THE DELICATE S O U N D B OA R D B A L A N CE

Spruce and cedar soundboards have been many small changes that add up to a significant
used for well over a millennium, and the modern difference in volume, balance and richness.
bracing system has been around for at least Takamine soundboards are braced and voiced TOBY KEITH ASHTON SHEPHERD SIMPLE PLAN JOHN SCOFIELD
150 years. We use a traditional ‘X’ bracing by hand. By tapping each top, a skilled luthier
pattern on our steel strings, differently voiced knows just how to shape the braces for the best
for each application. possible response.
Rather than take a radical departure, we make

Is There a Pe r f e c t N e c k S h a p e ?
A hundred years ago, the wide classical shape
with a flat fingerboard was the only shape
considered “proper,” but we’ve become more
open-minded since then. Some players feel you
can never be too thin, while others feel it’s phat
to be fat. It’s that personal taste thing again.
Takamine necks have an “asymmetrical ‘C’ shape” –
an ergonomic contour that’s slightly thinner CHRISTINE KANE JON BON JOVI BRUCE SPRINGSTEEN NANCY WILSON
on the treble side of the neck so that it fits the
natural shape of your hand. Overall, it’s thin
from front to back, medium in width, with a gentle
fingerboard arch. Perfectly comfortable.

The Fret Secr e t

GOOD CHARLOTTE DARYL STUERMER – HOWIE DAY CHESTER BENNINGTON –
Most makers don’t give frets enough credit - to within 0.0001” of dead-on. Fret a note. PHIL COLLINS LINKIN PARK
or attention. A good fret job can help a player Notice how the string contacts the centerline
reach new heights. of the fret perfectly. And hear the clarity when
you play. A good fret job can be the difference
Examine the frets on a Takamine Tradesman.
between a nice guitar and a great guitar.
What you see is the work of a laser-guided fret
finishing system that levels and crowns each fret

BODY TALK Adam Lazarra –

Taking Back Sunday
INDIA.ARIE JASON ORME / DAVE LEVITA –
ALANIS MORISSETTE
JAMIE JOHNSON / TERRY ELDREDGE –
THE GRASCALS

A guitar body, with its many curves,
accommodates a wide range of frequencies.
Different body shapes favor different
frequencies giving them a distinct character.
Dreadnoughts are typically louder, with stronger
lows. Smaller bodies, like our NEX, tend to be
more balanced. A thinner body may project less,
but sound more pleasing to the player. Play as
many sizes as you can with comfort and sound in
mind. Your choice is very personal - what sounds
and feels best to you.

MONTGOMERY GENTRY MARTY ROE – DIAMOND RIO Marty Schiff – JOE NICHOLS
Martina M c Bride
APPOINTMENTS B Y DE L U X E
Takamine pioneered the use of uncommonly Look closely at Takamine rosettes and inlays.
artistic and complex inlays on guitars for This meticulous handwork is a highly visible
the common man. We have developed the reminder of our commitment to excellence on
art of design and the craft of precise inlay every part of our guitars.
work far beyond the capability of most
other guitarmakers.
SCOTT PATTON – SUGARLAND Jerry Cantrell – TOM DUMONT – NO DOUBT FRED MASCHERINO –
Alice in Chains THE COLOR FRED

Prices and specifications subject

SKI N DE E P A N D M O R E to change without notice.
KCG-446
Your Takamine is beautiful on the outside, but beauty is more There’s a century-old phrase from the Arts & Crafts ©2009 KMC Music, Inc.
than skin deep. Look inside and see for yourself. Finely sanded movement: “Anything worth doing is worth doing well.” P.O. Box 507
braces and meticulously cut linings display a level of hand That spirit lives on today. At Takamine, we’re Bloomfield, CT 06002 USA
craftsmanship that’s fast disappearing from modern guitars. artisans and craftspeople at heart. BLAKE SHELTON BRIAN SPRADLIN – JOE NICHOLS Avril Lavigne Dave Stewart www.Takamine.com
SYSTEM-MATCHED ACCESSORIES – ALL PERFORMANCE – NO HASSLE

Your Takamine is stage-ready right out of the case –

there’s nothing extra to buy or fiddle with
to get the sound you want.
But some of us want more. More versatility.
More options. More things to play with.
That’s why we offer two optional pieces of gear –
a magnetic, body-sensing pickup and a
dedicated direct box – that are system-matched
to your CoolTube preamp.
TRUE TUBE SOUND
The Takamine CoolTube is the first and only
on-board tube preamp for acoustic guitar.
It gives you the tonal warmth and harmonic
richness that only a true tube preamp can deliver –
with mild, natural tube compression and plenty
of even-harmonic sweetness. Along with a
semi-parametric eq, a second-source input
and blend control let you add a pickup like the
Tri-Ax to the CoolTube.
Tri-Ax Pickup
The Takamine Tri-Ax active soundhole pickup is
system-matched to the CoolTube preamp and can
also be used as an add-on pickup for any acoustic guitar.
It features patented Tri-Axial body-sensing technology
for a clear, rich and acoustically accurate tone.
Creating the system couldn’t be easier.
Just plug the Tri-Ax into the CoolTube
and you’re ready to go. Control the blend
of the Tri-Ax with the Aux knob on the CoolTube.
5 FUNCTIONS FOR ACOUSTICS
Takamine DI-Plus – the Direct Inject unit specifically designed
for the needs of acoustic guitarists. The DI-Plus has a switchable effects
loop with a return gain control so you can setup your effects and bring
them all in at once with one tap of your toe.
A mute circuit lets you change instruments noiselessly, even if
the soundman isn’t quite on the job. There’s even a boost function
to deliver the hottest signal the board can handle, or boost volume
when you want to rip off a solo.
The DI-Plus can also phantom power your CoolTube preamp
so you never have to worry about fading batteries.

DREADNOUGHT NEX/GRAND AUDITORIUM FXC OM JUMBO CLASSIC

The most popular body shape This original Takamine body is a The FXC is very close to traditional The Orchestra Model shape, The Jumbo excels as a Takamine classic guitars respect
of the past half century, the scaled-down Jumbo at heart. The Grand Concert proportions. with its strong lower midrange rhythm guitar - big, meaty tradition. The fan bracing and
Dreadnought delivers a strong NEX has a silky balance to the tone Excellent feedback control with a and versatile dynamics, is chords, plenty of volume body shape deliver a clear tone
low end with plenty of volume. that supports vocals beautifully. true and warm acoustic tone. enjoying a resurgence. and outstanding balance. and a strong voice.

