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11/03/14 23:40

The ABC’s of Song Structure

I’m certainly not one to try to set specifications on how art should be
created or performed (that kind of defeats the purpose of art). Like many
expressions of art, songwriting doesn’t have to follow any hard set rules,
but for your music to have broad appeal (if that’s what you’re going for),
it’s a good idea to understand basic song structure.
There is no doubt that there are some phenomenally creative and
talented artists out there, who take unconventional approaches to their
lyric and melody writing. I think it’s safe to say that most music listeners
appreciate some kind of direction and organization. This is where song
structure transforms your work from chaotic ramblings to purposeful
connection.
Study your favorite artists. Think of examples of your favorite songs.
Chances are, you will find deliberate song structure, with a clear point
and direction. Now creative types typically don’t like the idea of rules or
structure, but there’s a lot of creative play within the confines of a well
crafted song (and an infinite catalog of popular music proves it).
In popular music, there are four basic components to compose a song:
verse, pre-chorus, chorus, and bridge. Depending on what kind of song
you’re writing, all, some, or only one of these elements may be all you
need.
Verse
The verse is where you tell the story and “preview” the central idea of
your song (driven home by the chorus). It’s typically your lyrical
introduction, revealing the themes layer by layer. This is generally where
you have to grasp the listeners attention. The following verses develop
the story or expand on the central idea.
Pre-Chorus
The pre-chorus doesn’t appear in every song, but it’s a very effective way
of setting up a dynamic transition into the chorus. The lyrics and melody
typically go with the flow of the verse, but are distinctly different. A lot of
times it’ll be the same lyric line, regardless of the verse, but it can also be
a great expansion and new perspective of your verses.
Chorus
This is where the central idea or theme of your song takes hold, and you
drive home your hook (that part of the song that sticks in the listeners
head). A lot of times the lyric lines are a little more simple here, with
a dynamic melody.
Bridge
Sometimes you’ll want to insert a bridge, which usually occurs later in the
song (typically after the second chorus). The bridge usually has a
distinctly different melody, and lyrically it sums up or reveals new insight
into the theme of the song. Sometimes it can just be an instrumental
solo.
Intro/Outro
This usually has to do more with arrangement and production, than actual
writing. The intro is the first thing a listener hears, so you’ll want to open
up strong. A lot of the time it’s only an instrumental, but lyric lines or
vocals are many times present depending on the style and arrangement.
The outro is the ending of the song. This is where you decide what the
listener hears last. Sometimes it’s just the chorus fading out, sometimes
an abrupt stop, or any creative arrangement that you feel will have the
most impact.
Common Song Structures
How you write, structure, and arrange your song, is completely up to you.
Here are some of the more common arrangements:
Verse/Chorus/Verse/Chorus
Verse/Chorus/Verse-Chorus/Bridge/Chorus
Verse/Pre-Chorus/Chorus/Verse/Pre-Chorus/Chorus
Verse/Pre-Chorus/Chorus/Verse/Pre-Chorus/Chorus/Bridge/Chorus
You have many different arrangements to play with, and you can really
let your creativity thrive here. If you want a more complex arrangement,
you can try something like:
Long Verse/Pre-Chorus/Chorus/Short Verse/Pre-
Chorus/Chorus/Bridge/Chorus
The more you play around and develop you’re arrangements, the better
you’ll get at it. The biggest hurdle to jump, is to get out there and start!
Peace,
Bret J. Piontek
p.s. If you want a complete crash course in songwriting, check out
Superior Songwriting.

1) Make a loop you can listen for 6 minutes


2) Press record
3) Wait for 6 minutes
4) Press stop

Maybe twiddle with a knob or two during the recording, but that's optional. Analogue g

I'm serious here. If the groove doesn't work looped forever, do something about it unt
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