourth state of four (Asplund, 204). Signed
Etching on paper, plate size 5 1/2 x 8 1/2 in. (14.0 x 21.5 cm), framed. “Zorn” in pencil l.r., signed and dated in the plate. Etching on laid
Condition: Subtle mat burn, not examined out of frame. paper, plate size 8 3/8 x 6 1/4 in. (21.2 x 15.8 cm), matted, unframed.
$1,500-2,500 Condition: Margins just over 1 inch, unobtrusive toning and staining,
thin spots along upper edge and near u.r. corner on the reverse.
$800-1,200
143.
Zao Wou-Ki (Chinese, b. 1921)
Ciel de Paris, 1954, edition of 60 plus proofs, published by Gérald

Cramer, Genève (Ågerup, 89). Signed (in Chinese) and dated “...54”
in pencil l.r., numbered “43/60” in pencil l.l. Color lithograph on paper,
image size 17 3/8 x 23 in. (44.0 x 58.3 cm), framed.
Condition: Subtle toning and mat burn, not examined out of frame.
$1,200-1,800
143 144

Photography
145.
Berenice Abbott (American, 1898-1991)
Parallax (Candles and Mirror), 1950, from the

Retrospective edition, 1982. Signed “BERENICE ABBOTT”
in pencil (on the mount) l.r., numbered “25/40” in pencil
(on the mount) l.l., stamped on the reverse of the mount.
Gelatin silver print, 18 1/2 x 23 1/4 in. (47.0 x 59.0 cm),
mounted, framed.
Condition: Good.
$600-800
146.
Ansel Adams (American, 1902-1984)
Eleven Images from WHAT MAJESTIC WORLD: IN

MEMORY OF RUSSELL VARIAN/PORTFOLIO FOUR,
1963, total edition of 260. Each signed “Ansel Adams”
in pencil on the mount, numbered “134” in red ink on the
colophon pages. Gelatin silver prints, mount sizes 14 x 18
in. (35.5 x 45.7 cm), presented within the original portfolio
cover (worn).
Condition: Minor wear and staining to edges of mounts,
plates II, III, IV, and VII are not included in the lot.
145 $25,000-35,000
146

147 148
147.
Wayne Albee (American, 1882-1937)
Pine. Signed or inscribed “Wayne Albee...” on the mat. Silver print,

sheet/image size 10 x 8 in. (25.4 x 20.3 cm), matted, unframed.
Condition: Glue and residue to most of the reverse.
Provenance: From the collection of Austin Lamont, by family descent.

$300-500
147A.
American School, 20th Century
Lot of Eight Images of Andy Warhol and Ultra Violet, c. 1966.

Unsigned. Gelatin silver prints on paper, sheet sizes 8 x 10 in. (20.3 x
25.4 cm), presented in a single frame.
Condition: Subtle curling to sheets, minute wear to edges, Scotch tape
to some upper and lower edges.
$1,000-1,500
148.
Tina Barney (American, b. 1945)
SWIMMING, text by Tina Howe, edition of 175, published in 1991 by

the Library Fellows of the Whitney Museum of Art. Signed “Tina Barney
& Tina Howe” in pencil on the colophon page. Nine chromogenic prints
in a quarter-leather binding, 13 x 17 in. (33.0 x 43.0 cm), presented in a
cloth portfolio case (worn/losses).
Condition: Discoloration to spine of binding.
$1,500-2,500
147A

149 150
149.
Jessie Tarbox Beals (American, 1871-1942)
Portrait of a Woman Reading. Signed and inscribed “Jessie Tarbox

Beals/NY” in pencil on the mount l.r., inscribed “...5643” in pencil on
the reverse, inscribed “Agnes from Helen” on the backing mat verso u.l.
Sepia-toned silver print, 9 5/8 x 7 in. (24.4 x 17.8 cm), framed.
Condition: Unobtrusive staining near upper and lower edges, not
$300-500
150.
Pietro Bertoja (Italian, 1828-1910)
Lot of Five Views of Venice. Unsigned, at least one stamped with

artist’s name on the mount. Gelatin silver prints hand tinted in blue,
sheet sizes approximately 10 x 12 3/4 in. (25.5 x 32.5 cm), framed.
Condition: Mounted, some with surface abrasions, not all examined out
of frames.
$1,200-1,800
151.
James Clinton Bones (American, b. 1943)
Twilight, South Rim Chisos Mountains, Texas, c. 1972, second

print, 1982. Signed “Jim Bones” in pencil on the mount l.r., identified
in pencil and with the artist’s stamps on the reverse of the mount.
Dye-transfer print, sheet/image size 12 7/8 x 10 in. (32.5 x 25.5 cm),
matted, unframed.
Condition: Good.

151 $500-700

152 153
152.
Blizzard Around El Capitan at Guadalupe Pass, Texas, third print,

1982. Signed “Jim Bones” in pencil on the mount l.r., identified in
pencil and with the artist’s stamps on the reverse of the mount. Dye-
transfer print, sheet/image size 9 7/8 x 13 in. (25.0 x 32.8 cm), matted,
unframed.
Condition: Good.

$500-700
153.
Eroding Sandbar, Grand Canyon of the Colorado River, Arizona,

first print, 1983. Signed “Jim Bones” in pencil on the mount l.r.,
identified in pencil and with artist’s stamps on the reverse of the mount.
Dye-transfer print, sheet/image size 12 3/4 x 10 in. (32.3 x 25.4 cm),
matted, unframed.
Condition: Good.

$500-700
154.
Narrow Leafed Yucca. Unsigned. Unmounted dye-transfer print,

sheet size 14 x 11 in. (35.5 x 27.8 cm), matted, unframed.
Condition: Good.
154 Provenance: From the collection of Austin Lamont, by family descent.

$500-700

155.
Paul Caponigro (American, b. 1932)
Canyon de Chelly, c. 1976. Signed “Paul Caponigro” in

pencil on the mount. Gelatin silver print, image size 9 7/8 x
13 1/2 in. (25.1 x 34.4 cm), matted, unframed.
Condition: Good.
Provenance: From the collection of Austin Lamont, by family

descent.
$500-700
155
156.
Paul Caponigro (American, b. 1932)
White Desert. Signed “Paul Caponigro” in pencil on the

mount. Gelatin silver print, sheet/image size 9 1/8 x 13 1/4
in. (23.3 x 33.7cm), matted, unframed.
Condition: Good.

descent.
$500-700
156
157.
Walter Chappell (American, 1925-2000)
Expire [sic] Yucca, Big Sur, 1964, printed 1964. Signed

and dated “WALTER CHAPPELL 1964” in pencil on the
mount, titled and dated in pencil on the reverse of the mount.
Gelatin silver print, sheet/image size 7 3/4 x 9 3/4 in. (19.3 x
24.8 cm), matted, unframed.
Condition: Good.

descent.
$300-500
157

158
158. 159A.
Walter Chappell (American, 1925-2000) Linda Connor (American, b. 1944)
Confluence of Rio Embudo and Rio Grande, Embudo, NM, 1980. New Mexico, 1989. Dedicated, titled, dated, and signed “For Austin -
Signed “WALTER CHAPPELL” in pencil on the mount, titled and dated Thanks - New Mexico 1989 Linda S. Conner” in pencil on the reverse.
in pencil on the reverse of the mount. Gelatin silver print, sheet/image Gelatin silver print, sheet/image size 9 7/8 x 8 in. (25.0 x 20.3 cm),
size 8 7/8 x 13 3/8 in. (22.8 x 34.0 cm), matted, unframed. matted, unframed.
Condition: Good. Condition: Minor handling creases, rippling to edges, minute nick to
edge u.l.
$400-600 Provenance: From the collection of Austin Lamont, by family descent.
$400-600
159.
Linda Connor (American, b. 1944)
Kachina Kiva, Utah, 1982. Titled, dated, and signed “...Linda S.

Conner” in pencil on the reverse. Gelatin silver print, sheet/image size 8
x 10 in. (20.3 x 25.4 cm), matted, unframed.
Condition: Good.

$400-600
159
159A

160
160.
Linda Connor (American, b. 1944)
White Place with Crosses, New Mexico, 1992. Dedicated,

titled, dated, and signed “For Austin with Thanks ...1992 Linda S.
Conner” in pencil on the reverse. Gelatin silver print, sheet size 7
Condition: Very minor handling creases and rippling to edges,
minute nick/crease to l.r. corner.

descent.
$400-600
161.
Roy DeCarava (American, b. 1919)
Paul Robeson, 1950, edition of 50. Signed “ROY DECARAVA

1950” in pencil l.r., numbered “10/50” in pencil l.c. Photogravure
on paper, plate size 11 1/2 x 8 1/2 in. (29.1 x 21.4 cm), unmatted,
unframed.
Condition: Deckled edges.
$1,000-1,500
161

162.
Arthur Wesley Dow (American, 1857-1922)
Farm in Ipswich. Stamped “...TE OF ARTHUR WESLEY

DOW” on the reverse. Cyanotype on paper, sheet/image size
3 1/2 x 4 3/4 in. (8.8 x 12.0 cm), unmatted, unframed.
Condition: Subtle toning.
Provenance: From a descendent of Dow’s through to the

present owner.
$1,500-2,000
162
163.
Pond in Ipswich. Stamped “...TATE OF ARTHUR WESLEY

DOW” on the reverse. Silver or platinum on paper, sheet/
image size 5 5/8 x 7 5/8 in. (14.3 x 19.4 cm), unmatted,
unframed.
Condition: Unobtrusive toning, minute printing imperfections.

present owner.
$1,800-2,200
163
164.
The Village of Ipswich. Stamped “Arthur W. Dow” on the

reverse. Gelatin silver or platinum print on paper, sheet/image
size 6 3/8 x 8 3/8 in. (16.2 x 21.2 cm), unmatted, unframed.
Condition: Unobtrusive fading, impressed crease.

present owner.
$1,800-2,200
164

166
165
165. 166.
Willard van Dyke (American, 1906-1986) Willard van Dyke (American, 1906-1986)
Easter, 1932. Titled, dated, and signed “...Negative and print, Willard Northcoast House and Chair, 1937. Titled, dated, and signed
Van Dyke” in pencil on the reverse of the mount. Gelatin silver print, “...1937 33/50 Willard Van Dyke” in pencil on the reverse of the mount,
sheet size 9 1/4 x 7 1/4 in. (23.4 x 18.5 cm), matted, unframed. artist’s label on the reverse of the mount. Gelatin silver print, sheet size
Condition: Good. 7 1/2 x 9 1/2 in. (19.0 x 24.0 cm), matted, unframed.
Condition: Creases/nicks to corner of mount l.r.
$200-300 Provenance: From the collection of Austin Lamont, by family descent.
$200-300
167.
Willard van Dyke (American, 1906-1986)
Santuario de Chimayo, 1937. Titled, dated, and signed “...Negative

and print, Willard Van Dyke” in pencil on the reverse of the mount.
Gelatin silver print, sheet size 7 3/8 x 9 5/8 in. (18.8 x 24.5 cm), matted,
unframed.
Condition: Good.

$600-800
167

168
167A
167A.
Willard van Dyke (American, 1906-1986)
Lot of Two Images of Carson House, Eureka, 1937. Both titled,

dated, and signed “...1937...Willard Van Dyke” in pencil on the reverse
of the mount, one with artist’s label on the reverse of the mount.
Gelatin silver prints, sheet sizes 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), one
matted, both unframed.
Condition: One with a subtle surface rub.

$200-300
168.
Harold Eugene Edgerton (American, 1903-1990)
Bullet Through Balloons. Signed “HAROLD EDGERTON” in pencil on

the reverse. Gelatin silver print, sheet size 16 x 19 7/8 in. (40.5 x 50.3
cm), unmatted, unframed.
Condition: Very minor wear to edges.
$1,500-2,000
169.
Splash of a Drop of Milk. Signed and titled “...HAROLD EDGERTON”

in pencil on the reverse. Gelatin silver print, sheet size 10 x 7 3/8 in.
Condition: Very minor wear to edges.
$800-1,200
169

170.
Lot of Two Images of a Majorette Throwing a Baton. Both signed

“H. EDGERTON” in pencil on the reverse. Gelatin silver prints, sheet
sizes 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed.
Condition: Minor nicks and creases to edges (some just into images),
tape and residue to one on the reverse.
$800-1,200
171.
Robert Frank (American, b. 1924)
Arizona, 1956, printed 1978. Signed and dated “R. Frank 1956” in
ink l.r., identified with artist’s stamps and in ink on the reverse. Gelatin
silver print, image size 8 1/2 x 12 3/4 in. (21.5 x 32.3 cm), matted,
unframed.
Condition: Creases to sheet at all corners except u.r.
(creases to l.l. effect the image).

$400-600
172.
Laura Gilpin (American, 1891-1979)
Beta-Ta-Kin Cliff Dwelling Navajo National

Monument, 1930. Signed and dated “Laura Gilpin 1930” in pencil on
the mount, identified on a label from the artist affixed to the backing,
stamped “PROPERTY OF CENTER FOR ARTS ON INDIAN AMERICA
WASHINGTON D.C.” on the backing. Platinum print, sheet/image size
170 13 1/4 x 10 3/8 in. (33.7 x 26.4 cm), matted, unframed.
Condition: Minute printing or similar flaws to cliffs u.l., minute rub to
corner u.l., minor wear to the mount corners.

$400-600
171
172

173.
Antelope House from the Rim. Signed and dated “Laura Gilpin 1976”
in pencil on the facing mat, identified in an inscription and on a label
from the artist affixed to the backing. Gelatin silver print, image size 13
3/4 x 10 7/8 in. (34.9 x 27.7 cm), matted, unframed.
Condition: Subtle surface rubs plus two 1/4 inch indentations into
image c.l.

$400-600
174.
Lot of Two Images of Geological Formations: Seven Sacred Pools,

Maui, Hawaii, 1978; and Rock Believed to Hold All Evil, Cochiti,
New Mexico, 1990. Both titled, dated, and signed “...Laura Gilpin” in
pencil on the reverse. Gelatin silver prints, sheet/image sizes 8 x 10 in.
Condition: Good.

$200-250
175.
173
Lot of Two Images of Southwestern Ruins: Ruins El Morro, New
Mexico, c. 1983; and Ruins, Utah, c. 1992. Both titled, dated, and
signed “...Laura Gilpin” in pencil on the reverse. Gelatin silver prints,
sheet/image sizes 8 x 10 in. (20.3 x 25.4 cm), unmatted, unframed.
Condition: Good.

$200-250
175
174

176.
Lot of Three Images of Petroglyphs: Great Valley,

Horseshoe Canyon, Utah, 1982; Petroglyphs, South
Mountain, Arizona, 1985; and Dots and Hands, Fourteen
Window Ruin, Bluff, Utah, 1987. Each titled, dated, and
signed “...Laura Gilpin” in pencil on the reverse. Gelatin
silver prints, sheet/image sizes 8 x 10 in. (20.3 x 25.4 cm),
unmatted, unframed.
Condition: Good.

descent.
$300-350
176
177.
William Henry Jackson (American, 1843-1942)
Yellowstone Lake, South East Arm, from the

YELLOWSTONE SERIES, 1871. Identified in the text
printed on the mount. Albumen print, sheet/image size 5 x 9
Condition: Rub/loss to image surface c.l., loss to l.l. corner.

descent.
$300-500
177
178.
Upper Fire Hole, from Old Faithful. Titled within the

negative, identified in text printed on the mount. Albumen
print, sheet/image size 10 1/8 x 13 in. (25.8 x 33.0 cm),
matted, unframed.
Condition: Staining and losses to mount (almost exclusively
near the edges).

descent.
$400-600
178

179.
Great Canyon of the Colorado, near Peach Springs. Numbered

“173” and titled within the negative. Albumen print, sheet/image size 13
Condition: Mounted at a later date.

$400-600
180.
Yousuf Karsh (Canadian, 1908-2002)
Arthur Fiedler, edition of 20 proofs. Unsigned, numbered “1-20” in

ballpoint l.l. Polaroid print created from a digitized scan to create a
color wheel print negative, sheet size 10 7/8 x 8 1/2 in. (27.5 x 21.4
cm), unmatted, unframed.
Condition: Minor handling ripples.
Provenance: Given by Polaroid to the current owner (a former Polaroid

technician involved in the creation of this printing process).
N.B. This print was made with an experimental process developed

by Dr. Edwin Land and used on a project with Karsh. The process
was designed to create high-quality graphic art proofs for publication
purposes.
179
$800-1,200
181.
Mark Klett (American, b. 1952)
Spiral Carving Facing East - Signal Hill, 1983. Titled in silver pen
(within the image) l.l., titled and dated “...5/7/83” in silver pen (within the
image) l.r., signed “Mark Klett” in pencil on the reverse, dated “© 1983”
in pencil on the reverse. Gelatin silver print, image/sheet size 16 x 19
7/8 in. (40.5 x 50.5 cm), unmatted, unframed.
Condition: Minor wear to edges (primarily at the corners).

$300-350
180 181

182.
Kevin Landers (American, b. 1965)
Lot of Two Photographs: Untitled (Socks with Sandals), edition of

3; and Untitled (Slaughter on the 5:33), edition of 3. Both signed and
numbered “Kevin Landers...” in ballpoint on the reverse. C-prints on
paper, sheet sizes 20 x 24 in. (50.7 x 60.9 cm), unmatted, unframed.
Condition: Good.
Provenance: Jeffrey Deitch, Deitch Projects, New York.

$1,500-2,500
182A.
Alma Lavenson (American, 1897-1989)
Taos Pueblo, 1941, printed 1987. Signed “Alma Lavenson” in pencil

l.r., titled, dated, and signed in pencil on the reverse. Gelatin silver
print, sheet size 11 x 14 in. (27.9 x 35.6 cm), matted, unframed.
Condition: Minor wear to corners on sheet, unmounted.

$200-250
183.
Alma Lavenson (American, 1897-1989)
San Ildefonso Indians, 1941, printed 1987. Signed “Alma Lavenson”

in pencil l.r., titled, dated, and signed in pencil on the reverse. Gelatin
silver print, sheet size 14 x 11 in. (35.6 x 27.9 cm), matted, unframed.
Condition: Minor wear to corners on sheet, unmounted.

182 $200-250
182A
183

184
184. 186.
Alma Lavenson (American, 1897-1989) Barbara Morgan (American, 1900-1992)
Indian Ovens, Taos, 1941, printed 1987. Signed “Alma Lavenson” Martha Graham Celebration (Trio), 1937, probably a later printing.
in pencil l.r., titled, dated, and signed in pencil on the reverse. Gelatin Unsigned. Gelatin silver print, sheet size 19 7/8 x 16 in. (50.3 x 40.5
silver print, sheet size 11 x 14 in. (27.9 x 35.6 cm), matted, unframed. cm), framed.
Condition: Minor wear to corners on sheet, unmounted. Condition: Subtle toning, foxing and glue residue near upper edge to
the reverse.
Provenance: From the collection of Austin Lamont, by family descent. $300-500
$200-250
185.
Abelardo Morell (Cuban/American, b. 1948)
Camera Obscura: El Vedado, Havana, Looking Northwest, 2002,

edition of 30. Signed “ABELARDO MORELL” in pencil on the reverse,
titled, dated, and numbered “...16/30” in pencil on the reverse. Gelatin
silver print on paper, sheet size 20 x 23 7/8 in. (50.5 x 60.5 cm),
unmatted, unframed.
Condition: Creases to image, tear to upper margin.
$500-700
185 186

187.
Nickolas Muray (American/Hungarian, 1892-1965)
Lot of Five Images of a Nude Dancer, Probably Martha Lorber,

1925. Each signed “Muray” in ink on the mat l.r. and dated “1925” in
ink on the mat l.l., each with artist’s embossed stamp within the image.
Toned silver prints on paper, sheet sizes 10 x 8 in. (25.4 x 20.3 cm),
two framed, all matted.
Condition: Minor stains to some images, one with rub (“retouched” with
pencil), foxing and toning to mats.
N.B. Martha Lorber was a dancer on Broadway from the late 1910s to
the 1930s. She was in the Ziegfeld Follies of 1922, 1923, and 1924.
$600-800
188.
Beaumont Newhall (American, 1908-1993)
Edward Weston Carmel California, 1940, printed 1976. Annotated

187 within the negative, dedicated, signed, and dated “for Alex Traube -
with thanks for his fine printing of this negative. BN 10/1/76 Beaumont
Newhall, 1940” in pencil on the reverse. Gelatin silver print, sheet size
14 x 11 in. (35.5 x 27.8 cm), matted, unframed.
Condition: Minor wear to corners, unmounted.

$400-600
189.
Pillsbury Picture Co., publishers (American, 19th/20th Century)
Valley from Artists Point/A Panoramic Photograph, 1906. Identified

within the negative, Mission Inn dry stamp l.r., annotated “...G. Gilbert”
in ink on the reverse. Albumen print, image size 3 1/4 x 10 7/8 in. (8.2
Condition: Tiny nick to right edge, pin-point indentation to sky u.r.,
unmounted.

$200-250
188
189

190 191
190.
Polaroid (American, 20th/21st Century)
Portrait of Ansel Adams. Unsigned, annotated “3.12 2N 3M 11P” in

felt tip l.c. Color Polaroid print on paper, sheet/image size 21 1/4 x 18
3/4 in. (53.8 x 47.5 cm), unmatted, unframed.
Condition: Handling marks and creases, minute nicks to edges.
Provenance: A gift from Polaroid to the present owner (one of the

engineers who designed the camera used for this print).
$1,000-1,500
191.
Aaron Siskind (American, 1903-1991)
Vermont 87, c. 1987-88. Signed “Aaron Siskind” in pencil l.r., titled in

pencil l.l., inscribed “B.A.T.” in pencil l.c. Photogravure on paper, plate
Condition: Deckled edges, not examined out of frame.
$400-600
192.
Elisabeth Sunday (American, b. 1958)
Lot of Two Images: Cholla, 1985, edition of 35; and Ocotillo, 1986,
edition of 35. Both signed, titled, dated, and numbered “Elisabeth
Sunday...” in pencil on the reverse. Gold-toned silver prints, image
sizes approximately 16 1/2 x 12 3/4 in. (41.8 x 32.4 cm), unmatted,
unframed.
Condition: Subtle surface rubs, unobtrusive handling creases to
images.

192 $400-600

194
193
193. 194.
Edward Weston (American, 1886-1958), Cole Weston, printer Edward Weston (American, 1886-1958), Cole Weston, printer
(American, 1919-2003) (American, 1919-2003)
Nude, c. 1918, a later printing. Stamped “NEGATIVE BY Edward Nude (Margrethe), 1923, printed c. 1970. Stamped “NEGATIVE BY
Weston PRINT BY” on the reverse of the mount, signed “Cole Weston” Edward Weston PRINT BY” on the reverse of the mount, signed “Cole
in pencil on the reverse of the mount. Gelatin silver print, sheet/image Weston” in pencil on the reverse of the mount. Gelatin silver print,
size 9 1/2 x 7 3/8 in. (24.1 x 18.8 cm), matted, unframed. sheet/image size 7 3/8 x 9 in. (18.8 x 22.7 cm), matted, unframed.
Condition: Good. Condition: Good.
Provenance: From the collection of Austin Lamont, by family descent. Provenance: From the collection of Austin Lamont, by family descent.
$1,000-1,500 $1,000-1,500
195.
Edward Weston (American, 1886-1958)
White Sands, New Mexico, 1941. Extensive annotations in pencil on

the reverse. Gelatin silver print, sheet/image size 7 5/8 x 9 1/2 in. (19.3
Condition: Unmounted, subtle scratch-like ribs to surface, minute nicks
to edge l.l. and at corner u.l.

