Trikonasana (2000) para Flauta, Clarinete, Saxofón Tenor, Violín, Violonchelo, Percusión y Piano

3
"TRIKONASANA" OP. 13
(Para Flauta Travesera, Clarinete sib, Saxo Tenor, Violín, 1 Percusionista y Piano)
Obra encargo del 49 Festival Internacional de Música y Danza de Granada
(dur. aprox. 9 ´30´´)

J.Ramón Hernández Bellido
(Enero 2000)
q = 50 (Partitura general en sonido real)
 esput.  
       
flatterz.
     

Flauta T.
sffz f
p
     
esput. flatterz.
   
      

Clarinete Sib (sonido real)
sffz p
f
 
esput. flatterz.
Saxofón Tenor (sonido real)            

     
sffz p f

pizz. seco

          
 
 
Violin
f sffz
   
  
Xilófono
Percusión
      

sffz
q = 50

(Partitura general en sonido real)
 
         
  
fp sffz
Piano
         
    
fp 

sffz

  
4
    

2 flatterz
   
         

Fl.
f pp ff pp
 
       
          
flatterz

      
Cl.

f    pp
 ff
        
    
flatterz
Sax. Ten.          
f pp ff
 
                         
   
arco (cuerdas al aire)
    
lentamente
                  
s.

Vln glis
ff ppp
fp fp pp
6 

      
 
           
Vibráfono
Perc.     

ff pp
fp
 
             
  

ff
Pno
  
     
 
     
   
pp 
1

  
5
  esput.
 
flatterz.

Fl.          
sffz p f

     
flatterz.
esput.
    
Cl.    f

sffz p
  
          
esput. flatterz.
Sax. Ten.
     
sffz p f
      
arco

 
s.p.  
             
      
Vln
        
sffz p
 
f

      
Perc.
      
 
sffz
 
Pesante y un poco stringendo
1
          
     

5
              
Pno f
               

 
5
5
     
5
6
     
Fl.     
p súbito
f
Cl.    

        
Sax. Ten.
      
5 p súbito
sfz
 5
  
Vln           
sfz p súbito
  
Perc.   
     

        
      

6

   
          
Pno

    
 
6
 
ff
   
7
      
Fl.  

rapsódico y un poco ad libitum
                   
5 6
 
3
 

6 6
      
        
    
Cl.
p p
5 pp
       
  
6
         
Sax. Ten.
       
6
p

         
6
   
Vln
p



Perc.          
 

      
  

Pno
  


   
  

6
        
9
          
Fl.   gliss.     
p
        
Cl.               
        
Sax. Ten.                

 
       
pizz.
           
arco


Vln
gliss.
ppp p
        
     
Vibráfono
       
Xilófono
Perc.                       
        
9 pp
f Poco rall pp pp
5

  
   
        
9

                             

f  Poco rall
pp
ppp

Pno
  9   
                           
         
     
f pp ppp
Poco rall
  
6  
13
                          
  
Fl.        
p molto espress. 6
   
Cl.         

pp   gliss.
     
      

gliss.
Sax. Ten.
 pp

Vln          

   5  

        

  
Perc.
pp

         

Pno
    

     

   7 
6
   
7
    
     
15
   
Fl.    
fp ff
                                    
7 6

            

Cl.
fp ff
      6
                                             

Sax. Ten.
ff
fp
    7  6
                              
Vln         
ff
f

     
6
              
   
Perc.
ff 
7
   
 

    
7 6
            

      
f fp ff 
 
Pno
 
7 6
        
               
d i did i d .........

                ff 
f
2

18
   
Fl.         
        
        
  
3
 
3
    
     
       
Cl.
p    3 3
       
      
3
  
3
Sax. Ten.
                    
pp 3
    
Vln        
    
Perc.
               
 


   
 



   
pp molto pesante
   
pp
 
 
        
2
     
            
   


    
ppp moltopesante
 ppp
Pno
      
                 
 
   
     
 
ppp   
8
22
  poco rall.............  
Fl.       
 
        
3
 
Cl.     
  
     
3 3
           
     
Sax. Ten.

     
pizz 6
 
        
Vln
    
6
p

      
Perc.          
       

 
poco rall.............
       
