Professional Documents
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Kaufman
Still Toxic After All
These Years!
Songwriter’s Monthly - April ’11, #135 http://www.scribd.com/SongwritersMonthly
Lloyd Kauffman had no intention of heard of Troma Entertainment, Inc.,
making movies . . . until he went to let’s get you up to speed real quick . . .
Yale. The paragon Troma hero is a 98 pound
n e r d n a m e d M e l v i n Fe r d w h o i s
“I never thought I’d go into any kind of relentlessly tortured, ridiculed, and
a field of bullied at the
e n t e r t a i n m e n t ,” local health club
the iconic indie where he works
f i l m m a k e r as a janitor. One
r e ve a l e d . L l oyd d a y, his
has that perpetual tormentors go
grin in his voice, too far and a
you’re never quite pink-tutu-
sure if he’s being wearing Melvin
straight with you dives out a
o r i f h e ’s j u s t second-story
setting you up for window to
the next escape the
punchline. “I was a b u s e .
going to be a Fortunately, he
teacher or a social lands in a drum
worker, you know? of green,
It was the 60’s bubbling toxic
and I was going to waste. Melvin’s
work for peace, flesh blisters
make the world a and bursts into
better place, teach flames before
people with hooks the nearly non-
for hands how to existent muscles
finger paint, stuff b e n e a t h
like that.” grotesquely
“I don’t take myself too mutate, turning
“But I got roomed the scrawny
with a movie nut seriously . . . but I do maintenance
at Yale. My first take the movies not-quite-a-man
year there I was in into a huge,
a tiny little seriously.” misshapen,
bedroom with this super-strong
crazy movie nut and our beds were creature. Toxie (along with his trusty
head to toe so at night I would inhale mop) becomes a champion for the
his fedora stinking feet and the aroma underdog, a hideous monster with a
du Troma was born!” heart of gold . . . well, unless you are a
bad guy — Toxie shows no mercy to
For the handful of folks who have never evil-doers!
Songwriter’s Monthly - April ’11, #135 http://www.scribd.com/SongwritersMonthly
Sensitive viewers beware, Troma Growing up, Kaufman took piano
movies can be violent, gritty, gore- lessons, but it was the clarinet that
filled, laugh-a-minute romps that offer resonated with him. Broadway musicals
a cornucopia of nudity (and all that resonated with him, as well. So much
goes along with two naked people). A so that he jokingly refers to himself as
single film typically packs in more story a “gay married man.”
and plot threads than an entire season
of F RINGE while displaying tighter “I was a fan of Broadway musicals,” he
writing than a declared. “I sort of
blockbuster like “I can’t make a grew up in the 60’s, so
INCEPTION, yet there’s I saw every
never an attempt to movie without really musical . . . Lucille
slicken up or present believing that it’s Ball in WILDCAT, Sam
one of these B-movies Levene in LET IT
as anything other
going to be RIDE!, Phil Silvers in
than . . . well, a B- meaningful.” D O R E M I , and, of
movie. Troma films course, Julie Andrews
a l s o h ave a t e n d e n c y t o c a c k l e in MY FAIR LADY . . . I saw the hits, but
irreverently in the face of political I saw all the flops, too, and they always
correctness — SOUTH PARK looks like G- had at least one really, really good
rated Disney fare by comparison. song! WILDCAT had ‘Hey! Look Me
Over.’ SUBWAYS ARE FOR SLEEPING had
Got the picture? Okay, now that a bunch of good songs,” Lloyd gushed.
everyone’s on the same page, let’s get
back to our interview and address the
issue you’ve no doubt been wondering
about: Why is Songwriter’s Monthly
interviewing a filmmaker?! Let’s let
Lloyd address that concern . . .
doing it in a
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%252Falbum%252Fthe-toxic-avenger-musical
he’d originally
envisioned? Troma
films are definitely
not for the faint of
heart, but they are
fueled by truth,
there’s a message
behind the
madness.