Length_________ 20 1/16” (51cm) Length_________ 20 1/16” (51cm) Length_________ 19 1/8” (48.5cm) Length__________19 1/2” (49.5cm) Length_________ 20 7/8” (53cm) Length_________ 19 5/16” (49cm)
Depth_________4 15/16” (12.5cm) Depth___________ 4 5/16” (11cm) Depth________________4” (10cm) Depth_____________ 4 1/4” (11cm) Depth_________4 15/16” (12.5cm) Depth________________4” (10cm)
Upper bout_______ 11 1/8” (30cm) Upper bout______11 1/4” (28.5cm) Upper bout__________ 11” (28cm) Upper bout___________11” (28cm) Upper bout______12 9/16” (32cm) Upper bout______ 11 7/16” (29cm)
Lower bout_______15 3/4” (40cm) Lower bout_______15 3/4” (40cm) Lower bout______14 3/4” (37.5cm) Lower bout_______15 3/8” (39cm) Lower bout______17 1/8” (43.5cm) Lower bout_______14 9/16” (37cm)
 Making guitars is like making music –
part art and part craft.
Like music, guitarmaking is more
than just having the parts fit together.
There’s a right way and a wrong way –
and it takes artistic commitment
to make sure the right way prevails.
At Takamine, we work together a lot
like your band probably works together.
We talk ideas out, we state our case,
we argue some, and stand up for our beliefs.
In the end, we come together.
Over the past 40-plus years,
guitar players around the world
have given us their respect.
We hope to keep earning it
by crafting the best instruments we can
in the most artful way we know.
 GOLDEN AGE GUITARS
The Golden Age of guitarmaking is alive
and well at Takamine. The Nashville Series
is an expression of our deep admiration
TNV460SC for the great vintage instruments that
in-the-know players have coveted for decades. TNV360S

Well covet no more.

The Nashville Series proudly invites comparison
to the great guitars of yesteryear. The tops
are solid, hand-selected “bear claw” spruce –
a rare, naturally occurring figure pattern
that marks luthiers’ most highly-prized soundboard
spruce. Each is individually voiced to maximize
its power and dynamic range. The back and sides
are solid bookmatched Indian rosewood, the
fingerboard is ebony and the inlays are deep,
vivid abalone.

COMMON FEATURES: Solid Top • Ebony Fingerboard • 25 3/8” (644mm) Scale Length
Gloss Natural Finish • CoolTube Preamp • Hard Shell Case Included
MODEL BODY STYLE TOP BACK & SIDES PREAMP NUT WIDTH
TNV360S Dreadnought Solid “Bear Claw” Spruce Solid Indian Rosewood CoolTube 1 3/4” (45mm)
TNV360SC Dreadnought C/A Solid “Bear Claw” Spruce Solid Indian Rosewood CoolTube 1 3/4” (45mm)
TNV460SC NEX/Gr.Aud C/A Solid “Bear Claw” Spruce Solid Indian Rosewood CoolTube 1 3/4” (45mm)
For a full listing of all currently available models, visit www.Takamine.com
 3

Takamine has
a big vintage
sound acoustically
G O L DE N T O N E TNV360SC that makes you
If you’ve got a sharp eye want to pick
for craftsmanship and a
love for the vintage, these for hours.
guitars will stop you in your
tracks. But seeing is only
the beginning. The Nashville
Series delivers acoustic
purity and vintage vibe in
abundance. The on-board
tube-driven preamp brings
it home in the warmest
way possible.
DANN Y GROA H – ALAN JAC KSON BAND

SCOTT CONEY – ALAN JACKSON BAND

I can leav e
my p rized pre war
dreadnoug hts
at home and still
get the same
feel and sound
on the road
 KC70

SW341SC

EF360GF

JJ325SRC

GB7C

COMMON FEATURES: Solid Top • Rosewood Fingerboard • Hard Shell Case Included
25 3/8” (644mm) Scale Length • 1 11/16” (43mm) Nut Width
MODEL BODY STYLE FINISH TOP BACK & SIDES PREAMP SPECIAL
KC70 OM Satin Natural Solid Cedar Solid Mahogany Back CT4B Rosette by Kenny Chesney
SW341SC Dreadnought C/A Gloss Black Solid Cedar Solid Mahogany Back CT4B Abalone Binding, “SW” inlay
EF360GF Dreadnought Gloss Natural Solid Spruce Solid Rosewood Back CT4B 1980s specs
JJ325SRC Dreadnought C/A Gloss Red Stain Solid Spruce Bubinga DSP Abalone Rosette, “JJ” Inlay
JJ325SRC-12* Dreadnought C/A Gloss Red Stain Solid Spruce Bubinga DSP 12-String, 1 7/8” Nut Width
GB7C Dreadnought C/A Satin Natural Solid Cedar Solid Rosewood Back CT4B Guitar-shaped Soundhole

*Not shown. For a full listing of all currently available models, visit www.Takamine.com
 KENNY CHESNEY
Playing for tips in college, with nothing but a dream
and an acoustic guitar, Kenny Chesney now plays for a
million-plus fans per year. What hasn’t changed is his love
affair with acoustic guitar. Kenny spec’d out his own cedar
top mahogany OM and designed the inlays and rosette.

STEVE WARINER
Steve Wariner is a nearly full-time resident of
the country music charts as a guitarist, singer and
songwriter – with Takamine in hand, of course. The
solid cedar top and solid mahogany back give Steve’s
signature model a deeper, warmer acoustic voice.

G LE N N F R E Y
Take it Easy. The opening lick of that song is a cultural
icon in its own right. Another icon is Glenn’s “#1” –
the Takamine he’s been playing for over 20 years.
The Glenn Frey Model is a duplicate of one of the most
well-traveled guitars in rock and roll.

JOHN JORGENSON
For years, Takamine has been adjusting and
tweaking the bracing of John Jorgenson’s guitars.
What you first notice in the JJ models is their
sweeping dynamic breadth. John certainly knows
the sweet spot when he hears it.