        
 
Pno

 
 
 




 


  
 
          
esput. flatterz.
 
24
        
     
Fl. 
sffz p sf pp
           
    
   
 
     
     
Cl.
f 6
    
           
esput. flatterz.

      
Sax. Ten.

sffz pp sf pp
p  
        
arco
  
arco
Vln   

sffz  pizz pp
sf
    
    
 
Perc.
p f
  
       
 

sf pp
Pno
   
 
3 9
26 pizz
 
Fl.                                  
pp
pizz

Cl.                           

     
pp

pizz
              
Sax. Ten.
                    
ppp
con legno
           

s.p.
         
           
        
Vln
pp staccatisimo
      

   

Perc.
mp
3
  

Pno
   

27
  
Fl.                        
 
    
  
Cl.       
   
                 
  
Sax. Ten.
                              
        
             

   
     
Vln
ppp
 
    

Perc.     

  
 


Pno
  
 
10
28
  
Fl.                                   
                                  
Cl.

 
Sax. Ten.                                    
               

            
  
    
     
Vln
  
 
 
  
Perc.  
      
 
 
  
      
 

p
Pno
  
 
29
  
                        
         
Fl.

Cl.                                     
                       
             
Sax. Ten.
                   
                              
Vln
  
    

Perc.    

   
 
    
Pno
 
 
4 (non vibrato)
senza pizz 
11
       

30
  
Fl.                      
           p
(non vibrato)
 senza 
       
pizz
Cl.  
                                
p
senza pizz 
(non vibrato)
    
                    
Sax. Ten.
                  p
 naturale (non vibrato)

                                   
Vln
                   
p
   

Perc.  
    

    4
  
    

Pno
 
   

  
   gliss.    gliss.   
33
  
Fl.        
fp p
    gliss.  
          
  
gliss.
Cl.
fp

p
   
     gliss.      
    
gliss.
Sax. Ten.
fp p
 
  gliss.   gliss.  
 
Vln    
       

fp p
 
Xilófono
                      
        
p    
Perc.
      
    

    
   


mf
Pno
    

    
  
 
12
 
   gliss.  
36
  
Fl.   gliss.
 
fp
 
   gliss.    gliss.   


Cl.
fp
 
      

Sax. Ten.
  gliss.  gliss.
fp


      pizz
   
gliss.
    
gliss.
       
 
Vln
sfz sfz
   
Perc.   
  
                                    

p
Pno
          
   
 
sfz sfz
5
38
     q = 43
      
Fl.  
f cantando
pp
   
   
Cl.     
cantando
f pp
    
Sax. Ten.
     
cantando
 


f pp
   
            
arco


Vln
pp cantando
sfz
                             
Vibráfono

Perc.           
p legato
5
   q = 43
                  
Pno
 


 
  
 
13
      
41
      
Fl.      
   
           
Cl.       
         

Sax. Ten.         
     
Vln              
                       
                         
Perc.

 
               
               

p legato
                 

Pno
              

p legato
     
44
    
Fl.              

pp staccattisimo
Cl.     

 
Sax. Ten.
    
  
 
                      
pizz.
    

Vln
p
p f
   
Perc.
  

      

            



pp staccattisimo f
Pno
   
 
      
          
14
46
   
     
Fl.  
mf
       
                        
Cl.    
p staccattisimo
   
             
     
             
Sax. Ten.
      
   

pp staccattisimo
     
           
arco
Vln     
mf
    
Perc.
   
    
  
Pno
 
  
  

48      
   
flatterz.
    
Fl.     
sfzp
        
flatterz.
   

Cl.

sfzp
  flatterz.   
Sax. Ten.
    
 
  
sfzp

      flatterz.     
Vln     

sfzp

            
    
Xilófono
Perc.                    

     

p staccattisimo  f
   
   
    


 
sfz
Pno
         
 


sfz
15
  
50
     
Fl.             
sfzp

Cl.  
  
      

sfzp
     
Sax. Ten.        
sfzp
       
    

Vln
sfzp
  
Perc.
   
