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Unit Plan
By Jon Crompton
Unit Plan: Area of Study 3: Creative Responses --- Unit Overview ---
Unit Overview
Aim (Rationale):
This Unit is designed to encourage learners to develop a more thorough, researched and considered
approach to composition. Learners will be required to enquire into varied forms of and approaches to
composition, to expand their pallet of compositional devices and to harness the power of technology to
further develop their ideas.
As this is a VCE Music Style and Composition Unit, it is assumed that all learners have an idea of
some compositional devices and are now encouraged to search for inspiration and develop
understanding beyond a superficial level. The area of the prescribed curriculum covered, as detailed
below, is Area of Study 3: Creative Responses. Keywords/key phrases are highlighted in bold.
“ AREA OF STUDY 3
Creative responses
In this area of study, students make creative responses to music by composing and/or
arranging a folio of short creative exercises. Students complete two brief
creative responses that each focus on a different element of music and/or
compositional device. For example, creative responses focusing on melody might
involve varying or arranging an existing melody. Alternatively, a response could
use a standard chord progression as a starting point for creating a new melody.
Students may use improvisation as part of the composition or arrangement
process.
Students investigate ways other music creators, for example composers/creators of
works they are studying in Outcome 1 or 2, have used elements of music and
compositional devices. By using these creators’ approaches as a starting point,
students find potential directions and solutions for their own work. They
become aware of technical factors such as idiomatic writing for instruments
and/or sound balance considerations involved in the composing and/or arranging
process. They also develop appropriate methods of recording and preserving
their music. Students reflect on creative processes they have used by
documenting the use of elements of music and compositional devices in their
creative responses.
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Unit Plan: Area of Study 3: Creative Responses --- Unit Overview ---
Outcome 3
On completion of this unit the student should be able to compose and/or arrange music
exercises and describe creative process/es used.
To achieve this outcome the student will draw on key knowledge and key skills
outlined in Area of Study 3.
Key knowledge
This knowledge includes:
• ways other music creators use elements of music and compositional devices
• technical/practical factors involved in composing and/or arranging, for example
the range of specific instruments, a performer’s vocal style and/or
performance conventions associated with a specific style such as soloing,
accompaniment, comping and fills in a jazz trio performance
• ways of recording and preserving music such as using music technology to
develop and refine ideas or the processes used to prepare a score and/or parts
for use by performers.
Key skills
These skills include the ability to:
• compose and/or arrange creative responses based on specific ways of using
elements of music and compositional devices
• document use of elements of music and compositional devices in creative
responses
• reflect on how works studied have influenced creative response/s
• use an appropriate method to record and preserve the music.
Outcomes:
Upon completion of this unit, learners will have completed an in-depth, online composition journal,
which includes visual, audio and written information, reflections and insights. Specifically, this folio
should include four to eight responses based on aural analysis of excerpts of music from a range of
styles and/or traditions, including a non-western style of tradition. Additionally, it should feature at
least two – but ideally several – creative responses and accompanying documentation (resources,
inspiration, etc.) The purpose of the journal is to detail a development of understanding of style and an
increase in knowledge of compositional elements and stylistic traditions.
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Unit Plan: Area of Study 3: Creative Responses --- Unit Overview ---
Additionally, learners will have performed a composition of their choice, further demonstrating their
abilities, aptitudes and sensibilities as a composer.
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Overview ---
Lesson Overview:
There are a range of topics in this unit, primarily aimed at increasing the learners' abilities and aptitudes
as a composer, and exposing them to several compositional devices and musical elements, through
strengthening their skills of inquiry, self-motivation and use of ICT.
There is a course of lessons titled “Learning from other composers” which specifically targets the key
knowledge and skills outlined for this unit. However, these lessons, involving the processes of
reflection and critique, as well as relying on use of technology as a requirement of this unit, naturally
give rise to other areas of knowledge needing to be covered. As a result, there are several other lesson
topics planned which deal with these other knowledge and skill areas, such as ICT, Personal Learning,
and an extended look at the motivations and inspirations of the composer.
For suggestions on where to place these subjects and topics, please refer to the Sample Timetable.
“Why Compose?”
“Last minute adjustments: hearing your own compositions”
“Alternate notation: Graphical notation”
“Good Composers don’t borrow, they steal!”
"Form Example" - Looking at the influences on my own composition "Hope" from The Bad Plus's
"Forces"
“A closer look at tonality”
“Tips on being a self-guided learner”
“What influences character in a composition?”
