Professional Documents
Culture Documents
Look at this comparison chart on the major quality differences between some of
the popular consumer and professional formats.
Keep in mind that the greater the bandwidth (frequency in MHz) of the luminance
part of the signal, and the greater number of horizontal lines of resolution, the
clearer the video picture will initially appear to be.
You will note that as you move from earlier VHS recorders on the left to the best
professional machines on the right, that both the amount of luminance
information and the lines of resolution increase.
Recall that some engineers now prefer the term "luma" instead of "luminance"
when referring to the black-and-white portion of the video signal. The term
"luminance" is still widely used in video.
Earlier we mentioned the two-inch tape that started the whole video recording
process. After almost three decades of use, the two-inch quad format gave way
to one-inch tape. Initially there were "Type A" and "Type B" versions of the one-
inch format.
But, it was the Type C version that became the next major standard, especially in
countries using the NTSC video standard.
Name: U-Matic
Like all of the cassette tape formats, 3/4-inch U-Matic cassettes had a record
lockout function to keep important material from being accidentally erased.
When the red button (shown in the photo on the right) was removed, machines
would not record on the tape.
Name: VHS
JVC introduced VHS in 1976, the first successful consumer videotape formats. At
the time, VHS has the potential of recording eight hour capacity (although this
capacity has recently increased to ten hours with the advent of T-200 VHS
videocassettes).
Name: Betacam SP
Name: DV
Name: DVC-Pro
Name: DVCAM
Name: Hi-8
Description: Similar to the Hi-8 format except that the video information is digitally
compressed before being recorded to tape. Digital 8 video is recorded on Hi-8
tapes.