GARTH BROOKS
Nothing short of a perfectionist, Garth worked
closely with us on the GB7C. Its solid cedar top
and rosewood back and sides deliver an evenness
of tone and a solid, reliable fullness. That original
guitar-shaped soundhole is Garth’s personal touch.

Photos (top to bottom) by: 1. Glen Rose 2./3./4. McQuire

SI G N A T U R E M O DE L S
When you hear an acoustic guitar at a gig, odds are high that it’ll be a Takamine.
So what’s the deal? Why is Takamine the live player’s favorite? Maybe it’s because

5
no other acoustic/electric guitar works so well on stage. Among the hundreds of
Takamine artists are five who’ve worked with us to design their own signature models.
 Let’s face it:
you don’t go pro in the music biz
because the money is easy,
or your father thinks it’s a growth industry.
You do it because it’s what you’re built to do.
You’re called to walk into a club
full of strangers with nothing but your axe and your mojo
and lead them on an expedition to elsewhere.
Easy?
No.
Worth it?
Absolutely.
We agree.
Wherever the Joy of Music intersects with Serious Business,
there’s a headstock that says “Takamine.”
 I know I can alw ays de p end on my T a k amine
to sound greaT no matter wh at I do to it !

PIERRE BOUVIER – SIMPLE PLAN

 P E R F E C T T O O L S . WO R K S OF ART.
Purpose-built guitars for a specific job. Tradesman guitars
are designed to be the perfect tools for flatpicking,
fingerstyle, vocal accompaniment and bass excursions.

TF430SS

SINGER/SONGWRITER
If you and your songs are center stage, you owe it to yourself
to audition the Takamine Singer/Songwriter. It’s voiced to
complement and support the vocal range, with a balance and
sweetness that will give your songs extra dimension.

TF740FS

FINGERSTY LE
Our latest contribution to the world of fingerstyle. The wide neck
gives your right hand fingers some room to dance, and the 12-fret
body puts the bridge in the sweet spot of the lower bout for added
fullness and depth.

TB10

B ASS
The Takamine TB10 rules the vast valley between acoustic bass guitar
and upright bass. As flexible as it is gorgeous, the telescoping endpin
lets you play it either way. Its remarkable acoustic fullness carves out
an identity all its own.

COMMON FEATURES: Ebony Fingerboard • Hard Shell Case Included • 25 3/8” (644mm) Scale Length • Bass 34” (864mm) Scale Length
MODEL BODY STYLE FINISH TOP BACK & SIDES PREAMP NUT WIDTH
EF340SBG Dreadnought Gloss Natural AAA Sitka Spruce Solid Mahogany TLD 1 3/4” (45mm)
TF340SBG* Dreadnought Gloss Natural AAA Sitka Spruce Solid Mahogany CoolTube 1 3/4” (45mm)
EF360SBG* Dreadnought Gloss Natural AAA Sitka Spruce Solid Indian Rosewood TLD 1 3/4” (45mm)
TF360SBG Dreadnought Gloss Natural AAA Sitka Spruce Solid Indian Rosewood CoolTube 1 3/4” (45mm)
TF430SS NEX/Gr. Aud Satin Sunburst Select Solid Cedar Solid Ovangkol CoolTube 1 11/16” (43mm)
TF740FS OM C/A 12-fret Gloss Natural Select Cedar Solid Mahogany CoolTube 1 7/8” (48mm)
TB10 Archtop C/A Satin Violin Spruce Maple CoolTube 1 13/16” (46mm)
*Not shown. For a full listing of all currently available models, visit www.Takamine.com
 F L A TP I CK ER
We have a friend
who melts down EF340SBG
flat picks at the rate
of one-per-solo.
He llllllooovvvvves The recording
this guitar. We can’t print
the non-technical term studio is the
he uses to describe
the extraordinary toughest quality
presence and clarity
of this powerful b enchmark for
dreadnought.
any guitar.
The Tradesman
passes with
TF360SBG
flying colors

As a 21-year music veteran,

Brad Davis admits to having
tried hundreds of different
guitars in his search for
The Grail. His search is over –
the two main guitars he plays
for recording and touring are
both Takamine Flatpickers.
When Brad came to Takamine,
he was brimming with ideas about
how to make a better modern
dreadnought for flatpicking.
He talked and we listened. As we
put Brad’s ideas into prototypes,
it became clear that he was on to
something. If you’re a flatpicker,
you’ve got to try one of these.

BRA D D A VI S

9
 TAN16C

COMMON FEATURES: Solid Top • Abalone Rosette • Rosewood Fingerboard

25 3/8” (644mm) Scale Length • Gloss Natural Finish • CoolTube Preamp • Hard Shell Case Included
MODEL BODY STYLE TOP BACK & SIDES NUT WIDTH
TAN15C Dreadnought C/A Solid Cedar Solid Rosewood Back 1 11/16” (43mm)
TAN16C Dreadnought C/A Solid Spruce Solid Rosewood Back 1 11/16” (43mm)
TAN45C NEX/Gr.Aud. C/A Solid Cedar Solid Rosewood Back 1 11/16” (43mm)
TAN76* OM Solid Spruce Solid Rosewood Back 1 11/16” (43mm)
TAN76C OM C/A Solid Spruce Solid Rosewood Back 1 11/16” (43mm)
TAN77 OM Solid Cedar Solid Koa 1 3/4” (45mm)
*Not shown. For a full listing of all currently available models, visit www.Takamine.com
 V INTAGE NO W
Our passion for the great guitars of yesteryear
is unabashed. Case in point: the SuperNaturals.
The look and feel of these instruments
declare a noble lineage.
These guitars leverage the sonic potential of their
premium materials. Soundboards are supported
by harmoniously matched hand-scalloped bracing.
Backs and sides are bookmatched tonewoods.
And when it’s time to sing it out loud, the CoolTube
preamp is a fast tweak to perfect warm, fat tone,
right for any size venue.

TAN45C TAN15C TAN77 TAN76C

11
 THE SOUND OF TRUTH
The stripped-down essence of Takamine guitarmaking is represented by the
Natural Series. These instruments are a union of forthright, old-world design,
meeting meticulous craftsmanship, in the service of a single intention: the widest,
richest sonic radiance possible.
ETN10CTBS And radiant it is.
The select materials – like the solid cedar top and solid mahogany back –
are chosen for their sonic excellence. Every process is aimed at increased
vibrancy and dynamism. Freedom of vibration ensured by the restrained
touch of a thin satin finish and a pickguard is left on the parts shelf.