$1,200-1,800
End of Session I
195

Session II
Paintings & Sculpture
Lots 200-556
to be sold Friday, January 28th, 2011 at 4 pm

84
200.
John Astley (British, c. 1724-1787)
Gentleman with Book and Quills

Signed and dated indistinctly “J. A.../p..xit/17...” l.l.,
identified on a label affixed to the stretcher.
Oil on canvas, 36 3/8 x 39 1/2 in. (92.4 x 100.3 cm),
framed.
Condition: Lined, scattered retouch, craquelure,
with lifting u.r., surface grime.
$2,500-3,500
200
201.
School of Godfrey Kneller (British, 1646-1723)
Portrait of a Nobleman, possibly the Duke of

Marlborough
Unsigned.
Oil on canvas, 28 3/4 x 24 in. (73.0 x 61.0 cm),
framed.
Condition: Retouch, stable craquelure.
Provenance: Butterfields, Fine European and

American Paintings and Sculpture, March 21, 1990,
Lot 02413.
$5,000-7,000
201

202
202.
British School, 18th Century
Children Blowing Bubbles

Signed indistinctly c.l.
Oil on panel, 30 x 21 3/8 in. (76.2 x 53.8 cm), framed.
Condition: Split in center of panel, craquelure.
$2,000-3,000

203
203.
Attributed to Jacob-Gerritsz Cuyp (Dutch, 1594-1651)
Portrait of a Young Girl

Unsigned, identified “Jan Gerritsz Cuyp/1575-1649/Collection Alfred S.
Karlsen” on a presentation plaque.
Oil on panel, 44 x 26 in. (111.8 x 66.1 cm), framed.
Condition: Split to panel (repaired) left side, retouch.
Provenance: Sotheby Parke Bernet Los Angeles, Old Master and 19th
Century European Paintings and Watercolors, October 15, 1979, Lot
22, Property of the Estate of Alfred S. Karlsen, Los Angeles, to current
owner.
$8,000-12,000

204.
Flemish School, 16th Century Style
Elegant Female Saint with Quill and Dove

Identified on a scroll within the composition and on a presentation
plaque.
Oil on canvas, 42 5/8 x 30 3/8 in. (108.2 x 77.0 cm), framed.
Condition: Lined, scattered dots of retouch, craquelure, surface
grime.
$3,000-5,000
205.
Northern Italian School, 18th Century
Allegorical Scene, Perhaps Daniel in the Lions’ Den, in a

Demilune Format
Unsigned.
Ink, wash, and whiting on laid paper, sheet size 10 x 15 3/8 in.
(25.5 x 39.0 cm), unframed.
Condition: Hole l.l. quadrant, paper loss l.r. corner, creasing with
tear u.r. quadrant, rippling, with tears, nicks and wear to edges.
$500-700
204
205

206.
Italian School, 16th Century
Pilgrim or Male Saint

Unsigned, inscribed “...Peter Candit...” in pencil and stamped with a
collector’s mark on the reverse.
Ink and wash on laid paper with an anchor watermark, sheet size 11
5/16 x 7 1/4 in. (29.5 x 18.5 cm), unframed.
Condition: Small repaired tear l.c., tiny holes, toning, rippling, soiling,
partial labels on the reverse.
$500-700
207.
French School, 18th Century
Chivalric Scene
Unsigned.
Oil on panel, 18 7/8 x 25 1/4 in. (47.7 x 64.1 cm), framed.
Condition: Retouch.
$2,500-3,500
206
207

208
208.
French School, 19th Century
Rape of the Sabine Women

Unsigned.
Oil on copper, 20 3/16 x 26 in. (51.3 x 66.0 cm), framed.
Condition: Retouch, varnish inconsistencies.
$3,000-5,000

209.
School of Giovanni Battista Piazzetta (Italian, 1682-1754)
Standing Portrait of a Man

Unsigned.
Red chalk on laid paper with tre-lune [three crescent moon] watermark,
17 1/2 x 10 1/4 in. (44.4 x 26.0 cm), framed.
Condition: Staining, subtle rippling, minor losses, trimmed sheet.
$600-800
210.
Continental School, 18th/19th Century
Swordsmen Storming an Artillery Line

Unsigned.
Condition: Lined, scattered paint losses, stable craquelure, heavy
varnish.
$1,500-2,500
209
210

211
211. 212.
Manner of Sir Peter Paul Rubens (Flemish, 1577-1640) Italian School, 18th Century
Bacchantes and Satyrs Seated Man with a Helmet and Angel/A Double-sided Composition
Unsigned. Unsigned, inscribed “Maria...1971” in pen on the reverse, inscribed
Oil on canvas, 28 3/4 x 36 1/8 in. (73.2 x 91.8 cm), framed. “Ribaldo Gandalfi...” on the mount.
Condition: Lined, small tear l.l., craquelure, surface grime. Ink on laid paper with a partial watermark, 4 1/2 x 6 in. (11.5 x 15.3
$1,500-2,500 cm), unframed.
Condition: Repaired tear, staining, sheet trimmed and mounted to
paper support.
$300-500
212

213.
Attributed to Gasparo Diziani (Italian, 1689-1767)
Lot and His Daughters

Unsigned, inscribed with an inventory number in pencil l.r. on the
reverse, identified on a label affixed to the mat.
Ink, graphite, and wash on laid paper, sheet size 10 x 7 5/8 in.
Condition: Crease or old repair u.r. quadrant, scattered minor
staining to the reverse.
$400-600
214.
Italian School, 19th Century
Orpheus Crowned with Flowers

Unsigned.
Oil on cradled panel, 24 1/4 x 42 in. (61.7 x 106.5 cm), unframed.
Condition: Cracks to panel, retouch, paint losses.
$1,000-1,500
213
214

215
215.
John Russell (British, 1745-1806)
Portrait of Miss Murray

Unsigned, identified on a presentation plaque.
Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.
Condition: Lined, retouch, craquelure, minor skinning.
$2,000-3,000

215A.
British School, 18th/19th Century
Portrait of a Gentleman
Unsigned.
Condition: Lined, retouch, stable craquelure.
N.B. A label affixed to the frame suggests that the painting

at one time belonged to A. Penrice-Lyons (possibly Algernon
Edmund Penrice-Lyons, 1886-1969) and was sold by his
executors through Christie’s, London.
$2,500-3,500
215A
216.
British School, 18th/19th Century
Portrait of a Lady
Unsigned, with a label from Freeman, Carver, Gilder and
Looking Glass, Norwich, England, affixed to the back of the
frame.
Condition: Lined, retouch, stable craquelure, varnish
inconsistencies.
$2,500-3,500
216

217
217. 218.
British School, 18th/19th Century Manner of Hubert Robert (French, 1733-1808)
Temple of the Sibyl at Tivoli Landscape with Ruins

Unsigned, titled in ink on the reverse, inscribed and titled “No. 5 Viduta Unsigned.
dell’interno del Tempio della Sibella a Tivoli” on a handwritten label and Oil on panel, 10 3/4 x 12 1/4 in. (27.1 x 31.0 cm), framed.
with a label from Henry Graves and Company, London, affixed to the Condition: Bowing to the support, craquelure, paint losses, surface
frame backing. cracks, surface grime.
Watercolor on laid paper, sheet size 20 3/4 x 28 1/4 in. (52.8 x 71.5 $1,500-3,000
cm), framed.
Condition: Foxing, paint loss, toning, rippling, staining.
$800-1,200
218

219
219. 220.
School of Leonardo Coccorante (Italian, 1680-1750) After Giovanni Paolo Pannini (Italian, 1691-1765)
Landscape with Classical Ruins View of St. Peter’s Square, Rome

Unsigned, indistinctly inscribed on the stretcher. Unsigned.
Oil on canvas, 49 3/4 x 70 in. (126.3 x 178.0 cm), unframed. Oil on canvas, 25 x 30 in. (63.5 x 76.0 cm), framed.
Condition: Paint losses, flaking, abrasions, craquelure, surface Condition: Retouch, surface grime.
irregularities and grime.
N.B. The painting at hand is based on Giovanni Paolo Pannini’s
$1,500-2,000
Departure of the Duc de Choiseul from the Piazza di San Pietro, painted
in 1754 and now in the collection of the Staatliche Museen, Berlin,
Germany.
$1,500-2,000
220

221
221.
Dutch School, 19th Century
Winter Landscape with Skaters

Unsigned.
Oil on panel, 13 5/8 x 19 in. (34.6 x 48.3 cm), framed.
Condition: Craquelure, shrinking craquelure, losses, surface grime.
$1,000-1,500

222
222.
School of Jan Abrahamsz Beerstraten (Dutch, 1622-1666)
Winter Village with Skaters

Unsigned, identified on a presentation plaque and on a label affixed to
the frame.
Condition: Horizontal splits to panel, abrasions, craquelure, alligatoring,
surface grime.
$3,000-5,000

223
223.
Manner of Lucas van Uden (Flemish, 1595-c. 1673)
River Landscape with Travelers on a Rocky Path

Unsigned, fragmentary label and red wax seals to the reverse.
Oil on panel, 12 x 15 7/8 in. (30.5 x 40.3 cm), framed.
Condition: Repaired horizontal split, scattered paint losses, minor
retouch.
Provenance: Sotheby’s London, Old Master Paintings, Thursday, April

26, 2001, Lot 00288.
$3,000-3,500

224
224.
School of Jacob Gerritsz van Bemmel (Dutch, 1628-1673)
Hirtin mit eine Herde [Shepherdess with Her Flock]

Unsigned, identified on a label affixed to the reverse, red wax
seal on the reverse.
Condition: Horizontal split along center of panel, minor paint
losses, surface grime.
$800-1,200
225.
Dutch School, 19th Century
Landscape with a Country Church

Unsigned.
Condition: Lined, craquelure.
Provenance: Sotheby’s Sussex South-East, Oil Paintings &

Watercolors, European Ceramics & Glass, August 2, 2000,
Sale B00271, Lot 535.
$400-600
225

226
226. 227.
School of Hans Rottenhammer the Elder (German, 1564-1625) School of Hendrik Goltzius (Dutch, 1558-1617)
Venus and Adonis in a Landscape Town Landscape

Unsigned, identified on a presentation plaque. Unsigned, with labels from the Janet and John E. Marqusee Collection
Oil on panel, 12 1/2 x 17 3/4 in. (31.8 x 45.0 cm), framed. and Kulicke Frames, Inc., New York City, on the backing cardboard.
Condition: Retouch, craquelure, lifting, varnish inconsistencies, surface Ink on laid paper, sheet size 4 x 8 in. (10.2 x 20.3 cm), unframed.
grime. Condition: Fading, crease u.l., subtle rippling, remnants of backing
$1,500-2,500 paper on the reverse.
Provenance: Janet and John E. Marqusee Collection, where it was

attributed to Jan Brueghel the Elder (Flemish, c. 1528-1569).
$700-900
227

228
228.
Cornelis Cornelisz Tartarius (German, fl. 1657-1684)
Coastal Landscape with a Drover Attending His Animals Before a

Ruined Church
Signed “C. Tart...” l.r.
Oil on canvas, 23 x 32 1/4 in. (58.4 x 81.9 cm), framed.
Condition: Lined, craquelure, skinning l.r., surface grime.
Provenance: Sotheby’s London, Old Master Paintings, April 26, 2001,

Sale L01120, Lot 411.
N.B. A similar landscape by Tartarius was sold from the collection of

Admiral Bainbridge, London, Christie’s, 23 November 1928, Lot 104.
$3,500-4,500

229.
Jan Evert Morel the Younger (Dutch, 1835-1905) and
Franz van Severdonck (Belgian, 1809-1889)
Shepherd Tending His Flock

Signed “J E Morel Jr.” l.l., inscribed and also signed “Les
Animaux/F. van Severdonck...” l.r., identified on a label affixed
to the reverse.
Condition: Retouch, craquelure, minor abrasions beneath
frame liner.
Provenance: Sotheby’s Arcade, July 16, 1992, Sale 1403,

Lot 485.
$3,000-3,500
229
230.
Georg Emil Libert (Danish, 1820-1908)
View of Two Figures on a Dock by a Rowboat

Signed and dated “G Emil Libert 82” l.r.
Condition: Craquelure, minor retouch, minor abrasions
beneath the frame liner.
$1,000-1,500
230

231
231. 232.
James Stark (British, 1794-1859) Louis (Lod) Pulinckx (Belgian, 1843-1910)
View of a Shepherd on a Path Fishermen Pulling in their Nets

Unsigned. Signed “Lod K. Pulinckx” in pen l.r.
Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. Oil on canvas, 18 1/8 x 32 in. (46.0 x 81.3 cm), framed.
Condition: Lined, retouch, craquelure. Condition: Lined, retouch.
$2,000-2,500
Provenance: www.sothebys.amazon.com, March, 27, 2000, Lot
32580.
$4,000-6,000
232

233
233. 234.
Jacob Maris (Dutch, 1837-1899) Dutch School, 19th Century
On the Maas, Holland An Extensive View of Delft

Signed “J. Maris” l.r., identified on a cancelled presentation plaque. Unsigned.
Oil on canvas, 22 3/8 x 28 5/8 in. (56.8 x 72.7 cm), framed. Oil on canvas, 20 1/8 x 26 5/8 in. (51.1 x 67.6 cm), framed.
Condition: Retouch, patch reinforcements, craquelure. Condition: Lined, retouch, craquelure, surface grime.
$1,800-2,200
Provenance: Christie’s Amsterdam, Pictures, Watercolours and
Drawings Including Copies after Old Master Pictures, September 5,
2000, Sale 2469, Lot 658.
$2,500-3,500
234

235
235.
Wilhelm Xylander (Danish, 1840-1913)
Nocturne with Windmill

Signed and dated “W. Xylander 1885” l.l.
Condition: Losses/flaking, surface grime, craquelure, varnish
inconsistencies.
$7,000-9,000

236
236.
Attributed to Charles Henri Leickert (Dutch, 1816-1907)
Canal View with Rowboats

Signed indistinctly l.r.
Oil on canvas, 18 1/2 x 15 in. (47.0 x 38.1 cm), framed.
Condition: Tear to u.l. quadrant, retouch, craquelure, skinning l.r.
Provenance: Through a Stratford, Connecticut, estate.

$1,500-2,000

237
237.
Adrianus Eversen (Dutch, 1818-1897)
View of the Zuiderspui in Enkhuizen

Signed “A. Eversen” l.r.
Condition: Lined, scattered retouch, craquelure.
Provenance: Through a Stratford, Connecticut, estate.
N.B. We wish to thank Pieter Overduin for his assistance with

cataloguing the lot based on photographs. The work will be included in
Overduin’s forthcoming catalogue raisonné as no. 40-6.
$1,500-2,000

238
238.
Attributed to John Crome the Elder (British, 1768-1821)
Landscape in Norfolk
Unsigned, identified on a presentation plaque and on a label on the
stretcher.
Oil on canvas, 14 1/2 x 22 1/2 in. (36.7 x 57.1 cm), framed (under
glass).
Condition: Lined, scattered retouch, paint losses, craquelure with
lifting, surface grime.
Provenance: A New Jersey collection, then by descent to the present

owner.
$4,000-6,000

239
239. 240.
Franco/American School, 19th Century Albertus Jurardus van Prooijen (Dutch, 1834-1898)
The Mussel Gatherers Upcoming Storm

Signed or inscribed “J. App....” l.l., titled and inscribed “...by J. Appleton Unsigned, inscribed “...Prooijen...” on a label on the reverse.
Brown...” in pencil on the stretcher. Oil on panel, 8 7/8 x 14 3/4 in. (22.5 x 37.6 cm), framed.
Oil on canvas, 11 1/4 x 23 1/4 in. (28.6 x 59.1 cm), framed. Condition: Retouch, repaired split to panel u.l.
Condition: Lined, partial skinning, signature partially reinforced,
craquelure, minor surface grime. Provenance: Christie’s Amsterdam, Pictures, Watercolours and
$800-1,200 Drawings Including Copies after Old Master Pictures, September 4,
2001, Sale 2514, Lot 102.
$1,000-1,500
240

241
241. 241A.
C. Pjotr Stowjanow (Bulgarian/Russian, 1857-1957) Carl Heinrich Hoffmann (German, 1818-1896)
View of a Troika Under Siege Loading the Lumber Cart

Signed “C. Stowjanow” l.l., inscribed “1267...Begleiter” on the stretcher. Signed, inscribed, and dated “C.H. HOFFMANN M. 81” l.l.
Oil on canvas, 12 1/2 x 20 5/8 in. (31.8 x 52.4 cm), framed. Oil on panel, 10 3/8 x 13 1/2 in. (26.4 x 34.3 cm), framed.
Condition: Minor loss u.l., craquelure. Condition: Abrasions, subtle bowing, craquelure.
$600-800
Provenance: A private Pacific Northwest collection.
$1,000-1,500
241A

241B
241B.
C. Pjotr Stowjanow (Bulgarian/Russian, 1857-1957)
Salute in Passing
Signed “C. Stowjanow.” l.l.
Condition: Craquelure, minor abrasions, surface grime.
$1,000-1,500

242
242. 242A.
Carleton Wiggins (American, 1848 -1932) Charles Victor Eugène Lefebvre (French, 1805-1882)
Resting Cows at Dusk Figures at a Well

Signed “Carleton Wiggins” l.l. Signed and dated “ch. Lefebvre 1852” l.r.
Oil on canvas, 24 x 35 in. (61.0 x 88.9 cm), in a frame liner. Oil on canvas, 10 5/8 x 13 7/8 in. (27.0 x 35.2 cm), framed.
Condition: Craquelure, surface grime, re-stretched. Condition: Retouch, craquelure, surface grime.
$3,500-4,500 $800-1,200
242A

243
243.
Dorus Arts (Dutch, 1901-1961)
View of a Windmill on the Horizon

Signed “Dorus Arts” l.l.
Condition: Minor surface grime.
Provenance: Christie’s Amsterdam, Pictures, Watercolours &

Drawings, January 24, 2006, Sale 2692, Lot 218.
$1,000-1,500
244.
Juliette Peyrol Bonheur (French, 1830-1891)
Pastoral Scene with Grazing Cow and Sheep

Signed “JPeyrol Bonheur” l.r., identified on a presentation
plaque.
Oil on canvas, 16 x 13 in. (40.6 x 33.0 cm), framed (under
glass).
Condition: Craquelure.
$2,000-3,000
244

245
245. 246.
Peter Graham (Scottish, 1836-1921) Edwin Henry Boddington (British, 1836-1905)
Highland Cattle Landscape at Dusk

Signed and dated “Peter Graham/1901” l.r., with a label from Arthur Monogrammed and dated “EHB 72.” l.r., with a Patrick Shea, London,
Tooth & Sons, New York, affixed to the stretcher. canvas stencil on the reverse.
Oil on canvas, 48 1/2 x 72 in. (123.2 x 182.9 cm), framed. Oil on canvas, 12 x 24 in. (30.5 x 61.0 cm), framed.
Condition: Punctures, paint losses, canvas deformation in lower Condition: Craquelure and shrinking craquelure, minor retouch, minor
corners, craquelure, surface grime. surface grime, minor abrasions.
$2,000-3,000
Provenance: Bruun Rasmussen Vejle, Kunst og Design, August 4,
2003, Sale 89, Lot 430.
$1,000-1,200
246

247.
Adam Barland (British, fl. 1843-1875)
View of a Surveyor at the Base of a Waterfall

Monogrammed and dated “AB 65” l.r.
Condition: Lined, retouch, craquelure.
Provenance: William Doyle Galleries, September 19, 1979,

Lot 17.
$2,000-3,000
247A.
Ernst Tannert (German, b. 1865)
Spring Landscape with Pink Blooms

Signed “E. Tannert” l.l.
$500-700
247
247A

248
248.
Heywood Hardy (British, 1842-1933)
The Yearlings
Signed and dated “Heywood Hardy 1900” l.l., identified and registered
“23351” on a label affixed to the stretcher.
Condition: Scattered retouch, craquelure.
$1,000-1,500
249.
Juliusz Fortunat von Kossak (Polish, 1824-1899)
Lady Riding Sidesaddle

Signed, inscribed, and dated “Juliusz Kossak/w Kernasow ce/...1876”
l.r.
Watercolor on paper, sight size 12 1/2 x 10 1/4 in. (31.8 x 26.0 cm),
framed.
Condition: Staining, foxing, not examined out of frame.
$1,000-1,500
249

250
250.
British School, 19th Century
Portrait of a Horse and Rider in a Landscape

Signed and dated “J. BRAUND/73” l.r.
Condition: Lined, retouch.
$3,000-5,000

250A.
Arthur Claude Strachan (British, 1865-1938)
Encounter with an Angry Goose

Signed “Claude Strachan” l.l.
Watercolor on paper/board, sight size 20 3/4 x 14 in. (52.7 x 35.5 cm),
framed.
Condition: Tear u.r., toning, not examined out of frame.
$1,200-1,800
251.
John Absolon (British, 1815-1895)
Country Outing
Signed “John Absolon” l.l.
Watercolor and gouache on paper/board, sight size 10 5/8 x 21 5/8 in.
(27.2 x 54.8 cm), framed.
Condition: Mild foxing, not examined out of frame.
$1,000-1,500
250A
251

251A
251A.
John Henry Hill (American, 1839-1922)
Picnic by the River

Signed and dated “J. H. Hill 1888” l.l., with a label from Alexander
Reeves Fine Art, Richmond, Virginia, on the frame backing paper.
Watercolor on paper/board, sight size 7 1/8 x 11 1/2 in. (18.1 x 29.3
cm), framed.
$500-700
251B.
Gustave Mascart (French, 1834-1914)
Village Houses
Signed “G. Mascart” l.r., identified on a presentation plaque.
Oil on canvas, 12 3/4 x 9 1/2 in., (32.5 x 24.2 cm), framed.
$700-900
251B

252.
Giuseppe Signorini (Italian, 1857-1932)
Gentleman Reading
Signed and inscribed “Giuseppe Signorini/Paris” l.r.
Watercolor on paperboard, 13 1/2 x 10 in. (43.4 x 25.2 cm), framed.
Condition: Toning along edges, mild surface grime.
$800-1,200
253.
Continental School, 19th Century
Portrait of a Girl Holding a Jug

Initialed indistinctly l.r., with a canvas stamp from Frank A. Ireland,
Philadelphia, on the reverse.
Condition: Lined, minor retouch.
$800-1,200
253A.
Max von Schmaedel (German, b. 1856)
Portrait of Miss Davenport

Signed and inscribed “M. v. Schmaedel/München” l.r.
Oil on Academy board, 12 x 9 in. (30.5 x 22.8 cm), framed.
Condition: Scattered retouch, slight bowing to the support, wear to
edges.
Provenance: Estate of N. David Scotti, Providence, Rhode Island.

252
N.B. The sitter has been identified in a copy of a letter dated August
3, 1905, from Seth Mendell to William C. Davenport, President of The
Machinists’ Bank, Taunton, Massachusetts, in an envelope affixed to
the reverse of the painting.
$400-600
253A
253

254
254.
Mihály Munkácsy (Hungarian, 1844-1900)
Lesende Frau, c. 1880

Signed “M. Munkácsy.” l.r., identified on a presentation plaque, stenciled “60 Bould Malesherbes
Paris/DUBUS/COULEURS FINES & TOILES a PEINDRE/RENTOILAGE & RESTAURATION/DE
TABLEAUX” on the reverse.
Oil on panel, 29 x 23 1/4 in. (73.7 x 59.1 cm), in a period frame.
Condition: Alligatoring, fine craquelure, minor abrasions beneath frame liner.
Provenance: A private New England collection.
N.B. The work appears to relate to Lesende Frau I, II, and III in Lajos Vegvari’s 1958 monograph,
Munkácsy Mihály élete és muvei [The Life and Work of Munkácsy Mihály].
$70,000-90,000

255
255.
Marcus Stone (British, 1840-1921)
A Lovers’ Spat
Signed “MARCUS STONE” l.l., inscribed “6432/R.A. 1884” on the
reverse, with a label from The Pantechnicon, Helgrave Square, London,
on the stretcher.
Condition: Lined, scattered retouch, stable craquelure.
$3,000-5,000

256
256.
Marcus Stone (British, 1840-1921)
Lovers Embracing by Moonlight

Signed “...STONE” faintly l.l., inscribed “6431/R.A. 1884” on the
reverse, with a label from The Pantechnicon, Helgrave Square, London,
on the stretcher.
Condition: Lined, scattered minor retouch, stable craquelure.
$3,000-5,000

257.
Continental School, 19th Century
Two Girls in Elaborate Dresses in an Interior

Unsigned.
Watercolor on paper, sheet size 20 3/8 x 15 1/4 in. (51.7 x 38.9 cm),
framed.
Condition: Scattered pinholes, abrasions; tears, holes, and wear along
edges; abrasions, tape remnants, and toning to verso, sheet affixed to
window mat with tape.
$700-900
257
258.
Charles Sillem Lidderdale (British, 1831-1895)
Young Woman in a White Mantilla

Monogrammed “CSL” l.l.
Condition: Retouch.
$1,500-2,000
258

258A
258A.
Vicente Garcia de Paredes (Spanish, 1845-1903)
The Coach Awaits

Signed “V. de PAREDES” l.r., identified on a cancelled
presentation plaque and on a label affixed to the reverse.
Condition: Minor abrasions, surface grime.
$1,500-2,000
259.
William A. Breakspeare (British, 1856-1914)
View of Maidservant Before a Feast

Signed “WA Breakspeare” l.r., identified on a label affixed to the
reverse.
Condition: Craquelure, surface grime.
$5,000-7,000
259

260.
William Preston Phelps (American, 1848-1923)
Fetching Water
Signed “W P Phelps” l.r.
$1,500-2,500
260
261.
Andre-Antoine Crochepierre (French, 1860-1937)
Satisfaction/Portrait of a Woman Spinning Yarn with a Distaff and

Spindle
Monogram signature and date “AACrochepierre. -1887” l.r., identified
on a presentation plaque.
Condition: Lined, retouch, craquelure, surface grime.
$1,500-2,500
261

262.
Filippo Indoni (Italian, c. 1842-1908)
Peasant Lad at a Fence

Signed “Indoni” l.l., with a label from Marshall Field and Company on
the frame backing paper.
Watercolor on paper/board, sight size 21 x 14 1/8 in. (53.3 x 35.9 cm),
framed.
$1,200-1,500
262
263.
Constance Gertrude Copeman (British, 1864-1953)
Young Woman Holding a Child Beside Hollyhocks

Signed and dated “Constance G Copeman/1896” l.r.
$1,000-1,500
263

264
264.
Carl Böker (German, 1836-1905)
Portrait of a Young Girl Seated with a Rabbit

Signed “Carl Böker” l.r., identified on a presentation plaque.
Oil on panel, 11 x 8 3/4 in. (27.9 x 22.2 cm), in a period frame.
Condition: Fine craquelure, minor surface grime.

$15,000-20,000

265
265.
John Morgan (British, 1823-1886)
Kinder at Play
Signed “John Morgan” l.l., identified on a presentation plaque.
Condition: Scattered retouch, craquelure, stretcher bar marks.