       
  

 

Pno
         
    
6 q = 50
51 pizz
   
Fl.      
   
                       
p
pizz
 
Cl.  
  

                           
p
pizz
               
Sax. Ten.
  pp                  
con legno
                      
s.p.
        
   
pstaccatisimo        
Vln

     
Vibráfono

Perc.         

     
f
6 q = 50

  

Pno

  

16
52
  
Fl.                               
 
Cl.       
   
                  
 
Sax. Ten.       
  
 
    
 
    

     
                 


   
           
Vln
   
      
Perc.       
  
   

Pno

  

53
 
                       
        
Fl.
Cl.                                   
 
Sax. Ten.
                                   
               

          
  
    
     
  
Vln
 
  
     
Perc.         
    
  

        
  


 
Pno mf
  
 
17
54
 
Fl.                                     

Cl.                                     

Sax. Ten.                                      
  
                                  
         
Vln
  
    
    
Perc.    
    
 
 
      
       
Pno

 
55
   senza pizz.   
  
G.P
               
Fl.
                   
    
                         
G.P
  
senza pizz.
     

Cl.
     p
 
  senza pizz.   
       
G.P
        
                         
Sax. Ten. 
  
    
  
                          
arco
  
G.P
        
    
Vln
p
   
     
        
G.P


    
Perc.
 
pp
        
          
G.P



    
ppp  
   
Pno
  
      
G.P
  
     
ppp  
  
18
7 
                     
59 6
    
3
         
Fl.           
mp 6 f p f
Un poco ad libitum p
 
Cl.   
 

Sax. Ten.
 
 
Vln   
 
Perc.
  
7
 
  
Pno
  
 
Molto agitato 19
q = 162
8 Multifónico
        
60
Fl.     
ff 3
4
/
2
3
4
           
Multifónico
        
    






 



 



Cl.
ff 

1 4

12___


14

          
Multifónico
        

Sax. Ten.
          
ff 1
2B
3
4Ta
5

  
                     
Vln                       
ff              
   

Perc.                   
   
    

ff marcato
Molto agitato
q = 162
                    
8
   
                               
                   
ff           
   
Pno
  

 

     
                          
                         
ff    
20
        

64
Fl.        
silencio súbito sempre ff
           

           
  








     


 


         
Cl.
silencio súbito
sempre ff
      
      
  
Sax. Ten.
           
                       

            
Vln                             
       silencio súbito sempre ff

Perc.                      
   
     silencio súbito     
sempre ff
                         
    
                                 
      


           silencio súbito      
                 
Pno sempre ff
  
  
 
  
     
  
 


                 
                  silencio súbito      
  
       

70
Fl.    


       

          
        
 
Cl.
       

  
Sax. Ten.
          
        
                
   
Vln                  
            
             
   
Perc.
           
                                

                   
Pno              
          

 
   
            

         


  
21
q = 50
     
76
 
Fl.                              
 
senza rigore
mp

Cl.    
      
  
Sax. Ten.
          

Vln    
      
  
      
Perc.
  
q = 50
  
        
Pno
 
  
    

 
9
80

Fl.  
Cl.  
 
                   
     
   
   
Sax. Ten.
  
p
mp Un poco ad libitum
Vln  
Perc.
 
9
 
Pno
  
22
81
  
Fl.  
  
Cl. 
                 
                       

Sax. Ten.
   
f
5
p 5 pp 
 
Vln  
 
Perc.  
  

Pno
  

q = 162 23
      

82
    
Fl.   
ff 1
3
4
/
2
3
5
      

       









Cl.   
ff


12 
___



      
      
  
  
multifonico
      
 
Sax. Ten.
              
1 8ª 2 1 1 ff 1
2A 3 3 2A
4 4 2A
4 4 4
5 5 5 5
6 6 5
6 6 6
Db Db Db Db
                     
                         
Vln             
ff
             
               
  
Perc.
ff
q = 162
           
            
                     
              
ff           
Pno
      

 

  
                      
                  
ff   
24
             

87
Fl.   
           

          
Cl.              
           

          
Sax. Ten.
           
       
                                
  
Vln                                     
         

                        
     
Perc.
     
