Professional Documents
Culture Documents
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Proud sponsor of the Minneapolis-St. Paul International Film Festival. Visit us at summitbrewing.com.
8:00
7:45
Dir Andrew Rossi & David Carr Present The Last Norwegian Troll Actor Noah Reid Present
88 min 103 min 92 min
St. Anthony 1 St. Anthony 2 St. Anthony 3 St. Anthony 4 St. Anthony 5
St. Anthony 1 St. Anthony 2 St. Anthony 3 St. Anthony 4 St. Anthony 5
Windfall
Dir Laura Israel 7:00 AT BELL
Present AUDITORIUM
83 min
FRIDAY 4/22
Facebook's Adorno
Changed My Life, Madly in Love La Petite Chambre Truck Farm
3:15
2:45
3:15
3:00
5:45
4:45
5:30
4:15
7:45
7:15
7:30
6:45
9:45
9:30
9:30
9:15
American Sleepover
Present 140 min 104 min MacLean Present
97 min
72 min 96 min
St. Anthony 1 St. Anthony 2 St. Anthony 3 St. Anthony 4 St. Anthony 5
WEDNESDAY 4/27
Dumas A Screaming Man The Tenants Lila Lila The Mill and The Cross
4:30
4:45
4:15
4:45
4:45
St. Anthony 1 St. Anthony 2 St. Anthony 3 St. Anthony 4 St. Anthony 5
St. Anthony 1 St. Anthony 2 St. Anthony 3 St. Anthony 4 St. Anthony 5
SUNDAY 5/1
12:00
12:00
11:00
Master Class Opera The Hedgehog Love During Wartime Crocodiles Eleanor's Secret
1:45
1:00
95 min 98 min 92 min 98 min 75 min
The Pruitt-Igoe Myth
Dir Chad Freidrichs Young Goethe in Love My Perestroika The Actresses Laboratory
2:00
4:15
2:00
3:00
1:00
Present 100 min 88 min 104 min 122 min
83 min
The Bengali Detective
Bobby Fischer Against
Filmmaker Annie Twisted Roots How to Live Forever
4:30
4:00
5:15
3:30
the World
Sundberg Present 99 min 92 min
90 min
100 min
Plato's Academy
6:30
In the Garden of
102 min
The Lutefisk Wars Sounds
Tehran,Tehran The Sleeping Beauty
6:30
6:45
7:15
5:30
Filmmakers Present Filmmaker Frank
101 min 82 min
86 min Matter Present
86 min
This Prison Where I
7:30
El Infierno Live
Int'l Narrative Shorts Men in Rut Queen to Play
9:00
8:45
9:15
9:30
US Premiere 90 min
80 min 120 min 101 min
145 min 12 Angry Lebanese
9:30
78 min
MONDAY 5/2
Europe's Backyard
Wagner & Me 52 min Paradise Recovered
4:15
4:30
5:00
89 min Kings of Oslo 95 min
62 min
Somewhere to
Microphone Disappear
The Tree Colors in the Dark My Joy (Scastje Moto)
6:15
6:45
7:00
6:30
7:00
Filmmakers Invited Photographer Alec
100 min 85 min 127 min
120 min Soth Present
90 min
Just Between Us How to Start Your Own
Merry-Go-Round David Wants to Fly Bibliotheque Pascal
9:15
9:00
9:30
8:30
9:30
Dir Rajko Grlic Present Country
126 min 96 min 105 min
89 min 72 min
TUESDAY 5/3
The Lutefisk Wars The Colors of the
Vespa Au Revoir Taipei Illegal
5:00
5:15
5:00
5:30
4:45
Filmmakers Present Mountain
85 min 85 min 95 min
86 min 90 min
The Blood of Yingzhou
District,
Beginners Truck Farm Tongzhi In Love,
Honeymoons In Another Lifetime
7:00
7:15
7:00
7:30
6:45
Dir Mike Mills Present Dir Ian Cheney Present Warriors of Quigang: A
95 min 90 min
104 min 50 min Chinese Village Fights
Back
108 min
The Imperialists are
Tyrannosaur Kowasaki's Rose Feathered Cocaine Orgasm Inc
9:45
9:15
9:00
9:30
9:15
Still Alive!
91 min 100 min 80 min 73 min
90 min
WEDNESDAY 5/4
Tomorrow Will Be This Prison Where I
Gunnar Goes God Garbo the Spy The Fourth Portrait
4:45
4:30
5:15
5:00
4:30
Better Live
85 min 88 min 102 min
118 min 90 min
Trimpin the Sound of
Invention w/5
Microphone Just Between Us Variations on a Long
Sei Venezia Love During Wartime
6:45
7:00
7:15
7:15
6:30
9:30
9:45
9:15
8:30
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Staff & Board.................................. 103 students and seniors are ONLY available at the box office, and ticket purchasers
must be able to show proper identification to receive discount.
Index by Country & Title .........104-106
6 -PACK
Good for 6 Festival Screenings, exclud-
ing Opening Night and Closing Night
films. Use one punch for 6 screenings, 6
punches for one screening, or anything in
between! 6-Packs may be split between
AUDIENCE POLL DRIVEN BY WALSER multiple people. Punch card is valid until
Your opinions are extremely valuable to us! Polls are taken after each film; we encourage you to
tear your ballot and drop it in the ballot box you’ll find in the lobby of the venue. From these polls, card runs out of punches.
we’ll announce the Audience Choice Award Winners.
All tickets, whether purchased online
* ONLINE TICKET PURCHASERS PLEASE NOTE: or at the box office are
In order to collect your tickets, you must bring the credit card used to purchase the tickets online
to the box office on the night of the screening.
non-refundable.
11
Director ’s Letters
2011 MSP INTERNATIONAL FILM FESTIVAL
2011 MSP INTERNATIONAL FILM FESTIVAL
April is the cruelest month, as the man said,
breeding lilacs out of the dead land, stirring
Welcome to the 2011 Minneapolis St.
memories and desire…so it is, another year,
Paul International Film Festival!
another fest, lilacs blooming, and so onward
We’ve set about to present to you the
and upwards with the arts…
best and the biggest MSP International
This year holds great promise, with more
Film Festival yet. This year - a banner
than 200 films, 38+ visiting directors and film
year for our parent organization,
professionals, from a conductor of Africa’s
The Film Society of Minneapolis St.
unlikeliest symphony orchestra to Norway’s
Paul - the Festival runs for three full
perennial Oscar-competing director, to a wide-ranging slate of new
weeks, and presents 200 international
documentaries and their makers, to directors on the firing line of
and independent movies from around the world. You’ll be
hot-button issues. A babel of languages from more than 50 countries;
able to catch a rare glimpse of films and cultures from over
local voices registering with the large slate of Minnesota entries; some
60 countries and 6 continents and see for yourself some of
categories competing in the jury prizes; titles chosen from many of
the best narrative and documentary cinema the world has
the world’s top festivals via our small in-house selection committee
to offer. Attend our Opening Weekend films, with three very
and secured by a wonderful set of in-house staff. For the music buff:
distinct selections on Opening Night. Attend our receptions
Wagner, Beethoven, Mozart, Opera, Blues, and more; literary landfall
and parties at Festival Central Pavilion on Opening Weekend.
(Dumas and Goethe), all new approaches; the secret folk world of the
Be a part of the exciting Audience Choice Award for best film.
Himalayas and Asian/African film and song.
Come to the Awards Ceremony. Join the crowds at the many
Of other changes: Opening Night: three features; a strong focus will
events over the festival’s run. Meet and mingle with visiting
be on “The Year of France in Minnesota,” with some 10 features; the
filmmakers from around the globe!
21st Century’s birth pangs, breeding out of the 20th, with at a look at
This Festival could not happen without our generous
Egypt and N. Africa/Mideast/Iran) cinema hotspots, directors invited;
sponsors, partners and donors, whose support has grown
Europe in Transition, with immigration stories from the East and West;
dramatically this year. It could also not happen without
Russia, still or emerging, from dark turmoil; the traditional Scandi-
our extraordinary staff and their flair and good humor. In
navian lifestyle undergoing heritage facelift in the excellent series of
particular our multi-talented office staff Ryan Oestreich, Jesse
documentaries stirring WWII memories; the shifting American scene,
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Bishop and Eric Wilson…and, of course, our Programmers.
in part looking at the role of the press, its “heroes” and villains,
You all know the remarkable contributions that Al Milgrom
(opening nite’s NYT story), Norman Mailer, Bill Cunningham, Bobby
continues to make to the programming of this festival. This
Fischer and others. A prizewinning group of “children’s” films. More
year he has a partner and co-programmer, Tim Grady, who
gala events than ever at tent central; and of course your obligatory
has stepped in with his own smart vision and knowledge of
complement of fun movies that seldom play the malls and other art
national and international film. The result is a particularly
houses. Thus, more desire than memory.
diverse and exciting slate of films in terms of perspectives,
And finally, many thanks to my friend and colleague, Tim Grady for co-
topics, genres, countries, age interests, and ways in which
programming this years festival. I’ve known Tim since the late sixties
the medium can be used. We know that this year’s selection
when, along with his brother Tom, he played a pivotal role in making
will appeal to our longtime devotees as well as to a new and
the University Film Society one of the best programs in America. Tim
expanded audience.
got the the Twin Cities thinking “film festival” by launching the first Min-
Thank you all for supporting The Film Society and Festival!
neapolis Film Festival in 1981.
We exist because of you. If you are already a member,
thank you. If not, become a member, sustain an important
Artistic Director,
cultural institution, and help us continue to bring you the
Al Milgrom
best in film from around the world – not only in April but
throughout the year…
Susan Smoluchowski,
Executive Director
HISTORY OF THE FILM SOCIETY AND THE MSP INTERNATIONAL FILM FESTIVAL
The Film Society of Minneapolis-St. Paul has a rich 50-year history as a unique and critical part of the local cultural and civic fabric, serving the film community,
the broader arts and cultural community, educational institutions, the many ethnic and immigrant communities, and the general public. Our centerpiece, the
annual Minneapolis-St. Paul International Film Festival, is among the top annual cultural events here, drawing a diverse audience of some 45,000 every year.
We exhibit films from around the world that inspire, educate, inform and entertain. We provide access to films that cannot be seen elsewhere and through
these films to cultures that reflect the rich heritage of our own growing populations and of populations around the globe.
In l981 the “Minneapolis Film Festival” launched the international film festival tradition in the region. Founded by Tim Grady and sponsored by the Minneapolis
Star, the Festival presented over 80 films, and brought many international and Hollywood filmmakers to the local scene. In 1983, the University Film Society,
founded by Al Milgrom, continued the festival tradition, launching the Rivertown Festival, later renamed The Minneapolis-St. Paul International Film Festival.
Milgrom’s legendary and ongoing contributions to cinema in the Twin Cities include both founding the groundbreaking U Film Society, which introduced
international film and filmmakers to Twin Cities’ audiences 50 years ago, and developing and programming international film festivals here for nearly
three decades. As a Film Society board member, Grady has generously supported the Festival since 2005, including establishing the Tom Grady
Visiting Filmmakers Fund in memory of his late twin brother. These two festival pioneers, Grady and Milgrom, who have known one-another for 40
years, co-programmed the 2011 Minneapolis-St. Paul International Film Festival. 13
The Twin Cities are proud of the recent entry into the Tribeca Film Festival Many thanks go to The Film Society of Minneapolis–St. Paul and all
by a number of Twin Cities filmmakers Brady Kiernan, Spencer Kieman, of their volunteers for making this event possible. Your dedication
and Todd Cobery for their Minnesota made feature Stuck Between is a tribute to the legacy of this film festival, which has brought the
Stations. Minnesota has a great legacy of association with other legends magic of film to our audiences since 1981.
of the big screen, to include but not limited to Jessica Lange, Judy Thanks go also to the filmmakers: your sharing your art to enlighten,
Garland, Eddie Albert, James Amess, Ralph Meeker, Belle Bennett, Gig entertain and enchant us is the core of the festival.
Young and Lili St. Cyr.
I’d like to extend a special welcome to our out-of-town guests. While
My appreciation is extended to The Film Society of Minneapolis/Saint you’re here, I hope you will have an opportunity to take a stroll
Paul, one of the largest and most diversified film/arts organizatrons in the around one of our urban lakes or take a walk along the Mississippi
country, and the largest exhibitor of artistic films in the upper Midwest. riverfront area for a glimpse of Minneapolis’ history. Also, make sure
Also, thanks to all of the volunteers, staff, and filmmakers, who contribute to take in our legendary music scene, the best theater and perform-
immense time and talent to ensure the best filmgoing experience. ing-arts scene in the country (hands down), our many multi-cultural
I am excited to see this festival take place in Minneapolis/Saint Paul, and neighborhoods, and our numerous innovative restaurants.
for those visiting, I encourage you to take advantage of Once again, it is my pleasure to welcome you to
everything we have to offer. Minnesota’s Capital City Minneapolis and our International
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
has something for everyone-including sports, outdoor
recreation,s hopping,theater. music and museums. Film Festival. Enjoy the show!
Sincerely, Sincerely,
15
THANK YOU!
THE 28TH ANNUAL MINNEAPOLIS-ST.PAUL INTERNATIONAL FILM FESTIVAL WOULD LIKE TO THANK
OUR SPONSORS FOR THEIR SUPPORT, WHICH MAKES THIS YEAR’S FESTIVAL POSSIBLE.
PRESENTING SPONSORS
PREMIER SPONSORS
FILMS
PRINCIPAL SPONSORS
SUPPORTING SPONSORS
Sponsors
USE ON COLOR
INSTITUTIONAL SPONSORS
BELL MUSEUM
OF NATURAL HISTORY
EUROPEAN STUDIES
CONSORTIUM
Patients welcome
me
1. Chronic neck and back pain, fibromyalgia,
myalgia, fatigue.
2. Neuropathy, radiculopathy, nerve impingement
3. Chronic headaches, migraines
4. ot/hand pain..
Arthritis, shoulder/knee/elbow/foot/hand
5. n.
Diabetes and obesity rehabilitation.
6. Gait and balance problems.
music by a fellow named “Patty” that is sure to get your toes tapping. Your
movie ticket gets you into the party! $5 with no ticket stub.
OPENING WEEKEND
PAVILION FESTIVITIES! MID FEST “HOW TO DRESS WELL” PARTY
FRIDAY & SATURDAY, APRIL 15 & 16 • NOON – MIDNIGHT SATURDAY APRIL 30 • 10:00PM DOORS
FESTIVAL CENTRAL PAVILION TRIPLE ROCK SOCIAL CLUB
Friday, the Pavilion opens at noon as Festival Central. Meet and Free with ticket stub from the Experimental Film Program screening
greet our visitors and your fellow film buffs between films through the (April 29th, 7pm, St. Anthony Main Theater) and/or Free Radicals: A His-
afternoon, and come back when the cash bar opens at 5:00pm with drink tory of Experimental Film (April 28th, 9:15pm). $5 with no ticket stub.
specials from Summit Brewing, Wines from Badger Mountain and Par-
ducci Cellars. The $10 cover after 9:00pm includes food by Chowgirls’ Bringing the experience of experimental film out of the cinema and into
“Killer Catering”, and music by the energetic and distinctive “saucy har- a live event, please join us at the Triple Rock Social Club for a guest DJ
monica and cool marimba” performer, Noah Hoehn. Cash bar all night. set by How to Dress Well (aka HTDW). Taking inspiration (and samples)
from 1990’s R&B, HDTW chops up, squeezes, and processes these
Saturday, the Pavilion opens at noon. Meet and greet once again sounds to create a haunting sonic experience, like music from a down-
between films! Come catch some great up-and-coming local music acts stairs neighbor’s boombox leaking up through the floorboards. The artist
from 2:00-5:00 pm: Bethany Larson & The Bee’s Knees, The Red Pens is lit primarily by video projections created by video artist Jamie Hurley,
and Total Babe! The cash bar opens at 5:00pm, with drink specials from which, reflecting the music, are sampled and stitched together from mov-
Summit Brewing, Badger Mountain and Parducci Wine Cellars and Phil- ies, television, and photographs, adding a layer of loose and dream-like
lips Distilling. At 9:00pm the party gets serious. More great food provided storytelling to HDTW’s ghostly creations.
by Chowgirls Catering. Music by the magnificent eclectic ensemble
Rumba Eterna and their interpretations of traditional Cuban and Latino
rhythms. Again, the $10 cover after 9:00pm includes food and music. AWARDS CEREMONY
Cash bar all night.
THURSDAY MAY 5 • 5:00PM
22
Special Presentations
PAGE ONE: INSIDE THE NEW YORK TIMES
DIRECTOR: ANDREW ROSSI • USA • 2011 • 88 MIN • ENGLISH
Director Andrew Rossi & New York Times Columnist David Carr Present
As new media surpasses print as the main source for news, director Andrew Rossi’s breakout
documentary presents the struggle between the opposing journalistic forces within the largest news
media organization in the world. With unprecedented access to the New York Times newsroom in this
transformative era of investigative reporting, Rossi shadows the editorial inner circle as they make the
important decisions that could make or break the organization.