$35,000-55,000

266
266.
Henry E. Tozer (British, fl. circa 1870)
Ships Caught in a Squall

Signed and dated “Henry E. Tozer/87” l.l.
$1,200-1,800

266A
266A. 267.
Italian School, 19th/20th Century Peter J. Sterkenburg (Dutch, 1955-2000)
Lot of Two Views of a Schooner in Naples Harbor: Under Full Sail View of Coastal Craft with Steamer
and Under Motor Signed “P. Sterkenburg.” l.r.
Both unsigned, Sail with a label from C. R. Fenton & Co. Ltd., London, Oil on canvas, 23 3/4 x 31 1/2 in. (60.3 x 80.0 cm), framed.
on the back of the mount. Condition: Craquelure.
Gouache on paper, sheet sizes to 15 7/16 x 25 in. (39.2 x 63.5 cm), $1,500-2,000
framed.
Condition: Full Sail with abrasions, retouch, staining, toning, sheet
mounted to paperboard; Motor not examined out of frame.
$400-600
267

268
268. 269.
Warren W. Sheppard (American, 1858-1937) George Howell Gay (American, 1858-1931)
Moonrise, Twin Lights Surf and Rocks at Twilight

Signed “Warren Sheppard” l.l., with a label from Woehr Brothers, Signed “GEO. HOWELL GAY.” l.r.
Brooklyn, New York, on the backing paper. Watercolor and gouache on paper, 24 x 36 in. (60.9 x 91.4 cm),
Oil on canvas, 14 x 22 in. (35.5 x 55.7 cm), framed. framed.
Condition: Craquelure, crack to paint surface at c.r. edge, stretcher Condition: Rippling, toning, not examined out of frame.
marks, surface grime.
$3,000-5,000 Provenance: Skinner Inc., March 4, 2005, Sale 2269, Lot 345.
$400-600
269

270
270. 271.
Arthur Quartley (American, 1839-1886) James Hamilton (American, 1819-1878)
Pier Near the Beach, at Narragansett, Rhode Island On the Coast of Wales
Signed “AQuartley” l.l., identified on a presentation plaque, titled, Signed “JHamilton” l.r., also signed, titled, and dated “...Jas Hamilton
signed, dated, and inscribed “...Arthur Quartley/1877/New York” in the 1874” on the reverse.
artist’s hand on the reverse. Oil on canvas, 15 x 22 in. (38.0 x 55.8 cm), framed.
Oil on canvas, 15 1/4 x 27 in. (38.7 x 68.6 cm), in a Guido frame. Condition: Tear with paint loss c.r., pinhole puncture with paint loss l.l.,
Condition: Retouch, craquelure. craquelure, surface grime.
$4,000-6,000
Provenance: A New England estate.
$1,400-1,800
271

272
272. 272A.
Marshall Johnson, Jr. (American, 1850-1921) Edmund Darch Lewis (American, 1835-1910)
Sailing Off Deer Island, Boston Harbor Sailing Along the Coast
Signed “MARSHALL JOHNSON” l.l., incised “DEER ISLAND” on the Signed and dated “Edmund D. Lewis 1900” l.r.
stretcher. Watercolor, graphite, and whiting on paper/board, sight size 9 1/2 x 20
Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. 1/2 in. (24.2 x 52.0 cm), framed.
Condition: Lined, minor retouch, craquelure. Condition: Toning, not examined out of frame.
$3,000-5,000 $400-600
272A

273
273.
Attributed to Joseph Francis Ellis (British, 1783-1848)
The Royal Yacht “ROYAL SOVEREIGN” Off Deptford, 1821

Unsigned, identified on a presentation plaque, inscribed “Joseph ELLIS”
on the reverse, with a label from The Parker Gallery, London, affixed to
the stretcher.
Condition: Lined, retouch, stable craquelure.
$3,000-5,000

274
274. 275.
Lemuel D. Eldred (American, 1848-1921) Lemuel D. Eldred (American, 1848-1921)
View of a Clipper Ship at Full Sail Bringing in the Nets

Signed “L.D. Eldred” l.r., stamped “F.T. Akin & Co./AGENTS” on the Signed “L.D. Eldred” l.r., stamped and inscribed “THIS PAINTING WAS
stretcher. TREATED BY Gustav D. Klimann/January 1979...” on the backing.
Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed. Oil on canvas, 9 1/2 x 12 in. (24.1 x 30.5 cm), framed.
Condition: Craquelure, loss u.l., surface grime. Condition: Lined, retouch, fine and shrinking craquelure.
Provenance: A South Dartmouth whaling family by descent. Provenance: A South Dartmouth whaling family by descent.
$800-1,200 $400-600
275

276
276. 277.
George Henry Smillie (American, 1840-1921) American School, 19th Century
Coastal Scene Marine View, 1850

Signed and dated “Geo. H. Smillie N.A. 1900” l.l. Signed indistinctly l.l., identified as Thomas Birch on a presentation
Oil on canvas, 30 1/4 x 40 in. (76.5 x 101.7 cm), framed. plaque, with a canvas stencil from W.E. Rogers, Philadelphia, on the
Condition: Craquelure, varnish inconsistencies, surface grime. reverse, incised “....ec. 20, 1850” on the stretcher.
$4,000-6,000 Oil on canvas, 29 1/16 x 35 7/8 in. (74.0 x 91.0 cm), framed.
Condition: Skinning, retouch, patch reinforcements, craquelure.
Provenance: Cyril Joseph Bowdring, Washington, D.C., to a private

collection by family descent.
$1,500-2,500
277

278
278. 279.
Edward Darley Boit (American, 1842-1916) George W. Waters (American, 1832-1912)
Cotuit View After High Tide

Signed, inscribed, and dated “Boït Cotuit ‘90.” l.l., inscribed “To Lucy/ Signed “G.W. Waters” l.r., identified on a presentation plaque.
In remembrance of her untiring kindness during the trying summer of Oil on canvas, 12 x 18 in. (30.5 x 45.5 cm), framed.
1890./E.D. Boit/..th Oct. ‘90.” in ink on the reverse. Condition: Retouch, varnish inconsistencies, craquelure.
Oil on canvas, 16 x 24 in. (40.7 x 61.0 cm), framed. $1,500-2,500
Condition: Minor retouch.
$3,000-5,000
279

280
280. 281.
George Robert Bonfield (American, 1805-1898) John Bunyan Bristol (American, 1826-1909)
Delaware Shore Near Beverly Landscape with Fisherman by a Pond

Signed “G R Bonfield” l.l., titled on the reverse. Signed “Bristol-” l.l., inscribed “JOHN BUNYAN BRISTOL...” in a later
Oil on paper, 10 x 14 3/4 in. (25.3 x 37.6 cm), framed. hand in the tacking margin.
Condition: Small area of retouch, rippling. Oil on canvas, 17 x 28 in. (43.2 x 71.1 cm), framed.
Condition: Lined, retouch, craquelure, minor skinning.
Literature: George Robert Bonfield: Philadelphia Marine Painter 1805- $2,500-3,000
1898, Philadelphia: Philadelphia Maritime Museum, 1978, listed on page
75 as Untitled River Scene.
N.B. The lot is accompanied by copies of two letters from James

McClelland, author of the exhibition catalogue referenced above. In the
letter dated May 5, 1978, McClelland suggested the painting at hand
was done as a sketch for approval for a larger commissioned work,
A View of the Delaware, Near Beverly. Bonfield summered in Beverly
and painted many of his Delaware River scenes at that location.
$2,500-3,000
281

282.
Benjamin Champney (American, 1817-1907)
Afternoon Sail on the Lake

Signed “B. Champney” l.r.
Condition: Retouch, patch reinforcements, craquelure,
surface grime.
$1,000-1,500
283.
Theodore Victor Carl Valenkamph (American, 1868-1924)
View Over a Wooded Landscape

Signed “T. V C Valenkamph” l.l., signed or inscribed on the
stretcher.
$2,000-3,000
282
283

284
284.
Worthington (Thomas) Whittredge (American, 1820-1910)
A Grey Day on the Hudson, c. 1880

Signed “W. Whittredge” l.r., titled on the reverse, probably in the artist’s
hand, identified on a label from William Vareika Fine Arts, Newport,
Rhode Island, on the reverse.
Condition: Minor retouch, craquelure.
$20,000-30,000

285
285. 286.
James Fairman (American, 1826-1904) Attributed to Ansel D. Clough (American, fl. 1873-1874)
Sunset Landscape with Cows and Herder Autumn Road

Signed “JAS. FAIRMAN” l.l. Monogram signature and date “ADClough 71” l.l.
Oil on canvas, 19 x 32 in. (48.2 x 81.3 cm), framed. Oil on canvas, 11 1/4 x 16 7/8 in. (28.5 x 43.0 cm), framed.
Condition: Deformation with possible small tear at l.l. corner, scattered Condition: Lined, retouch, craquelure.
abrasions, varnish inconsistencies, surface grime.
$800-1,200 N.B. Ansel D. Clough, also known as D.A. Clough, is listed as
exhibiting at The Boston Art Club in 1873 and 1874.
$600-800
286

287
287. 287A.
William Sheridan Young (American, ac. 1866-1876) American School, 19th Century
Blue Ridge Mountains Hudson River Landscape

Signed and dated “W.S. Young/1866” l.r., identified on a typed label on Unsigned, attributed to “Archibald George” on a presentation plaque.
the back of the frame. Oil on canvas, 14 x 24 in. (35.5 x 61.0 cm), framed.
Oil on canvas, 30 x 50 in. (76.2 x 127.2 cm), framed. Condition: Scattered very small tears/punctures with paint losses l.c.,
Condition: Lined, scattered retouch. patch reinforcement, surface grime.
$3,500-4,500 $800-1,200
287A

288
288. 289.
Nikolay Tysland (Tusland) Leganger (American, 1832-1905) John Adams Parker (American, 1837-1900)
Eden Lake, Near Mt. Chocorua Two Figures on a Frozen Winter Stream at Dusk
Signed “N.T. Leganger” l.r., titled in a later hand on the frame backing. Monogrammed “JAP” l.r., with a canvas stencil from S.N. Dodge, New
Oil on canvas, 18 x 30 in. (45.8 x 76.4 cm), framed. York, on the reverse.
Condition: Lined, retouch, surface grime. Oil on canvas, 17 x 21 in. (43.2 x 53.3 cm), framed.
$600-800 Condition: Patch reinforcements, craquelure, surface abrasions,
retouch.
Provenance: Estate of N. David Scotti, Providence, Rhode Island.

$800-1,200
289

290.
Thomas Corwin Lindsay (American, 1839-1907)
The Storm, Saracca Valley, Pennsylvania

Monogrammed “TCL” l.r., identified on a presentation
plaque and on an invoice from The Traxel Art Company,
Cincinnati, dated 1927, affixed to the stretcher.
$1,000-1,500
290
291.
Afternoon on the Lake, Autumn

Signed and dated “C. Leslie/-70” l.r.
framed.
Condition: Minor craquelure, light surface grime, staining
to the reverse.
$600-800
291
291A.
Eugene L. Smyth (American, 1857-1932)
Winter Landscape
Signed and dated “E. L. Smyth 28” l.r.
Oil on canvas, 6 x 9 in. (15.2 x 22.2 cm), unframed.
Provenance: Estate of N. David Scotti, Providence,

Rhode Island.
$300-500
291A

292
292. 292A.
American School, 19th Century Mary Josephine Walters (American, 1837-1883)
Landscape with Cows at Dusk Landscape with Three Ladies Seated Under a Tree
Indistinctly initialed and dated “...18...” l.r., with a label from The Signed “M.J. Walters” l.r.
Closson Gallery [Cincinnati] on the backing paper. Oil on canvas, 14 1/8 x 23 3/4 in. (35.9 x 60.3 cm), framed.
Oil on canvas, 17 1/8 x 27 3/8 in. (43.5 x 69.5 cm), framed. Condition: Puncture to u.r. quadrant, subtle varnish inconsistencies.
Condition: Possible retouch to sky, small paint loss, craquelure, surface
grime. N.B. Mary Josephine Walters, also known as Josephine Walters or
M.J. Walters, is one of only a few known woman artists of the Hudson
Provenance: A New England estate. River School. She studied under Asher B. Durand, and was said to
$1,200-1,800 have been his favorite female student.
$1,500-2,000
292A

293
293.
William Louis Sonntag (American, 1822-1900)
The Falls at Sunset

Signed “W L Sonntag” l.r.
Oil on canvas, 9 7/8 x 12 1/8 in. (25.0 x 30.7 cm), in a period frame.
Condition: Lined, minor retouch, stable craquelure.
N.B. This small landscape by William Louis Sonntag likely dates from later in his career. In her monograph on Sonntag, Nancy Dustin Wall Moure
describes a change in Sonntag’s style around 1870, in which the artist moved away from the broad vistas and large canvases of his “classic” style of
the 1860s toward more intimate scenes and smaller size canvases with more poetic handling. The change may have been influenced in part by the
Barbizon painters, whose works had been introduced to America by William Morris Hunt in the 1860s and had found favor with collectors. Sonntag’s
color palette also changed during this period, assuming a more limited range that coincided with his interest in portraying the atmospheric effects
of sunrises, sunsets, moonlight, and misty weather. During and after the Civil War, Sonntag no longer painted his former haunts of Virginia and
Kentucky, but turned to New Hampshire and the White Mountains for inspiration, spending summers in the area of Shelburne on the Androscoggin
River.1 Interestingly, the back of the frame of this painting is inscribed “Shelburn [sic], N.H.”
1. Nancy Dustin Wall Moure, William Louis Sonntag, Artist of the Ideal 1822-1900 (Los Angeles: Goldfield Galleries, 1980), pp. 52-56.
$6,000-8,000

294
294. 294A.
Benjamin Champney (American, 1817-1907) Walter Paris (American, 1842-1906)
View to the Valley Cornwall on the Hudson

Signed “B Champney” l.r., with a stamp from Baridoff Galleries, Signed and dated “W. Paris/1878” l.r., identified on a label from
Portland, Maine, on the stretcher. Kennedy Galleries, New York, on the frame backing.
Oil on canvas, 16 1/4 x 24 1/4 in. (41.1 x 61.2 cm), framed. Watercolor and gouache on paper/board, sight size 7 3/4 x 11 3/4 in.
Condition: Retouch, craquelure, stretcher marks, surface grime, (19.7 x 29.7 cm), framed.
staining to the reverse. Condition: Not examined out of frame.
$400-600
Provenance: Baridoff Galleries, November 5, 1983, Lot 15.
$1,500-2,000
294A

295
295. 296.
L. Clarence Ball (American, 1858-1915) John Francis Murphy (American, 1853-1921)
River View with a Resting Shepherd and His Grazing Flock Twilight
Signed and dated “L.C. BALL/-1890-” l.r. Signed “J. Francis Murphy-” l.l., identified on a presentation plaque, a
Oil on canvas, 24 x 30 in. (50.8 x 76.2 cm), framed. label from Foster Brothers, Boston, affixed to the reverse.
Condition: Craquelure, minor surface grime. Oil on canvas, 9 x 15 in. (22.9 x 38.1 cm), framed.
$700-900 Condition: Retouch, craquelure, surface grime.
$1,500-2,000
296

297
297.
François B. de Blois (Canadian/American, 1829-1913)
Butry, 1877
Signed, inscribed, and dated “.B. de Blois/Butry 1877 x 9” l.l., identified
on a presentation plaque and on a label affixed to the stretcher.
$1,000-1,500

298
298. 299.
Wesley Elbridge Webber (American, 1841-1914) Albert Fitch Bellows (American, 1829-1883)
Farmhouse with Sheep and Chickens Pastoral View, Village Lane with Shepherd and Flock
Signed “Wesley Webber” l.l. Signed “A. F. Bellows” l.l., with a label from N. M. Vose Gallery,
Oil on canvas, 20 x 28 in. (50.8 x 71.0 cm), framed. Providence, Rhode Island, on the frame backing paper.
Condition: Canvas deformation, with craquelure and possible pinhole- Watercolor on paper, sight size 9 1/2 x 16 in. (24.0 x 40.8 cm), framed.
size puncture u.r., craquelure, stretcher bar marks, surface grime. Condition: Sheet laid down on paperboard.
$1,000-1,500 $400-600
299

300
300. 301.
Attributed to Joseph H. Greenwood (American, 1857-1927) Samuel Lancaster Gerry (American, 1813-1891)
Blossoming Trees Landscape with River and Old Mill

Unsigned. Signed “S L. Gerry” l.r.
Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed. Oil on canvas, 14 x 20 in. (35.5 x 50.8 cm), framed.
Condition: Subtle canvas deformations. Condition: Minor retouch, canvas rippling.
$800-1,200 $1,000-1,500
301

302.
Samuel Lancaster Gerry (American, 1813-1891)
Cows Watering at a Stream

Signed “S. L. Gerry.” l.r., identified on a presentation plaque.
Condition: Craquelure, stretcher marks, surface grime.
$1,500-2,500
303.
Albert Babb Insley (American, 1842-1937)
Spring Landscape
Signed “ALBERT INSLEY” l.r.
Condition: Abrasions, surface grime.
$1,000-1,500
302
303

304.
John Austin Sands Monks (American, 1850-1917)
Grazing Sheep
Signed “J.A.S. Monks” l.l., identified on a presentation plaque.
Condition: Stretcher bar marks, light surface grime.
$1,000-1,500
305.
Bayard Henry Tyler (American, 1855-1931)
At Van Cortlandt Park

Signed “Bayard H. Tyler” l.r., titled, dated, and inscribed “...June
1916/Bayard H. Tyler” on labels on the reverse and on the frame
backing paper.
Oil on canvas board, 8 x 9 7/8 in. (20.1 x 25.2 cm), framed.
Condition: Surface grime.
$2,000-2,500
304
305

306
306.
Arthur Fitzwilliam Tait (Anglo/American, 1819-1905)
Sheep in a Pasture
Signed, inscribed, and dated “A.F. Tait. N.A./NY. 93.” l.r.
Condition: Lined, retouch, varnish inconsistencies, craquelure.
$15,000-25,000

307.
Joseph H. Greenwood (American, 1857-1927)
Trees in Autumn
Signed and dated “JH Greenwood 93” l.l., with a
stamp from C.C. Lowell Painters’ Supplies, Worcester,
Massachusetts, on the reverse.
Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), in an Arts &
Crafts gilt oak frame.
Condition: Craquelure, minor surface grime.
Provenance: Jerome Marble, Worcester, Massachusetts,

by family descent to the present owner.
$3,000-4,000
308.
Joseph H. Greenwood (American, 1857-1927)
Autumn Scene with Golden Brush

Signed “JH Greenwood” l.l., partial composition of
blossoming trees on the reverse.
Oil on panel, 6 7/8 x 9 3/4 in. (17.5 x 24.8 cm), in a period
frame.
Provenance: Jerome Marble, Worcester, Massachusetts,

by family descent to the present owner.
$800-1,200
307
308

309
309. 310.
Joseph H. Greenwood (American, 1857-1927) Joseph H. Greenwood (American, 1857-1927)
Brook in Winter, Possibly Green Hill Park, Worcester, Hillside in Autumn and Meadow in Spring/A Double-sided
Massachusetts Composition
Signed and dated “J H Greenwood 23” l.l., inscribed “Greenwood/ Autumn signed and dated “JH Greenwood 07” l.l., inscribed indistinctly
Green Hill Park, Fri July 8, 1910” in pencil on the reverse. l.r.
Oil on canvasboard, 7 3/4 x 11 in. (19.7 x 27.9 cm), in a period frame. Oil on panel, 7 x 10 in. (17.8 x 25.4 cm), in a period frame.
Condition: Surface grime. Condition: Craquelure, surface grime.
Provenance: Jerome Marble, Worcester, Massachusetts, by family Provenance: Jerome Marble, Worcester, Massachusetts, by family
descent to the present owner. descent to the present owner.
$800-1,200 $800-1,200
310

311
311.
Attributed to Henry Arthur Elkins (American, 1847-1884)
Mountain Landscape with Deer by a River

Signed “Henry. A. E...” l.r.
Condition: Lined, retouch, craquelure, varnish inconsistencies.
$600-800
311A.
George Herbert McCord (American, 1848-1909)
Autumn Landscape
Signed “G. H. McCord” l.l.
Oil on canvas, 18 1/8 x 14 1/8 in. (46.0 x 36.0 cm), unframed.
Condition: Small puncture c.r., canvas deformations, abrasions,
yellowed varnish, surface grime.
$700-900
311A

312
312.
Alexander François Loemans (Canadian/American, c. 1816-1898)
Indian Encampment
Signed “Loemans” l.r.
$1,200-1,800

313
313.
William Aiken Walker (American, 1838-1921)
Sharecroppers in the Cotton Field

Signed “WAWalker” l.l.
Condition: Retouch, subtle bowing, minor lifting, craquelure.
Provenance: Acquired by Samuel Curtis Wilcox (1811-1886), Berlin, Connecticut; by family descent to
the present owners. Wilcox founded the first American tinware factory under the name Carpenter, Lamb
& Wilcox, and traded extensively in the Southern states.1 He also served as President of the Berlin Iron
Bridge Company from 1871 until his death.
1. Cutter, William Richard, ed., New England Families, Genealogical and Memorial: A Record of the Achievements of Her People in the
Making of Commonwealths and the Founding of a Nation (New York: Lewis Historical Publishing Company, 1913), pp. 1657-58.
$15,000-25,000

314
314.
Frank Henry Shapleigh (American, 1842-1906)
Dr. Pack’s Palm Trees, St. Augustine, Fla.

Signed and dated “F.H. Shapleigh 1889.” l.l., titled and signed “...by F.H. Shapleigh.” on the
reverse.
Oil on canvas, 16 x 10 in. (40.6 x 25.4 cm), stretched with Boston tabs, in a period frame.
Provenance: Richard Rich, Malden and Orleans, Massachusetts; then by descent to his
only son, Richard Rich Jr., Malden and Orleans, Massachusetts; private collection, Orleans,
Massachusetts.
$20,000-30,000

315
315. 316.
C. A. Tillinghast (American, fl. circa 1888) American School, 19th Century
Oranges and Grapes, 1888 Still Life with Watermelon and Other Fruit
Signed and dated “C A Tillinghast. 1888.” l.l., identified on a label from Signed and dated indistinctly l.r.
Vose Galleries of Boston affixed to the frame backing. Oil on canvas, 25 x 30 in. (63.5 x 76.3 cm), framed.
Oil on canvas, 18 x 24 in. (46.0 x 61.0 cm), framed. Condition: Lined, retouch, craquelure.
Condition: Lined, retouch. $2,500-3,500
N.B. Miss C.A. Tillinghast is listed as a still life painter from the
Providence and Fall River area, active in the late 19th century. The
frame bears a label from the Minneapolis Institute of Arts indicating that
the painting was loaned to the museum for an Auction and Collector’s
Sale, November 1–December 17, 1976.
$800-1,200
316

317
317.
John F. Francis (American, 1808-1886)
Elaborate Still Life with Melons and Fruit on a Marble Slab

Signed and dated “J. F. Francis P. 1858.” l.r.
Condition: Puncture l.l., paint loss, canvas deformation, craquelure, surface grime.
N.B. John F. Francis was born in 1808 in Philadelphia, and lived and worked in Pennsylvania. Little is known about his art training, although he
began his career as a portrait painter in the 1830s and 1840s. He turned to still life painting in the early 1850s and, during the next thirty years,
became one of the most accomplished still life painters of the 19th century, establishing himself as “the master of luncheon and dessert pictures.”1
Francis was interested in the ordering of shapes and in expressing the individual, tactile qualities of the objects he depicted. His still lifes range
from simple table-top studies to elaborate compositions with fruits, nuts, cheeses, baskets, serving pieces of glass, ceramic, and metal, and
various utensils, set usually against a simple background but occasionally with a view through to a landscape on one side. In After the Hunt, Alfred
Frankenstein wrote that Francis used a very limited repertoire of items in his still lifes and often repeated motifs, making his paintings difficult to date.
Frankenstein further noted that dated paintings were somewhat rare, citing only twelve dated examples from 1854 to 1879 among the oeuvre known
to him at that time.2 In the painting at hand, one of his more elaborate, Francis employed some of his favorite motifs, the rough-cut watermelon,
various fruits opened or quartered, and a fruit basket draped with a fringed napkin.
1. William H. Gerdts, Painters of the Humble Truth (Columbia, MO: University of Missouri Press, 1981), p. 90.
2. Alfred Frankenstein, After the Hunt (Berkeley and Los Angeles, University of California Press, 1953), pp. 136-37.
$80,000-120,000

318
318.
Interior with a Young Woman Paring Apples by Fire Light

Inscribed “...old Homestead/E.L. Henry” faintly in ink and “PERRY” in
chalk on the reverse.
Condition: Paint loss, abrasions, craquelure, surface grime.
$2,000-3,000
319.
George Herbert McCord (American, 1848-1909)
Woman Seated in a Dory on the Shore

Signed and dated “G. H. McCord/1887” l.r.
framed.
Condition: Toning, mat burn, sheet laid down on paperboard.
$600-800
319

320
320. 321.
Jules (Jean-François-Hyacinthe) Laure (French, 1806-1861) John Henry Dolph (American, 1835-1903)
Portrait in Profile of a Young Woman with a Red Drape Mother Always Provides/Genre Scene with Cat and Kittens
Signed “Jules Laure” l.l., with a canvas stamp “...Belot...” on the Monogram signature “JHDolph” l.l.
reverse, and with a label from Foster Brothers, Boston, on the back of Oil on panel, 8 x 12 1/8 in. (20.3 x 30.6 cm), framed.
the frame. Condition: Unobtrusive surface grime and varnish inconsistencies.
Oil on canvas, 21 3/4 x 18 3/8 in. (55.2 x 46.5 cm), framed within an $1,500-2,000
arched liner.
Condition: Small puncture u.c., craquelure, surface grime.
$1,000-1,500
321

322
322.
Benjamin Osro Eggleston (American, 1867-1937)
Young Woman in a Theater Box

Signed and dated “Benjamin Eggleston 91” l.r., with a Newcomb-
Macklin Co. label on the back of the frame.
Oil on canvas mounted to Masonite, 10 1/8 x 14 1/8 in. (25.7 x 35.8
cm), framed.
Condition: Retouch, craquelure.
$2,500-3,000

323
323.
DeWitt McClellan Lockman (American, 1870-1957)
Portrait of Miss Naomi Andrews, Age 12, and Her Spaniel

Signed and dated “DeWitt M. Lockman/07” l.r.
Provenance: Descended within the family of the sitter.
N.B. Naomi Andrews (1894-1987) was the daughter of architect

Samuel Wakeman Andrews (1866-1935) and Harriet Hammond.
$4,000-6,000

324.
Alexander Pope (American, 1849-1924)
Head of a Male Lion

Signed and dated “ALEXANDER POPE 9...” l.r., with a label from
Foster Brothers, Boston, on the back of the frame.
Oil on canvas, 24 x 20 in. (61.0 x 51.0 cm), in a frame with
wooden bars affixed to the front.
Condition: Tears to upper corners, surface grime.
$1,000-1,500
324
325.
Elihu Vedder (American, 1836-1923)
Portrait of a Contemplative Monk

Signed and dated “Elihu Vedder...1864” l.l.
Provenance: Sold by the Peabody Essex Museum, Salem,

Massachusetts, for the benefit of acquisition funds.
$800-1,200
325

326.
Thomas Waterman Wood (American, 1823-1903)
Pair of Portraits: Ella Luthers Dewey and An Officer

Ella Dewey signed and dated “T.W.Wood./1883” l.l., Officer signed
“T.W. Wood.” l.l.
Both oil on canvas, sizes to 30 x 25 in. (76.5 x 63.5 cm), framed.
Condition: Ella Dewey with craquelure, surface grime, Officer lined,
scattered retouch.
N.B. Ella Luthers Dewey Pitkin (1850-1879) was the second daughter
of Charles and Betsy Tarbox Dewey. A note that accompanies the lot
explains that the portrait at hand was one of two painted after her death
by T.W. Wood, one having been done for her husband and one for her
father.
$3,000-5,000
327.
Clarence Drew Bartlett (American, b. 1860)
Still Life with Newspaper, Candle, Pipe, and Wine Glass

Signed and dated “C.D. Bartlett/188...” l.r.
Condition: Possible old retouch, surface grime.
$700-900
328.
Walter Shirlaw (American, 1838-1909)
Profile of a Bearded Man

Monogram signature “WShirlaw” l.r., inscribed “WALTER SHIRLAW” on
the stretcher.
326 Oil on canvas, 16 x 12 1/4 in. (40.6 x 31.1 cm), framed.
Condition: Lined, retouch, craquelure, minor abrasions, varnish
inconsistencies.
$1,500-2,000
327 328

329
329.
Attributed to William Morris Hunt (American, 1824-1879)
Portrait of a Man Wearing a Red Fez

Unsigned, identified in papers accompanying the lot.
Condition: Retouch, lined.
Provenance: Mrs. John Courtland Knowles, to Mrs. Aylsworth Brown,

to N. David Scotti, to the Estate of N. David Scotti, Providence, Rhode
Island.
N.B. A copy of a registration form submitted to Gibson Danes at Yale

University and signed by Mrs. Aylsworth Brown in 1949 accompanies
the lot. The form makes mention of a fragmentary label on the frame
from “Museum of Fine Arts/Exhibition of Wm Morris Hunt,” which is no
longer extant. An exhibition of Hunt’s works was held at the Museum
of Fine Arts, Boston, December 20, 1879 to January 31, 1880.
$4,000-6,000

330
330.
Victor Eeckhout (Belgian, 1821-1879)
Tanger
Signed and inscribed “Victor Eeckhout/Tanger” l.l.
Condition: Lined, scattered retouch, stable craquelure.
N.B. Victor Eeckhout is listed in Benezit’s Dictionnaire des Peintres,

Sculpteurs, Dessinateurs et Graveurs as a genre painter and etcher
born in Anvers in 1821. Son of the artist Jacob Joseph Eeckhout
(1793-1861), Victor likely learned to paint from his father, and he
exhibited his paintings in Brussels and Paris. A painter of Orientalist
subject matter and genre scenes, he traveled to Morocco where he
reportedly stayed for several years. Many of his paintings were inspired
by Tangier, where the painting at hand was probably painted, and
where it is recorded that the artist died.1
1. Lauret Hervé, Les Peintres Orientalistes, Web site devoted to Orientalist painters: copyright
2007, accessed 12/10/10, http://orientaliste.free.fr/biographies/artistes7.html
$70,000-90,000

331
331.
Giustina Orsini (Italian, Late 19th Century)
Prayer in the Desert

Signed “G. Orsini” l.l., identified on a presentation plaque, titled and
numbered “2327/...” on a label affixed to the stretcher.
Condition: Patch reinforcement, craquelure, surface grime.
$800-1,200

332
332.
Robert Van Vorst Sewell (American, 1860-1924)
Grateful Homage/Desert Landscape with Figures in Islamic Prayer

Signed “R.V.V. Sewell” l.l., titled and inscribed “...Robert VAN VORST
SEWELL...” and with a label from Haley & Steele Art Dealers, Boston,
on the reverse.
Condition: Retouch, patch reinforcements, varnish inconsistencies,
craquelure, minor surface grime.
$6,000-8,000

333
333.
James Rogers Rich (American, 1847-1910)
View with Figures and the Pyramids at Giza, Egypt

Signed and dated “James Rogers Rich/‘99” l.l., also signed, dated, and
inscribed “James Rogers Rich/Egypt/1899” in pen on the reverse.
Condition: Patch reinforcement, score to u.r. and l.l. quadrants,
retouch, varnish inconsistencies, surface abrasions beneath the frame
liner, craquelure.
$1,500-2,000

334
334.
John Ferguson Weir (American, 1841-1926)
Sundown at the Alhambra

Signed “J.F. Weir.” l.r.
Oil with tooling on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.
Provenance: Skinner Inc., May 8, 1998, Sale 1843, Lot 121.