ETN70C ETN40C

COMMON FEATURES: Solid Cedar Top • Solid Mahogany Back • Rosewood Fingerboard
25 3/8” (644mm) Scale Length • 1 11/16” (43mm) Nut Width • CT4B Preamp • Hard Shell Case Included
MODEL BODY STYLE FINISH TOP BACK & SIDES SPECIAL
ETN10C Dreadnought C/A Satin Natural Solid Cedar Solid Mahogany Back
ETN10C-LH* Dreadnought C/A Satin Natural Solid Cedar Solid Mahogany Back Left-hand
ETN10CTBS Dreadnought C/A Tobacco Burst Solid Cedar Solid Mahogany Back
ETN40C NEX/Gr.Aud C/A Satin Natural Solid Cedar Solid Mahogany Back
ETN70C OM C/A Satin Natural Solid Cedar Solid Mahogany Back
*Not shown. For a full listing of all currently available models, visit www.Takamine.com
 13
I always
want the
ETN10C
best sound
I can get ,
as I ’ m sure
e very b ody does .
My Ta k amine
instruments
ena ble me to do
just th at –
get the best
acoustic guitar
sounds possi b le

Quincy Jones, Ella Fitzgerald, Steely Dan,

David Benoit, Chicago, Luther Vandross,
Michael Jackson, George Duke,
Gladys Knight, Barry White, Kenny Rogers,
Aretha, Elton, Barbra …
are we running out of space yet?
Grammy-nominated guitarist, composer and
arranger Paul Jackson, Jr. is America’s go-to
guitarist. If you have a track that needs to be
just a little sweeter, your next call is to Paul.
More than a few million people a week
hear Paul’s sweetness on American Idol,
where he flat-out nails every style. Such a
truly amazing player needs guitar sounds
that get it done. When it’s acoustic time
for Paul, it’s time for Takamine.

PA U L J A C KS O N J R .
 TF450SMSB EF508KC
EF740SGN

GU I T A R S TH A T DE FY C A T E G O RY
Maybe it’s the sound. Maybe it’s the fit. These alternatives to the
dreadnought reflect Takamine’s long-standing promise to give
artists as broad a palette as possible.
A studio favorite – the Noveau Jumbo – brims with personality
and still leaves plenty of room in the mix. Engineers love it.
The solid spruce top and choice of solid flame maple or
mahogany back delivers great presence and balance.
Noveau small-bodies are favorites of both coffeehouse and arena
guitarists. The exclusive NEX/Grand Auditorium body delivers a
focused sound with clear articulation and pleasing brilliance.

COMMON FEATURES: Solid Top • 25 3/8” (644mm) Scale Length • 1 11/16” (43mm) Nut Width • 12-String 1 7/8” (48mm) Nut Width
MODEL BODY STYLE FINISH TOP BACK & SIDES FNBRD PREAMP SPECIAL
EF261SAN* FXC C/A Gloss Antique Stain Solid Cedar Mahogany Rosewood CT4B
EF261SBL FXC C/A Gloss Black Solid Cedar Mahogany Rosewood CT4B
EF241S* Jumbo Gloss Black Solid Spruce Solid Mahogany Back Rosewood CT4B
EF281S* Jumbo Gloss Black Solid Spruce Solid Mahogany Back Rosewood CT4B 12-String
EF740SGN OM Satin Antique Solid Cedar Sapele Rosewood CT4B
EF508KC NEX/Gr. Aud. C/A Gloss Natural Koa Koa Rosewood CT4B
TF241DLX* Jumbo C/A Gloss Black Solid Spruce Solid Mahogany Back Rosewood CoolTube
TF281DLX* Jumbo C/A Gloss Black Solid Spruce Solid Mahogany Back Rosewood CoolTube 12-String
TF250SMC* Jumbo C/A Gloss Natural Solid Spruce Solid Flame Maple Back Ebony CoolTube
TF250SMCSB Jumbo C/A Gloss Sunburst Solid Spruce Solid Flame Maple Back Ebony CoolTube
TF250SMC12 Jumbo C/A Gloss Natural Solid Spruce Solid Flame Maple Back Ebony CoolTube 12-String
TF250SMCSB12* Jumbo C/A Gloss Sunburst Solid Spruce Solid Flame Maple Back Ebony CoolTube 12-String
TF450SM* NEX/Gr. Aud Gloss Natural Solid Spruce Solid Flame Maple Back Ebony CoolTube
TF450SMSB NEX/Gr. Aud Gloss Sunburst Solid Spruce Solid Flame Maple Back Ebony CoolTube
TSF48C NEX/Gr. Aud. C/A Gloss Natural Solid Spruce Solid Rosewood Back Ebony CoolTube Black Crow Rosette/
Eagle Fbd. Inlays
*Not shown. For a full listing of all currently available models, visit www.Takamine.com
 TF250SMC12 TF250SMCSB
EF261SBL

Whether I’m
playing delicate
acoustic shows
or roaring rock —
caressing them
or manhandling
them – they
deliver!
Takamine guitars
are built and
sound better
than ever.
TSF48C Complex Santa Fe inlays and beautifully
themed rosettes have been lovingly
developed, almost to the point of painterly
expression. The rich traditions of the American
Southwest are embodied and honored in this
fine instrument.

Stunning inlay
work with rare
woods and
select shell is N I L S LO F G R E N
a Santa Fe
trademark.

15
THIN K A C O U S T I C … L IV E E LE C T R I C
Your Takamine will hold its own with any acoustic guitar in the room.

Now plug it in and watch lesser guitars raise the white flag. The pickup is unique in acoustic/electric guitars –
actually six pickups embedded in the bridge plate, where the full sound of the guitar comes home.

When the venue is bigger than your living room, your acoustic guitar needs a preamp,
and Takamine has a range of electronics to suit every need and taste.