Rigorous traditional journalism meets new media analysis in Rossi’s vibrant portrait of the intellectual,
social, and democratizing forces confronting news organizations today.
Outspoken David Carr, both the former Editor of the Twin Cities Reader and a key subject of this film,
returns home to star in a year of covering “all the news that’s fit to print.“ SCREENINGS:
Print Source: Magnolia Pictures, Arianne Ayers, aayers@magpictures.com THU 14-APR 07:30 PM
WED 20-APR 09:15 PM
PRESENTED BY: THE MARQUETTE HOTEL
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
The opening night film of the 2010 Toronto Film Festival, Score celebrates both the individual who dares SCREENINGS:
to be different and the team player in all of us. (As the film pokes fun at self-effacing Canadians, The THU 14-APR 07:45 PM
Montreal Maple Leafs and widely known Canadian hockey heroes come in for entertaining cameos.) FRI 15-APR 07:30 PM
Print Source: Mulmur’s Hockey Musical Inc., Nadia Tavazzani, ntavazzani@gmail.com PRESENTED BY: CONSULATE GENERAL OF CANADA
& NICOLLET ISLAND INN
Preceded by: THE LAST NORWEGIAN TROLL DIR: P. SAPEGIN • NORWAY • ‘10 • 13 MIN SCREENINGS:
In the good old days Norway was heaven on earth for trolls. But that was a long time ago. And so, one
THU 14-APR 08:00 PM
day, three young goats decide to oust an old troll languishing underneath a bridge. They have no idea SUN 17-APR 09:30 PM LATE NIGHT
that he is the last of his kind – absolutely the very last troll in Norway … PRESENTED BY: ASTER CAFÉ, FILMDEMIC &
AMERICAN SCANDINAVIAN FOUNDATION
Print Source: Norwegian Film Institute, knut.skinnarmo@nfi.no & INGEBRETSENS
Join us in the Festival Central Pavilion, across the street from the St. Anthony Main Theatre, for an intriguing, entertaining and
informative discussion about the many ways in which music can be used in film, including how to handle licensing issues and
other legal complexities. Panelists include moderator Ken Abdo, Vice President of Lommen Abdo Law Film and Chair of the
Entertainment Law Department, who is also a multi-instrumentalist/songwriter and former disc jockey who knows music, the
music business and the law. Chris Osgood, VP of McNally-Smith College of Music, founder of Springboard for the Arts, label
manager at Twin tone Records, founder of seminal punk band Suicide Commandoes, 1989 Minnesota Music Awards Rock
Guitarist of the Year and 2006 MN Rock and Country Hall of Fame inductee. Jed Schlegelmilch, director of “Absence/Pres-
ence” (2011 MSP Int’l Film Fest). Christie Healey, a non-attorney specialist in entertainment media legal affairs at Lommen
Abdo Law Firm, with a thirty-year career in entertainment media, including stints in the music business in her native England
as a studio business affairs executive and an independent consultant. Daron Walker, Modern Music Creative Director, is a
producer, music supervisor, remixer, sound designer and DJ. Craig Rice, currently teaching advanced filmmaking at MCAD
and music business at McNally Smith College of Music, with a long career first as a musician, then as a music executive, film-
maker, and music supervisor on many films and TV series.
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Music/Film Panel
Ken Abdo, Moderator
Christie Healey
Chris Osgood
Craig Rice
Jed Schlegelmilch
Daron Walker
Celebrate the many talented filmmakers participating in the 2011 MSP International Film Festival, and Reward yourself!, by
attending the 2011 Festival Awards Ceremony. Awards will be given for the Best Narrative Feature, Best Documentary, Best
Emerging Filmmaker, Best Short and Best Minnesota-Made Film.
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f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
cinematic goals.
27
Print Source: Showbox, Eugene KIM, Print Sources: TF1 International, Claire
eugene@showbox.co.kr Thibault, office@thefestivalagency.com
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f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
After living and working in the United States for veteran director Bent Hamer’s (Kitchen Stories, Attempting to find a better life away from home,
twenty years, Benjamin Garcia (aka “El Benny”) O’Horton) sixth feature. two couples, Albanians Nick and Melinda, and
is deported to Mexico. He returns to find his Serbians Marco and Vera, continually fight
hometown deeper in poverty and more violent Winner of Best Screenplay at the San Sebastian
authority, stereotypes and themselves in their
than ever, ruled over by vicious drug lords. International Film Festival, Home For Christmas
dreams to pursue happiness at whatever the
Government, religious, and police corruption is is based on Norwegian author Levi Henriksen’s
cost. Though their plights are parallel, and they
rampant. Grudgingly, Garcia is lured over to the collection of interconnected short stories, Only
live in neighboring countries, the two couples
ranks of the local gangsters Soft Presents Under the Tree. Set in the snowy
never meet. Wanting to be free of family and
small town of Skogli at Christmas time, the fir
With hints of the Coen brothers, Scorcese, and village traditions, Nick and Melinda can’t wait to
trees and twinkling lights have brought with
Kurosawa, this controversial third installment travel to the freedom of Italy. Cellist Marco has
them the usual anxiety, expectancy, hope, and
in Estrada’s trilogy on Mexico is unrestrained, a chance to play in the Vienna Philharmonic.
melancholia.
provocative and full of black humor. A But a terrorist attack in Kosovo keeps both
blockbuster with the Mexican public, the Following a diverse group of characters, Hamer couples stranded at their respective borders,
government first funded the film, only to then crafts affecting vignettes before skillfully tying visas rejected. In the intolerant faces of their
give it the most restricted movie rating, and not the stories together with humor and sensitivity. captors, they are citizens of an untrustworthy
for the reasons you might expect. The desire to connect, or reconnect with friends, and unstable part of Europe.
family, or simply anyone who will listen is
Print Source: Mexican Film Institute, Javier The film walks a fine line, keeping a sense
explored through these various entanglements,
Nuñez Carrasco, difuinte@imcine.gob.mx of irony without being cynical. Providing no
both serious and absurd. Flush with life, insight,
clear-cut resolutions and allowing the audience
and hope, and beautifully shot under the glow of
to provide the answers, the film’s ambiguity
the Northern Lights, this is a delightful addition
befits a region that’s still reeling from political
to the repertoire of one of Norway’s best-loved
upheaval.
and internationally known filmmakers. (Hamer’s
2005 Factotum, from a Charles Bukowski Paskaljevic, 64, and Grlic (see elsewhere in
novella, was shot in St. Paul, with Matt Dillon festival with Just Between Us) were colleagues
and Marisa Tomei). at Famu, the influential Prague film school of
the late ‘60’s.
Print Source: Norwegian Film Institute, knut.
skinnarmo@nfi.no Print Source: Christine Gentet-Paskaljevic,
paskaljevic@gmail.com
29
Goodbye Lenin!) and the much-touted Hannah coals at the boiler house, while his former Kędzierzawska (Crows, A Time to Die,
Herzsprung (Four Minutes) as his love interest, comrade-turned-crime boss feeds the fires Nothing) is actually built for an adult audience.
the film is an ingenious farce about trying to with the bodies of his fallen enemies. He Three homeless Ukranian boys, contemporary
have your cake and eat it, too. casually accepts their fate without question, Huck Finns, are off on an adventure to cross
Bruhl delivers an amusing, endearing until an unexpected and familiar face arrives for the border in search of a better world in Poland.
performance as the shy, hapless waiter incineration. Drifting around towns and markets, loitering
who gains overnight success as an author, Balabanov, who refuses to follow the exalted at train stations, begging food and stealing
without writing a single word, when he finds Russian spiritual film canon established by icon what they can’t beg, the kids are survivors. But
a throwaway romance novel in a trash bin. Andrei Tarkovsky, uncompromisingly depicts once they take off across the countryside, the
Claiming to be the once down-and-out, the darker side of the newly democratized possibilities of a new life seem to imbue the
bohemian author, he manages to enlist a large nation through his use of long, penetrating children with near invincibility, no matter the
bookselling chain for the obligatory author’s takes and claustrophobic compositions. This reality that looms ahead.
book tour and signing. At this point, a gang of powerful narrative is sure to provoke with its Writer/Director Dorota Kędzierzawska, 54,
brutal facts assaults his celebratory reputation, unwavering commitment to realism. (Picked as crafts a deeply empathic and poetic work,
but not without a charming denouement with one of its best films of the year by a number of stunningly photographed by her husband,
the intercession of Ms. Herzsprung. A very Russian critics). veteran cameraman Arthur Reinhart. Tomorrow
good date movie. Will Be Better transforms an impoverished and
Print Source: Intercinema, Dmitry Mokeev,
Print Source: Beta Cinema, Delphine Eon, dm@intercinema.ru difficult world into an optimistic impulse towards
delphine.eon@betafilm.com freedom. (Child roles played by street kids met
during search for locations.)
Print Source: Kid Film. Arthur Reinhart,
arthur@kidfilm.pl
TWELVE THIRTY DIRECTOR: JEFF LIPSKY • USA • 2010 • 120 MIN • ENGLISH
Director Jeff Lipsky Present
Writer-director Jeff Lipsky (Once More With Feeling, Flannel Pajamas) brings his tangled tale of
seduction to the screen in this ambitious ensemble piece that echoes The Graduate and features a
distinctive style reminiscent of John Cassavetes.
A story about a self-centered young man who, within the span of one week, becomes intimately involved
with a mother and her two daughters in the same eccentric family, Twelve Thirty explores the nuances of
seduction, family life, and the complex relationships of dysfunctional Americana set amid the cornfields of
an Iowa university town.
With four films to his credit (three as writer/director), Twelve Thirty further solidifies Jeff Lipsky’s
reputation as a powerful creative force in the independent film movement.
SCREENINGS: Print Source: Twelve Thirty Productions, Dan Satorious, dan@satoriouslawfirm.com
SAT 23-APR
07:00 PM
SUN 24-APR
06:30 PM
PRESENTED BY: PRESENTED BY: THE
MARQUETTE HOTEL
30
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Official Selection at Sundance Film Festival, some such sovereign territories and their
like a Kolkata noir. It will enchant, move, and
winner of the Women in Film Award from eccentric rulers in one of the droll-est films in
surprise audiences. (Fox Searchlight has
National Geographic and from the executive the fest.
already nailed down remake rights.)
producers of the Oscar winning Born Into
With police corruption on the rise in Kolkata, Situated somewhere in Nevada lies the
Brothels.
clients are left to seek their own private eye. Big- Republic of Molossia, population 6, where
Employing a splendidly imaginative everything from Texas is banned. Residents of
hearted, intrepid, and full of attitude, Rajesh Ji
combination of animation and archival footage, the Principality of Seborga, established in 820
is one such detective. He could be a character
award-winning filmmaker and founder of AD as a reward for returning Crusaders, claim
sprung from a pulp fiction story, and is at once
the Webby Awards Tiffany Shlain explores that their territory was accidentally included in
an impresario and dedicated husband. He and
the visible and invisible connections linking Italy by mistake. The Seasteading Institute, an
his motley crew of sleuthing assistants tackle
the major environmental and technological experiment in offshore living, hopes to have a
everything from adultery to counterfeit shampoo
concerns of our time. Successfully employing population of 100,000 within 25 years. And then
operations to triple murder. Off the job, yet with
humor and irony, Shlain constructs a there was the creator of the Segway…
equal fervor, they also practice their dance
chronological tour of Western modernization
moves in preparation for a TV talent show Providing more than just a tour of these quirky
through the work of her late father, best selling
audition. micronations, Shapiro also examines the
author Leonard Shlain.
Mostly handheld camerawork brings immediacy deeper political and economic reasons behind
This vibrant and insightful documentary won national legitimacy. Is the fact that the Czech
to the film that highlights the chaotic hustle and
her accolades from National Geographic, NPR, Republic doesn’t recognize Lichtenstein any
bustle of one of the world’s mega-cities and
and was even heralded by Wired magazine reason for the UN to refute its existence? A
its bureaucratic mania. Part detective mystery,
as “the most thought-provoking and the fascinating investigation into how nationhood
part social commentary, part family drama, The
most personally emotional documentary” at can shape our identity, this film may very well
Bengali Detective is a winning, and ultimately
Sundance. inspire the raising of a few new flags around
moving look at contemporary middle-class
India. British director Phil Cox, 41, is an award- Print Source: Sawyer Steele, the world.
winning documentarian. sawyer@connectedthefilm.com Print Source: The Film Collaborative, Jeffrey
Print Source: Entertainment One, Cameron Winter, jeffrey@thefilmcollaborative.org
Moneo, CMoneo@entonegroup.com
32
PRESENTED BY: PRESENTED BY: EMI AUDIO PRESENTED BY: UNITED NATIONS
ASSOCIATION OF MN & AM 950 & KFAI
BARBETTE & RED STAG & CONSULATE OF GERMANY IN CHICAGO
& U OF M EUROPEAN STUDIES CONSORTIUM
THE INTERRUPTERS IN THE GARDEN OF
DIRECTOR: STEVE JAMES • USA • 2010
SOUNDS KINSHASA SYMPHONY
162 MIN • ENGLISH DIR: MARTIN BAER • DEMOCRATIC REPUBLIC
DIR: NICOLA BELLUCI • SWITZERLAND • 2010
Director Steve James Present OF CONGO / GERMANY • 2010
86 MIN • ITALIAN
Seventeen years after releasing Hoop
Producer Frank Matter Present 95 MIN • GERMAN, LINGALA
Dreams, Oscar-nominated director Steve
James lifts the veil on the conditions of This debut feature from Nicola Bellucci on
Conductor Armand Diangienda
Chicago’s disenfranchised, this time focusing the healing powers of “aural therapy” is a
Present
on the city’s seemingly perpetual violence, cinematic and sonic achievement, blending Audience Award winner at the Vancouver
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
while allowing an inspiring hope for change. artful cameracraft with intricate soundscapes. International Film Festival, Kinshasa Symphony
A collaboration between acclaimed director Living in a Swiss hamlet tucked away in the is an unexpected and beautiful musical merging
James and bestselling author Alex Kotlowitz, mountains, blind musician and child therapist of worlds.
the film follows three heroic “interrupters” Wolfgang Fasser guides his youthful patients The chaos of Africa’s third largest city is pierced
who work in the anti-violence organization into the mysteries of sound and music, while by the sounds of swelling string instruments, as
CeaseFire. These former gang members work working to ease pain and relieve tension. With Mozart intermingles with the rich sonic tapestry
to stop aggression and violence through the quiet reverence, Nicola Bellucci observes this of Kinshasa. This stirring documentary skillfully
use of humor and humility. Continuing in the almost alchemistic phenomenon, and allows demonstrates the power of music to heal and
style of Direct Cinema, James’ approach to the audiences to witness a remarkable journey into help renew life in a land ravaged by poverty
subject matter provides an authentic glimpse new sensory worlds, as children are given an and war.
at the scary undertakings these individuals indispensable key to improve their daily lives.
Kinshasa, capital of the Democratic Republic
brave daily. The repercussions of the city’s Winner of Best Documentary at 2010 São of Congo, is home to Central Africa’s only
violent cycle are presented with an unsettling Paulo International Film Festival. symphony orchestra. The symphony’s aim
casualness in this must-see documentary.
Print Source: First Run Features, Paul is to spread classical music throughout
Print Source: Kartemquin Films Marchant, paul@firstrunfeatures.com Kinshasa, incorporating traditional and DIY
African instruments into mostly European
compositions. One of the musicians describes
hearing African rhythms in Beethoven, and the
group has built double bass instruments from
scratch and replaced violin strings with bicycle
brake cables. The film is guaranteed to leave
you inspired as a rousing finale performance
brings legions of cheering fans to their feet.
