CD: In The Shadows, 1990 The Crossing Bob Berg Tenor Saxophone

Bb Voice

                 
     
  
Intro 8





 
           
        
6
   
   


       
          
    

10

  
3

                    
     
 
14

       
3 3


    
             
18

         

           
     

  
22

 

26
                       
         

 
                              
      
29

         

 
     
 
Guitar Solo
 
32
      
   

Transcribed by Ann Christin Næss

       
   
2 Saxophone
  
35
   
     

   
                 
39  
 
3 3 3

                           
3
43   
   

3 3 3 3 3

47
                     
    
3 3 3 3 3 3

            
            
50

  


             
53
        
         

55
             
          

57
            

   
       

         
     
60 Play .... ..... ....

    
3 3

     
                        
63

   
      
  
    
65
               
      
3 3
 3

    
        
69
               
       
    
     
   
 
 
72

     

3 3

        
  
 
76
          
     
3


79
          
 

                 
 
 
     
82
    
       

            
              
85

  

                       
      
88

    

 
             
90

      
3

  
           
94
     



    
               

98
   
    

          
        
  
102
     
 
3 3
                     
4

        
106
    

3

                 
     


110
      
  


    
          
114  
 
3

                    
   
117

     

                              
 
120

   

122                 
              
  

               
      
124

         


 
                   
126

   

                            
128

  

130
          
              

              
132
      
        
   
     
             
5
      
 
  
 
134

 

 
     
   
                 
137
     


139
    
 
    
  
   
        

  
 
    
    
    
141

    

143        play .... ...... ...... ....

   
3
              
145
            
     

147
               
      
   
 
     
3   
149          
    
3 3 3
            

     
152

         

154                      
  

     
               
3
156 Etc. fade out

   