COOLTUB E – WAR M SOUND

The CoolTube preamp is the first
and only on-board tube preamp
for acoustic guitar. It has a warm,
fat sound that makes you wonder,
“Why don’t all acoustic/electric
guitars sound like this?”
The CoolTube gets its name from
Takamine’s unique technology
that runs the 12AU7 dual triode
vacuum tube at very low voltages.
The amount of “Tube Effect” can
be adjusted from bright and brilliant
to fat and warm.
The EQ section utilizes shelving
filters for bass and treble
frequencies, with the midrange shaped
by a semi-parametric EQ. The
center frequency can be adjusted
with a rotary knob between 200Hz
and 8.5kHz. A built-in chromatic
tuner is standard equipment.
 17
C r e a te a System – Add a Tri-Ax
The Takamine Tri-Ax magnetic, body-sensing
pickup is system-matched to the CoolTube.
The blend of the two can be controlled
directly from the CoolTube.
C T 4 B – WARM AND WARMER
The CT4B preamp delivers warmth and purity
of tone in generous amounts. Three bands of
carefully chosen EQ make it easy to shape your
tone the way you like it. The CT4B is a favorite
among critical players and soundmen across
the musical spectrum.
The built-in chromatic tuner earns rave reviews
from players everywhere. One touch of the
tuner button mutes the guitar output and the
tuner quickly locks on to the note you’re tuning.
T L D – T h e Basics
The Takamine Line Driver – TLD for short –
is the most basic bit of electronics you could
want. It buffers the pickup from the rest of your
amplification setup and makes the signal ready
to be processed by external gear. There are no
controls on the guitar – no holes and a minimum
of wiring. The TLD is acoustic/electric for the purist.
2:00
C AN’T DECIDE? S WAP YO UR PRE AM P IN 2 MINUTES
Want the best of all worlds? You can have it. The Takamine
CoolTube and CT4B are designed to be interchangeable.
While we match Takamine model guitars with the most
appropriate preamp for the application, don’t feel limited
by our choice. Since the preamps use the same mounting bracket,
they can be interchanged by simply swapping the input and
output cables. Two minutes and you’re ready to go.
I f you ’ ve nev er h ad
the pleasure of
p lay ing th roug h a
nice tu b e pream p ,
here’s your chance.
The CoolT u be delivers
it to you big, warm
and fat – just li k e
you always wanted
your guitar to sound .
THERE’S NO IDEA LIKE A PRO IDEA
A revolutionary idea began to take
shape when we noticed acoustic
players like John Jorgenson using tube
preamps in the studio to warm up
their recorded tracks. Could we
bring this studio idea to the stage?
Could we put it in the guitar?
John was keen to find out and jumped
into what became the CoolTube
project. The collaboration was fruitful.
John took a prototype on the road and
showed it no mercy. It came home in
one piece and many of the CoolTube’s
final specs are the result of John’s input.
We’ve partnered with dozens of pro
players who take our test gear out
on the road and frankly, don’t treat it
very kindly. They come back and
tell us what worked and what didn’t.
It’s a process that guarantees that
the Takamine you take out onstage
won’t ever let you down.
J OH N J O R G E N S O N
 EF360SC EF340SCTBS

Always clear
as a bell,
with tons
of definition to
cut through
even the
densest
of mixes.
Oh yeah ...
the electronics
are friggin’
sweet too!
EF341SC EF340SC

A d a m Dutkiewicz – Kil lswitch ENGAGE

 T RA D I T I O N , B U T BI G G E R
All hail the mighty dreadnought! The extrovert
EF350SMCSB of the acoustic guitar world is singing louder and
prouder than ever, thanks to the Takamine
Keystone Series. These versatile instruments have EF381SC
made the whole world their home – everywhere
from the porch swing to the platinum seller.

Every Keystone Dreadnought starts with a

hand-selected solid spruce or cedar soundboard,
voiced to classic dreadnought perfection.
Choose a model with your favorite back and
side woods – mahogany, rosewood or maple.
All feature the fabled Takamine pickup and CT4B
preamp, giving you an instrument that’s ready for
any stage or studio.

Keystone Dreadnoughts
feature backs and sides
made of select tonewoods –
rosewood, flame maple,
and mahogany.

COMMON FEATURES: Dreadnought Cutaway Body • Rosewood Fingerboard

25 3/8” (644mm) scale length • CT4B Preamp • Hard Shell Case Included
MODEL FINISH TOP BACK & SIDES NUT WIDTH
EF340SC Gloss Natural Solid Spruce Solid Mahogany Back 1 11/16” (43mm)
EF340SCTBS Tobacco Burst Solid Spruce Solid Mahogany Back 1 11/16” (43mm)
EF341SC Gloss Black Solid Cedar Maple 1 11/16” (43mm)
EF350SMCSB Gloss Sunburst Solid Spruce Flame Maple 1 11/16” (43mm)
EF360SC Gloss Natural Solid Spruce Solid Rosewood Back 1 11/16” (43mm)
EF381SC Gloss Black Solid Spruce Maple 1 7/8” (48mm)
For a full listing of all currently available models, visit www.Takamine.com
 H8SS H5 TH5C

TH90

FROM THE HEART OF H IRADE

The classical guitar is where it all started for us at Takamine.
It’s a passion we inherited from the late Mass Hirade, an early
driving force at Takamine. Both brilliant designer and highly
skilled luthier, Hirade’s innovative instruments were markedly
superior in volume, richness of tone, and playability.
Hirade’s characteristically meticulous drawings continue
to guide the small group of Takamine luthiers who build
a limited number of fine concert classics. Hirade
instruments are also favored by jazz and pop
artists who require a classical guitar robust
enough to hold its own in an ensemble sound mix.

COMMON FEATURES: Solid Top • Solid Rosewood Back & Sides • Ebony Fingerboard - 25 9/16” (650mm) Scale
Gloss Natural Finish • Hard Shell Case Included
MODEL BODY STYLE TOP BACK & SIDES FNBRD NUT WIDTH PREAMP
H5 Classical Solid Cedar Solid Rosewood Ebony 2” (51mm)
H8SS Classical Solid Spruce Solid Rosewood Ebony 2” (51mm)
TH5* Classical Solid Cedar Solid Rosewood Ebony 2” (51mm) CoolTube
TH5C Classical C/A Solid Cedar Solid Rosewood Ebony 2” (51mm) CoolTube
TH90 Classical with Oval Soundhole C/A Solid Spruce Solid Rosewood Ebony 2” (51mm) CoolTube
TH8SS* Classical Solid Spruce Solid Rosewood Ebony 2” (51mm) CoolTube
*Not shown. For a full listing of all currently available models, visit www.Takamine.com
 21

TC135SC

TRADITION MOV ING F O R WA R D

Classic guitars -- steeped in tradition though they are --
can still be relevant in today’s music. These Takamines have the
definitive, full-throated voice of a true classic guitar, but they’re
nuanced for today’s technology. If you need to add a nylon
string to your on-stage guitar arsenal, Takamine is the way to go.

