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Kyle Meeks

TTU_COA Spring 11 Digital Media I

Kyle Meeks

Spring 11
TTU_COA
Cordinator: Maria Perbellini Instructor: Kyle Meeks
Texas Tech University College of Architecture
ARCH 1353- 590, 591, 592, 593, 594, knowledge about images made ofpix- cal representations.Guided by the
595, 596, 597, 598, 599 DIGITAL MEDIA els: type, size, resolution and all instructor and the coordinator, the
I those basics information that are section assistants will beresponsible
Instructor: Rob Diaz necessary toacquire in order to be for every in-class aspect of their
Coordinator: Maria R. Perbellini efficient with graphics. The sec- particular section of this course:
TAs: Kyle Meeks, Will Denman, Chris- ond stage of the coursefocuses on fromtaking attendance, to assignment
topher Davis, Jose Sanchez the use of Adobe Photoshop. Students delivery, to assessment. A typi-
Spring 2011 learn about how to manipulate and cal class day willinclude anything
COURSE INFORMATION edit pixel-images. They work with a from a program related presentation,
Catalogue description: full set of actions involved with a discussion of an assignedread-
1353. Digital Media I - Prerequisite: reiteration,transformation, editing, ing, to a review of completed work.
filtering and layering. The history Each section meets nominally for two
AutoCAD. An introduction to the use
of thecomputer as a design drawing
tool with an emphasis on conceptual
of all these applicationsmust be doc-
umented graphically. The third stage
hourseach week at designated times.
The section assistants will have two
Table of Contents:
knowledge andcomputing skills for explores vectors and diverse ways hours a week of regular office hours Assignment# 01....................................................3-4
to deal with lines and drawings. for students in their section. A stu-
design communication. Levels: Un-
dergraduate - TTUCredits: 3 semester Students implements all the features dent with a median skilland acumen 02................................................... 5-6
credit hours of AdobeIllustrator, including files
export techniques from other pro-
level should require 9 hours of study
a week outside class to successfully
03.1................................................ 7-10
NAAB STUDENT PERFORMANCE grams (Photoshop,AutoCAD) and text complete the coursework. 03.2............................................... 11-12
CRITERIA 2009 features.The fourth stage goes more EXPECTED LEARNING OUTCOMES
A.3 Visual Communication Skills: in depth on layout and additional On completion of this course the stu-
04.................................................. 13-14
Ability to use appropriate repre-
sentational media,such as tradi-
graphical applicationsusing Adobe-In-
Design, instrumental for giving to
dent should: 05.1................................................ 15-17
- have a good understanding of digi-
tional graphic and digital tech- the students more proficiency intheir tal representations and graphics, and 05.2............................................... 18-20
nology skills, to convey essential portfolio representation and organi- theirimpacts on architectural design;
formalelements at each stage of the zation.Students work on weekly as- - have the ability to use the indi-
programming and design process. signments. cated digital programs features;
COURSE OVERVIEW COURSE STRUCTURE - be able to manipulate and transform
The course intent is to develop the The course is designed to work both images (pixels) and drawings (vec-
ability to use representational tools as the supporting course associated tors);
andmethods. Students are exposed to with - be able to generate and edit digi-
effective visual communication strat- ARCH 1411, Architectural Design Stu- tal applications and tasks;
egies using arange of media, such dio I, and as a “stand alone” course. - be able to organize files transfers
as analog and digital drawings and Students apply the course digital between programs;
graphics, to support eachstage of knowledge and tools on their studio - be efficient and creative with
the design process.The first stage design process, in order to be ef- studio projects representations and
of this course introduces a general ficient and well prepared on graphi- portfolio layout and content.
A_01 Generative pixelation
Assignment 1 explores the tectonic [The grid was dia-
assemblies of pixel and grid. This pro- grammed with an image
cess is the developable form that all underlay of birds flying.
imagesfollow regardless of their pa- This relationship was
rameters. This exercise explores that then abstracted further
reality by investigating the natural to create an organiza-
order of a pixel and its relationship tional structure to the
to the grid.The idea is based on the overall composition.]
simple order of orthonogonal original-
ity of grids and pxiels. The grid forms
the parametric orders where the void
spaces become the active cubonic
device that illustrates the next
phases of visualization through color
and texture. The edge definition from
this experiment from overlay orders
10

to displacement and transformation


will attain a spatial reality from one
relationship to another as images get
more complex.