“Vocals, but not lyrics?”
“What motivates and inspires us?”
“Great places to find inspiration, and how to find your own places”
“How to combat writers block”
“Left Brain vs Right Brain”
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Overview ---
"Why Wiki?”
“How to wiki” Part 2
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
Lesson Timetable:
Week 1
Intro to Wiki-Journal “How to wiki” “Why Wiki?” 3. Both of the above are to be put on
Outline the purposes of the wiki site. To share and collaborate. It is online because it is to contain a variety of the wiki.
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
Students to listen to examples played and then contribute to class discussion on composition element. Using
either their instruments or Sibelius, they are to compose a small piece using that characteristic.
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
Week 2
5 (double) “Great places to find inspiration, and how to find your own places” Cont. wiki-journal
Class discussion on what places trigger inspiration. Does a particular place apply to a particular style/emotion? focus on lesson
Students to listen to examples played and then contribute to class discussion on composition element. Using either their
instruments or Sibelius, they are to compose a small piece using that characteristic.
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
Not all music is produced to be performed live. Digital mediums provide the opportunity for greater exploration to be made in
the studio. Students are to discuss the differences between a piece written to be performed live and a piece
honed/mastered/tweaked/refined in post production. Advantages/disadvantages to each.
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
Week 3
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Timetable ---
Week 4
13 (double) “Last minute adjustments: hearing your own compositions” Cont. wiki-journal
Some teacher tips on how to listen to your own composition objectively. Also, ask feedback from the focus on lesson and
performers. Do they like their part? composition,
including rehearsal reflections if
Composition Development and Rehearsal Period appropriate
Students are to develop their compositions, either using Sibelius for notation, time on their instruments, or
time spent researching and listening on the computers.
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Unit Plan: Area of Study 3: Creative Responses --- Assessment Overview ---
Assessment Overview:
There are three assessments for this unit. One is an online wiki-journal detailing the development of
two compositions designed for performance, another is a performance of a particular composition. Both
are due at the completion of the unit. The third assessment is a class presentation detailing progress of
the wiki-journal (and compositions), approximately half way through the unit. Chronologically:
Please note: There are three corresponding rubrics at the conclusion of the assessment overview.
Assessment 1:
Key knowledge
• ways other music creators use elements of music and
compositional devices
• technical/practical factors involved in composing
and/or arranging, for example the range of specific
instruments, a performer’s vocal style and/or
performance conventions associated with a specific
style such as soloing, accompaniment, comping and
fills in a jazz trio performance
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Unit Plan: Area of Study 3: Creative Responses --- Assessment Overview ---
Key skills:
• compose and/or arrange creative responses based on
specific ways of using elements of music and compositional
devices
• document use of elements of music and compositional
devices in creative responses
• reflect on how works studied have influenced creative
response/s
Assessment 2:
Assessment 3:
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Unit Plan: Area of Study 3: Creative Responses --- Assessment Rubrics ---
Wiki/ICT Very successful attempts at Reasonable success at Limited success at One form of ICT is One form of ICT /5
integrating many forms of ICT into integrating some forms integrating some forms incorporated with is incorporated
wiki, All three of the following: of ICT into wiki. Only of ICT into wiki. Only little relevance to without relevance
video, audio and visual resources. two of the following: one of the following: journal. to journal.
Incorporated ICT is highly relevant video, audio or visual video, audio or visual
to journal and development of resources resources
composition Incorporated ICT is Incorporated ICT is
relevant to journal and somewhat relevant to
development of journal and
composition development of
composition
Journal clearly shows a thorough Journal shows a Journal shows a Journal shows a /5
Development and detailed reflection, based on reasonably thorough and reflection, based on reflection, based on Journal barely
class topics, self-directed research detailed reflection, some class topics, either class topics,
of and inspiration. based on some class some self-directed self-directed research shows a
There is a clear development of the topics, some self- research and or inspiration.
compositional composition and composer. directed research and inspiration. There is a limited
reflection.
idea There is a limited
inspiration. There is a development development of the
or development of
There is a development of the composition and composition or
the composition or
of the composition and composer to a small composer
composer
composer. extent.
Presentation is clear, logical and Presentation is usually Presentation is clear Presentation is a little Presentation is /5
Presentation very engaging. clear, mostly logical and and somewhat unclear. unclear.