TC132SC EC132C

COMMON FEATURES: Gloss Natural Finish • Rosewood Fingerboard - 25 9/16” (650mm) Scale • Hard Shell Case Included
MODEL BODY STYLE TOP BACK & SIDES NUT WIDTH PREAMP SPECIAL
C132S* Classical Solid Cedar Solid Rosewood Back 2” (51mm)
EC132C Classical C/A Spruce Rosewood 2” (51mm) CT4B
EC132C-LH* Classical C/A Spruce Rosewood 2” (51mm) CT4B Left-hand
EC132SC* Classical C/A Solid Cedar Solid Rosewood Back 2” (51mm) CT4B
TC132SC Classical C/A Solid Cedar Solid Rosewood Back 2” (51mm) CoolTube
TC135SC Classical C/A Solid Spruce Solid Rosewood Back 2” (51mm) CoolTube 14-Fret
*Not shown. For a full listing of all currently available models, visit www.Takamine.com
 EG530SSC GS330S EG340SC

TA KAMINE F O R EG531SCDR

EV ERYONE
Built to Takamine designs
in some of the most modern
guitar shops in the world,
G-Series instruments are priced
for every budget. In addition
to the extensive line of
Dreadnoughts and Jumbos,
the G-Series features smaller
NEX/Grand Auditorium and
FXC sizes. Your G-Series guitar
is every bit a Takamine, from
its acoustic performance to
the latest in pickup and
preamp design.

EG523SC12 EG540SC
 23

EG561C EG540C-STRY EG540C-STBY EG540C-STCY

G128S

MODEL BODY STYLE FINISH TOP BACK & SIDES PREAMP SPECIAL
GS330S Dreadnought Satin Natural Solid Cedar Mahogany
EG340SC Dreadnought C/A Gloss Natural Solid Spruce Mahogany TP4T
EG530SSC Dreadnought C/A Gloss Natural Solid Spruce Solid Sapele Back TK40
EG531SCDR Dreadnought C/A Gloss Black Solid Spruce Mahogany TK40 Dragon inlay
EG523SC-12 Jumbo C/A Gloss Natural Solid Spruce Flame Maple TK40 12-String
EG540SC NEX/Gr.Aud C/A Gloss Natural Solid Spruce Mahogany TP4T
EG540CSTCY NEX/Gr.Aud C/A Transparent Black Flame Maple Flame Maple TK40
EG540CSTRY NEX/Gr.Aud C/A Transparent Red Flame Maple Flame Maple TK40
EG540CSTBY NEX/Gr.Aud C/A Transparent Blue Flame Maple Flame Maple TK40
EG561C FXC C/A Gloss Black Spruce Nato TK40
G128S Classical Gloss Natural Solid Spruce Rosewood
For a full listing of all currently available models, visit www.Takamine.com • Refer to the G-Series Catalog Supplement for information on currently available models.
We aim to craft guitars in an artful and thoughtful way – guitars that bring more spice to life.

High-volume builders make use of production machinery to speed up their output,

but for us, speed isn’t the issue – it’s the quality of the instrument.
We’re proud of our level of craftsmanship and we invite you
to take a close look at our instruments, part by part.
THE DELIC A T E S O U N D B OA R D B ALANCE
Spruce and cedar soundboards have been
used for well over a millennium, and the modern
bracing system has been around for at least
150 years. We use a traditional ‘X’ bracing
pattern on our steel strings, differently voiced
for each application.
Rather than take a radical departure, we make
many small changes that add up to a significant
difference in volume, balance and richness.
Takamine soundboards are braced and voiced TOBY KEITH ASHTON SHEPHERD SIMPLE PLAN JOHN SCOFIELD
by hand. By tapping each top, a skilled luthier
knows just how to shape the braces for the best
possible response.

Is There a P e r f e c t N e c k S hape?
A hundred years ago, the wide classical shape
with a flat fingerboard was the only shape
considered “proper,” but we’ve become more
open-minded since then. Some players feel you
can never be too thin, while others feel it’s phat
to be fat. It’s that personal taste thing again.
Takamine necks have an “asymmetrical ‘C’ shape” –
an ergonomic contour that’s slightly thinner CHRISTINE KANE JON BON JOVI BRUCE SPRINGSTEEN NANCY WILSON
on the treble side of the neck so that it fits the
natural shape of your hand. Overall, it’s thin
from front to back, medium in width, with a gentle
fingerboard arch. Perfectly comfortable.

The Fret S e c r e t
GOOD CHARLOTTE DARYL STUERMER – HOWIE DAY CHESTER BENNINGTON –
Most makers don’t give frets enough credit - to within 0.0001” of dead-on. Fret a note. PHIL COLLINS LINKIN PARK
or attention. A good fret job can help a player Notice how the string contacts the centerline
reach new heights. of the fret perfectly. And hear the clarity when
you play. A good fret job can be the difference
Examine the frets on a Takamine Tradesman.
between a nice guitar and a great guitar.
What you see is the work of a laser-guided fret
finishing system that levels and crowns each fret

BODY TAL K Adam Lazarra –

Taking Back Sunday
INDIA.ARIE JASON ORME / DAVE LEVITA –
ALANIS MORISSETTE
JAMIE JOHNSON / TERRY ELDREDGE –
THE GRASCALS

A guitar body, with its many curves,
accommodates a wide range of frequencies.
Different body shapes favor different
frequencies giving them a distinct character.
Dreadnoughts are typically louder, with stronger
lows. Smaller bodies, like our NEX, tend to be
more balanced. A thinner body may project less,
but sound more pleasing to the player. Play as
many sizes as you can with comfort and sound in
mind. Your choice is very personal - what sounds
and feels best to you.