Print Source: Sounding Images, Caroline
Beiersdorf, caroline.beiersdorf@sounding-
images.de
33
the underlying patterns of life in Indonesia, music history through the life of Liam Clancy, the
books to his credit, Mailer was awarded the
both literally and metaphorically, with his last surviving member of iconic Irish band The
Pulitzer Prize twice for both fiction and non-
revolutionary camera work. Clancy Brothers.
fiction. He co-founded The Village Voice, and ran
unsuccessfully for Mayor of New York City under Grandmother Rumidjah, a poor elderly This personal and cinematically engaging film
the slogan “Let the Rascals In.” Married 6 times, Christian woman, weathers a changing society goes beyond the guise of the performer to
father of 9 children, convicted of stabbing his and the influence of globalization reflected in uncover the complicated personal life of the
second wife, he was labeled the quintessential the lives of her juvenile granddaughter, Tari, balladeer. At times outselling even The Beatles,
male chauvinist in Kate Millet’s Sexual Politics. A and her sons, Bakti and Dwi, who are Muslims. The Clancy Brothers have influenced everyone
verbal and physical fighter, Mailer began his Modern-day Indonesia is entrenched in a from Dylan to Pete Seeger to U2’s Bono to The
writing career at Harvard, was drafted into the tug-of-war between Christianity and Islam, Pogues, and rose to fame in Greenwich Village
U.S. Army in World War II, and his experiences young and old, rich and poor, and beset by during the folk explosion of 1960’s. Featuring
became the basis for his breakout novel, The encroaching globalization that threatens the unseen archival footage, audio recordings and
Naked and the Dead, published at the age of simple life that Rumidjah knows so well. guest appearances, Gilsenan’s film delves into
25. Mailer went on to cover every major event in Liam’s raucous past in which he blurred the
U.S. history, including the assassination of John Forgoing interviews and voice-over narration, lifestyle of the folk musician with the excesses of
F. Kennedy, the Apollo 11 launch, the riots of the Position Among the Stars allows each exquisite rock and roll.
1968 Democratic National Convention, and the detail to come together and construct a rich
famous 1974 Rumble in the Jungle fight between mosaic of Indonesia today. The result is
poignant, breathtaking, and a singularly stellar Preceded by:
Muhammad Ali and George Foreman. Director
Joseph Mantegna brings to life a complex, verité triumph, and was awarded the 2011
Sundance Special Grand Jury Prize -Adapted IF THESE WALLS COULD TALK
outspoken, reckless, and highly intelligent
from Sundance Film Festival
man who was also a fierce friend, lover, and DIR: ANNA RODGERS • IRE • 13 MIN • ENG.
father. Featuring never-before-seen footage Print Source: Films Transit, John Nadai,
Stories of panic attacks, abandoned families,
and interviews, this is a one of a kind portrait of john@filmstransit.com
depression, and interminable stretches of
one of the most controversial literary figures in time are told with an eerie matter-of-factness.
recent history. Beautiful cinematography and attention to detail
Print Source: Zooma Zooma, Joseph present these patients’ unique and haunting
Mantagna, joem@zoomazooma.com reality – incarcerated behind walls as well as
within their own minds. This film demonstrates,
the societal outcasts, inhabitants of these
decaying spaces, remain forever invisible.
Print Source: Crossing The Line Films, Siobhan
Ward, siobhanward@ctlfilms.com
34
)5(1&+&/$66(6)25&+,/'5(1$1'$'8/76
)LUVW6WUHHW1RUWK
0LQQHDSROLV
:::$)06325*
to usher his family into the new era stocked nature. Based on the true story of friends of elements with poignant moments in a
with the comforts of urban modernity. When Heldman’s, Colors in the Dark sketches an remarkably original tale of a boy haunted by
a minor earthquake incites his neighbors to initially sunny tale of Fred (Ganz) and Anita loss. After his father dies, ten year-old Xiang
demand demolition and reconstruction of their (Berger), happily married for 50 years and is taken in by his estranged mother and vile
apartment complex, the octogenarian stands living a well-to-do suburban life. stepfather and his life changes forever. In this
his ground. In her first feature-length fiction,
Anita spends a lot of time in their beautiful hostile new environment, Xiang’s existence
veteran documentarian Pelin Esmer extracts
garden while Fred—despite being retired—still is cold and lonely, and a mysterious boy
deft, honest performances from her amateur
goes into his old office. But when Fred is begins to haunt his dreams. Finding comfort
cast, including her own Uncle as Mithat. 10 to
diagnosed with prostate cancer, he tells no one in drawing, his work shows a child starving
11 takes hold just as Mr. Esmer takes up battle
but his wife and decides to forego treatment. for care and affection. When Xiang meets
for a city that’s slipping away from him.
Clearly in crisis and attempting to cope, Fred a gruff, but inwardly kind old school janitor
A clash of generations portrays a divided buys an apartment in the city where he can and a chubby older boy surviving on odd
Istanbul in this winner of the FIPRESCI award be alone and ‘think’, and Anita reacts. What jobs and petty thefts, his life finds new hope
(International Critic’s Award) at the Tromsø follows is a heartfelt rumination on the extreme in companionship. But Xiang is destined to
Film Festival. choices that must be faced when terminal unveil a frightening truth about his family. Will
Print Source: Sinefilm, Armagan Lale, illness looms, and a meditation on the subjects his fourth portrait be an image of himself?
info@sinefilm.com of love and existence that is universal in its Told with striking, lyrical cinematography and
implications. -Adapted from Palm Springs a stellar cast, The Fourth Portrait confirms
International Film Festival director Chung Mong-hong as a bold, exciting
Taiwanese talent to watch.
Beta Film: Beta Cinema, Delphine Eon,
delphine.eon@betafilm.com Winner of Best Narrative Feature, Best Actor,
and the New Talent Competition Audience
Award at the 2010 Taipei Film Festival and Best
Director and Outstanding Taiwanese Film at
Taiwan’s 2010 Golden Horse Awards.
Print Sources: Good Films Workshop, Steven
Tu, steventu@yahoo.com.tw
36
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
With the initial spark nearly gone, married rights. Tania (Anne Coesens), a Russian year old girl and a 12-year old boy run through
couple Gabriel and Gabriela reawaken their illegally living in Belgium with her son for tobacco fields waiting for something to happen.
passion through virtual love. Their romantic the past eight years, is now threatened with Clay Jeter’s remarkable first feature is an
second life will either salvage what’s left of their deportation. Locked in detention indefinitely, experimental, stream-of-consciousness series
marriage or be the final nail in the coffin. With she shows determination and dignity in her of vignettes exploring memory, companionship,
blunt but humorous commentary from their struggle to regain her humanity and be reunited and sexual awakening. Inventive use of sound
equally depraved teenage son, this entertaining with her child. and lush, impressionistic cinematography
spin on modern married life remains as light as
Coesens illustrates immense talent and skillful beckon the audience into a world of winding
it is relatable.
restraint in this demanding role, while agitated Appalachian dirt roads, flushed cheeks,
Print Source: M-Appeal, Anne Wiedlack, camerawork brings Tania’s panicked state voices on tape, and a mysterious crumbling
aw@m-appeal.com to the forefront. As it tackles the hot-button house with hints of something darker lurking
issues of immigration policy and reform, this underneath. What we are left with, more epic
exceptional film by award-winning writer/ poem than feature film, will stay with us for as
director Oliver Masset-Depasse is critical long as we can remember the smell of grass.
viewing for all festivalgoers. Print Source: Visit Films, Aida LiPera,
Print Source: Film Movement, Rebeca Conget, al@visitfilms.com
rebeca@filmmovement.com
37
38
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Director Chad Freidrichs was reared in from the Minneapolis College of Art and Design
also features MSPIFF alum Alex Karpovsky, the Chanhassen and New Ulm, Minnesota. The with a BFA in animation. After earning his
‘Mumblecore’ filmmaker who presented his debut Pruitt-Igoe Myth is his third documentary degree, Joe began a career in advertising. He
feature, The Hole Story, at MSPIFF in 2005. feature. He currently teaches filmmaking at has also continued to tell stories by directing
Director Dean Peterson grew up in Stephens College in Columbia, Missouri. numerous short and feature films.
Minneapolis, MN. He studied film in New York, Print Source: Unicorn Stencil Doc. Films, Print Source: joe@joedressel.com
Paris and Chicago. His interests include: black pruittigoedoc@gmail.com
coffee, Siberian Huskies and David Bowie.
Incredibly Small is his first feature.
Print Source: Dean Peterson,
petersoncinema@gmail.com
SCREENING:
SCREENING: FRI 15-APR 07:00 PM
SUN 17-APR 04:30 PM PRESENTED BY: CRASH + SUES
Plastics Recycling O-OP EASTSIDE FOOD CO-OP EASTSIDE FOOD CO-OP EASTSIDE F
DIRECTOR: JUSTIN DOHERTY • UK • 2010 • 10 MIN • ENGLISH DIRECTOR: PIA ANDELL • FINLAND • 2010 • 38 MIN • FINNISH
Mya is coming into this country. Sam is coming out of mourning. Ryan This recently discovered footage of Finnish wartime history records the only
is coming into adulthood. Are any of them where they want to be? time Adolf Hitler ventured outside Germany during WWII-- to visit Finland’s top
Challenged to regain his life following a period of deep mourning, general. The hush-hush, archive reels, banned for more than 65 years, are
Sam steps back into the world at exactly the same time Mya arrives now seen in this remarkable secret filming assignment captured by young and
in town from Israel. Their lives seem destined to just miss each other curious Finnish war cinematographer, Felix Forsman, as Hitler was trying to
until a young man, unsure of his own place in the world, intervenes consolidate his Russian invasion.
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
dramatically. –Courtesy Phoenix Film Festival Late in June 1942, Carl Gustaf Mannerheim, the Commander in Chief of
Print Source: Baracoa Pictures, Justin Doherty, the Finnish Defence Forces, reluctantly paid a return visit to Germany after
baracoapictures@me.com Adolf Hitler had visited Finland and congratulated Mannerheim on his 75th
birthday. Through his lens, Felix observed the Fuhrer, Hermann Göring and
the conditions in Berlin, visited Goebbels UFA studios and Hitler’s Wolf’s Lair
MOKHTAR in Berchtesgaden in the summer of 1942. Just before Forsman died recently
at age 90, the pristine footage was compiled and made available in this
DIR: HALIMA OUARDIRI • MOROCCO / CANADA • 2010 • 16 MIN • remarkable documentary.
TACHELHIT Print Source: The Finnish Film Foundation, Otto Suuronen, otto.
Based on a true story, Mokhtar tells the tale of a young Moroccan suuronen@ses.fi
goatherder who finds a fallen owl and decides to keep it as a pet.
The owl is a bad omen, and the boy begins to use it as a symbol of
rebellion against his family. THE FABULOUS FIFF AND FAM
Brotherhood, spirituality and the essence of religion are both
DIRECTOR: SOLVEIG MELKERAAEN • NORWAY • 2010 • 29 MIN • NORWEGIAN
celebrated and challenged in this
The Fabulous Fiff and Fam is a feel-good documentary about the genuine
work from Quebec’s Halima Ouardiri, winner of “most promising
pleasures and treasures of friendship between two women of 90 who have
Canadian short “ at Vancouver Film Fest, 2010.
known each other since they were five. It is a story about being old on the
Print Source: EyeSteelFilm, Gabriel Couture, outside, but young at heart.
distribution@eyesteelfilm.com
Print Source: Norwegian Film Institute, knut.skinnarmo@nfi.no
44
Best Short
In Competition
72 MINUTES
Filmmakers Present
SCREENING:
SAT 23-APR 02:15 PM
THE ENCOUNTER
DIRECTOR: ANGELA MATEMOTJA • USA • 2010 • 21 MIN • ENGLISH
A young white woman on a search for inner peace, gets stuck in an elevator
with an older African man. Though the residue of apartheid still remains, does
he hold the key to her finding inner peace?
Writer/Director Angela Matemotja is an NAACP Theatre Award Nominee,
and a graduate of the American Academy of Dramatic Arts. A trip to South
Africa and experience making films at the Richard Lawson Studios led her to
develop The Encounter.
Print Source: Matemotja Productions, Angela Matemotja,
amatemotja@hotmail.com
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Print Source: Mosquito Films, L.L.C., Jeremy Engle, jengle280@gmail.com
45
than what life now offers. Ann Prim is a filmmaker and a musician who moved
DIRECTOR & PRODUCER: ERIC POWER • 2:40 MIN from Boston to Minnesota in 1999. She creates and directs films that reveal the
Paper Jedis!? Yes indeed! This is the original Star Wars trilogy re-imagined in glorious
cut paper animation set to the lovely tune ‘Tatooine’ by Jeremy Messersmith. As 2-D
complexities and contradictions that are at the heart of every human relationship.
as it gets. Eric Power is Jeremy’s “blood brother from MN” and an animator based out
of Austin Texas specializing in animated music videos, and short films in a wide variety
of styles. Soon to move on to features. FRIDAY NIGHT
DIRECTOR: STEPHEN GUREWITZ • PRODUCERS: BRITNI WEST, STEPHEN
COMING TO AMERICA by M.anifest
GUREWITZ • 5:30 MIN
DIRECTOR: WALLY AGBOOLA • PRODUCER: LUKE DUNNE • 3:54 MIN After leaving the bar together, two strangers are unable to find a parking spot.
The music video for M.anifest Track Coming to America– finds M.anifest as a stranger
in a new country, roaming around Minneapolis, Minnesota Wally Agboola, originally
Stephen Gurewitz is a filmmaker from Minnesota. His films have screened at
from Nigeria, Africa gets inspiration as a director and photographer not only from his festivals including South by Southwest, Sarasota, and Vail. His first feature
cultural background, but also from his world travels. “Marvin Seth & Stanley” is currently in post-production.
46
Best Short
In Competition
EMERGING FILMMAKERS EMERGING FILMMAKERS 77 MINUTES
SCREENING: WED 20-APR 7:00 PM SCREENING: SAT 30-APR 2:00 PM
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTOR: KASSANDRA LANGUM • PRODUCERS: NICKI ANDERT, KASSANDRA
KOLACHE MAPPING LANGUM • 5 MIN
While studying at the library, Jake is disrupted by a pretty girl. After a bunch
DIRECTOR: JAMIE ISCHER • 7:14 MIN of playful glances, Jake checks out and leaves the library only to drop his
An examination of the interpersonal connectedness experienced card. The girl picks it up and races after him making for a memorable first
through ritual. This work was made to explore how traditions encounter. Kassandra Langum works as a freelance producer, casting
can be used to reinforce the faculties of memory. Kolache is an director, and production assistant in the Twin Cities. Most recently, she
Eastern European pastry that my Grandma Eileen routinely made has worked as a casting director and extras casting coordinator on local
and is significant due to the ability to perpetuate my relationship. music videos, short films, and feature films. Kassandra is currently studying
Jamie Ischer is a current student of interdisciplinary studies at screenwriting at Metropolitan State University.
the Minneapolis College of Art and Design. His collaborator/camera
operator/editor is MN filmmaker Amanda Becker. She enjoys making LUCID DREAMS
films and collaborating with inspiring people like Jamie! DIRECTOR & PRODUCER: DAVID J. BUCHANAN • 14 MIN
HAPPY BIRTHDAY NORMAN Kronos is a man searching for his life; but only in his
dreams, will his truth life be revealed.
David J. Buchanan: young filmmaker, aged wisdom.
PRESENTED BY: JOHN AND ALLYN DAVIES
DIRECTOR: JACLYN EVERT • 7:25 I’VE GOT NO RIGHT TO SING THE
Norman and wife sit at the dinner table. It is Norman’s birthday, and
his wife has prepared dinner, and a cake. Not much is eaten in this BLUES
intense battle of the sexes. DIR: BRITTANY GUSTAFSON • PRODUCER: JULIE KANE MEYER • 8:46 MIN
Sponsored by John and Allyn Davies in honor of Jaclyn Evert. This is the story of Sam and Annie, a teacher and student, meet and talk
about the trails and struggles released in the beautiful, flowing rhythms of the
APERTURE blues.
DIR: MAXIMILIAN SELIM • PRODUCER: NICHOLAS GRADY • 17 MIN Brittany Gustafson is the youngest of three & is currently a student at
Minneapolis Community Technical College. Has an AS in Directing &
On the eve of a life-changing decision a young man stops at a
Producing, currently pursuing degree in Cinematography.
mysterious motel with his girlfriend.
Maximilian Selim is a graduate of the University of Minnesota and
Prague Film School, Czech Republic. Depending on the day, he’s “BEAUTIFUL. THANK YOU.”
either a music video director, a blog writer, a Play It Again Sports DIRECTOR: KATE ENGE • PRODUCER: MARY ZANTOPP • 4:23 MIN
employee, a baseball coach at St. Paul Central or unemployed. To watch someone do something they love is a beautiful thing.
Kate Enge is a recent graduate from film program at Minnesota State
University Moorhead. She has directed many shorts, and is currently working
on a short set in 1890. She is originally from Anoka, MN.
DRAGON’S BREATH
DIR: BEN PIMLOTT • DIRECTOR OF PHOTOGRAOHY: IVAN CLOW • 11 MIN
A young man employs the ancient fundamentals of Feng Shui to seek
vengeance. The creators of this piece are current film production majors
at Minnesota State University Moorhead. This is the most recent of many
collaborations between Ben Pimlott (director) and Ivan Clow (dp) and their
colleagues in the Film Studies department.
