Franz Joseph Haydn

(Marso 31– Mayo 31,1809)

Joseph Haydn is an Austrian composer, one of the most prolific and prominent composers of
the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet"
because of his important contributions to these genres. He was also instrumental in the development of
the piano trio and in the evolution ofsonata form.

A life-long resident of Austria, Haydn spent much of his career as a court musician for the
wealthy Hungarian aristocratic Esterházy family on their remote estate. Isolated from other composers
and trends in music until the later part of his long life, he was, as he put it, "forced to become
original". At the time of his death, he was one of the most celebrated composers in Europe.

Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann
Evangelist Haydn, a tenor. He was also a close friend ofWolfgang Amadeus Mozart and a teacher
of Ludwig van Beethoven.

WORKS

1. The Creation (German: Die Schöpfung) is an oratorio written between 1796 and 1798
by Joseph Haydn, and considered by many to be his masterpiece. The oratorio depicts and
celebrates the creation of the world as described in the biblical Book of Genesis and in Paradise
Lost.

2. The Seasons (German: Die Jahreszeiten) is an oratorio by Joseph Haydn.

3. The baryton is a bowed string instrument in the viol family, in regular use in Europe up until the
end of the 18th century. In London a performance atMarylebone Gardens was announced in
1744, when Mr Ferrand was to perform on "the Pariton, an instrument never played on in
publick before.

4. Gott erhalte Franz den Kaiser (God Save Emperor Francis) was an anthem to Francis II,
Emperor of the Holy Roman Empire and later of Austria. Lorenz Leopold Haschka (1749-1827)
wrote the lyrics, and Joseph Haydn composed the melody. It is sometimes called the
"Kaiserhymne" (Emperor's Hymn).

5. The Hoboken-Verzeichnis is the catalogue of over 750 works by Joseph Haydn as compiled
by Anthony van Hoboken.
 Wolfgang Amadeus Mozart
(January 27, 1756- December 5, 1791)
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.[1]), baptismal
name Johannes Chrysostomus Wolfgangus Theophilus Mozart[2] (27 January 1756 – 5 December
1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many
acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He
is among the most enduringly popular ofclassical composers.

Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent
on keyboard and violin, he composed from the age of five and performed before European royalty. At
17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a
better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his
Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security.
During his final years in Vienna, he composed many of his best-known symphonies, concertos, and
operas, and portions of the Requiem, which was largely unfinished at the time of Mozart's death. The
circumstances of his early death have been much mythologized. He was survived by his
wife Constanze and two sons.

WORKS

1. Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro, or the Day of
Madness), K. 492, is an opera buffa (comic opera) composed in 1786 in four acts by Wolfgang
Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre
Beaumarchais, La folle journée, ou le Mariage de Figaro (1784).

2. Don Giovanni (K. 527; complete title: Il dissoluto punito, ossia il Don Giovanni,
literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang
Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte.

3. Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School For
Lovers) K. 588, is an opera buffa by Wolfgang Amadeus Mozart. Thelibretto was written
by Lorenzo Da Ponte.

4. The Magic Flute (German: Die Zauberflöte, K. 620) is an opera in two acts composed in 1791
by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the
form of a Singspiel, a popular form that included both singing and spoken dialogue.

5. A Singspiel (German literally meaning "song-play") (plural: Singspiele) is a form of German-

language music drama, now regarded as a genre of opera.[1] It is characterized by
spoken dialogue, which is alternated with ensembles, songs, ballads, and arias (which were
often lyrical, strophic, or folk-like), rather like anoperetta.
Ludwig van Beethoven
(December 17, 1770– March 26, 1827)
He was a German composer and pianist. He is considered to have been the most crucial figure in the
transitional period between the Classicaland Romantic eras in Western classical music, and remains
one of the most famous and influential composers of all time.

Born in Bonn, then the capital of the Electorate of Cologne and a part of the Holy Roman Empire of the
German Nation in present-day Germany, he moved to Vienna in his early twenties and settled there,
studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began
to deteriorate in the late 1790s, yet he continued to compose, conduct, and perform, even after
becoming completely deaf.

