Professional Documents
Culture Documents
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READING fiOOM
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Printed is U. S. A.
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PROPERTY OF TH£:
INSTRUCTIONS
In drawing from this book, copy the last diagram, or finished picture, of the particular series
before you.
help in construction —that is; getting proportions correctly, outlining the general form, or marking
details in their proper places. Do not press ftaid on' the pencil in making these construction lines,
Use pencil compasses for the circles, or mark theto Off with buttons or disks.
7
A.-
1? 1
LigKtl\pu&e.
Cepyrisht.l9l3.t»C.6LuU
10
A 1 i 3. ^ 4. ^
Cube-
\_\ \
B 1
11
Toy HorsG.
12
C=5
W—^ —^^1 ^
Toys
Copyrisht.l9l3,byE.Glut2
13
1 i
C reefed C rV3kne
^... ^
14
TKinjs to npiice ^^eIv drawing a cati face MAKE AN OUTLINE
THE SAME
SHAPE OFeARf) |^ X EYES WIDE APART
A FXWLONCt
HAIRS Above r^*4kv/.('Pt... EYES -PUPILS
CHANCRE IN SIZE
T1(^ER-LIKE .^ AND SHAPE
MARKINGS ,.--" ^
IN BRJ&HT DAYl.l(}HT AROUNP-'''
EYES LONQ
PUPILS OF EYES WHI5KER5
ARE LIKE THIS
16
B 1
^^^
iryiry
yV\ioe^
Copyrl8MI9l3>C.G.Lutt
^^
17
CUF^IOUS F^ISHeS Angel Fisb
IC^..rt<.l3«.t,tJi.U1,
18
Fi5he5 1 B
Co()ynslrt.l9l3.
by e.ftUtz
19
Cai+ail plan-t
20
CownsM.ISlJ
21
"Rabbit Runnin.^
<L>
^^^
22
Ft&hbii:^
23
24
1 3.
°6 ?^a#
Heiy And Clval^
25
4 . . S
^fe •C^
26
Cet)yright, I9l3,by E.6.Lutz
27
28
God^t
Coffrijihi l?l3t)yE&Lu^z
29
Bulldog
'®VA_/®
30
A 1
1 ^ '^O
Cowrisht,l9l3,b^EQ.Uh
'Q-:^
Ir^
31
FIRST DRAW A TRIANQ-LE ifor>se.
WITH 5 IDES EQUAL
32
A /'
I »
Tui^l^ev'
Co|;yn^M.I9l3.byE.Q.Lutt
33
34
Copyright. l9l5.byE:.&.Lurz
35
^w2vllow5
36
Flyii^ Dirdfe
Copyright. l?l3.ty£,&Lutz
37
38
39
40
A I
_^ 2. ^_^ 3
Parrakeet
and Parrot
41
42
Y\Z\CCOOT\^
"Copyfi<;Kt,l9l3.byES.t.tftz
43
1.
—N
y^ ^
44
45
FIRST DRAW /
A
RHOMBOID /'
46
A I
ror\
Ci Birds Tm<de
Adjutant
Copyri9ht.l913 byEQ.Utz
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47
48
Camel
3 freight Line.
Dra.wiri<?S
A 1
B 1
49
60
A 1
Copynjht.Bl^bytKfLutz
51
i
4
:
1
'-**-^
1 I'll
52
Fi^upcj -Merv- DraWn witK straight lii>e5
5 h _
1 ' P
—
-
CoiyTiJ».l9li.l)yE.^Ltt<I
53
/ "\
iB 3 4 's
2,
r
C '.
- ^ ,ri ir^s
/\ [/1^ u ^
54
A 1
Copyr.<lht,19l5,bvE.&Lutz
56
Droll
Face
56
A 1
DrAwintf F^ices
in. &t\ Amuf>in<5 Wav
67
58
Profile.^ ' Ea5y te draw
Coprigm,l9l3byE&ttfft
59
Ligktly drawi|
above
^^pr* e^^j o£v>£-
lines like
will help in
sketcKw
60
C(i[Yri<fM.\9l}.byE.QLuH _
«1
62
63
64
66
R^Ufvd Pi d ti re^
66
An odd
way of-
bejinuinf
B 1
87
A _L_ t^—. B ^
1
1 ^^
A A -1
\
-^..
IWI\•
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I
1 \!^^ 1
68
MeiJ\/i7g an, Ovetl w^ithfhe. Confp^3S&S
>r«Tr
Take note, first of all, of the difference between an ellipse and an oval.
The large plate explains the construction of an ellipse. It shows how to find the points where
the three pins are placed that determine the size of the looped string. Be sure and make measure-
ments accurately. Use a string that will not give, cotton thread is good for small ellipses, silk is too
elastic. A suggestion to amateur gardeners: make elliptical flower beds this way.
The caution in regard to accuracy also applies to the making of the oval.
70
DRAW TWO UNE5 CROSSINQ-
How to mh,ke a/? Ellipse: AT RIQHTANQLES IN CENTER.
/ ROV<^HiySKETCH
I
ELLIPSE WANTED \ \
I
\ /
V^ i<
\
WITH CENTER C AND AT POINTS OF INTERSECTION
DISTANCE BA AS T.AND F PLACE P/NS
RADIU5 IKTERSECT C
^ LINEBD
\1
\
\
\,
LOOP A STRIN<} TAKE OUT PIN
AROUND ALL AT C AND
THREE P/NS REPLACE WITH I// PENCIL POINT
71
n
-
gray. Learn to work with them, use them often and see
CrimsomIcrimson lake
the beautiful effects they produce. Delicate tints are made
VANDYKE BROWN with thin washes of yellow ochre and light red. Vandyke
NEW BLUE OR brown makes a variety of pleasing tints.
ULTRAMARINE
Oreiein HOOKER'S GREEN NoJ Use the bright colors sparingly.
Mjim.M PAYNE'6 qRAY You do not need a black paint. Payne's gray with
sS-«jppl^"\erv.t^r>j^ — either brown, blue, crimson or green gives rich dark tones.
Payne's gray is also useful in shadows and shading other
MAUVE colors. For the different kinds of greens, mix yellow ochre,
blue or brown with Hooker's green. Use thin washes of
-^n O RVERMILION
10: -7:^:7-^7—
;UP{.ANG£:
ANQE
I
light red and blue for the gray of distances and clouds.
73
74
/ ^ E<ii-
7S
76
77
^ZXOS3^-/>iO^
THE NEW YORK PUBLIC LIBRARY
CIRCULATION DEPARTMENT
NATHAN STRAUS BRANCH 348 EAST 32nd STSSFt
78
WHAT TO DRAW and HOW TO DRAW
THIS
which
is really a remarkable book in
made a good rea$on for
tine ia
©T.O that fixet the object in memory and 6
ops naturally a physical skill and a m
form. The youngest child may grasp knowledge of proportion and form.
the magic progress of this way of working Foreshortening and perspective, t
knd he will draw the picture naturally and bugbears to young artists, are overcom
Mrell. the simplest progressive examples.
INSTRUCTIONS are very brief, for the REMEMBERING THE KEY LINE o
key line* of each object tell their own story the way to the completed object T
uid the child is entranced by the results are hundreds of pictures to draw and all
toon gained. There is no stupid tracing in those most fascinating to the child, wh
this book, for tracing accomplishes at most thrilled by the "magic" that makes dra>i
Bnly a little muscular controL easy and delightfully interesting.
The book provides a step-by-step system *'Ju*t remember the KEY LINE, that't
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