                      
        
                   
        

       

              
Pno                    
              
                              
                               
    
           
92
  
Fl.     
súbito silencio
sempre ff
         
             
Cl.     
    
    
 
súbito silencio
sempre ff
         
             
Sax. Ten.  súbito silencio
      
sempre ff
      
                   
Vln           
súbito silencio
sempre ff
 
                
Perc.
 súbito silencio
  
   

sempre ff
     
               
                    

súbito silencio          
Pno         
sempre ff
    
       
 
            
súbito silencio
        
25
          

96
Fl.  
       

       
Cl.          
       

       
Sax. Ten.         
            

            
 
    
Vln      
   
         
Perc.     
    
   

            
                   

              
          

Pno
        
       
       

    


  
10
101
 q = 50
Fl.  
         3

    gliss.  
            
       
Cl.
mp 5
Un poco ad libitum
Sax. Ten.
 
Vln  
Perc.
 
10
q = 50
 
Pno
 
26
102
  
Fl.  
     5    
                       gliss.
  
      
  
Cl.
3 6 3 6 f
     
 
Sax. Ten.  
  
Vln 
 
Perc.  
  
Pno
  

11
103 q = 50
 flatterz.    
Fl.         

   

fp fp
flatterz.
       
Cl.       
    
fp fp
   
flatterz.
      
Sax. Ten.
   

 
 fp
fp
    
    
s.p.
     
  
Vln
fp
fp
11 6

Perc.    
Xilófono
                   
     
 
  
                
fp
q = 50
 
            

6
5
   
f
                        
Pno fp
               
     
 5 6
12
    27
q = 162
   
        
106
  esput.
  
flatterz.
 
Multifónico
Fl.       
     
sffz ppp pp ff 3
p 4
/
2
3
4

   
Multifónico
  
esput. flatterz.
          
   
     

Cl.
sffz p ppp ff
1 4


12___


14

Multifónico
  
  
  esput.
  
flatterz.
      
Sax. Ten.     




 
sffz ppp ff 1
p
2B
3
4Ta
5
        
                                       
arco
                            
                
Vln
sffz                
ppp
pp ff
Vibráfono
         
     
              
Xilófono
Perc.    
     
 
p
pp ff marcato
sffz
12

q = 162

             
      
  
ff   
Pno
         

              
         
p  
   ff
28
       

110
Fl.      
           

  


 



 










         
Cl.
           

Sax. Ten.            
                

Vln
    
                                   
   
                    
               
Perc.         
        
 
                        

                                 
               

           
               
Pno
   
               
                                
                               
    

 
115           
Fl.   



pp molto cresc.
   

Cl.   
            
  
 pp molto cresc.
  
Sax. Ten.       
          
pp molto cresc.
     
         
                       
        
Vln                
   
                                    
     
Perc.

          
                           
                 
          

                  
                   

Pno
                 
                          
                     


  
 29
122   
 
Fl.   
ff

  
Cl.    

ff

 
   
Sax. Ten.

ff
   
   
Vln         
 
   
Perc.
     

   
          

    
   
Pno

  
  
 
 
 

  
30
q = 50
125 

  
Fl.  
 
ff 1
2
3
4
5
/
6
7
8

  
Cl.    
ff 



___





  
Sax. Ten.
  
ff 2
3
4
5
6
 
 

Vln
ff staccatissimo
  
Perc.   
q = 50
 
 

ff
Pno
 
         
        


31
126
   
Fl.  
 
pp

 
 
Cl.  

pp


  
Sax. Ten.
  
pp
 
         
        
Vln
ppp
  
Perc.
  
 
  

Pno ppp
 
 


32
q = 40
127  
 
            
       
  
   
 

Fl.
mp
senza rigore

        
  
 
         
Cl.
mp
senza rigore
 
        
Sax. Ten.      
   
Vln          
   
Perc.            
q = 40

        
  
 
Pno
     
  
33
      
senza pizz.
130
      
pizz
      
Fl.           
p rall. pp ppp fff a tempo

senza pizz.
 pizz             
          
Cl.      
p rall. pp ppp fff
a tempo
   pizz
senza pizz.
         