$3,000-5,000

335
335.
Rubens Santoro (Italian, 1859-1942)
View of a Gondola on a Canal, Venice

Signed “Rubens Santoro” l.r.
Oil and graphite on canvas, 12 x 9 in. (30.5 x 22.9 cm), framed.
Condition: Subtle rippling.

$10,000-15,000

336
336.
Martin Rico y Ortega (Spanish, 1833-1908)
Venetian Canal View

Signed “RICO” l.l.
Oil on canvas mounted to artist board, 10 x 13 1/2 in. (25.4 x 34.3 cm),
framed.
Condition: Minor retouch, minor abrasions beneath frame liner.
$12,000-18,000

337
337. 338.
Jane Peterson (American, 1876-1965) George Henry Smillie (American, 1840-1921)
Plaza San Marco, Venice, c. 1923 View of Venice

Signed or inscribed “JANE PETERSON” l.r., inscribed and dated Signed “Geo. H. Smillie- A.W.C.S.” l.l.
“Venice 1923” in pencil and identified on a label from Galerie Jordan, Watercolor and graphite on paper, sight size 10 x 14 in. (25.4 x 35.6
The Ritz-Carlton Hotel, Montreal, Canada, on the reverse. cm), framed.
Oil and graphite on panel, 10 1/2 x 13 5/8 in. (26.7 x 34.6 cm), framed. Condition: Not examined out of frame.
Condition: Subtle surface grime. $300-500
Provenance: Private collection, Fort Lauderdale, Florida; Skinner Inc.,

November 16, 1990, Sale 1354, Lot 126.
$1,000-1,500
338

339
339. 341.
J.E. Van Bois (Continental, 19th Century) Warren W. Sheppard (American, 1858 -1937)
Orientalist River View, Possibly the Nile View of Venice

Signed “J.E. Van Bois.” l.l. Signed “Warren Sheppard” l.l.
Oil on canvas, 24 x 42 in. (61.0 x 106.7 cm), framed. Watercolor on paper/board, sight size 14 x 10 in. (35.5 x 25.5 cm),
Condition: Retouch, craquelure, minor surface grime. framed.
$1,000-1,500 Condition: Not examined out of frame.
$600-800
340.
Aleksander Gierymski (Polish, 1850-1901)
The Island Village/An Italian View

Signed “A. Gierymski.” l.r.
Watercolor and pencil on paper/board, sight size 7 1/8 x 10 1/8 in.
(18.2 x 25.7 cm), framed.
Condition: Cardboard mounted to secondary support and affixed to
window mat with tape, not examined out of mount.
$800-1,200
340
341

342
342.
Sandor Bernath (Hungarian/American, 1892-1984)
View from Saint Mark’s, Venice

Inscribed, dated, and signed “VENICE 27/SANDOR BERNATH” l.l.
Condition: Lined, retouch, craquelure, surface grime.
$1,000-1,500

343
343.
Fausto Zonaro (Italian/Turkish, 1854-1929)
Torre de Leandro/A View of Salacak and Kiz Kulesi [Leander’s Tower], Istanbul, Turkey
Signed “F. Zonaro” l.l.
Condition: Losses, craquelure, re-stretched.
Provenance: Gift to Georg Ruckmann (1870-1961) of Lübeck, Germany, from a doctor that fled to Turkey before World War I; by family
descent to a private New England collection. Ruckmann was an administrator of a hospital in Lübeck.
N.B. The authenticity of this work has been confirmed by Erol Makzume, and the work was documented in Elisa Zonaro’s photo
archives. We wish to thank both Erol Makzume and Cesare Mario Trevigne for their assistance with cataloguing the lot.
Zonaro was born into a Paduan family of modest means, and had he not shown artistic promise as a child, would have been
apprenticed into his father’s bricklaying trade.1 He was fortunate to attend a technical school near his hometown, and was later
sponsored by a local noblewoman to attend the Accademia Di Belle Arti G. B. Cignaroli in Verona for his artistic training.
After graduation, Zonaro moved to Venice where he opened his own studio on the Grand Canal. He developed a fine reputation
for picturesque views and genre scenes which was bolstered by ducal patronage. Despite his commercial success, Zonaro grew
dissatisfied by the late 1880s with his lack of artistic growth and sought ways to distinguish himself from his contemporaries.
At this juncture, he made two critical decisions—the first was to take a year-long sabbatical in Paris to learn new techniques.
Zonaro’s works created after this intensive year are considered to be in his mature style, where “the product of his training in French
Impressionism, Venetian coloring, and Neapolitan realism were fused.”2
Zonaro’s second life-changing decision was to move to the city of Constantinople. He was fascinated with the exotic vision of this
outpost of the Roman and Ottoman Empires, and opened a studio there in 1891. Through his skill and the promotional efforts of
his wife and former pupil Elisabetta (Elisa) Pante Zonaro, he was introduced to the Ottoman Sultan Abdul Hamid II (1842-1918) who
selected him as his court painter in 1896. Zonaro remained at the court until Abdul Hamid II’s regime was overthrown in 1909, and
returned to Italy thereafter.
1. http://www.faustozonaro.it/biografia.html
2. Ibid.
$20,000-40,000

344
344.
William Arnold Eyden, Jr. (American, 1893-1982)
The Frozen Stream

Signed “W.A. Eyden” l.l.
Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm),
framed.
Condition: Canvas deformation, tear with paint loss
to u.r. quadrant, surface grime.
$1,000-1,500
345.
Emile Albert Gruppé (American, 1896-1978)
Wood Interior
Signed “Emile A. Gruppé” l.r., titled on the
stretcher.
$2,000-3,000
345

346
346. 347.
Herbert Royle (British, 1870-1958) Frank P. Ferruzza (American, 1912-1984)
Winter Scene with Loggers at Rest Winter Quietude

Signed “Herbert Royle” l.l. Signed “F. FERRUZZA” l.r., stamped “FRANK P. FERRU../2310 E. 5th
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. St. Brooklyn, N.Y. ...” on the stretcher.
Condition: Craquelure. Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed.
$4,000-6,000 Condition: Canvas deformations, surface grime.
$600-800
347

348
348. 349.
Emile Albert Gruppé (American, 1896-1978) Jay Hall Connaway (American, 1893-1970)
Vermont Covered Bridge Last Light

Signed “Emile A. Gruppé” l.r., titled in pencil on the stretcher. Signed “connaway” l.r.
Oil on canvas, 18 x 20 in. (45.8 x 50.7 cm), framed. Oil on canvasboard, 16 x 20 in. (40.5 x 50.7 cm), framed.
Condition: Surface grime. Condition: Small area of possible retouch, surface grime.
$1,500-2,500 $1,000-1,500
349

350
350.
Aldro Thompson Hibbard (American, 1886-1972)
Hillside in Winter
Signed “A T Hibbard-” l.l., inscribed “2X-68” on the reverse.
Oil on canvasboard, 15 x 18 in. (38.1 x 45.7 cm), framed.

$5,000-7,000

351
351. 352.
William Lester Stevens (American, 1888-1969) William Lester Stevens (American, 1888-1969)
Snowy Lane Path through the Trees in Winter

Signed “W. LESTER STEVENS N.A.” l.r. Signed “W. LESTER STEVENS N.A.” l.r.
Condition: Scattered minor paint losses. Condition: Minor surface grime.
$2,000-3,000
Provenance: Nord and Ruth (Smith) Bowlen, Greenfield,
Massachusetts; by family descent to a private collection.
$1,500-2,500
352

353
353.
Winter Farm
Signed “A.T. Hibbard” l.l., stamped “REPRODUCTION RIGHTS
RESERVED” on the reverse.
Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), in a Guido frame.
Condition: Mounted to board.
$8,000-12,000

354
354. 355.
Robert Verity Clem (American, 1933-2010) Doug Brega (American, b. 1948)
Island Three, Chatham, 1991 Farm in Winter

Signed “Robert Verity Clem” l.l., titled, inscribed, and with a signed Signed “DOUG BREGA” in pencil l.r.
copyright stamp on the reverse. Mixed media on paper, 17 x 24 in. (43.2 x 61.0 cm), framed.
Watercolor on paper, sheet size 19 1/2 x 29 9/16 in. (49.5 x 75.0 cm), Condition: Not examined out of frame.
unframed. $3,000-5,000
Condition: Sheet mounted to window mat with masking tape.
Provenance: Acquired from the artist by Robert O. Muller (1911-2003),

former proprietor of Merwin’s, New Haven, Connecticut, and Japanese
woodblock print collector; then by family descent to his wife, estate of
Ingeborg Lee Muller (1919-2004).
$8,000-12,000
355

356
356.
Robert Verity Clem (American, 1933-2010)
Rough-leg, Chatham, 1987

Signed “Robert Verity Clem” l.r., titled, inscribed, and with a signed
copyright stamp on the reverse.
unframed.
Condition: Sheet affixed to window mat with masking tape.

$8,000-12,000

357
357.
Henry Howard Bagg (American, 1853-1928)
Rocky Mountain Landscape

Signed “H H Bagg” l.l.
Oil on canvas, 23 3/4 x 34 in. (60.3 x 86.4 cm), unframed.
Condition: Two tack holes to bottom edge, minor losses,
surface grime.
$600-800
358.
Thomas Andrew Nicholas (American, b. 1934)
Yosemite Falls, Sierra Nevada, California

Signed “-Tom Nicholas-” l.l.
Condition: Good.

$800-1,200
358

359
359.
Grant MacDonald (American, b. 1944)
Desert Landscape at Sunset

Signed and dated “Grant MacDonald 1996” l.r.
Acrylic on canvas, 44 x 72 in. (111.8 x 182.9 cm), framed.
$8,000-12,000

360
360.
Edwin Willard Deming (American, 1860-1942)
View of Native Americans on Horseback

Signed and dedicated “To our Friend Evangeline...EW DEMING” l.r.,
identified on a label affixed to the reverse.
Condition: Retouch, craquelure, minor surface grime.
$4,000-6,000
361.
Charles Constantine Hoffbauer (American, 1875-1957)
Lot of Two Mural Studies: Washington Takes Command at

Cambridge and The Landing of British Troops at Long Wharf, c.
1942
Washington signed “C. Hoffbauer” l.l., Washington identified and British
misidentified on labels affixed to the backing.
Watercolor and graphite on paper, sight sizes to 9 3/4 x 7 in. (24.8 x
17.8 cm), framed.
Condition: Subtle rippling, not examined out of frames.
N.B. The present works are studies for two of eight murals depicting
early New England history that were commissioned for the lobby of
the New England Mutual Life Insurance Company building in Boston’s
Copley Square.
$400-600
361

362
362. N.B. N.C. Wyeth completed this painting in 1905 as a commission for
N.C. (Newell Convers) Wyeth (American, 1882-1945) the Saturday Evening Post. It is one of four illustrations done by Wyeth
to accompany a story by Arthur E. McFarland, titled “An Antiente Greate
And They Did Their Trading from the Top of Battlemented Walls, Companie,” about the Hudson Bay Trading Company, which appeared
1905 in Volume 178, No. 20, on November 11, 1905.
Signed and dated “N.C. WYETH/-1905-” l.r.
Oil on canvas, 38 x 26 in. (96.5 x 66.0 cm), framed. In a letter from N.C. Wyeth to his mother, dated October 1, 1905, the
Condition: Craquelure in areas of heaviest impasto, with small area of artist referred specifically to the painting at hand, saying “I have just
paint loss to impasto at center top, verso possibly coated with resin or completed a huge picture of the Cree Indians trading over the stockade
similar. with the early French, for the Post. It’s in full color and H.P. says it’s
one of the most realistic pictures ever done in the school. You might
Provenance: Descended within a New England family. know how I feel. Oh! if I only had time to paint what I have in my mind.
I’ll do it some day.”1
Literature: Arthur E. McFarlane, “An Antiente Greate Companie,”
in Saturday Evening Post, 178, no. 20 (Nov. 11, 1905), illustration, “H.P.” refers to Howard Pyle (American 1853-1911), a noted and
2; Douglas Allen & Douglas Allen, Jr., N.C. Wyeth: The Collected popular illustrator, writer, and teacher, called the “Father of American
Paintings, Illustrations and Murals, (Bonanza Books, New York, 1972) Illustration.” Wyeth studied with Pyle at his School of Illustration Art
p. 30; Christine B. Podmaniczky, N.C. Wyeth Catalogue Raisonné of from 1902–1904 and remained one of Pyle’s life-long devoted students.
Paintings, Volume One, Wyeth Foundation for American Art, Brandywine 1. Betsy James Wyeth, editor, The Wyeths, The Letters of N.C. Wyeth, 1901-1945 (Boston:
River Museum, Chadds Ford (London: Scala Publishers Limited, 2008), Gambit, 1971), pp. 143-144
cat. no. I’94 (851), p. 129. $300,000-500,000

363
363. 364.
William John Edmondson (American, 1868-1966) Mary Jencques Coulter (American, 1880-1966)
Santa Barbara Mission/A California View View of a Mission Revival Style Home/A California Landscape
Signed “Wm. J. Edmondson” in ink l.r., titled and inscribed “Wm. J. Signed “Mary J. Coulter” in pencil l.r.
EDMONDSON...” and identified on a label from The Cleveland Society Watercolor and graphite on paper, sight size 14 1/2 x 21 1/2 in. (36.8 x
of Artists, on the reverse. 54.6 cm), framed.
Oil on canvasboard, 11 x 10 3/4 in. (27.9 x 27.3 cm), framed. Condition: Signature partially reinforced.
Condition: Surface grime. $600-800
$300-500
364

365
365.
Sandor Bernath (Hungarian/American, 1892-1984)
Lot of Two Nocturnal Views of San Francisco de Asis Church,

Ranchos de Taos, New Mexico
One signed “Sandor Bernath” l.c., the other with incised signature “S.
BERNATH” l.l.
Watercolor and graphite on paper, sheet sizes to 13 1/2 x 17 1/2 in.
(34.3 x 44.4 cm), both unframed.
Condition: Minor glue residue to the reverse.
$1,000-1,500

366
366.
John Nichols Haapanen (American, 1891-1968)
Valley Vista with Farm and River

Signed and dated “HAAPANEN ‘4...” l.r.
Condition: Scuffing, scattered abrasions, surface grime.
$2,500-3,500

367
367.
Pastures, Vermont
Signed “Emile A. Gruppé” in pen l.l., titled in the artist’s hand on the
reverse.
Condition: Very minor surface grime.

$6,000-8,000

368
368.
View of a Lakeshore in Spring

Signed “A. T. Hibbard” l.l., inscribed “67-B” on the reverse.

$5,000-7,000

369
369.
George Loftus Noyes (American, 1864-1954)
Summer Marsh View

Signed and dated “-G.L. NOYES -93-” l.l.
Oil on canvas, 14 1/2 x 17 1/4 in. (36.8 x 43.8 cm), in a Guido frame.
Condition: Craquelure, retouch.
$12,000-15,000

370
370. 371.
Benjamin Osro Eggleston (American, 1867-1937) Henry Hammond Ahl (American, 1869-1953)
Late Afternoon Landscape with Haystacks Autumn Woods

Signed “BENJAMIN EGGLESTON” l.r. Signed “Ahl” l.l., with a label from Richard Nichols, Boston, affixed to
Oil on canvas, 14 x 14 in. (35.6 x 35.6 cm), framed. the reverse.
Condition: Lined, minor retouch, craquelure, minor skinning l.r. Oil on canvas, 14 x 17 3/4 in. (35.6 x 45.1 cm), in a period frame.
$800-1,200 Condition: Lifting, retouch, craquelure.
$2,000-2,500
371

372
372. 373.
Henry Hammond Ahl (American, 1869-1953) School of Arthur Wesley Dow (American, 1857-1922)
Late Autumn Sunny Landscape with a White Farmhouse

Signed “Ahl.” l.r., identified on an exhibition label from the Boston Art Unsigned.
Club (detached). Oil on canvas, 18 1/8 x 24 1/8 in. (46.0 x 61.2 cm), framed.
Oil on canvas, 16 x 18 in. (40.8 x 45.9 cm), framed. Condition: Scattered small paint losses, craquelure, surface grime.
Condition: Subtle canvas deformation, light surface grime. $1,500-2,000
Exhibitions: Boston Art Club, Exhibition of Intimate Pictures, December

2–19, 1931.
$800-1,200
373

374
374. 375.
Robertson Kirtland Mygatt (American, 1862-1919) Hermann Pohle (German, 1831-1901)
Landscape with a Stand of Trees Stream at Field’s Edge

Signed and dated “R.K. Mygatt 1908” l.l. Monogram signature “HPohle” l.l., identified on a presentation plaque.
Condition: Lined, craquelure, surface grime. Condition: Craquelure, surface grime.
$1,200-1,500 $1,500-2,000
375

376
376. 377.
Peter Paul Muller (German, 1853-1930) Christopher Sanders (British, 1905-1991)
Thru the Woods Landscape in the Isle of Purbeck

Signed “Peter Paul Muller.” l.r., titled on a label affixed to the reverse. Signed “Sanders” l.l., titled and signed “Christopher Sanders” on the
Oil on canvas, 32 x 39 1/4 in. (81.3 x 99.7 cm), in a period frame. reverse.
Condition: Lined, retouch. Oil on canvas, 32 x 32 in. (81.3 x 81.3 cm), framed.
$1,500-2,000 Condition: Minor surface grime.
$1,200-1,800
377

378
378. 379.
Charles Albert Burlingame (American, 1860-1930) Charles Gordon Harris (American, 1891-1963)
Old Stone Church, Saddle River Autumn Hills

Signed “C.A. Burlingame” l.r., inscribed “10” on a label affixed to the Signed “C. Gordon Harris” l.r.
front l.l. Oil on canvas, 25 x 30 in. (63.8 x 76.5 cm), framed.
Oil on canvas, 18 x 24 in. (45.8 x 60.9 cm), framed. Condition: Lined, retouch.
Condition: Pigment fluorescence, craquelure. $1,500-2,000
N.B. The lot is accompanied by a printed checklist from an Exhibition
of Paintings and Sculpture by Nanuet Artists, Nanuet Hall, Nanuet, New
York, August 9–23, 1921, with this painting listed as number 10.
$1,500-2,000
379

380
380. 381.
Robert Emmett Owen (American, 1878-1957) Frank Alfred Bicknell (American, 1866-1943)
A Small Settlement on a Side Road near Kent Toward Evening (Octobre)

Signed “R. Emmett Owen” l.l., titled on a label affixed to the frame Signed “Frank.A.Bicknell” l.l., titled, signed, and inscribed on the
backing. reverse.
Oil on canvas, 16 x 20 in. (40.5 x 51.0 cm), framed. Oil on panel, 8 x 10 in. (20.2 x 25.2 cm), framed.
Condition: Lined, retouch. Condition: Surface grime.
$1,500-2,500 $300-500
381

382
382.
Harry Van der Weyden (American, 1868-1952)
The Shimmering Pond

Signed and dated “H. Van der Weyden/1902” l.r.
Condition: Lined, retouch, craquelure, abrasions.
$1,200-1,800

383
383.
The Golden Hour

Signed “M. DELAUNEY” l.r.
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), stretched with Boston tabs,
framed.
$1,500-2,000

384
384. 385.
Arthur Clifton Goodwin (American, 1864-1929) Henry Plympton Spaulding (American, 1868-1938)
Summer Landscape, alternately titled Cloud Race Landscape with Meadow Grass and Trees
Signed “A.C. Goodwin” l.l., identified on a label on the stretcher, titled Signed “Henry Plympton Spaulding” l.r.
“Summer Landscape” and inscribed “Cloud Race” in pencil on the Watercolor and gouache on paper/board, sight size 13 3/4 x 19 in.
stretcher. (34.7 x 48.5 cm), framed.
Oil on canvas, 25 1/4 x 30 in. (63.8 x 76.3 cm), framed. Condition: Abrasions, not examined out of frame.
Condition: Surface grime. $500-700
Provenance: A private East Coast collection since c. 1947.

$3,000-5,000
385

386
386.
Edmund William Greacen (American, 1877-1949)
Jersey Hills
Signed “Edmund Greacen” l.r., titled and inscribed “University of
Arkansas” in pencil and with a stamp from N. Rabinowitz Artists’
Materials, New York, on the reverse.
Oil on canvas board, 12 x 15 1/2 in. (30.4 x 40.0 cm), framed.
Condition: Retouch, surface grime, slight bowing to support.
N.B. A copy of a letter from artist’s daughter, Nan Greacen Faure,

dated February 9, 1979, accompanies the lot. Mrs. Faure wrote, “I
can definitely authenticate the painting you have; it was painted by my
father, Edmund Greacen, at Oak Ridge, N.J., where we had a summer
home between 1915 and 1925...I recognize the frame as the style he
was using at that time.”
$7,000-9,000

387.
Henrik Hillbom (Swedish/American, 1863-1948)
Nymphs-in-Clouds
Signed “Hillbom” l.r., titled, inscribed, and dated “...1921” on the
stretcher.
$800-1,200
388.
Ida Wells Stroud (American, 1869-1944)
Hydrangeas at the Florist’s Place

Signed “IDA...STROUD” l.l., titled and inscribed “...Vineyard
Haven/Martha’s Vineyard, Mass-/by Ida Wells Stroud” in pencil
on the reverse.
$2,000-2,500
387
388

389
389.
Charles Courtney Curran (American, 1861-1942)
Wild Azalias [sic] on the Mountain Top/A Cragsmoor Landscape

near Bear Hill, New York
Signed and dated “CHARLES C. CURRAN N.A./1933” l.r., inscribed
and titled “Record No. 250-21 C.C.C. ...by Charles C. Curran, N.A./39
W 67th St.” on the reverse.
Oil on fiberboard, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Retouch, minor surface grime.
Provenance: Purchased from the artist by Miss M. C. Coombs,

Philadelphia; Butterfield and Butterfield, San Francisco, June 17, 1999,
Sale 7007D, Lot 1062.
N.B. We wish to thank Kaycee Benton for her assistance with

cataloging the lot; the work will be included in her forthcoming
catalogue raisonné on Curran.
$6,000-8,000

390
390.
Mary Augusta Mullikin (American, 1874-1964)
View Alongside a Chinese Temple, c. 1930

Signed “MARY AUGUSTA MULLIKIN.” l.l.
Ink and gouache on canvasboard, 23 1/2 x 16 3/4 in. (59.7 x 42.5 cm),
framed.
$700-900

391
391.
Charles Courtney Curran (American, 1861-1942)
A Moorish Garden. (Alhambra)

Signed “CH...S C. CURRAN N.A.” l.l., inscribed and titled “Record No./220-24/C.C.C. ...” on the reverse.
Oil on canvas mounted to Masonite, 30 x 25 in. (76.2 x 63.5 cm), framed.
Condition: Flaking, lifting, losses.
Provenance: Purchased from the Curran family in the 1960s, then by descent within a New England
collection.
N.B. The work was executed in January 1926, and was with Robert C. Vose, Boston, Massachusetts, in
June 1926. We wish to thank Kaycee Benton for her assistance with cataloging the lot; the work will be
included in her forthcoming catalogue raisonné on Curran.
$8,000-12,000

392
392.
Hazel Finck (American, 1894-1977)
Elmer Street Shivers to Work

Signed “H. Finck” l.r., titled in pencil on the stretcher, titled, inscribed,
and dated “...1942...” on a label affixed to the stretcher.
Condition: Tack hole/puncture to l.l. quadrant, canvas deformations in
upper corners.
$1,500-2,500
393.
Hazel Finck (American, 1894-1977)
Old Houses, Patterson

Signed “H. Finck” l.r., signed and titled “...Hazel Finck/Westfield, N.J-”
in pencil on the stretcher, titled and dated “1947” on a label affixed to
the stretcher.
Condition: Good.
$400-600
393

394
394.
Marvin Cone (American, 1891-1964)
Old Timer, 1941

Signed “MARVIN CONE” l.l., identified on labels from the Carnegie Institute (see N.B. below) affixed to the reverse, stamped “THE PFLEGER PAT./
PAT. FEB’Y 2 1886” twice and inscribed “EXHIBITED AT METROPOLITAN MUSEUM...DAVENPORT IN ONE MAN SHOW...LOAN SHOW CEDAR
RAPIDS-1950” in pencil and “A1738” in pen on the stretcher, inscribed “A1738” in pen and “1385-609-2” in crayon on the frame reverse.
Condition: Tears and surface abrasions, retouch, patch reinforcement.
Provenance: Acquired by Mr. and Mrs. Reginald B. Figge, Cedar Rapids, Iowa, and Naples, Florida; private collection by family descent.
Exhibitions: On the Bright Side, Metropolitan Museum of Art, New York, February 9 to March 15, 1942, no. 9; Art Exhibit [Featuring the works of
Marvin Cone and His Students], Stewart Memorial Library, Coe College, June 3 to 7, 1945, no. 3; One-Man Show by Marvin Cone, Joslyn Memorial
Art Museum, Omaha, Nebraska, October 1 to 31, 1945; One-Man Show, Stewart Memorial Art Library, December 14, 1945; Exhibition of Paintings
by Marvin Cone, Davenport Municipal Art Gallery, Davenport, Iowa, March 2 to 30, 1947.
Literature: “American Harvest,” The Daily Iowan, November 2, 1941, p. 2 (illus.); “Cone Exhibit at Commencement,” The Coe Cosmos, May 26,
1943, No. 30, p. 1; “Coe to Display Works by Cone and His Students,” Cedar Rapids Gazette, May 30, 1943; “Cone Exhibits Paintings During
Inauguration,” The Coe Cosmos, December 15, 1945, No. 11, p. 1.
N.B. The present work was one of three submissions to the Directions in American Painting exhibit held October 23 to December 14, 1941 at the
Carnegie Institute in Pittsburgh, but another work was ultimately selected.1 Subsequently, the work was delivered to the William MacBeth Galleries
for exhibition and lent to the Metropolitan Museum of Art for their month-long show, On the Bright Side.2
Reginald B. Figge acquired the work after the March 1947 Davenport Municipal Art Gallery exhibit and likely before 1950.3 Figge worked in finance
as a member of the Chicago Stock Exchange, and as director of Bankers Dispatch Corporation, a multi-state armored transportation company.4 He
descended from the prominent Figge family of Swiss-Iowan bankers, and was the brother of V.O. Figge, founder of the Davenport Bank and Trust
Company and benefactor to the Figge Art Museum in Davenport.
1. [Letter from Marvin Cone to Mr. John O’Connor at the Carnegie Institute, October 24, 1941], Marvin Cone Papers, owned by Boston Public Library; microfilmed by the Archives of American
Art, Archives of American Art, Smithsonian Institution, [Microfilm reel 1366, frame 188].
2. [Metropolitan Museum of Art Exhibition pamphlet], Marvin Cone Papers, owned by Boston Public Library; microfilmed by the Archives of American Art, Archives of American Art, Smithsonian
Institution, [Microfilm reel 1366, frames 191, 1227].
3. [Letter from Elizabeth Moeller, Director of the Davenport Municipal Art Gallery to Marvin Cone, March 12, 1947], Marvin Cone Papers, owned by Boston Public Library; microfilmed by the
Archives of American Art, Archives of American Art, Smithsonian Institution, [Microfilm reel 1366, frame 311]. The letter names two potential buyers of Old Timer.
4. Display Ad 37, Wall Street Journal, May 3, 1948, p. 11; Display Ad 55, Chicago Tribune, November 13, 1964, p. C9.
$100,000-150,000

395
395.
Clifford Warren Ashley (American, 1881-1947)
Dockside View
Signed and dated “CW Ashley...” l.r.
$10,000-15,000

396
396. 397.
Walter Parson Shaw Griffin (American, 1861-1935) Aldro Thompson Hibbard (American, 1886-1972)
Fishermen, Quebec, Canada Fishing Shacks on the Coast in Winter

Signed “GRIFFIN” l.l., identified on a presentation plaque, titled in a later Signed “A.T. Hibbard” l.l., inscribed “2X-107” and identified on a label
hand on the reverse. from Ledgendsea Gallery, Rockport, Massachusetts, on the backing.
Oil on canvas, 21 1/4 x 25 in. (54.0 x 63.5 cm), framed. Oil on canvasboard, 13 3/4 x 18 in. (34.9 x 45.7 cm), in an Arts &
Condition: Lined, craquelure, minor retouch. Crafts style frame.
$3,000-5,000 Condition: Minor abrasions, varnish inconsistencies, mounting bubble
l.l.