WORKS

1. (or Die Weihe des Hauses), op.124, is a work by Ludwig van Beethoven composed in September 1822. It was

commissioned by Carl Friedrich Hensler, the Director ofVienna’s new Theater in der Josefstadt, and was first

performed at the theatre's opening on October 3, 1822. It was the first work Beethoven wrote after studying the works

of J. S. Bach and Handel, and bears their influence.

2. , Op. 120, commonly known as the Diabelli Variations, is a set of variationsfor the piano written between 1819 and

1823 by Ludwig van Beethoven on a waltz composed by Anton Diabelli. One of the supreme compositions for the

piano, it often shares the highest honours with Bach's Goldberg Variations.

3. in D Major, Op. 123 was composed by Ludwig van Beethoven from 1819-1823. It was first performed on April 7, 1824

in St. Petersburg, under the auspices of Beethoven's patron Prince Nikolai Galitzin; an incomplete performance was

given in Vienna on 7 May 1824, when the Kyrie, Credo, andAgnus Dei were conducted by the composer.[1] It is

generally considered to be one of the composer's supreme achievements. Together with Bach's Mass in B Minor, it is

the most significant mass setting of the common practice period.

4. , Op. 125 is the final complete symphony of Ludwig van Beethoven. Completed in 1824, the symphony is one of the

best known works of the Western classical repertoire,[1] and has been adapted for use as the European Anthem. It is

considered by critics to be one of Beethoven's masterpieces[2][3] and one of the greatest musical compositions ever

written.[1]

5. , Op. 106, known as the Große Sonate für das Hammerklavier, or more simply as the Hammerklavier, is widely

considered to be one of the most important works of the composer's third period and one of the great piano sonatas.

It is considered[by whom?] Beethoven's single most difficult composition for the piano, with the possible exception of

the Diabelli Variations, and it remains[citation needed] one of the most challenging solo works in the entire piano repertoire.
DANCE

1. The Jig (Irish: port) is a form of

lively folk dance, as well as the
accompanying dance tune, originating
in England in the sixteenth century
and today most associated with Irish
dance music and Scottish country
dance music.

2. The waltz is
a ballroom and folk dance in
p·info) time, performed primarily
in closed position.
3. Tango is a style
of syncopated ballroom dance music
in 2/4 or 4/4 time that originated
among European immigrant
populations
3/4 (hel of Argentina and Uruguay(collectively,
the "Rioplatenses").[2] It is traditionally
played by a sextet, known as
the orquesta típica, which includes
two violins, piano, double bass, and
two bandoneons.
 5. Hip hop music is a musical genre that
developed as part of hip hop culture,
and is defined by four key stylistic
elements: rapping, DJing/scratching,s
ampling (or synthesis),
4. Salsa is a syncretic dance form with
and beatboxing. Hip hop began in
origins from Cuba as the original
the South Bronx of New York City in
American meeting point of European
the 1970s. The term rap is often
and African cultures.Salsa is normally
used synonymously withhip hop,
a partner dance, although there are
but hip hop also denotes the practices
recognized solo forms such as line
of an entire subculture.
dancing (suelta) and Rueda de
Casino where multiple couples
exchange partners in a circle. Salsa
can be improvised or performed with a
set routine.
THEATER

1. DRAma 2. Musical theater

 2. Comecy theater

PHOTOGRAPHY
Cinematography
Bandwagon Appeal – the belief that something should be done
because the majority of people do it (or wish to do it).

EXAMPLE 1
TV Ad: “Four out of five dentists surveyed
2 EXAMPLE 2
Radio Ad: “Zippo – the grand old lighter that’s made right here in
the good old U.S. of A.”
This ad implies that Zippo brand cigarette lighters are the American
standard, like Marlboro and the Dallas Cowboys (dubbed “America’s
Team”). The Zippo company’s warrant is this: If everyone else is buying
this brand, then we all should too. Logic, however, tells us that we need
a better reason than peer pressure or popularity.