                   
Sax. Ten.
        
mp p rall. pp ppp fff
senza rigore a tempo
    
pizz arco
 
                 
   
Vln
  
p rall. pp ppp
fff a tempo
          
        
Perc.  
fff a tempo

Cluster
 
   
       
 
fff a tempo
Pno
   
      
Cluster
  
  
fff 
Flauta T. TRIKONASANA

(Enero 2000)
q = 50 
     flatterz  
esput.     
       
                
flatterz.

 
 f f pp ff pp
sffz
p

 
5
        
1
     
5
                   
flatterz.

esput.
 
sffz p f f p súbito
6  
     gliss           
   
      
  

10

   
   .           
p molto espress.
p 6
 
   7 
6
     2

    
15
             
fp ff
          
23 esput. flatterz.
   
poco rall.
        
   

sffz p sf pp
26
3 pizz
                                 
pp
27
                             
28
                                 
© José Ramón Hernández Bellido

3
29

                                      
 
(non vibrato)
    
4 senza
 
pizz
30
                     

p fp
     q = 43
5
   gliss.    gliss.    gliss.   gliss. 
34
             
  
 
p fp f
   
    
    

                
40
          
 pp staccattisimo
pp cantando
                   
46      
 
        
flatterz.
     
mf
sfzp
q = 50
6 pizz
50
              

     

   
    p

   
sfzp
52
                             
53
                                 
54
                                      
 
55
    
                      
      
4
56
 
   
G.P
  
senza pizz. 
           
7 solo
59
   
6

                  
 
3
  
6 f  p f
 
mp Un poco ad libitum p
Molto agitato
8 q = 162
              
60
     
  
Multifónico
ff 3 silencio súbito sempre ff

4
/
2
3
4
q = 50
        
69
                           
 
senza rigore
mp
78
      

          

80
9
(saxo)      
 

       
   
      


     

p
  

81            
 
 


 



   
   
 
  
  
    
5 
f p 
5 pp
5
q = 162
           
82
   

ff 1
3
4
/
2
3
5
           

89
   
         

95
  
10
101 q = 50  
3

 gliss. 
(clarinete)   
   
        
 
   
 
mp 5
Un poco ad libitum
5 
102            

 
        
          


    

 
3 f   
6 
 
3 6  
11
103 q = 50
  
flatterz.
          
  
 
fp fp
6
   
12
q = 162
   
              
106
  
esput. flatterz. Multifónico
        

    
sffz p pp ppp ff 3
4
/
2
3
4

    
  
113
     
pp molto cresc.

118        
  

ff
q = 50
  
q = 40

125
           
  
 
                     
ff 1 pp mp senza rigore
2
3
4
5
/
6
7
8
      
senza pizz.
        
130 pizz
 
           
Clarinete Sib TRIKONASANA

(Enero 2000)
q = 50
    
esput. flatterz.
 
                          
flatterz
      

    
f 
sffz p
f pp ff
1

rapsódico y un poco ad libitum
              
5 5 3 6
              
esput. flatterz.
         
sffz p

f p 5 pp
8
      
           
6 6
                  

p

13
  
 
                                   
      
 g lis s .
pp fp
   7 
6 2
  
              
17 3
       
3
    
   

ff p
3 
21
                           
    
3 3 
  
Poco rall.
24           

         
         
f 6
 
26
3 pizz
                             
pp

3
27
                         
28

                             
29
                                 
4 (non vibrato)
 senza 
      
30 pizz
 
                            
p
33     gliss.   gliss.      

       
    gliss.   gliss.    
fp p fp f
 
5
39
q = 43
      
        
      
  
 
pp cantando
       
  
  
46
                      
p staccattisimo
48
      
         
flatterz. 
 

 
sfzp
 sfzp
4 q = 50
6 pizz
51
                              
p
52
                         
53
                             
54
                                 
55
  senza pizz.   
 