$5,000-7,000
397

398
398.
Spring, Rockport, Mass.

Signed “Emile A. Gruppé” l.r., titled in the artist’s hand and identified on
a label on the reverse.
Condition: Very minor surface grime.

$6,000-8,000

399
399.
Gifford Beal (American, 1879-1956)
Yards in Rockport, c. 1925

Unsigned.
Oil on artist board, 20 1/2 x 24 1/2 in. (52.1 x 62.2 cm), in a Lowy
frame.
Condition: Retouch.
Provenance: Estate of the artist; Kraushaar Galleries, New York; private

collection.
$15,000-25,000

400
400.
View of Fishing Shacks on the Coast

Signed “A.T. Hibbard” in pencil l.r.
Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), in an Arts & Crafts
style frame.

$4,000-6,000

401
401.
Gloucester Sunset
Signed “Emile A. Gruppé” l.r., titled in the artist’s hand on the reverse.
Oil on canvas, 18 x 20 in. (45.7 x 50.8 cm), in an Arts & Crafts style
frame.

$5,000-7,000

402
402. 403.
Donald Roy Purdy (American, b. 1924) Aldro Thompson Hibbard (American, 1886-1972)
Day at the Beach Cape Cod Sand Dunes

Signed, dated, and dedicated “Purdy 90 For L. Ran.” l.l., also Signed “A.T. Hibbard” l.l., titled and stamped “FROM THE ESTATE
dedicated, dated, and signed “To the greatest road salesman-/Larry OF/A.T. HIBBARD, N.A....Winifred A. Hibbard” on the reverse.
Ran 1990- D. Purdy” on the reverse. Oil on canvasboard, 9 x 11 1/4 in. (22.9 x 28.6 cm), framed.
Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Minor surface grime.
Condition: Good.
Provenance: A private Massachusetts collection. $3,000-5,000
$1,000-1,500
403

404
404.
Frederick Judd Waugh (American, 1861-1940)
Evening Tide
Signed “Waugh” l.r., identified on a label from Grand Central Art
Galleries, Inc., New York, on the reverse.
Condition: Very subtle bowing, surface grime.
$12,000-18,000

405
405.
Louis H. Richardson (American, 1853-1923)
Lot of Three Works: Coastal View with Windswept Pine,

Autumn Foliage and Pine at Dusk
Windswept signed and dated “Louis H. Richardson 1922” in pen
l.r.; Autumn stamped “Louis H. Richardson.” l.l.; Dusk signed
“LHRICHARDSON” in pencil l.l. and stamped “LH RICHARDSON”
l.r.
Windswept oil on canvas; Autumn oil on canvasboard; Dusk oil
on synthetic panel, sizes to 11 x 21 in. (27.9 x 53.3 cm), each in a
period frame.
Condition: Windswept with subtle canvas deformations, craquelure,
surface grime; Autumn with surface abrasions, surface grime; Dusk
with flaking, losses.
Provenance: A South Dartmouth whaling family by descent.

$1,000-1,500
406 406.
Reynolds Beal (American, 1867-1951)
“O” Boat Class, Rockport, 1939

Signed “REYNOLDS BEAL” l.l., dated, titled, and inscribed “...
Center, Beal, Buckley” in pencil u.l., u.c., and u.r., identified on a
label affixed to the reverse.
Watercolor and graphite on paper, sheet size 7 x 10 in. (17.8 x 25.4
cm), framed.
Condition: Subtle rippling.
Literature: Sidney Bressler, Reynolds Beal: Impressionist

Landscapes and Seascapes, Rutherford: Fairleigh Dickinson
University Press, 1989, p. 188, no. 1406.
$1,000-1,500
407.
Waves Breaking on Rocky Coastline

Signed and dated indistinctly l.l.
Condition: Scattered paint losses, retouch, craquelure, surface
grime.
$800-1,200
407

408
408. 409.
John Lavalle (American, 1896-1971) Reynolds Beal (American, 1867-1951)
Crashing Waves Prestige Crossing Line-West Chop, 1938

Signed and dated “JOHN LAVALLE/1920.” l.r. Unsigned, titled and dated “...Aug. 12.-1938” in pencil u.l., identified on
Oil on canvas mounted to board, 21 x 25 in. (53.3 x 63.5 cm), framed. a label on the backing.
Condition: Craquelure, surface grime. Watercolor and graphite on paper, sheet size 6 x 8 5/8 in. (15.2 x 21.9
$1,500-2,500 cm), in a Guido frame.
Condition: Minor toning.
Literature: Sidney Bressler, Reynolds Beal: Impressionist Landscapes

and Seascapes, Rutherford: Fairleigh Dickinson University Press, 1989,
p. 186, no. 1509.
$1,000-1,500
409

410
410.
View of Schooners at Mooring

Signed “A.T. Hibbard” l.r., inscribed “2X-105” on the backing.

$4,000-6,000

411
411.
John Whorf (American, 1903-1959)
Taking Down the Sails

Signed “John Whorf” l.l., inscribed “...Brighton...” on the reverse.
$20,000-30,000

412
412. 413.
Aldro Thompson Hibbard (American, 1886-1972) Anthony Thieme (American, 1888-1954)
Harbor View with Tugboats On the Shore

Signed “A.T. Hibbard” l.l., inscribed “X26” on the reverse, with the Signed “AThieme” l.l., titled in pencil on the reverse and in ink on the
artist’s label affixed to the backing. back of the frame.
Oil on canvasboard, 9 x 11 1/4 in. (22.9 x 28.6 cm), framed. Oil on canvas laid on paperboard, 8 x 10 in. (20.2 x 25.3 cm), framed
Condition: Minor surface grime. (under glass).
Condition: Paint loss, craquelure with some areas of lifting, bowing to
Provenance: A private Massachusetts collection. the support.
$3,000-5,000 $600-800
413

414
414.
View of Barges and Sailboats in a Harbor

Signed and dated “A.T. Hibbard ‘13” l.l., inscribed “69-144” on the
reverse and identified on the artist’s label affixed to the backing.
Oil on canvasboard, 11 1/4 x 9 in. (28.6 x 22.9 cm), framed.
Condition: Minor loss l.l.

$3,000-5,000

415
415.
Edgar Forkner (American, 1867-1945)
Dockside, Seattle
Signed “Edgar Forkner” l.r., identified on a label affixed to the reverse.
Oil on paperboard, 12 x 16 in. (30.3 x 40.5 cm), framed.
Condition: Retouch, craquelure, yellowed varnish, surface grime.
$1,000-1,500

416
416.
Donald Teague (American, 1897-1991)
Greenwich
Signed “DONALD TEAGUE N.A.” l.r., titled l.l.
Watercolor on paper, sight size 13 3/4 x 18 3/4 in. (34.9 x 47.5 cm),
framed.
Condition: Toning, sheet mounted to matboard.
$4,000-6,000

417
417.
April Green
Signed “Robert Verity Clem” l.r., titled and inscribed “...Chatham, April,
1980” and with a signed copyright stamp on the reverse, titled on a
label on the frame backing paper.
Watercolor on paper, sheet size 20 x 29 3/8 in. (50.8 x 74.6 cm),
framed.
Condition: Tape residue on the edges of the reverse.

$5,000-7,000

418
418.
The Cove Road Gang

Signed and dated “Robert Verity Clem/1972” l.r., titled and inscribed “...
Chatham, Jan 1972” and with a signed copyright stamp on the reverse.
Watercolor on paper, sheet size 18 7/8 x 30 in. (47.9 x 76.2 cm),
unframed.
Condition: Scattered foxing, sheet affixed to window mat with masking
tape.

$5,000-7,000

419
419. 420.
Sandor Bernath (American, 1892-1984) Red Grooms (American, b. 1937)
Dockside View Landscape with Pines

Signed “Sandor Bernath” l.r. Signed and dated “Red Grooms ‘88” l.r.
Watercolor on paper, sheet size 13 3/4 x 16 7/8 in. (34.8 x 42.8 cm), Watercolor and graphite on paper, sheet size 9 x 12 3/16 in. (22.9 x
framed. 30.8 cm), framed.
Condition: Sheet mounted to paperboard, acid burn at edges. Condition: Not examined out of frame.
$500-700 $1,500-2,000
420

421
421. 422.
Sandor Bernath (American, 1892-1984) Henry Martin Gasser (American, 1909-1981)
Lot of Two Scenes of Sailing Yachts: Yacht Racing and Vessel Boatyard View with Vessel Joanna
Under Full Sail Signed “H. Gasser” l.l.
Signed “Sandor Bernath” l.l. and l.r., respectively. Watercolor on paper, sight size 14 1/8 x 20 5/8 in. (35.8 x 52.3 cm),
Watercolor on paper/board, sight sizes to approximately 15 3/8 x 20 framed.
3/8 in. (39.0 x 51.7 cm), framed. Condition: Subtle rippling, not examined out of frame.
Condition: Full Sail with subtle rippling, both with scattered foxing, not $1,500-2,000
examined out of mounts.
$750-1,000
422

423
423. 424.
Sol Wilson (American, 1896-1974) Giancarlo Isola (Italian, b. 1927)
Lot of Two Works: Harbor View and Promenade Fishing Boats

Signed “Sol Wilson” l.r. and l.l., respectively. Unsigned, with a label from Cornici Campani, Via dei Servi, Firenze, on
Oil on canvas (Promenade on canvasboard), sizes to 9 x 12 in. (22.9 x the reverse.
30.5 cm), framed. Oil on canvas, 27 1/2 x 39 1/2 in. (69.9 x 100.3 cm), framed.
Condition: Good. Condition: Retouch, abrasion with minor losses at center.
$400-600
$1,000-1,500
424

425
425.
Jean Carzou (French, 1907-2000)
View of Ships off the Coast

Signed and dated “CARZOU 57” l.l., also signed “CARZOU” twice and
inscribed “...10 Dec. 1956” on the stretcher.
Provenance: Galerie les Arts, Vence, France; private Massachusetts

collection.
$2,500-3,500

426.
Hope Smith (American, b. 1879)
Providence in Winter/A Rhode Island View

Signed “Hope Smith” in pen l.l.
Condition: Surface grime, craquelure.
$800-1,200
426
427.
Alex Tschernjawski (Yugoslavian/American, b. 1933)
City Street
Signed “A. Tschernjawski” l.r., figure sketch in pencil on the reverse,
inscribed “AlexanderTschernjawski” on the stretcher, labels from The
Athena Gallery, New Haven, and George Mladinich, New Haven, affixed
to the reverse, stamped “ATHENA GALLERY INC...” four times and
“ALEX MINEWSKI...” on the reverse.
Condition: Varnish inconsistencies, craquelure, mild surface grime.
$700-900
427

428
428. 429.
Arthur Van Zile Bodwell (American, 1890-1940) Arthur Clifton Goodwin (American, 1864-1929)
West Park, Stamford Park Street Church in Winter

Signed and dated “A. V. Bodwell 1929” l.r., titled on the stretcher. Signed “ACGOODWIN.” l.r., with stamps from the Vose Galleries of
Oil on burlap, 19 x 20 in. (48.3 x 50.8 cm), framed. Boston on the reverse.
Condition: Retouch, craquelure, surface grime. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.
$2,000-3,000 Condition: Lined, craquelure, minor surface grime.
$5,000-7,000
429

430.
Robert J. Freiman (American, 1917-1991)
Closed Tenement
Signed and dated “Robt Freiman/’55” l.r., stamped “Robert
Freiman” on the reverse, titled in red marker on the stretcher.
Condition: Small deformation u.r., scattered scuffing, mild surface
grime.
$400-600
431.
Attributed to Joseph Hirsch (American, 1910-1981)
Staten Island Shipyard

Unsigned, partial labels, including one from ACA Gallery, New
York, affixed to the reverse, artist’s name inscribed, probably in a
later hand, on the reverse.
Condition: Retouch, wear to edges, surface grime.
$1,200-1,800
430
431

432
432. 433.
Mario Faustino Lafetat (French, b. 1925) Keith McDaniel (American, 1948-1986)
La Maison Jaune de Joinville Philadelphia, City Center

Signed “M. Faustino Lafetat” l.r., inscribed and titled on the reverse. Unsigned, titled and inscribed on the stretcher, identified on a partial
Oil on canvas, 10 5/8 x 13 3/4 in. (27.0 x 35.0 cm), framed. label from The Main Street Gallery, Nantucket, Massachusetts, affixed
Condition: Subtle canvas deformations, light surface grime. to the backing corner and on a partial hanging tag.
$500-700 Acrylic on canvas, 30 x 42 in. (76.2 x 106.5 cm), framed.
Condition: Mild canvas deformation and stretcher bar marks.
$2,000-3,000
433

434
434.
Dixie Selden (American, 1871-1936)
On Riverside Drive
Signed “Dixie Selden” l.l., identified on a period label, probably in the
artist’s hand, on the reverse.
Oil on artist board, 14 x 12 in. (35.6 x 30.5 cm), in a period frame
(under glass).

$12,000-18,000

435
435.
Dixie Selden (American, 1871-1936)
Rio della Salute, Venice, 1924

Signed “Dixie Selden” l.l., identified and dated on a period label,
probably in the artist’s hand, on the reverse.
Oil on artist board, 16 x 12 in. (40.6 x 30.5 cm), in a period frame
(under glass).

$20,000-25,000

436
436. 437.
Raymond Wintz (French, 1884-1956) Aldro Thompson Hibbard (American, 1886-1972)
Belle Lumière sur Port-Joinville Italian Coastal View

Signed “R. Wintz” l.l., titled and inscribed “...Ile d’Yeu (Vendée)...” on Signed “A.T. Hibbard” l.r., inscribed and dated “‘69-149/3/8/69” on the
the stretcher. reverse.
Oil on canvas, 21 1/4 x 25 1/2 in. (54.0 x 65.0 cm), framed. Oil on canvasboard, 8 x 9 7/8 in. (20.3 x 25.1 cm), in a Guido frame.
Condition: Light surface grime. Condition: Minor surface grime.
$2,500-3,500
$2,500-3,500
437

438
438.
William Lee Hankey (British, 1869-1950)
Market Gossip
Signed “W Lee-Hankey.” l.r., identified on a presentation plaque and
on a label from the Continental Galleries of Fine Art, Montreal, on the
stretcher, inscribed “1819” on the reverse.
Condition: Tear in l.r. quadrant, surface grime.

$6,000-8,000

439.
Charles E. Prendergast (American, 1863-1948)
Hill Town, No. 2, c. 1927-29

Signed “C. Prendergast” in color pencil l.r., with a label from
C.W. Kraushaar Art Galleries, 680 Fifth Avenue, New York,
affixed to the backing.
Watercolor and graphite on paper, 10 7/8 x 8 1/4 in. (27.3 x
21.0 cm), framed.
Condition: Unobtrusive toning and soiling, tape/residue on the
reverse, trimmed sheet, tape hinged to window mat.
Provenance: Descended to the present owner from her

grandfather, a president of Pepperell Manufacturing.
N.B. C.W. Kraushaar Art Galleries was located at 680 Fifth

Avenue between 1919 and 1936. The work is number 2321B
in the Maurice and Charles Prendergast Systematic Catalogue
Project, Prendergast Archive and Study Center, Williams
College Museum of Art.
$3,000-5,000
440.
Isabelle H. Ferry (American, 1865-1937)
The Garden Steps

Unsigned, estate stamped “ISABELLE H. FERRY/1865 ·
ESTATE · 1930” on the reverse.
Oil on artist board, 11 3/4 x 16 in. (29.8 x 40.6 cm), in a
Motyka frame.
Condition: Subtle bowing.
$300-500
439
440

441
441.
Frederick Carl Frieseke (American, 1874-1939)
Olive Trees, Cagnes

Signed “F. C. Frieseke” l.l.
Condition: Paint losses u.r., dent l.l. corner, rippling along bottom edge, small areas of craquelure, surface grime.
N.B. Frederick Carl Frieseke is regarded as one of the leading American Impressionists. Born in Michigan, Frieseke began his studies at the Art
Institute of Chicago and at the Art Students’ League in New York, before heading to France in 1897 where he would live for the rest of his life. He
studied in Paris at the Academie Julian under Jean-Joseph Benjamin-Constant and Jean-Paul Lauren. He was influenced in his early work by J.A.M.
Whistler, with whom he may have studied briefly, and also by the works of Monet and, more especially, Renoir. Frieseke rented a house in Giverny
in 1906, and for the next 14 years he spent summers painting there with other expatriate artists drawn to the area by Monet. Following World War I,
Frieseke left Giverny, settling instead in Normandy. Shifting away from Impressionism toward realism, Frieseke’s later paintings tend to have quieter
palettes and contemplative moods.
Frieseke received many prizes for his work, including a gold medal in Munich (1904), and both gold medals and a popular prize for his painting Torn
Lingerie from the Chicago Art Institute (1920).
The painting at hand will be included in The Frederick Carl Frieseke Catalogue Raisonné, being prepared by Nicholas Kilmer with the support of the
Hollis Taggart Galleries. A letter to this effect from Mr. Kilmer accompanies the lot. The painting will be dated “by 1920.” The landscape setting is
Cagnes-sur-Mer along the Mediterranean coast of France near Nice.
$50,000-70,000

442
442.
Lee Lufkin Kaula (American, 1865-1957)
Street in Sluis, Holland

Signed “Lee Lu..in Kaula” l.l., titled on the stretcher.
Condition: Retouch, craquelure, surface grime.
$2,000-2,500

443
443. 444.
Mildred Anne Butler (Irish, 1858-1941) Aldro Thompson Hibbard (American, 1886-1972)
Quiet Village Village at Dusk

Signed “M.A. Butler” l.l., with a label from the Lemonstreet Gallery, Signed “A.T. Hibbard-” l.r.
Dublin, on the frame backing. Oil on canvasboard, 9 x 11 in. (22.9 x 27. 9 cm), framed.
Watercolor on paperboard, 15 3/4 x 20 3/8 in. (40.0 x 51.8 cm), Condition: Retouch, minor surface grime.
framed.
Condition: Toning, scattered foxing, acid burn to the reverse, mounted Provenance: A private Massachusetts collection.
to window mat with paper tape at top and bottom. $2,000-3,000
$800-1,200
444

445
445. 446.
Luigi Cagliani (Italian, 20th Century) André Picot (French, 1910-1992)
Figures in the Park Boulevard Haussmann

Signed “L. Cagliani-” l.r. Signed “André Picot” l.r., titled on the tacking edge, titled and inscribed
Oil on Masonite, 12 x 15 3/4 in. (30.5 x 40.0 cm), framed. on the stretcher.
Condition: Surface grime. Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.
$500-700 Condition: Canvas deformation, surface grime.
$1,000-1,500
446

447
447.
Raoul Dufy (French, 1977-1953)
L’église de Syracuse
Signed, inscribed, and dated “Raoul Dufy/Syracuse 1922” in pencil l.r.
Watercolor and ink on paper, sheet size 19 1/2 x 24 1/4 in. (49.5 x 61.6
cm), framed.
Condition: Hinged to backing mat.
Provenance: Mr. and Mrs. Grunebaum, Lynnfield, Massachusetts;

Christie’s New York, May 13, 1993, Lot 253; acquired from Russeck
Gallery, Palm Beach, c. 1996 by the present owner.
N.B. We wish to thank Mme. Fanny Guillon-Laffaille for her assistance

with cataloguing the lot. The work will be included in her forthcoming
supplement to Catalogue Raisonné des Aquarelles, Gouaches et
Pastels de Raoul Dufy, and her photo-certificate no. A10-1820
accompanies the lot.
$10,000-15,000

448
448. 449.
Camille Bombois (French, 1883-1970) Christopher Sanders (British, 1905-1991)
River Scene Garden with Tulips and Primroses

Signed “Bombois. C.lle” l.r. Signed “Sanders” l.r., signed or inscribed “C Sanders” in pencil on the
Oil on canvas, 5 1/2 x 8 1/2 in. (14.0 x 21.6 cm), framed. reverse on the tacking edge u.r.
Condition: Alligatoring. Oil on canvas, 15 x 15 in. (38.0 x 38.0 cm), framed.
Condition: Good.
N.B. Olivier Lorquin has confirmed the authenticity of this painting $700-900
based on photographs, and we wish to thank him for his assistance
with cataloguing the lot.
$2,000-3,000
449

450
450. 451.
Michele Cascella (Italian, 1892-1989) Julian Falat (Polish/Austrian, 1853-1929)
View of an Italian Countryside Snowy Hayfield with Horse-drawn Sleigh

Signed “Michele Cascella” l.l. Signed and inscribed “J. Falat/Polesie” l.l., inscribed “Na Polesiu Sty...
Oil on canvas, 27 3/4 x 39 1/2 in. (70.5 x 100.3 cm), framed. 1921” in pencil over a landscape study on the reverse.
Condition: Pigment fluorescence. Gouache on paperboard, sheet size 13 1/4 x 19 in. (33.7 x 48.4 cm),
framed.
N.B. A copy of the book Michele Cascella, by Romano Battaglia, Condition: Mounted to window mat with masking tape along three
published by Rusconi Editore, 1975, dedicated and signed “al carissimo sides.
amico Ernest Hillman, per ricordarsi oltre al Festival di Menotti ...Michele $800-1,200
Cascella/spoleto 2 luglio 1975” on the flyleaf, and two exhibition
brochures for Personale del Maestro Michele Cascella, July 3 to
August 31, 1976, Galleria d’Arte Leonardo da Vinci, Imbersago, Italy,
accompany the lot.
$4,000-6,000
451

452
452.
Katharine Ward Lane Weems (American, 1899-1989)
Rabbit
Signed “K. LANE WEEMS” near the back right foot.
Bronze with brown patina, 4 1/4 x 4 3/4 x 2 3/4 in. (10.7 x 12.0 x 7.0
cm), presented on a low gray marble plinth.
Condition: Extremely subtle wear and soiling.
$1,500-2,500
453.
Howard Logan Hildebrandt (American, 1872-1958)
Pretty in Pink
Unsigned, identified on a sheet affixed to the reverse.
Condition: Retouch, craquelure, re-stretched.
$3,000-5,000
453

454.
Annie Barrows Shepley (American, 1888-1907)
Mother and Child

Dedicated and signed “With warmest regards from... A. B. Shepley” in
pen l.r.
Condition: Retouch, minor losses, craquelure, surface grime.
$1,000-2,000
455.
Marguerite Kirmse (American, 1885-1954)
Scottish Terrier
Stamped “© M. KIRMSE...GORHAM CO....QGGF” on the underside.
Bronze with green patina, 1 1/4 x 2 3/4 x 1 1/8 in. (3.2 x 7.0 x 2.9 cm).
Condition: Good.
$300-500
454
455

456.
Boston School, 19th/20th Century
Portrait of a Woman in Pearls

Unsigned.
Condition: Lined, retouch, craquelure, minor surface grime.
$5,000-7,000
456
457.
Edward Barnard Lintott (American, 1875-1951)
Portrait of a Woman, Likely Marie (Walther) Sterner Lintott, the

Artist’s Wife
Signed “Lintott” c.r.
Condition: Subtle canvas deformation, craquelure, surface grime.
N.B. Based on photographs in the Smithsonian Archives of

American Art digital collection, the sitter appears to be Marie Sterner
Lintott (1880-1953).1 She was a prominent Manhattan art dealer
and gallery owner who exhibited such European and American
modernists as Paul Cezanne and George Bellows. She married
Edward B. Lintott in 1932, after her divorce from the artist Albert
Sterner.2
1. http://www.aaa.si.edu/collections/searchimages/images.cfm?search_
string=Marie+Sterner
2. “Mrs. E.B. Lintott, Art Dealer Here: Owner of the Marie Sterner Gallery Dies-Introduced
European Works to U.S.,” New York Times, July 2, 1953, p. 23.
$1,000-1,500
457

458.
John Lavalle (American, 1896-1971)
Portrait of Mrs. George C. White, c. 1928

Signed “JOHN LAVALLE” u.l., identified on a label from the Vose
Galleries of Boston on the reverse.
Oil on canvas, 32 1/4 x 25 in. (81.9 x 63.5 cm), unframed.
$2,500-3,500
458
459.
Edith Widing Yaffee (American, 1895-1961)
Lot of Two Female Portraits, 1927

Each signed “Edith Widing Yaffee” l.c., one inscribed and dated “JUDY
1927” u.l and u.r., the other dated “Dec. 1927” l.r.
Color pencil, pastel, and graphite on paper, sight sizes 17 1/2 x 11 3/4
in. (29.2 x 29.8 cm), both framed.
Condition: Minor handling creases, not examined out of frames.
$500-700
459

460.
Joan Alex Potter (American, b. 1935)
Still Life with Fruit in Crystal Compote

Unsigned, identified on a photo label from Joan McAdoo Galleries,
Santa Fe, affixed to the stretcher.
$1,000-1,500
460
461.
Manuel de la Rosa (Spanish, 1860-1924)
Dove and Flowers

Signed “M. de la Rosa” l.r., with a label from Schumann’s Sons,
New York, on the frame backing.
Condition: Frame abrasions, light surface grime.
$1,000-1,500
461

462.
May Hallowell Loud (American, 1860-1916)
Seated Woman in Pink Gown

Signed and dated “May Hallowell Loud/1909” u.r., with a partial label
from the Pennsylvania Academy of Fine Arts/Philadelphia Water Color
Club on the back of the frame.
Pastel on canvas, 36 x 27 in. (91.5 x 68.5 cm), framed (under glass).
Condition: Small tear u.r., nicks, tears, and wear along the tacking
edges, canvas rippling, staining verso.
N.B. May Hallowell Loud was born in West Medford, Massachusetts,

and studied at the School of the Museum of Fine Arts, Boston, and
at the Academie Julian in Paris. She was a member of the Boston
Watercolor Club, the Copley Society, and the Boston Society of
Arts and Crafts. An active exhibitor in the late 1880s through 1910,
Loud showed her work at the Paris Salon of 1886, the Pennsylvania
Academy of the Fine Arts, the Boston Art Club, the National Academy
of Design, and the Art Institute of Chicago.1 May was married to
Joseph Prince Loud, an architect trained at M.I.T. with a practice in
Boston.2 In an abstract from an unpublished diary kept by both May
Hallowell Loud and her husband in 1910, the couple’s address was
listed as 82 Pinckney Street. The diary provides a glimpse into the
daily life of the couple, including attendance at committees, clubs, and
many cultural events in Boston. May, who was also known as Maria,
described working in their home studio and sometimes mentioned
specific projects, such as designing a poster for the Visiting Nurse
Association or starting a new pastel portrait. She noted that a pastel
was sent to an exhibit in Chicago on April 25, 1910. Both May and
Joseph were interested in photography, and the diary refers to a
darkroom as part of their home studio.3
1. Who Was Who in American Art, Peter Hastings Falk, Editor-in-Chief.