25
A_02 Digital Collage
Assignment 2 is an analysis of images [Phase 1 was based off
of one particular object you were to some sort of organi-
analyze (30-40 images). One picture zational pattern. An
can represent many dialogues con- explanation of how you
sistent with that particular scene put the composition to-
or environment. A picture can host gether can be informa-
several different events,objects, en- tive. ]
vironments, and so on. This particular
assignment will examine how these
pictures formulate a relationship with
the prescribed object and its connec-
tiveness with each segment the object [Phase 2 can have
inherits. Then the assignment will another explanation like
direct its attention to a new visual the first. Remember to
abstraction assemblage in a form of a stay brief.
collage. Arrange the photos so that is
become the original but in an abstract
Phase 1

Phase 2
way. The second phase will be a rear-
rangement of images so that it begins
to illustrate a new dialogue
A_03 .1
Digital Architectonics
This exercise is an exploration of
collages and vector lines. The purpose
is to understand the general concept
of alineweight through extraction and
abstraction of profile and shadow
lines. This is a two part assignment
because thefirst part will entail a
collage of a building of your choice
followed by the general concept of
the building delivered in avector-base
output composition.

Collage + Vector
Images

ndon
wer

is
A_03 .1
Digital Architectonics
This exercise is an exploration of col-
lages and vector lines. The purpose is
to understand the general concept of

Collage + Vector
alineweight through extraction and ab-
straction of profile and shadow lines.
This is a two part assignment because
thefirst part will entail a collage of
a building of your choice followed by
the general concept of the build-
ing delivered in a vector-base output
composition.

Collage
A_03 .2
Digital Architectonics
A_04 Section Study
This assignment was to introduce the
principles of plan and section as well
as the art of generating legible and
understandable sections. Standard
building drawings were provided and
studied to deliniate a well composed
section with appropriate lineweights in
accordance with depth and effectivly
render section cut poches.

Le Corbusier
Villa Savoye
A_05 .1
Tectonic Expressions
This study will investigate the po-
SERIES
01 02 03

tentiality of geometries as a funda-


mental emergence of two or three
basic geometriesselected by the user.
The geometric shapes will determine
the direct order but the user will
take the few lines thatemerge from
the shape as a radiancy transpiring
selection that will interact with its
neighboring segments and connectwith
opposing systems. The idea is to
explore the geometries that emerge
from the inner-connective segments
as theymeet with each other and ex- 03
tend beyond the current system.
02

PATH
0
01
A_05 .1
Tectonic Expressions
03

02
A_05 .2
Tectonic Expressions
This study will investigate the poten-
ra
di
an
os
ity

tiality of geometries as a fundamental


emergence of two or three basic geom-
R +
E
etriesselected by the user. The geo-

N
metric shapes will determine the direct
order but the user will take the few

iN
lines thatemerge from the shape as a

co
radiancy transpiring selection that will

n
interact with its neighboring segments digit
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and connectwith opposing systems. ls
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The idea is to explore the geometries cry

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that emerge from the inner-connective

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segments as theymeet with each other o n
ati
and extend beyond the current system. nsf
orm
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geometric
te
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in
al
ex
plo
ria iNNER + connective
to rob diaz
r y
A_05
.2

Instructor Blog: Kyle Meeks


http://dm01sp11.blogspot.com/
Instructor Blog: Rob Diaz
http://dm1-imagine.blogspot.com/

iNNER + connective
rob diaz

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