Poets work in a manner similar to great composers, says michael clay Thompson. Ironically, the one technique that everyone immediately associates with poetry is least used in modern poetry. Most modern poets use far subtler and less obvious techniques to create their art.
Poets work in a manner similar to great composers, says michael clay Thompson. Ironically, the one technique that everyone immediately associates with poetry is least used in modern poetry. Most modern poets use far subtler and less obvious techniques to create their art.
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Poets work in a manner similar to great composers, says michael clay Thompson. Ironically, the one technique that everyone immediately associates with poetry is least used in modern poetry. Most modern poets use far subtler and less obvious techniques to create their art.
Copyright:
Attribution Non-Commercial (BY-NC)
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Download as DOC, PDF, TXT or read online from Scribd
of top of a separate sheet of meter and its variations Poetry paper, so that he would in Michael Clay Thompson have poetry. Those who are not well room below to foot: a unit of meter acquainted with good laboriously with poetry solve the poetic two or three syllables of might imagine that problems of which poetry is a the line. Only when he one is usually stressed. spontaneous emotional had iambic foot: a two- production, involving finished each line did he syllable perhaps reassemble the lines into foot with the stress on some rhyme, but relying a the largely on intuition and poem. second. It is the most fortuitous accident, the Ironically, the one poetic common muse, technique that everyone foot in English poetry: for the details of genius immediately associates -/ which with trochaic foot: a make great poems great. poetry, rhyme, is twosyllable foot with the Actually, poets work in probably the stress on a one that is least used in the first: /- Trochees manner more similar to modern poetry. Instead, are often great most used to suggest evil, as composers; there is a modern poets use far in the current subtler trochaic tetrameter of of inspired genius, but and less obvious Shakespeare’s witches this techniques to in genius is worked out in create—and conceal— Macbeth: “Double, meticulous professional their art. double, toil detail. Many of them are and trouble,” or in the Just as a composer explained trochaic consciously places each below. octameter of Poe’s separate note of a Meter “Raven”: symphony meter: the pattern of “Once upon a midnight on musical staff, so a stressed (accented, long) dreary, while I poet and pondered, weak consciously controls unstressed (unaccented, and weary.” each short) anapestic foot: a separate vowel and syllables in poetry. threesyllable foot with consonant cadence: rhythm not stress on the sound, organizing them truly third: --/ within regular. Walt Whitman dactylic foot: a the structure of rhythm. wrote threesyllable foot with Dylan Thomas’s habit in cadences rather than stress on the was to in first: /-- spondaic foot: a spondee Manley Hopkins’s term closed couplet. Two is two stressed syllables: for successive rhyming // variable meter verses with pyrrhic foot: two combining a a complete thought unstressed syllables, --. stressed syllable with within the Rare. any two lines. Usually dipodic foot: a number of unstressed iambic foursyllable foot syllables. pentameter. consisting of an Copyright 2006, Royal terza rima: a three-line unaccented, lightly Fireworks Press stanza with an accented, www.rfwp.comStanza interwoven unaccented, and heavily stanza: a division of a rhyme scheme: aba, bcb, accented syllable. poem based on thought cdc, anacrusis: prefixing an or ded, etc. Usually iambic unstressed syllable to a form. Stanzas based on pentameter. Shelley’s line of form “Ode which it forms no are shown by their to The West Wind” metrical rhyme limerick: a five-line part: Sport that scheme. nonsense poem in wrinkled Care verso: a line of a poem. anapest, derides / And Laughter arte menor: 1-8 syllables aabba. Lines 1,2, and 5 holding both his sides. per line of poetry. have 3 feminine ending: a final arte mayor: 9 or more feet; lines 3 and 4 have unstressed syllable syllables per line of only appended poetry. two. to an iambic or anapestic couplet: a two-line ballad: four lines, abcb, line. stanza, lines 1 and 3 are iambic To be or not to be, that aa. tetrameter, and lines 2 is the triplet: a three-line and 4 question. stanza, are iambic trimeter. catalexis: dropping one aaa. ode: a complex, long or two unaccented quatrain: a four-line lyric syllables stanza, aaaa, abab, abba, poem, in formal style, from the end of a line-- aabb, on a necessarily a trochaic or abac. sublime subject. dactylic line. Dust thou quintet: a five-line Shelley’s art to stanza. “Ode to the West Wind” dust returnest / Was not sestet: a six-line stanza. is spoken of the soul. septet: a seven-line an example. metrical lines: stanza. elegy: a poem mourning monometer, dimeter, octave: an eight-line the trimeter, stanza. death of someone. tetrameter, pentameter, nine-line, ten-line, etc., allegory: a story in hexameter, heptameter, stanzas: which octameter. heroic couplet: Also characters represent sprung rhythm: Gerard called abstract values or ideas, such as stanza in iambic with each