2. Agnes Longstreth Taylor, The Longstreth Family Records (e-book), http://www.
ebooksread.com/authors-eng/agnes-longstreth-taylor/the-longstreth-family-records-lya/
page-43-the-longstreth-family-records-lya.shtml
462
3. Abstract of the Diary of J.P. and M.H. Loud, 1910, www.worldcat.org, OCLC No.
261233807, http://www.worldcat.org/title/diary-of-j-p-and-m-h-loud-1910/oclc/261233807?
referer=br&ht=edition
$1,000-2,000
463.
Lois S. McCune (American, 20th/21st Century)
Still Life with Daffodils

Signed “L S McCune” l.l.
Oil on fiberboard, 24 x 19 in. (61.0 x 48.3 cm), framed.
$300-500
463

464
464.
Abbott Fuller Graves (American, 1859-1936)
Rosemary (Still Life)

Signed “Abbott Graves” l.l., titled in pencil and stamped “...Ex. P.A.F.A.”
on the stretcher.
Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), in a signed Herman Dudley
Murphy for Carrig-Rohane frame.
Exhibitions: 119th Annual Exhibition, Pennsylvania Academy of the Fine

Arts, February 3 to March 23, 1924, no. 181.
Literature: Falk, Peter Hastings, The Annual Exhibition Record of the

Pennsylvania Academy of the Fine Arts, Vol. III (1914-1968), Madison:
Sound View Press, 1989, p. 211.
$8,000-12,000

465.
Girard Van Barkaloo Hale (American, 1886-1958)
Portrait of a Seated Female Nude

Signed “Girard Hale” l.r., identified on a period label affixed to
the reverse.
Oil on artist board, 17 5/8 x 13 1/2 in. (44.8 x 34.3 cm), in a
signed Paul Carter Goodnow frame.
$800-1,200
466.
Laura Coombs Hills (American, 1859-1952)
Still Life with Irises, Snapdragons, and Carnations

Signed “Laura Hills” u.l., inscribed “Florists Flowers...Laura
Hills/Newburyport/Mass/1942” on the reverse.
Pastel on paper/board, 13 x 17 in. (33.0 x 43.2 cm), framed.
$3,000-5,000
465
466

467
467.
Danish School, 19th Century
Vilde Blomster [Wild Flowers]

Unsigned, titled on a period label affixed to the reverse.
Oil on canvas, 14 1/2 x 22 1/2 in. (36.8 x 57.2 cm), in a period frame.
Condition: Retouch, craquelure, surface grime.
$1,000-1,500

468.
Carl John David Nordell (American, 1885-1957)
Still Life with Cup and Crock

Signed “Nordell” l.r.
Oil on wood panel, 12 x 8 7/8 in. (30.5 x 22.5 cm), framed.
$400-600
468
469.
Harry Dirit (Continental, 19th/20th Century)
Serenad [sic]
Signed or inscribed “H. DIRIT” l.l., identified on a label affixed to the
reverse.
Oil on canvasboard, 10 5/8 x 8 in. (27.0 x 20.3 cm), framed.
$1,000-1,500
469

470
470. 471.
Richard Hayley Lever (American, 1876-1958) William Horace Littlefield (American, 1902-1969)
Still Life with Apples and Pineapple Portrait of a Reclining Female Nude
Signed “Hayley/Lever” u.l., identified on a label from Kennedy Galleries, Signed and dated “Wm. H. Littlefield./June 14, 1935.” l.r., identified on
Inc., New York, affixed to the reverse. a label affixed to the reverse.
Oil on canvas, 12 x 16 in. (30.7 x 40.5 cm), framed. Oil on artist board, 18 1/2 x 24 1/2 in. (47.0 x 62.2 cm), framed.
Condition: Lined, retouch. Condition: Craquelure, minor surface grime.
$1,500-2,000
N.B. A photograph of the artist with the present work accompanies the
lot.
$1,000-1,500
471

472
472.
Louis Betts (American, 1873-1961)
Still Life with Daffodils and Figure

Signed “Louis Betts” l.r.
Condition: Lined.
Provenance: Skinner Inc., May 12, 2000, Sale 1991, Lot 182.
$4,000-6,000

473
473.
Gustav Klimt (Austrian, 1862-1918)
Brustbild eines Madchens im Profil nach links/A Study for Musiksalon des Palais Dumba, alternatively titled Backfisch,
Bild
Initialed “G.K.” l.r., inscribed indistinctly l.l., l.r., and u.r., identified on a label from Salander-O’Reilly Galleries, Inc., New York,
affixed to the backing.
Graphite on paper, sheet size 16 5/8 x 12 3/8 in. (42.2 x 31.4 cm), framed.
Condition: Handling creases, folds, crop marks along top, left, and bottom margins.
Provenance: Through Salander-O’Reilly Galleries, Inc., New York (inv. no. SORC 5223); private Massachusetts collection.
Literature: Strobl, Alice, Gustav Klimt: die Zeichnungen, 1878-1903, Vol. I, Salzburg: Verlag Galerie Welz, 1980, no. 289
(illus.); Pirchan, Emil, Gustav Klimt: ein Kunstler aus Wien, Wien: Wallishausser, 1942, no. 38 (illus.).
$50,000-70,000

474
474.
Charles Henry Demuth (American, 1883-1935)
Blue Hat
Signed and dated “C. Demuth. ‘13” l.l., identified on labels from The Downtown Gallery and Santa
Barbara Museum of Art (see below) affixed to the backing, with an F. Weber & Co., Philadelphia, artist’s
materials label on the reverse.
Watercolor and graphite on sketch block, 10 x 5 1/2 in. (25.4 x 14.0 cm), framed.
Condition: Trimmed sketch block, paper imperfections l.r.
Exhibitions: Three Young Collections, January 15–February 26, 1967, Santa Barbara Museum of Art,
no. 10.
$30,000-50,000

475.
Aristide Maillol (French, 1861-1944)
Nude
Stamped “M” l.r., identified on labels from Frank Perls Gallery,
Beverly Hills, California, and Rex Evans Gallery, Los Angeles,
California, on the backing.
Red pastel on paper, 14 x 10 1/2 in. (35.6 x 26.7 cm), framed.

$4,000-6,000
476.
Herman Lipot (Hungarian, 1884-1972)
Venus and Cupid

Signed “Herman Lipot” l.r., inscribed and dated “Herman
Lipot...1958...” in graphite and with a Kivitelre Engedelyezve
export stamp on the reverse.
Condition: Surface grime, pigment fluorescence.
$1,000-1,500
475
476

477
477.
Max Weber (Russian/American, 1881-1961)
Beneath the Canopy

Signed and dated “Max Weber 1930” in pencil on the mount l.r., titled
on the mount l.l., identified on a label from the Art Institute of Chicago
(see below) affixed to the backing.
Gouache and graphite on brown paper, sheet size 4 1/4 x 5 7/8 in.
(10.8 x 14.9 cm), framed.
Condition: Sheet mounted to backing mat, tape hinged to window mat.
Provenance: Through The Downtown Gallery, New York.
Literature: The Eleventh International Exhibition, Water Colors, Pastels,

Drawings, Monotypes and Miniatures, Art Institute of Chicago, April 13
to May 31, 1931 [Exhibition catalogue]; Peter Hastings Falk (ed.), The
Annual Exhibition Record of the Art Institute of Chicago, 1888-1950,
Madison: Connecticut, 1990, p. 935.
Exhibitions: The Eleventh International Exhibition, Water Colors, Pastels,

Drawings, Monotypes and Miniatures, Art Institute of Chicago, April 13
to May 31, 1931, no. 509.
$4,000-6,000
478.
Everett C. McNear (American, 1904-1984)
Nudes in a Landscape
Signed, inscribed, and dated “MCNEAR-PX-20” l.r., inscribed “McN” on
the stretcher.
Condition: Small puncture u.r., indentations, scattered paint losses,
surface grime.
478 $300-500

479
479.
Douglas Arthur Teed (American, 1864-1929)
Peacock Amongst Garden Urns

Signed and dated “Douglas Arthur Teed 1922” l.l.
Oil on canvas, 24 x 31 in. (61.0 x 78.7 cm), in a period frame.
Condition: Retouch, patch reinforcement, craquelure.
$1,500-2,500
480.
Tony Agostini (French, 1916-1990)
Roses Rouges, 1959

Signed “Agostini” l.l., identified on a label from Galerie J. Le Chapelin,
Paris, affixed to the stretcher.
$1,500-2,000
480

481
481.
Francois Gall (French, 1912-1987)
Jeune Fille au Tour Eiffel

Signed “F. Gall” l.l., titled and signed “...F. GALL” on the reverse.
Provenance: Doyle New York, European and American Paintings, May

24, 2000, Sale 5241, Lot 229.
$3,000-5,000

482
482.
Pal Fried (Hungarian/American, 1893-1976)
Madeleine
Signed “FRIED PAL” l.r., titled, numbered, and stamped with copyright
on the reverse.
Condition: Small paint loss l.l.
$1,500-2,000

483.
Vu Cao Dam (Vietnamese/French, 1908-2000)
L’Inspiration du Poète
Signed and dated “Vu cao dam 67” l.r., identified on a presentation
plaque, with labels from Findlay Galleries Inc., Chicago, and Wally
Findlay Galleries, Chicago and Palm Beach, affixed to the cardboard
backing.
Condition: Good.
$800-1,200
483
484.
Jean Eve (French, 1900-1968)
Fleurs de Jardin - Vase Gris

Signed “Jean Eve” l.r., signed, dated, titled, and inscribed “...1965/No.
728/boch Allemand” on the reverse, inscribed “Jean Eve 12 Ma. 1965”
on the stretcher, and with a label from Wally Findlay Galleries, New
York, on the frame backing.
Condition: Varnish inconsistencies, surface grime.
$1,800-2,200
484

485
485.
Walt Disney Studios (American, 20th Century)
Lot of Two Animation Cels: Snow White and Doc, 1937, and Mickey
and Minnie
Both titled in pencil on the mat l.l. and stamped “Original WDP” on the
mat l.r.; Snow White with a label from Walt Disney Enterprises affixed
to the reverse; Mickey dedicated “BEST WISHES TO DAVID WATSON/
WALT DISNEY” in pencil on the mat l.r.
Gouache on celluloid, Mickey with watercolor and graphite on paper
background, Snow White with airbrushed background, sizes to 8 x 10
3/4 in. (20.3 x 27.3 cm), both unframed.
Condition: Snow White with rippling to celluloid; Mickey missing Minnie
celluloid, acid burn.
Provenance: Gift from Walt Disney to David Watson, his personal pilot;
by family descent to a private New England collection.
$4,000-6,000

486
486. 487.
Walt Disney Studios (American, 20th Century) Walt Disney Studios (American, 20th Century)
Happy from Snow White and the Seven Dwarfs Huey, Dewey, and Louie
Unsigned, a label from Art Corner at Disneyland, Anaheim, California, Unsigned, identified on a label from the Art Corner at Disneyland,
affixed to the reverse. Anaheim, California, affixed to the reverse.
Gouache on celluloid with scenic airbrushed background, 8 1/2 x 10 Gouache on celluloid with scenic airbrushed background, sight size 7
1/2 in. (21.6 x 26.7 cm), framed. 7/8 x 9 7/8 in. (20 x 25.1 cm), framed.
Condition: Craquelure. Condition: Craquelure, subtle rippling.
$1,000-1,500 $300-500
487

488
488. 489.
Rockwell Kent (American, 1882-1971) Robert Verity Clem (American, 1933-2010)
Drifting, c. 1917 Three Crows on the Sand

Estate stamped and ciphered “ROCKWELL KENT” l.r., inscribed Signed and dated “Robert Verity Clem/1962” l.l.
“Head of/a Col” in pencil on the mount u.r., and “Rockwell Kent/Spots” Gouache on illustration board, 15 3/16 x 21 1/8 in. (38.5 x 53.5 cm),
in pencil on the mount reverse, identified on a label from Kennedy framed.
Galleries, Inc., New York (Inv. No. 36274), on the backing. Condition: Good.
Ink and graphite on chine collé mounted to illustration board, sight size $800-1,200
7 x 8 3/4 in. (17.8 x 22.2 cm), framed.
Condition: Stain u.l., mounting bubbles l.l., loss to backing board at u.l.
corner.
N.B. The drawing is rendered in the style of those Kent produced

for publications such as Vanity Fair (circa 1916-1925) under the
pseudonym Hogarth, Jr. These drawings, like the Th’ Avenue (Skinner
Inc., May 21, 2010, Lot 483), were created as whimsical decorations to
illustrate the satire of George S. Chappell.
Unlike Th’ Avenue, which was created specifically for a satirical tale,
this drawing, in reduced styling, served as one of several designs for
the artist’s reverse paintings on glass known as “Hogarth mirrors”: used
as headings for the elongated, vertical mirrors, framed by artist Max
Kuehne.
We wish to thank Scott R. Ferris for his kind assistance with cataloguing
the lot.
$2,000-2,500
489

490.
Erté (Romain de Tirtoff) (Russian/French, 1892-1990)
Harlequin/A Costume Design

Signed “Erté” in pen l.r.
Gouache, ink, and graphite on paper, sight size 12 1/2 x 9 1/2 in.
(31.8 x 24.1 cm), framed.
Condition: Subtle toning,
Provenance: Purchased from Stuart Bloch Gallery, Marblehead,

Massachusetts, in the 1970s.
$3,000-5,000
490
491.
Paul Cadmus (American, 1904-1999)
Shirt and Socks/A Study for The Bath, c. 1951

Signed “Cadmus” in pencil l.r., blindstamped “PAUL CADMUS” l.r.
Chalk and crayon on Ingres paper, 9 5/8 x 7 7/8 in. (24.4 x 20.0
cm), framed.
Condition: Taped to window mat.
N.B. The present work is a study for clothing depicted in The

Bath, 1951, in the Whitney Museum of American Art’s permanent
collection.
$1,500-2,500
491

492
492. 493.
Witman Etelka Vizkeleti (Hungarian, 1882-1962) Louis Kronberg (American, 1872-1965)
Dancers at Carnevale Souvenir of Valencia

Signed “Vizkeleti W. E-” l.r. Signed “LOUIS KRONBERG A” u.r., inscribed and monogrammed
Oil on canvas, 23 1/8 x 36 1/8 in. (58.5 x 91.7 cm), framed. “PARIS L A K” u.l., identified on a presentation plaque, inscribed and
Condition: Surface grime. dated “LOUIS KRONBERG PARIS/GRUPA VALENCIANA...MARCH
$1,200-1,800 7 1932/L A K...,” identified on a label from the Boston Art Club
(see below), and export stamped “DOUANE/EXPORTATION/PARIS/
CENTRALE” on the reverse.
Exhibitions: Boston Art Club Members’ Exhibition of Oil Paintings, June

8 to June 24, 1933.
Provenance: The Estate of Dr. Mustafa K. Alkan, New England and

Carp, Ontario; Carl R. Nordblom Auctions, Massachusetts, 1978.
$1,800-2,200
494.
Marius Woulfart (French, b. 1905)
Landscape with Figures Beneath a Palm Tree

Signed “Marius Woulfart” l.r.
$600-800
493 494

495
495.
Grigory Gluckmann (Russian/American, 1898-1973)
Spanish Mood
Incised signature “GLUCKMANN” l.r., identified on a label from Dalzell Hatfield Galleries, Los Angeles, affixed to the backing.
Condition: Good.
Literature: Grigory Gluckmann Exhibition, April 24 to May 12, 1962, Milch Galleries, New York [Exhibition pamphlet].
Exhibitions: Grigory Gluckmann Exhibition, April 24 to May 12, 1962, Milch Galleries, New York, no. 2.
$15,000-25,000

496
496.
Allen Sapp (Canadian Cree, b. 1929)
Men for Dinner

Signed “Allen Sapp” l.r., identified on a partial label affixed to the
stretcher and on a label from Continental Galleries Inc., Montreal, affixed
to the back of the frame.
Acrylic on canvas, 18 x 24 in. (45.8 x 61.0 cm), framed.
Condition: Good.
$800-1,200
497.
Doris Patty (Charash) Rosenthal (American, 1889-1971)
Sefarino Drummer Boy

Signed “Doris Rosenthal” l.r., titled and inscribed “...32 x 26/Doris
Rosenthal...” on the reverse, identified on labels from Midtown Galleries,
New York, The New Britain Museum of American Art, New Britain,
Connecticut, and the Springfield High School Art Association, affixed to
the reverse.
$1,800-2,200
497

498
498.
Martyl Schweig Langsdorf (American, b. 1918)
Lot of Two Framed Works: Three Seated Men at a Village Corner

and Dancers
Three Men signed “martyl” l.r., inscribed “No 36” on the reverse, oil on
paperboard, 7 7/8 x 13 3/4 in. (20.0 cm x 35.0 cm); Dancers signed
“Martyl” l.r., mixed media on paperboard, sheet size 16 1/2 x 21 7/8 in.
(42.0 x 55.5 cm).
Condition: Three Men with toning, affixed to backing board with paper
tape, Dancers good.
$800-1,200

499
499.
Andrew Michael Dasburg (American, 1887-1979)
Untitled
Signed and dated “Dasburg ‘53” l.l.
Ink, chalk, and graphite on paper, sight size 21 1/2 x 16 3/4 in. (54.6 x
42.5 cm), framed.
Condition: Minor toning.
Provenance: A Florida estate through to the present owner.

$4,000-6,000

500
500.
Andrew Michael Dasburg (American, 1887-1979)
Pueblos in Spring
Signed and dated “Dasburg 62” in pencil l.l.
Pastel and ink on paper, sheet size 18 3/4 x 24 3/4 in. (47.6 x 62.9 cm), framed.
Condition: Minor wear to deckled edges, toning.
Provenance: A Florida estate to the present owner.
N.B. Dasburg first arrived in Taos, New Mexico, in January 1918, at the invitation of Mabel Dodge Luhan, a wealthy patron and avant-garde literary
bohemian.1 Over the next decade and a half, Dasburg split his time between Woodstock, New York, and Taos, and in 1935, chose to reside near
Taos full-time.
The present work shows the influences of two important modernists on both sides of the Atlantic—Paul Cezanne, whose works Dasburg first
encountered in 1909 while living in Paris; and John Marin, whom he was introduced to in New York and befriended in Taos over the summers of
1929 and 1930.2 Though Dasburg worked in a variety of media, ink and pastel are considered by many to be his most engaging, as they showcase
his skill in creating rhythmic lines.
1. Sheldon Reich, “Andrew Dasburg: The Late Years,” American Art Journal, Vol. 15, No. 4 (Autumn, 1983), p. 22.
2. Ibid, p. 25.
$20,000-30,000

501
501. 503.
Harley Manlius Perkins (American, 1883-1964) Harley Manlius Perkins (American, 1883-1964)
Interior Related Intervals, II, 1955

Unsigned, identified on a label from James Gallery, New York, affixed to Unsigned, identified on the artist’s business card from Fenway Studios,
the reverse. Boston, affixed to the reverse.
Oil on artist board, 16 3/8 x 23 in. (41.6 x 58.4 cm), framed. Oil on Masonite, 46 3/4 x 23 3/4 in. (118.7 x 60.3 cm), framed.
Condition: Retouch, minor surface grime. Condition: Minor surface grime, minor losses, minor abrasions.
$400-600 $400-600
502.
Giorgio Celiberti (Italian, b. 1929)
Interno con natura morta, c. 1961

Signed “Celiberti” l.r., also titled, signed, and inscribed “...961...” on the
reverse.
$1,000-1,500
502
503

504
504.
Tancredi Parmeggiani [called Tancredi] (Italian, 1927-1964)
Senza Titolo, c. 1954

Signed “Tancredi” in pencil l.r., inscribed “TANCREDI UNTITLED” on the backing.
Pastel and tempera on paper, sheet size 27 1/2 x 39 5/8 in. (69.8 x 100.6 cm), framed.
Condition: Tack holes to corners, minor smudges to the reverse.
N.B. Tancredi was born in Feltre, a remote Northern Italian town in the foothills of the Dolomite Mountains. In his late teens, he headed south to the
coastal metropolis of Venice where he attended the Accademia di Belle Arti. Tancredi had already exhibited at galleries in both Venice and Rome,
including the Galleria Nazionale d’Arte Moderna, when he met Peggy Guggenheim in Venice in 1954.1 Guggenheim became his patron by providing
him with studio space and exhibiting his work in her palazzo.2
He first exhibited in the United States in 1958 at the Saidenberg Gallery in New York, and continued to exhibit in solo and group shows in Europe,
including the 1964 Venice Biennale.
Tancredi was associated with the Movimento Spaziale, a group founded by Lucio Fontana, who believed that “matter should be transformed into
energy and invade space in a dynamic form.”3 Unlike Fontana, who chose to break up the pictorial plane by cutting into his supports, Tancredi
maintained the integrity of his paper and canvas supports and instead focused on compositions which threatened to float, spill, or explode into the
viewer’s space.
1) http://www.guggenheim.org/new-york/collections/collection-online/show-full/bio/?artist_name=Tancredi%20(Tancredi%20Parmeggiani)&page=5&f=Name&cr=43
2) Ibid.
3) “Spazialismo,” In Grove Art Online, Oxford Art Online, http://www.oxfordartonline.com/subscriber/article/grove/art/T080465 (accessed December 26, 2010).
$10,000-15,000

505.
Lot of Sixty-five Works, Mostly Studies, Including

Drawings, Prints, and Ephemera
One drawing signed and dated “Baskin 1964” in ink l.r., two
drawings signed “Baskin” l.l. or l.r., one etching signed “Baskin”
in pencil l.r. and titled and inscribed “Confused Man. Proof” l.l.,
the remainder unsigned.
Various media (including ink, graphite, woodblock, and etching)
on paper, sheet sizes to 19 1/4 x 12 1/2 in. (48.9 x 31.8 cm),
unframed.
Condition: Folds, creases, smudges, minor tears.
Provenance: From the artist to his housekeeper/nanny, Martha

Maywald.
$4,000-6,000
506.
Juliet Kepes (American, fl. 1919-1979)
Attacking
Initialed “JK” l.r., identified on a label from the Swetzoff Gallery,
Boston, that accompanies the lot.
Ink and wash on paper, 18 1/2 x 25 in. (46.8 x 63.4 cm),
matted, unframed.
Condition: Subtle toning, pin-point foxing or staining.
$300-500
505
506

507
507.
Bartleby, The Scrivener

Signed and dated “Baskin 1959” l.r., identified on labels from Grace
Borgenicht Gallery, Inc., and The Museum of Modern Art, New York, on
the backing.
Ink and watercolor on paper, sheet size 26 1/4 x 40 in. (66.7 x 101.6
cm), framed.
$1,500-2,000

508
508.
Emma McClure (British, b. 1962)
Porthleven Pier
Signed and dated “Emma McClure 1987” in pencil on the mat l.r., also
initialed and dated “E.M. 87” in pencil l.r., identified on a label from
Houldsworth Fine Art, London, affixed to the backing.
Gouache (with sgraffito) on paper, sheet size 16 x 19 1/4 in. (40.6 x
48.9 cm), framed.
$500-700

509
509.
Morris Cole Graves (American, 1910-2001)
Bird & Fruit, alternatively titled Blind Bird of the Inner Eye
Signed “MGraves” in pencil l.r., titled l.l.
Ink and whiting on paper, sight size 23 x 16 5/8 in. (58.4 x 42.2 cm),
framed.
Condition: Minor tear l.l., crease to u.l. and u.r. quadrants, subtle
handling creases, subtle toning.
Exhibitions: Three Young Collections, January 15–February 26, 1967,

Santa Barbara Museum of Art. no. 14.
$25,000-35,000

510
510.
Morris Cole Graves (American, 1910-2001)
Untitled [Two Birds]

Signed “MGraves” in pencil l.r., inscribed “Morris Graves” on the
backing.
Ink on paper, sight size 21 1/4 x 27 1/4 in. (54.0 x 69.2 cm), framed.

$10,000-15,000

511
511.
Jose Luis Cuevas (Mexican, b. 1934)
Figural Studies
Signed and dated “Cuevas...20 Dic. 1960” l.r.
Ink on paper, sheet size 18 3/8 x 23 1/2 in. (46.7 x 59.7 cm), framed.
Condition: Toning, tape hinged to linen-covered mat along right and left
margins, not examined out of frame.