47
48
www.fredlaw.com
Experimental Films
83 MINUTES
COMMERCIALS
SCREENING: FRI 29-APR 7:00 PM
FILMMAKER: ERICA EYERS • CANADA / UK • 2007 • 6:54 MIN
A cross-disciplinary screening of 11 films from international filmmakers Commercials is a series of progressively surreal mock advertisements for
pushing the definition of cinema and the boundaries of image-making products and services, such as a fake family pet, self-confidence building
into new territory. The program is split into two halves: the first a tapes, and a dating hotline.
primarily visual series of films, and the second drawing reference to
Erica Eyers (b. 1980), an internationally exhibited Canadian artist living in
popular culture and storytelling techniques.
the UK, creates video melodramas inspired by society’s modern-day desires
pushed to an extreme by trash TV. With the aid of make-up, wigs, costume
Formalist / Structuralist and props, the artist herself plays each character.
A FILM, SISTER
FILMMAKER: SUE DE BEER • USA • 2009 • 8 MIN
FILMMAKER: HISHAM BIZRI • USA / LEBANON • 2010 • 8:35 MIN
This is a video about how I worshipped you and about how I loved you and
A film poem about love. Between the moment of wakefulness and dream, a
love you still. This is a video that remembers you to yourself. -Alissa Bennett
woman is captured on film as a trapeze artist, a model, a lover, and a child.
Sue de Beer’s work explores the connections between memory, architecture,
Hisham Bizri is a Lebanese-American award-winning filmmaker,
history, gender and adolescence. De Beer’s work is in the permanent
recipient of the John Simon Guggenheim Fellowship, the American
collections of the Whitney Museum of American Art, the New Museum for
Academy Rome Prize, co-founder of the Arab Institute of Film and is
Contemporary Art, the Brooklyn Museum, and the Goetz Collection.
currently an Associate Professor of film at the University of Minnesota.
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Leighton Pierce’s award-winning short films and videos have been Performance artist Diane Torr (b.1948) is a pioneer of “drag king”
shown at the Sundance Film Festival and the Whitney Biennial, among performance, a fellow of the Whitney Museum Independent Studies Program
others. A National Endowment for the Arts Fellow, he is currently head and of the Macdowell Art Colony, and co-author of the book, “Sex, Drag, and
of the Film and Video Production Program at the University of Iowa. Male Roles: Investigating Gender as Performance” with Stephen Bottoms (U
Michigan Press, 2010).
SCREENINGS:
THU 21-APR 06:45 PM
FRI 22-APR 09:45 PM LATE NIGHT
PRESENTED BY: JAPAN AMERICA SOCIETY OF MN & FILMDEMIC & HOFFMAN PARKIN REALTY
A SCREAMING MAN
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTOR: MAHAMAT-SALEH HAROUN • CHAD / FRANCE / BELGIUM • 2010 • 92 MIN • FRENCH, ARABIC
In the midst of civil war in war-weary Chad, elderly Adam (Youssouf Djaoro) battles for his job tending a
swimming pool in a luxury hotel. Ex-swimming champion, he is demoted from his position and replaced
by his son. Overwhelmed with feelings of resentment, he makes a fateful decision that he’ll have to live
with for the rest of his life.
In this fifth feature by director Mahamat-Saleh Haroun, one of Africa’s top filmmakers, Adam’s internal
struggle is juxtaposed against the broad expansive concepts of war and religion. In A Screaming Man,
Haroun stakes his claim as the preeminent visionary for a region that is grossly underrepresented on
the world stage, but especially now coming to the fore in the African turmoil with Libya.
Winner of Jury Prize at 2010 Cannes Film Festival.
SCREENINGS: Print Source: Film Movement, Rebeca Conget, rebeca@filmmovement.com
FRI 22-APR 07:30 PM
WED 27-APR 04:45 PM
AFINIDADES
DIRECTORS: VLADIMIR CRUZ, JORGE PERUGORRIA • CUBA / SPAIN • 2010 • 87 MIN • SPANISH
Director, Writer, Actor Vladimir Cruz Present
Award winning filmmakers Vladimir Cruz and Jorge Perugorría, who appeared in the 1994 film
Strawberry and Chocolate, team up again as both the stars and directing duo behind this sultry
psychological drama. Two couples, separated by more than just years, find refuge within their intimacy
as an affirmation of life and self in order to deal with the complexities and problems of the Cuban world.
The result is an ephemeral escape and a cocktail of unforeseen consequences.
Print Source: Havana Film Festival New York, info@hffny.com
SCREENINGS:
SAT 16-APR 06:45 PM
SUN 17-APR 07:00 PM
52 PRESENTED BY: VICTORS CAFÉ & MINNESOTA CUBA COMMITTEE
AMIGO DIRECTOR: JOHN SAYLES • USA • 2010 • 128 MIN • TAGALOG & ENGLISH
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
The questionable US occupation of the Philippines in 1900 takes center stage in this latest offering
from singular indie film director, John Sayles.
An insightful and analytical portrait of recorded interest in American expansionism and power, Amigo
rings true both in its historical recreation and sensitivity to warfare’s complex human quandaries. This
must-see film hits straight at the heart of American conscience as parallels can be found between the
current wars in the Middle East and the Filipino occupation more than 100 years ago.
In the film, a squad of US soldiers takes over a rural village, whose elder the Yankees call “Amigo.” As
the inhabitants are forced to deal with the new foreign-imposed rules and curfews, another conflict with
a rebel resistance brews. Torn between protecting the village and to dealing with this unexpected event,
Amigo is forced to make some difficult decisions.
Print Source: Variance Films, Dylan Marchetti, dylan@variancefilms.com SCREENINGS:
FRI 22-APR 06:45 PM
APPLAUSE
DIRECTOR: MARTIN ZANDVLIET • DENMARK • 2009 • 85 MIN • DANISH
Wildly fluctuating from charismatic charmer to manipulative egoist to self-loather, Danish film star
Paprika Steen dominates this film in a role that won her awards at Karlovy Vary International Film
Festival, Mumbai International Film Festival, and the Nashville Film Festival.
Steen plays Thea, a successful stage actress, recovering alcoholic, and divorced mother trying to
regain custody of her children. In this film reminiscent of Agnès Varda’s Cleo from 5 to 7 and John
Cassavetes’ Opening Night, Thea is woman continually playing to her audience, struggling to contain
the turmoil underneath the heavy stage makeup. Beautiful camera work incorporating penetrating
close-ups along with Steen’s mesmerizing, nuanced performance combine to make director Martin
Zanvleit’s film an exquisite and unique drama.
Print Source: World Wide Motion Pictures Corporation, wwmpc@wwmpc.com SCREENINGS:
THU 21-APR 07:15 PM
SUN 24-APR 09:00 PM
PRESENTED BY: AMERICAN SCANDINAVIAN FOUNDATION 53
SCREENINGS:
SUN 24-APR 04:45 PM
TUES 3-MAY 05:15 PM
PRESENTED BY: WILDE ROAST CAFÉ
& WALSER AUTOMOTIVE GROUP
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BIBLIOTHEQUE PASCAL
DIRECTOR: SZABOLCS HAJDU • HUNGARY / GERMANY / UK / ROMANIA • 2010 • 105 MIN • HUNGARIAN,
ROMANIAN, ENGLISH
Bibliotheque Pascal is not a library – it’s a licentious brothel located in Liverpool, where the patrons
can project and enter each other’s dreams and, dressed as literary characters, can enact their bookish
sexual fantasies. Having left her daughter with her fortune-telling aunt, young and beautiful Mona is
tricked into embarking on a trek from Transylvania to Germany for life-saving surgery. Instead, she
finds herself on a harrowing journey into the shadowy world of sexual slavery.
Returning from this twisted phantasmic land, she finds that the girl has been taken away by the
authorities and the only way to get her back is to recount in detail her disgraceful experience.
Mixing Terry Gilliam-esque special effects with a pulsing soundtrack and striking tracking shots,
SCREENINGS: upcoming Magyar director Szabolcs Hajdu’s risk-taking fantasia was Hungary’s entry for the 83rd
SAT 23-APR 07:00 PM Academy Awards.
MON 2-MAY 08:30 PM Print Source: Magyar Filmunió, Katalin Vajda, kati.vajda@filmunio.hu
CAIRO 6,7,8 DIRECTOR: MOHAMED DIAB • EGYPT • 2010 • 100 MIN • ARABIC
With all eyes on Egypt in the months following its recent democratic revolution, one of Egypt’s most
prominent screenwriters, Mohamed Diab, presents a darker side of Egypt rarely seen by the outside
world in his fifth and latest written feature, and directorial debut, completed just before the sweeping
January protests.
A story of three women from different backgrounds bound together by a heartbreaking common thread,
Diab’s courageous feature depicts their united battle against sexual harassment in a culture where
women’s bodies are viewed as public property. A nation-wide commotion is created when one of the
women resorts to violence.
Diab, a supporter of the uprising in Cairo, elected to let his film travel the world without him while he
stands in solidarity with the protesters.
2011 New Directors/New Films, NY Lincoln Center entry.
SCREENINGS:
Print Source: New Century Production, Ayaat Morgan, ayaatmorgan@gmail.com
SUN 24-APR 04:30 PM
FRI 29-APR 02:45 PM
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CRACKS DIRECTOR: JORDAN SCOTT • UK / IRELAND / SPAIN • 2009 • 104 MIN • ENGLISH
Jordan Scott, daughter of renowned director Sir Ridley Scott, makes her dazzling feature film debut
with an erotically charged period drama based on a novel by Sheila Kohler.
Under the guidance and liberating force of their bohemian teacher, Miss G (Eva Green), the lives of six
boarding school girlfriends devolves into tribalistic hedonism when a new student upsets the balance
of their class. Part Prime of Miss Jean Brodie and part Lord of the Flies, Scott’s spectacularly filmed
first feature includes breathtaking cinematography and breakout performances from a talented young
ensemble, who move from sultry to sinister in the blink of an eye.
Print Source: IFC Films, Jonathan Hertzberg, jonhertzberg@gmail.com
SCREENINGS:
FRI 15-APR 09:45 PM
SUN 17-APR 04:00 PM
PRESENTED BY: CINEQUIPT
SCREENINGS:
MON 18-APR 06:45 PM
FRI 29-APR 09:30 PM
PRESENTED BY: NICK AND EDDIE
DUMAS
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FILM SOCIALISME DIR: JEAN-LUC GODARD • SWISS • 2010 • 101 MIN • FRENCH
At age 80, French-Swiss director Jean-Luc Godard still commands attention from the worldwide league
of cineastes, to become, perhaps, even a household name with his ‘Lifetime Achievement’ Oscar in 2010.
His latest foray, Film Socialisme, is a sometimes screaming collage of daring, dense and demanding
references to the tragedies of late 20th century politics, economics and film history. Structured as a
‘symphony in three parts,’ he looks for meaning as a concerned European behind longtime existential
angst for our rootless times. Å disco-gambling cruise ship on the Mediterranean sets the overall stage,
then moving to a family gas station with a pet llama, the film becomes a dizzying montage (revisiting
the famous Odessa Steps sequence of Eisenstein), along with some Hollywood-bashing. Using a
variety of digital imagery including pristine HD footage and pixilated cell phone recordings, multi-layered
soundtracks, and trademark use of fragmented subtitles, he returns again to the cruise ship.
Conservative critics who desire straight, traditional narratives were upset at its Cannes (Un Certain
SCREENINGS: Regard) screening last year, while the broad majority of viewers accepted its experimental status. No
FRI 29-APR 09:15 PM doubt, as the irascible onetime French New Waver (Breathless, and his other 1960’s films that changed
way films are made) is still in the running in the ‘most influential’ directors derby, this first film of his in
seven years will be hard to avoid.
Print Source: Kino Lorber, Gary Palmucci, gpalmucci@kino.com
HABERMANN
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DIRECTOR: JURAJ HERZ • GERMANY / CZECH REPUBLIC / AUSTRIA • 2010 • 104 MIN • GERMAN
From “old pro” Czech director Juraj Herz comes this powerful and moving WWII story from the oft-
forgotten Czech/German border region of Sudetenland.
German mill owner August Habermann tries his best to remain silent when his hometown becomes
occupied by Nazi Germany, but an intrusive SS officer soon questions his loyalties to the Fatherland.
Things fall apart quickly for the apolitical Habermann when it’s discovered that his wife is half Jewish
and dozens of his Czech employees are mounting a resistance against the occupation.
Less concerned with heroes and villains than the human side, Herz’s frank depiction of violence both
enacted by and inflicted upon Germans during this tumultuous period is sure to rankle a few feathers, if
not provoke some serious questions about justice. A member of the Sixties
Czech “New Wave” generation (Milos Forman, Ivan Passer, et al), Herz works both in German and SCREENINGS:
Czech/Slovak cinema. He received the 2009 Czech ‘Golden Lion” for his long-continued body of work THU 28-APR 07:00 PM
both in theater and film.
SAT 30-APR 03:15 PM
Print Source: Corinth Films & Corinth Releasing, John Poole Jr., sales@corinthfilms.com
HARU’S JOURNEY DIR: MASAHIRO KOBAYASHI • JAPAN • 2010 • 134 MIN • JAPANESE
Familial bonds are put to the test in this ultimately heart-warming road movie about an old man and his
young granddaughter. The film is an exploration of commitment within Japanese culture from award-
winning, 56-year-old director Masahiro Kobayashi’s original story.
When Haru loses her job in a small fishing village, she decides to move to Tokyo, where work
is seemingly more plentiful. As grandfather Tadao refuses to make the move to the big city, the
generational divide tests more than just their patience until Haru finds a family member who will house
her stubborn elder. The tale about their journey, with attendant pathos and humor, offers a crucial look
at contemporary Japan as Tadao looks back on his life and Haru finds a new future. Its theme of family
reconciliation is an homage to Yashujiro Ozu’s classic Tokyo Story.
Print Source: T-JOY CO., LTD., Sakura Wakita, skr_wakita@toei.co.jp
SCREENINGS:
TUES 19-APR 08:30 PM
PRESENTED BY: JAPAN AMERICA SOCIETY OF MN FRI 29-APR 03:45 PM
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SUN 17-APR 09:00 PM
WED 27-APR 06:45 PM
HITLER IN HOLLYWOOD
DIRECTOR: FREDERIC SOJCHER • BELGIUM • 2010 • 85 MIN • ENGLISH, FRENCH, PORTUGUESE
This hilarious mockumentary on the entertainment industry by Belgian writer/director Frédéric Sojcher
takes a stiff-fingered jab at both Hollywood and the U.S. government at the same time probing
European cinema’s forgotten past.
Under scrutiny from a CIA agent, a documentary filmmaker in Paris accidentally uncovers a plot by
Hollywood to suppress the European movie industry. Played by actress Maria de Medeiros, best
known for her role in Pulp Fiction, working on a doc about legendary French actress Micheline Presle
(Devil in the Flesh), the shaggy dog story hinges on a 1939 Presle movie that never made it to the
screen because of the war, or was it Hollywood? Sophisticated visuals, elegant color, cameos by Wim
Wenders, Volker Schlondorff, Emir Kusturica (art house regulars) enhance a mystification game to find
SCREENINGS: Presle’s old director. Industry insiders and cinema fans alike will thoroughly enjoy the free-wheeling
lampooning and characterization of the movie biz. (from 2010 Karlovy Vary Film Festival raves)
SAT 16-APR 03:30 PM
Print Source: Wide Management, Amélie Garin-Davet, agd@widemanagement.com
THU 21-APR 04:45 PM
HOME BY CHRISTMAS
DIRECTOR: GAYLENE PRESTON • NEW ZEALAND • 2010 • 95 MIN • ENGLISH
The return home from rugby practice doesn’t usually include the imprudent decision to join a war, but
that’s what World War II New Zealand Army volunteer Ed Preston did in this poetic film memoir of
honor and passion reimagined by his filmmaking daughter. Based on conversations with her late father,
prestigious filmmaker Gaylene Preston (War Stories Our Mother Never Told Us) tells the story of a
World War II soldier and his return’not to worry, he’ll be home by Christmas. Four-years later, now a
battle-worn Italian prison camp escapee, he learns that his pregnant new wife has fallen for someone
else.
To present life after war in authentic terms, Preston cleverly borrows documentary and archival
techniques for this fictitious portrayal of a soldier struggling to become a father and husband. While a
SCREENINGS: loving tribute to one father, this remarkable story of resilience and determination is universal. (Preston’s
work has been a fest staple over the MSPIFF years).
SAT 23-APR 12:45 PM
Print Source: New Zealand Film Commission, Beth Brash, beth@nzfilm.co.nz
TUE 26-APR 07:00 PM
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World cinema
DIRECTOR: FLORIN SERBAN • ROMANIA / SWEDEN • 2010 • 94 MIN • ROMANIAN
Winner of the Jury Grand Prix at the 2010 Berlinale Film Festival.
The Romanian New Wave continues to show its strength in this first feature from director Florin Serban.