Student is able to capture and engaging. engaging. Student struggles to Student does not
(Speaking & maintain attention through effective Student is able to Student is able to effectively capture effectively capture
use of voice and multimedia aids. capture attention, but capture attention, but audience attention. attention.
Listening) not maintain it. not maintain it. Multimedia is not
Multimedia aids the Multimedia is not used. used.
presentation at times.
Feedback /20
Unit Plan: Area of Study 3: Creative Responses --- Assessment Rubrics ---
Exploratory Students demonstrate a Students demonstrate a Students occasionally Students rarely Students do not /5
high degree of degree of exploration to demonstrate a degree of demonstrate a degree demonstrate any
exploration to find find inspiration and exploration to find of exploration to find exploration
inspiration and conduct conduct independent inspiration or conduct inspiration
independent research research independent research
Appropriate Students use functional Students usually use Students occasionally useStudents rarely use Students do not use /5
language, correct functional language, functional language, functional language, functional language,
Language grammar and appropriate correct grammar and correct grammar and correct grammar and correct grammar or
musical terminology appropriate musical appropriate musical appropriate musical appropriate musical
terminology terminology terminology terminology
Development of There is a clear and There is a reasonably There is a researched There is a development There is no /10
thoroughly researched clear and well development of the of the student's development of the
Compositions development of the researched development student's compositions compositions to some student's compositions
student's two major of the student's degree
compositions compositions
Regular Entries Student entries are daily Student entries are Student entries are Student entries are Student has made a few /5
and detailed frequent and detailed regular, but not frequent, intermittent and brief brief entries, or none
and reasonably detailed
Relevant to Entries, research and Entries, research and Entries, and inspiration Entries contain little Entries contain no /5
inspiration is made inspiration are usually are made relevant to relevance to submitted relevance to submitted
Compositions relevant to compositions made relevant to composition, but composition composition
composition research is often of a
token nature
Feedback /40
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Unit Plan: Area of Study 3: Creative Responses --- Assessment Rubrics ---
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Lesson Plans:
The four lesson plans are an example of the first four days of the unit. They begin by drawing on
students’ past experience and knowledge of composition, then continuing on to prompting reflections,
encouraging research and development, and by covering some of the key criteria outlined in the VCE
Outline.
Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Aims:
Outcomes:
Topics in lesson:
“Why Compose?”
“What motivates and inspires us?”
“Intro to wiki-journal”
Curriculum Component(s):
Key knowledge
Key skills
• document use of elements of music and compositional
devices in creative responses
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Resources:
· premade handouts, detailing particular facts and insights into what may inspire
composers, including citations from specific composers
· random objects, pictures, videos, to elicit a compositional response
· Smartboard with access to wiki
· Whiteboard
· Pre-setup wiki site with one page per student, ready to go
Lesson:
· Class discussion. Asking class to justify composition. They must have a philosophy on
composition. Does it make the world a better place? Does it make people happier? Or sadder?
Does it elicit a variety of emotions? What do you enjoy about your favourite compositions?
· Class to spend 5 minutes alone, hypothesising and developing their own philosophy of
composition, on paper. This will be used later as their first entry into the wiki.
· Again, class discussion, asking them questions, stimulating a response. Think about what
situations and stimuli help inspire music which relates back to your philosophy. Is it friendship,
and company? Is it solitude? It is nature? Beauty? Love? Anger? A range of emotions?
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
· Class are to come up and select one of the stimuli that most inspires them, (there are several
of each), and compose a 30 second piece of music. It is an exercise. It does not have to be
perfect, it does not have to be performed.
· They are then required to present this to the class, without performing it, explaining what
they did and how the muse affected their writing, if it did, if it didn’t, to what degree, why, why
not, etc. The point is to begin reflection on places that might inspire us.
· Students move to computers, (in pairs if necessary). They are introduced to the wiki by
following the teacher on the smart board. Teacher demo first, then students following teacher.
· The students then take turns entering their Composition Philosophy, and a reflection on
their inspiration. They work together in pairs to make sure it is saved correctly.
· They then take turns to make a comment on each others’ sites.
Assessment:
This lesson is primarily formative assessment, with no rubrics required. Students are assessed on their
participation class discussion, and how well they outline their “inspired composition.” They are also
assessed on their ability to work in pairs on the computers.