$4,000-6,000

512.
Cy Twombly (American, b. 1928)
Untitled, c. 1953
Unsigned.
Welded steel, 32 x 8 x 7 1/2 in. (81.3 x 20.3 x 19.1 cm).
Condition: Oxidation, restored breaks.
Provenance: Collection of Larom B. and Barbara Munson; private

Massachusetts collection.
N.B. Twombly’s first solo exhibition including sculpture was at The

Little Gallery in Princeton, New Jersey, from October 25 to November
7, 1953. Larom B. Munson was the director and manager of The Little
Gallery from 1947 to 1962, and Twombly was introduced to Munson
through a mutual friend, Tom B. Wilber of Schenectady, New York.
In a letter dated July 6 and 7, 1953, Wilber relays his conversation with
Twombly to Munson regarding the scope of the show—“He then is
planning a show with you in October as we planned. His NY show is
planned for November, but the things will be different. I have talked him
into picking things from everything he has now. He is going to make
it as diversified as possible, some expressionist things he did in 1949,
into semi-cubist abstractions into abstract expressionism into pure
abstraction. He is going to include…a couple sculptures…The choice
will be tremendously diversified.”1 Wilber further points to The Little
Gallery’s small exhibition space and the monumental size of Twombly’s
recent work as reasons for assembling a retrospective show.2 The
present work, which had been in the Munson family collection until
1995 and was referred to by Barbara Munson as “my Twombly which
doesn’t look like the work which he is famous for,” is believed to have
been purchased from Twombly in this show.
1. [Letter to the Munsons from Tom Wilber, July 6/7, 1953], Larom Munson Papers and
Gallery Records, 1952-1961, Archives of American Art, Smithsonian Institution.
2. Ibid.
$8,000-12,000
512

513
513.
The Mad Clown, 1944

Unsigned, inscribed “Figure/3” white mat...” in pencil on the reverse, inscribed “Roy Nutt” in pencil on the backing mat, titled and inscribed
“...[Personage], 1944...” and identified on labels from Noah Goldowsky Fine Arts, New York, and Weatherspoon Art Gallery, The University of North
Carolina at Greensboro, on the backing cardboard.
Ink and watercolor on paper, sheet size 8 x 5 1/2 in. (20.3 x 14.0 cm), framed.
Condition: Tape hinged to window mat.
Provenance: From the artist to Jesse Fernandez; Wallace Reiss, American Gallery; Noah Goldowsky Gallery, New York; purchased from a benefit
exhibition of donated works at the Rhode Island School of Design, 1973, by the present Rhode Island private collector.
Exhibitions: Robert Motherwell: Paintings, Papiers Collés, Drawings, October 24, 1944–November 11, 1944, Art of This Century, New York. (No
catalogue); Abstract and Expressionist Paintings, January 18, 1946–February 10, 1946, Society of the Four Arts, Palm Beach, Florida (No catalogue);
Art on Paper, Weatherspoon Annual Exhibition, November 15–December 17, 1970, Weatherspoon Art Gallery, The University of North Carolina at
Greensboro; The New York School: Aaron Siskind in Context, November 7, 2003–January 25, 2004, Rhode Island School of Design.
N.B. We wish to thank the Dedalus Foundation for their assistance with cataloguing the lot.
$10,000-15,000

514.
John Way [Wei Letang] (Chinese/American, b. 1921)
Trichrome, 1959
Signed and inscribed “Trichrome/John Way/1959” and with an
inscription in Chinese on the reverse.
Condition: Scattered paint losses, canvas deformations, surface
adhesions, surface grime.
$3,000-5,000
514

515.
Bimal Das Gupta (Indian, 1917-1995)
Composition, Green
Signed or inscribed and titled “...Bimal Das
Gupta” in pen on the reverse.
Oil on canvas, 40 x 40 in. (101.6 x 101.6 cm),
framed.
$2,000-2,500
515
516.
John Way [Wei Letang] (Chinese/American,
b. 1921)
Abstract Composition
Signed and dated “John Way ‘71” l.r.
Oil and ink on paper, sheet size 19 x 24 in.
Condition: Good.

$2,000-3,000
516

517
517.
Ryonosuke Fukui (Japanese, 1924-1986)
Abstract Composition
Signed “R. FUKUI” l.r.
Oil on paper, sight size 11 x 16 1/4 in. (27.9 x 41.3 cm), framed.
Condition: Tear to u.l. corner.
$1,000-1,500
518.
Gyorgy Kepes (Hungarian/American, 1906-2001)
Mystery Glow
Signed, dated, and titled “Gyorgy Kepes 1968...” on the reverse.
Oil and sand on canvas, 22 x 18 in. (55.9 x 45.7 cm), framed.
$500-700
518

519
519.
Louis Pons (French, b. 1927)
Le Voisinage, 1965
Signed, dated, and inscribed “...Sillans...Var...” across the bottom edge;
signed, titled, and inscribed u.l. and initialed “M.R.” l.r. on the reverse.
Ink on paper, 26 3/8 x 20 1/16 in. (67.0 x 50.9 cm), unframed.
Condition: Toning, soiling, handling creases, tape residue to the
reverse.
$2,000-3,000

520.
Gino F. Hollander (American, b. 1924)
Two Figures
Signed and dated “hollander ‘74” l.l., inscribed “226...” on the reverse.
Provenance: A private Boston collection.

$300-500
520
521.
Pierre Carron (French, b. 1932)
Petite fille aux boucles d’oreille

Signed and numbered “CARRON 3/3” on the reverse.
Bronze with brown patina, 18 x 6 1/2 x 5 3/4 in. (45.7 x 16.5 x 14.6
cm).
Condition: Good.
Provenance: Purchased from Galerie Albert Loeb, Paris, private Boston

collection.
$1,000-1,500
522.
No lot.
521

523.
Corneliu Baba (Romanian, 1906-1997)
Portrait of a Seated Man

Signed and dated “Baba 68” u.r.
Oil on canvas mounted to board, 14 1/2 x 13 in.
(36.8 x 33.0 cm), framed.
Condition: Subtle bowing.
Provenance: Gift from a former foreign affairs

correspondent and editor of Hearst Newspapers, c.
1971, to the present owners, private New England
collection.
$1,800-2,200
523
524.
Gabriel Godard (French, b. 1933)
Nu couché
Signed and dated “G. Godard. 66” l.r., titled and
stamped “...FINDLAY GALLERIES/NEW YORK” on
the reverse.
Oil on canvas, 39 3/8 x 39 3/8 in. (100.0 x 100.0
cm), framed.
$1,000-1,500
524

525
525.
Robert G. Hamilton (American, 1916-2004)
Untitled [Figures]
Signed and dated “Jan 4 74/R G Hamilton” on the backing.
Oil on foamcore, 23 1/2 x 37 1/2 in. (59.7 x 95.3 cm), framed.
Condition: Mounted to backing foamcore.
N.B. Hamilton attended the Rhode Island School of Design, where he

was also a painting and drawing instructor for thirty-four years.
$800-1,200
526.
Richard D. Graham (American, b. 1940)
Untitled [Biomorphic Form]

Incised signature and date “Graham 73” l.r.
Carved marble, approximately 14 1/2 x 11 1/2 in. diameter (36.8 x 29.2
cm), set upon a circular marble plinth.
$1,000-1,500
526

527.
Gerda (Spurey) Gruber (Czechoslovakian/Mexican, b. 1940)
Germinacion II, 1976

Signed and inscribed “G...Mex[ico]” on the underside, identified on a
label affixed to the base.
Painted porcelain, 4 x 4 1/2 x 3 1/2 in. (10.2 x 11.4 x 8.9 cm), set on a
circular wooden plinth.
Condition: Surface grime, minor paint loss to underside.
$400-600
527
528.
Luis Fernando Benedit (Argentine, b. 1937)
Proyecto para un Escarabajo Artificial

Signed and dated “Benedit 75” in pencil l.r.
Watercolor and graphite on C.M. Fabriano paper, sheet size 26 x 18
3/4 in. (66.0 x 47.6 cm), framed.
Condition: Deckled edges.
$3,500-5,500
528

529
529.
Georges (Jeankelowitch) Jeanclos (French, 1933-1997)
Hommage à Rachi, 1983

Unsigned.
Unglazed terra-cotta, 17 5/16 x 20 13/16 x 11 in. (44.0 x 53.0 x 28.0
cm).
Condition: Firing cracks.
Provenance: Purchased directly from the artist, private Boston

collection.
$8,000-12,000

530
530.
Georges (Jeankelowitch) Jeanclos (French, 1933-1997)
Kamakura V, 1986-87
Unsigned.
Unglazed terra-cotta, 11 13/16 x 22 x 16 3/16 in. (30.0 x 56.0 x 41.0
cm), set on a wooden plinth.
Condition: Firing cracks.
Provenance: Purchased directly from the artist, private Boston

collection.
$8,000-12,000

531.
Frederick Rowland Emett (British, 1906-1990)
New York: Third Avenue...

Signed “Emett” l.r., identified on a typed label affixed to the backing.
Ink, watercolor, and graphite on cardstock, sheet size 15 5/8 x 12 1/2
Condition: Toning, labels, paper tape, and tape residue along edges,
sheet laid down on backing mat.
$200-300
531
532.
Mel Bochner (American, b. 1940)
Lazy [Thesaurus Portrait]

Signed “BOCHNER, 2004” in pencil l.r.
Ink on Southworth paper, sheet size 11 x 8 1/2 in. (27.9 x 21.6 cm),
framed.
Condition: Mounted to backing mat, not examined out of frame.
Provenance: Through a Whitney Museum of American Art fundraiser,

c. 2004.
$1,000-2,000
532

533.
Guy Bigot (French, b. 1918)
Histoires peintes, 1979

Signed and dated “BIGOT Oct 79” l.r., titled,
inscribed, and dated “...No. 30 ‘Convergence’
NANTES 80/’Bellint’ Paris 81...Oct 79” on the
stretchers.
Mixed media (acrylic, ink, paper collage) on
canvas, 31 1/2 x 31 1/2 in. (80.0 x 80.0 cm),
unframed.
Condition: Good.

$800-1,200
533
534.
Jacob Landau (American, 1917-2001)
Portrait of John Updike, c. 1960

Signed “Jacob Landau” l.c., identified on a label
affixed to the glass l.l.
Watercolor with graphite on paper/board, sight
N.B. The present work was an illustration for an

excerpt of John Updike’s Rabbit, Run published in
Reader’s Digest. We wish to thank Rosa Giletti at
the Jacob Landau Institute for her assistance with
cataloguing the lot.
$1,200-1,800
534

535
535.
Fritz Scholder (American, 1937-2005)
Small Adobe, 1972

Signed “Scholder” in pencil u.l., also titled, dated, and inscribed
“...1972...Scholder” on the cardboard backing.
Acrylic on paperboard, sight size 1 1/2 x 3 1/2 in. (3.8 x 8.9 cm),
framed.
Condition: Toning, paper tape hinged to window mat.
Provenance: Purchased from the artist, Santa Fe, New Mexico.

$800-1,200
536.
Thomas Lanigan-Schmidt (American, b. 1948)
Untitled [Skeleton]
Unsigned.
Mixed media (oil, tin, scotch tape) mobile, 21 1/4 x 6 in. (54.0 x 15.2
cm).
Condition: Good.
Provenance: Purchased from RxArt, New York, c. 2003.

$300-500
536

537
537.
Orville Bulman (American, 1904-1978)
Night Rider
Signed “-Bulman” l.l., titled, inscribed, and signed “...ORVILLE BULMAN
1975” on the reverse.
Condition: Pigment fluorescence, minor surface grime.
N.B. We wish to thank Edward and Deborah C. Pollack for their

assistance with cataloguing the lot; the work is recorded in their Orville
Bulman catalogue raisonné files.
$5,000-7,000

538
538.
John Leone (American, b. 1929)
Ready to Run
Signed “John Leone ©” l.r., identified on a presentation plaque.
Oil on board, 29 7/8 x 33 7/8 in. (75.9 x 85.9 cm), framed.
$800-1,200

539
539. 540.
Suzanne Vincent (American, 20th/21st Century) John Paulus Semple (American, b. 1930)
Pounce Self Portrait in an Antique Mirror, c. 1990

Signed and dated “S. VINCENT 1999” l.r., also signed, dated, and Signed “SEMPLE” l.r., titled on a handwritten label affixed to the back
titled “Suzanne Vincent/1999...” in pencil and identified on a label from of the frame.
Gallery NAGA, Boston, on the reverse. Oil on gessoed Masonite panel, 18 x 28 in. (45.8 x 71.0 cm), framed.
Egg tempera on panel, 26 x 43 in. (66.0 x 109.2 cm), framed. Condition: Surface grime.
Condition: Good.
N.B. We wish to thank the artist for providing the approximate date of
Provenance: A private Boston collection. this self-portrait.
$400-600 $1,000-1,500
540

541
541.
Joe Mathieu (American, 20th/21st Century)
Lot of Two Works: Grover Wanted to Find Someone to Play With.

But Everybody was Busy. They were Busy Getting Ready for Big
Bird’s Birthday Party./A Scene with Grover, Ernie, Bert, Betty Lou,
and Cookie Monster
Unsigned.
One mixed media on paper (Lumadye, acrylic, prismacolor pencil, ink),
the other prismacolor pencil on drafting paper, sheet sizes to 12 5/8 x
16 3/4 in. (32.1 x 42.5 cm), both unframed.
Condition: Good.
Provenance: From the collection of the artist.
Literature: Joe Mathieu (illustrator), Grover’s Bad Dream, New York:

Random House/Children’s Television Workshop, 1990 (illustrated
spread).
N.B. A copy of the book Grover’s Bad Dream accompanies the lot.
$1,200-1,800
542.
William J. Dawson (American, b. 1918)
Lot of Four Cartoon Sketches depicting Grandma Moses: 92 Years

Young, 94 Years Young, 100 Years Young, and Undated
Three signed “Bill Dawson” l.r., Undated unsigned.
Ink and graphite on paper, sheet sizes to 16 3/4 x 15 in. (42.5 x 38.0
cm), unframed.
Condition: Staining, soiling, nicks and small tears to edges, foxing,
handling creases; 100 Years with tears at edges; 94 Years with glue
residue and whiting.
Provenance: Through the estate of the artist to the present owner.
N.B. Bill Dawson was a cartoonist for The Troy Record in Troy, New
York. The lot is accompanied by photocopies of biographical material
542
about the artist from Today’s Cartoon by John Churchill Chase and
of the Grandma Moses cartoon published in the September 7, 1960,
edition of The Troy Record.
$2,000-3,000

543.
Harry Fonseca (American, 1946-2006)
Blue Shoes
Signed “Fonseca” l.r., titled on the stretcher, identified on labels from
Gallery a la Maison, Meadowbrook, Pennsylvania, on the reverse.
Mixed media (acrylic and glitter) on canvas, 48 x 36 in. (121.9 x 91.4
cm), unframed.
$1,000-1,500
543
544.
Nick Paciorek (American, 20th/21st Century)
Tremont Street, Boston

Signed “Paciorek” l.r., also signed, inscribed, and dated “Tremont...Nick
Paciorek 1998...” in pencil on the reverse.
Condition: Good.
$800-1,200
544

545.
Timothy Nichols (American, 20th/21st Century)
Betsy’s First Shark, 1987

Signed “Nichols” l.l., identified, titled, and dated in pen on the reverse.
Acrylic and chalk on paper, sight size 29 3/4 x 22 in. (75.6 x 55.9 cm),
framed.
$700-900
545
546.
Judith Brown (American, 1932-1992)
Untitled [Female Dancer]

Monogrammed “JB” in ink on the reverse.
Painted and welded steel, 17 x 8 x 4 in. (43.2 x 20.3 x 10.2 cm), set
within a wood laminate plinth.
Condition: Surface dust.
N.B. We wish to thank Peter Stettenheim, the artist’s brother, for his
assistance with cataloguing the lot.
A copy of the exhibition catalogue for Judith Brown, held at The Penson
Gallery, New York, March 8 to 29, 1988, and biographical material
accompany the lot.
$1,000-1,500
546

547.
Nicolas Alquin (French, b. 1958)
Le petit couple, 1988

Signed, dated, and numbered “Alquin 1988 1/6” within the cast l.l.
Bronze with green patina, approximately 20 x 9 1/2 x 7 1/2 in. (50.8 x
24.1 x 19.1 cm).
Condition: Minor surface dust.

$2,000-3,000
547
548.
Sarah Hutt (American, 20th/21st Century)
Angel
Signed and dated “Sarah Hutt ‘84” l.r., identified on a partial label
affixed to the reverse.
Oil pastel on paper, sheet size 53 x 36 in. (134.6 x 91.4 cm), framed.
Condition: Tack holes to corners, not examined out of frame.
$600-800
548

549
549.
Aaron Fink (American, b. 1955)
Paintbrush, 1994
Signed and dated “AARON FINK 1994” on the reverse,
identified on a label from The Alpha Gallery, Boston, affixed
to the stretcher.
Oil on linen, 24 x 66 in. (61.0 x 167.6 cm), unframed.
Condition: Good.

$2,000-3,000
550.
Water Glass and Lemon

Signed and dated “AARON FINK 1988” on the reverse,
identified on a label from The Alpha Gallery, Boston, affixed
to the stretcher.
Oil on linen, 40 x 30 in. (101.6 x 76.2 cm), unframed.
Condition: Good.

$2,000-3,000
550

551
551.
Three Apples
Signed and dated “AARON FINK 1988” on the reverse, identified on a
label from The Alpha Gallery, Boston, affixed to the stretcher.
Oil on linen, 66 x 72 in. (167.6 x 182.9 cm), framed.
Condition: Good.

$3,000-5,000

552
552.
Fletcher Benton (American, b. 1931)
Balanced-Unbalanced Steel Watercolor #15, 1985

Signed, dated, and numbered “FLETCHER BENTON Fletcher...Benton
1985 #25” on the base.
Welded steel, 37 1/2 x 10 x 29 in. (95.3 x 25.4 x 73.6 cm), on a
Plexiglas plinth.
Condition: Minor surface dust.

$7,000-9,000

553
553.
Albert Bitran (French, b. 1929)
Interieur-Exterieur, 1983-84
Signed “Bitran” l.r., also signed, titled, and dated “...Bitran” on the
reverse.
Condition: Good.
Provenance: Purchased directly from the artist; private Boston

collection.
$10,000-15,000

554.
Xavier Grau (Spanish, b. 1951)
Casc Antic VI, 1988

Signed and dated “Xavier Grau 87-88” on the reverse,
with stamps from Galerie Adrien Maeght, Paris, and
Galeria Adrien Maeght, Barcelona, on the reverse.
Mixed media on canvas, 78 3/4 x 78 3/4 in. (200.0 x
200.0 cm), framed.
Condition: Good.
Provenance: Purchased from Galerie Adrien Maeght,

Paris; private Boston collection.
Literature: Xavier Grau, Galerie Adrien Maeght,

[Maeght Catalogue No. 54], April 1988 (illus.).
N.B. A copy of Maeght catalogue no. 54, Xavier

Grau, accompanies the lot.
$4,000-6,000
554
555.
Suzanne Roger (French, 1899-1986)
La salle à manger, 1950

Signed “Suzanne Roger” l.l., identified on a label
from Saidenberg Gallery, New York, on the backing,
titled in pencil on the stretcher, and stamped “Galerie
Louise Leiris” on a label from Galerie Simon, Paris,
affixed to the stretcher.
framed within a liner.
Condition: Subtle canvas deformations.
$700-900
555

556
556.
Siron Franco (Brazilian, b. 1947)
Diario de Um Canibal
Signed “Siron” l.r., also signed, dated, titled, and inscribed “Siron
1991...Goiania Brasil” on the reverse.
Oil on canvas, 53 x 58 3/4 in. (134.6 x 149.2 cm), unstretched,
unframed.
Condition: Good.
Provenance: Gift from the artist to a mutual friend of the present

owner; private collection, Massachusetts.
$10,000-15,000
END OF SALE

Glossary of Terms All items in this catalogue are described according to the following table of
terminology. Please note that all statements in this catalogue as to Authorship,
Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking. - In our judgment, the work is by the artist.
Attributed to John Joseph Enneking. - In our judgment, the work may be

ascribed to the artist on the basis of style, but leaves some question as to actual
authorship.
School of John Joseph Enneking. - In our judgment, a work of an unknown

follower executed in the style of the artist and contemporary in period.
Manner of John Joseph Enneking. - In our judgment, a work executed in

the style of the artist by an unknown hand and probably from a later period.
After John Joseph Enneking. - In our judgment, an intended copy of the

work of the artist.
American School, 19th Century. - In our judgment, the work of an

unknown hand that can only be identified as to period and culture.
Other terms:
Bears signature. - In our judgment, the signature not of the artist. This
term is generally used separately, or together with a description of the work as
“attributed to,” “school of,” “manner of,” or “after” the artist.
322
Artist Index
Abbott, Berenice...........................................................................145 Caponigro, Paul....................................................................155, 156
Absolon, John...............................................................................251 Carron, Pierre ...............................................................................521
Adams, Ansel.................................................................................146 Carzou, Jean..................................................................................425
Agam, Yaacov....................................................................................1 Cascella, Michele ..........................................................................450
Agostini, Tony ..............................................................................480 Celiberti, Giorgio..........................................................................502
Ahl, Henry Hammond...........................................................371, 372 Chagall, Marc............................................................................14, 15
Albee, Wayne.................................................................................147 Chamberlain, Samuel V............................................................. 16-20
Albright, Malvin Marr........................................................................2 Champney, Benjamin.............................................................282, 294
Alquin, Nicolas..............................................................................547 Chappell, Walter....................................................................157, 158
American School, 19th Century .........277, 287A, 291, 292, 316, 318 Chillida, Eduardo ...........................................................................21
American School, 20th Century ................................. 147A, 383, 407 Clem, Robert Verity..................................... 354, 356, 417, 418, 489
Amighetti, Francisco .........................................................................3 Clough, Ansel D. (Attributed to) .................................................286
Andrus, Vera.....................................................................................4 Coccorante, Leonardo (School of).................................................219
Arts, Dorus ...................................................................................243 Cone, Marvin................................................................................394
Ashley, Clifford Warren ................................................................395 Connaway, Jay Hall.......................................................................349
Astley, John...................................................................................200 Connor, Linda....................................................................... 159-160
Continental School, 18th/19th Century ......................................210
Baba, Corneliu .............................................................................523 Continental School, 19th Century ........................................253, 257
Bagg, Henry Howard....................................................................357 Copeman, Constance Gertrude......................................................263
Ball, L. Clarence ...........................................................................295 Coughlin, Jack ..................................................................................8
Barland, Adam...............................................................................247 Coulter, Mary Jencques.................................................................364
Barney, Tina..................................................................................148 Crochepierre, Andre-Antoine.........................................................261
Bartlett, Clarence Drew ................................................................327 Crome the Elder, John (Attributed to) .........................................238
Baskin, Leonard............................................................. 5-7, 505, 507 Cuevas, Jose Luis ..........................................................................511
Beal, Gifford..................................................................................399 Curran, Charles Courtney......................................................389, 391
Beal, Reynolds ......................................................................406, 409 Cuyp, Jacob-Gerritsz (Attributed to).............................................203
Beals, Jessie Tarbox ......................................................................149
Becker, Fred......................................................................................8 Dalí, Salvador ...........................................................................22, 23
Beerstraten, Jan Abrahamsz (School of) ........................................222 Dam, Vu Cao................................................................................483
Bellows, Albert Fitch.....................................................................299 Danish School, 19th Century........................................................467
van Bemmel, Jacob Gerritsz (School of)........................................224 Das Gupta, Bimal..........................................................................515
Ben Tré, Howard..............................................................................9 Dasburg, Andrew Michael ....................................................499, 500
Benedit, Luis Fernando.................................................................528 Daumier, Honoré......................................................................24, 25
Benton, Fletcher............................................................................552 Davies, Arthur Bowen ....................................................................26
Bernath, Sandor.................................................... 342, 365, 419, 421 Dawson, William J.........................................................................542
Berthon, Paul..................................................................................10 Dealy, Ruth Frisch.............................................................................9
Bertoja, Pietro...............................................................................150 DeCarava, Roy..............................................................................161
Betts, Louis...................................................................................472 DeCredico, Alfred V. ........................................................................9
Bicknell, Frank Alfred....................................................................381 Deming, Edwin Willard.................................................................360
Bigot, Guy.....................................................................................533 Demuth, Charles Henry................................................................474
Bitran, Albert ...............................................................................553 Depol, John H. ................................................................................8
de Blois, François B.......................................................................297 Dirit, Harry...................................................................................469
Bochner, Mel.................................................................................532 Diziani, Gasparo (Attributed to) ...................................................213
Boddington, Edwin Henry ...........................................................246 Dolph, John Henry ......................................................................321
Bodwell, Arthur Van Zile..............................................................428 Dow, Arthur Wesley................................................ 27, 162-164, 373
Van Bois, J.E. ...............................................................................339 Dufy, Jean.......................................................................................28
Bombois, Camille..........................................................................448 Dufy, Raoul ..................................................................................447
Bones, James Clinton ........................................................... 151-154 Dutch School, 19th Century ....................................... 221, 225, 234
Bonfield, George Robert ..............................................................280 Dürer, Albrecht...............................................................................29
Bonheur, Juliette Peyrol................................................................244 van Dyke, Willard ............................................................... 165-167A
Boston School, 19th/20th Century ..............................................456
Bostrom, Leslie..................................................................................9 Edgerton, Harold Eugene .................................................... 168-170
Boit, Edward Darley......................................................................278 Edmondson, William John ...........................................................363
Breakspeare, William A. ................................................................259 Eeckhout, Victor...........................................................................330
Brega, Doug .................................................................................355 Eggleston, Benjamin Osro.....................................................322, 370
Bristol, John Bunyan ....................................................................281 Eichenberg, Fritz ..............................................................................8
British School, 18th/19th Century............................. 215A, 216, 217 Eldred, Lemuel D. ................................................................274, 275
British School, 19th Century.................................................202, 250 Elkins, Henry Arthur (Attributed to).............................................311
Brown, Judith................................................................................546 Ellis, Joseph Francis (Attributed to)...............................................273
Bulman, Orville.............................................................................537 Emett, Frederick Rowland.............................................................531
Burlingame, Charles Albert ...........................................................378 Erté (Romain de Tirtoff).........................................................30, 490
Burr, George Elbert.........................................................................11 Estes, Richard .................................................................................31
Butler, Mildred Anne ...................................................................443 Eve, Jean.......................................................................................484
Böker, Carl ...................................................................................264 Evergood, Philip..............................................................................32
Eversen, Adrianus .........................................................................237
Cadmus, Paul................................................................................491 Eyden, Jr., William Arnold ...........................................................344
Cagliani, Luigi...............................................................................445
Calder, Alexander .....................................................................12, 13 Fairman, James .............................................................................285