                         
     
      
p
7
58 G.P



(flauta)

59        3 6 
        

          
         
          
      
  
6 f p
mp Un poco ad libitum f p
Molto agitato
q = 162
                 

Multifónico
     
8
          
60
    
 

 

 

 

 

 




       silencio súbito 
ff 
sempre ff
 4
1

12___
 14


          

       q = 50
        
69
        

          
      
9 5
80 (saxo)      
    
 
     
    

 
      



p
  

            
 
81
   
  
         
    

    
    
5 
f p 
5 pp
q = 162
  













       
        
84
  
   












 













 silencio súbito
ff


12 
___



  

         
             
93
   
 

 

 

 






sempre ff
10 q = 50
         

3
   gliss.

101
        
  
     
mp 5
Un poco ad libitum
    5   liss.
102
                       g     
    
  
3 6 3 6 f      
11
q = 50

        
103 flatterz. esput. flatterz.
              
 

fp fp sffz p ppp
6
q = 162
          

Multifónico
   
12
    
109
    
 

 

 

 


    
ff
1 4


12___
 14


    

         

114

     
   
 pp molto cresc.
 q = 50
  q = 40
          
120
           
ff ff  
 pp


___



128

      
        
mp
senza rigore
senza pizz.
         
131

      
   

   

   
pizz 
Saxo Tenor TRIKONASANA

(Febrero 2000)
q = 50
        
flatterz
     
  
esput. flatterz.

                        

sffz p
 pp ff
f f

          
1

5
     
                 
esput. flatterz.

5 p súbito
sffz p f sfz
       

8 6
 
     
        
              
p 6
13
  gliss.    
                                          
pp
fp
   7  6
2
                
17 3
         
3
    
  
ff pp
 
 

3
    
3
 
        
esput.flatterz.
21
    
      
             
           
3 sffz pp
    3 pizz
  
25
                          
       
sf pp ppp

3
27
                         
28
                             
29

                                 
30

                             
4 (non vibrato)
           
senza pizz
  
31
          gliss.

gliss.
  
p p
fp
5
  q = 43
 
36
     
  
   gliss.  gliss.

fp f
40
        
                  
 
pp cantando
     
   
 
         
          
46
  
        
 

pp staccattisimo

48
     
         
flatterz. 
    
sfzp sfzp
4 q = 50
51
6 pizz
                              
pp
52
                         
53

                             
54
                                 
55
   
                
           
56
 
      
senza pizz. G.P 

7

59 (flauta)
      6 
        

    3
       
      
               
    
  
mp Un poco ad libitum 6 f p f p
Molto agitato
q = 162
Multifónico
   

 

 

 

 


60
8
             
ff 1
2B
3
4Ta
5
5
               q = 50

66        
           
         

9                
         
77
         

 
p
    
       
multifonico
               
81
        
  
      
f
 
5 p 5 pp 1 8ª2 1 1
2A 3 3 2A
4 4 4 4
5 5 5 5
6 6 6 6
Db Db Db
q = 162
               

 
84
              
                    
silencio súbito
ff 1
2A
4
5
6
Db
       

93
    
   
   
  
      
sempre ff
10
    q = 50
   
3
97    


      
(clarinete)
 




   
 
   
    

5
mp
Un poco ad libitum

         gliss.
5 
102   
   
  

      



     


     

  
3 f 
6 3 6    
11
6 q = 50
103 
        esput.
  flatterz.
    
flatterz.
    

        
 
fp fp sffz p ppp
q = 162
              

12 Multifónico
109      
 
               
ff 1
2B
3
4Ta
5
q =50 

  
            
116
        
pp ff 2 pp
molto cresc. ff 3
4
5
6
127

q = 40  
                     
mp
senza rigore
senza pizz.
         
131

      
   

   

   
pizz 
p rall. pp ppp fff
a tempo
Violin TRIKONASANA

(Febrero 2000)
q = 50

arco (cuerdas al aire) 
 
pizz. seco
   lentamente 
           
                     

 .     
                      gl iss
f
 
sffz fp ff  pp
ppp
fp
       5
s.p.  
1
  
arco
              
5

                                


         
p
        sfz p súbito
sffz f


    arco   
8 pizz.
                   