Silviu has spent the last four years in a juvenile penitentiary, and mere weeks before his release he
learns his estranged mother is departing for Italy with his brother.
With an opening act well grounded in realism, the film moves toward a sense of powerful anxiety that
bubbles over into scenes of glorified action, an uncommon feature in recent Eastern European cinema.
For years, Romania has demanded the attention of film fanatics worldwide, and this film is a clear
example of why.
Print Source: Film Movement, Rebeca Conget, rebeca@filmmovement.com
SCREENINGS:
MON 25-APR 09:30 PM
SAT 30-APR 05:30 PM
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DIRECTOR: ZEINA DURRA • USA • 2010 • 90 MIN • SPANISH, FRENCH, ARABIC, KOREAN, ENGLISH
Multiple-Best Actress award winner and French film powerhouse Élodie Bouchez takes on a demanding
role in Zenia Durra’s atmospheric and intelligent debut feature.
An official selection at Sundance Film Festival and Warsaw Film Festival, Durra’s debut looks at post-
9/11 Manhattan as seen through the eyes of young Muslim artist Asya (Bouchez). After the mysterious
disappearance of a close friend, the French Manhattanite must battle an ever-present paranoia while
struggling to juggle her barhopping lifestyle with a deeply rooted socialist philosophy.
Shot on Super 16, the film’s gritty visuals add to the confusion and alienation experienced Asya and her
closest friends. The Imperialists Are Still Alive! presents an entirely original vision from Durra, a bold
new filmmaking presence.
Print Source: IFC Films, Jonathan Hertzberg, jonhertzberg@gmail.com SCREENINGS:
SAT 30-APR 09:45 PM
TUE 3-MAY 09:30 PM
IN ANOTHER LIFETIME
DIRECTOR: ELISABETH SCHARANG • AUSTRIA / HUNGARY / GERMANY • 2010 • 90 MIN • GERMAN
Austrian documentarian Elisabeth Scharang makes the difficult transition to fiction filmmaking look easy
as she tackles the already challenging subject of the closing days of World War II.
Twenty Hungarian Jews are stranded in an Austrian village when the Nazi command is thrown into
disarray in the final days of World War II. Hoping to win over the locals and ensure their safety, the
group decides to stage an operetta for the local residents who are in desperate need of a lift from
their despondency. With surprising comedic elements, the ensemble provides generous and darkly
humorous performances in an otherwise ominous scenario.
Scharang’s debut fictional feature pulls no punches in this story of compassion and strength in one of
humanity’s darkest hours.
Print Source: Austrian Film Commission, Anne Laurent, festivals@afc.at SCREENINGS:
SUN 17-APR 12:30 PM
TUE 3-MAY 07:30 PM
THE INVISIBLE EYE DIR: DIEGO LERMAN • ARGENTINA • 2010 • 96 MIN • SPANISH
Set against the backdrop of Argentina’s military regime of the 1980s, Diego Lerman’s engrossing and
beautifully acted exploration of the totalitarian urge opens with a portrait of María Teresa, a lonely and
deeply repressed assistant teacher at an elite Buenos Aires private school. Obedient and willing, she
accepts unquestioningly the school’s rigid code of conduct and proud identification with the nation
state. But her head professor’s words about the ‘cancer of subversion’ and need for total surveillance
soon feed an unhealthy obsession with one of her students, leading to an ensuing spiral of degradation
and breakdown in discipline that parallels a popular rebellion beyond the school’s ivy-covered walls.
Diego Lerman was born in Buenos Aires, Argentina in1976. He graduated from the University of
Buenos Aires, where he studied cinema and theater. In 2002, he directed his first feature film,
Suddenly, which was awarded the Silver Leopard at the Locarno International Film Festival. In 2008,
he co-founded the production company Campo Cine with Nicolas Avruj. The Invisible Eye is his third
feature film. SCREENINGS:
Print Source: Global Film Initiative, Jeremy Quist, jeremy@globalfilm.org MON 18-APR 09:15 PM
WED 27-APR 09:15 PM
PRESENTED BY: 59
CHOWGIRLS CATERING
KAWASAKI’S ROSE
DIRECTOR: JAN HREBEJK • CZECH REPUBLIC • 2009 • 100 MIN • CZECH
The lines between loyalty and treachery are blurred in this story of family and politics from Academy
Award nominee and veteran director Jan Hrebejk (Divided We Fall).
Czech psychiatrist Pavel Josek is scheduled to receive the prestigious “Memory of the Nation” award
for his work as a former dissident, but revelations about his past jeopardize everything he’s worked
toward. This information forces both the characters, and the audience, into a past everyone would
much rather forget.
With a documentary crew following Josek’s every move, Hrebejk deftly maneuvers through the
narrative, keeping the well-traversed communist spy story genre engaging and new. Kawasaki’s
Rose handles the still-painful wounds of World War II with poignancy and honesty, and may provide the
SCREENINGS: start to a lengthy healing process.
MON 25-APR 07:15 PM Print Source: Menemsha Films, Neil A. Friedman, neilf@menemshafilms.com
TUE 3-MAY 09:15 PM
LA PETITE CHAMBRE
DIRS: STÉPHANIE CHUAT & VÉRONIQUE REYMOND • SWISS / LUXEMBOURG • 2010 • 87 MIN • FRENCH
Switzerland’s submission for an Academy Award for Best Foreign Language Film, this is a moving story
about the heart. Edmond’s has gotten a little weaker recently. It still beats out a fiercely independent
rhythm, however, and this causes him to reject the idea of moving to a nursing home. So Rose is sent
to him as a home carer, but he rejects her ministrations, too. Rose knows what it is like for a heart
to lose its vigor, as her own heart has still not recovered. She knows the acute pain of accepting the
inevitable. When Edmond takes a bad fall one day, he is forced to accept Rose’s help and the two
cannot stay disconnected for long.
The great French actor Michel Bouquet, star of many films of the late Claude Chabrol and Luis Bunuel,
gives an impassioned performance as Edmond. Beautifully shot with sweeping views of the Swiss Alps,
SCREENINGS: this is a poignant feature debut from director/writer duo Stéphanie Chuat and Véronique Reymond.
SCREENINGS:
FRI 29-APR 07:00 PM
SUN 1-MAY 01:00 PM
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THE LIGHT THIEF DIR: AKTAN ARYM KUBAT • KYRGYZSTAN • 2010 • 80 MIN • KYRGYZ
Kyrgyzstan’s official submission to the 2010 Academy Awards.
In this colorful modern-day parable of good and evil, a humble village electrician devotes his
compassion and ingenuity to destitute neighbors in a wind-swept valley of Kyrgyzstan. Played with wry
humanity by writer-director Aktan Arym Kubat, the trusting Mr. Light strikes a suspect bargain with a rich
developer running for local office, as unemployment threatens the survival of the community. Stoking a
dream to supply wind-generated electricity to the whole valley, the modest visionary comes up against
an increasingly dark cloud of corruption in this affecting tale of solidarity and ordinary decency amid the
injustices and hardships of a changing world.
Director Aktan Arym Kubat was born in 1957 in Kyrgyzstan. He graduated from the Art Academy in
Bishkek and started working as a production designer in the 1980s. His second feature film, The Swing,
won the Golden Leopard at the Locarno International Film Festival in 1993, which was followed by The
Adopted Son, which won the Silver Leopard at the same festival in 1998. In 2001, he was nominated SCREENINGS:
for the European Film Academy (EFA) Discovery Award. The Light Thief is his fifth feature film. SAT 16-APR 07:30 PM
Print Source: Global Film Initiative, Jeremy Quist, jeremy@globalfilm.org WED 20-APR 09:00 PM
PRESENTED BY: U OF M INSTITUTE FOR GLOBAL STUDIES
LITTLE ROSE DIRECTOR: JAN KIDAWA-BLONSKI • POLAND • 2010 • 118 MIN • POLISH
Veteran director Jan Kidawa-Blonski brings a riveting historical drama to the screen, revealing the ways
in which groups of writers and artists were infiltrated and informed on by government agents in 1960’s
Poland, and ultimately examining the price one is willing to pay for love.
Winner of multiple awards including Best Film and Best Actress at the Polish Film Festival, this is a
breakout feature for lead Magdalena Boczarska, who plays Kamila, the sexy but naive girlfriend of
security-services colonel, Rozek, her domineering lover.
In an effort to please her lover, and reporting under the code name ‘Little Rose,’ Kamila takes on the
assignment of informing on suspected Zionist, Professor Warczewski. As the government’s campaign of
anti-Semitism rages, her feelings of resentment increase as does her political consciousness.
Print Source: WFDiF, Jolanta Galicka, festiwale@wfdif.com.pl
SCREENINGS:
MON 25-APR 04:45 PM
FRI 29-APR 06:30 PM
SCREENINGS:
SAT 16-APR 09:45 PM
WED 20-APR 09:30 PM
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MAMMA GÓGÓ
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SUN 24-APR 06:45 PM With his second feature, Diritti has crafted a film of rich beauty and conviction amidst cruelty, further
solidifying his reputation as a noteworthy filmmaker in contemporary Italian cinema.
WED 27-APR 09:00 PM
Print Source: Palisades-Tartan, Debbi Berlin, DBerlin@palisadestartan.com
PRESENTED BY: PUNCH PIZZA
SCREENINGS:
WED 20-APR 04:30 PM
SUN 1-MAY 08:45 PM
MERRY-GO-ROUND
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DIRECTORS: CLEMENT SZE-KIT CHENG, YAN YAN MAK • HONG KONG • 2010 • 126 MIN • CANTONESE
One of the finest independent Hong Kong films in recent years, this visually stunning ensemble drama
brings the vibrant beauty of past and present Hong Kong to life.
Alternating between the late 1930’s and today, Merry-Go-Round tells the story of four individuals across
two generations and two continents. It is about immigration and emigration. Eva (played by ‘70’s kung
fu star Nora Miao) is a traditional Chinese herbalist in San Francisco, and Nam is a restless young soul
looking for herself. Making a trip to Hong Kong to take care of unfinished business, both women find
new places to exist.
The film deftly weaves the characters together in a story of criss-crossing lives and ill-fated romances.
Merry-Go-Round solidifies rising star directors Clement Cheng (Gallants) and Yan Yan Mak, as two to
watch for future projects. SCREENINGS:
Print Source: Dragonfly J Limited, Jaqueline Liu, jacquelineliu@yahoo.com SUN 24-APR 08:30 PM
MON 2-MAY 09:15 PM
MODRA US Premiere
DIRECTOR: INGRID VENINGER • SLOVAKIA / CANADA • 2010 • 80 MIN • ENGLISH
Ontario director Ingrid Veninger redefines bravery in filmmaking, casting her restless 17-year-old
daughter as the romantically adventurous but inexperienced Lina in this refreshingly honest story of two
teenagers who barely know each other hooking up on a European travel adventure of self-discovery.
Before she leaves for university, Toronto native Lina plans to visit her extended family in Modra,
Slovakia. Having just been dumped by her boyfriend, she invites Leco as a somewhat reluctant traveling
companion as the pair, having little in common, traverse the tentative territory of teen-age desire in this
story set amid the sunny vineyards of her musical old country relatives. Slovakian-born Veninger, director
of a celebrated indie feature, Only, was named one of Canada’s “10 Directors to Watch” this year as she
makes her shift from maverick producer to solo feature debut. (First-time actor Alexander Gammal as the
vulnerable Leco won “Best Canadian Actor” award at Vancouver Film Fest, 2010.) SCREENINGS:
Print Source: Punk Films, Christopher Oldfield, oldfield@canadafilm.com SUN 17-APR 02:30 PM
MON 25-APR 04:45 PM
SCREENINGS:
TUE 26-APR 09:00 PM
SAT 30-APR 07:30 PM
PRESENTED BY: BARBETTE & RED STAG
NO RETURN
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SCREENINGS:
FRI 22-APR 09:30 PM
SAT 30-APR 09:45 PM
OCTOBER DIRECTORS: DANIEL & DIEGO VEGA VIDAL • PERU • 2010 • 83 MIN • SPANISH
Winner of the Jury Prize in Cannes Film Festival’s Un Certain Regard competition.
In this inspirational feature from Peruvian brothers and directing duo Daniel and Diego Vega Vidal,
a lonely moneylender gets a new lease on life. Featuring perfectly framed static camera shots
throughout, this debut feature is an impressive and adept depiction of redemption and compassion, and
a portrait of one man’s last hope.
Print Source: New Yorker Films, Jonathan Howell, jonathan.howell@newyorkerfilms.com
SCREENINGS:
SUN 17-APR 03:00 PM
FRI 22-APR 05:45 PM
PLATO’S ACADEMY
DIRECTOR: PHILIPPOS TSITOS • GREECE • 2009 • 102 MIN • GREEK
Award-winning director Filippos Tsitos’ wonderfully quirky new feature, “serious in its sly comedy
and amusing in its tragedy”, challenges the ideologies of four xenophobic sidewalk philosophers
and longtime friends when they learn that one of them is not what he seems. Within the Athenian
neighborhood of Plato’s Academy, one narrow-minded man learns the truth about his Albanian
ancestry, a discovery that threatens to destroy his closest friendships and upend his worldview.
Tsitos’ expertly cast, acutely funny drama navigates a touchy terrain to deliver intelligent performances
in this universal portrait of intolerance. A compelling and endearing must-see feature.
Print Source: Greek Film Center, Iliana Zakopoulou, iliana.zakopoulou@gfc.gr
SCREENINGS:
SAT 23-APR 09:15 PM
SUN 1-MAY 06:30 PM
64 PRESENTED BY: GARDENS OF SALONICA
PURE
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DIRECTOR: LISA LANGSETH • SWEDEN • 2010 • 101 MIN • SWEDISH
Rising young Swedish star Alicia Vikander, 23, former ballerina as well as tv soaps actress, delivers a
striking performance in her first movie role as a complex young woman seeking something ‘pure’ in her life.
Stuck in a dreary life headed nowhere in the rough suburbs outside Gothenburg, 20-year-old Katarina
stumbles upon a YouTube clip of Mozart’s Requiem. Instantly moved by the music, she senses a
new world opening up to her and begins an attempt to get as far away from her ugly reality as soon
as possible. Managing to land a job as a receptionist at the Gothenburg Concert Hall, a strict world
closely ruled by rules and traditions, her new identity includes the maestro, a situation full of dangerous
temptations that threaten to destroy all she has worked for.
Based on her 2004 play at Stockholm’s Royal Dramatic Theatre, acclaimed stage director Lisa
Langseth, 36, in her own fine screen debut, crafts a moving story about a girl revolting against her
working class background and seeking out classical music as her possible spiritual guide. (Langseth
was faced with directing both 600 extras as well as the Gothenberg Symphony Orchestra, reported SCREENINGS:
Swedish Film Magazine.) THURS 21-APR 09:15 PM
Print Source: Swedish Film Institute, Gunnar Almér, gunnar.almer@sfi.se WED 27-APR 09:30 PM
PRESENTED BY: AMERICAN SCANDINAVIAN FOUNDATION & INGEBRETSENS
QUEEN TO PLAY
DIRECTOR: CAROLINE BOTTARO • FRANCE • 2009 • 101 MIN • FRENCH, ENGLISH
In his first role performed entirely in French, Oscar winner Kevin Kline squares off against the radiant
Sandrine Bonnaire to battle it out over a chessboard in this sleek, urbane comedy/drama.
A wonderfully rich character study, the film follows middle-aged housekeeper Hélène (Bonnaire)
through a transformation from staid, diligent wife and mother to whimsical, passionate creature of
complex strategies and secret smiles. Set in the ever-scenic French Riviera, stunning views of the isle
of Corsica make this film a visual vacation for cinephiles and casual moviegoers alike.
When Hélène discovers a couple playing an intense game of chess on the balcony of a hotel room, a
spark is awakened in her that is at once intellectual and erotic. The idea of the game engulfs her life,
and she soon seeks out the private tutelage of one of her clients, a reclusive American doctor (Kevin
Kline). Her daughter and husband begin to fade from view as her new passion takes up more and more SCREENINGS:
of her life. TUES 26-APR 07:30 PM
Print Source: Zeitgeist Films, Nadja Tennstedt, nadja@zeitgeistfilms.com SUN 1-MAY 09:15 PM
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PRESENTED BY: CONSULATE GENERAL OF Print Source: Mulmur’s Hockey Musical Inc., Nadia Tavazzani, ntavazzani@gmail.com
CANADA & NICOLLET ISLAND INN
TEHRAN, TEHRAN
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTORS: MEHDI KARAMPOOR, DARIUSH MEHRHUI • IRAN • 2010 • 109 MIN • FARSI
Two Iranian directors. Two sides of the bustling capital city in two separate short films.