Falat, Julian...................................................................................451 Hnizdovsky, Jacques........................................................................55
Ferruzza, Frank P..........................................................................347 Hoffbauer, Charles Constantine.....................................................361
Ferry, Isabelle H............................................................................440 Hoffmann, Carl Heinrich .......................................................... 241A
Fiene, Ernest...................................................................................33 Hollander, Gino F.........................................................................520
Finck, Hazel..........................................................................392, 393 Hunt, William Morris (Attributed to)............................................329
Fink, Aaron .......................................................................... 549-551 Hutt, Sarah ..................................................................................548
Fischl, Eric................................................................................ 34-36
Fish, Janet ......................................................................................37 Icart, Louis......................................................................................56
Flemish School, 16th Century Style ..............................................204 Indoni, Filippo..............................................................................262
Fonseca, Harry .............................................................................543 Insley, Albert Babb........................................................................303
Forkner, Edgar .............................................................................415 Isola, Giancarlo..............................................................................424
Francis, John F..............................................................................317 Italian School, 16th Century..........................................................206
Franco, Siron.................................................................................556 Italian School, 18th Century..................................................205, 212
Franco/American School, 19th Century .......................................239 Italian School, 19th Century..........................................................214
Frank, Robert................................................................................171 Italian School, 19th/20th Century............................................. 266A
Frankenthaler, Helen ......................................................................38
Freiman, Robert J..........................................................................430 Jackson, William Henry......................................................... 177-179
French School, 18th Century.........................................................207 Jaidinger, Judith ...............................................................................8
French School, 19th Century.........................................................208 Jeanclos, Georges (Jeankelowitch) ........................................529, 530
Fried, Pal.......................................................................................482 Johns, Jasper....................................................................................57
Frieseke, Frederick Carl.................................................................441 Johnson, Jr., Marshall....................................................................272
Fukui, Ryonosuke..........................................................................517 Johnson, Lester F............................................................................58
Galerie Maeght, editor.....................................................................74 Kahn, Wolf......................................................................................59

Gall, François ...............................................................................481 Kappel, Philip .................................................................................60
Gasser, Henry Martin ...................................................................422 Karsh, Yousuf................................................................................180
Gay, George Howell......................................................................269 Kasimir, Luigi .................................................................................61
Gerry, Samuel Lancaster .......................................................301, 302 Kaula, Lee Lufkin .........................................................................442
Gierymski, Aleksander....................................................................340 Kent, Rockwell .............................................................................488
Gilpin, Laura......................................................................... 172-176 Kepes, Gyorgy...............................................................................518
Gloecker, Raymond ..........................................................................8 Kepes, Juliet..................................................................................506
Gluckmann, Grigory......................................................................495 Kirmse, Marguerite..................................................................62, 455
Godard, Gabriel.............................................................................524 Klett, Mark ...................................................................................181
Goings, Ralph..................................................................................39 Klimt, Gustav................................................................................473
Goltzius, Hendrik (School of) ......................................................227 Kneller, Godfrey (School of)..........................................................201
Gonzalez-Tornero, Sergio...............................................................40 Koons, Jeff ...............................................................................63, 64
Goodwin, Arthur Clifton ......................................................384, 429 von Kossak, Juliusz Fortunat.........................................................249
de Goya, Francisco.................................................................... 41-43 Kotler, Martin J. .............................................................................65
Graham, Peter...............................................................................245 Kronberg, Louis............................................................................493
Graham, Richard D.......................................................................526
Grashow, James Bruce ......................................................................8 Lafetat, Mario Faustino ................................................................432
Grau, Xavier..................................................................................554 Laliberté, Norman ..........................................................................66
Graves, Abbott Fuller....................................................................464 Landau, Jacob...............................................................................534
Graves, Morris Cole...............................................................509, 510 Landers, Kevin ..............................................................................182
Greacen, Edmund William ............................................................386 Langsdorf, Martyl Schweig............................................................498
Greenwood, Joseph H. ................................................. 300, 307-310 Lanigan-Schmidt, Thomas ............................................................536
Griffin, Walter Parson Shaw...........................................................396 Laure, Jules (Jean-François-Hyacinthe) .........................................320
Grooms, Red ..........................................................................44, 420 Laurencin, Marie.......................................................................67, 68
Grosch, Laura..................................................................................45 Lavalle, John.........................................................................408, 458
Gruber, Gerda (Spurey).................................................................527 Lavenson, Alma .................................................................. 182A-184
Gruppé, Emile Albert .................................. 345, 348, 367, 398, 401 Lefebvre, Charles Victor Eugene................................................. 242A
Leganger, Nikolay Tysland (Tusland)............................................288
Haapanen, John Nichols................................................................366 Leickert, Charles Henri (Attributed to) ........................................236
Hale, Girard Van Barkaloo............................................................465 Leighton, Clare Veronica Hope ......................................................69
Hamilton, James............................................................................271 Leone, John .................................................................................538
Hamilton, Robert G......................................................................525 Lever, Richard Hayley...................................................................470
Hankey, William Lee........................................................ 46, 47, 438 Lewis, Edmund Darch................................................................ 272A
Hardy, Heywood ..........................................................................248 Lewis, Martin..................................................................................70
Harris, Charles Gordon.................................................................379 Libert, Georg Emil........................................................................230
Hartung, Hans................................................................................48 Lichtenstein, Roy ...........................................................................71
Haskell, Ernest................................................................................49 Lidderdale, Charles Sillem ............................................................258
Hassam, Frederick Childe.......................................................... 50-54 Lindsay, Thomas Corwin...............................................................290
Hibbard, Aldro Thompson .......................................... 350, 353, 368 Lintott, Edward Barnard ..............................................................457
............................................ 397, 400, 403, 410, 412, 414, 437, 444 Lipot, Herman..............................................................................476
Hildebrandt, Howard Logan.........................................................453 Littlefield, William Horace.............................................................471
Hill, John Henry........................................................................ 251A Lockman, DeWitt McClellan.........................................................323
Hillbom, Henrik............................................................................387 Loemans, Alexander François.........................................................312
Hills, Laura Coombs.....................................................................466 Lord, Elyse Ashe..............................................................................72
Hirsch, Joseph (Attributed to).......................................................431 Loud, May Hallowell.....................................................................462

Lum, Bertha Boynton......................................................................73 van Prooijen, Albertus Jurardus.....................................................240
Pulinckx, Louis (Lod)....................................................................232
MacDonald, Grant.........................................................................359 Purdy, Donald Roy .......................................................................402
Maillol, Aristide ......................................................................75, 475
Marden, Brice..................................................................................76 Quartley, Arthur............................................................................270
Marin, John ....................................................................................77
Maris, Jacob..................................................................................233 Rich, James Rogers........................................................................333
Martin, John....................................................................................79 Richardson, Louis H. ...................................................................405
Martin, Stefan ...................................................................................8 Rico y Ortega, Martin...................................................................336
Mascart, Gustave........................................................................ 251B van Rijn, Rembrandt................................................................ 99-106
Mathieu, Joe..................................................................................541 Ripley, Aiden Lassell......................................................................107
McClure, Emma............................................................................508 Rivers, Larry............................................................................... 107A
McCord, George Herbert................................................... 311A, 319 Robert, Hubert (Manner of)..........................................................218
McCune, Lois S. ...........................................................................463 Roger, Suzanne ............................................................................555
McCurdy, Michael.............................................................................8 de la Rosa, Manuel........................................................................461
McDaniel, Keith............................................................................433 Rosenthal, Doris Patty (Charash) ..................................................497
McNear, Everett C........................................................................478 Roth, Ernest David........................................................................108
Meltsner, Paul Raphael....................................................................80 Rottenhammer the Elder, Hans (School of)...................................226
Miller, Kenneth Hayes.....................................................................81 Rouault, Georges...................................................................109, 110
Miró, Joan................................................................................. 82-84 Royle, Herbert .............................................................................346
Mitchell, Joan .................................................................................85 Rubens, Peter Paul (Manner of)....................................................211
Moers, Denny R................................................................................9 Ruscha, Ed....................................................................................111
Monks, John Austin Sands.............................................................304 Russell, John.................................................................................215
Moran, Thomas...............................................................................86 Ryan, Anne....................................................................................112
Morel the Younger, Jan Evert........................................................229
Morell, Abelardo...........................................................................185 Sanders, Christopher ............................................................377, 449
Morgan, Barbara............................................................................186 Santoro, Rubens............................................................................335
Morgan, John................................................................................265 Sapp, Allen ...................................................................................496
Moser, Barry......................................................................................8 von Schmaedel, Max................................................................... 253A
Motherwell, Robert........................................................... 87-89, 513 Scholder, Fritz...............................................................................535
Muller, Peter Paul..........................................................................376 Scully, Sean...........................................................................113, 114
Mullikin, Mary Augusta.................................................................390 Selden, Dixie.........................................................................434, 435
Munkácsy, Mihály..........................................................................254 Semple, John Paulus......................................................................540
Muray, Nickolas............................................................................187 van Severdonck, Franz...................................................................229
Murphy, John Francis ...................................................................296 Shahn, Ben....................................................................................115
Mygatt, Robertson Kirtland ..........................................................374 Shapleigh, Frank Henry.................................................................314
Shepley, Annie Barrows.................................................................454
Newhall, Beaumont ......................................................................188 Sheppard, Warren W..............................................................268, 341
Nicholas, Thomas Andrew ............................................................358 Shinoda, Toko...............................................................................116
Nichols, Timothy...........................................................................545 Shirlaw, Walter..............................................................................328
Nordell, Carl John David...............................................................468 Signorini, Giuseppe.......................................................................252
Noyes, George Loftus ...................................................................369 Simpson, Joseph............................................................................117
Siskind, Aaron ..............................................................................191
Orsini, Giustina.............................................................................331 Smilie, George Henry ...........................................................276, 338
Owen, Robert Emmett..................................................................380 Smith, Hope .................................................................................426
Smyth, Eugene L........................................................................ 291A
Paciorek, Nick ..............................................................................544 Sonntag, William Louis..................................................................293
Pannini, Giovanni Paolo (After).....................................................220 Spaulding, Day .............................................................................118
de Paredes, Vicente Garcia ......................................................... 258A Spaulding, Henry Plympton...........................................................385
Paris, Walter............................................................................... 294A Stark, James...................................................................................231
Parker, John Adams.......................................................................289 Steinlen, Théophile Alexandre ......................................................120
Parmeggiani, Tancredi ..................................................................504 Sterkenburg, Peter J......................................................................267
Perkins, Harley Manlius ........................................................501, 503 Sternberg, Harry............................................................................119
Peterdi, Gabor F. ............................................................................90 Stevens, William Lester .........................................................351, 352
Peterson, Jane ..............................................................................337 Stone, Marcus........................................................................255, 256
Phelps, William Preston ................................................................260 Stowjanow, C. Pjotr........................................................... 241, 241B
Piazzetta, Giovanni Battista (School of).........................................209 Strachan, Arthur Claude ............................................................ 250A
Picasso, Pablo ........................................................................... 91-95 Stroud, Ida Wells ..........................................................................388
Picot, Andre..................................................................................446 Sultan, Altoon ..............................................................................121
Pillsbury Picture Co., publishers....................................................189 Sunday, Elisabeth .........................................................................192
Pohle, Hermann ...........................................................................375
Polaroid Corporation.....................................................................190 Tait, Arthur Fitzwilliam.................................................................306
Pond, Clayton.................................................................................96 Tancredi .......................................................................................504
Pons, Louis ..................................................................................519 Tannert, Ernst ........................................................................... 247A
Pont, Charles Ernest (Eugène) .......................................................97 Tartarius, Cornelis Cornelisz ........................................................228
Pope, Alexander............................................................................324 Teague, Donald ............................................................................416
Porter, Fairfield ..............................................................................98 Teed, Douglas Arthur ...................................................................479
Potter, Joan Alex ..........................................................................460 Thieme, Anthony..........................................................................413
Prendergast, Charles E. ................................................................439 Tillingthast, C.A............................................................................315

de Tirtoff, Romain (Erté)........................................................30, 490
Tooker, George ............................................................................122
Tozer, Henry E.............................................................................266
Trevelyan, Julian ...........................................................................123
Tschernjawski, Alex.......................................................................427
Twombly, Cy ...............................................................................512
Tyler, Bayard Henry......................................................................305
Tyler, Gillian ....................................................................................8
van Uden, Lucas (Manner of)........................................................223

Urban, Albert........................................................................ 124-126
Valenkamph, Theodore Victor Carl ..............................................283

Vasarely, Victor.............................................................................127
Vedder, Elihu................................................................................325
Velonis, Anthony...........................................................................128
Verner, Elizabeth O’Neill..............................................................129
Vincent, Suzanne...........................................................................539
Vizkeleti, Witman Etelka...............................................................492
de Vlaminck, Maurice ...........................................................130, 131
Van Vorst Sewell, Robert...............................................................332
Walker, William Aiken...................................................................313

Walt Disney Studios............................................................... 485-487
Walters, Mary Josephine ............................................................ 292A
Wands, Alfred James......................................................................132
Ward, Lynd Kendall...........................................................................8
Waters, George W. .......................................................................279
Waters, Herbert Ogden.....................................................................8
Watson, Ernest W. ................................................................133, 134
Waugh, Frederick Judd..................................................................404
Way, John.............................................................................514, 516
Webber, Wesley Eldridge ..............................................................298
Weber, Max...................................................................................477
Weems, Katharine Ward Lane .......................................................452
Wei, Letang ..........................................................................514, 516
Weir, John Ferguson.....................................................................334
Wengenroth, Stow................................................................. 135-140
Weston, Edward ................................................................... 193-195
Van der Weyden, Harry.................................................................382
Whistler, James Abbott McNeill............................................141, 142
Whittredge, Worthington (Thomas) .............................................284
Whorf, John .................................................................................411
Wiggins, Carleton .........................................................................242
Wilson, Sol ...................................................................................423
Wintz, Raymond ..........................................................................436
Wood, Thomas Waterman.............................................................326
Woulfart, Marius...........................................................................494
Wyeth, N.C. (Newell Convers)......................................................362
Xylander, Wilhelm ........................................................................235
Yaffee, Edith Widing ....................................................................459

Young, William Sheridan ..............................................................287
Zao, Wou-Ki.................................................................................143
Zonaro, Fausto .............................................................................343
Zorn, Anders.................................................................................144
Zsissly................................................................................................2

Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the
purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and
the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three
days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after
deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of
all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to
pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within
the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and
other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
Revised September 29, 2009
327
Absentee Bid Form
Sale Title Sale Date
First Time Bidder? YES NO Customer #
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # e-mail
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a
convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are
executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Signature (Required) Date
Lot # Description Bid Price
FOR OFFICE USE

Marlborough Boston Phone Fax Mail Person Employee:
SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Board of Directors Chairman of the Board - Nancy R. Skinner
Richard Albright
Barnet Fain
Stephen L. Fletcher
Karen M. Keane
Administration President/Chief Executive Officer - Karen M. Keane

Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives,
Stuart G. Slavid, Stuart P. Whitehurst
Expert American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff
Departments American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton
Assistants: LaGina Austin, Karen Langberg, Chris Barber
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - James F. Callahan
Assistant: Tianyue Jiang
Books & Manuscripts - Stuart P. Whitehurst
Assistant: Sara C. Wishart
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Kerry Shrives
Discovery Sales - Kerry Shrives
Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Stuart P. Whitehurst, Sara C. Wishart
Fine Wines - Marie Keep
Jewelry - Victoria Bratberg
Assistants: John Colasacco, Julie Khouri
SKINNER, INC.
Auctioneers and Judaica - Kerry Shrives
Appraisers of Antiques Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -
and Fine Art Jane D. Prentiss
Museum & Collections Services - Martha Hamilton
63 Park Plaza Musical Instruments - David Bonsey
Boston, MA 02116 Oriental Rugs & Carpets - Gary Richards
617.350.5400 Science, Technology & Clocks - Robert C. Cheney
Fax 617.350.5429 Assistant: Chris Barber
Silver - Stuart G. Slavid
274 Cedar Hill Street Assistant: Sara C. Wishart
Marlborough, MA 01752 Toys & Dolls - Kerry Shrives
508.970.3000 Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,
Fax 508.970.3100 Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,
Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,
www.skinnerinc.com Stuart P. Whitehurst
330
Exhibitions & Marlborough: Warehouse Manager - Jonathan Dowling, 508.970.3280
Property Manager - Samuel Combs, 508.970.3262
Property Distribution
Boston: Kerryn Murphy, 617.874.4329
Property Distribution Manager - Jessica R. Lincoln, 617.874.4308
Finance Department Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable - Kathleen Hayes, 508.970.3268
Credit Supervisor - Joe Monteyro, 508.970.3266
Subscriptions Marlborough: Karen Skinner, 508.970.3240
Service Departments Appraisal & Auction Services - Patricia Walker King, Leah Skowron,
Shannon M. Ames, Cory Shea
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Katharine E. Hampson
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Consignment Services - Megan J. Blomgren, Carol Zeigler
Customer Relations - Carol McCaffrey
Institutional Relations - L. Emerson Tuttle
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Managing Director - Marie C. Keep
Marketing & Public Relations - Kate de Bethune, Karen Skinner,
Katherine Gargolinski
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak
Receptionists - Marlborough: Carol Tran
Boston: Hadley Dinardo
Transportation - Eric Jones
Assistant: Mark McCaffrey
331
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
332
PARKING
INDOOR PARKING GARAGES The Taj Hotel Parking Garage Motor Mart Garage
2 Newbury Street 26 Park Plaza
City Place Parking Garage Located three blocks from Skinner, (Same building as Legal Sea Food)
Transportation Building valet drop-off and pick-up Up to 1 hr/$8, 1 to 2 hrs/$12,
12 Charles Street Up to 24 hrs/$42 2-3 hrs/$16, 3-12 hrs/$20, 12-24
Located at the end of Park Plaza hrs/$31, weekends up to 3 hrs/$8
Underground multi-level garage
All day–closes at 2:30am Back Bay Garage
First hr/$5, after 2 hrs/$14 222 Berkeley Street OUTDOOR PARKING LOTS
(entrance off St. James) (recommended for trucks)
AllRight Parking One block from Skinner
Boston Common Garage All day/$35, evening Pin Stripe Parking
Located on Charles Street, on the (5pm-7am)/$10 Arlington Street
Common, two blocks from Skinner 617-338-7984
1 hr/$6, up to 24 hrs/$25, All day/$14, after 6pm and
Evenings (4pm-10am)/$10 Radisson Hotel Parking Garage weekends/$10, overnight/$15
Stuart Street (near intersection of
The Four Seaons Hotel Charles)
Parking Garage Two blocks from Skinner Billy’s Parking
200 Boylston Street 1-2 hrs/$12, 2-3 hrs/$16, 3-12 222 Stuart Street
Adjacent to Skinner, valet drop-off hrs/$18, 12-24 hrs/$31 617-423-7781
and pick-up, up to 24 hrs/$30 8am-5pm/$18, after 5pm/$20
BOSTON HOTELS BOSTON HOTELS WITH SKINNER

CORPORATE RATES
Boston Harbor Hotel Nine Zero Hotel The Back Bay Hotel Eliot Hotel
70 Rowe’s Wharf 90 Tremont St. (formerly Jurys) 370 Commonwealth Ave.
Boston, MA 02110 Boston, MA 02108 350 Stuart Street Boston, MA 02215
Tel: 800-654-2000 617-772-5800 Boston, MA 02116 Tel: 617-267-1607
Fax: 617-345-6799 Tel: 617-532-3800
Radisson Hotel
Fairmont Copley Plaza 200 Stuart Street Beacon Hill Hotel & Bistro The Park Plaza
138 St. James Avenue Boston, MA 01740 25 Charles Street 64 Arlington Street
Boston, MA 02116 Tel: 617-482-1800 Boston, MA 02114 Boston, MA 02116
Tel: 617-267-5300 Fax: 617-451-2750 Tel: 617-723-1133 Tel: 617-457-7488
Fax: 617-375-9648 Fax: 617-426-2000
The Ritz-Carlton,
Boston Common The Colonnade
Four Seasons 120 Huntington Avenue
200 Boylston Street 10 Avery Street
Boston, MA 02111 Boston, MA 02116
Boston, MA 02116 Tel: 617-424-7000
Tel: 617-351-2036 Tel: 617-912-3315
Fax: 617-912-3375 Fax: 617-424-0968
The Liberty Hotel Taj Boston

215 Charles St. 15 Arlington St.
617-224-4000 617-536-5700
Marriott Copley Place Westin-Copley Plaza

110 Huntington Avenue 10 Huntington Avenue
Tel: 800-228-9290 Tel: 800-228-3000
Fax: 617-236-5885 Fax: 617-424-7483
333
RESTAURANTS
FINE DINING Scampo McCormick and Schmick’s Seafood

The Liberty Hotel Restaurant
215 Charles St. 36 Columbus Ave
Aujourd’hui 617-536-2100 617-482-3999
Four Seasons Hotel, 200 Boylston Street Lydia Shire’s latest restaurant, featuring Fresh seafood offerings that change
(between Arlington & Charles Streets) Italian fare produced in an open kitchen daily.
617-351-2071 upstairs at the Liberty Hotel.
New American.
Summer Shack
Troquet 50 Dalton St.
140 Boylston St. 617-867-9955
Dante
617-695-9463 Jasper White serves well-executed seaside
Royal Sonesta Hotel
French restaurant and wine bar perched favorites in a casual Back Bay setting.
5 Cambridge Parkway
at the edge of the Boston Common and
617-806-4200
the theatre district.
Mediterranean restaurant with great
views of the Charles River and Boston
INEXPENSIVE
skyline. Via Matta
79 Park Plaza Au Bon Pain
617-422-0008 26 Park Plaza (across the street from
Davio’s Elegant Italian fare and beautiful wines Skinner) or 431 Boylston Street (at
75 Arlington St. in a vibrant dining room - the best of Berkeley Street)
617-357-4810 Italy in Boston’s Back Bay creates an 617-338-8948
Northern Italian steak house. unforgettable experience. Casual café offers quick service.
MODERATE Davio’s To Go
Grill 23 & Bar 10 St. James Galleria Atrium
161 Berkley Street (Stuart Street) 617-357-4810
617-542-2255 Aquitaine Casual Italian take-out lunch spot with
Great steak, seafood, wine list, and 569 Tremont Street daily special pastas, soups, and salads.
service. 617-424-8577
Parisian bistro style fare.
Flash’s
310 Stuart St.
L’Espalier The Bristol Lounge at Four Seasons 617-574-8888
774 Boylston St. Hotel American comfort food served with
617-262-3023 200 Boylston St. classic cocktails in a casual setting.
French dining in an elegant townhouse 617-338-4400
with a wonderful prix-fixe menu. Breakfast, lunch, and dinner served in an
elegant yet comfortable lounge setting Parish Café
with views of the Boston Public Garden. 361 Boylston St.
617-247-4777
No. 9 Park American restaurant with seasonal
9 Park St. East Ocean City outdoor seating features sandwiches
617-742-9991 25-29 Beach St. created by renowned local chefs.
Barbara Lynch’s bistro showcases 617-542-2504
inspired French and Italian influenced Outstanding Chinese food restaurant
food and wine on Beacon Hill. highlighting seafood dishes with a full- Piattini
service bar. 226 Newbury Street
617-536-2020
Italian wine bar with an eclectic menu;
Radius
Lala Rokh on Beacon Hill specializes in Italian-style tapas.
85 High St.
97 Mt. Vernon Street
617-426-1234
617-720-5511
Features a modern French menu
Authentic regional Persian cuisine, The Upper Crust
focusing on seasonal ingredients
hand-selected wine list, knowledgeable 20 Charles Street
accompanied by a thoughtful wine list.
waitstaff. 617-723-9600
Gourmet thin crust pizza.
334
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one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
Quarterly Brochure No charge No charge

Included with catalogue subscription
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks $60 $73
Fine Wines $60 $73
All Above Departments $750 $915

subtotal
ma residents 6.25% sales tax
total
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Signature Check enclosed
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Mailing Address _____________________________________________________
City_______________________________ State________ Zip______________
email address________________________________________________ Tel: ( ) _____________________________
Please enclose payment with subscription form and mail or fax to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
474
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American & European Paintings & Prints - Skinner Auction 2535B

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SKINNER

Robin S. R. Starr Kathy Wong Elizabeth C. Haff

American & European Paintings & Prints Department - 508.970.3206

Preview Online Absentee Bidding/Tracking Lots

Lot Alert Bid Live Online with Skinner-Live!

1 Auction & Specialist Information

2 Web Site & Online Bidding

4-5 Event Announcements

7 Prints & Photography - Lots 1-195

83 Paintings & Sculpture - Lots 200-556

322 Glossary of Terms

323 Artist Index

327 Conditions of Sale

329 Absentee Bid Form

330 Company Directors & Specialty Departments

331 Administrative Staff & Client Services

332 Map & Driving Directions

333 Parking & Accommodations

335 Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Copyright © Skinner, Inc. 2011

Thursday, January 27, 2011

5:30 p.m. Reception/6:00 p.m. Gallery Walk

Gallery Walk held in conjunction with a preview of Skinner’s

American & European Paintings & Prints

to be sold Friday, January 28th, 2011 at 12 noon

Untitled, edition of 99. Signed “Agam” in pencil l.r., numbered “19/99”

online bidding at www.skinnerinc.com 9

Memory Stairs, 1936, edition of 20. Signed “Vera Andrus” in pencil

Football, 1959 (Fern & O’Sullivan, 388). Signed “Leonard Baskin” in

10 additional information and photos at www.skinnerinc.com

FACE TO FACE/A Portfolio of Thirteen Prints, published 1985,

AS220 BUILDING BOX/A Portfolio of Five Works, 1991, edition of

online bidding at www.skinnerinc.com 11

Springtime - Paradise Valley - Arizona (Seeber, 283). Signed

Untitled, from STABILES, 1963, edition of 90, separate from the

12 additional information and photos at www.skinnerinc.com

Poisson pas ancre, edition of 90. Signed “Calder” in pencil l.r.,

Death and the Woodsman, plate eight from FABLES by Jean de La

Plate from DE MAUVAIS SUJETS, 1958, edition of 153 (Cramer, 35).

online bidding at www.skinnerinc.com 13

Lot of Three Views of Old Williamsburg: Burton’s Parish Church,

Provenance: Through the family of the artist.

An Alley in Pont-Audemer, c. 1924, edition of 255 plus proofs

Provenance: Through the family of the artist.

Untitled (Chateau of the Ducs de Rohan, Josselin), 1925, small

Provenance: Through the family of the artist.

14 additional information and photos at www.skinnerinc.com

Boston Courtyard, 1935, edition of 255 plus proofs (Chamberlain &

Provenance: Through the family of the artist.

N.B. The composition is based on a photograph by Maurice M.

A Study of Trees, 1926, edition of 255 plus proofs (Chamberlain &

Provenance: Through the family of the artist.

Aldiki, 1969, edition of 50 plus proofs, published by Galerie Beyeler,

online bidding at www.skinnerinc.com 15

Ultra-Surrealistic Corpuscular Galutska, from

AFTER 50 YEARS OF SURREALISM/A Suite of Twelve

16 additional information and photos at www.skinnerinc.com

Lot of Three Images: Le Jayotype, plate 60 from MOEURS

Orchard of Bounties, 1919-20, first state of two (Czestochowski, 143).

Provenance: A private Massachusetts collection.

online bidding at www.skinnerinc.com 17