MONTGOMERY GENTRY MARTY ROE – DIAMOND RIO Marty Schiff – JOE NICHOLS
Martina M c Bride
APPOINTME N T S B Y DE L U X E
Takamine pioneered the use of uncommonly Look closely at Takamine rosettes and inlays.
artistic and complex inlays on guitars for This meticulous handwork is a highly visible
the common man. We have developed the reminder of our commitment to excellence on
art of design and the craft of precise inlay every part of our guitars.
work far beyond the capability of most
other guitarmakers.
SCOTT PATTON – SUGARLAND Jerry Cantrell – TOM DUMONT – NO DOUBT FRED MASCHERINO –
Alice in Chains THE COLOR FRED

Prices and specifications subject

S K I N DE E P A N D M O RE to change without notice.
KCG-446
Your Takamine is beautiful on the outside, but beauty is more There’s a century-old phrase from the Arts & Crafts ©2009 KMC Music, Inc.
than skin deep. Look inside and see for yourself. Finely sanded movement: “Anything worth doing is worth doing well.” P.O. Box 507
braces and meticulously cut linings display a level of hand That spirit lives on today. At Takamine, we’re Bloomfield, CT 06002 USA
craftsmanship that’s fast disappearing from modern guitars. artisans and craftspeople at heart. BLAKE SHELTON BRIAN SPRADLIN – JOE NICHOLS Avril Lavigne Dave Stewart www.Takamine.com
SYSTEM-MATCHED ACCESSORIES – ALL PERFORMANCE – NO HASSLE

Your Takamine is stage-ready right out of the case –

there’s nothing extra to buy or fiddle with
to get the sound you want.
But some of us want more. More versatility.
More options. More things to play with.
That’s why we offer two optional pieces of gear –
a magnetic, body-sensing pickup and a
dedicated direct box – that are system-matched
to your CoolTube preamp.
TRUE TUBE SOUND
The Takamine CoolTube is the first and only
on-board tube preamp for acoustic guitar.
It gives you the tonal warmth and harmonic
richness that only a true tube preamp can deliver –
with mild, natural tube compression and plenty
of even-harmonic sweetness. Along with a
semi-parametric eq, a second-source input
and blend control let you add a pickup like the
Tri-Ax to the CoolTube.
Tri-Ax Pickup
The Takamine Tri-Ax active soundhole pickup is
system-matched to the CoolTube preamp and can
also be used as an add-on pickup for any acoustic guitar.
It features patented Tri-Axial body-sensing technology
for a clear, rich and acoustically accurate tone.
Creating the system couldn’t be easier.
Just plug the Tri-Ax into the CoolTube
and you’re ready to go. Control the blend
of the Tri-Ax with the Aux knob on the CoolTube.
5 FUNCTIONS FOR ACOUSTICS
Takamine DI-Plus – the Direct Inject unit specifically designed
for the needs of acoustic guitarists. The DI-Plus has a switchable effects
loop with a return gain control so you can setup your effects and bring
them all in at once with one tap of your toe.
A mute circuit lets you change instruments noiselessly, even if
the soundman isn’t quite on the job. There’s even a boost function
to deliver the hottest signal the board can handle, or boost volume
when you want to rip off a solo.
The DI-Plus can also phantom power your CoolTube preamp
so you never have to worry about fading batteries.

DREADNOUGHT NEX/GRAND AUDITORIUM FXC OM JUMBO CLASSIC

The most popular body shape This original Takamine body is a The FXC is very close to traditional The Orchestra Model shape, The Jumbo excels as a Takamine classic guitars respect
of the past half century, the scaled-down Jumbo at heart. The Grand Concert proportions. with its strong lower midrange rhythm guitar - big, meaty tradition. The fan bracing and
Dreadnought delivers a strong NEX has a silky balance to the tone Excellent feedback control with a and versatile dynamics, is chords, plenty of volume body shape deliver a clear tone
low end with plenty of volume. that supports vocals beautifully. true and warm acoustic tone. enjoying a resurgence. and outstanding balance. and a strong voice.

Length_________ 20 1/16” (51cm) Length_________ 20 1/16” (51cm) Length_________ 19 1/8” (48.5cm) Length__________19 1/2” (49.5cm) Length_________ 20 7/8” (53cm) Length_________ 19 5/16” (49cm)
Depth_________4 15/16” (12.5cm) Depth___________ 4 5/16” (11cm) Depth________________4” (10cm) Depth_____________ 4 1/4” (11cm) Depth_________4 15/16” (12.5cm) Depth________________4” (10cm)
Upper bout_______ 11 1/8” (30cm) Upper bout______11 1/4” (28.5cm) Upper bout__________ 11” (28cm) Upper bout___________11” (28cm) Upper bout______12 9/16” (32cm) Upper bout______ 11 7/16” (29cm)
Lower bout_______15 3/4” (40cm) Lower bout_______15 3/4” (40cm) Lower bout______14 3/4” (37.5cm) Lower bout_______15 3/8” (39cm) Lower bout______17 1/8” (43.5cm) Lower bout_______14 9/16” (37cm)
SYSTEM-MATCHED ACCESSORIES – ALL PERFORMANCE – NO HASSLE

Your Takamine is stage-ready right out of the case –

there’s nothing extra to buy or fiddle with
to get the sound you want.
But some of us want more. More versatility.
More options. More things to play with.
That’s why we offer two optional pieces of gear –
a magnetic, body-sensing pickup and a
dedicated direct box – that are system-matched
to your CoolTube preamp.
TRUE TUBE SOUND
The Takamine CoolTube is the first and only
on-board tube preamp for acoustic guitar.
It gives you the tonal warmth and harmonic
richness that only a true tube preamp can deliver –
with mild, natural tube compression and plenty
of even-harmonic sweetness. Along with a
semi-parametric eq, a second-source input
and blend control let you add a pickup like the
Tri-Ax to the CoolTube.
Tri-Ax Pickup
The Takamine Tri-Ax active soundhole pickup is
system-matched to the CoolTube preamp and can
also be used as an add-on pickup for any acoustic guitar.
It features patented Tri-Axial body-sensing technology
for a clear, rich and acoustically accurate tone.
Creating the system couldn’t be easier.
Just plug the Tri-Ax into the CoolTube
and you’re ready to go. Control the blend
of the Tri-Ax with the Aux knob on the CoolTube.
5 FUNCTIONS FOR ACOUSTICS
Takamine DI-Plus – the Direct Inject unit specifically designed
for the needs of acoustic guitarists. The DI-Plus has a switchable effects
loop with a return gain control so you can setup your effects and bring
them all in at once with one tap of your toe.
A mute circuit lets you change instruments noiselessly, even if
the soundman isn’t quite on the job. There’s even a boost function
to deliver the hottest signal the board can handle, or boost volume
when you want to rip off a solo.
The DI-Plus can also phantom power your CoolTube preamp
so you never have to worry about fading batteries.