In beautiful The Days of Acquaintance by Dariush Mehrjui, a displaced family spends their days on a
tourist bus, traveling through Tehran from one historic site to the next. A chance to marvel at the city’s
ancient wonders from thousands of miles away, Mehrjui’s short tour through Tehran is cinematic and
beautifully shot, and features Iran’s fabled hospitality at it’s peak.
The Last String by Mehdi Karampoor is a more youthful and modern tale of censorship that may more
accurately portray the state of Iran today. Featuring one band’s attempt to stage a concert in spite of a
government-threatened shutdown, the film depicts the undercurrents of contemporary frustration that
Karampoor sees in Iran’s steadily changing population.
By juxtaposing these two films, Mehrjui and Karampoor demonstrate not only two sides of vibrancy to SCREENINGS:
the Persian city, but create a powerful mood piece befitting a city with an extensive history, and bright THU 28-APR 09:15 PM
future. Critics have picked the film as one of the top Iranian titles of the year.
SUN 1-MAY 07:15 PM
Print Source: Amir Esfandiari, fcf1@dpi.net.ir
THE TENANTS DIRECTOR: SERGIO BIANCHI • BRAZIL • 2009 • 103 MIN • PORTUGESE
Despite a recent wave of violent crime in the city, manual laborer and night student Valter lives a
relatively content life with his family in working-class São Paulo. But when three young criminals move
in next door, a bunker mentality sets in and Valter soon discovers he is not the only one perversely
affected by the mounting chaos of a city under siege, or the unsettling presence of his new neighbors.
Building tension throughout with stylish sequences that blend reality and fevered imagination, Sérgio
Bianchi’s gripping domestic thriller offers a shrewd portrait of the social and psychological impact
of urban violence, depicting a community beset yet also aroused by a permeating atmosphere of
destruction.
Sérgio Bianchi was born in Ponta Grossa, Paraná, Brazil, in 1945. A resident of São Paulo since 1968,
he graduated from the Communications and Arts School at the University of São Paulo and began his
career in film and photography in 1972. In addition to several short films, his features include Romance,
The Secret Cause and Chronically Unfeasible. SCREENINGS:
Print Source: Global Film Initiative, Jeremy Quist, jeremy@globalfilm.org SUN 17-APR 09:15 PM
WED 27-APR 04:15 PM
THE TREE DIR: JULIE BERTUCCELLI • AUSTRALIA / FRANCE • 2010 • 100 MIN • ENGLISH
Closing night film selection for the 2010 Cannes International Film Festival, and Julie Bertuccelli’s second
feature. Her first, Since Otar Left, won the Grand Jury Prize during Cannes Critic’s Week in 2003.
In this hauntingly beautiful tale of love, loss, and renewal, French cinema stunner Charlotte Gainsbourg
naturally illuminates the screen with her nuanced, unassuming role as a bereaved wife and mother.
Sheltered by a benevolent fig tree, the O’Neil family lives a tranquil life, until tragedy strikes. Eight-
year-old Simone, struggling to cope with the loss of her father, Peter, begins to sense his spirit deep
within the tree. When Peter’s newfound incarnation is threatened, she must convince everyone of his
presence or risk losing him a second time.
Beautifully shot in a bare stretch of Queensland, Bertuccelli’s latest film is a touching story of a family
learning to move on.
Print Source: Zeitgeist Films, Nadja Tennstedt, nadja@zeitgeistfilms.com SCREENINGS:
MON 2-MAY 06:45 PM
WED 4-MAY 09:30 PM
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TRUST ME
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
SCREENINGS:
THU 21-APR 09:30 PM
SUN 1-MAY 05:15 PM
68 PRESENTED BY: AMERICAN SCANDINAVIAN FOUNDATION & CONSULATE GENERAL OF FINLAND
TYRANNOSAUR
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTOR: PADDY CONSIDINE • UK • 2010 • 91 MIN • ENGLISH
Renowned actor Paddy Considine’s first feature behind the camera is a tour de force propelled by the
sheer intensity of its performances and storytelling.
Joseph (Peter Mullan), a tormented, self-destructive man plagued by violence, finds hope of
redemption in Hannah (Olivia Colman), a Christian charity-shop worker he meets one day while fleeing
an altercation. Initially derisive of her faith and presumed idyllic existence, Joseph nonetheless returns
to the shop and soon realizes that Hannah’s life is anything but placid. As a relationship develops, they
come to understand the deep pain in each other’s lives.
An unconventional love story, Tyrannosaur transcends its bleak circumstances through Joseph and
Hannah’s vigorous impulse toward redemption. Shouldering the weight of burdened lives with great
humanity and a deep understanding of our capacity to heal, Mullan and Colman deliver two of the most
outstanding performances of the year. Considine’s portrait of these two lost souls, bloody but unbowed,
is a devastating and profoundly beautiful experience. -Sundance Film Festival
SCREENINGS:
Print Source: Strand Releasing, Brandon Peters, Brandon@strandreleasing.com
FRI 29-APR 09:30 PM
TUES 3-MAY 09:45 PM
SCREENINGS:
MON 25-APR 09:15 PM
TUE 3-MAY 05:00 PM
VIVA RIVA!
DIRECTOR: DJO TUNDA WA MUNGA • DEMOCRATIC REPUBLIC OF CONGO / FRANCE / BELGIUM /
SOUTH AFRICA • 2010 • 96 MIN • FRENCH, LINGALA
Viva Riva! is unique in both its gritty and frank depictions of the Congolese crime world and in its
cinematic and technical beauty as a film originating from one of the poorest countries in the world.
Director Djo Munga’s first feature tells the story of corrupt operator Riva looking to cash in on a secret
stash of oil in the petrol-strapped city of Kinshasa. Trouble looms for the protagonist as his previously
spurned employer has military officers hot on his heels.
With raw portrayals of sex and violence, the film excels in the way it implicates all parties the nation’s
corrupt self-destructiveness. The film’s depiction of life in the heart of Africa is unparalleled in its
authenticity.
Print Source: Music Box Films, Suzanne Fedak, sfedak@musicboxfilms.com SCREENINGS:
SAT 30-APR 07:45 PM
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THE WHITE MEADOWS DIR: MOHAMMAD RASOULOF • IRAN • 2009 • 92 MIN • FARSI
In this dreamlike yet earthbound film, Rahmat the boatman navigates the increasingly brackish waters
of a coastal land, collecting the heartaches and tears of its inhabitants. But he remains powerless
against their misguided attempts to appease the gods and make the land green again, whether by
offering a bride to the sea or forcibly “treating” the eyes of a painter who sees in different colors.
Drawing firsthand on the challenges faced by Iranian artists of today, writer-director Mohammad
Rasoulof’s deeply atmospheric and poetical film is a gorgeous allegory of intolerance, brutality and
mystified routine that resonates far beyond any one state’s borders.
Mohammad Rasoulof was born in Shiraz, Iran in 1972. He received a degree in Sociology from Shiraz
University and studied film editing at the Sooreh University in Tehran. His first feature film is the
docudrama The Twilight, and his second feature, Iron Island, was selected for the Directors’ Fortnight
in Cannes. He also directed Head Wind, a documentary about the restrictions currently imposed in Iran
SCREENINGS: on using satellites and the Internet. The White Meadows is his third feature film.
TUE 19-APR 06:30 PM Print Source: Global Film Initiative, Jeremy Quist, jeremy@globalfilm.org
MON 25-APR 09:00 PM
70
Coatwolf, built the film’s working flamethrowers and modified muscle cars. His custom-built cameras
SCREENINGS: give the film a beautifully gritty, highly stylized quality that feels timeless. The apocalyptic countdown
SAT 23-APR 10:00 PM may already be underway.
Print Source: Oscilloscope, Liz Flynn, info@oscilloscope.net
PRESENTED BY:
WALSER AUTOMOTIVE GROUP
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Print Source: Midday Moon, LLC, Matt Compton, matt@mattcompton.net
SCREENINGS:
THU 21-APR 09:45 PM LATE NIGHT
SAT 23-APR 10:00 PM
SCREENINGS:
FRI 22-APR 09:30 PM
TUES 26-APR 07:15 PM
ON THE ICE
DIRECTOR: ANDREW OKPEAHA MACLEAN • USA • 2011 • 96 MIN • ENGLISH, INUPIAQ
Director Andrew Okpeaha MacLean Present
In a frozen isolation of Barrow, a tiny Alaskan town on the banks of the polar seas, two Iñupiaq
teenage boys listen to the latest hip hop and race around on snowmobiles while hunting seals. During
one of their expeditions (they use guns instead of harpoons), an argument with a third boy escalates
into violence, with fatal consequences. In utter panic, the pair decides to frame the death as a tragic
accident, lying and pretending it happened otherwise. A dark secret waiting to be discovered puts them
on very thin ice as their families are suspected of murder.
On the Ice is the acclaimed feature film debut by Alaska-born writer/director Andrew Okpeaha
MacLean. Winner of Best First Feature Award and Best Film by the Youth Jury at the 2011 Berlinale
Film Festival. SCREENINGS:
Print Source: On The Ice Productions, Cara Marcous, cara.marcous@gmail.com WED 20-APR 06:45 PM
FRI 22-APR 09:15 PM
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SCREENINGS:
SAT 30-APR 11:00 PM
LATE NIGHT
WED 4-MAY 09:45 PM
PRESENTED BY: FILMDEMIC
76
WONDERLAND PARK
Contact us:
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Prescription
Happiness directed by Ryan Strandjord
4-5 courses
including dessert
and /or cheese course
5pm-10pm
HAPPY HOURS
Monday-Friday
3-6pm
Sunday-Thursday
10pm-close
LIVE MUSIC
Monday & Thursday
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A GOOD MAN
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
SCREENINGS:
MON 25-APR 07:15 PM
FRI 29-APR 05:00 PM
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Documentaries
DIRECTOR: PHILIP COX • INDIA / UK / USA • 2010 • 100 MIN • ENGLISH, HINDI, BENGALI
Producer Annie Sundberg Invited
With characters and a storyline that could be straight from “The Maltese Falcon,” The Bengali Detective
is a documentary that reads like a Kolkata noir. It will enchant, move, and surprise audiences. (Fox
Searchlight has already nailed down remake rights.)
With police corruption on the rise in Kolkata, clients are left to seek their own private eye. Big-hearted,
intrepid, and full of attitude, Rajesh Ji is one such detective. He could be a character sprung from a pulp
fiction story, and is at once an impresario and dedicated husband. He and his motley crew of sleuthing
assistants tackle everything from adultery to counterfeit shampoo operations to triple murder. Off the job,
yet with equal fervor, they also practice their dance moves in preparation for a TV talent show audition.
Mostly handheld camerawork brings immediacy to the film that highlights the chaotic hustle and SCREENINGS:
bustle of one of the world’s mega-cities and its bureaucratic mania. Part detective mystery, part social SAT 30-APR 09:15 PM
commentary, part family drama, The Bengali Detective is a winning, and ultimately moving look at SUN 1-MAY 04:00 PM
contemporary middle-class India. British director Phil Cox, 41, is an award-winning documentarian.
Print Source: Entertainment One, Cameron Moneo, CMoneo@entonegroup.com PRESENTED BY: CRASH + SUES
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTORS: KELLY DUANE DE LA VEGA, KATIE GALLOWAY • USA • 2011 • 93 MIN • ENGLISH
The Republican National Convention in 2008 was a shining example of the tenuous line between
activism and homegrown terrorism, and one of the most influential events in modern Minnesota history.
Among the thousands of protesters who converged on St. Paul were two friends from Midland, Texas,
who were unhappy with the U.S. invasion of Iraq. Believed to be following the advice of their mentor
and world-renowned leftist activist turned FBI informant Brandon Darby, the two hatched a plan to
bomb the convention, only to have it scrapped before it began.
Directors Kelly Duane de la Vega and Katie Galloway present a multi-faceted look at the friends’
notorious trial and controversial entrapment defense. Utilizing a combination of found footage and
startling narrative twists that dramatically alter the viewer’s perspective of the events, this intricate and
controversial tale comes to life with compelling intensity. SCREENINGS:
Kelly de la Vega, Emmy-nominated director, was selected for the 2009 HBO Documentary Film SUN 24-APR 04:30 PM
Fellowship Grant, worth $10,000, to complete her film.
WED 27-APR 09:30 PM
Print Source: Picture Box Productions, Mike Nicholson, mike@pictureboxproductions.com
SCREENINGS:
FRI 15-APR 07:00 PM
MON 2-MAY 09:30 PM
PRESENTED BY: CONSULATE OF GERMANY IN CHICAGO
SCREENINGS:
THU 28-APR 05:15 PM
SAT 30-APR 03:00 PM
82
Documentaries
DIR: IDA KLEPPE • MOLDOVA / NORWAY • 2010 • 52 MIN • MOLDOVIAN, ROMANIAN, NORWEGIAN
Europe’s Backyard documents the lives of four women from former Soviet Republic Moldovia, each at a
crossroads in their lives, and struggling to survive in the poorest nation in Eastern Europe.
A 22 year-old student nurse struggles to live on 35 euros ($50) a month. An 82 year-old woman longs
for the bygone era of the Soviet Union. A middle-aged woman holds a unique belief about the identity
of most powerful man in her country. And a 6 year-old girl lives in a world of her own creation.
These four have vastly different futures in a country struggling to emerge from the Soviet shadow.
Norwegian director Ida Kleppe’s candid documentary presents the tough choices they must make,
and the influences of their society, friends and family, as some choose to emigrate to better life in
Scandinavia.
Screens with KINGS OF OSLO. SCREENINGS:
Print Source: Norwegian Film Institute, knut.skinnarmo@nfi.no FRI 22-APR 04:15 PM
MON 2-MAY 04:30 PM
PRESENTED BY: AMERICAN SCANDINAVIAN FOUNDATION
EXPORTING RAYMOND
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTOR: PHILIP ROSENTHAL • USA / RUSSIA • 2010 • 86 MIN • ENGLISH, RUSSIAN
Genius in one country doesn’t necessarily translate as such in other parts of the world. This hilarious
documentary sees Phil Rosenthal, creator of the hit CBS sitcom Everybody Loves Raymond, trying to
bring the show to audiences in Russia. His expertise in the sitcom business is entirely unappreciated
by smug Russian network executives, who tell him point blank that his show is not funny.
Struggling to adapt to their concept of humor, let alone the shabby work environment of Moscow’s
biggest network studio, Rosenthal begins to take on the uncomfortable and anxious characteristics
reflective of many of his television characters. Regardless of your feelings toward the smash sitcom,
this amusing look at the entertainment industry presents a hilarious clash of cultures.
Print Source: Samuel Goldwyn Films, Heath Shapiro, heath@idpfilm.com
SCREENINGS:
FRI 22-APR 07:45 PM
MON 25-APR 07:00 PM
FEATHERED COCAINE
DIRECTORS: THORKELL HARDARSON, ÖRN ARNARSON • ICELAND • 2010 • 80 MIN • ENGLISH
To the wealthy elite throughout the Persian Gulf, falcon hunting is a passion beyond compare. The
coveted birds regularly command prices from $25,000 to $1 million, earning them the nickname
“feathered cocaine” as thieves race to ransack vast areas of the world in an addictive quest.
Icelandic filmmakers Thorkell Hardarson and Örn Marino Arnarson unspool the shady connections
between this falcon trade and royal dynasties, the CIA and KGB, the oil industry, American government,
and Al-Qaeda. At the center of their story is falconer Alan Parrot, aka Hari Har Singh Khalsa, an
American living in Tehran, Iran.
After raising and training the exotic creatures for the royal court, he went on to export falcons to the
president of the United Arab Emirates professionally, implicating him as the one who first spurred
the modern economy for the birds. Hardarson and Arnarson’s bold investigation reveals not only the SCREENINGS:
wild behavior of men obsessed with a bird of prey, but the unlikely character behind the movement to THURS 28-APR 05:00 PM
impede their smuggling. –Courtesy Roya Rastegar, Tribeca Film Festival
TUES 3-MAY 09:00 PM
Print Source: Films Transit, John Nadai, john@filmstransit.com
PRESENTED BY: WALSER AUTOMOTIVE GROUP
& AMERICAN SCANDINAVIAN FOUNDATION
83
PRESENTED BY:
CONSULATE GENERAL OF CANADA
Documentaries
DIRECTOR: ALI SAMADI AHADI • IRAN / GERMANY • 2010 • 80 MIN • ENGLISH, PERSIAN
Combining archival footage with vivid animation, writer-director Ali Samadi Ahadi presents an eye-
opening portrait of the recent uprising in Iran following the 2009 election. Like Persepolis and Waltz
with Bashir, the film uses its animated sequences to go where real cameras could not.
A product of modern, tech-savvy Iranian youth, the “Green Wave” was born out of a desire to
challenge the status quo. The efforts of the movement culminated in what appeared to be the victory of
presidential hopeful Mir Hossein Mousavi over incumbent Mahmoud Ahmadinejad in the spring of 2009.