6
     
p
 ppp p  gliss.
                 7 
2
 
15 6
                                   

ff

f
       6   parco          
20 (arco)
  
pizz
       
 
      
p
6 
Poco rall. sffz  pp
sf
pizz
3
26 con legno
                               
s.p.
 
pp staccatisimo
         
27

               
      
 
 
    
  
  
ppp

3
28
                               
           
29
                                  
            
4

30
  
naturale (non vibrato)
               

                  fp
p
  gliss.      
  gliss.    gliss.   pizz
gliss.
34
           
            
p  
sfz sfz
5
38
 
q = 43  
   
           
 arco
 
 pp cantando
sfz
   
                 
42
 
pizz.
         

            
p
p f
      
                  
46
 flatterz.
     
        
arco
  
mf     
sfzp sfzp
4 6 q = 50
51
                                

con legno
s.p.
pstaccatisimo           
52
               
                      
53
                               
           
54

                                  
            
 
 
   
55
 
arco
 
     
G.P
     

                         
             p
7 (flauta) 
   6
59  

  3 
         
  
         

 


 
 
 


  








Molto agitato
          
8 q = 162
60
 
        
  
                    
                     
   
ff              
65                       

            
          
              
       silencio súbito sempre ff
5

71                 q = 50 
       

                  
9
80 (saxo)    

 
 


           
     


    
p
  

81            
 
  
  
    
 
    
 
  

    
     
5 
f p 
5 pp

q = 162
                                   
    
84
  
                                     
ff
          
89
                           
          
                          
silencio súbito

sempre ff
               
95
       
                    
  
  
10
101 q = 50  
3

 gliss.  
  
(clarinete)    
      
   
   
 
mp 5
Un poco ad libitum
6
   
     5
102              

       
 
   
 
    

    

 
 
3 6 6 f   
3   
11
q = 50      
 
103
                      

s.p.
                    
fp fp sffz                ppp
12

q
    
= 162        
 
107
         
                       
arco
      
pp ff       

           


112  
                        
      
                      
             
                            
117

                              
q = 50
125
  
ff staccatissimo
126
  
ppp
q = 40
 
127
      
         
pizz arco
          

 
      
p rall. pp ppp
fff
a tempo
Xilófono/Vibráfono TRIKONASANA

(Enero 2000)
q = 50

  
6
1
   
                      
Xilófono
Vibráfono
 
  
fp ff pp
 

sffz sffz

           
6
         
Xilófono
     
9     pp
f Poco rall
 
Vibráfono
        5 
     
10
         
              

 pp
   
pp pp
5
 
2
17

                     
6
   
     
ff  pp      pp        
molto pesante
7
   
3
        
22
              
       

         mp

p f
Poco rall.
                     4 

            
    
27

      
 
33 Xilófono
 

    
        
           
p          

q = 43 3
                        
38
5 Vibráfono
           
p legato
            
        
        
41
  
43
              
          
         
       
48 Xilófono
    
         
 
 
 
    
p staccattisimo f
6 q = 50
                       
             
Vibráfono
              
51
 
          
             
   
f
   
55
    
 
G.P
    

  
      
pp
7 (flauta) 
   6
59  

  3 
         
  
         

 
  
 
 


  



  
  
4
Molto agitato
         
60
8 q = 162
     

      

       
        
ff marcato

   
65
         
  
     silencio súbito             
 sempre ff
71 q = 50 
                    

     
  
80
9
(saxo)    

 
  
     
    
     
 
     

p
mpUn poco ad libitum
  

81            
 
  
  
    
 
    
 
  

    
     
5 
f p 
5 pp
q = 162
              
84
  
            
              
ff
             

89
           
       
       silencio súbito sempre ff

5
         
     
95

    
    
    
10
101 q = 50  
3

 gliss. 
  
(clarinete)    
        
 
   
 
mp 5
Un poco ad libitum
5 
102              

      

          
 
 



  

3 f   
6 
 
3 6  
11
    
        
q = 50 6 Vibráfono
     
103
               
 
Xilófono
       

fp
   pp
sffz p
12
q = 162
   Xilófono  
     
108

           
  
       
   
ff marcato
113
  

                        
               
q = 50
119
   
                  
    

 

127 q = 40
            
               
fff a tempo
Piano TRIKONASANA

(Febrero 2000)
q = 50
   
     
             
fp  ff
sffz

            
     
 
       
fp 

sffz
   

pp
  
            
Pesante y un poco stringendo................................................