Reflection:
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Aims:
o Learners are aware of how the musical element of repetition affects a composition
o Learners are familiar with the wiki site and able to use it to express their reflections,
discoveries and developments.
Outcomes:
Topics in lesson:
Curriculum Component(s):
Key knowledge
Key skills
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Resources:
Lesson:
· Call students to attention, and read out handout with students, asking them to read out
certain bits and paraphrase. Explain rubric (handout should contain rubric). Also, point student
to online rubric.
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
· Students move their chairs and form a semi-circle around the speakers at the front of the
class.
· The teacher then details the use of repetition in several pieces by various composers,
prompting the students to analyse and interpret. What is the function of repetition? How is it
used by various composers? The teacher refers to visual resources, mentioning repetition of
elements including but not limited to: repetition in form (recapitulation), in improvisation, and
it’s affect on character, melody and tonality (repetition of a bass line under varying harmony).
· Students are told to individually or in small group of 2-3 compose a piece using repetition
of one or several elements, as a compositional exercise. They must be able to identify and
discuss their use of repetition and the effects on the composition.
Assessment:
This unit is primarily formative assessment, with no rubrics required. Students are assessed on their
participation in group character composition, and how well their role in the performance demonstrates
their comprehension of character. They are assessed on their ability to work in pairs while learning
about the wiki-site.
Reflection:
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Aims:
o Learners are aware of how the musical elements affect character in a composition
o Learners are aware of, and familiar with, several methods to improve their abilities as
self guided learners
o Learners are aware of several types of form, and gain insight into viewing more
complex forms
Outcomes:
Topics in lesson:
Curriculum Component(s):
Key knowledge
Key skills
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Resources:
Lesson:
· Students form pairs and exchange ideas on how they feel they can better use their time, or
if they feel they use it well, outline how.
· These pairs have to then come up with 3 key words, which sum up their approaches. They
report back to the class
· As they mention them, the teacher then adds them to the wiki on the smart board in a
Personal Learning section
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
· Students move their chairs and form a semi-circle around the speakers at the front of the
class.
· The teacher then explains the form of “Forces”, using visual resources, mentioning
repetition, thematic development and silence, whilst highlighting the sections, including the
subtle divisions with the section.
· Then, he makes an example of how that inspired his own composition, once again drawing
on visual references as appropriate to highlight similarities (there are many).
· If there is time left over, students are to go to the computers and reflect how their own
compositions form could be improved, or not, by using repetition, recapitulation of sections,
thematic development and silence.
Assessment:
This unit is primarily formative assessment, with no rubrics required. Students are assessed on their
participation in group character composition, and how well their role in the performance demonstrates
their comprehension of character. They are assessed on their ability to work in pairs and contribute to
class wiki on self-guided learning.
Reflection:
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Aims:
o Learners are aware of how the musical tonality affects a composition. They learn the
function of tonality and harmony, and are exposed to bi-tonality and atonality
o Learners begin to familiarise themselves with online resources
Outcomes:
Topics in lesson:
Curriculum Component(s):
Key knowledge
Key skills
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Resources:
Lesson:
· Brief look at the ways other composers use tonality. Introductory. Hoping to free students of
making “mistakes” or writing “wrong notes”. Class discussion on tonality. What are the ways it
impacts a performance? Is tonality and harmony in itself particularly important in portraying a
character? What are chord extensions, “acceptable” dissonances?
· Students are to work in pairs. They are randomly assigned a Tonal or Harmonic
element/device and have to spend 25 minutes researching it, and adding to the wiki, in their
own words. If they are having trouble putting things in their own words, they are to ask me for
assistance, they are NOT allowed to “copy and paste”. If needed, they can have some time on
the piano fleshing out their understanding of the topic.
· Students then present their knowledge of a topic to the class, using their wiki (which any of
the students can refer to at any time) to aid in the presentation. The idea is that all the students
explain a particular element to each other, and that the wiki is there as a reference for the
duration of the unit.
Topics are:
• Sharp 11 chords
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Unit Plan: Area of Study 3: Creative Responses --- Lesson Plans ---
Assessment:
This unit is primarily formative assessment, with no rubrics required. Students are assessed formatively
on their ability to research their given harmonic/tonal element, contribute to the wiki, and report back
to the class. The process of enquiry and exposure to given content is just as important as actual
comprehension and understanding; Obviously this is a complex topic which takes a substantial amount
of time for students to digest.
Reflection:
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