The subsequent re-election of Ahmadinejad prompted thousands to take to the streets in protest of
what they believed was a rigged election. Ahadi captures the voices daring to speak out, regardless of
the knowledge they were jeopardizing their careers and even their lives.
Through everything from testimonials, to blog posts, to footage from the protests themselves, Ahadi SCREENINGS:
reveals with startling poignancy the truth behind one of the most remarkable political upheavals in
SAT 16-APR 07:15 PM
recent history.
WED 20-APR 05:15 PM
Print Source: Visit Films, Aida LiPera, al@visitfilms.com
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTOR: GUNNAR HALL JENSEN • NORWAY • 2010 • 85 MIN • NORWEGIAN
On a sunny summer Oslo day, fun-guy Gunnar, friends, and family are enjoying a lakeside barbeque
when he is struck by an imminent existential realization: my life is unfulfilled. Successful ad man and
documentarian, he plans to upturn his middle class Scandinavian life in search of answers, which leads
to interminable travels to mentors in Egypt, Jerusalem, India, and a monastery in the desert.
Reuniting with his film crew seven years after he traveled to India for Gunnar Goes Comfortable,
Gunnar now documents his time with these spiritual men to determine whether their teachings have
practical applications for his domestic life in Norway.
Print Source: Norwegian Film Institute, knut.skinnarmo@nfi.no
SCREENINGS:
SAT 23-APR 11:30 AM
WED 4-MAY 04:45 PM
PRESENTED BY: AMERICAN
SCANDINAVIAN FOUNDATION
HOW TO LIVE FOREVER DIR: MARK WEXLER • USA • 2009 • 92 MIN • ENGLISH
“Take a walk, have a hotdog, you’ll feel better,” says mortician Thomas Lynch in this comedic and
engaging documentary on aging, happiness and eternal life.
Faced with his mother’s recent death and his own advancing age, writer/director Mark Wexler (son
of famed cinematographer Haskell Wexler) searches for the key to longevity, meeting laughter yogis,
elder pornographers, and spry centenarian marathoners in all corners of the Earth. Often humorous,
sometimes troubling, and always curious, How To Life Forever will leave you searching for life’s true
meaning everywhere, even in something as insignificant as a chili dog.
Print Source: Variance Films, Dylan Marchetti, dylan@variancefilms.com
SCREENINGS:
SAT 30-APR 12:30 PM
SUN 1-MAY 03:30 PM
SCREENINGS:
THU 21-APR 04:45 PM
SAT 23-APR 09:30 PM
JUST LIKE US
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
KING OF LUCK DIRECTOR: BILLY BOB THORNTON • USA / UK • 2011 • 86 MIN • ENGLISH
Filmmakers Invited
Closing night film selection at this year’s SXSW, Willie Nelson’s enduring influence and legacy as
one of America’s best-loved singer-songwriters is celebrated in this affectionate documentary from
Oscar-winner Billy Bob Thornton. Including interviews with Nelson’s wife, children, band mates, and
actors Owen Wilson and Kris Kristofferson, among others, King of Luck reveals a man who will be
remembered alongside Frank Sinatra, Billie Holiday, Johnny Cash, and Ray Charles for his invaluable
contribution to the musical landscape of America. A master storyteller, Willie Nelson keeps the legend
of the old west alive through his songs, and King of Luck presents some of his hits with archival
footage of Nelson’s past, both personal and performative.
Shot in 2009-2010 while Billy Bob and The Boxmasters went on tour with Nelson as the opening act,
SCREENINGS: home movies from his tour bus Honeysuckle Rose give the audience a glimpse into what it’s like to be on
the road with Willie. Strikingly presented entirely in black and white, King of Luck is a treasured portrait of
WED 27-APR 07:00 PM the man, the friend, the husband and father, the songwriter and legendary troubadour, Willie Nelson.
KINGS OF OSLO
DIRECTOR: ELSA KVAMME • NORWAY • 2010 • 62 MIN • NORWEGIAN
They come from many parts of the world. They have the smallest schoolyard of Norway, only two
stonethrows away from the Royal Castle. They are 12 years old, and wish for a world without beggars,
with big houses for everyone and that the leaders don’t involve the citizens when they make war. But
how do conflicts arise between the kids themselves, what is it like to follow them home, and who would
they like to meet, if they could choose from all the people of the world?
This documentary takes us on a journey to the everyday life of children in the center of Oslo, year
2009. We follow a multicultural class at different periods in a ”normal” school year; this last year as
children, on their way to become youngsters. –Courtesy Norwegian Film Institute
Screens with EUROPE’S BACKYARD.
SCREENINGS: Print Source: Norwegian Film Institute, knut.skinnarmo@nfi.no
FRI 22-APR 04:15 PM
MON 2-MAY 04:30 PM
86 PRESENTED BY: AMERICAN SCANDINAVIAN FOUNDATION
Documentaries
DIRECTORS: GREG JACOBS, JON SISKEL • USA • 2010 • 99 MIN • ENGLISH
Winner of the Audience Award at the Palm Springs, Chicago, Philadelphia, and St. Louis film festivals,
and Best Documentary at the Austin and Virginia film festivals, Louder Than A Bomb is a spine-tingling,
heart-pumping, awe-inspiring ode to the ecstatic power of words.
“Tell me where you’re from, that’s [writing] prompt # 1. That’s it. And we begin to paint the neighborhood
with language,” says Kevin Coval, co-founder of Louder Than A Bomb, the world’s largest youth poetry
slam. Over 600 teenagers compete each year from over 60 Chicago-area high schools. This is not
high school poetry as we think of it. Louder Than A Bomb showcases adolescents who astound and
amaze with their stereotype-defying stories. The film follows four teams into their classrooms and often-
tempestuous lives as they prepare for the annual event, witnessing the power of teamwork and trust
among resilient, impassioned, and unforgettable individuals. SCREENINGS:
“An ode to Chicago’s diverse voices…Genuinely stirring…Irresistible.” –Michael Phillips, Chicago Tribune THU 21-APR 09:15 PM
“One of the most inspiring and exhilarating documentaries in months, or maybe years…Vibrant and SUN 24-APR 12:00 PM
moving.” –Steve Pond, The Wrap
PRESENTED BY: SHOWBIZ SOFTWARE
Print Source: Greg Jacobs, greg@siskeljacobs.com & KFAI
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIR: GABRIELLA BIER • ISRAEL / SWEDEN • 2010 • 92 MIN • HEBREW, ARABIC, ENGLISH, GERMAN
An improbable couple must make the choice to live in exile to stay together in this documentary from
Swedish filmmaker Gabriella Bier. An Israeli woman and a Palestinian man are without the support
of their families when they make the decision to wed. Constantly faced with the prejudices in their
own homes, they take their chances on a happier life in Europe. For three years Bier followed the
couple, documenting their strife and hope at every turn. Love During Wartime is a heartbreaking and
celebratory story of the trials of young romance and displaced lives. Newcomer Bier is the cousin of
Denmark’s Oscar-winning director Suzanna Bier.
Print Source: 7th Art Releasing, Oliver Ike, oliver@7thart.com
SCREENINGS:
SUN 1-MAY 12:00 PM
WED 4-MAY 06:30 PM
MADE IN INDIA
DIRECTORS: REBECCA HAIMOWITZ, VAISHALI SINHA • USA / INDIA • 2010 • 95 MIN • ENGLISH, HINDI
This award-winning, groundbreaking film portrays the personal stories behind the phenomenon of
surrogate “outsourcing” to India.
Lisa and Brian Switzer are an infertile couple from San Antonio, Texas, who have tried everything
to have a child, and have resorted to seeking success from a surrogate. Costing up to $100,000
domestically, the same “procedure” costs roughly $25,000 in India. The Switzers sell their house to
travel to India with a Medical Tourism company, while across the globe in Mumbai, Aasia Kahn is
implanted with the couple’s embryos.
As Aasia and the Switzers become increasingly tethered together over the course of the pregnancy,
a myriad of ethical and political questions emerge about everything from human and reproductive
rights, to legal accountability and the concept of motherhood. The personal becomes the political in this
SCREENINGS:
compelling and up-to-the-minute documentary.
TUE 19-APR 09:15 PM
Print Source: Rebecca Haimowitz, rebecca@madeinindiamovie.com
SUN 24-APR 02:30 PM
MY PERESTROIKA
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
SAT 16-APR 12:30 PM Print Source: Icarus Films, Livia Bloom, mail@icarusfilms.com
Documentaries
DIRECTOR: ANDREW ROSSI • USA • 2011 • 88 MIN • ENGLISH
Director Andrew Rossi & New York Times Columnist David Carr Present
As new media surpasses print as the main source for news, director Andrew Rossi’s breakout
documentary presents the struggle between the opposing journalistic forces within the largest news
media organization in the world. With unprecedented access to the New York Times newsroom in this
transformative era of investigative reporting, Rossi shadows the editorial inner circle as they make the
important decisions that could make or break the organization.
Rigorous traditional journalism meets new media analysis in Rossi’s vibrant portrait of the intellectual,
social, and democratizing forces confronting news organizations today.
Outspoken David Carr, both the former Editor of the Twin Cities Reader and a key subject of this film,
returns home to star in a year of covering “all the news that’s fit to print.“ SCREENINGS:
Print Source: Magnolia Pictures, Arianne Ayers, aayers@magpictures.com THU 14-APR 07:30 PM
WED 20-APR 09:15 PM
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTOR: KENNETH BOWSER • USA • 2010 • 96 MIN • ENGLISH
In this latest addition to his impressive filmography, award-winning documentary, television, and
feature film director Kenneth Bowser turns a biography of the prolific political musician Phil Ochs into a
powerful political depiction of 1960s America.
Phil Ochs had something to say about everything. From the Kennedy assassination to the war
in Vietnam to Nixon’s resignation, Ochs was a passionate spokesman for the politically-charged
generation in which he lived. He was also a contradiction, both a renegade and a lover of the limelight,
attaining fame through his politics but always struggling for recognition as a musician.
The bulk of the documentary’s soundtrack is made up of Ochs’ own songs, making him the true
narrator of this story. Bowser’s careful craftsmanship uses Och’s family, friends and celebrity admirers
(including Oscar-winning Sean Penn and singer Joan Baez) to help immortalize the life of a fascinating SCREENINGS:
folksinger and man. FRI 15-APR 09:15 PM
Print Source: First Run Features, Paul Marchant, paul@firstrunfeatures.com WED 20-APR 04:30 PM
SCREENINGS:
SAT 30-APR 07:15 PM
RUSSIAN LESSONS
DIRECTOR: OLGA KONSKAYA • OSSETIA / ABHZIA / CECHNYA / GEORGIA / NORWAY • 2009 • 110 MIN •
RUSSIAN, GEORGIAN
Andrei Nekrasov, with directing partner Olga Konskaya, returns with a formidable documentary that
energetically delves into the violent and bewildering conflicts in the Caucasus. Boldly visiting conflict
zones rarely filmed (strife-torn Ossetia, Abhzia, Cechnya, Georgia) the co-directors uncover damning
evidence of Russian violence, incidents whose few recorded images are often reprocessed in mass-
media reports as evidence of other people’s crimes (often, supposedly, residents of Georgia).
Parsing the complex history of the region, as well as oversimplified cultural assumptions about
internecine ethnic conflicts, Nekrasov and Konskaya construct a portrait of a cynical Russia willing to
engage in secret wars and manufacture conflicts and media reports simply to consolidate power. With
SCREENINGS: immediacy and passion, but also with a commanding mastery of film form, their documentary dignifies
FRI 15-APR 09:00 PM the struggles of powerless people and holds a sobering mirror up to a superpower and its media. -
Shannon Kelley, Sundance Film Festival
MON 25-APR 05:00 PM
PRESENTED BY: Print Source: Norwegian Film Institute, knut.skinnarmo@nfi.no
REHABILITATION CONSULTANTS & AMERICAN
SCANDINAVIAN FOUNDATION
SCREENINGS:
FRI 29-APR 05:15 PM
WED 4-MAY 07:15 PM
90 PRESENTED BY: PUNCH PIZZA
Documentaries
DIRECTOR: MATEI-ALEXANDRU MOCANU • ROMANIA • 2010 • 75 MIN • ROMANIAN
A documentary looking at the formation and eventual dissolution of The Shukar Collective, a
collaboration between three Gypsy folk musicians and a posse of urban music producers and DJs.
The film highlights the vibrancy and raw musical talent of the Romany Gypsy musicians; the director,
Matei-Alexandru Mocanu, sensibly letting the music lead the way with sustained sequences. He
also captures several breathtaking improvisations which further emphasise the virtuosity –and
unpredictability – of the performers. Yet the film is just as much about wider social issues as it is about
music and the gulf that exists between the Gypsy community and the rest of Romanian society. An
atmosphere of distrust and confrontation develops as the film makes this divide apparent. – Brighton
Film Festival
Print Source: HBO Romanina, Bianca Manciulescu, Bianca.Manciulescu@hbo.ro SCREENINGS:
SAT 16-APR 03:00 PM
SUN 24-APR 09:15 PM
PRESENTED BY: NICK AND EDDIE
SOMEWHERE TO DISAPPEAR
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
DIRECTORS: LAURE FLAMMERION & ARNAUD UYTTENHOVE • USA / FRANCE • 2010 • 57 MIN • ENGLISH
Photographer Alec Soth Present
A fascinating look at those few Americans who truly want to disappear, European filmmakers Laure
Flammarion and Arnaud Uyttenhove’s gorgeous documentary follows renowned Minneapolis-based
photographer Alex Soth on his search for the reclusive.
Lugging around his large format camera, Soth travels the US to photograph these modern recluses for
his project, ‘Broken Manual.’ From isolated mountain cabins to caves in the desert, they have sought
solace in the inaccessible, the far-flung, the back of beyond. Flammarion and Uyttenhove succeeded
in capturing in moving sequences both the essence of Soth’s work and the humanity in and shroud of
mystery surrounding the people he portrays.
Best known for his large-format portraits, Alec Soth has exhibited widely. The Walker Art Center presented SCREENINGS:
an acclaimed survey of his work, entitled ‘From Here to There” in 2010. Somewhere to Disappear chronicles MON 2-MAY 07:00 PM
this fascinating artist at work and presents a compelling view of America, men, and the dream of escape.
Print Source: Mas Films, Yael Eligoulachvili, info@mas-films.com PRESENTED BY: THE MARQUETTE HOTEL
Seeking to understand Why he was the way he was, Mara finds healing in the lives and stories of
other war veterans, including Rolling Thunder bikers, National Guard members, Vets for Peace, and
Native American veterans. Combining her father’s Bolex film footage and photography together with her
documentation of him and their family for nearly 20 years – this is a true story of the impact of war on a
veteran and family over decades SCREENINGS:
Print Source: Mara Pelecis, marapele@mac.com SAT 16-APR 02:30 PM
Documentaries
“My love of Wagner is tearing me apart,” says Stephen Fry. Brought face to face with Hitler through
a shared passion—the glorious operatic repertoire of history’s most controversial composer, Richard
Wagner—famed British television personality Stephen Fry is forced into a confusing juggling match with
his Jewish history in one hand, and his love for Wagner in the other.
Stephen Fry’s journey takes him to Germany for the annual Bayreuth Festival, a Wagnerian
extravaganza held in Wagner’s specially designed opera house, the Festspielhaus. With unprecedented
access, Fry eavesdrops on rehearsals and pokes around backstage, in search of the secrets behind
the creation of the Wagnerian Gesamtkunstwerk, Wagner’s operatic masterpieces.
As Fry travels around Germany, he attempts to answer the question of whether a work of art can ever
be separated from its creator. Fry’s charm as a guide into Wagner’s music makes it worth the price
of a ticket alone when the film dissects how the composer’s revolutionary technique works through
the magnificent opening chords of “Tristan and Isolde.” Even those unmoved by Wagner’s music SCREENINGS:
will be pulled into Fry’s inner conflict, his contradictions, and his passion, in this enthralling work of SUN 17-APR 12:30 PM
documentary cinema. MON 2-MAY 04:15 PM
Print Source: Wavelength Films, production@wavelengthfilms.co.uk
PRESENTED BY: CINEQUIPT
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
FIGHTS BACK DIR: RUBY YANG • PROD. T. LENNON • CHINA • ‘10 • 39 MIN • CHINESE
Nominated for an Oscar for Documentary Short Subject 2010.
A heroic David vs. Goliath story over three years in the making, Ruby Yang’s powerful documentary
presents an unflinching look at social upheaval in a rural China desperately reaching for modernity.
With their water and land poisoned by a neighboring chemical company, villagers, led by farmer
Zhang Gongli, filed a suit against their polluting enemy. Their subsequent loss resulted in five years of
petitions, demonstrations, local media and environmental activism. This film follows Zhang as he travels
to the nation’s capital to curb local officials and hold volatile meetings with factory representatives.