5
1
      
  
     
 
5 6
  
f
   
                    
                     
5 6
 
ff
9 9
   
                                      
f  pp
ppp
Poco rall
  9   
                            
      

    
f pp ppp
Poco rall
    

13
    
             
f fp
 
 
          d i d i d i d . . . . . . . . .
   
    
f                
 
     
3
 
2
17

                        
7
   
6
ff         
 
ppp molto pesante

ppp
7 6
           

          
                     
  

  
ff
     
ppp
   
                     
22
3

     


Poco rall. sf pp
      
         
      

              4 
28
       



  
          
p
mf

  
  

       
 
35
   
                                     
p
             
 
 
sfz sfz
5
38
 q = 43 
             
 
 
   

 
4
42
                   
 
   
  
      
p legato
                     

           
  

     
45
                  
     

  
   
pp staccattisimo f sfz
          
     


sfz
6
50 q = 50            
            
               
        
 
mf
              
  
 
   
55
     
     
G.P
 
  


    
ppp
      
   
G.P
     
    

7 (flauta) 
59      6

     3 
    
    
               
 
    

      
  
  

5
Molto agitato

q = 162
                  
8

60
          

                          

             
ff               
             
                         
                         
ff      
64
                     
                   
          
       

           silencio súbito   
            
 
sempre ff
                
            
                
    silencio súbito
  
  
              
69
 
             
                       
 
                     
                

  

            
 



              
            


  
76 q = 50  
      
 

   

  


80
9
(saxo)    

 
 
  

     
    
     
 
  

p
mp
Un poco ad libitum
 
6
  

81           
  
   
  
     
   

     
    
     
5 
f p 
5 pp
      
q = 162
                   

84
          
 
                    
                   
ff               
                
                 
                        
ff    
88
                   
               
    
               
               silencio súbito
           
   
                 
                 
                 
   
93
     
     

     

           
       
    
          

            
               

sempre ff
                  
                 
            
    
10 q = 50 3
 
 
99 
    
          
(clarinete)   
        
 
          

    mp 5
Un poco ad libitum

  
 

 


  
7
   
     5
102              

       
 
   
 
    

      


 
3 6 6 f   
3   
  
11
  
               
103 q = 50
         
     
  5
6
                 

fp
 
f

                                  

  
       
p  
5 6
 
12
q =162                     

109
                            
             
             
ff               
   
  
 
  
     
        
        
                         
ff    
113
                        
                                     
               
               
 
  
  
 

     

 
                    
            

      

 

 
118
            

                             

                   
             
               

          

         


  
8

124
   
  

q = 50
125
  
ff
  

126
  

ppp
  

 
Cluster 
q = 40
    

127
                


fff a tempo
 
         
   
Cluster
 
  


Trikonasana (2000) para Flauta, Clarinete, Saxofón Tenor, Violín, Violonchelo, Percusión y Piano

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Trikonasana (2000) para Flauta, Clarinete, Saxofón Tenor, Violín, Violonchelo, Percusión y Piano

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3

(dur. aprox. 9 ´30´´)

q = 50 (Partitura general en sonido real)

Saxofón Tenor (sonido real)            

               

     

           

      

               

 naturale (non vibrato)

         

                 

Perc.                    

                 

               

        

           

                       

       

       

       

      

      

             

           

           

         

          

       

       

       

           

           

                        

J.Ramón Hernández Bellido

© José Ramón Hernández Bellido

                     

              

ff 3 silencio súbito sempre ff

           

         

J.Ramón Hernández Bellido

                  

24           

© José Ramón Hernández Bellido

33     gliss.   gliss.      

                 

          

          

J.Ramón Hernández Bellido

© José Ramón Hernández Bellido

               q = 50

               

       

              

J.Ramón Hernández Bellido

© José Ramón Hernández Bellido

65                       

                      

J.Ramón Hernández Bellido

                     4 

© José Ramón Hernández Bellido

             