EXAMPLE 3
A Poor Patriot: “It’s alright for me to cheat on my taxes because
everyone else does it.”
My Mom would ask here, “If everyone else jumped off a bridge, would you
do it too?” Following the leader is only reasonable when the leader is
reasonable. This statement is also an example of the moral equivalence
fallacy.

-- In extreme cases, the bandwagon effect can create a type of “mob

rule,” where citizens try to justify their actions by citing the actions of
others (legal or otherwise). Since every individual has free will and is
responsible for his own decisions, this type of reasoning is foolish and
often dangerous. There may be strength in numbers (and even comfort),
but this erroneous thinking is emotional, and not grounded in logic.

EXAMPLE 4
Radio Ad: “Jackson Ford is the Number One Ford Dealership in
the Southeast Region.”
This type of advertisement implies that this car dealership is the best
dealership. The consumers are likely to associate “number one” with
“the best,” although these phrases can be misleading
EXAMPLE 5
Your teenage daughter asks: “Everyone else is camping
overnight without chaperones, so why can’t I?”
Besides preferred Crest toothpaste.”
This classic TV ad campaign pushes the popularity of Crest amongst
dentists, making it an appealing statistic.
-- Appeals to patriotism are also forms of the bandwagon effect. We all
look for opportunities to blend in with other Americans over a shared
value, symbol, or tradition. Unfortunately, zealousness or jingoism can
conflict with rational thinking.
being a rhetorical question and an example of moral equivalence, this
faulty reasoning assumes that what is appropriate for others must be
appropriate for me. However, we cannot assume that the decisions of
others are valid. What is the real situation here? Do the other parents
simply not care about their children’s well being or are they not aware
that there never were any chaperones? This suspicious statement needs
to be clarified before most parents would agree.

snob appeal
This appeal is directed towards creating feeling of desire or envy for products that are termed top
of the line or that have considerable qualities of luxury, elegance associated with them.
Humor Appeal
Humor is an element that is used in around 30% of the advertisements. Humor can be an excellent
tool to catch the viewer’s attention and help in achieving instant recall which can work well for the
sale of the product. Humor can be used effectively when it is related to some benefit that the
customer can derive without which the joke might overpower the message.
Scientific evidence appeal
Testimony appeal
false image appeal
 Bingo is a card game named by analogy to the
game bingo. The game is played with a bridge deck of 52
cards. The dealer gives each player X cards, which are
held in the hand or placed face-down in front of the
player. The dealer places Y cards face down in the center
of the table. Typically X=Y=5.

A round of play consists of betting, followed by the dealer turning over one of the center cards, so
that it is facing-up. Any card in a player's hand that has the same rank value as the rank of the
center card just turned are now revealed and discarded. The discards can be placed face-up in
front of the player.

Betting rounds continue until a player has all of the cards knocked from their hand. In analogy to
regular bingo, the first player to realize their hand is empty says "bingo" and claims the pot. If no
player is knocked out after all the center cards have been revealed, then all of the players reveal
their remaining cards. A winner can be determined by adding the rank values of cards remaining in
the hand.

In determining value, jacks are valued at 11, queens, at 12, kings at 13, and aces at either 1 or 15,
depending on whether the players have agreed that high rank wins or low rank wins. The game
can also be played with cards having blackjack value, with all face cards given value of 10 and the
ace having value of either 1 or 11.

Variation
In "Sixty Six Bingo" each player gets six cards and there are six common cards. Instead of betting
each round, there are betting rounds before any common cards are turned over, after the first two
cards are turned over, after the third and fourth cards are turned over and after the fifth and sixth
cards are turned over. If no player claims the pot by being knocked out, then the pot is split
between high hand and low hand. If a player's remaining cards include an ace, then it is possible to
be both high hand and low hand.

Reward appeal