Yang presents an unforgettable portrait of villagers struggling to fight the industrial behemoth of 21st
century China, yet being unavoidably transformed by it along the way.
Preceded by: TONGHZI IN LOVE SCREENINGS:
DIR: R. YANG • PROD. T. LENNON • CHINA • ‘08 • 30 MIN • CHINESE
TUE 3-MAY 6:45 PM
and THE BLOOD OF YINGZHOU DISTRICT
DIR: R. YANG • PROD. T. LENNON • CHINA • ‘06 • 39 MIN • CHINESE
SCREENINGS:
FRI 22-APR 3:15 PM
MY DREAM DIRECTOR: WANG HONG HAI • CHINA • 2007 • 110 MIN • CHINESE
Director Wang Hong Hai Present
In his film My Dream, director Wang Hong Hai pays tribute to the stunning works in dance and music
performed internationally by the 84 members of the China Handicapped Performers’ Troupe. During
a one-year period, Wang and his production staff lived together with the members of the troupe,
recording their daily lives, practice sessions and efforts the performers made to train their bodies.
The troupe was founded in Beijing in 1987 by a group of 30 artists and includes performers who
have hearing or sight impairments. The film covers their history, process and performances. My
Dream is a combination of documentary and visual poetry that transcends the limits of language and
geography. My Dream (2007, 110 minutes) was entered in the Cannes Film Festival and the 20th Tokyo
International Film Festival. –China Insight
Wang Hong Hai is professor, Ph.D. supervisor and vice president of the Beijing Film Academy. His
SCREENINGS: documentary Zen Military-Shaolin Kung Fu received a Jury Award at the 2009 Tokyo Film Festival.
SUN 17-APR 12:00 PM
Print Source: Wang Hong Hai
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EVERY TUESDAY
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Breakfast, Lunch, Dinner, Wine, Beer
Childish films
DIR: GARRI BARDIN • RUSSIA • 2010 • 76 MIN • RUSSIAN
A mislaid egg is surreptitiously brought into a barnyard at dawn, and an ‘ugly duckling’ is hatched into a
tightly structured farmyard of fowl that does not accept his nonconformity. Ostracized, the hapless fellow
questions his lot in life as his loyalty is spurned and his selfless acts of heroism go unnoticed. The seasons
change, the hatchlings come of age, and a beautiful flock of swans flies overhead. His true identity
discovered, the cygnet learns he can fly and soars magnificently above the coop.
Award-winning Russian animator Garri Bardin’s beautiful adaptation of Andersen’s famous children’s tale
is a visual feast. Expressive and beautifully sculpted stop-motion puppet characters donned with real
feathers sing and dance in comedic musical numbers accompanied by Tchaikovsky’s ballets played by
the Russian National Philharmonic Orchestra. The Ugly Duckling is a masterfully crafted testament to
the power of enduring hope and beauty--subversive enough to be banned from Russian television, while SCREENINGS:
warming hearts and winning fans with audiences in children’s film festivals world-wide.
SUN 17-APR 11:00 AM | SUN 24-APR 3:00 PM
Print Source: Monique Gailhard, monique.gailhard@sfr.fr
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
A program of international shorts for all ages, including the Childish
SATURDAY, APRIL 16 AT 10:30am Films stop-motion trailer made at the festival last year.
MINNEAPOLIS CENTRAL LIBRARY,
300 NICOLLET MALL, MINNEAPOLIS SCREENINGS:
A free screening of award-winning children’s festival shorts for ages 3 and up
SAT 23-APR 11:00 AM | SAT 30-APR 11:00 AM
at the Central Library, presented in partnership with the Library Foundation of
Hennepin County. (45 minutes)
STOP MOTION!
DIR: KIDS WITH KATIE MAREN AND SCHELL HICKEL • 2010 • 3 MIN
OH, WOW! DIRECTOR: TAMMARA MELLOY • USA • 2009 • 6 MIN A trailer for Childish Films made at last year’s “Animation Station” by
A young paperboy follows his dream to become a great dancer. Filmmaker local animators and MSPIFF kids.
and members of the cast in attendance!
MONDO’S SEARCH FOR THE SUN WHISTLELESS DIR: SIRI MELCHIOR • DENMARK • ‘10 • 5 MIN
DIRECTOR: JANA PRCHALOVA • UK • 2010 • 11 MIN A little bird gets a lot of advice on how to whistle.
One day the sun doesn’t rise and Mondo is stuck in a perpetual winter. He
builds a flying maching and sets off on a quest to find the sun again.
Courtesy: OnceWereFarmers CLEO’S BOOGIE DIR: CAMERA ETC • BELGIUM • 2010 • 6 MIN
The lights go out and a black cat plays Cleo Brown’s Boogie.
TERRAIN RAZZARI
DIRECTOR: BRIAN BARNEY • FRANCE / UK • 2009 • 5 MIN
Shot in the France countryside, a young boy searches for a good place
to play soccer--and play out his fantasies of playing with the famous
Razzari.
Blast Theory’s
A MACHINE TO SEE WITH
April 15 –19, St. Anthony Main area
$10 ($8 Walker members and students)
Take the leading role in this imaginary heist movie, an
interactive film noir experience fresh from the Sundance Film
Festival. Your 60-75 minute adventure begins when you show
up at the appointed street corner and wait for your cell phone
to ring. Answer it. You are now in the movie.
ZZZ ZHVWHUQEDQNFRP
Member FDIC
First of all, our heartfelt thanks to all of our members, donors, friends, allies, sponsors,
advertisers and to the countless businesses, organizations and individuals who have
given above and beyond to help us pull off the festival this year. They include our staff
and volunteers, and the many musicians who will play at various events throughout
the festival. They include the restaurant owners and staff, and vendors whose services
we will use. They include Allied Advertising, Nemer Fieger, AVS Shawn Christensen,
Ron Thill, Cinequipt Chris Beales, Marquette Hotel Lisa Heller, CSCL Department U
of MN (John Archer, Jules Darg), The Staff of Crash + Sues, Twin Cities Consulates
and Honorary Consulates, Norway (Walter Mondale), Canadian (Jennifer Kramer),
Finnish (Marianne Wargelin), Czech (Robert Vanasek), Slovak (Donald Pafko), Swiss
Consulate, Chicago (Margreth Truempi), MPLS Italian Film Fest, Jolanta Galicka (Doc
Feature Film Studio, Warsaw); Gyorgy Dulgerov, (Sofia Intl. Fest); Romanian Culture
Center, N.Y. Spanish Ministry (Cultural Coop Fund, Holly Zimmerman), American
Scandinavian Foundation, Margy Bailly Fargo Film Festival, Mira Film Zurich, Tor
Production & Krysztof Zanussi Warsaw, Bela Bunyik, Eva Zaoralova & staff at Karlovy
Vary Film Fest, Raissa Fomina and Intercinema Moscow, Takashi and Makkiko Niwa
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
Pionwa Films Tokyo, Christo Bakalski Sofia Bulgaria, Paul Typaldos Santiago Chile,
Dr. Anita Uzulniece, Riga Marina Sonkina Vancouver B.C., Achmet Tas NYC, Dorothea
Moritz Holloway and Kino Magazine Berlin, Lee Searles Productions Toronto, Serbia
Film Center, Tim Grady and staff at World Cycling Productions, Tom Rainey, Andrea
Kopfmann, Eric Riggs, Bob Grant and Pragmactic computers, IFP Minnesota, Staff
of St. Anthony Main Theatre, Matty O’Reilly and all the staff at the Aster Café, Larry
Labonte, Jan Willms, Susan Andrews, Michael Reano, Dan Hassoun, Christopher
Beers, Jenneke Oosterhoff, Margaret Nelson, Michelle Taboada, Gary Palmucci,
Edward Arentz, Arianne Ayers, Patricia Aufderheide, Julie Parker Benello, Debbi Berlin,
Rebeca Conget, Anouk van Dijk, Thania Dimitrakopoulou, Mary Dossinger, Amélie
Garin-Davet, William Guentzler, David Haas, Jonathan Hertzberg, Elizabeth Bendtsen,
Diana Holtzberg, Jenny Jones, Aida LiPera, Tom Luddy, Paul Marchant, Gary Meyer,
Sheryl Mousley, Dean Otto, Jeremy Quist, Charlotte Renaut, Jessica Rosner, Ji-yoon
Lim, Camille Rousselet, Diana Sanchez, Alyssa Simon, Clemence Taillandier, Nadja
Tennstedt, Diana Vargas, Pepe Vargas, Christof Wehmeier, Martin Wendel, Jeffrey
Winter, Ira Heilicher, Dieter Kosslick, Aleksandra Bernacka, Sara Collins, Ken Perry,
Mike Hugo, Ben Johnson, Cara Donahue, Joanna Lees, April Bethea, Jon Boswell,
Sammie Holden, Alison Stolpe, Amy Sonnichson, Quinne Patchir, Ismail quassaddine,
Jessica Bergen, Jason Kroeker, Xiaoh Wang, Rich Reeder, Nels Donaldson,
James Lystad, Elysha Vevang, Emma Larson, Chris Remy, Greg Hernandez, Anna
Christianson, Peter Rose, Sharon Collins, Tom Schmidt, Jane Kathryn Kolles, Chris
Havens, Misty Havens, Jon Steinhorst, Deborah Venker, Mark Wollemann, Rick
Vaicius, Debra Herdman, Tom Rose, Clara Salyer, Qaiser Bakhtiari, Paradigm Copies,
Rick Spaude and Print4Change, and of course Buddy! Please forgive us if we left you
off the list! We know you, and appreciate all that you do…
102
Anna Henson
BOARD OF DIRECTORS Guest Programmer: Experimentals
anna@mspfilmsociety.org
Officers
Dr. Stephen Zuckerman, Chair Anna Henson
Tim Grady Tom Schmidt
Susan Smoluchowski Content Coordinators
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
ryan@mspfilmsociety.org Jesse Bishop
Earl Luckes
Jesse Bishop Bill Murphy
Assistant Programmer/Print Traffic Coordinator Steve Scott
jesse@mspfilmsociety.org Ryan Smith
Kevan Smoliak,
Eric Wilson Projectionists
Sponsorship/Ad Sales/Hospitality Coordinator
eric@mspfilmsociety.org Alex Codoreanu
Jessica Fisher
Kate Iverson Jon Persitz
PR Coordinator Eric Tuominem
kate@mspfilmsociety.org Festival Office Staff
Deborah Girdwood
Guest Programmer: Childish Films
childish@mspfilmsociety.org
103
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
The Small Assassin .......45 The Arbor .......................80 Experimental Film ..........84 Troll ................................23 The Pruitt-Igoe Myth ......41
Somewhere to Au Pair, Kansas .............40 Le Quattro Volte ............61 Pure ...............................65
Disappear ......................91 Au Revoir, Taipei ...........54 G The Light Thief...............61
Stake Land ....................76 Garagouz .......................44 Lila Lila ..........................30 Q
Stuck Between Stations.23 B Garbo: The Spy .............84 Little Rose......................61 The Queen of Hearts .....65
Trimpin: The Sound of Bardsongs .....................28 Gigola ............................57 Louder than a Bomb ......87 Queen to Play ................65
Invention ........................92 The Beginners ...............74 Göring’s Baton ...............44 Love During Wartime .....87
Truck Farm ....................92 Bellflower .......................74 The Greatest Movie Ever The Lutefisk Wars..........75 R
Twelve Thirty .................30 Belvedere ......................54 Sold ...............................84 Raavanan ......................66
When the Dragon The Bengali Detective ...32 The Green Wave ...........85 M Reconciliation: Mandela’s
Swallowed the Sun ........93 Better This World ...........81 Gunnar Goes God .........85 Mad Bastards ................61 Miracle ...........................89
Windfall ..........................94 Bibliotheque Pascal .......54 Made in India .................87 Resurrect Dead .............90
Bill Cunningham New H Madly in Love ................62 Rio Sonata .....................90
Minnesota Made York ...............................81 Habermann ....................57 Mamma Gógó ................62 Rough Tender ................41
All Over the Walls ..........80 The Blood of the Yingzhou Happy, Happy ................57 The Man Who Will Russian Lessons ...........90
Absence/Presence ........40 District............................93 Haru’s Journey ..............57 Come .............................62
Au Pair, Kansas .............40 Bobby Fischer Against the The Hedgehog ...............58 Marimbas From Hell ......62 S
Broken Dreams..............40 World .............................81 Hello! How Are You?......37 Master Class Opera.......87 Score: A Hockey
Incredibly Small .............41 Bringing King to China ...82 Hesher ...........................74 Men in Rut .....................63 Musical ..........................23
The Pruitt-Igoe Myth ......41 Broken Dreams..............40 Hitler in Hollywood .........58 Merry-Go-Round............63 Sea Sick ........................45
Rough Tender ................41 Home By Christmas.......58 Microphone ....................38 Sei Venezia ...................90
Solo 1 x 2.......................40 C Home For Christmas .....29 Midnight Son..................75 The Shukar Collective
Thicker Than Water .......41 Cairo 6,7,8 .....................54 Honeymoons .................29 The Mill & the Cross ......88 Project ...........................91
Triumph67......................41 Cameraman: The Life and How to Live Forever ......85 MN - Shorts Docs & The Sleeping Beauty .....66
MN Shorts: Docs and Work of Jack Cardiff ......82 How to Pick Berries .......44 Animations .....................48 The Small Assassin .......45
Animation.......................48 Childish Films Shorts 1 ..99 How to Start Your Own MN - Shorts Emerging Small Town Murder
MN Shorts: Emerging Childish Films Shorts 2 ..99 Country ..........................32 1 & 2 ..............................46 Songs ............................38
Filmmakers 1 .................47 Colors in the Dark ..........55 MN - Shorts Music Solo 1 x 2.......................40
MN Shorts: Emerging The Colors of the I Videos............................46 Somewhere to
Filmmakers 2 .................47 Mountain ........................36 If I Want to Whistle, I MN - Shorts Narrative ....46 Disappear ......................91
MN Shorts: Music Connected .....................32 Whistle ...........................59 Modra ............................63 Soul of Sand ..................66
Videos............................46 Cracks ...........................55 If These Walls Could Mokhtar..........................44 Sound of Noise ..............38
MN Shorts: Narratives ...46 Crocodiles......................98 Talk ................................34 Mosquito ........................45 Souvenirs: Healing After
Curling ...........................55 Illegal .............................37 My Dream ......................94 War ................................91
I’m Not Black, I’m My Joy ...........................63 Stake Land ....................76
D Coloured ........................40 My Perestoika ................88 Steam of Life .................91
David Wants to Fly ........82 The Imperialists Are Still The Myth of the American The Stoker .....................30
Dooman River................55 Alive! ..............................74 Sleepover ......................75 Street Days ....................67
Dossier K .......................56 In Another Lifetime ........59 Strictly Confidential ........92
Dumas ...........................28 In My Father’s House Are N Stuck Between
Many Mansions .............85 The Names of Love .......64 Stations..........................23
CONTINUED.....
www.smilenetwork.org 612-377-1800
106
B E E R · W I N E · D E S S E R T · B R E A K FA S T · L U N C H · D IN N ER
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WHO WE ARE
The Film Society of Minneapolis St. Paul presents the best of classic, contemporary
and cutting-edge cinema from around the world, celebrating the diverse art of the
motion picture as it was always intended-as a shared experience on the big screen.
We do this year-round, all week every week, in Screen 3 at St. Anthony Main. And
we do this through our annual Centerpiece, the Minneapolis St. Paul International
Film Festival.
f i n d m o r e i n f o r m a t i o n o n l i n e a t w w w. m s p f i l m f e s t . o r g
You make our programming possible and relevant
You make us viable, providing a demonstrated base of support
You provide a critical flexible base of financial support
You make it possible for us to bring in films and filmmakers from around the globe
You give us ideas, and incentives, to bring you, our audience, the best in film
WHY JOIN?
You love the film festival!
You want to ensure that innovative foreign films are shown in the Twin Cities
You are committed to helping bring cutting edge film of all kinds to the Twin Cities
You want to see more documentary films
You want to be part of a community
You want to support the arts
MEMBERSHIP BENEFITS!
All Film Society Members enjoy great discounts on all tickets, exclusive invites to
Member only events, and much more…
THANK YOU…
The Film Society of Minneapolis St. Paul is a non-profit 501(c)(3) organization.
All contributions to The Film Society are tax-deductible to the extent allowed by law.
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1502738/4/10
F movie reviews that connect all the dots, read Colin Covert in
For
tthe Star Tribune, Vita.mn and on StarTribune.com/movies.
Colin Covert iticic
i C
Crit
Star Tribune Movie
5102647/4/10