other or with John pentameter. the Bunyan’s Pilgrim’s Italian or Petrarchan lines of an adjoining Progress. sonnet: a sonnet with an tercet. There is a meaning octave and a sestet, Shakespeare concluded below the abbaabba “The surface of the story. and cdecde or cdcdcd. Phoenix and the Turtle” rime royal: seven lines The with of octave makes a five tercets. Sestets iambic pentameter, statement or rhyming ababbcc. states a problem, and the cdecde contain two Named because King sestet tercets. James I makes a summary of rondel: a fourteen-line of Scotland used it. gives a poem rhyming ottava rima: eight lines solution. abbaabababbaab. Lines of English or 7 and iambic pentameter, Shakespearean sonnet: 8 and lines 13 and 14 abababcc. three repeat From the Italians. quatrains and a couplet, lines 1 and 2. Spenserian stanza: a abab distich: a couplet. nineline stanza cdcd efef gg. canto: a section or consisting of eight villanelle: a poem of division iambic pentameter lines five of a long poem, such as followed by an tercets, all rhyming aba, the alexandrine, and a cantos of the Divine ababbcbcc. Named for concluding quatrain, Comedy Edmund Spenser, who rhyming or Don Juan. invented this form for abaa. Lines 6, 12, and Rhyme and his 18 Sound "Faerie Queene." repeat line one; lines 9, rhymed verse: verse alexandrine: a line of 15, with iambic hexameter. The and 19 repeat line 3. end rhyme and usually ninth Theodore Roethke’s regular line of a Spenserian “The meter. stanza is Waking” is a nearly blank verse: iambic an alexandrine. perfect pentameter without end haiku: a three-line poem villanelle. Dylan rhyme. of 5, 7, and 5 syllables, Thomas’s free verse: verse with unrhymed, concerning "Do Not Go Gentle into no nature, That regular meter and no end and presenting Good Night” is a rhyme. juxtaposed villanelle. rhyme: a similarity of images which are tercet: a three-line sound between two uninterpreted. stanza words. sonnet: a fourteen-line in which all lines rhyme True rhyme is identical either sounding stressed consonance: repetition middle of a line of five syllables in of a or more which the letters before consonant sound. feet. Represented by the the onomatopoeia: word syllable //. To err is vowel sounds are imitation of natural human, // different. sound. to forgive, divine. end rhyme: rhyme at the The words whippoorwill Shakespeare’s Sonnet ends of the lines in a and 29: stanza. bang are examples. Haply I think on thee—. Copyright 2006, Royal repetition: reiterating of Ideas Fireworks Press a figure of speech: www.rfwp.cominternal word or phrase in a nonliteral rhyme: rhyme poem. expression within a line of poetry. incremental repetition: simile: a like or as masculine rhyme: the repetition of a line or comparison. He swims onesyllable rhyme. lines, like a feminine or double but with a variation each fish. rhyme: two-syllable time epic simile or Homeric rhyme. that advances the simile: a simile as triple rhyme: narrative. found in threesyllable rhyme. refrain: repetition of one Homer’s Iliad, in which leonine rhyme: a scheme or the in which the word more phrases or lines at poet compares preceding a intervals. something in caesura rhymes with the elision: running together his poem to an last of elaborately word of the line: I bring vowels in adjacent described scene, such as fresh words in hunters and dogs in showers // for the order to eliminate a pursuit of thirsting syllable: a lion or stag. flowers. th’eternal. metaphor: an implied rhyme scheme: the eye-rhyme: words or comparison. He is a pattern syllables spelled alike fish. of end rhyme. Sounds but Whitman’s poem about are pronounced differently: the identified by letters, some death of Lincoln refers aabb, abab, and home. to abc abc, etc. approximate rime: near Lincoln as Captain. reversal: sense/madness, rime, imperfect rime, extended metaphor: an Emily Dickinson slant rime, elaborate comparison; alliteration: repetition of oblique rime. much the initial letter or enjambment: running of longer than the typical sound. one line into another. onephrase or one-clause assonance: repetition of end-stopped: lines not metaphor. a enjambed. personification: vowel sound. caesura: a break in the describing inhuman something in literature things in or human terms. The sad history. Yeats’s “No fish. Second synecdoche: letting a Troy,” or Keats’s part “Chapman’s Homer” represent the whole. All contain examples. hands cacophony: bad- on deck. sounding metonymy: letting a sounds. related juxtaposition: stark object represent sideby-side contrast of something. two payment to the crown. different voices, hyperbole: exaggeration, elements, or also known as phenomena, as in “After overstatement. Taught Me.” litotes: emphasis voice: the personality through adopted by the poet for opposite statement. the Calling a speaking tone of the fat boy Skinny. poem. antithesis: balancing or trope: a figure of speech, contrasting terms. Fair or figurative language. is Copyright 2006, Royal foul, and foul is fair. Fireworks Press apostrophe: addressing www.rfwp.com someone absent as though present. O Captain! symbol: a word or image that represents something else. The cross. epithet: a descriptive name such as Catherine the Great, or the wine-dark sea. oxymoron: a figure of speech that combines opposite ideas, such as living death or sweet sorrow. allusion: a reference to