DREADNOUGHT NEX/GRAND AUDITORIUM FXC OM JUMBO CLASSIC

The most popular body shape This original Takamine body is a The FXC is very close to traditional The Orchestra Model shape, The Jumbo excels as a Takamine classic guitars respect
of the past half century, the scaled-down Jumbo at heart. The Grand Concert proportions. with its strong lower midrange rhythm guitar - big, meaty tradition. The fan bracing and
Dreadnought delivers a strong NEX has a silky balance to the tone Excellent feedback control with a and versatile dynamics, is chords, plenty of volume body shape deliver a clear tone
low end with plenty of volume. that supports vocals beautifully. true and warm acoustic tone. enjoying a resurgence. and outstanding balance. and a strong voice.

Length_________ 20 1/16” (51cm) Length_________ 20 1/16” (51cm) Length_________ 19 1/8” (48.5cm) Length__________19 1/2” (49.5cm) Length_________ 20 7/8” (53cm) Length_________ 19 5/16” (49cm)
Depth_________4 15/16” (12.5cm) Depth___________ 4 5/16” (11cm) Depth________________4” (10cm) Depth_____________ 4 1/4” (11cm) Depth_________4 15/16” (12.5cm) Depth________________4” (10cm)
Upper bout_______ 11 1/8” (30cm) Upper bout______11 1/4” (28.5cm) Upper bout__________ 11” (28cm) Upper bout___________11” (28cm) Upper bout______12 9/16” (32cm) Upper bout______ 11 7/16” (29cm)
Lower bout_______15 3/4” (40cm) Lower bout_______15 3/4” (40cm) Lower bout______14 3/4” (37.5cm) Lower bout_______15 3/8” (39cm) Lower bout______17 1/8” (43.5cm) Lower bout_______14 9/16” (37cm)
THE DELICATE S O U N D B OA R D B A L A N CE
Spruce and cedar soundboards have been
used for well over a millennium, and the modern
bracing system has been around for at least
150 years. We use a traditional ‘X’ bracing
pattern on our steel strings, differently voiced
for each application.
Rather than take a radical departure, we make
many small changes that add up to a significant
difference in volume, balance and richness.
Takamine soundboards are braced and voiced TOBY KEITH ASHTON SHEPHERD SIMPLE PLAN JOHN SCOFIELD
by hand. By tapping each top, a skilled luthier
knows just how to shape the braces for the best
possible response.

Is There a Pe r f e c t N e c k S h a p e ?
A hundred years ago, the wide classical shape
with a flat fingerboard was the only shape
considered “proper,” but we’ve become more
open-minded since then. Some players feel you
can never be too thin, while others feel it’s phat
to be fat. It’s that personal taste thing again.
Takamine necks have an “asymmetrical ‘C’ shape” –
an ergonomic contour that’s slightly thinner CHRISTINE KANE JON BON JOVI BRUCE SPRINGSTEEN NANCY WILSON
on the treble side of the neck so that it fits the
natural shape of your hand. Overall, it’s thin
from front to back, medium in width, with a gentle
fingerboard arch. Perfectly comfortable.

The Fret Secr e t

GOOD CHARLOTTE DARYL STUERMER – HOWIE DAY CHESTER BENNINGTON –
Most makers don’t give frets enough credit - to within 0.0001” of dead-on. Fret a note. PHIL COLLINS LINKIN PARK
or attention. A good fret job can help a player Notice how the string contacts the centerline
reach new heights. of the fret perfectly. And hear the clarity when
you play. A good fret job can be the difference
Examine the frets on a Takamine Tradesman.
between a nice guitar and a great guitar.
What you see is the work of a laser-guided fret
finishing system that levels and crowns each fret

BODY TALK Adam Lazarra –

Taking Back Sunday
INDIA.ARIE JASON ORME / DAVE LEVITA –
ALANIS MORISSETTE
JAMIE JOHNSON / TERRY ELDREDGE –
THE GRASCALS

A guitar body, with its many curves,
accommodates a wide range of frequencies.
Different body shapes favor different
frequencies giving them a distinct character.
Dreadnoughts are typically louder, with stronger
lows. Smaller bodies, like our NEX, tend to be
more balanced. A thinner body may project less,
but sound more pleasing to the player. Play as
many sizes as you can with comfort and sound in
mind. Your choice is very personal - what sounds
and feels best to you.

MONTGOMERY GENTRY MARTY ROE – DIAMOND RIO Marty Schiff – JOE NICHOLS
Martina M c Bride
APPOINTMENTS B Y DE L U X E
Takamine pioneered the use of uncommonly Look closely at Takamine rosettes and inlays.
artistic and complex inlays on guitars for This meticulous handwork is a highly visible
the common man. We have developed the reminder of our commitment to excellence on
art of design and the craft of precise inlay every part of our guitars.
work far beyond the capability of most
other guitarmakers.
SCOTT PATTON – SUGARLAND Jerry Cantrell – TOM DUMONT – NO DOUBT FRED MASCHERINO –
Alice in Chains THE COLOR FRED

Prices and specifications subject

SKI N DE E P A N D M O R E to change without notice.
KCG-446
Your Takamine is beautiful on the outside, but beauty is more There’s a century-old phrase from the Arts & Crafts ©2009 KMC Music, Inc.
than skin deep. Look inside and see for yourself. Finely sanded movement: “Anything worth doing is worth doing well.” P.O. Box 507
braces and meticulously cut linings display a level of hand That spirit lives on today. At Takamine, we’re Bloomfield, CT 06002 USA
craftsmanship that’s fast disappearing from modern guitars. artisans and craftspeople at heart. BLAKE SHELTON BRIAN SPRADLIN – JOE NICHOLS Avril Lavigne Dave Stewart www.Takamine.com